Countdown to Superman: Superman (2025)

The newest Superman is now out, and I have seen it. What did I think? I loved it! It was a fantastic. I am not going to spoil anything here but I will go over the broad strokes. 

The DECU is dead, long live the DCU. 

David Corenswet is a great Clark Kent and Superman. He is bright, optimistic, and hopeful.  He carries the movie on all of this. There is a lot of "All-Star Superman" here, at least in tone and optimism, not so much in plot. 

Rachel Brosnahan is a great Lois Lane. She is smart, observant, and tough. This is a Lois who will get into trouble.

The standout has to be Nicholas Hoult as Lex Luthor. He is evil, and brilliant, and you want to hate him but he is just so good really.

I loved the "Justice Gang" of Hawkgirl, Mister Terrific, and Green Lantern Guy Gardner, played by Isabella Merced, Edi Gathegi, and Nathan Fillion, respectively.  They played their comic roles fantastically. There are good reasons why we have Guy and not Hal, John, or even Kyle. Merced is channeling the DCAU Hawkgirl more than just a little bit.

But the winner is really Krypto. 

I also loved Milly Alcock as Supergirl for the brief time we get to see her. Now I want to see Melissa Benoist as Power Girl.

My theatre was packed and all the showtimes around it were sold out. People seemed to really love it. I can't wait to talk about it more.

It was great. Go see it.

Cameos

John Cena makes a brief appearance as Peacemaker. Not a shock, given it's a James Gunn show. It was also a DCEU show (1st season), and he was in the second Suicide Squad movie. So that counts as a previous series.  Related is Frank Grillo as A.R.G.U.S. director Rick Flag Sr. from the animated DCU series Creature Commandos.

Michael Rosenbaum, Lex from Smallville and Flash from the DC Animated series voices one of Lex's Raptar guards.

Will Reeve, the son of Christopher Reeve, appears as a Metropolis TV News reporter. Looking every bit like his dad. 

The big ones, though, are the opening and closing credits. They look just like the Salkind movies, and the John Williams' score is back.

Countdown to Superman: The DCEU and the Snyderverse

 As I wrap my coverage of the Superman movies, I want to take an aside and talk about DC's first big-screen attempt at an extended universe. Called the DC Extended Universe, or more often, the Snyderverse, this era produced some fun, some good, and some terrible movies. 

Suicide Squad (2016)

While not a great movie, it is fun one. It introduces us to Margot Robbie's Harley Quinn, one of many perfect castings in the DCEU, and featured one of my favorite characters, Enchantress. Don't go into this movie looking anything but comic book action and plot. I mean one of my favorite scenes is when Harley sees her old Harlequin costume in her box of things and gets all excited about it. Ok, the scene where El Diablo fights Incubus is also pretty cool.  

Wonder Woman (2017)

Honestly, this movie is a masterpiece and is easily in my top-5 superhero movies of all time. Patty Jenkins was great as the director, and Gal Gadot WAS Wonder Woman. She had huge boots to fill from Lynda Carter, and she did it. She gave us a Wonder Woman who is strong and powerful without loosing a gram of femininity; exactly like she should be from the comics. I know the family of William Moulton Marston, Wonder Woman's creator, was thrilled with it. This one might be the best movie in all the DCEU.

Sadly, Wonder Woman 1984 just could not live up to its predecessor's heights.

Aquaman (2018) and Aquaman and the Lost Kingdom (2023)

Both of these were fun and were excuses for Jason Momoa to give us his brand of Arthur Curry. They are also fun, but fall just short of great, really, with the 2018 movie being a bit better.

Shazam! (2019), Black Adam (2022), and Shazam! Fury of the Gods (2023)

Shazam, aka Captain Marvel, "the Big Red Cheese" is a difficult character to get right. He is a kid in the form of a god really. Zachary Levi did a great job of this in the 2019 and 2023 movies and Shazam! was a really good flick. You have to be a fan of the character though I think. Kudos for the cameo of Michael Gray from old Filmation Saturday Morning Shazam! series. The 2023 movie also has Wonder Woman in the end.

Black Adam was Dwayne "The Rock" Johnson's dream gig in the DC Universe. So much so he was a producer on all three movies. As expected it is darker than either Shazam movie. Nice post credits scene with Amanda Waller and Superman at the end. 

They are not great movies, but fun ones.

The Flash (2023)

Pity the poor Flash. It might go down as the movie that killed the DCEU. It didn't, but it certainly didn't help. 

Let's talk about what is good. LOVED seeing Michael Keaton back as Batman/Bruce Wayne. Wonderful, worth the price of the movie. As janky as it was, the Flash running through the Multiverse and seeing ALL the old Supermen, especially Christopher Reeve and Helen Slater, standing side by side as Superman and Supergirl was amazing. Even the Arrorow-verse, which the DCEU always seemed to ignore as an annoying kid brother, gets a nod. Though it does it in a way that shows they are either ignorant of the characters (most likely) or are being purposely disrespectful. NICHOLAS FREAKING CAGE as Superman with a mullet fighting a Thanagarian Snare Beast! If you are a DC fan, you know what this means, so while I would like to give them a pass on being ignorant on the CW-DCU (Arrow-verse) this shows they did know the deep lore. So maybe they were not allowed to use any Arrow-verse characters as their Arrow-verse character...DC does some strange things at times.  The end with the big "Batman twist" is fun. BUT it was also a sign that they knew the DCEU was ending. 

Now the bad. Erza Miller turned into a bit of a dumpster fire. I mean, he was kinda fun, but never really right as Barry Allen. Plus, we had a GREAT Barry Allen. Grant Justin was amazing. The script is a bit of a mess. Though the Flash having the Flash as the big bad does fit with the comics. Sasha Calle was great as Supergirl, but we never got to see enough of her, and she was gone before we could know her. 

There were other movies. Blue Beetle was fun. There was a soft-reboot, sorta-, sorta-not of The Suicide Squad. I enjoyed the Birds of Prey movie, even if most didn't.

There were some fun times here, but by and large they did not measure up to the successes or the storytelling of the Marvelverse. Trust me, as a DC fan, those are hard words to write. 

I am hopeful for the new James Gunn helmed DC Studios and the new Superman and DCU. Does this include the newer Batman movie? I don't know really. 

Countdown to Superman: Justice League (2017, 2021)

 Now, here we are at what should have been the crowning achievement of not just the DCEU/Snyderverse, but also of DC comic movies.  The freaking Justice League. The ultimate in superhero team-ups, the royal family, as it were. 

Sadly, real life plagued this production, and director Zack Snyder had to leave the production due to the death of his daughter. So, a replacement was brought in. I mean, on paper, it sounds fine. Bring in the guy who had a successful run of genre TV shows and who directed the Avengers movie (you know the #2 team-up), and let him wrap up filming. Well...the problem is that the guy they brought in was Whedon. Now my own personal issue with the guy aside... no, actually not. But I'm jumping ahead of myself here.

For tonight's viewing, I want to cover the 2021 Snyder Cut of this movie. I can appreciate Superman II with both the Lester and Donner cuts. Each one is a good movie on its own with strengths and weaknesses. Each one is enjoyable and cringy in equal measure. I prefer the Donner cut, but the Lester one is still good. I can't say the same for Justice League. 

