#AtoZChallenge2024: X is for Xanathar

 Something different for me today.  While I have been writing about D&D all month, they are all topics I have quite a bit of knowledge about. This is not one of those days.

In the past I have used X for "Expert" which not really a cheat since X was always used for the Cook/Marsh Expert set, but I already did Expert this year. 

So today I am going to talk about a character, or a series of characters, all named Xanathar.

Xanathur, Beholder Crimelord of Waterdeep

Xanathur is not a typical character for me to like. I lean more toward magic-using types. If I want a big bad, I have plenty of demons, devils, faerie lords, vampires, and witches. I am flush with choice. 

So what is so special about Xanathur? 

Well, for starters, he is a beholder. What's a beholder? Well...it certainly began as a joke or pun in Gary's games. It is a giant floating sphere of eyes and teeth.  

They are evil, psychic xenophobes who hate everyone and everything that doesn't look like them. Even other beholders often fail to meet their standards. 

They are one of the original creations for D&D and were even featured on the cover of the Original D&D Supplement I book Greyhawk.  But even in Gary's Greyhawk world, I don't think he had planned for what Ed Greenwood was going to do in his Forgotten Realms world. 

Though Ed has done a lot of GREAT things to expand D&D's world-building, I consider beholders to be part of the World of Greyhawk, and they found their way to the Forgotten Realms. 

Xanathur

Xanathur, or more to the point, the first Xanathur, was odd by beholder standards. He lived in the city of Waterdeep where he acted as the hidden crime lord of the city. Think Kingpin from Marvel or even The Godfather.  He had only a few close aides who knew who he truly was.  

"He" (and I am not sure if beholders have a gender, to be honest, but this is how he is referred to) was introduced to us in the 1st Edition Forgotten Realms book, Waterdeep and the North. In fact, he was on the cover with his trusted lieutenants.  

Shadowheart and Sinéad seek information from Shindia Darkeyes and Xanathur

As editions came and went, we learned that the first Xanathur was killed by another beholder, who took over his business and name and ruled the crime of Waterdeep as "The Xanathur." This would happen a few more times. In total, there have been five Xanathurs. 

Why am I posting about this guy? I mean, I very, very little about him. I remember that Waterdeep book at Waldenbooks, and I thought it looked cool, but the idea of a Beholder hanging out with humanoids and not eating them felt weird to me. Never mind, he was a criminal and working them all. Ok, he was their overlord, and his opinions about non-beholderkin had not changed. 

But this is why he is also great. Ed Greenwood when he started building the Forgotten Realms began to challenge us early on as to what was true about a D&D world. The Realms are NOT Greyhawk, and nor should they be. This is exactly the crazy sort of thing that doesn't sound it should work, but it does and it works well. I mean I never would have done this myself, and that bothers me that I didn't think of something like this. It is so great.

This is the strength of this game. You can do anything you want with it! There is no such thing as too crazy really.

Floating cities? Of course. Dragons sleeping under a city to rise in a time of great need? Ah...hello Ansur still sleeps under Baldur's Gate! Undead tyrant leaders of a xenophobic nation of mages? Ok, that one is actually really easy to believe. 

This is why we game. This is why, 45 years later, I am still finding something new!

Tomorrow is Sunday, and so I'll talk about Dungeons & Dragons 5th Edition for my last Sunday Special.

#AtoZChallenge2024: U is for Universe

 Often times the campaign settings of Dungeons & Dragons are known as "worlds." If there are multiple worlds then there must be a Dungeons & Dragons Universe. 

So what are these worlds, and where do they come from?  My "map" below features the names of the worlds, so when I talk about them below, I'll go by the "Campaign Setting."

 

Let's start with the three "Core" worlds and work our way out.

Greyhawk (Oerth)

Greyhawk was one of the first campaign settings released. It was certainly the first full setting. Blackmoor, created by D&D co-creator Dave Arneson, was published first, but it was never a full world. Both Greyhawk and Mystara would later adopt different versions of Blackmoor for their own world. The World of Greyhawk setting takes place on the world of Oerth and was the home setting of Gary Gygax.

