Showing posts with label PWWO. Show all posts
Showing posts with label PWWO. Show all posts

Wednesday, June 27, 2018

Plays Wells With Others: Dark Places & Demogorgons and Buffy the Vampire Slayer

Reading over Dark Places & Demogorgons I could not help but make comparisons to another game of strange things going on with high school kids fighting monsters.   Of course, I am talking about the Buffy the Vampire Slayer RPG.


Both games deal with fighting the unknown, both games deal high school students and both games are steeped in 80s clichés and pop-culture.  Where Buffy attempted to subvert those clichés, Dark Places & Demogorgons embraces them.

I am just throwing this out here, I have a lot of issues with Joss Whedon.  I think he is an asshole.
But I am damn proud of the work I did on the Buffy the Vampire Slayer RPG.

Reading through the core of DP&D and all the supplements it became very, very obvious what game I need to run.

Welcome to Sunny Valley, OH
"I am certain that whoever named this place Sunny Valley was having a joke on us. The winters are long, cold and dark. It rains in the spring and fall. I think they named the place in the three days of the summer we do get sun.  Not to mention the werewolves, the vampires and oh yeah the Hellmouth just outside of town.  Welcome to Sunny Valley Ohio California girl. Bet you can't wait to leave."
- Alexander "Alex" Harris to Elizabeth "Buffy" Summers.

I decided to take the entire "Buffy Package" and drop it wholesale to the Midwest and set it all in 1984.  There are some changes that need to be made.

In this new setting Elizabeth Anne "Buffy" Summers moved from sunny California to the ironically named Sunny Valley, Ohio.  As a nod to my friend and co-author on many of the Buffy books, Thom Marrion, who was going to do a series of Buffy books set in Cleveland, I wanted to do this in Ohio.  Cleveland is the "big city", but I never detail how far it is.

There is a Hellmouth, but is more indistinct.  No one is sure where it is, but they all know it's there.  There are two high schools, Sunny Valley Prep (the "good" school, where we start) and Sunny Valley Community High (the "bad" school).

Elizabeth Anne "Buffy" Summers
Class: Monster Hunter (vampires)  Level: 5
Alignment: Good
Languages: English, French
Age: 15

Attributes
STR: 18 +3
INT: 12 +0
WIS: 12 +0
DEX: 18 +3
CON: 18 +3
CHA: 16 +2
SUR: 18 +3

AC: 15     HP: 35    Attack Bonus +4 / +7 (vs. vampires)

Courage: 6 (additional +3 vs. vampires)
Critical: 5
Death: 6
Mental: 4
Poison: 5

Background
Mother is rarely at home.
Annoying little sister.

Class Abilities
+3 to hit, track, dmg to Vampires
+1 Toughness

Skills
Outdoorsmanship +4, Paranormal +5, Knowledge (Historical) +2, Brawling, Persuasion +2, Basic Athletics +3, Stealth +2

Possessions
Leather jacket, pants, stakes

Money: $30

This version of Buffy is actually named Elizabeth. She is a former California girl and now lives here with her mom and weird little sister. She is a Slayer, but she has no idea how or why.  There are no Watchers here in Sunny Valley, no Giles.  Elizabeth just knows she is strong, fast and she can sense vampires.
At the end of Series 1 she dies, but only for a little bit.  This gives us Faith Lehanne, a wild girl from Sunny Valley Community High.

Faith Lehanne
Class: Monster Hunter (vampires)  Level: 5
Alignment: Neutral
Languages: English
Age: 14

Attributes
STR: 17 +2
INT: 12 +0
WIS: 10 +0
DEX: 18 +3
CON: 18 +3
CHA: 17 +2
SUR: 18 +3

AC: 15     HP: 32    Attack Bonus +3 / +6 (vs. vampires)

Courage: 5 (additional +2 vs. Vampires)
Critical: 5
Death: 4
Mental: 3
Poison: 4

Background
Parents are dead, lives with Aunt
Dirt poor

Class Abilities
+2 to hit, track, dmg to Vampires
+1 Toughness

Skills
Outdoorsmanship +4, Paranormal +4, Knowledge (local ) +1, Brawling, Intimidation +4, Street Smarts +4, Stealth +2

Possessions
Leather jacket, pants, stakes

Money: $0

Faith shows up in Series 2 from SVCHS where she makes an impression by killing two vamps right away.  She introduces us to her friend Tara, and she and Willow start to spend a lot of time together.



Both Buffy and Faith are built using the Monster Hunter class from DP&D: Player Options & GM Guide.  In truth I could build a "Slayer" class, but I didn't really want to do that.  I wanted to try them out Rules As Written.

In general the cast would be much younger than the TV show.  Anywhere from 2 to 3 years younger. This fits perfectly with DP&D but changes the dynamic a little.   For starters, I would downplay the sexual tension to almost nothing, or at least a slow burn.  A 200+-year-old vampire prey on a 17-year-old sounds bad.  Preying on a 14-15-year-old sounds worse for some reason.  I am also going to give Faith the benefit of the doubt here.   During my Buffy game Season of the Witch, I pointed out that what the show writers had done to her essentially was so contradictory that the character was broken beyond repair.  So what if I took a potential "Bad Girl" and instead gave her a friend.  Maybe someone she saved from some bullies.  Enter Tara.  In this world Faith saved Tara from being picked on because of her poor family and the open secret that she is gay; something that was still very hard to deal with in the 80s.  Both girls help each other out till they meet the cast.

Dawn Summers
Class: Telekinetic  Level: 1
Alignment: Good
Languages: English
Age: 11

Attributes
STR: 10 +0
INT: 12 +0
WIS: 16 +2
DEX: 12 +0
CON: 14 +1
CHA: 12 +0
SUR: 16 +2

AC: 10     HP: 4    Attack Bonus +0

Courage: 3
Critical: 2
Death: 3
Mental: 4
Poison: 2

Background
Mother is rarely at home.

Class Abilities
Telekinesis, Psionic Attack, Psionic Push

Skills
Paranormal +1, Investigation +1, Knowledge (local) +1, Stealth +1, Video Games +1
Psionic Attack +1

Possessions
Bike, Backpack, Journal describing how she used her powers in secret.

Money: $10

In my games, Dawn developed psychic powers.  Maybe not Jean Grey levels, but certainly Carrie ones.  I thought it would be fun if the "Annoying Kid Sister" trope was subverted by making her Powered.  She was built with the optional Psionic classes in the Core Rule book.

I also did Cordelia Chase (basically an archetype "Princess"), Alexander "Alex" Harris (a "Geek" due to his Star Trek obsession), Oz (Metalhead turned Werewolf) and Angel (Teen Heartthrob turned Vampire).

What can DP&D Players get from Buffy?
The Buffy RPG is a great game that focuses a lot on the high school experience and how fighting monsters can be a metaphor for life in High School. Personally, I think EVERY player and GM of DP&D needs to read Chapter 7: Episodes, Seasons and Drama. It is hands down the best chapter written about running anytime of modern supernatural game or a game set around High School age kids.  The mechanics on Drama Points and their use would also be useful.
And of course all the monsters, vampires and demons the book has would be helpful to any DP&D GM.

