Tuesday, July 19, 2016

Plays Well With Others: Dark Albion: Cults of Chaos

The newest supplement for Dark Albion is now out, Dark Albion: Cults of Chaos.  With a name like that how can I possibly say no?

A bit of history, I worked with author Dominique Crouzet quite a bit back in the late 90s and early 2000s.  I know what sort of thing he likes (or at least liked) in this area, so I know I was going to be pre-disposed to like this.  +Kasimir Urbanski is also the author and his contributions were going to be a bit more of a mystery. But I liked Dark Albion so my expectations were pretty good.  Like Dark Albion, this book can be played with any flavor of D&D you like. It is simple enough and light enough on the "crunch" it can actually be played with just about any RPG really.  While reading I Was thinking about it in terms of Pendragon, Cthulhu Britanica and other games.

Dark Albion: Cults of Chaos is the cults and cult-like groups book for the Dark Albion campaign setting/rules.  The book itself is 92 pages (94 with covers). This includes 2 pages of character sheets, a cult sheet and the ogl.  Minus title page and various bits we are looking at 80+ pages of solid content.
The art is all black and white and is a mix of newer art and woodcut designs.  I am rather fond of the woodcuts myself, I love seeing these in books.  I recognize a number of pieces as belonging to Dominique; so he is one of the artists as well as one of the authors.
The first part of the book deals with the cults.  In particular their size, composition, what social class they come from (very important really) and of course their motivations and where their secret lair might be.  Life of the cultist within the cult is also detailed to a degree.  Enough anyway to get you thinking more about them. In particular what they do in the cult, why they might have joined and possible mutations.  That one needs some more explaining.
Some cults are so exposed to the forces of Chaos that their cultist can begin to mutate.  A great idea that I am glad to see here.  Dom and I did something similar for Warlocks back in my 3.0 edition of my Witch book.  So immediately I grabbed on that as something to use.  The idea though has a lot of traction. There are similar ideas in Lamentations of the Flame Princess and I believe Dungeon Crawl Classics.
The next section covers running advnetures involving these cults.  Obviously these cults are not menat to be a one-time adversary. They are meant to be reoccuring antagonists and potentially even the "Big Bads" of your game.  This includes a number of NPCs, mostly normal level humans, that are involved in the their cults.  Don't assume though that "0 Level" = powerless. Nobility wield a lot of power regardless of level, a noble in a cult can be very bad for a party of adventurers.
I might as well acknowledge the inclusion of the "Frog Cults".  I still think "Frogland" is kind of dumb to be honest, but I don't mind these cults at all.  In fact wasn't "Temple of the Frog" the first real adventure played in D&D and certainly one of the first ever published.   The "Keepers of the Frogs" from Blackmoor could certainly fit as a DA cult.


Packed amongst all of this information are also tables of rumors and other information PCs can learn.  I thought of this as the "Scooby Doo" section of the book; the PCs split up and search for clues.

We next get some sample cults and some examples of some cults in various dungeon settings.  These are split up into low, medium and high level.

The appendicies are very interesting and include a section on Elves in Albion.  This section reminded me a bit of a similar direction given in Castles & Crusades Codex Celtarum.  Indeed, one could use both books together to get a large, more detailed picture of the elves/fae/sidhe.  DA tends to be low-fantasty compared to the C&S High(er) Fantasy.  Still in niether case are these "D&D Elves", they still have more incommon with the likes Obereon, Titania and Puck than Tanis or Legolas.

The next appendix details a score cults of various types. All ready to drop in your game.  The last appendix details sorcerery and chaos and the strange things that can happen when they mix.
We end with a cult creation sheet and a character sheet.  The character sheet should be offered for free download, I think people would like it.

All in all a fun book.  There is nothing here we have not seen before in one form or another, but to have it all one place with this particular presentation is great.   I am reminded a bit of the old Witches and Pagans book from White Wolf that covered similar territory. I even pulled out my Mage: The Sorcerers Crusade to see if this would work well enough with it.  It would take some work, but it could be done.


What strikes me most is how easiy it is to integrate this into any game you like.  The crunch that exsists is easily converted. Since a lot of the die rolling deals with tables and their results, conversion is a simple process.

I mentioned in the past that Dark Albion is particularily friendly to +Jeff Talanian's Astonishing Swordsmen & Sorcerers of Hyperborea. Using a page from DA:CoC one could easily add DA style elves (and of course their cults) into the world of AS&SH.  AS&SH style witches and warlocks seem particularily suited for the the chaos magic of DA.


In the end I thought this was a fun purchase. Glad to have it and glad to mine some ideas from it.

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I am up for an Ennie this year for Best Blog!
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Who You Gonna Call in 2016?

So last night I was inspired to crack open my long forgotten Ghostbuster RPG books.  I will go into this system in some detail later (I have some D6 stuff planned) but for now I want to represent the new cast with the classic 1986 rules.
The 1986 version of the Ghostbusters RPG uses a proto-version of their later to be the wildly famous D6 system.

The nice thing about this version of the system is it so damn easy to use that I could recreate the characters in a very, very short time.

The system has you build your characters on a 12-point economy.  Well, I took some cues from the cast as presented in the books and went with a 13-point economy on points. Maybe a little less for Kevin.  One of the features (it's not a bug) of the Ghostbuster movies and cartoons is the characters are all pretty much characters.  Look, I don't care how much you love the first movie. I love it more and Venkman is pretty one dimensional.  Two-dimensional at best.  Egon? The same.  Ray has a bit more going on I think and so does Dana.  Louis Tulley? No.  BUT that is fine!  It works for this game really, really well.  So representing this cast with only 2 hours to get to know them is not a big deal.

So here they are, the class of 2016!  I am presenting them in the style of the Ghostbuster ID Cards (dropping "telex" and putting in email).



Dr. Abby Yates (Melissa McCarthy)
TRAITS (Talents)
Brains 5 (Paranormal research)
Muscles 3 (Brawl)
Moves 3 (Throw things)
Cool 3 (convince)

Brownie Points: 20
Goal: Prove Ghosts are real
email: DrAbby@gbi.net

Dr. Erin Gilberts (Kristen Wiig)
TRAITS (Talents)
Brains 6 (Physics)
Muscles 2 (Run)
Moves 2 (see)
Cool 3 (orate)

Brownie Points: 20
Goal: Pure Science
email: egilberts@gbi.net

Dr. Jillian Holtzmann (Kate McKinnon)
TRAITS (Talents)
Brains 6 (Engineering)
Muscles 1 (Brawl)
Moves 2 (fire weapon)
Cool 4 (charm)

Brownie Points: 20
Goal: Build cool stuff
email: SciBabe@gbi.net

Patty Tolan (Leslie Jones)
TRAITS (Talents)
Brains 3 (Local NYC knowledge)
Muscles 3 (Break Things)
Moves 3 (Drive)
Cool 4 (Charm or Fast Talk)

Brownie Points: 20
Goal: To protect her friends and city
email: pattyNYC@gbi.net

Kevin (Chris Hemsworth)
TRAITS (Talents)
Brains 1 (Basic life skills)
Muscles 4 (Lift)
Moves 3 (Attract Attention)
Cool 3 (Bluff)

Brownie Points: 20
Goal: To be a Ghostbuster, and maybe figure out the phone
email: yournamehere@gbi.net

I like it. They fit well.
I'll need to delve deeper into this system in the future.