Greyhawk is often considered to be the core D&D world for 1st Edition AD&D.

• All my Greyhawk tagged posts
• Great Library of Greyhawk
• Greyhawk Fan wiki
• World of Greyhawk wiki
• Wikipedia: Greyhawk

Forgotten Realms (Abeir-Toril)

This is the world that most people are familiar with. It got its start during the end of 1st Edition but really grew in popularity during AD&D's 2nd Edition. It only got bigger during 3rd edition and today is the setting of the insanely popular Baldur's Gate 3 video game.

Created by Ed Greenwood as a place to set tales of his own invention. He later sold it to TSR for D&D after spending years writing for Dragon magazine.

I have spent all year talking about the Realms and I really enjoy them. 

The "world" of Abeir-Toril, is really two worlds that exist in the same space just shifted. It's weird and its fun and I really love it. I am going to spend some more time talking about it here.

Kara-Tur, Al-Qadim, and Maztica

These are all larger settings in the world of Toril in the Forgotten Realms. Kara-Tur began as part of the World of Greyhawk (in theory), but it was later moved here.

• All my Forgotten Realms tagged posts
• The Forgotten Realms wiki (fantastic resource)
• Wikipedia: Forgotten Realms
• Wikipedia: Kara-Tur
• Wikipedia: Al-Qadim
• Wikipedia: Maztica

Dragonlance (Krynn)

The world of Krynn is home to the Dragonlance Saga introduced in AD&D's 1st edition as part of the so-called Hickman Revolution. Created by Margaret Weis and Tracy Hickman it was TSR's first attempts at epic storytelling. It had adventures, books, novels (especially novels!) and even a movie. Ok, lets not talk about the movie.

Krynn is often depicted as being very removed and remote from all the other worlds and fiercely guarded by its gods. I put it closer to the core because of the importance it has to D&D's history.

As we move out to the rim worlds, as Star Wars or Traveller might call them.

• All my Dragonlance tagged posts
• Dragonlance Nexus (the place for Dragonlance)
• Dragonlance Wiki
• Wikipedia: Dragonlance

Mystara

The world and campaign setting of Mystara was introduced with the Basic/Expert sets known as "The Known World."  It could have been a core world, but I wanted to limit it to just three.

Hollow World and Red Steel

These are two larger settings for Mystara. Mystara is a hollow world with people and creatures living on the inside! I have also included Birthright with Mystara.

Mystoerth

This is totally cheating. Mystoerth is my camping world that combines Mystara and Oerth. It's my map, I get to make the rules. My world also includes Kara-Tur, Blackmoor, and an Al-Qadim/Dark Sun/Necropolis mix.

Urt

Urt was the name Frank Mentzer gave for the world of the BECMI set before it was renamed to Mystara. In his vision, Urt was akin to Oerth. Also, Urt was not hollow but a living planet! There are gates between Urt and Oerth but not between Urt and Mystara.

• All My Mystoerth tagged posts
• My Mystoerth page
• Vaults of Pandius (the place for Mystara)
• Wikipedia: Mystara
• Wikipedia: Red Steel
• Wikipedia: Hollow World

Athas

This is the world of Dark Sun. This is a desert world ravaged by magical despots.  Everyone has some level of psychic powers, and the world is brutal. I have not talked much about it, but I have stolen a lot of ideas from here.

• Dark Sun fan wiki
• Wikipedia: Dark Sun

Eberron

This world was developed by Keith Baker for a setting search conducted by Wizards of the Coast for 3rd Edition. This world has some similarities to the other worlds. Low-level magic is common, but higher-level magic is much rarer. There is also a steam-punk feel to it. 

• Codex Anathema (The place for Eberron)
• Eberron Fan wiki
• Wikipedia: Eberron

Kingdoms of Kalamar (Tellene)

This is one of the non-TSR/Wizards of the Coast worlds on my list, but due to the working relationship between Wizards and Kenzer & Co. There have been 1st and 3rd Edition versions, with the 3rd Edition published by Wizards of the Coast.