I enjoyed the 2017 Justice League, but things felt off. I knew it the moment in the interaction between Steppenwolf and the Amazons. These didn't feel like the elite warriors that took out Nazis in Wonder Woman. These were bikini-clad pulp fighting women. Was it Whedon? Was it Snyder? I don't know, but the dialog was Whedon. It was also not the only thing. We know that after Snyder left Whedon reshot a lot of the movie. He also rewrote the script. There were also allegations of abuse, racism and sexism on the set from Ray Fisher (Cyborg), Gal Gadot (Wonder Woman, though she shut him down), and Kiersey Clemons (Iris West, who's skin was lightened in the Whedon cut, that is where she was left in it). This opened the door for other actors to share their tales of Whedon's long-standing misconduct on set. 

I detailed his fall from grace already, so no need to go over that again. It was reassuring to hear some of my long-time critics tell me, "Wow, you were right back then."  So yeah I really can't watch the 2017 cut anymore, all I see are his attempts to "improve" the movie.

Now, I am not a big Snyder fan boy, but I do think the 2021 cut is superior. It explains things better, the pacing is better, and the character development is much better. 

There is only ONE thing in the 2017 cut that I enjoyed that is not in (nor would it fit in) the 2021. After defeating Steppenwolf Cyborg says "Boo-ya" as a nod to the Teen Titans show. I am sure Whedon's kid watched it, he is the same age as my kids and they loved that show. So did I. 

Oh, yeah, the plot.

Ok, Superman is dead, even though it looked like he might come back to life at the end of BvS. Bruce is feeling guilty and perceives a new threat. So he is gathering up a team of super-powered people, Meta-Humans, to help. Ok, kudos to writers Chris Terrio and Zack Snyder for having Batman build the league. That is a new one and it works here with Bat-Fleck. We get the Flash, Wonder Woman, Aquaman, and Cyborg.

In the 2021 cut Cyborg is our focus hero. He is the newest and in recent versions of the comic Justice League (New 52 and beyond) he is also the newest member. This was drastically reduced in the 2017 cut.  but it makes sense to have Cyborg, Victor Stone, as our way of seeing the League.

Anyway...Parademons are attacking, Motherboxes, Darkseid, Steppenwolf. All BIG THINGS you would want the League for. Steppenwolf attacks the Amazons to get the Motherbox they are guarding. Then he heads to Atlantis to get their theirs. The third Motherbox is being studied by Victor's father. 

The new League decides they need Superman back, though Diana is reluctant. They devise a plan and bring him back. In the 2017 cut they just come out and say it, in the 2021 cut it is built up more. There is more gravitas to it. More, "is this something we should be doing?" It's not quite the same as The Return of Superman in the comics, but it...no, it really doesn't make much sense in either version. I would have done it differently. But he is back, black suited (like the Return) and they are off to battle Steppenwolf and the three Motherboxes.

The ending battle is fun no doubt. Both Cyborg and Flash prove their worth to League as the youngest members. Superman and Cyborg prevent the Unity of the Motherboxes, and Diana shows how she "takes care" of her enemies. She is a warrior with a sword after all.

Watching the two side by side again (and that's six or so hours, was up till 2:30am), I am left feeling a bit worn out, to be honest. Whedon's 2017 version comes off as creepier, a little more sexist (any scene with Wonder Woman and/or the Amazons), and honestly, like he has something against Cyborg. Is that my post hoc knowledge in the way? I don't know, but I will say this for certain: the 2017 version is weaker by any measure you care to employ. 

Though I will say this, Snyder needs to figure out how to trim down his own stories. 

In the end, the differences are best summed up for me in the scene where Steppenwolf attacks the Amazons. In the 2017 cut, he is creepily referring to the Motherbox as "Mother" and telling the Amazons they will love him.  In the 2021 cut, he is threatening them with annihilation and telling the Amazons they will fear him. To which Hippolyta asks the Amazons to show him their fear and to a woman they shout, "We have no fear."

Mera pulling the water and blood out of Steppenwolf was also pretty cool too. 

I am going to say it. If there was a scene with a woman being a complete bad-ass on her own (not counting Wonder Woman) Whedon pulled the scene from the 2017 cut.

Cameos

As I mentioned before, Marc McClure, who played Jimmy Olsen in the Salkinds/Christopher Reeve Superman film series, has a brief cameo as a police officer in the 2017 version and a different police officer in the 2021 version.

Synder himself makes a cameo appearance in his cut. He is sitting in the coffee shop Lois is leaving right before she sees the resurrected Superman. 

Another "cameo" and one very close to Zack Snyder's heart, are the billboards for the AFSP, or the American Foundation for Suicide Prevention. His daughter committed suicide while filming this movie. He dedicated it to her in the end credits.

I know I said I'd talk about Wonder Woman today, but it is late, and my eyes are killing me. I'll have some more to say on the the other films, Wonder Woman, and the end of the DCEU later.

Countdown to Superman: Batman v Superman (2016)

Batman v Superman, subtitled The Dawn of Justice, from 2016 gives us our first real cinematic treatment of DC's Trinity; Superman, Batman, and Wonder Woman. All while asking the question, what would it be like to put "The Death of Superman" and "The Dark Knight Rises" on the screen at the same time? I guess it also asks the question, what would Lex Luthor be like if he were modeled on Mark Zuckerberg and Jeff Bezos? 

Some of these questions didn't need to be answered.

There is a lot to enjoy here, so lets do that first.

Ben Affleck makes for a great older "Dark Knight Returns" Batman. Gal Gadot is amazing as Wonder Woman (more on that later) and Cavil is still good as Superman.

Jesse Eisenberg as Lex Luthor? Eh...well, I at least see what they are trying to do here. It fails, but I see it.

Doomsday is under-used and wasted here. It could have been any sort of monster. Bizzaro would have been good to be honest. Plus, he doesn't even look like Doomsday. They did a much better job with him on "Smallville," and even used him as a quasi-Bizarro creature in "Superman & Lois."

Watching this right on the tail of watching Man of Steel is actually pretty good. You can see how the movie ties in better. Now I am watching my Director's Cut Blu Ray and it is a much better movie than what we got in the theatres. Even Eisenberg's Luthor comes off as a lot smarter and more evil. He is purposely winding Batman and Superman up so they go after each other. His motivation here is not some land grab, but his personal hate of Superman. And maybe a little bit of Bruce as well. While he is still annoying as Luthor, his plans at least are better.

An aside about Jeremy Irons as Alfred. In recent years Alfred has gone from a mild-mannered butler to a former SAS agent who you feel could still kick Bruce's ass if he wanted too. Well, maybe not kick his ass, but he does stand up to him. Oh. He did beat the crap out of Superman once. Anyway, Iron's Alfred is a little droll, a little caustic, and still very, very clever. You do get the feeling that he has a solid history and likely knows where a body or two is buried. 

It does make me wish we had an Affleck solo Batman movie. I know he wants nothing else to do with the role, and the Snyderverse is dead, but still, it would have been fun. Likewise I would ahve liked more  Jeffrey Dean Morgan as Thomas Wayne and Lauren Cohan as Martha Wayne. Flashbacks would have been good. Maybe Matthew Goode as young Alfred too.  But we are not even getting the Batgirl movie they finished, so there goes that idea.

All said and told, I did like this movie. It wasn't well received, and it's box office dropped the second week (a bad sign), but it was still fun despite the problems. 

Wonder Woman

Let's step aside for a moment here and talk about Wonder Woman. Honestly, has there ever been a more epic entrance of a superhero than Wonder Woman's entrance to save Batman in fight against Doomsday? The answer is, of course, no*. That swelling guitar riff of her theme song? The look on her face as she just stands there and takes his energy and then fires is back at him? 