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I am up for an Ennie this year for Best Blog!
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Monday, July 18, 2016

Alas, 4e (Part 2)

Over a year and a half ago I lamented the final loss of Fourth Edition D&D.
Whether it was the loss of the plans I had for the game, the game itself or the sizable investment I made in the rules I am not sure.

Tonight it is late, and I am working and looking across the room from my office to my game room where my Fourth Edition collection sits.


I loved the art. I loved the attention that was made to the design of the game.  Was it D&D?  I can't answer that for you.  For me it was "near D&D" just like Pathfinder was/is.  In some ways Pathfinder was more D&D 4 than D&D 4 was. They were cousins, born at the same time and whose grandparents had trouble telling apart as their favorite.

Since that post, I have been dipping every so little back into 4e.  I am not planning on getting back into it anytime soon that is for certain.  But I do wonder if someday I will.

I am also wondering about going all digital with 4e.

DrivethruRPG has a sizable collection now of Fourth Edition PDFs.  A few I have already bought.
I could simply unload a few of those books, not sure how or where, and then rebuy them on PDF.

I love that 4e was very modular in layout.  I very easily could cut up all the books and reshuffle them to have all the classes in one place, all the skills and feats in another. All the monsters, mostly alphabetic in yet another.   The organization appeals to my innate sense of order and collection (or is that OCD?).

The real question is, is it worth it?  Obviously, if I played the game more then yes.  But I only dabble. Here and there now. I like the fluff.   One day maybe I'll run the HPE Orcus vs. the Raven Queen arc in the Forgotten Realms under 4e.  But not anytime soon.

Meanwhile, till I decide it is going to sit there and stare back at me.  Taunting me.

What would you do?

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I am up for an Ennie this year for Best Blog!
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Review/Preview: Crimson Dragon Slayer 1.11

+Venger Satanis has been producing material for a long time. Longer I think than most people really know.  I Remember talking to him back in the early part of the 2000s.  He had some cool, weird, interesting stuff back then, but not all of it was ready for prime time.  In the last few years he has put some quality product and made a name for himself in the RPG/OSR sphere.

A while back I reviewed the Crimson Dragon Slayer game.  I had some nitpicks with it but overall I liked it.  This new Crimson Dragon Slayer, version 1.11, is a little different.  IT is free, and if you bought the old one you can also get a combine version for the price of a click.

This "new" game streamlines CDS into a game that can be setup, taught and play begins in one hour.Not a small feat really.  The new game distils everything that made the first CDS different and makes it work.   The die system revolves around a d6 set of rolls, sometime 1d6, 2d6 or 3d6 (or even a 4d6) depending on the difficulty or even the new 0d6.

Everything is stipped down. Three basic races (human, elf, dwarf) and four classes (warrior, cleric, wizard, thief).  Everything from combat to leveling up is designed to be simple.   I see the same design philosophy here that I see in other stream-lined games.  There is enough here to really attach some very interesting ideas to not counting the built-in campaign view.  There is even a simple 3-page adventure to get your characters from level 1 to level 2.

There is still some work that needs to be done before this is a full product but so far there is a lot of promise here.  I am very interested in seeing where this goes and what sort of options are available for higher levels.  Right now the game is very fast and open and has a lot of potential.

For the right crowd of gamers this would make for a great afternoon diversion and for others it would become their game of choice.  For the price you really can't beat it.

I think there are somethings here (and the promise of others) that I could steal for my own OSR games.

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I am up for an Ennie this year for Best Blog!
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Monstrous Mondays: Baby Bestiary Vol. 1

Baby Bestiary Handbook Vol 1

A while back I posted support for the Baby Bestiary vol 1 and 2.  Volume 1 is now up for the Best Interior Art and Best monster/adversary ENnies and it is no surprise.  The book is absolutely gorgeous.

+Andreas Walters has put together a fantastic book that is part monster manual, part field guide, part ecology book and a huge part art book.

The book is a densely packed 81 full-color pages.  Easily one of the best-looking books to be nominated for an ENnie.   Each monster description comes with details on what the young of each monster is called (a baby Hippocampus is known as a "fry" for example), how hard it is to train the young and other vital facts such as danger and intelligence levels.

The book would make for a great coffee table book really and I hope there is a nice leatherbound option in the future collecting both volumes.
Of course, the obvious choice here is the older gamer that has kids that LOVE monster books.
I have forgotten how many times I have had to go on rescue missions to my kids rooms to find my D&D books.  I still have a Pathfinder book that I can't account for in fact!  For younger kids a "baby monster" game, ala Pokemon, gotta catch them all, would be fantastic.
Since there is little to no "crunch" in this book it is compatible with a wide variety of games.  Play your favorite game, use this book as your guide and go monster hunting with your kids.

In any case, this is a really fun book and I am really looking forward to Volume 2.

Don't forget to include the hashtag #MonsterMonday on Twitter or #MonsterMonday on Google+ when you post your own monsters!

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I am up for an Ennie this year for Best Blog!
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Sunday, July 17, 2016

Ghostbusters (2016)

This weekend we went and saw the new Ghostbusters movie.   Before I get into that I want to talk about the original Ghostbusters from 1984.
I love movies. I have seen thousands over the years, and Ghostbusters is one of my favorites. I love comedy and horror and grew up on a pretty steady diet of Saturday Night Live.  Because of Ghostbusters I picked up my first psychology book.  Ten years later I was getting a Ph.D. of my own in Psychology.  I spent hours going over the paranormal section in my town's small, but fairly decent library.  I was already a fan of horror and the occult by then, Ghostbusters made it all cool and new again.
For my games, I tried to make my cleric into the rough D&D equivalent of a Ghostbuster.  I created two new spells, the sixth level "Father Werper's Crystal of Containment" and the seventh level "Father Werper's Crystal of Disruption".  Both spells needed a pure quartz crystal, a round one for the containment spell and a prism-like one for the disruption.  Yeah not really all that original, I was 15.
I even tried adapt bits of Chill for my use.
For years Ghostbusters ruled as my favorite all-time movies.  I even recall sitting in my basement office about six or seven years ago wrapping Christmas presents while watching the Ghostbusters DVD commentary thrilled like it was brand new to me.

So it was with no small amount of trepidation and a lot of excitement when I heard about the new Ghostbusters.

I should not have worried.

The new Ghostbusters is every bit as good as the first and in some ways even better.


Melissa McCarthy, Kate McKinnon, Kristen Wiig and Leslie Jones are brilliant in their respective roles.  McCarthy and Wiig make a great team that paly well off of each other.  Plus I could totally buy into them being friends and rival scientists and then friends again.  Leslie Jones is fantastic and Patty is a great and logical addition to the team, she certainly (as a character) hold her own with the crazy mad-science antics of the other three.

But I have to say this.  Kate McKinnon steals every single scene she is in.  Dr. Jillian Holtzmann is now my new favorite Ghostbuster ever.  She is not just fantastic in her acting, but in everything, she is in and does.   I have been a fan of hers for a while and this movie is finally allowing others to see how great she is.