• Kingdoms of Kalamar at the D&D Lore Wiki
• Wikipedia: Kingdoms of Kalamar

Theros

This world is from Magic: The Gathering and added to Dungeons & Dragons 5th Edition. It is a rather fun mix of Greek and Roman myths.

• Wikipedia: Theros

Golarion

This is the world of Pathfinder. While early versions were part of D&D 3rd edition, it became the home to Pathfinder 1st and 2nd Edition. 

• All my Pathfinder tagged posts
• Pathfinder wiki
• Wikipedia: Pathfinder

Exandria

This is the world of the Campaign setting of Critical Role. It began as a D&D 4e world, switched to Pathfinder, and finally D&D 5e. The books published for it are all D&D 5e. 

It is between Golarion and the Core Worlds because they share some gods. 

• Critical Role wiki
• Wikipedia: Critical Role

Aihrde

Aihrde is the world of Troll Lord Games' Castles & Crusades. It shares a gritty feel with Oerth and the fact that Gary Gygax contributed to it in the last years of his life. As I have said many times, Castles & Crusades is really the spiritual heir to Advanced Dungeons & Dragons.

• Wikipedia: Troll Lord Games
• Wikipedia: Castles & Crusades

Thuerin

This is my oldest son's campaign word. This is my blog, so I get to include it! It has heavy Lovecraftian influences and Gods from both Oerth and Toril.

The Missing Worlds

Some worlds are not on my map above because they do not fit the general idea of a world but are campaign settings.

Ravenloft is my favorite campaign setting, but it is an extra-dimensional pocket accessed from all worlds. It has no world to call it's own.

Planescape deals with the "Outer Planes" of existence where alignment, ethos, and philosophy are all important. 

Spelljammer is...well D&D IN SPACE! The 2nd Edition rules had your characters using "Spelljamming" ships that moved through the phlogiston of space. In D&D 5th Edition, the phlogiston is still there, sort of, but now your characters travel the great Astral Sea. 

My map above was made with my limited knowledge of Spelljammer. I was not trying to replicate anything, but something I could use in SJ if I wanted. 

All these worlds allow access to the other worlds. Though Ravenloft is more like a "Hotel California" characters can get in, but they can't get out.

Other ways for people to travel to these other worlds are by gates and at least one special place. A while back, I suggested that the infamous Temple of Elemental Evil exists in all worlds simultaneously. You can go in but never be sure of where you will come out. Also, my own Tomb of the Vampire Queen has many unstable portals to many worlds.

There are many, many more worlds out there. I have not included them all, but I could have included a dozen more, and that is not counting all the ones I know about. 

It doesn't even count the newest one I have been playing around with, Oestara, which is a reflection of my own Mystoerth world. I don't have anything on that one just yet. 

Tomorrow is V day, and of course, I am going to talk about Vampires.

One Man's God Special: Syncretism Part 3, the Roman-Norse Pantheon

Let's partake in a thought experiment.  I am going to take the Gods as written from The Deities & Demigods and take them on a little trip.

This thought experiment, or Gedankenexperiment, as Einstien was fond of saying, was designed to cover a thought I had going back to my first reading of Norse Myths.   That thought was what if the Norse Gods and Greek Gods were the same groups of gods represented in different parts of the world?

Roman-Norse Pantheon 

Imagine if you will some Roman Pagans, say circa 300-500 CE.  While Christianity is becoming the official religion of the Empire, not everyone is taking up the Christian Gods. There is still a mix of Pagan Roman gods, Greek Gods, local gods and spirits, house gods, and more.  The further you are from Rome (and later also Constantinople) the more likely you are to still hold on to your local gods.

Now, far to the North, there are the Nordic-Germanic tribes.  They are the "barbarians" of Roman lore, they want Rome's treasures, its power.  But most of these people just want to find new lands to grow food on.  While the Viking raids to England and Ireland are so stamped into our collective subconscious (and for many of us, our DNA) there were other forrays into other lands.  Some we know went South.  But the bulk of these did not happen till 800s CE when most of Europe was firmly Christianized.  We do know that the Romans had interactions with the Norse and made connections between their respective sets of Gods. Romans were rather practical when came to religion.   