"She with you?" "I though she was with you."

"You both are with me. And my sidekicks."

Or even later in the same battle. Batman is going to get squished, Superman has had the living crap beat out of him. Wonder Woman...is laughing. This is a true warrior in her element, fighting a foe that gives her purpose. 

Wonder Woman is the best thing about the Snyderverse, hands down. I'll talk more about this tomorrow. 

*Ok, I'll throw Marvel fans a bone here and say that Thor's entrance in Wakanda in Avengers Infinity War is pretty damn good too. But we have been wanting Wonder Woman for DECADES. I'd counter that the Thor scene above has a better analog to Wonder Woman's "No Mans Land" scene.

Cameos

Just ones from the future Justice League and Wonder Woman movies. 

Countdown to Superman: Man of Steel (2013)

While Superman Returns didn't wow audiences. The Christopher Nolan Batman/Dark Knight movies were critical and commercial successes. So much so that Nolan was a producer on a new, rebooted Superman movie. Early on Nolan and director Zack Snyder considered having this movie linked with Nolan's Dark Knight series, the title certainly suggested it. They ultimately dropped the idea. The then became the genesis of what has been called the DC Extended Universe or the DCEU, or most often, the Snyder-verse. 

Man of Steel is a reboot and introduces British actor Henry Cavill to the role of Superman/Kal-El/Clark Kent. Look, if you read this blog I am going to assume you know who he is even though I have not talked about him here before. Cavill is great as Superman. He is even a good Clark. His portrayal was needed to escape the long shadow of Christopher Reeve, while still being (mostly) true to Superman. Cavil also delivers one of my favorite Superman lines ever, "I grew up in Kansas, General. I am as American as it gets." Coming from an adopted alien played by a British actor. 

I say "mostly" because the most significant criticism of his performance and indeed the director's vision here was that this Superman was a little too dark both in tone and, frankly, color palette.  Jumping to the end here, yes, Superman kills Zod. BUT if you remember correctly, he also kills a depowered Zod in Superman II, the Donner cut, and implies he is left to die in the Lester cut.  Personally, I would have rather he find a way to get him back into the Phantom Zone, but no one is paying me to write movies.

On to other bits.

WHO do you get to play Jor-El following Marlon Brando? Well, Russell Crowe is not a bad place to start. Kevin Costner plays Jonathan Kent equally well. A lot has been made about Jonathan not letting Clark save him. And yeah, it was kind of stupid. I *get* what the director is trying to do here by "Uncle Ben"ing him. I mean Jonathan dies in every version of Superman except for the ABC series "Lois & Clark" so that show that superman can learn a lesson without it resulting in the death of someone. Oddly enough he has to kill Zod to get him to stop. So was the lesson learned? Was the lesson for him or us?  Again, I get what the director is trying to do here, I just don't think the execution is good.

Amy Adams is fantastic. I never considered a red-head Lois before, but here we are. For the record, my favorite Lois Lane is Elizabeth "Bitsie" Tulloch from "Superman & Lois." Though Erica Durance from "Smallville" is also great. The interactions between her and Cavill's Superman are great.

Michael Shannon's Zod is closer to what we might see in the comics. He feels like the ruthless General bent on a coup. Now that his world is dead, he will conquer and remake our world. 

Diane Lane is great as Martha Kent, one of the best, to be honest. She brings enough presence to the role to be the mother of an Earth-bound God. Well. Mostly Earth-bound. 

The movie is long on action, and unfortunately, it's a story we've seen before.

I liked Cavill as Superman. I liked the idea of the Snyderverse. But I am also glad we are moving on to something new. 

The Smallville scenes were filmed in Plano, IL. Not far from where my wife grew up, and not far from where the fictional Midvale would be in the Supergirl movie. Would this count as a cameo?

Cameos

Sadly, here the movie falls down. Look, it's a Superman tradition, and one that should be honored.

Marc McClure, Jimmy Olsen from the Salkind movies, does make a cameo later on as two different characters in  Justice League (2017) and  Zack Snyder's Justice League (2021). I'll mention that one later on. Marc also makes cameos in Smallville. Smallville, like Supergirl, was great for this.

Countdown to Superman: Superman Returns (2006)

 Twenty or so years later Legendary Pictures revives the Superman series. Complete with opening credits just like the Salkind movies and John Williams' score.  Bryan Singer is one of our producers.

Brando is back, posthumously, using some of the same lines/voice tracks we would also see/hear in the Donner Cut of Superman II (out the same year).

Also, back are Noel Neill and Jack Larson (Lois Lane and Jimmy Olsen, respectively, from the TV series of Superman), and weirdly enough, Martha Kent is back too, who was supposed to have been dead in Superman IV.

Oh, the plot. Ok, so Superman has been gone for five years, seeking out the remains of Krypton, looking for any survivors. Lex Luthor married a tycoon (played by the above mentioned Noel Neill), and Lois has a Pulitzer Prize for writing about how we don't need Superman anymore. Oh, and a five year old son. 

Lex is played, rather well, really, by Kevin Spacey. Spacey is *problematic* but damn, he is great here. While he is certainly channeling Gene Hackman, he is 

Brandon Routh is not just a good Superman, he is a good Clark Kent in the style of Christopher Reeve. He is wearing blue contact lens as Superman, which is a nice touch.

Both actors embody their predecessors fairly perfectly. It goes beyond saying the only actor who can pull off Brando as Jor-El is dead, CGI Brando.

The movie is good, better than I remembered to be honest, it just doesn't bring anything new to the table. It has "rebound relationship" energy about it, which was never fair to Brandon Routh. He really redeems himself in the Arrowverse. The movie has the problem of being slow and a little boring in places. 

Sadly, I never bought Kate Bosworth as Lois Lane. I mean, she is a good actress, just not as Lois. Parker Posey, though, is great as always. I know she can be an acquired taste, but she is great.

The special effects are good, what you would expect from the 2000s, but this look really good. The first Superman movie had the tag line "You Will Believe a Man Can Fly," and this one does exactly that, but it takes a lot more than special effects to tell a story, and this might be a good case in point. 

BTW. HOW is that Lois, who historically has a penchant for getting into trouble, lived for 5 years without Superman? I guess Lex was still in prison. 

I do like the idea of the Fortress of Kryptonite, very Lex. 

The movie's ending scene is very much the same as one of the Christopher Reeve's one. 

Cameos

I mentioned Noel Neill and Jack Larson already. Brandon Routh would later go on to play Ray Plamer "The Atom" in the Arrowverse to what I felt was his redemption arc. He also plays an older Superman in the Arrowverse. This Superman is a combination of this Superman and the Kingdom Come Superman. 

The "Gotham Knights" baseball team is a nice touch in the post Batman-movies world. And Perry White's "Great Ceaser's Ghost!" was fun as well. 

Jason, Lois and Superman's son, suffers from asthma, which I think is a nod to Christopher Reeve himself who suffered from it as a child. 

There are also plenty of scenes in this movie that feel cribbed right out of Grant Morrison's and Frank Quitely's "All Star Superman." No surprise, it was a big hit back then. 

The biggest cameo is, of course, the Salkin Superman movies look and feel. This is part love letter, part homage. 

This movie, such as it is, marks the end of the first "Cinematic Universe"that began in 1978.

Countdown to Superman: Superman IV The Quest for Peace (1987)

 A lot has happened in the last four years. The Salkinds sold the rights to the Superman movies to Cannon Movie Group, and they convinced Christopher Reeve to return by promising him creative control and funding for another movie. It worked. Reeve got his anti-nuclear weapons message in and both movies were made.