What can Buffy Players get from DP&D?
The Buffy RPG is a mature game.  Not just in content, but shelf-life.  I know people that are still playing the game 15+ years later.   For me, DP&D has given me a breath of fresh air and has re-energized my Buffy-related experiences.  Hell, this is the first honest to goodness Buffy campaign idea since Season of the Witch and that was more than 12 years ago.
The "Back to Basics" feel of DP&D cannot be ignored or understated.  It really helped me think of this game in a different way.


Tuesday, June 19, 2018

Plays Well With Others: Making 5e Bloodied

Yesterday I talked about how my Nentir Vale/Demon Slayers 5e game is a reboot of my 4e game and I will be adding more 4e elements to it.

Today I spent some time with D&D 4e Essentials to see what I could glean from that.



I know a lot of people had problems with 4e.  I was not one of those people.  I liked 4e and really wanted to give it more time.

5e is so flexible that there is so much you can do to it and it won't break the system.  4e was a very tight game, so tight that pulling out one piece had some serious impacts.

I am hoping that this will not break 5e; I doubt it will.

Bloodied in 5e
When a creature or character is reduced to half their HP or less (rounding down) they are bloodied.  This can trigger a number of actions.  I want to mix as much 4e and 5e as I can here.

Characters
These are taken from Dungeons & Dragons Player Essentials: Heroes of the Forgotten Kingdoms.

Dragonborn
When you are bloodied you may invoke your Dragonborn Fury.  You gain a +1 racial bonus to attack rolls.

Half-Orc
When you are bloodied during an encounter you may invoke your Half-Orc Resilience.  The first time you are bloodied during an encounter you gain temporary hp equal to your Proficiency Bonus + your Constitution modifier.

Tieflings
Bloodhunt: You gain a +1 racial advantage on attack rolls against bloodied targets.

Monsters
All of these creatures (for the most part) come from Dungeons & Dragons Essentials: Monster Vault.

Aboleth Overseer
Psychic Slime (standard; recharges when first bloodied)

Angel
Angelic Presence: When not bloodied attacks against the angel are at Disadvantage.

Beholder
Death Ray (necrotic):  If the target is bloodied before or after the attack, it is also dazed (save ends).

Blood Fiend
The blood fiend gains combat advantage against any living bloodied enemy.

Bulette
When bloodied the creature burrows underground and uses it's Second Wind.

Demon, Babu
Bite: The target also takes ongoing 5 acid damage, or ongoing 10 acid damage if the babau is bloodied (save ends).

Demon, Hezrou
Noxious Stench: Any enemy that makes an attack while in the aura takes 10 poison damage, or 20 poison damage while the hezrou is bloodied.

Demon, Marilith
Weapon Dance (melee): Recharge when first bloodied. Can attack again.

Demon, Vrock
Spores of Madness: DC 20 Wisdom Save to enemies within 5'.  On a failed save 3d10+6 Poison damage and the target is dazed.  Successful save, half damage.

Demon, Balor
Flaming Body: Normally aura is 2 squares or 10 feet. When bloodied it expands to 3 squares/15 feet.  Any enemy that starts its turn in the aura takes 10 fire damage, or 20 fire damage while the balor is bloodied.

Devil, Kyton
Chains of Vengeance: The devil can attack with it's chains twice.

Dragon (all)
Bloodied Breath: When first bloodied the dragon can recharge and use it's breath weapon.
When Bloodied a Dragon can critical on 18-20.

Drake, Rage
When bloodied the rage drake has Advantage on attacks.

Eye of Flame
Fiery Burst (when first bloodied and again when the eye of flame is reduced to 0 hit points) Close burst 2; DC 20 Dexterity save; 2d8 + 6 fire damage.

Gnoll
Blood Frenzied: The gnoll adds their Proficiency bonus to damage to all melee attacks when bloodied.

Golem, Flesh
When bloodied the golem can make a slam attack at Advantage.

Hag
When bloodied make one additional claw attack.

Lizard Folk
Additional tail sweep attack (1d6) when first bloodied.

Lycanthrope, Werewolf
Attack advantage on bloodied targets.
Proficiency bonus added to damage when bloodied.

Ochre Jelly 
When bloodied the creature splits into two creatures, each with hit points equal to one-half its
current hit points. Effects on the original ochre jelly do not apply to the second one.
(this is in addition to the split described in the 5e MM).

Owlbear
Stunning Screech: When bloodied the owlbear will Screech (close blast, 15'). DC 15 Constitution save or be stunned.

Vampire
The vampire takes damage while bloodied they become insubstantial and gains fly speed 60'. The vampire cannot attack or use cloud of bats. This effect lasts for 1 hour or until the vampire ends it as a minor action.
The vampire has combat Advantage on bloodied targets.

I am not sure how all of these will work out.  In many cases, the monsters are now more deadly.  I might need to compensate with a bonus of 5 to 10 XP.

If it works well my son has offered to do more of these for me.


Wednesday, November 29, 2017

PWWO: Mighty Protectors

Time again for another edition of "Plays Well With Others"!

Mighty Protectors is a new game, but it has a long history and some solid Old-School DNA.  Because of this, there is a lot of ways to tinker with the game.

It is no secret that there is D&D DNA in Villains & Vigilantes.  That DNA carries over to V&Vs offspring, Mighty Protectors.  While there are still plenty differences in these games, there are enough similarities to build on.

Mighty Protectors and Villains & Vigilantes 2.1


Total cheat really. These games are less "Mix and Match" as they are "ideas to be shared". They are basically two slightly different expressions of the same world.  Now V&V 2.1 has better, or at least, more explicit rules for magic and psionics. Plus converting between MP and V&V 2.1 is easy; there is a section in the MP book on converting V&V 2.1 over.  Using this V&V 2.1 becomes a Rosetta Stone of sorts for d20 based games.

This conversion key is really helpful for me for the next two games.

Mighty Protectors & d20 Silver Age Sentinels / BESM d20


Alas, Guardians of Order.  You were a not a well-run company, in the end, but you did have some fun games.  Two of GoO's games are of particular interest to me.  Big Eyes Small Mouth d20 (BESM d20) and Silver Age Sentinels d20 (SAS d20).  Both had great breakdowns of the d20 system (circa 2002) into Level-Based Point buy systems.  Using our V&V translation you can now have a translation of BESM/SAS d20 to V&V and MP.  In particular, the book Advanced d20 Magic for BESM d20 is a great resource for point-buy spells.   I have not worked out the mathematical translations or crunched the numbers just yet, but there are there.  My initial guess is that 1 CP (MP) = 2 Points for SAS/BESM. 
This would give me a great point-buy spell system with some well-defined familiar spells.

Another great thing about SAS (Tri-Stat or d20 versions) is the excellent history of comics and the superhero in modern culture. The Silver Age sensibility of the "how to play" sections fit Mighty Protectors to a tee.

Mighty Protectors and Mutants & Masterminds 2.0


One can't talk super-hero games and not mention Muntants and Masterminds.  While now in the third edition, it is the second edition that concerns us here and now.  M&M2 shares a lot in common with MP. I could detail it here, but this link, Converting Mutants & Masterminds 2.0 to Mighty Protectors, does a far better job.   I have gone over the list of Powers and Abilities for both games to see what one has that the other doesn't, But I can say that between these two nearly every power likely is covered.

Plus Green Ronin has an absolute ton of material for M&M.  Personally, I like to put the supers of each game into their own cities and if you go to that city that's where you will find them.