We also know that the Norse, when confronted with Christianity adopted a uniquely Viking view of Jesus, recasting him as a great and powerful chieftain or king. 

So let's imagine a time. Sometime after 300 CE but maybe before 900 CE.  The Northmen are not all Viking raiders and the Romans are not all Christian.  I joke that there is a time when this would be all true, likely for about 6 hours on a Thursday in June 634 CE, but go with me on this trip anyway.  We have a group of Roman pagans moving north, a group of Northmen heading south.  They both drift west a bit and end up in the Black Forest region of Southern Germany.  Here they meet and instead of going to war, they build a community.  Here their beliefs find common ground and since both groups are polytheists, they accept each other's Gods.  Soon. The gods, like the people, become one.  

First conceit: Since they did not go to war when first meeting their war gods on both sides will seem more "reasonable" than their antecedents.   

Now keep in mind that at this time there were versions of the "Norse" gods in these Germanic areas. We know that Wotan and Woden would change and become Odin of the Norse.  So bringing these gods "back down" is almost an unnecessary step. They were already here in a different form.  Bu this allows me to focus on the names they have in the D&DG.  Plus if I need to "smooth things out" I can use the Germanic versions.

Second conceit: While here this group of pagans will speak a version of Old German. Both groups picked it up "along the way."

While I want to focus on the names in the Deities and Demigods, I am going to allow myself to step outside of that to make for a better pantheon.  Of course, life, especially when it comes to the Gods and syncretism, is never so ordered.  But as we have seen with the D&D pantheons in the past, such order is often implied or imposed.

Some of this flows from some reading I was doing around the same time I discovered D&D.  I had found this book of world myths. It had the familiar Greek, but it also introduced me to the Norse myths for the first time.  This book also had the tale of Beowulf in the back. I began to think there was a continuity between these three separate, but not entirely separate really, groups of tales. 

I should also note that these gods have similarities to each other not just because they were all invented by people that had similar experiences, but they all draw their inspiration from the same roots of an earlier Proto Indo-European pantheon of gods.  I am not trying to recreate these PIE gods here, but I will lean heavily on that research to inform my choices.  For this reason I am also including Celtic gods in this mix for now BUT I am not explaining that connection just yet.  Though we do know that the Celtic Hallstatt culture and was in this area at this time and this grew out of the La Tène culture from earlier.  Likely though the gods were not using the names in D&DG. I am so everyone here knows what I am talking about. I do like that there are three mythoi involved here.

Who's In Charge?

Let's start with who is the leader of this combined pantheon.  We know from historical records that it was Thor, or more to the point, Thunor or Donar, and not Odin, that was the chief god of the Germanic peoples. Odin/Wotan would come along much later (8th to 9th centuries).  This is good since already there was a lot of conflating of Thor/Thunor with Zeus/Jupiter. Thursday for example is both Thor's day and sacred to Jupiter.  From this notion, we can move on in thought experiments to make other associations.  

Now I am fully aware I am taking a historical god to make a precedent for game gods.  This would be academic dishonestly since I have made no claim, nor provided support why it is ok for me to do this.  Save for one.  This is not an academic treatise.  I am building something for a game, and for AD&D 1st Edition as it appears in the Deities & Demigods in particular. The Thor/Thunor/Jupiter connection is only the pin I am hanging everything else on. 

The Gods

I am going to use the abbreviated "stat block" I used in One Man's God Special: Syncretism Part 2 when I described the pantheon of  Greco-Egyptian Gods.   Also considering that I am having this all happen somewhere in Germany I am going to give these gods German names.  They are modern German names to be sure, I am not going to try to deconstruct 7th Century German when I have enough trouble remembering how to speak 20th (yes I know what I said) Century German.

While they have gods they are syncretized from they take on their own personalities.  Thor could be a bit slow at times but was never cruel (unless you were a giant) and Zeus could be a loving father, but a terrible husband with a mean streak and a temper. 