The movie, by the way, is fantastic. The trailers do not do it any justice at all.  There is a good story here, which the trailer never gives away, and a great villain.  The cameos are fantastic and a nod to the true fans of the 1984 movie.  Stay for all the credits for all the cameos. Unlike the first movie, this movie sets everything up for a sequel.  A sequel that is very likely to happen given this weekend's box-office.   Anything that gives us more McKinnon and more Holtzmann is fantastic in my mind.

If you are one of those complaining about an "all woman remake" because it is all women.  Get over it.
This movie is great on its own merits and one I want to see again.
If you don't like remakes on general principle, well I can't help you there save to say that you should see this anyway.

The prevailing wisdom in Hollywood has been that an all-female cast is box office poison.  I hope this starts to change things.

I grew up with Ghostbusters.  Now my kids have a Ghostbusters they can grew up with.  I think they have a pretty good deal.


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I am up for an ENnie this year for Best Blog!
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Friday, July 15, 2016

Kickstart Your Weekend: Strange Magic 2

Interjection Games and Bradley Crouch are Kickstarting an update to their wildly successful Strange Magic called, appropriately enough, Strange Magic 2.



This book looks great and it will be for Pathfinder and D&D5, so that is cool and a nice value add in my mind.
They even have a preview up on RPGNow that you can grab as Pay What You Want.
Strange Magic 2 - Preview.  The Druid and Cartomancer look really cool.

Check it out!

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I am up for an ENnie this year for Best Blog!
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Thursday, July 14, 2016

Review: Chill Quickstart - Good Fences Make Good Neighbors

Chill Quickstart: Good Fences Make Good Neighbors

I am woefully behind on all my reviews.  None am I more late on than reviewing what should have been something I jumped on right away, Chill 3rd Edition.

I was very disapointed when I saw that Chill was not up for a ENnie for Best Game this year.  The consolation though is that the rather excellent Quickstart for Chill is up for Best Free Product.

This is good since you can experience Chill for the price of a couple of clicks.

Now my love for Chill is WELL documented here on this blog. When everyone else was playing Call of Cthulhu (and watching their characters go mad or die) I was playing Chill (and watching my characters die).  Or more to the point I was creating elaborate scenarios involving SAVE.   I loved Pacesetter Chill and even drove out to the old Mayfair Games warehouse to score a brandnew hardcover a few years back.  I own pretty much everything for Chill and even Rotworld/Cryptworld/Majus.

On to the product as hand.
Chill: Good Fences Make Good Neighbors is a 46 page "Quickstart".  It has everything you need to play the game now except for people, dice and some tokens.  Don't have 10-sided dice?  Fine, get a deck of cards, remove the royals, put all the black suits in one deck and all the red in another.  Shuffle them.  When you need to roll choose a black card and a red card.  Count tens as "0" and aces as "1".   Save the face cards, the royals, for your tokens.

With this Quickstart author +Matthew McFarland has distilled Chill down to it's essence. It's a game about fighting the Unknown.  There are a couple of pages devoted to the mechanics of the game; find a target number, roll that or under. Avoid botches (doubles over) but hope for a Colossal Success (roll doubles and under).  Tokens are also covered.

An overview of the character sheet comes next breaking down the Attributes, Skills, Edges, Drawbacks and where you record damage.  There is also a spot for The Art, or some magical/psychic abilities.  This edition seems to focus a bit more on this than the previous, normal-human-centric point of view of the previous, but that will wait for a full reveiw.

This makes up the first half-dozen or so pages.  The next dozen covers Combat and The Art. Combat is just another type of test/roll and The Art are "fancy" skills.  The nice thing is when one system is learned the rest are easily picked up.

The rest of the book is the adventure.  I don't want to give out any spoilers for potential players, but the adventure is a classic one for Chill.  What kind of adventures are good for Chill? Well anything you might see on "Supernatural", "Grimm", "Kolchak" or "The X-Files" would make for a great Chill game, but also the stories you told as kids about the haunted house, or the mean old neighbor lady or the monster in the sewers.

The quickstart includes some characters to get you up and running fast. There are maps, artifacts and investigation sheet to make this feel like a real investigation into the paranormal, or what Chill calls The Unknown.  Enough background is given on SAVE to make it interesting and to make you want to know more.

For the price you can't beat it. If you ever told a scary story to others with a flashlight under your chin, dared a friend to go into a "haunted house" or watched a Hammer Horror film then this is a great game for you.   An ENnie win for it would let others know that too.



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Wednesday, July 13, 2016

Class Struggles: Cthonic Warlocks and The Return of Tharizdûn

Working through my "end game" for my Come Endless Darkness campaign.  Like the Gygax book of the same name my main Big Bad is Tharizdûn.  Also like the books I am sure that the universe is going to look very different when I am done.

Through the various adventures, the big plot emerging is that Orcus, Lolth, Yeegnohu and others are taking advantage of the death of all the Sun Gods, but no one has yet confirmed or not if they have any actual involvement in it. They suspect Orcus.

In truth it is all going to be Tharizidûn.  This is something I have built up over the last couple of campaigns.  The "Dragonslayers" (the generation before the "Order of the Platinum Dragon") uncovered the Forgotten Temple of Tharizdûn.  His big plan, of course, is to get free.

Currently, I have him in a cage deep in the lowest part of the Nine Hells. Asmodeus is still his jailer and in many ways is the very first Warlock of Tharizdûn.  He has been siphoning off Tharizdûn's power for centuries, it is how he took control of Hell in fact.  But Tharizdûn knows this and while Asmodeus has been doing this, Tharizdûn has been pulling him deeper and deeper into his thrall.

In my games Tharizdûn also has another title, "The Whispering God".  This comes from his warlocks who say their god whispers in their ears and tells them secrets. And convinces them to do terrible things.  He is also known as the Elder Elemental Eye and worshiped by elemental-demon cults. He is also worshiped by the Drow that do not follow Lolth.

Recently Strange Brew: Warlocks was released.  It includes a version of the Whispering God that I used in my games. I am particularly proud of it to be honest.
WARLOCK PATRON: THE WHISPERING GOD
Deep in forgotten tombs, hidden in forsaken forests, and haunting long-abandoned churches of long-dead gods, you can hear it. It is soft, but it is there. Once you hear it, then it is always with you—day and night, sleeping and waking. It is the voice of the Whispering God. No one is for sure who or what the Whispering God is.
There are no churches or priests dedicated to him. No stories of creation. No heroes. No tales of battles. Just the constant whispering. Those warlocks who follow this entity are blessed and cursed: blessed with great power and cursed with the voice of their patron in their ears forever. No one knows what the Whispering God wants or even why he/it needs warlocks and not clerics.
The speculation is that he is a god trapped in prison so dark and so perfect only his voice can escape, but just barely. He needs these warlocks to spread the word so he can escape. Others claim that the god is nothing more than the madness that will consume all “his” warlocks.
For Pathfinder this is a "Cthonic" Patron.  For D&D 5 this would be an "Old One".
For my players, it means trouble.

Here is a Cthonic Tradition for the Basic Era Witch.

New Tradition: Cthonic

Witches of the Cthonic Tradition honor and some say are slaves of, very, very ancient powers. Some are inhuman powers from beyond our reality and understanding. Some are ancient Primordial Beigns from before the times of gods or mortals. A few are Dead Gods whose worship continues and whose power remains.

More so than any other witches, these are most often called Warlocks.