For my next round of characters, I am going to take some notes from these other games to get the characters I am really looking for.  It should be a blast.

Wednesday, July 5, 2017

Plays Well With Others: Blue Rose + White Box S&W

Well, I am back at today with another "Plays Well With Others".  I want to spend some quality time with Blue Rose still so today I want to talk about one that jumped out at me right away.
Blue Rose works great with Swords & Wizardry White Box rules.

Yes. In fact, there is very, very little you need to do to make Blue Rose more like White Box.


Let's start with what I am wanting to accomplish here.  White Box is OSR/D&D stripped down to the bare bones. It leaves a lot more to the imagination and the guidance of the Game Master/Referee.  There is a lot of narrative control in refs hands.   The AGE version of Blue Rose has similar DNA (more on that) but places more narrative control in the hands of the players. NOT ALL, but a little more.

Blue Rose, in its AGE or True20 editions has DNA and elements that go back to the 3rd Edition D&D rules and the OGL.  The genesis of the Swords & Wizardry rules from the OGL is more than obvious.  This gives us a common thread to look at these games, a common ancestry to compare and contrast.   It also informs us on how we can bring them together.

One of the big surprises in Blue Rose for me as that the ability scores are all rolled on a 3d6 in order.  This is closer to "Old School" than some OSR games.  But that is only one thing, not enough to build a larger set of connections on.

White Box is not just a fun set of rules (we have thousands of those now) it is also a philosophy of gaming where less is more and the people playing need to decide what to do.  That last part is 100% Blue Rose.  But how do we make Blue Rose more like White Box?

White Rose

Well for starters let's cap the levels at 10.  This is just like White Box and has the effect of negating some of the later Specializations and higher level focuses of the game. With this done the core character classes, Warrior, Expert, and Adept need to focus on the things central to their class.  Fighters and Experts should not be able to take arcane training of any sort really. Adepts should be focused on either an arcane path (magic-users) or a divine on (clerics). Want a REAL restricted game? Don't have a cleric analog. Though you will need to consider what to do about healing.

Ending the levels at 10 restricts the classes to only one specialization. This is perfect for a White Box-inspired Blue Rose.
I would limit Experts to specializations like Assassin or even Pirate. For a real White Box feel I would create a "Thief" Specialization.
For a Cleric,  have the Adept take the Healer Specialization.
Warriors have the most flexibility. They can take the Champion, Guardian, Knight, Outrider, or Slayer.
For true White Box feeling, drop the thieves completely, and let Experts take the Healer Specialization.  Then you have three class to three classes.

For your races, you can crib the races from Fantasy AGE.

The big question is, "Why even do this?".

Simple. I can use White Rose as a "gateway drug" to Blue Rose for people that play White Box or another OSR clone.   I would run it as more or less a straight up D&D-like game with only some "Blue Rose" materials until later on.

I would try this out with some well-known Swords & Wizardry adventures. I am thinking something like Frog God Games' Razor Coast or any Swords & Wizardry adventure by Creation's Edge Games.
I have to admit, their Blue Crystal Mine has appeal to me as a gateway S&W/Blue Rose adventure, and how can I say no to an adventure called Curse of the Web Witch?  I might replace his monster with my own Web Witch.  I should convert it to AGE.

Looking forward to trying this out.

Tuesday, July 4, 2017

Red, White and Blue Rose

June may have been "Blue Rose month" but I have so much more to say and do!

I am going to have a couple of upcoming "Plays Well With Others" coming up.  More details later, but here are some teasers.

First, something that was inspired by my old "Black Rose" game (Blue Rose + Ravenloft) and something that came to me in a flash on a recent run.  Something I am calling "Blood Red Rose".


Blue Rose + Vampire the Masquerade (2nd Edition).

Next is less of a Plays Well With Others and more of a "Campaign Model".
I give you my "White Rose"


Blue Rose + Swords & Wizardry White Box.

This is going to be great.

Tuesday, June 13, 2017

Plays Well With Others: Blue Rose and Buffy the Vampire Slayer

This June I am on a big Blue Rose kick gearing up for my review of the game.  I felt for this review I should play the game more and kick the tires a bit more.  Today, given that it is Tuesday, I want to talk about another progressive game and how well it works with Blue Rose; the Buffy the Vampire Slayer RPG.
I am extremely proud of the work I did on Ghosts of Albion. But I never would have gotten to do that work had it not been for the success of the Buffy the Vampire Slayer. Both the Show and RPG really. Without Buffy, there would have been no Ghosts on the BBC and without the RPG there never would have been a Ghosts of Albion RPG.



These two games share a lot of themes.  Blue Rose is more character-centric than other fantasy games and Buffy is more character-centric than other modern-supernatural games. Though most modern-supernatural games also tend to be more character focused.

Blue Rose and Buffy also share the +John Snead connection.  He worked on the original Blue Rose (and compiled a great list of must-read books of the genre). He and I also both worked on the Buffy Magic Box book.   Speaking of Snead's book recommendations, I reread The Blue Sword recently and I am struck how much of the heroine Harimad-sol reminded me of Buffy in ways. Also, my Queen Jaeliln was more than a little influenced by Buffy and SMG.

With Green Ronin now talking about Modern AGE (MAGE...snerk), I think the time to dust off my Buffy books is right.  As my old friend +Robert Black used to say, "I have a Buffy-shaped hole in my life."

By the Numbers
Normally when doing a Plays Well With Others of different systems I like to look how the stats convert.  I am less interested in that these days and instead more interested in how to convert concepts and ideas.   In this case, it's a "How would the characters from Buffy the Vampire Slayer work in Blue Rose?" Though I am not immune to the siren song of numbers.

Blue Rose/AGE has 9 Abilities.  Buffy/Unisystem has 6.  The mappings are pretty logical.
Just take the Unisystem ability and map it onto the AGE ability of the same name; Strength is Strength, Willpower is Willpower and so on.   The three remaining, Accuracy, Communication and Fighting, can be taken from various skills or qualities.  So Fighting is taken from Kung-fu; Communication can be derived from Charisma. Accuracy, depending on where it is used can come from Gun-Fun or Occultism.
Blue Rose/AGE abilities rank from -2 to 4. Buffy/Unisystem attributes go from 1 to 6, with some cases of 0.  Take your Unisystem score and -2.  Not perfect really, but it is really, really close.

Now at this point the numerical conversion stops.  In the Buffy RPG, the eponymous Slayer has Strength 8, Dexterity 9, and Constitution 8.  A straight conversion gives her 6, 7 and 6 respectively.  Not undoable really, but I'd have to bend the rules.  Instead, let's see how close I can get with Rules-As-Written.

I want to do starting characters, but to get her to the power level I want for a starting character I am going start her out at Level 4.  Blue Rose/AGE is fine with this as True20 was.

By the Concepts
What is a Slayer known for?  Killing Vampires naturally.  But in Blue Rose Vampires are not the threat that Darkfiends are.  Indeed, in the RPG and TV show the focus was less on Vampires and more on Demons. Unstable Shadowgates are roughly the same (plot wise) as a Hellmouth.  While magic is common, Sorcery is bad (Sounds like a 4th season episode, "Sorcery Bad!").

A lot of the same themes can be explored as well; family, relationships, sex, sexual identity, friendships and a group coming together.

Mr. (Robert) Maclay: This is insane. You people have no right to interfere with Tara's affairs. We are her blood kin! Who the hell are you?
Buffy: We're family.