Unser Vater
Greater God
Alignment: Chaotic Good
Worshipper Alignment: Any Good (all)
Domains: Thunder, Lightning, Sky (including storms and rains), Warriors
Symbol: A Thunderbolt
Greek/Roman: Zeus/Jupiter
Norse: Thor, with a dash of Odin
Celtic: The Dagda
PIE: Dyēws

Unser Vater, "our father," is the chieftain of the gods. He rules because he is strong and powerful.  He keeps Der Hüne at bay and protects those who pay him homage. He tries to be good and just but he has a temper that can rage out of control.  He can usually be calmed by his wife Herde Oberin.

Other Gods follow.

Hüne Vater
Lesser (Intermediate) God
Alignment: Chaotic Evil
Worshipper Alignment: Any evil
Domains: Creation, destruction
Symbol: Fire
Greek/Roman: Chronos/Saturn
Norse: Surtr
PIE: Archdemon

Hüne Vater is the father of the current generation of the Gods. He killed his father and we in turn defeated by his own son. He is the leader of Die Hüne. Before his defeat he cursed the gods and all humankind with death. In Proto-Indo-European myths, he is the Archdemon.  He sits imprisoned in exile. 

Großvater & Großmutter
Lesser God
Alignment: Chaotic Neutral (Evil)
Worshipper Alignment: Any 
Domains: Father of Die Hüne (the Titans/Jötunn), Chaos
Symbol: The night sky
Greek/Roman: Caelus/Uranus 
Norse: Ymir
Others: Tiamat

Großvater/Großmutter is the name given to the quasi-anthropomorphic manifestation of the father/mother of the Die Hüne (the Titans/Jötunn).  He was destroyed by his son Vater Hüne to make the night sky.

Herde Oberin
Greater Goddess
Alignment: Lawful Good
Worshipper Alignment: Any good 
Domains: Home, hearth, women, childbirth
Symbol: Distaff
Greek/Roman: Hera/Juno, Hestia 
Norse: Frigg
PIE: Diwōnā

Herde Oberin is the wife of Unser Vater and one of a trinity of Goddess.  She represents the Mother aspect of the trinity and is the protector of home and hearth and the family.  She is responsible for all things that happen within the home.  Unser Vater may be the chieftain of the gods, but in the home her word is law. 

Mutter Natur
Greater Goddess
Alignment: Neutral
Worshipper Alignment: All
Domains: Nature, the wild
Symbol: Tree or a sheath of grain
Greek/Roman: Demeter/Ceres
Norse: Frigg with bits of Odin
Celtic: Danu
PIE: Dhéǵhōm

Mutter Natur is the mother goddess of all of nature.  She is sister to Vater Hüne and aunt (and maybe mother) to Unser Vater. She is an old Goddess who provides and destroys at her own times of choosing. Newer religions believe they control or tame her, but the people of the forest know better. 

Note: I am undecided on whether or not Herde Oberin and Mutter Natur are not aspects of the same goddess. Often times you see gods and goddesses getting reduced as the pantheons age.  BUT also you see gods and goddesses splitting off.  In this case, I am keeping them separate for now.

Ôstara (Geliebte)
Lesser (Intermediate) Goddess
Alignment: Neutral Good
Worshipper Alignment: All
Domains: Spring, Rebirth, the Dawn
Symbol: Half-risen sun or an Egg
Greek/Roman: Persephone/Proserpina with aspects of Dionysus / Bacchus
Norse: Ēostre and bits of Baldur.
Celtic: Brigit and Ceridwen
PIE: Hausos

Ôstara is the daughter of Mutter Natur and one that has retained her old name.  She is the goddess of the Spring, the Dawn, and rebirth.   Her title is "Geliebte" which means "beloved."   Persephone/Proserpina and Baldur are both loved by the gods and their "deaths" greatly affect all involved.