We also get to see Superman's ability to speak many languages in this one. 

Again, I think this one is better than I remembered. Reeve shows off some much better acting chops. Maybe it is me, but even at the beginning of the movie, it feels like the end. 

Don't get me wrong, it is bad. But not as bad as I remembered. 

Mariel Hemingway costars as tabloid heiress and an attempt to "sex-up" the series. She plays Lacy Warfield, who is taking over the Daily Planet. The whole double date of Clark/Lacy and  Superman/Lois is a little too "Three's Company" for me. Take a drink every time she says "Daddy" and you'll be dead by the end of the movie. 

Jon Cryer, who up to this point had primarily been in teen comedies, appears here as Lex's nephew Lenny. Is he Lena's son? His parents are never mentioned, but that might be fun given the future Supergirl/Arrowverse connections. 

Nuclear Man gets a lot of grief, but honestly, the idea is no stranger than some ideas about Bizzaro. I mean that is basically how Bizzaro was created in the Superman animated series and how some versions of Superboy were created. Indeed, an early version of Nuclear Man was more Bizzaro-like. Unlike some of the made-for-the-movie characters, Nuclear Man does make an appearance in the comics. 

The two spend a lot of the last half of the movie fighting, as expected, really.  

Mark Pillow, the actor (but not voice) of Nuclear Man, has made a name for himself in the fine wine industry. 

The headline of "Superman Dead?" in this is a spoiler for the comics' Death of Superman a few years later. 

Supeman finally defeats Nuclear Man by moving the moon to block the sun and then dumping him into a nuclear reactor. Perry White defeats Warfield and gets the Daily Planet back.  

The final speech is very optimistic. Makes me miss 1987. 

Funny note, Superman tells Luthor, "See you in 20" at the end. The sequel, Superman Returns, was released in 2006. So, a year off for good behavior?

Cameos

Jon Cryer would later return in the Arrowverse as one of the best Lex Luthors I have seen. And I have seen them all.

This would be Christopher Reeve's last turn as Superman. In 1995 he had a riding accident leaving him paralyzed from the neck down. He would later appear as Dr. Virgil Swann, a Stephen Hawking-like character on the Smallville TV series.  

Countdown to Superman: Superman III (1983)

 Ok. We all know this one is not great. But it has somethings going for it.

First, Richard Pryor is a comic genius, and he is still pretty funny here. He is also a huge Superman fan, which is what got him this role.

Secondly, we really get to see some acting chops from Christopher Reeve here. The scenes of him being evil and fighting his "evil self" are always talked about (rightly so), but rarely mentioned, and even better, in my mind, is his acting as Clark in Smallville. Maybe he has a better grip on his character here, though I would argue Reeve was born to play Clark/Superman from the start. 

Richard Pryor is playing Gus Gorman a computer genius. A computer genius who programs in BASIC, but hey it was 1983. I guess Gorman was supposed to have been the human version of Brainiac but the producers nixed the idea because audiences would know who he was. Like we knew who Gus Gorman is/was.  I mean, don't me wrong. I love Richard Pryor and Gus is not a bad character. Although I can see why we may never see him in any Superman media again. And honestly, sometimes he is a bit too much "Richard Pryor" in this. 

Interesting aside, Pamela Stephenson who plays Lorelei Ambrosia, the "smart blonde, pretending to be dumb" has a Ph.D. in psychology. She is also married to comedian Billy Connolly. Another, people freaking out over gasoline at $2 a gallon. 

The story itself is not terrible; the execution is. In fact, the "Superman" scenes are much better than I remembered. 

Is it me, or are "evil Superman's" darker outfit colors exactly the same as Cavil's in "Man of Steel?"

And of course, everyone remembers the final scene where Gus's supercomputer comes to life and assimilates Vera Webster. Yeah, not as scary as everyone thought it was really. Gus gets off kind of easy here in the end. 

This one did not have much of Lois Lane/Margot Kidder in it.

Cameos

Ok this one is a bit of a stretch but the wind-up peguins from the opening credits get a mention in the Zack Snyder Justice League movie. 

A far better one is Annette O'Toole here as Lana Lang and later in Smallville as Martha Kent, adoptive mother of Clark Kent. Apparently, the casting directors were unaware that she had already been part of Superman history before. 

Countdown to Superman: Supergirl (1984)

A sidestep tonight, mostly because I need to work up the courage to deal with the last two Superman movies. Though, admittedly, this one is not much better.  

Ok, so Helen Slater is playing Kara Zor-El, Kal-El's cousin, aka Supergirl. She is more or less the unknown here. Speaking of which, where is Superman? Oh, he is on a "peacekeeping mission" to a galaxy several hundred trillion light years away." Ok. Why...oh never mind, it is better than the proposed idea for this movie with a sex scene between Superman and Supergirl. I think I read that in Starlog.

Anyway. Supergirl ends up in Chicago, of all place,s where the Omegahedron, the powersource from Argo City (that she lost) ends up in the hands of two would-be witches played by Faye Dunaway and Brenda Vaccaro, and their sidekick played by Peter Cook. Even Supergirl's mother was played by Mia Farrow. Her mentor is even played by Peter O'Toole.  Helen Slater might have been the biggest unknown here.

Ok. I kind of forgot how bad this movie was. I mean I knew, but damn. Also, did A&W sponsor this? Lots of product placement in this one. It's remarkable how many great actors are in this, yet it's still so bad. 

According to the map Kara is using to look for the Omegahedron, Midvale is just a bit north of Peroria, IL (home of tomorrow night's guest Richard Pryor), and south of Ottawa, IL (near where "Man of Steel" was filmed for the Smallville scenes.  So, an area I'm familiar with. Funny, I don't remember a Midvale there. 

Ok, so I did like the magic aspect of it. Magic and Superman are sometimes an ify mix, but given everything else, it works here. There is even a great example of the "Mirror Image" spell. 

There's little point in going through the plot here, as the story is thin at best. 

The Shadow Demon is kind of cool looking.

Don't get me wrong, Helen Slater was awfully fun as Supergirl. Melissa Benoist is still my favorite Supergirl, but Slater was still fun.

Cameos

Helen Slater will go on to play Kara's Earth mother, Dr. Eliza Danvers, in the Supergirl CW series. Marc McClure plays Jimmy Olsen, but that shouldn't really count. The Supergirl series is a great one for repeat cameos. 

Countdown to Superman: Superman II The Richard Donner Cut (1978, 1980, 2006)

 I mentioned this one last night when I discussed Superman II and its credited director, Richard Lester. This movie is the original vision of the original director, Richard Donner. Watching this along with the Richard Lester cut is a great experience.  

I will not recount the entire movie here, but I would like to focus on some of the key differences. There are still scenes directed by Lester here, Donner did not complete the entire movie, so this is still not 100% Donner's film, but it is close.

 - Maybe one of the big ones is the fact that Brando is back as Jor-El. It seems that some of the "lost" footage for this cut had been part of his estate and was returned to Warner Bros. after his death in 2004. He appears in the Fortress of Solitude to tell us about Zod, Ursa, and Non.

 - The movie doesn't recap the entire first Superman movie, but it does replay some key scenes. 

 - This cut makes it more explicit that the Phantom Zone prison was pulled along with Kal-El's pod. Also it is not some random French H-Bomb that frees Zod, Ursa, and Non, but the missile from the first movie that Superman sends into space. The whole French terrorism scene is gone. 