So. Who is Buffy Summers in the World of Aldea?  Well, she is the Slayer. The Chosen One. She lives with her mother and sister in a suburban area of Aldis. Here she discovers a Shadowgate linked to the realm of the Darkfiends.  She has been chosen by Maurenna to destroy the darkfiends.

For my own Blue Rose games I have chosen Welsh as the language that represents Aldea, so all the names of my characters will be Welsh or Welsh-inspired.  Buffy Summers becomes Bethan Hâf, she lives with her sister Gwawr.

Bethan Hâf, the Darkfiend Slayer



Name:
Bethan Hâf
Race:
Human (Slayer)
Background:
Aldin
Class: Warrior Level: 4

ABILITY
Score Focus
ACCURACY
3 2
COMMUNICATION
1 Persuasion
CONSTITUTION
3 2
DEXTERITY
3 2
FIGHTING
4 3
INTELLIGENCE
2
PERCEPTION
2
STRENGTH
4 3 Might
WILLPOWER
3

Combat
AR 1
Health 65
Weapon Groups: Brawling, Bludgeoning, Heavy Blades, Light Blades

POWERS, TALENTS, AND SPECIALIZATIONS
Armor Training: Novice
Talents: Quick Reflexes (N), Single Weapon Style (N), Arcane Potential, Visions (N)
Specialization: Slayer of Darkfiends

Persona
Calling: The Sun, Championing the Everyday
Destiny/Fate: Six of Swords, Optimistic/Pessimistic
Goals: To Destroy the Darkfiends invading our home

Relationships
Gwawr (3). She is my little sister and maybe the only one that truly understands me. I will protect her. My wrath on anyone that means her harm.
Helyg (2). She is my best friend, the only one that has shown me kindness. I will save the world only because I have her help.
Brynn (1). She is the love of Helyg and that makes her family.

I like it.  This is a build I could work with.  Note I have not given her a significant other yet. Not sure how I want to work that in just yet. Would like to see where I would take this character first.

Next time lets spend some time with Helyg and Brynn.

Wednesday, February 15, 2017

Plays Well With Others: D&D 4th Edition and D&D 5th Edition

Wait...what?
Seriously though hear me out on this one.

Long time readers will know of my enjoyment of 4e when it first came out.  I felt there was a good game here, even if it was not 100% D&D-like-we-knew-it.   Well it was pretty much derided by any old school gamer and those that did like it, loved it with a passion.

Well yesterday +Thomas Denmark over at Original Edition Fantasy/Rules posted a video about how to incorporate elements of 4e into your 5e game.
https://originaleditionfantasy.blogspot.com/2017/02/dr-strange-edition-or-how-i-learned-to.html

Here is the video he shared.


It's an hour long, but the YouTuber Matthew Colville is so earnest about this that it is fun to watch.  BTW he has a lot of other D&D videos as well. The guy is obviously a gaming evangelist so his enthusiasm is contagious.  So much so that this morning before getting everyone awake I dove into my 4e monster manuals.


It seems that Colville is onto something here.

I have mentioned before that there a number of 4e innovations I would like to adopt in my games.  Among these are some of the conditions, in particular bloodied, and the minion rules.

But today I want to talk Giants.

My group is working their way through a modified and expanded version of the G series.  They finished G1, "G4" (the R.C. Pinnell Stone Giant adventure) and G2.  Next they are going to do a mish-mash Cloud/Fog/Storm Giant one before going on to G3 and the Fire Giants.  But before that they are going to do a one shot based on the old Conan story, "The Frost Giant's Daughter".  My adventure will be called "The Frost Giant Jarl's Daughter" though roughly the same plot.

I will be 100% honest here. I was never a big fan of giants for most of my D&D adventuring days.  That is until 4e helped turn them into something else.  In 4e (and possibly before, I might have missed it)  Giants became the products of Primordials and Elemental forces.  They were not just "bigger orcs" but something else.  I really liked the 4e versions of giants that included not only giants, but also titans.  So you could have a Frost Giant and a Frost Titan.  The Titans were larger and more tied to their elemental natures.

In the G4 module I did a bit of this with the main Stone Giant being replaced by a 4e style Earth Titan.

In The Frost Giant Jarl's Daughter I am going to take Colville's advice and run the giants with more of the 4e elements than I had previously.  A lot more in fact.


The adventure takes place right after G2 (I am calling it G2.5, but I guess G2.45 is a better code).  The party must cross a glacier to get to the next point in the series.   However, along the way, they will be taunted by the apparition of a beautiful girl.  Now I need to be careful here.  I have an elf woman that has been following them all the way from the A series. They think she is a thief, but in reality she is a spy from another group that wants the same things the party wants.  I don't want to run into the cliche of a beautiful woman actually being something else.


Along the way there will be three 4e crafted encounters; a group of Winter Wolves, Frost Giant Skeletons and finally her two Frost Giant brothers.  The Jarl's Daughter is a Frost Giant Ice Shaper from 4e; or maybe the Frost Titan, have not decided yet.  So she is going to have some very nasty tricks up her sleeve.

If this works well then I am planning on doing this more in the Fire Giant's adventure.


A bit of personal history.  Back in the earliest days of my gaming when I was going through these adventures myself I found a 60mm metal mini of a knight in bronze armor.  To me it looked just like the picture of the Fire Giant from the Expert set.


I wanted my DM to use it as an advanced Fire Giant Knight.  Someone that would come out to challenge the players.  Given that the art above also has a passing resemblance to Brian Blessed in his younger days (think Flash Gorden era) he would be very bombastic. Well on the day we did G3 I forgot the mini.
Somewhere over the last 35 years I lost the mini.  I remember his leg broke off and I was very disapointed that my Fire Knight never made it to battle.  Well thankfully I have the internet and I found a replacement.


That's the Fire Giant Queen and next her is the Schleich Dragon Knight Hero.  He is not perfect, but he is really, really, really close.  I can use the Fire Titan stats for him and give him all sorts of kick ass powers, like Hurl Lava and Burning Wave.

The Cloud Giant queen, who is in reality the bastard daughter of the Storm Giant King and a Cloud Giant Sorceress, will be recast as a 4e Eldritch Giant.


D&D5 has long been touted as the edition to unite all editions.  I have seen that certainly in terms of Basic and 1st through 3rd.  There are some remnants from 4rh here, but we could do with some more.  4th Edition, despite it's issues, had a lot of really cool innovations and I'd hate to see those lost.

Tuesday, December 20, 2016

PWWO: Blue Rose

Continuing my deep dive of Blue Rose, it's systems and world I want to see how well it Plays Well With Others.  I think for the sake of argument I refer to Blue Rose when I mean the campaign world and True20 when I mean the system.


Blue Rose and d20
I am mentioning this one just to get it out of the way.  Yes, you can mix and match Blue Rose/True20 with just about any d20 system.  I have done this in the past but I feel something unique is lost. Much like the Borg assimilating other cultures to where their individualism is lost, d20 sucks up other games and makes them a pale imitation of D&D. Or at least D&D 3rd Edition.  This is a real valuable lesson though. For something to work for my PWWO posts the uniqueness of both games, systems, books, whatever need to be retained.  The d20 conversion appendix in the back of the Blue Rose core book helps a lot and it also guides how other d20-based/derived games can be converted.  Just remember that "conversion" isn't the only thing I am looking for here.