Liebhaberin
Lesser (Intermediate) Goddess
Alignment: Chaotic Good
Worshipper Alignment: Any good, lovers
Domains: Love, sex, sexuality, conception
Symbol: hand mirror or fire
Greek/Roman: Aphrodite/Venus 
Norse: Freya
Celtic: Brigit and Áine

Liebhaberin is the forever young patroness of love and sex. She serves as the Maiden in the trinity of Goddesses.  She is the spring maiden that stirs the blood and brings the world back to life. She is the patroness of nymphs and dryads. 

Note:  Again, I am unsure whether or not Ôstara and Liebhaberin are just different aspects of the same goddess.  

Helga
Lesser (Intermediate) Goddess
Alignment: Neutral
Worshipper Alignment: Any, witches
Domains: Death, magic, underworld
Symbol: woman's face in a hood
Greek/Roman: Hecate, Hades
Norse: Hel, Frau Holt, Heiðr
Others: Isis
Celtic: The Triple Goddess* (reconstruction)

Helga is the Witch Goddess, the Ghost Queen, and the Crone of the trinity.  She knows all secrets since they are whispered to her by the dead.  Thus she knows all the secrets of magic.

Hüter
Lesser (Intermediate) God
Alignment: Neutral
Worshipper Alignment: None
Domains: Death
Symbol: Skull
Greek/Roman: Hades/Pluto, Hermes/Mercury
Norse: Njord, Odin
Celtic: Arawn
Others: Osiris

Hüter is the dispassionate lord of the dead.  He is neither good nor is he evil. His role is to make sure the dead stay dead. Therefore undead are blasphemous to him. He controls the underground realm and thus all riches that come from the ground are his.

Betrüger
Lesser (Intermediate) God
Alignment: Chaotic Neutral
Worshipper Alignment: Any
Domains: Trickery
Symbol: Fox
Greek/Roman: Hermes/Mercury
Norse: Loki/Hermod
Others: Reynard the Fox (though this is about 900 years too early for Reynard)

Betrüger is the trickster of the gods.  He often appears in the form of a talking fox. His jokes can be somewhat dangerous, but he is rarely cruel.

Kriegskönig
Lesser (Intermediate) God
Alignment: Lawful Neutral
Worshipper Alignment: Any, warriors
Domains: War, Battle
Symbol: Sword
Greek/Roman: Ares/Mars
Norse: Tyr/Vidar
Celtic: Nuada

Kriegskönig, the War Lord, is the general of Unser Vater's armies. He commands legions to fight against Der Hüne.  He lives for war and when he is not involved in a war he is looking to create new wars. 

Note: Because my two sets of travelers did not immediately go to war with each other when they met this tempers the way the ward god is looked at.  He is not a warmongering asshole like Ares nor even the god of justice that is Tyr.  War is unfortunately a reality of life and one that must be respected or it quickly gets out of hand.

Jäger
Lesser (Intermediate) God
Alignment: Lawful Neutral
Worshipper Alignment: Any, hunters
Domains: the sun, hunting, poetry
Symbol: Sun
Greek/Roman: Apollo
Norse: Freyr/Bragi/Uller
Celtic: Nuada 
PIE: Sehaul

Jägerin
Lesser (Intermediate) God
Alignment: Chaotic Neutral
Worshipper Alignment: Any, women, hunters
Domains: Hunting, women, gathering Die Kriegerin
Symbol: Cresent Moon
Greek/Roman: Artemis/Diana and bits of Athena/Minerva
Norse: Freya / Skaði
Celtic: The Morrigan
PIE: Mehanot

Jäger and Jägerin are the twin god and goddess of the sun and moon respectively. They are also the god and goddess of the hunt since hunting in this area is important. They are based on both sets of twins Apollo and Artemis/Diana from the Greco-Roman and Freyr and Freya from the Norse.  If there were elves in German at this time then they are the gods of them as well. 

When needed Jägerin can don the armor of war and gather Die Kriegerin, the Goddesses of war (much like the Valkeries).  When the moon eclipses the sun it is said that Jägerin has put up her shield to protect her and her brother in battle. 

Others include, 

Schmied (Hephaestus/Vulcan and Wayland and Goibhnie) the God of Smiths.  I really should give him more detail. 