- Side note. The special effects of the "new" scenes seemed improved. Another side note, there are subtle dialog changes. Generally, I think they are better here. The changes in the "Lester Cut" seem like they were designed to be "funnier," but often without any point. 

- Lois seems smarter here, and the movie is a little less campy. The big reveal of Clark as Superman plays out differently here. Lois is smarter, but the scene is somehow less satisfying. 

 - The first attack of the Kryptonians is cut a bit, almost to the point where it doesn't make as much sense. Or rather, it is not as clear as the Lester cut. They are deadlier here, too, with a higher body count.  

 - The "depowering" scene plays out differently as well. Brando is back for this scene, which makes more sense as well, but a key scene is missing: the one where Lois misplaced the Master Crystal. Turns out it is not needed, since the Master Crystal survived. It also sets up the Brandon Routh "Superman Returns" (also 2006) a lot better. (Except as noted below.)

The battle in Metropolis is the same, mostly. The fight in the Fortress of Solitude is different, briefer, and it makes a lot more sense. All the issues I had with it in the Lester cut are gone. Well, almost, they all still just disappear into Superman's basement.  Ok, in this one, Superman blows up the Fortress. That likely kills them all. 

No "Super kiss" but Superman "rewinds" time again. I guess I shouldn't be irritated by this, I mean this is something the Flash does all the time.  Though I do like Lois and Clark together. It doesn't explain why the guy in the diner ("Rocky") remembered who he was.

Watching this, twice now, I do wish we had had more of Zod and Ursa. They are great villains, really. Non is not that interesting. 

When that European couple starts buying you drinks.

I can't say that the Lester cut is worse; there are places where Lester had the benefit of the Donner scenes to make improvements. Superman "calling out" Zod when he is at the Daily Planet, for example, is better in the Lester cut.  I did miss Lara, Superman's Mom, getting some spotlight. 

Cameos

Again, nothing different here than the Lester cut, at least nothing jumped out at me. Donner is plainly visible smoking a pipe outside the diner again. 

Countdown to Superman: Superman II (1980)

Before there was a "Snyderverse," before there was a "Marvel Cinematic Universe," there were the Superman movies.

Superman II (1980) was filmed back to back with Superman (1978) and picks up more or less where the first movie left off.

This movie begins by spending a considerable amount of time revisiting the ground covered in the first movie during the opening credits. 

We get right into it in typical Superman fashion; Lois chasing a story that gets her into trouble, this time some French terrorists with a stolen Hydrogen bomb. 

Superman flies it into space where, even with what was it 27 galaxies, it was near Earth. Maybe it got dragged alone with Kal-El's pod.

Some janky animation when the H-bomb goes off to free Zod, Ursa, and Non.

I have to comment on the Artemis II moon lander. Obvious choice after Apollo, but we won't get a real-world Artemis mission for another few years.

Zod appears to possess some form of telekinesis, and Ursa is remarkably violent.  Zod is just a great villain here, and Terrance Stamp is fantastic, and my love for Sarah Douglas knows no bounds. Interestingly enough, Ursa was almost played by Caroline Munro, a regular of Hammer Films. Instead she took the role of Naomi in the Bond film, The Spy Who Loved Me. I think it all worked out for the best really. 

The third act of this movie is the best, where Superman battles the Kryptonian criminals.

There feels like more silliness in this one. The Superman duplicates (ok in the comics it would have been his robots, or just him moving really fast), and the cellophane "S" symbol is still weird. 

They fight, and Superman tricks them into giving up their powers. Of course, after their powers are taken, what happens to them? They fall into the mists and ... what?

I am disappointed in the "Super kiss." Not just that it was some new weird-ass power Superman never had before, but that he couldn't trust Lois enough to have her keep his secret.  

So I do really enjoy this movie, but I am not immune to it's issues. 

For starters, there was a huge blow-up between Brando and the producers, causing his scenes to be removed. His interactions now fall onto Lara, Kal-El's mother, played by Susannah York. 

The fighting was not limited to Brando. Richard Donner, the director of Superman and the director of this movie had a falling out with the Salkinds. They brought in Richard Lester, who they had worked with before and was a "silent" producer of the first Superman. Donner said that if Lester's name was on it then his wouldn't be and that was that. I am going to cover the Donner cut tomorrow and I'll share thoughts on which is the better version.

Cameos

There are not as many here since it was filmed alongside the first movie. There is an interesting cameo, though, of Director Richard Donner in the scene as de-powered Clark and Lois drive up to the diner. It was one of the scenes he directed that was retained for the Lester-cut of the film. 

Countdown to Superman: Superman (1978)

 I would not call myself the biggest Superman fan in the world, but I am a huge fan.  He was one of the first superheroes I ever knew about, right along with Batman and Wonder Woman, the "holy trinity" of DC Comics. I knew him from the comics, the cartoons, and the very fondly remembered TV series, "The Adventures of Superman" (1952-1958) starring George Reeves, Phyllis Coates, and later Noel Neill. This established something of a tradition where cast members from a previous version of a Superman film or TV adventures would appear in a newer one. Cases in point, George Reeves and Phyllis Coates appeared in Superman and the Mole Men (1951), and Noel Neill, who had previously played Lois in the film serials Superman (1948).  It's something I always look forward to seeing when a new Superman movie is released.

Given that we have a new Superman coming up and the very first from the newly minted DC Studios, I thought a feature would be nice. So I am re-watching all the Superman movies till July 11 when the new one premieres. 

But tonight, I want to discuss the first feature film of Superman's modern era. The epic 1978 Superman: The Motion Picture starring Christopher Reeve, who would define the role so solidly that many even today have trouble thinking of him in anything else or other actors playing Superman. It also gave us performances by Marlon Brando as Jor-El and Gene Hackman as Lex Luthor. Both of whom also had given their Academy Award best acting for these roles. Brando would go on to be such a pain in the asses for the Salkinds (producers) and Donnor (director) that it would become Hollywood mythology and change the course of the second movie. But I am getting ahead of myself.

Superman (1978)

Unless you were alive then, I can't really describe to you what this movie was like. The hype was through the roof. We had just seen Star Wars and Jaws in the theaters, and the "Blockbuster" was something new and something expected every summer now. I remember seeing this in the theatres and then again right before Superman II was released in a Drive-In. "You'll believe a man can fly" was the teaser, and it was very effective. 

Directed by Richard Donner and produced by Ilya and Alexander Salkind, it was the template for all modern superhero movies to follow. And it was big. Full color, special effects, and that sweeping epic score by John Williams. You almost forget how kinda campy the movie is at times. 

The movie is really three movies. The first is Brando at his scene dominating best. Say what you like about him, the man could act. His Jor-El was so deeply embedded into our collective subconsciousness that they were still making fun of it in Mega-Mind for an audience that wasn't alive when it first aired. 

Our second movie is Clark as a kid. I don't think Jeff East gets enough credit for his portrayal of Clark, but I see his Clark in David Corenswet now.

The third movie is Superman, Lois, and Lex.  Gene Hackman is not best Lex Luthor, but he was a great one. And Christopher Reeve. Honestly, what can you say about him? Rare is the actor who could pull off Clark Kent and Superman. He was great here and even better in Superman II. Margot Kidder was also a much better Lois Lane than I really could recall. 

Some of the scenes are hokey. Clark is a little too much of a dork. The whole "flying date" with Superman and Lois' voice over was really corny then, as it still is now. Ned Beatty's Otis was there as comic relief, and neither Ned Beatty's acting nor Otis' history in the comics can make me look past how mismatched he is with Luthor. 