Blue Rose and Ravenloft
Ahh.  My original Peanut Butter and Chocolate. Also what could be one of the first, in spirit, PWWO style posts I have made here.  Ravenloft was one of my favorite game worlds for 2nd Ed D&D. Heck it was my only game world for 2nd Ed.  The then new 3rd Ed Ravenloft was great, but left me underwhelmed.  Mixing in Blue Rose to the Ravenloft world gave me something new. Not totally new mind you, but new enough to highlight what made both games really shine. The darkness of Ravenloft made the brightness of Blue Rose even brighter and visa versa.
You can read more about my Black Rose exploits in these posts and here, Count Strahd Von Zarovich for Blue Rose / True20.
In this case, I want to convert everything Ravenloft to Blue Rose/True20.



Blue Rose + Ravenloft + Cults of Chaos
Ok, so what do you get when you combine Blue Roses, Black Roses, Red Roses and White Roses?  Well...a lot of thorns to be sure, but also something pretty cool.  Combining Blue Rose and Ravenloft is a given.  Since Ravenloft is, more less more "Gothic Earth" than "Gothic Greyhawk" it makes a good catalyst to add other Earth-like games. Cults of Chaos is part of +Kasimir Urbanski's Dark Albion world taking place during England's War of the Roses. Let's take my Black Rose idea and extend it to outright war between the Queen and Lord Savin.  Plus the Cults of Chaos are really not all that different that the Shadow Cults of Blue Rose. Dark Albion: Cults of Chaos goes into far more detail into the cults (naturally) which can add some more ideas for the cults in Blue Rose.  Indeed, England, the "mythical land ... of Roses" can share a lot with the World of Aldea. Aldis is, despite everything else, a mythical version of Western Europe. And let's be honest, a world where a Golden Hart can decide the ruler of one country can have a giant frog as the ruler of another.
In truth Cults of Chaos and Blue Rose have a lot in common.



Blue Rose and D&D 5
A lot of what Blue Rose/True20 did was revolutionary. A lot of D&D5 is evolutionary.  Both games though can be brought together to build something that is truly fun.
Character creation in D&D 5 is not all that different than D&D 1 when it gets right down to it.  I say keep the general rules for D&D 5 but adapt some of the Blue Rose True20 ideas. For starters, use Blue Rose's Callings to replace Backgrounds.  Sure there can still be an element of Background to this, but now these Callings of the characters are something that continues on.  A Background in D&D5 is sometimes relegated to the "oh that was what I used to be, but I am a <<insert class>> now."  Which is too bad really.  Callings can, and should influence what a character does all the time.

In this case I want to convert everything over to D&D 5 with plenty of Blue Rose material still intact.
This is going to be the basis for my "Monster Naturalists" game, but I need to figure out how to use Blue Rose's/True20's non-lethal damage track with D&D5 so the monsters can be brought in alive.
+Mark Craddock over at Cross Planes has already made some conversions of various races.
Atlantis: Second Age (OmniSystem)
Atlantis: Second Age by Morrigan Press (now +Khepera Publishing) was/is very interesting update of the old Bard Games "Atlantis" and the “Arcanum” books which were written to be used with "any fantasy role-playing game" but the obvious choice was AD&D.
This game uses the Omni System. It is a bit like True20 and this can be used with True20 with a bit of tinkering.  The differences are largely on of True20 having DCs and the OmniSystem having a table of Successes.   The author of the game mentioned online that he was a little surprised when he saw True20 but it was an obvious case of parallel development.  The natural idea is to keep True20's DCs, but use the Omni Table for Critical successes.
The book is titled “Atlantis, the Second Age” so it is Atlantis, after the Flood. A bit odd, but I’ll go with it. Plenty of information on the world and despite the name you could run it as a pre-flood/pre-sinking Atlantean empire. Tons of new races, spells and magic, all pulled from the old Bard Games books ad updated to the OmniSystem, and naturally True20. Great as a game in it’s own right or as a guide to an antediluvian time for any other game.
Now what exactly does this have to do with Blue Rose? Well the worlds are very different, but not so different that commonalities can't be found.  Atlantis (sunken or not) can most certainly lie to the west of Aldis.  Atlanteans share a certain level of egalitarianism and progressive social awareness with the folk of Aldis as well.  It could be that Atlantis was there all this time but forgotten after the Shadow Wars.  Hesparia (from Atlantis) is almost like Lar'tya (from Blue Rose) turned up to 11.
Atlantis:SA provides a larger world for Aldea and Aldis. Is it a perfect fit? By no means. But it is a fun fit. Atlantis:SA adds a number of races that are not really what Blue Rose is about (Elves, Dwarves, Goblins, Hobgoblins) but others such as the Andaman (animal headed humanoids) are close enough to the the "Change Children" of the Valdemar book by Mercedes Lackey that a strong case can be made.  In A:SA they are said to be created by Atlantean Sorcerers. Ok. Or the Sorcerer Kings of BR.  Tritons (A:SA) are jsut another form of Sea Folk (BR).  Skills are largely treated the same way, I would just use Blue Rose's skills myself.  Talents in A:SA are a lot like the Feats in BR/T20.  Many of these Talents can also be used as alternate forms of Arcana.   Callings in A:SA are not exactly the same as Callings in BR. They are however very similar to the Paths introduced in the Blue Rose Companion.
Magic in A:SA is a treasure trove of ideas for any BR game.  While some could properly called Sorcery in BR, others are all together new, like Alchemy and Witchcraft.

If one wanted they could take all the OGC from Blue Rose and what little OGC from Atlantis that is open and create something that would work well with both.  Though that is a lot of work for two effectively dead systems.  Though I still enjoy this Atlantis book.  The new Atlantis book from Khepera Publishing is much more polished, but is further removed from the basic Omni System (now Omega System). Plus the book lacks some of the charm of the earlier books.

Blue Rose & Birthright
Two other games that work well together, and fit the Mercedes Lackey Valdemar feel well, is TSR's Birthright campaign setting for 2nd Ed. AD&D.  Whether you use the countries in BR or the ones in BR (err..that won't work) Birthright, the political intrigue between the rulers is now the main story telling element of the game.  Birthright also has a lot to offer players of Blue Rose in terms of inter- and intra-court affairs.  I would limit the races to Blue Rose ones; Birthright already limits races from the menagerie that was 2nd Ed AD&D.
I will say that this combination really is the ONLY time that the Golden Hart will effect what the characters could or could not do in a game.
Birthright also has that "built in maturity" factor I associate with Blue Rose. That is there is a certain audience that will enjoy playing at this level of social interaction and that audience tends to skew older.  Neither Blue Rose nor Birthright are about killing things and taking their stuff.  Unless of course, you are a king. And the things you kill are armies of other kings.
Makes me want to pull out my old Birthright materials! Have not even cracked them in years.

Consequently, I'd also throw the Basic adventures B11 King's Festival and B12 Queen's Harvest as intro adventures to this mix-up.  Just downplay the combat aspects and change the orcs to humans.
I have one other PWWO that I want to try out, but I am thinking of posting that one by itself tomorrow.

Wednesday, October 5, 2016

Plays Well With Others: Victorious and Victorian-era Games

Time once again for another chapter of Plays Well With Others.