Role: These witches and warlocks represent a tie to the ancient past or to other unworldly powers.  They represent classical villains or the scholar that has delved too deep into things that mortals were never meant to know.

Joining this Tradition: To join one must either discover the Cthonic Patron of be discovered by one.  For example, the Cult of the Whispering God hears their Patron's whispers when they uncover hidden knowledge about the God or venture deep into areas that were formerly His centers of worship.

These witches tend to be Solitaries or be involved in small cults.
They are for the most part are chaotic, with some gravitating towards neutral. Rare is the lawful Cthonic witch, but it is not unheard of.

Leaving this Tradition: Often there is no way to leave this tradition; not even in death.

Occult Powers
Minor - 1st Level: Grimoire. The warlock does not gain a familiar like other witches, but rather a semi-aware tome known as a Grimoire.  These tomes replace the Book of Shadows for these witches. These Grimoires are often sought after by occultist, magic-users.

Lesser - 7th Level: Immune to Fear. Exposed to so many horrors or alien minds warps the mind of the warlock to a point where normal fear has no effect on them.  Magical fear is also given a -4 bonus on saves.

Medial - 13th Level:  Alien Mind. The Cthonic witch has become so accustomed to dealing with alien and ancient minds that she becomes immune to charm and hold spells. Her mind can't be probed or read via telepathy, ESP or similar powers.

Greater - 19th Level: Curse. The warlock can place a powerful Curse on a single creature. She can only do this once per day (for a single creature). The curse can be of any sort, but usually the curse will bestow a -4 to all to-hit rolls and -2 to any saving throws. Other curses may be allowed, such as the Bestow Curse spell. Witch curses are quite powerful and require the use of two (2) remove curse spells to be fully removed.

Major - 25th Level: Shape Change. Once per day, the witch may change her shape to any type of aberrant monster, like the spell Shape Change. For 1 turn per level, the witch may move freely back and forth between her aberration and human forms. Once the form is chosen, that is the only form she can use for the day. So, a witch may choose to change between the forms of human and a roper but cannot go between roper, human and bird. Once the duration has expired, the witch reverts back to human form.  The witch does not have the special abilities of the aberant form save for those that she can manage with the form.  So the roper's tentacles would be replicated, but not the basts of a Sphere of Many Eyes.

Superior - 31st Level: Apotheosis.  The witch becomes something else. This new form and powers are dependent on the Patron she serves.  For witches of the Whispering God her voice barley rises above a whisper, but her voice can be used as a Command spell once per day, a Charm spell 3 times per day, and a suggestion seven times per day.


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Tuesday, July 12, 2016

Review: Maze of the Blue Medusa

Notice: I am not taking down this post because I feel it is more important to leave it up, but also update everyone on what is happeing now as February 11, 2019. Please see this newer post first. http://theotherside.timsbrannan.com/2019/02/i-am-going-to-talk-about-zak-today-and.html

Maze of the Blue Medusa is the latest book from +Patrick Stuart (of Deep Carbon Observatory) and +Zak Sabbath ("Red and Pleasant Land" among others) and published by Satyr Press.

All of that is relevant to the review that follows. First, you can see the DNA of both DCO and RaPL in Maze of the Blue Medusa (MoBM hereafter). Not to say this is the child of the other two, unless it is a child the same way a medusa is the child of an arch-devil, but there are fingerprints all over it.

Satyr Press is important too. Not because you have heard of it (I hadn't) but because they are not known for their RPG books. In fact this is their first and only one to date.  You won't find MotBM on DriveThruRPG or RPGNow. I have no idea if my favorite local game store carries it (though they did have RaPL).  So already we should know from all of this we have something different. And we do.

I have had MotBM now for a little while but I have been purposefully holding off on reviewing it till know for a very specific reason.  I want to review it now so you can vote for it at the ENnies.  Yes, I know that calls my bias into question and my intentions.  But there is the Product (which I am reviewing here) and there is the Philosophy (which is why I want you to vote).  I am going to review the Product, but I want to talk about the Philosophy.

Ok brass tacks.  What is Maze of the Blue Medusa?
Extremely simply put MotBM is an adventure.  It is a huge dungeon in the very, very classical sense that for what ever reasons your characters will investigate.  The PDF is 296 pages. This contains a map of the "Maze" (spoiler: it's not really a maze), both Zak's lavishly painted version and a utilitarian numbered one that is also hyperlinked (Philosophy vs. Product right there).  The PDF is massive, hyperlinks everywhere and the art is, as expected, top notch material from Zak.   I can't help compare it to Red and Pleasant Land, and favorably so.  The art is central to the map. OR the map is central to the art. They are one and the same really. So don't come to this product if you want grids or blue borders on your maps.  I love all that stuff, I do, but that is not this product, nor would it ever be.
The maps remind me also of the board game Dungeon! a little bit.  Same sort of color, same sort of "flat yet, multi-dimensional" feel to it.  I will be honest that was what attracted me most from the start.
The Maze is both explicitly and implicitly multidimensional.
The only thing I can relate it too was this multivariate regression course I took back in grad school where we tried to replicate 4, 5 and more dimensional multivariate axes on two-dimensional paper.
For me, at least, not only is the PDF hyper-linked, the Maze itself is hyperlinked.


We are given a brief history and a timeline involving an immortal medusa and three perfect sisters.
There is insanity all around them, thus the Maze.

Or whatever.

I like the background and it pulls me into this world, but it happened (game wise) so long ago how can any of the PCs be sure?  Implicit in the design is that you can do what you like here.  This is evident in the coding of the monster stats in some Ur-D&D. Designed to be flexible and compatible with a wide variety of editions and games.

Which gets me to my first big point on Philosophy.
The Maze has no meaning save what the reader/player puts on it.
I am not trying to discount what Zak and Patrick wrote in the book. Not at all, quite the opposite. They worked very hard to provide a copious amount text and background.  But like the medusa who changes people with her gaze, the Blue Medusa is changed by the gaze of others.   The details are enough to get you going but how it works in your world with your players and your style of gaming (not to mention the ruleset you choose) will change it.  The language used here is less "I am telling you what is happening" to "I am inspiring you to tell what is happening".  The difference is profound.  It made the work Zak and Patrick had to do harder, but more rewarding.  It is not their domain (or dare I say even their right) to tell me why the Medusa or Chronia don't age, it is enough that they don't and the world moves on.  Do you need to know for your game? Maybe, that is up to you.

The monsters, or really NPCs, are unique and tailored to this. Same with the magic items.  Sure there are some liches, but that seems to be expected given the rules of the Maze to be honest.  Hell I might throw in a couple more and have them be former adventures from my gaming groups of the neolithic days of D&D just amuse myself.   But in truth no-one is there without a reason.
One could, based on the surface features, call this a dungeon crawl but that is nowhere close to what it really is.  Yeah you can use it as that, but that is a waste of material.
Plus, unlike the great adventures of yesteryear (which I am still inordinately fond of) there are good reasons why these monsters/npcs/characters are hanging around here.  There is no sphinx guarding the corridors as in White Plume Mountain. There is no monster here because it fit the challenge rating of the rest of the dungeons.  Things are here because they serve a purpose in the Maze itself independent of whether or not the PCs are there.