The much-maligned "Superman rewinding the Earth" seemed less hokey now, if (and only if) I pretended he was flying faster than light and going back in time. He just stuck around near the Earth. But it does show something that later movies/TV shows would almost always touch on at some point: An angry Superman is terrifying. 

Cameos

This is an important factor of Superman media. Here Kirk Alyn and Noel Neill, who played Superman and Lois in the movie serial Atom Man vs. Superman, make a cameo as the parents of young Lois Lane. They are the couple and the little girl on the train. Lois sees 17-year-old Clark running at super speed. 

Future Cameos

Marc McClure, who played Jimmy Olsen, would go on to play Dax-Ur, a Kryptonian scientist living on Earth, in the seventh season of Smallville and a security guard who befriends Lois Lane in Zack Snyder's Justice League and as a different police officer in the Snyder cut. 

Up next, two different versions of Superman II. 

Justice for Prowlers & Paragons Ultimate Edition

Since I started reading over Prowlers & Paragons Ultimate Edition I have wanted to come back to one of my favorite characters, Astra Kal-El, aka Justice.
I introduced Justice waaay back in 2011 as the daughter of Superman and Wonder Woman. She was inspired by my favorite comic Kingdom Come where Superman and Wonder Woman eventually have children after the death of Lois.

Astra was raised by the Amazons but sent to be fostered by Bruce Wayne where she learns to be the superhero Justice.

Justice by Jacob Blackmon

Justice

HERO
Edge 10
Health 9
Resolve 4
Hero Points 125

ABILITIES
Agility 6d
Intellect 4d
Might 9d
Perception 4d
Toughness 9d
Willpower 3d

TALENTS
Academics 4d (Law, Political Science)
Charm 3d
Command 3d
Covert 4d
Investigation 4d
Medicine 2d
Professional 3d
Science 4d
Streetwise 5d
Survival 4d
Technology 3d
Vehicles 2d

POWERS
Heat Vision (Blast 3)
Blind Fighting (3)
Flight (9)
Hyper-breath (3)
Resistance (6 ranks)
Super-Senses (Analytic Vision, Enhanced Vision, Telescopic Vision, Thermal Visions)

PERKS
Contacts 2
Patron (Bruce Wayne)
Resources 2
Wealth

FLAWS
Alter Ego (Astra Kent, Justice Studies graduate student at Gotham University)
Code Conduct (will not use her heat vision anymore)
Enemy (Iron Maiden, The Refrigerator)

GEAR
Superhero outfit

DESCRIPTION
Age: 24
Sex: Female
Hair: Black
Eyes: Blue

MOTIVATION
Justice

CONNECTIONS
Bruce Wayne, Foster father
Diana Prince, Wonder Woman, Mother
Barbara Gordon, Mentor

Fear of a Black Superman

Very, very few characters reach out and touch people in a profound way.  Life-changing or life-affirming when we get one of those characters then we tend to be fairly protective of them.

So in way, I understand the...well lack of a better word...anger surrounding the rumor (and that is all it is at the moment, rumor) that Michael B. Jordan would be cast as the next Superman. 

Frankly, I would love to see DC/Warner be so bold as to do this.  Plus if you have seen Creed you know that MBJ is a talented actor and he could pull this off.  He has the physique for it to be sure at 6'1" and only 31 years old. 

That is all fine.  Until you get online.  Then the so-called fans begin their bitching, whining an complaining.  Yes, it is overwhelmingly white and male that are doing the loudest wailing.

Superman/Kal-el/Clark Kent was created by two Jewish immigrants who wanted to tell the tale of another immigrant and how he could hold up the ideals of Truth, Justice and the American way.

So why then does he have to be white?

Well originally I am sure it never occurred to them he could be anything else.  And there is the practical reasons that a black superhero would have never sold comics back then.  Plus I am sure they wanted to see themselves in the comic.  We all do.

But to hear the "fans" you think this was a travesty, a crime worthy of a mob rule.
Or in other words, the masses being a bunch of dicks again.  More to the point a bunch of dicks who have never read a Superman comic before.

I mean we have had Val-Zod.

Calvin Ellis,

Steel,

And President Obama,

Ok. Maybe he doesn't really count here.


There are plenty of precedents (not just Presidents like Ellis and Obama) for a black Superman.

It's time for the fandom to grow up.  We as geeks are accepted like never before in mainstream society. It is time now for us to show mainstream society that we are still not a bunch of basement dwelling adolescents.

Justice is Blind, Issue 6: Villains & Vigilantes

Today is the Heroes & Villains Blogfest  hosted by Jackie and Dani.  This is Part 2 of my post for that, Part 1 was posted earlier today.
http://danibertrand.blogspot.com/2013/06/heroes-villains-blogfest.html

I want to continue talking about Villains & Vigilantes I thought it would be interesting to bring back my superhero character Justice and introduce her new arch nemesis.

To bring everyone up to speed Justice is a character I created for the Mutants & Masterminds RPG for a game we were going to play that day.  Her real name is Astra Ka-el, aka Astra Kent and she is the daughter of Superman and Wonder Woman.  I based her off the last few pages of the comic Kingdom Come, which deals with the superheroes we know in about 20 or so years.  I won't spoil it all for you. Read it, it is fantastic (or watch this fan made trailer). But one of the futures they point to is the possibility of Superman and Wonder Woman having a daughter.  You can read the back story I did for her in "Issue 1: Justice is Blind".  The last time we saw Justice was Issue 5. In Issue 6 I wanted her to go to London where she could potentially run into the legendary, but retired, Acrobatic Flea.  This serves a number of purposes. It gets her to England to meet her new arch-nemesis, it ties in Villains & Vigilantes and it gives a shout out to +Tim Knight (the Flea himself!)  who has been wanting me to do more with V&V forever.

So I introduced my hero.  Here is my villain.