Between some games there are often rivalries, heated debates, or even outright distaste.  Some games even have that between editions.
Not so for Victorian-era games.  We, the aficionados of such pastimes, fancy ourselves more genteel Lords and Ladies.  We generally get along and support each other and celebrate each other's successes.  This can be seen in the Facebook groups Victorian Gamers Association and +Jordan Bodewell's Victorian Adventure Enthusiast.

So today it will my pleasure to discuss how you can use Victorious with various other Victorian-era RPGS.

Note and Disclaimers: 1. I am making no attempt whatsoever to hide my biases here. 2. All books are mine. No book was provided for review purposes. 3. Links are affiliate links. 4. This will not be exhaustive.

Shall we begin?

Tho star with let's talk about what Victorious brings to the table that is unique. This is not just a Steampunk game or a game of Victorian daring-do. This is a game of Super-humanity from a Victorian point of view.  This is the writing of Friedrich Nietzsche writ-large with more hope, action, and steam. These are the promises of the ideas, but not the letter of, Charles Darwin.  The attitude is generally positive (which mind you can be a criticism of the game, the Victorian times were dirty, poor and generally terrible for many).
Victorious, true to it's name, is about striving for more and then seeing that goal realized.
If you go back to my review from yesterday you will see right off the cuff there are a few things that can easily be added to any Victorian game from Victorious.
1. The timeline
2. Background on the Victorian world, with various organizations.
3. The NPCs, in particular, the villains.

Many of the games I am talking about will also have these, but using them in concert makes for a better game.

Leagues of Adventure
Right off the bat Victorious has a LOT in common with Leagues of Adventure. Both games have similar motives and design goals.  Where Victorious can be summed up, though inadequately, as "Victorian Superheroes", Leagues of Adventure is summed up as "Victorian High Adventure".  Both have simlar Pre-Pulp sensibilities, and both have the point of view of Mankind will soon be much better.  I think the main difference to me is summed up by think how the characters could travel from London to New York in each game.  In Victorious the character would either fly by some sort of super-human means (in addition to other means) in LoA the characters would pilot a steam powered airship.
The timelines of both games are largely compatible and characters in one would feel right at home in the other game.


Could you imagine a team up of these characters?  I totally can.
The power levels of LoA are a little flatter than Victorious'.  Character start out and remain largely human-powered.  LoA has more skills, but Victorious' rules are a little faster on how skills are dealt with.  The GM of one game should find a lot material in the other game to give them plenty of ideas.

Victoriana
If Victorious is about super-humanity, then Victoriana is about weird-humanity and others.   Regardless of which edition you have/buy (1st Edition is pictured below), Victoriana is a little further on the "Castle Falkenstein" scale of Fantasy Victoriana than Victorious is.  It also takes place in the mid-Victorian era compared to Victorious' ever-popular late-Victorian era.


Victoriana is often described as Gaslight-Shadowrun. This is true. There are also plenty of other races like orcs, trolls, ogres, gnomes, elves (Eldren) and dwarves running around.  Victoriana is a fun game, but I sometimes wonder what it would be like under a different rule system.


Well not exactly like that...but you could fake a really cool Victoriana by mixing Victorious with Castles & Crusades. It would be a system that most of my readers would already be familiar with and still get at some similar types of game-play.  I would then advise GMs to grab some of the 3rd Edition Victoriana supplements.  Most of them are written with a minimum of game stats and all are absolutely beautiful.
While reading over Victorious I could not help but think of this picture from 1st Edition Victoriana.


This appendix in Victoriana covers very well what mixing 21st-century super-heroes with 19th-century sensibilities would be like.  It is a good read for anyone running a Victorious game.

In our hypothetical trip from London to New York, our Victoriana characters also travel by Airship, though it is not steam powered, but rather some eldritch magic.  Or they find an ancient Eldren gate.

Victoria
On the WAAAY other end of the "Castle Falkenstein Scale" is +Daniel Hodges' Victoria.  Victoria is very much set in the "real world". It is, however, a game I always suggest since it deals with the issues of the Victorian times better than pretty much every other game. Why? Because those issues are the focus of the game.   IF as a GM you really want to get a feel of the times then this is the game to use.  In fact, I have often wanted to run this game as an introduction game.  Everything is nice (well...not really nice) and normal then move on to the Fantastic game of choice once the characters learn of the "true world".


To travel to New York from London in this game you better book passage on a steamer and with some luck you will get there in about a week.

NOTE to FUTURE GAME DESIGNERS
We have now used up all versions of "Victoria" for a game!



Baker Street
On the same scale as Victoria is the Sherlock Holmes influenced Baker Street by +Bryce Whitacre.  Baker Street is set in "normal" Victorian times, albeit, one with Sherlock Holmes as a real person.  Victorious also has the world's most famous detective.  GMs should pick up a copy of Baker Street if Sherlock is going to play any part in their Victorious game.  Plus the clue-resolution system in Baker Street is fantastic and is something that can be lifted out to use in any game.
I will go as far as to say that Baker Street is one of those underrated games that should really get much more attention and many more awards.


Again. Steamer ship, arrive one week later.

Let's go to the other side of the scale into more Horror.  It is October after all.

Masque of the Red Death
Ravenloft Masque of the Red Death shares a lot of DNA with Victorious.  Either the d20/3rd edition or the original 2nd edition would work fine here.  I have already mentioned that you can mix Victorious with Tainted Lands and get something not unakin to Ravenloft Masque of the Red Death. Both games have several compliments to each other. Both have great and well-researched timelines. Both games have a great variety of NPCs and Villians. In fact, most of the material from one game can be used with the other with little fuss.  The big issues though are what does the Red Death mean in Victorious and how do super-humans work in Masque of the Red Death.  If you want to add some Gothic Horror to Victorious this is where I would start.   I for one would pick up MotRD's A Guide to Transylvania in a heartbeat to use with this.



Gaslight
Not too far away from Masque of the Red Death, but further up on the CF scale (this is a thing now) is Gaslight.  Gaslight is cut from the same cloth as Masque.  Since it is OGL/d20 it mixes with Victorious well.  I would argue that the system in Victorious/Castles & Crusades is better than d20 for this, but use some ideas from Gaslight to add a little more horror to your game.



Ghosts of Albion
In truth, Victorious and Ghosts of Albion are very, very different games.  Victorious takes place in the late Victorian era, Ghosts in the early. There are plenty of known superhuman and supernatural occurrences in Victorious. In Ghosts everything is hidden behind a veil of secrecy and magic.
But both games have a number of complimentary features.  First, if you plan to run one game in the other's time frame then both have good, detailed timelines.  Magic is a main feature of Ghosts, so if you are planning to add some more magical juice to Victorious then this is a good place to start.
I bet I could put together a "Protector" class for Victorious.  Mix in some details from Amazing Adventures and I could have a Ghost, Faerie and Vampire races for it as well.
Otherwise, the Magic quality is easily replicated by Victorious' Magicians.



One day I'll run an ultimate Victorian game with elements of these games plus Space: 1889 and Cthulhu by Gaslight.  Something truly epic.

Tuesday, July 19, 2016

Plays Well With Others: Dark Albion: Cults of Chaos

The newest supplement for Dark Albion is now out, Dark Albion: Cults of Chaos.  With a name like that how can I possibly say no?