There are also enough things going on in this dungeon/book that I could not help but be amused by knowing the histories and interactions of the designers.  I nearly spit out my coffee at the Canibal Critics.   I also have to admit I adore the Glyph Witch.

Now personally I am huge fan of the PDF. It is hyperlinked and I can jump all over the Maze in a way that is both utilitarian (Gods...I just called a Zak Sabbath book "utilitarian")  but also aesthetically pleasing.   I want to say though that the pictures of the hardcover are absolutely gorgeous.  It's the type of book you leave out and hope your non-gaming friends find a leaf through.

Sometimes They Get Lost
With so many characters (both senses of the word) wandering the halls of the Maze I can't help but have two thoughts. 1. Is this the authors' idea of what hell is? It has all the features of the Greek Hades or even Dante's Inferno. I am quite certain that all the NPCs represent real people in the lives of the authors. I have not identified them all and I am not likely too, but it is a fun exercise.  Also 2. Is this where all the lost characters go?  Sometimes when you play with a group, players come and go, what happens to their characters?  I am not talking about inbetween major adventures, but in the middle of one.  One session there are there and the next...gone.  Maybe...just maybe some of them end up here. They are lost in the truest sense of the word. Not evil, not good, but lost.  Maybe they have wandered the halls for a thousand years but still think that it was only minutes ago they got here.  Maybe they are all too painfully aware of what is going on but are powerless to do anything about it.

Why Should I Buy Maze of the Blue Medusa?
Buy this if you are the type of gamer that loves a new and unique challenge. Buy this if you are the kind of gamer that is bored of the typical dungeon crawl where you kick in a door, kill the giant rat and collect your 2,000 coppers.  After 36+ years of gaming, precious little seems "new" to me.  This feels new.  The ideas are old, but the presentation and the execution are new.
Buy this for the jaded gamer who thinks they have seen it all.
I am going to pick up the hard cover because I also think this adventure makes for good reading.  There is an implicit story here I would love to tease out for my own world.

Why Should I Vote For Maze of the Blue Medusa?
Obviously, I think the product is worthy of such consideration. This why I am posting now as opposed to last week or after I get my hardcover.  This is my next big point on Philosophy.  You buy MotBM for the Product, but vote for the Philosophy.  Zak's writing, work and much of his blog is about how games can and should be better.  MotBM is the tangible artifact of that ideal.  Now my "better" and your "better" and his "better" might not all be the same thing, but the effort to do something different needs to be rewarded.  The effort to try out adventure design where one designer paints and the other writes and they go back and forth should be rewarded and acknowledged.  There is also the fact that this is essentially a D&D product. If this were (gods I am going to catch shit for this) FATE adventure or something from the Indie Press Revolution, the style would be heralded and pedalstooled by that faction of gamers. This is the Indie RPG aesthetic applied to DIY D&D.

Maze is up for the following ENnies:
Best Adventure
Best Cartography
Best Electronic Book
Best Writing
and Product of the Year

Personally, I think it is worthy of all of these. Foremost Best Adventure and Best Electronic Book.
Buying sends the message to the authors that you appreciate their work. Voting sends the message to other authors that this is the sort of thing you like and you want to see more.  So please, vote for this.

We need more adventures and supplements like this.

I have no idea where I am going to use this, but I will use it.

Good job +Zak Sabbath and +Patrick Stuart.  Looking forward to seeing what is next.
---
I am up for an Ennie this year for Best Blog!
Please click on the link and vote "1" under "The Other Side".


Monday, July 11, 2016

ENnies 2016 - Vote for The Other Side

Voting is now open for the ENnies Award and I am up again for Best Blog.



Is this just a popularity contest? Sure. But so are the Oscars, the Presidental Election, and Miss America.  Since I am not up for any of those, I'll focus my efforts here.
But in truth it is also an honor to be nominated. My peers think that my work here is good.
Voting for me also sends that message. It means something to me. It means you like what I do.

So if you can, please give me a vote. It is really appreciated by me.



Click the link, choose “1” from the drop-down menu under my blog’s name and click Vote.

Since I live in Chicago, vote early and vote often! ;)

I will have some of my own picks later this week.

Monstrous Monday: Camazotz & Weekend Round-up

This weekend I took the Order of the Platinum Dragon through the classic module C1 The Hidden Shrine of Tamoachan.  I ran it semi-tournament style. That is I focused on the areas from tournament play where suggested, but I did not keep the scoring.  Given the trap crazy nature of this module I also gave XP for clever ideas on how to defeat the traps.

I changed it a bit to fir the current "Come Endless Darkness" storyline. The party was teleported there after the Council of Greyhawk scryed for anything that might help them re-ignite the sun.  The crystal pointed here and off the party went.
They appeared in a jungle with a pyramid of into the distance and an opening in front of them.

Yeah, so it was an Egypt project my son did...
Entering the tunnel the soon where confronted with traps of a sort.

I played up the "Temple of the Sun" bits and focused a lot on the various god depictions in the dungeon. In particular the ones with the bison, coyote, bear, serpent and eagle heads.   They encountered the evil neried and decided to drain all the water out of the room with a portable hole. That convinced her to tell the party what was a "safer" route.

They mangaed to find their way up to the temple where a sight of horror was found.  On the temple floor were hundreds of dead humans and among them four dead gods. Each god was dressed in Olman garb wearing sylized headgear of the bison, coyote, bear, and serpent.  All of their hearts had been cut out.  On the altar was a god wearing the Eagle head gear, his heart was also cut out.
They party recognized the gods not only as the gods from the frescoes, but also they were the Cinco Hermanos, their retainers from the Keep on the Borderlands.  Standing over Eagle/Cinco/Ixion was the demon bat god Camazotz.  In his hand was the heart.


The paladins attacked right away and managed to force Camazotz back to his home plane of Xibalba in the Abyss.  But Cinco (as always played by Danny Trejo) was dying.  He told the Order that he tricked Camazotz into taking his liver instead of his heart (gods can do the sort of thing), but he was dying anyway.  He convinced them to take his heart so they could use to relight the Forge of Moradin.  This would give them enough magic to at least keep the world from frezzing to death.

The forge was relit with the help of the only surviving members of Greyhawk's great wizards, Bigby, Tenser and Mordenkainen. But at the cost of their own magic.

Now the Order has been sent to investigate the possible outbreak of attacks by a group of giants.

This adventure was a big one.  It set up the next act of the campaign, it brought back the Cinco Hermanos (though only for them to die) and revealed the Orcus connection to the death of all the Gods of the Sun.

It also allowed me to bring in Camazotz as a demon lord.
Here are the stats I used, Maybe not 100% accurate for 5th edition, but it worked yesterday and the kids did not have to fight him much.

Bat King by FangWangLlin
Still getting the hang of these monster stats, but they are based on my Labrynth Lord/Petty Gods stats for Camazotz and the D&D5 stats for Yeegnohu.

All in all I like it.  Can't wait for the kids to run into him again in Throne of Bloodstone!


Don't forget to include the hashtag #MonsterMonday on Twitter or #MonsterMonday on Google+ when you post your own monsters!

Friday, July 8, 2016

Friday Night Videos: Happy Birthday Jon!

Wednesday, July 6 is the birthday of one of my oldest friends Jon "Flat Black" Cook.
Growing up Jon's birthday always meant that going over to his place and playing D&D until sunrise.  Great times really.