Maggie "Mags" Shaw nee O'Neill aka "The Iron Maiden"
Maggie O'Neill was a plain, if brilliant girl, who lived in one of the poorest areas in Belfast, Northern Ireland. Maggie hated being poor, she hate being scared all the time (the Troubles were at their height) and she wanted nothing more than to get away.  To her that mean London.  After a car bomb destroyed the bus she was supposed to get on for school that morning (no one was killed) she had haad enough. At age 14 she ran away from home and made her way to London a couple of months later.  The education she had on the road was a hard one, and it hardened her.  When she got to London she was "discovered" by a talent scout looking for young, and maybe disposable, girls for modeling. Mags, as she called herself now, quickly turned a would-be tragic situation to one where she was on the cover of every fashion magazine by 16 and a national and tabloid celebrity by 18.  She used her keen intellect, charisma and complete lack of moral center to get to the top of the heap.  Her looks, while plain as a child, transformed her into "The Face of London".  Her name even became so synonymous with magazine covers that people thought it was a play on words.
In her 20s her career took a dip when she tried acting and was terrible.  Same with pop songs. She quietly completed degrees in mathematics, engineering and robotics while people suspected she was out partying.
At 24 she stunned the world when she married multinational billionaire Halloran Shaw, depiste being nearly 40 years younger.  She took a keen interest in his business and became a full partner and soon rose (by much of the same combination of lack of ethics and keen intelligence) to a position of VP and a seat on the board.  Her enemies begrudged her polished public image and despised her ruthless private one.  When Shaw died he left everything to her including controlling stock in his company, locking out his own grown children.
Mags would have had it all had it not been for a PR stunt gone tragic.
Shaw International was responsible for making high capacity batteries for cell phones and small electronics.  Their factories though were located in India and were the worse sort of sweat shops.  Thousands, cramped into small spaces to build batteries with caustic chemicals.  Ventilation was poor, and deaths were common, but as they were the only employer for hundreds of kilometers she had all the workers she could want.  Protest groups caught news of this and were making a stink.  Mags herself went to the factory to hold a press conference. Most of the employees where cleared out (with out pay) so tours could be given.
In the midst of this pr stunt the factory exploded.   The death toll was high, but would have been much higher had it not been for Justice, who had been near by and heard the explosion with her super hearing.
One person though she didn't save, because she didn't know, was Mags.  Mags watched and Justice saved all these people, while she was pinned under tons of rubble while chemicals and fire burned her skin.
Mags was found, alive, but the damage was too great.  For a year she was in the hospital. She lost her legs, an arm, part of her face, some the fingers on her other hand.  She eventually recovered, but swore she would have her revenge.  The news (thanks to a healthy pay off) made the claim that eco-terrorists caused the explosion, so popular opinion was for the "poor woman" who had "lost everything".
Secretly Mags has built herself a suit of armor that not only keeps her alive, but also enhances all her physical stats.  She has been using it to steal what she can't buy or make herself.  She has killed and seems likely to do so again.  Though no one suspects that the armored thief the tabloids call The Iron Maiden is really Mags Shaw.  And no one know that she is building a weapon to kill Justice!

Here they are in their Villains & Vigilantes glory.  Justice and her arch nemesis The Iron Maiden!

There might be errors here.  It has been years since I played V&V.

See more posts here:

Justice is Blind, Issue 3: M&M3 / DCA

I have mentioned before about how pleased I have been that Mutants and Masterminds 3 and DC Adventures share the same system.  Here is one of those reasons.
My latest super-hero character Justice.

Justice, as she is known is a Paragon, of the likes not seen since Superman left he Earth and Wonder Woman retired.   Many know she is the newest force for Truth, Justice and the American Way, but not many know that she shares more with the those paragons of old than a costume design.
Justice is also Astra Kal-El, daughter of Superman (Kal-El) and Wonder Woman, Diana of Themyscira.

I have detailed Justice in previous posts.  Her introduction and Mutants and Masterminds 2nd Ed stats, and stats for the BASH! RPG.

I like her M&M 3.0 stats as well and think this is the best system for her.  Issue 3 of "Justice is Blind" would deal with her current troubles of establishing herself as her own hero with some flashbacks of her time on Themyscira.

Justice - PL 10
Strength 11, Stamina 10, Agility 4, Dexterity 2, Fighting 5, Intellect 3, Awareness 3, Presence 4


Advantages
All-out Attack, Attractive 2, Benefit, Alternate Identity (Astra Kal-el, Astra Kent), Benefit, Wealth (well-off), Connected (Bruce Wayne), Defensive Attack, Languages 1

Skills
Athletics 1 (+12), Close Combat (Grab) 2 (+7), Deception 2 (+6), Expertise (Law) 4 (+7), Insight 1 (+4), Investigation 4 (+7), Perception 3 (+6), Persuasion 2 (+6), Ranged Combat (Heat Vision: Blast 8) 3 (+5), Stealth 4 (+8)

Powers
Flight: Flight 8 (Speed: 500 miles/hour, 1 mile/round)

Heat Vision: Blast 8 (DC 23; Distracting)

Invulnerability
   Immunity: Immunity 10 (Life Support)
   Impervious Defense: Impervious Toughness 5
Super Senses: Senses 8 (Acute: Vision, Hearing, Distance Sense, Extended: Vision, Hearing 2 (x100), Penetrates Concealment: Vision; Limited (Lead))
Super Speed: Quickness 4 (Perform routine tasks in -4 time ranks)
Super Strength: Enhanced Strength 2 (+2 STR; Limited (Lifting only))

Offense
Initiative +4
Grab, +7 (DC Spec 21)
Heat Vision: Blast 8, +5 (DC 23)
Throw, +2 (DC 26)
Unarmed, +5 (DC 26)

Complications
Power Loss: Exposed to Kryptonite
Secret: Is the daughter of Wonder Woman and Superman. Raised by the Batman.
Secret: Secret ID, Astra Kal-El, aka Astra Kent.
Weakness: Magic

Languages
English, Greek

Defense
Dodge 4, Parry 5, Fortitude 10, Toughness 10, Will 3

Power Points
Abilities 80 + Powers 49 + Advantages 8 + Skills 13 (26 ranks) + Defenses 0 = 150

What I like about Justice is she has power, she has a pedigree even (daughter of Wonder Woman and Superman, trained by the Batman) but she is still young and she does not always know what she is doing or what she needs to do.  She only knows that she sees injustice and suffering in the world and she needs to do something about it. She is not an brooding, agnsty hero, but she is a dedicated one and maybe even a bit of a naïve one. She just knows she has to do something. No existential struggles with her, just action.

Now here is to seeing if my regular GM will let me use her in one of his adventures one day.

ETA: I updated her based on some conversations

Justice is Blind

One of my favorite comic series is Kingdom Come.  It deals with the future of the DC Universe and the growing violence of the new heroes compared with the older heroes of the past like Superman, Batman and Wonder Woman.  There are a tons of great nods to comics of old and the art is fantastic.  One thing it did though was have a widowed Superman get involved with Wonder Woman at the end of the story.  It was all "off page" but Bruce was able to tell that Wonder Woman was pregnant.  I had often wondered since reading it what would the child of Superman and Wonder Woman be like?  What would she be like if she were raised by Bruce Wayne?  Well last year my normal group got together to make new heroes for a supers game.  One of my fellow players, a fan of the old "Spider-man and his Amazing Friends" cartoon, came up with the son of Firestar and Iceman.  I came up with Astra aka Justice.

The basic idea was to come up with a next generation hero that would be living in Freedom City.  Gotham, Metropolis, Empire City, and all the superhero cities would be there from Marvel, DC and games we had all played in the past.  So it was quite a mash-up.  But we never got to play.  Maybe we will one day.  But in any case here is the introduction to Justice.  I'll have some stats for her soon.

JUSTICE
Issue 1, Vol. 1
"Justice is Blind"

When Lois Lane-Kent was murdered not just Metropolis was in shock, but so was the world. Not that anyone was surprised when the Pulitzer Prize winning journalist was targeted for murder, Lois had a way of making enemies, but that Superman, the man who had been a constant at her side since he arrived in Metropolis couldn't save her.

After Lois' funeral Superman met with members of the Justice League and told them that Clark Kent was dead. He would never assume the role of Clark Kent again. He left for the Fortress of Solitude where he spent the next five years in self imposed exile. Over the years various heroes attempted to contact him, even try to go to him. Batman was rebuffed. Steel was sent home with a broken arm. Finally one day Wonder Woman returned from the Fortress saying that Kal-El was leaving Earth, maybe forever.

Nine months later she gave birth to a daughter.

Diana had passed the mantle of Wonder Woman over to her sister Donna, she was now the UN Ambassador of Themyscira. The birth of her daughter made her return home. She named the girl Astra after the Goddess of Justice Dike Astraea, but also for its meaning, from the stars. Astra grew strong, tall and proud like any Amazon. Though it was obvious from the beginning she was not an ordinary Amazon. She was much stronger and faster than her sisters, though unlike them she had difficulty with magical weapons. Even in close proximity to her aunt's Lasso of Truth effected her.