A bit of history, I worked with author Dominique Crouzet quite a bit back in the late 90s and early 2000s.  I know what sort of thing he likes (or at least liked) in this area, so I know I was going to be pre-disposed to like this.  +Kasimir Urbanski is also the author and his contributions were going to be a bit more of a mystery. But I liked Dark Albion so my expectations were pretty good.  Like Dark Albion, this book can be played with any flavor of D&D you like. It is simple enough and light enough on the "crunch" it can actually be played with just about any RPG really.  While reading I Was thinking about it in terms of Pendragon, Cthulhu Britanica and other games.

Dark Albion: Cults of Chaos is the cults and cult-like groups book for the Dark Albion campaign setting/rules.  The book itself is 92 pages (94 with covers). This includes 2 pages of character sheets, a cult sheet and the ogl.  Minus title page and various bits we are looking at 80+ pages of solid content.
The art is all black and white and is a mix of newer art and woodcut designs.  I am rather fond of the woodcuts myself, I love seeing these in books.  I recognize a number of pieces as belonging to Dominique; so he is one of the artists as well as one of the authors.
The first part of the book deals with the cults.  In particular their size, composition, what social class they come from (very important really) and of course their motivations and where their secret lair might be.  Life of the cultist within the cult is also detailed to a degree.  Enough anyway to get you thinking more about them. In particular what they do in the cult, why they might have joined and possible mutations.  That one needs some more explaining.
Some cults are so exposed to the forces of Chaos that their cultist can begin to mutate.  A great idea that I am glad to see here.  Dom and I did something similar for Warlocks back in my 3.0 edition of my Witch book.  So immediately I grabbed on that as something to use.  The idea though has a lot of traction. There are similar ideas in Lamentations of the Flame Princess and I believe Dungeon Crawl Classics.
The next section covers running advnetures involving these cults.  Obviously these cults are not menat to be a one-time adversary. They are meant to be reoccuring antagonists and potentially even the "Big Bads" of your game.  This includes a number of NPCs, mostly normal level humans, that are involved in the their cults.  Don't assume though that "0 Level" = powerless. Nobility wield a lot of power regardless of level, a noble in a cult can be very bad for a party of adventurers.
I might as well acknowledge the inclusion of the "Frog Cults".  I still think "Frogland" is kind of dumb to be honest, but I don't mind these cults at all.  In fact wasn't "Temple of the Frog" the first real adventure played in D&D and certainly one of the first ever published.   The "Keepers of the Frogs" from Blackmoor could certainly fit as a DA cult.


Packed amongst all of this information are also tables of rumors and other information PCs can learn.  I thought of this as the "Scooby Doo" section of the book; the PCs split up and search for clues.

We next get some sample cults and some examples of some cults in various dungeon settings.  These are split up into low, medium and high level.

The appendicies are very interesting and include a section on Elves in Albion.  This section reminded me a bit of a similar direction given in Castles & Crusades Codex Celtarum.  Indeed, one could use both books together to get a large, more detailed picture of the elves/fae/sidhe.  DA tends to be low-fantasty compared to the C&S High(er) Fantasy.  Still in niether case are these "D&D Elves", they still have more incommon with the likes Obereon, Titania and Puck than Tanis or Legolas.

The next appendix details a score cults of various types. All ready to drop in your game.  The last appendix details sorcerery and chaos and the strange things that can happen when they mix.
We end with a cult creation sheet and a character sheet.  The character sheet should be offered for free download, I think people would like it.

All in all a fun book.  There is nothing here we have not seen before in one form or another, but to have it all one place with this particular presentation is great.   I am reminded a bit of the old Witches and Pagans book from White Wolf that covered similar territory. I even pulled out my Mage: The Sorcerers Crusade to see if this would work well enough with it.  It would take some work, but it could be done.


What strikes me most is how easiy it is to integrate this into any game you like.  The crunch that exsists is easily converted. Since a lot of the die rolling deals with tables and their results, conversion is a simple process.

I mentioned in the past that Dark Albion is particularily friendly to +Jeff Talanian's Astonishing Swordsmen & Sorcerers of Hyperborea. Using a page from DA:CoC one could easily add DA style elves (and of course their cults) into the world of AS&SH.  AS&SH style witches and warlocks seem particularily suited for the the chaos magic of DA.


In the end I thought this was a fun purchase. Glad to have it and glad to mine some ideas from it.

---
I am up for an Ennie this year for Best Blog!
Please click on the link and vote "1" under "The Other Side".

Wednesday, July 6, 2016

Class Struggles/Plays Well With Others: The Vile Witch

Mazes & Perils is the newest game on the OSR scene.   I covered the game in a "Class Struggles" back in May.  Then I focused on the new(er) magic using classes in the game.  There was a promise then that there would be more classes.
Given the Holmesian origins of this game the newest class is, appropriately, a witch.

The Vile Witch is the newest class for Mazes & Perils from +Vincent Florio, +Brian Fitzpatrick and +Sal Valente 
Before I talk about the class I want to give a shout out to cover artist +Jacob Blackmon. He is the one responsible for my new header above.

The Vile Witch is a 14 page book (cover, 2 pages of OGL, 1 page of ads, 1 title page for 9 pages of content) dedicated to the new vile witch spell caster. This is a character that revels in what others throw away.  It immediately reminded me of the Junk Lady in the movie Labyrinth AND Maja the witch from Adventure Time; she is the witch that buys Marceline's teddy bear Hambo for its memories.  The idea is that there is power in memories and power in items that have been associated with others.  It's a powerful archetype really and one with a LOT of potential.
But because the witch is so often mired in the refuse of others her appearance and form suffers.

The class has a lot of interesting features and powers in addition to some new spells and familiars.  Vile Witches are limited to 9th level. I think I see why, but I would try them to 10th or 12th like the other spell casting classes. Though she does have more powers (familiars and "vile blood") as well as a quicker spell advancement.
The book has both "vile familiars" and "common familiars". Common familiars can be used by any spell casting class, the vile ones are for the vile witch.  The rules are simple, as befitting the M&P game, and easy to use.  If you want familiar rules then this is a good choice to be honest even if you never use the class itself.
The book also contains 19 new vile witch spells.  While these spells could be used with any other magic using class, they are very specific to the vile witch and really give her a lot of flavor and color.

For just under $2 there is a lot of material here. It is a very different sort of witch and I like that. I am certain that this class will make for some great NPCs and hopefully some really great PCs as well.

Class Struggles
What I kept thinking while reading it was that a Vile Witch dedicated to the Goddess, Tlazolteotl would be a good idea. She could even be "good" or Lawfully aligned. Something like a "Sin Eater".
Her job is to make good things happen by "eating" the bad things.
Only a thought, but it would be how I'd play the class.
Unlike other classes I have talked about under the Class Struggles banner I can't really think of a similar class.  Maybe

Plays Well with Others
Mazes & Perils is firmly rooted in the "Basic" era style gaming and Holmes in particular.  That being true it works really, really well with my own Basic Era Witch class and many others.

If I were to convert this to my own book I might call them a "Sin Eater Tradition" for Lawful witches or "Vile Witch Tradition" for Neutral and Chaotic ones.

For Occult Powers I might try this;

Lesser: Vile Familiar
Minor: Toxic Blood
Medial: Greater Glamour
Greater: Curse
Major: Shape Change
Superior: Vile Apotheosis

Have to work out all the details of these, but the idea is that exposure to all this...stuff...changes the vile witch is both physical and supernatural ways.