Since I have not posted one of these in a while I wanted to do this one for him.  Plus Jon always had a great collection of music.  He got me into Rush and Iron Maiden. He was the one that threw a copy of Iron Maiden's "Number of the Beast" at me and told me to listen to it and don't come back till I knew all about Eddie.
Metal, D&D and summer's hanging out with Jon were what made the early 80s for me.
Also this is more like Friday Afternoon Videos since I want to tag him on Facebook with this.

I'll admit it. During the height of the "Satanic Panic" Jon and I would do whatever we could to make matters worse. Playing D&D and listening to Iron Maiden was the norm. Thankfully for us we had parents that were neither impressed with two teens nor stupid.




I am not really sure who introduced me to Pink Floyd first. Jon or my late brother Mike.  I am inclined to give Mike the credit because Mike was really cool like that and that is how I want to remember it.  But Jon certainly introduced "Not Now John" from Pink Floyd's "The Final Cut" to me.  I am in the minority here, but I rather enjoy the bleakness of this album. People say The Wall is depressing. That's a cake-walk compared to Roger Water's soul-bearing requiem for the post-war dream.
Fuck all that.  This is just a great song.




One of these days...I need to do a FNV dedicated to Pink Floyd.
One of these days I am going to dance with the grim reaper...or cut you into little pieces...never was sure hat he was saying here.




It is no doubt that Jon introduced me to Rush.  To this day I equate Rush and D&D so tightly largely due to these summers.  This was the first song I can remember him playing while we gamed.




Another group Jon played a lot of and I associate with gaming to this day is Blue Öyster Cult.  Veteran of the Psychic Wars from "Fire of Unknown Origin" might be the most D&D song ever written.



It wasn't all metal. David Bowie's "Let's Dance" was a BIG hit around this time.




Even years later as I was getting ready to go away to college Jon still had something new for me.  With his typical "you need to listen to this now" attitude he popped in a tape (yeah tape) of this new band he discovered; Guns and Roses.

No association with gaming here.  Just Jon once again being Jon and finding out about music when no one else in our little midwest town had never even heard of these guys.



So Happy Birthday JR!

Thursday, July 7, 2016

New Art

I love art. One of the skills I wish I had was the ability to draw or paint.
Sadly, I don't. But that is ok. I know lots of people that do.

Avionetca is one of those people. She does FANTASTIC character art.
So when she had a slot open in her commission schedule I had to jump.  So here is my iconic witch Larina, Avionetca-style.


Full character sheet.

http://avionetca.deviantart.com/art/WebWarlock-Larina-the-Witch-620193449
I am inordinately pleased with this.

When her commissions open up again I might get her to do Larina's daughter Taryn.
I love this character and I never get tired of seeing her brought to life.

Wednesday, July 6, 2016

Class Struggles/Plays Well With Others: The Vile Witch

Mazes & Perils is the newest game on the OSR scene.   I covered the game in a "Class Struggles" back in May.  Then I focused on the new(er) magic using classes in the game.  There was a promise then that there would be more classes.
Given the Holmesian origins of this game the newest class is, appropriately, a witch.

The Vile Witch is the newest class for Mazes & Perils from +Vincent Florio, +Brian Fitzpatrick and +Sal Valente 
Before I talk about the class I want to give a shout out to cover artist +Jacob Blackmon. He is the one responsible for my new header above.

The Vile Witch is a 14 page book (cover, 2 pages of OGL, 1 page of ads, 1 title page for 9 pages of content) dedicated to the new vile witch spell caster. This is a character that revels in what others throw away.  It immediately reminded me of the Junk Lady in the movie Labyrinth AND Maja the witch from Adventure Time; she is the witch that buys Marceline's teddy bear Hambo for its memories.  The idea is that there is power in memories and power in items that have been associated with others.  It's a powerful archetype really and one with a LOT of potential.
But because the witch is so often mired in the refuse of others her appearance and form suffers.

The class has a lot of interesting features and powers in addition to some new spells and familiars.  Vile Witches are limited to 9th level. I think I see why, but I would try them to 10th or 12th like the other spell casting classes. Though she does have more powers (familiars and "vile blood") as well as a quicker spell advancement.
The book has both "vile familiars" and "common familiars". Common familiars can be used by any spell casting class, the vile ones are for the vile witch.  The rules are simple, as befitting the M&P game, and easy to use.  If you want familiar rules then this is a good choice to be honest even if you never use the class itself.
The book also contains 19 new vile witch spells.  While these spells could be used with any other magic using class, they are very specific to the vile witch and really give her a lot of flavor and color.

For just under $2 there is a lot of material here. It is a very different sort of witch and I like that. I am certain that this class will make for some great NPCs and hopefully some really great PCs as well.

Class Struggles
What I kept thinking while reading it was that a Vile Witch dedicated to the Goddess, Tlazolteotl would be a good idea. She could even be "good" or Lawfully aligned. Something like a "Sin Eater".
Her job is to make good things happen by "eating" the bad things.
Only a thought, but it would be how I'd play the class.
Unlike other classes I have talked about under the Class Struggles banner I can't really think of a similar class.  Maybe

Plays Well with Others
Mazes & Perils is firmly rooted in the "Basic" era style gaming and Holmes in particular.  That being true it works really, really well with my own Basic Era Witch class and many others.

If I were to convert this to my own book I might call them a "Sin Eater Tradition" for Lawful witches or "Vile Witch Tradition" for Neutral and Chaotic ones.


For Occult Powers I might try this;

Lesser: Vile Familiar
Minor: Toxic Blood
Medial: Greater Glamour
Greater: Curse
Major: Shape Change
Superior: Vile Apotheosis

Have to work out all the details of these, but the idea is that exposure to all this...stuff...changes the vile witch is both physical and supernatural ways.

Here are some spells from my book that you can use with the Vile Witch.

Sickly
Level: Witch 1
Range: Touch
Duration: 1 minute per level
This spell causes the target creature to suffer from poor health.
Witches must succeed at a touch attack to strike the target. Subjects who fail their saving throw suffer a –1d6 penalty to Constitution, with an additional –1 per two caster levels (maximum additional penalty of –5). The subject’s Constitution score cannot be reduced below 1.
Material Components: A dried up dandelion.

Sour Stomach
Level: Witch 1
Range: One Target (within 25’ + 5’ per 2 levels)
Duration: 2 hours per level
This spell causes the target to have a nervous stomach, thus experiencing severe digestion, discomfort and cramping upon the engagement of any event that’s moderately stressful or exciting.
So terrible is this form of indigestion that the target must succeed a Poison saving throw, find a means to relieve their situation within 4 to 7 rounds (1d4+3) or have an “accident” that results in potential embarrassment and potential discomfort. The triggering event of such inconvenience could be most anything, from running into an encounter to finding treasure of mysterious properties to even meeting some stranger along the road. Each worthy event during the full duration of the compulsive enchantment can cause another potential outbreak of discomfort, thus requiring another save.
Material Components: A bit of soured milk.

Vertigo
Level: Witch 1
Range: 1 subject
Duration: 1 round per level
This minor hex causes the target creature to have a feeling of vertigo. The subject will feel that they are falling and their footing is unsure. Dizzied creatures suffer a -4 to their dexterity score and any to hit rolls.
Material Components: The witch makes a spinning motion with her finger.