When Astra turned 12 her grandmother Hypolata died in battle. Diana became queen of the Amazons. She decided that her daughter, already finding life among the Amazons difficult, would live among humans to learn their ways. She sent her to the only person she could trust with the thing most precious to her in life. Bruce Wayne.

Bruce accepted Astra Kal-El as she was known and crafted a human name and identity for her, Astra Kent, daughter of the late Clark and Lois Kent. Bruce was a good father and teacher to Astra, teaching her history, civics, law and most importantly justice and the value of a human life. She had received training in various combat styles from the Amazons, but Bruce took it to the next level. He taught her not only to how fight, but how to more effectively use her own powers. Where she excelled though was in her studies of the criminal justice system.

She entered Gotham University as a Justice Studies major with a minor in Ancient History. She graduated and was set to enroll in the prestigious Gotham Center of Legal Studies at GSU to get her degree in law. Bruce even arranged for her to work as an intern with State Attorney General Barbara Gordon. This is when Astra met her destiny.

She had been helping Barbara with a case to put away a known mobster. Carlos "the Shark" Diaz was the leader of Diaz crime cartel in Gotham. To date he had been arrested on hundreds of charges but never had they been able to make any of them stick. Then one night he was in his nightclub when in a fit of bravado he pulled out a chrome .44 and shot randomly into the night. His shot hit and killed a single mother of three coming home from working a double shift at a local drug store. A shift she was not supposed to have been working. The police were all over Carlos in an instant. He had been seen not only by dozens of witnesses, CCTV, his finger-prints were also all over the bullet. When he was let off on yet another technicality, Gotham raged. But Astra knew she had to do more.

She went home and crafted a costume similar to that of her father's and mother's, and with speed born in her Kryptonian blood she went after Carlos. It did not take her long to find his car which she blasted with her heat vision. She tore the car apart with her bare hands to get to Carlos. She grabbed him by the nap of his neck and flew so high ice formed on their skin. She dropped him, only to catch him moments before he hit the ground.

"Please!" the mobster begged. "I'll give you anything you want! Power, money! Please!"

"I want…" Astra began.

"Yes, I'll give it to you!" screamed Carlos.

"I want…I want Juanita Washington's children to have their mother back!" she yelled at him, she pulled him to her face and her eyes began to glow red with heat vision.

"ASTRA!" came a shout. It was Bruce.

"Bruce. I have too. He just keeps getting away. He kills, he murders, he gets kids addicted to drugs. We need justice!" She called back to him, tears in her eyes.

"This is not justice. This is revenge. Do this and you become him." Bruce said quietly.

She looked at the mobster a long time and finally tossing him to the ground, breaking his legs. She took off with such force that the sonic concussion broke windows eight blocks away.

Bruce called the police and returned home.

There he found Astra in the Bat-cave crying.

"I failed you Bruce." She said.

"No. I failed you. I forgot to teach you that the most important lesson is never too loose yourself. Your mother sent you to me not for my skills as a detective, or our past, but for something I still struggle with."

He looked over her costume. It was crude, but it had a certain style and flair.

"Who are you supposed to be?" he finally asked.

She looked up with an ironic half-smile, "Justice".

Bruce went to her cape and tore off a strip that had come loose. He took the strip and fashioned, not a mask, but a blindfold. He tied it around her eyes.

"Justice is blind." He said. "In the courtroom or the streets you must be fair and impartial. Pursue the guilty, protect the innocent and uphold the law."

After that night Astra packed her bags. Bruce didn't tell her she had to go, but he did not stop her either. She wrote a letter to Attorney General Gordon, apologizing for her actions and submitting a letter of resignation. She dropped out of GSU and by morning had already made arrangements to move to Freedom City. She feared she would not get into FCU so late in the term, but letters from the Gotham Attorney General, the US Ambassador to Themyscira, and not to mention a sizable endowment from Wayne Enterprises with a personal letter from Bruce Wayne brought her in as a mid-semester new grad student.

Astra has spent the last few weeks catching up on her Law School courses making up lost time. But it is rumored that a new hero has been spotted in Freedom City. Her blue, red and gold costume is reminiscent of a Greek tunic, or of superheroes that have not been seen in over two decades.

Though the oppressed, the downtrodden and criminals know…Justice has come to Freedom City!

JUSTICE
PL: 10 (150 pp)

ABILITIES: STR: 30 (+10) DEX: 12 (+1) CON: 19 (+4) INT: 16 (+3) WIS: 10 (0) CHA: 16 (+3)

SKILLS: Acrobatics 4 (+5), Bluff 2 (+5), Climb (+10), Computers 4 (+7), Concentration 2 (+2), Diplomacy 4 (+7), Disguise (+3), Escape Artist (+1), Gather Info 4 (+7), Handle Animal (+3), Intimidate 2 (+5), Investigate 4 (+7), Civics 6 (+9), History 6 (+9), Notice 4 (+4), Search 4 (+7), Sense Motive 4 (+4), Stealth 2 (+3), Swim (+10)

FEATS: All-out Attack, Attractive (2), Power Attack, Defensive Attack, Connected, Benefit (1)

POWERS: Enhanced Strength [20], Enhanced Constitution [6], Flight [8], Blast (Distracting) [7], *Super Senses [4], Extending Sight, , Acute Hearing, , Extended Hearing, , X-Ray Vision, , Super Strength [2], Protection [6]

COMBAT: Attack 10 [Unarmed +10 (Bruise)] Defense 10 (10 flat-footed) Init 1

SAVES: Toughness 10 (10 flat-footed) Fortitude 9 Reflex 2 Will 5

DRAWBACKS: Vulnerable: Magic (High Freq, Low Severity) -2, Disability (Total) Kryptonite (Low Freq, High Severity) -3

Abilities 43 + Skills 14 (53 ranks) + Feats 7 + Powers 76 + Combat 4 + Saves 11 – Drawbacks -5 = 150 / 150

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Notes

I figure the blindfold is cooler than a mask. With her X-Ray vision she could easily see through it. Plus she is 6'2", brunette and looks like a super-model, she is going to need something more than glasses to disguise who she is. Plus it is also used as a reminder to her not to use her heat vision, something she almost killed someone with. That Bruce is a thinker.

I liked the idea of Babs being the AG and Astra working for her.

One of the first things I had to figure out was the compelling reasons for Superman not to be in her life (he is gone) and he never knew she was there. Wonder Woman would see it as it being better with Astra living her life away with mortals. Plus as the new Queen of the Amazons she would be busy. Of course if supes ever found out he had a daughter he would be back on Earth as quickly as he could.

I had Donna Troy become the new Wonder Woman when Astra was born, but that is not to say that Cassie Sandmark is not the Wonder Woman now.

I wanted to remove her from Bruce's influence a little more than just she moves to FC. Nearly killing a mobster in revenge would put a big strain on their relationship.

The Bruce here is more of the Batman Beyond Bruce Wayne than the Kingdom Come one.  We initially thought that this would make Terry McGinnis the current active Batman (though that would make this series sometime after 2040 and I don't think we thought of it that far head).

Her costume looks like the statues of "Blind Justice", the Goddess whose name she shares, with elements of her mother's and father's costumes as well. I figure Supes has been out in space (or wherever he was during the whole DC 1,000,000 series) and would not have been around, Wonder Woman is retired so no one has seen the likes of her for a long time.