Here are some spells from my book that you can use with the Vile Witch.

Sickly
Level: Witch 1
Range: Touch
Duration: 1 minute per level
This spell causes the target creature to suffer from poor health.
Witches must succeed at a touch attack to strike the target. Subjects who fail their saving throw suffer a –1d6 penalty to Constitution, with an additional –1 per two caster levels (maximum additional penalty of –5). The subject’s Constitution score cannot be reduced below 1.
Material Components: A dried up dandelion.

Sour Stomach
Level: Witch 1
Range: One Target (within 25’ + 5’ per 2 levels)
Duration: 2 hours per level
This spell causes the target to have a nervous stomach, thus experiencing severe digestion, discomfort and cramping upon the engagement of any event that’s moderately stressful or exciting.
So terrible is this form of indigestion that the target must succeed a Poison saving throw, find a means to relieve their situation within 4 to 7 rounds (1d4+3) or have an “accident” that results in potential embarrassment and potential discomfort. The triggering event of such inconvenience could be most anything, from running into an encounter to finding treasure of mysterious properties to even meeting some stranger along the road. Each worthy event during the full duration of the compulsive enchantment can cause another potential outbreak of discomfort, thus requiring another save.
Material Components: A bit of soured milk.

Vertigo
Level: Witch 1
Range: 1 subject
Duration: 1 round per level
This minor hex causes the target creature to have a feeling of vertigo. The subject will feel that they are falling and their footing is unsure. Dizzied creatures suffer a -4 to their dexterity score and any to hit rolls.
Material Components: The witch makes a spinning motion with her finger.

Defoliate
Level: Witch 2
Range: 25’ + 5’ per 2 levels
Duration: Instantaneous
With this spell, the witch instantly slays all minor vegetation (weeds, flowers, small bushes, etc.) in a 20-ft.-radius. If a creature with the plant type is targeted, it takes 1d8 points of damage per caster level (max. 5d8). Creatures that are not plants are unaffected by this spell.
Material components: The witch picks a flower and pulls off the petals while chanting the words to this spell.

Nausea
Level: Witch 2
Range: 25’ + 5’ per 2 levels
Duration: 1 round per level
Subjects of this spell become sick and queasy, feeling as though they are about to vomit. This condition renders subjects unable to attack, cast spells, concentrate on spells or do anything else requiring attention. They may only make a single move or move equivalent action each round.
Material Components: A drop of animal fat that has gone rancid.

Contagion
Level: Witch 3
Range: Touch
Duration: Instantaneous
The subject contracts a disease selected from the table below, which strikes immediately (no incubation period). The subject can save vs. Spells normally, but after that only a remove disease or remove curse (or greater magics) can cure them.
Each disease affects a different ability. Infected creatures cannot attack and move at ¼ their normal movement rate.
Roll d8 Disease Damage
1 Blinding Sickness 1d4 STR
2 Cackle Fever 1d6 WIS
3 Filth fever 1d3 DEX and CON
4 Mindfire 1d4 INT
5 Red Ache 1d6 STR
6 Shakes 1d8 DEX
7 Slimy Doom 1d4 CON
8 Hags curse 1d3 WIS and CON

Blinding Sickness: For every 2 points of STR lost, a new save vs. Paralysis must be made or the target will go permanently blind. Not contagious.
Cackle Fever: Symptoms include high fever, disorientation and frequent bouts of hideous laughter. It’s commonly also known as “the shrieks.” Not contagious.
Filth Fever: An infection commonly gained while around dire rats, were-rats and otyughs. Not contagious.
Mindfire: Victims feel like their mind is on fire. It is as common as a curse in spell books. Not contagious.
Red Ache: Skin turns red, bloated, and warm to the touch. Not contagious.
Shakes: Causes involuntary twitches, tremors and fits. It is contagious to others by touch. Save vs. Paralysis prevents spread.
Slimy Doom: Victim turns into infectious goo from the inside out. It must be cured in a number of days equal to new CON score or victim will permanently loose CON points. It’s highly contagious by touch. Save vs. Paralysis at -2 prevents spread.
Hags Curse: Takes ability damage as listed and the victim becomes infertile or impotent (female or male respectively). Must be cured in a number of days equal to new CON score or become permanent.
Material Components: The witch needs crushed verbena in the blood of a viper and vinegar.

Mind Rash
Level: Witch 3
Range: 25’ + 5’ per 2 levels
Duration: 1 round per level
This spell causes the target to experience horrible itching sensations all over their body. Though not actually inflicted with any real physical ailment, the delusion of itching is so great that the target is unable to perform any action not related to attempting to relieve the persistent suffering. Likewise, the irritation actually causes the target to wound their bodies in the process of trying to relieve the itch. Any sort of thing to scratch and scrape away at the sensations, including stones, weapons, and bits of metal are used. Each round during the duration of the mind rash the target wounds their body for 1 point of damage.
Material Components: A bit of dried poison oak.

Vomit
Level: Witch 4
Range: 25’ + 5’ per 2 levels
Target: 1 Creature
Duration: See below
This spell seizes subjects with sudden spasms of violent regurgitation. Those who fail their saving throw regurgitate helplessly for 1d4 rounds. While vomiting, subjects cannot move more than 5 feet per round and cannot fight or cast spells. For all purposes they are considered staggered. When the spasms end, subjects are overcome with a magical weakness which reduces their Strength by 1d4+1 points. This weakness persists for 1 round per level of the witch.
Material Components: The witch sticks a finger down her own throat.

Gnawing Pain
Level: Witch 5
Range: 25’ + 5’ per levels
Duration: 3 rounds + 1 round per level
Upon casting this spell, any creatures within the spell area must make a saving throw or suffer a gnawing pain that slowly spreads throughout their body.
During the first round the victims will feel a dull pain that causes a cold sweat. Casting any spells during this round requires a concentration skill roll. On the second round this pain becomes a sharp agony and the target is effectively shaken. By the third round the searing pain has reached its maximum intensity and the victim is nauseated. Each round thereafter the victims must make a saving throw or become wracked with convulsions. They are now completely incapacitated and helpless to defend themselves.
The effects of this spell linger in the mind of the victims even after the duration has expired. The targets will feel unnerved for 1d6+1 hours, resulting in a -1 penalty to any Wisdom-based rolls (including magic saves). They will suffer disturbing nightmares during the following 1d4 weeks, making sleeping difficult and reducing the rate of natural healing by one half.
Material Components: A branch of nettles with which the witch swats her bared arms or legs.

Magic Item
Sack of Rats
A cursed item in the general sense, many vile witches have found some use for this. This normal sack appears to all magical detection (except for detect curse) to be a Bag of Holding. Once  a food item though is stored in this bag, its true magic is discovered. Out from the bag will pour thousands of rats that will run in every direction away from the holder of the bag. The bag contains 1,001 rats. A save vs. Paralysis must be made or anyone in 10’ feet of the bag will be unable to move due to all the rats. The rats will bite and all within 10’ of the bag will take 1d6 hit points of damage.

All items are Copyright 2012, 2016 Timothy S. Brannan.  All spells and items are released as Open under the OGL.
The Witch: A New Class for Basic-ear Games, Copyright ©2012, Timothy S. Brannan. Elf Lair Games. 
Related Posts Plugin for WordPress, Blogger...