Defoliate
Level: Witch 2
Range: 25’ + 5’ per 2 levels
Duration: Instantaneous
With this spell, the witch instantly slays all minor vegetation (weeds, flowers, small bushes, etc.) in a 20-ft.-radius. If a creature with the plant type is targeted, it takes 1d8 points of damage per caster level (max. 5d8). Creatures that are not plants are unaffected by this spell.
Material components: The witch picks a flower and pulls off the petals while chanting the words to this spell.

Nausea
Level: Witch 2
Range: 25’ + 5’ per 2 levels
Duration: 1 round per level
Subjects of this spell become sick and queasy, feeling as though they are about to vomit. This condition renders subjects unable to attack, cast spells, concentrate on spells or do anything else requiring attention. They may only make a single move or move equivalent action each round.
Material Components: A drop of animal fat that has gone rancid.

Contagion
Level: Witch 3
Range: Touch
Duration: Instantaneous
The subject contracts a disease selected from the table below, which strikes immediately (no incubation period). The subject can save vs. Spells normally, but after that only a remove disease or remove curse (or greater magics) can cure them.
Each disease affects a different ability. Infected creatures cannot attack and move at ¼ their normal movement rate.
Roll d8 Disease Damage
1 Blinding Sickness 1d4 STR
2 Cackle Fever 1d6 WIS
3 Filth fever 1d3 DEX and CON
4 Mindfire 1d4 INT
5 Red Ache 1d6 STR
6 Shakes 1d8 DEX
7 Slimy Doom 1d4 CON
8 Hags curse 1d3 WIS and CON

Blinding Sickness: For every 2 points of STR lost, a new save vs. Paralysis must be made or the target will go permanently blind. Not contagious.
Cackle Fever: Symptoms include high fever, disorientation and frequent bouts of hideous laughter. It’s commonly also known as “the shrieks.” Not contagious.
Filth Fever: An infection commonly gained while around dire rats, were-rats and otyughs. Not contagious.
Mindfire: Victims feel like their mind is on fire. It is as common as a curse in spell books. Not contagious.
Red Ache: Skin turns red, bloated, and warm to the touch. Not contagious.
Shakes: Causes involuntary twitches, tremors and fits. It is contagious to others by touch. Save vs. Paralysis prevents spread.
Slimy Doom: Victim turns into infectious goo from the inside out. It must be cured in a number of days equal to new CON score or victim will permanently loose CON points. It’s highly contagious by touch. Save vs. Paralysis at -2 prevents spread.
Hags Curse: Takes ability damage as listed and the victim becomes infertile or impotent (female or male respectively). Must be cured in a number of days equal to new CON score or become permanent.
Material Components: The witch needs crushed verbena in the blood of a viper and vinegar.

Mind Rash
Level: Witch 3
Range: 25’ + 5’ per 2 levels
Duration: 1 round per level
This spell causes the target to experience horrible itching sensations all over their body. Though not actually inflicted with any real physical ailment, the delusion of itching is so great that the target is unable to perform any action not related to attempting to relieve the persistent suffering. Likewise, the irritation actually causes the target to wound their bodies in the process of trying to relieve the itch. Any sort of thing to scratch and scrape away at the sensations, including stones, weapons, and bits of metal are used. Each round during the duration of the mind rash the target wounds their body for 1 point of damage.
Material Components: A bit of dried poison oak.

Vomit
Level: Witch 4
Range: 25’ + 5’ per 2 levels
Target: 1 Creature
Duration: See below
This spell seizes subjects with sudden spasms of violent regurgitation. Those who fail their saving throw regurgitate helplessly for 1d4 rounds. While vomiting, subjects cannot move more than 5 feet per round and cannot fight or cast spells. For all purposes they are considered staggered. When the spasms end, subjects are overcome with a magical weakness which reduces their Strength by 1d4+1 points. This weakness persists for 1 round per level of the witch.
Material Components: The witch sticks a finger down her own throat.

Gnawing Pain
Level: Witch 5
Range: 25’ + 5’ per levels
Duration: 3 rounds + 1 round per level
Upon casting this spell, any creatures within the spell area must make a saving throw or suffer a gnawing pain that slowly spreads throughout their body.
During the first round the victims will feel a dull pain that causes a cold sweat. Casting any spells during this round requires a concentration skill roll. On the second round this pain becomes a sharp agony and the target is effectively shaken. By the third round the searing pain has reached its maximum intensity and the victim is nauseated. Each round thereafter the victims must make a saving throw or become wracked with convulsions. They are now completely incapacitated and helpless to defend themselves.
The effects of this spell linger in the mind of the victims even after the duration has expired. The targets will feel unnerved for 1d6+1 hours, resulting in a -1 penalty to any Wisdom-based rolls (including magic saves). They will suffer disturbing nightmares during the following 1d4 weeks, making sleeping difficult and reducing the rate of natural healing by one half.
Material Components: A branch of nettles with which the witch swats her bared arms or legs.

Magic Item
Sack of Rats
A cursed item in the general sense, many vile witches have found some use for this. This normal sack appears to all magical detection (except for detect curse) to be a Bag of Holding. Once  a food item though is stored in this bag, its true magic is discovered. Out from the bag will pour thousands of rats that will run in every direction away from the holder of the bag. The bag contains 1,001 rats. A save vs. Paralysis must be made or anyone in 10’ feet of the bag will be unable to move due to all the rats. The rats will bite and all within 10’ of the bag will take 1d6 hit points of damage.

All items are Copyright 2012, 2016 Timothy S. Brannan.  All spells and items are released as Open under the OGL.
The Witch: A New Class for Basic-ear Games, Copyright ©2012, Timothy S. Brannan. Elf Lair Games. 

Tuesday, July 5, 2016

Review: AC4 The Book of Marvelous Magic

"The D&D and AD&D games are actually different games." p.74, The Book of Marvelous Magic.
This was not the first time I had read this, and by 1985 I had moved away from the D&D game to AD&D, it was still interesting to read this.  Back then we freely mixed the two systems without so much as a care.
So it was with some confusion then that when I picked up AC4 The Book of Marvelous Magic that is proudly stated it was for the D&D AND AD&D games.  This was only emphasized more with the very first magic item listed, the Alternate World Gate.  AD&D was treated on the same level as Gamma World, Star Frontiers, and Boot Hill.

Confusion of compatibility issues aside, The Book of Marvelous Magic became one of my favorite and most frustrating D&D accessories.   Favorite because at this time I was serious into working on my witch class for AD&D/D&D and I was looking for guidelines on how magic items should be created.  I didn't find that here, but I did find a lot of inspiration.  Also, there were a lot of magic items in this book that later would become rather important in my own games for the next 2-3 years.
Frustrating because I never could get my gaming groups to embrace this book like I did.  I think it something to do with the punny names of the some of the items.  I now know that this was just something that was going on at the TSR offices back then (see I6 Ravenloft), but it made it difficult to take the book seriously at times.

The authors are listed as Frank Mentzer with Gary Gygax, but I think we all knew at the time that Mentzer did the lions-share of work on this.  The book covers the same span of characters (and same span of publication) of the Mentzer penned Basic, Expert and Companion Rules.  Living in my small town in Illinois I think this might have been the first reference I saw to the Companion ruleset.  Reading this book I am thinking that the Companion rules had just been written and the Master Rules had not. There are no references to the Master Rules and in places, the rules seem to put 36 at the top of the character achievement and in others, it was 26.

So what does this book have?  Well, there are over 500 new (at the time) magic items spanning 76 pages of text. The cover art is from none other than Clyde "I'll have the thigh" Caldwell and really grabbed my attention.  Not like that (though I was 15 at the time) but because she looked like a bad ass witch.


She even has a broom in the corner over there.  How could I NOT buy this book??

The magic items are divided by type, so for example under Armband there are five listed magical Armbands.  When a magic item needs to be listed, such a Bag of Holding, it is listed with a "see D&D Basic Set".  

The book did raise the question in our groups of who was creating all these magic items? That was never fully answered here or really anywhere for a couple more decades.  We opted that most of these were in fact fairly unique items.  So there were not a lot of "Buttons of Blasting" out there, but maybe one or two at best.

There are a few magic items here that I still have not seen in other (future) versions of D&D, so it is worth it just for those. It is also a great insight to the mid 80s D&D, a time when TSR was on top of the world, right before the big shakeup.  Also at the time I enjoyed tthis book, but largely ignored Mentzer's magnum-opus BEMCI D&D.  Reviewing both now as an adult I see I did all these books a large disservice.

What is in these books that gamers of today can use?  Well in truth, LOTS.
Really.  The book might as well say "Compatible with 5th Edition D&D" on the cover.  Hell. Change the trade dress and you could almost republish it as is with little editing.   Yeah remove references to Basic, Expert and Companion. Change some of the spell casting descriptions, but otherwise this is still a gem today as it was 30 years ago.

Time to re-introduce the Collar of Stiffness to my games!

Monday, July 4, 2016

2016 ENnie Nominations are In!

The 2016 ENniesAward Nominations are in!


And it is my pleasure and honor to report that The Other Side is once again nominated for Best Blog!
http://www.ennie-awards.com/blog/2016-ennie-award-nominees-and-spotlight-winners/

I am so excited by this. Really. A chance to be voted on by my peers is a great opportunity.

I am really looking forward to the next month and will do my best to provide content worthy of this.

Thursday, June 30, 2016

The search for Q2

In August I will start the boys on the GDQ series.  Reading through all the material I can't help but wish there was something...more to the ending.

Back in April I mentioned that Q1 seemed lonely because it was all by itself and it does have quite a different feel to it than the G and D adventures.  I mused at the time a "Q2" would be a good addition.   I think I even talked a bit about a drow civil war.

I have been thinking a lot about what a Module Q2 might look like or be.  Since I am also strapped for time I thought a pre-made, published adventure might be my best bet.  I want it also to be something that challenges the characters and players.  Q1 was designed for characters levels 10-14. So I want something near to that.

Plus to make the "Q" in "Q2" mean something I wanted to stick to "Queen" adventures.  BUT not  ones that I might want to put into my "War of the Witch Queens" adventures.

So who are the contestants in my Q2 pageant?

First up is +Mark Taormino's Hanging Coffins of the Vampire Queen.  This adventure has a lot going for it. There is the Queen connection, it's high level and there is a vampire realm briefly described in Q1 that would work for this. Also, I wanted more vampires in the end of the adventure too.
On the con side the module is a slaughter house.  Making it work with Q1 would take some work.  There is also so much going in this adventure that it really could be used on it's own.  I also like the idea of making this part of the old Palace of the Vampire Queen adventtures too.

+Monte Cook's Queen of Lies is another really good choice.  It's a good adventure (having been reprinted three different times), it fits the theme REALLY well, it is about the right level, has that Drow civil war thing going on and calling it "Q2 Queen of Lies" really, really appeals to me.  (Side note I had a rather infamous NPC back in the late 80s whose nickname was "Queen of Lies").   The basic plot though really takes the characters away from the big arc I have going on, but not so much I can't work with it.  It is for D&D 3.0, but I can make that work no problem.

+Wolfgang Baur and  Gwendolyn F. M. Kestrel's Expedition to the Demonweb Pits for 3.5 is an honest to goodness sequel (of sorts) to Q1.  It also has a lot going for it. The issue I have is that Lolth is assumed to be alive when the module starts and there is no way I can guarantee that.  Yes it is unlikely she will get killed in Q1, but it is possible.  Again this one is big. I mean huge really. There is so much going on here that it is also it's own campaign.   Lots of good ideas to mine here though.

P2 Demon Queen's Enclave is for 4e, but it has the whole Drow and demon thing going for it too.  Also it was written in part by +Mike Mearls and +Robert Schwalb so I know it has potential.  It also ties in the whole thing nicely with Orcus.



First (Fantasy) World Problems I know.



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I am up for an Ennie this year for Best Blog!
Please click on the link and vote "1" under "The Other Side".


Wednesday, June 29, 2016

The Dancing Hut of Baba Yaga

Well, it has taken us a year but we finally finished the Dancing Hut of Baba Yaga.

I made some changes to the adventure to have it fit in better with the overall arc of the Dragonslayers in their quest to stop the rise of Tiamat.  I also foreshadowed events of my Come Endless Darkness and War of the Witch Queen campaigns.

In the process of this adventure the characters began roughly at 20th-24th level in 3.x, converted over to 5e and they are leaving the adventure as 1st Ed characters.  In the course of the year they leveled up in the Hut so now everyone is about 29th level.  This is the reason for the switch to 1st ed since I think it handles 20+ levels better than 3e or 5e.   Also in the course of the last year I took bits and pieces from the Dragon Magazine (1st Edition) version of the Hut and something I found for 4th edition.

They fought the Four Horsemen of the Apocalypse.



The last Rainbow Dragon.


The dragon is supposed to be this dragon:


And finally, a re-ensouled, and very, very pissed off Kostchtchie.


For Kostchtchie I used an idea I had read years ago in White Dwarf #15; the Russian Nesting Doll monster.  Though I flipped it and started with a kobold, then a goblin, orc, hobgoblin, ogre, hill giant and then finally Kostchtchie himself.    Freaked the kids out that each time they hit him he got stronger.
Yes, that is one of the old ogre figures from the AD&D action figures line.

I mentioned in my review of this adventure that it is more plot driven than the other S series adventures. Baba Yaga is more of a defined character than say Acererak or Drelnza. In fact, she is presented in much of the same manner as Strahd was in Castle Ravenloft. Though there is the assumption that the PCs won't be so stupid as to attack her. Could the right group do it? Sure, but that is not the fun of this adventure. The fun here is investigating her magical hut and finding things that might be unique in your world. The Hut itself is almost a mini-campaign world, complete with it's own rules of magic and control over the daylight and nighttime hours. It does recall some of the "funhouse" dungeons of the S series in terms of what is being offered but there is some logic applied to most of the rooms. Others, unfortunately, feel like filler.
It was a fun adventure, but not one that really lives up to the S legacy or the potential of Baba Yaga herself.

Now given the levels the characters are at I will need to start looking into some of the really high level adventures for them.  Though really they should be ready to retire.

I did add Baba Yaga as a fully stated out monster thanks to the Baba Yaga Boss Stats (5E) from 00Games. But thankfully the kids did not piss her off enough to attack her.

Up next...are the Dragonslayers ready to stop the rise of Tiamat?