Vater Meeren (Poseidon/Neptune and Njord, Ægir, and Rán and Manannan Mac Lir) the God of the Sea (lesser importance here). 

Verwildert (Pan/Faunus and Freyr/Óðr/Vættir and Péhausōn) the God of Wild Nature and protector of wild places (greater importance now). 

Magni Stärke (Heracles and Magni) and Muthi (Iphicles and Modi) are the twin demi-gods of Strength and Courage respectively. Bits of Romulus and Remus and Hengist and Horsa are also here. 

Siege (Nike/Victory and Sigyn) and Glücke (Tyche/Fortuna and Hamingja) are the twin lesser goddesses of Victory and Luck respectively.

Fata Norne (The Fates and The Norns) are the three Fates. Even the gods have to answer to the Fates.

Die Hüne are the Titans and the Giants of both myths.  Primordial beings of great power that the gods defeated but still trouble them.  In this myth, the Gods fought Die Hüne and brought order out of chaos. These are not just giants and titans, these creatures are the demons of this mythology.  

Jäger and Jägerin are twins.  Magni and Muthi are twin brothers. Nike and Tyche are twin sisters. These sets are all examples of the Divine Twins we see in many, many myths. Something I like to include in many of the myths I create. 

I like it. It combines a lot of things that I have scattered notes on here and there. This also explains why this one has taken me a few months to write (it was Part 1 of this series at one point). I have notes dating back to the late 80s on a wholly new pantheon I was creating.  This is not that pantheon, but it is a good approximation to what I wanted there.  It's not the same, but it fits in the same sized hole.

Right now it is a little too "clean" and ordered.  There is no drama with these gods. Granted this is the same as what you could read in the Deities & Demigods, but we know the stories are much messier. 

I might need to come back to this one sometime. It would work well in my games to be honest and I even have some ideas on how to incorporate the ideas of Sol Invictus into this to set up one of my favorite themes, the battles of Monotheism vs Pagan Polytheism.  

If I write more and can come up with a stat block I like I might release it under Creative Commons or the OGL so others can add to it.  I hope to do more than just randomly recreate the PIE gods with new names.

One Man's God Special: Syncretism

• Syncretism Part 1, The Gods of Faerûn
• Syncretism Part 2, the Greco-Egyptian Gods
• Syncretism Part 3, the Roman-Norse Pantheon
• Syncretism Part 4, Orcus and Dispater
• Syncretism Part 5, Chariots of the Gods

Kickstart Your Weekend: Calidar "Alfdaín Ascendant"

I am a huge fan of Bruce Heard's work.  Ever since I picked up GAZ3 The Principalities of Glantri I have followed his work through his modules and the Voyages of the Princess Ark series in Dragon. 

His Calidar setting is a wonderful distillation of his career into a single setting.  So for me, it really works.

So when he has a new Kickstart up and it features warring elves in living ships...well I am going to pay attention!

Calidar "Alfdaín Ascendant"

https://www.kickstarter.com/projects/ambreville/calidar-alfdain-ascendant?ref=theotherside

And there is a lot to pay attention to in this one!

So far he has Thorfinn Tait doing the maps. Jeff Easley tentatively for the cover art. Joseph Garcia doing the internal illustrations (b/w inks) and Janet Deaver-Pack line and text editing.  So a great team.

The pledge includes:

• A Gazetteer: 132 pages color, PDF format or printed (hardcover or softcover). This book is already written and most of its maps are in their final states as of mid-May 2021.
• A Players’ Guide: About 24-28 pages, color, PDF format or softcover
• An Adventure Book: 24-68 pages, color, PDF format or softcover. Final page count will depend on stretch goals during the crowdfunding event. The more backers, the greater the adventure for the same price.
• Two Conversion Booklets: About 24 pages each, color, PDF format or softcover. They provide all game stats from the previous three titles specifically for use with Labyrinth Lord^TM and OSRIC^TM.

Bruce really has his Kickstarters down to a well-oiled machine and I have been very, very pleased with what I have gotten in the past.  And now that I have SpellJammer I have a LOT of ideas for this.

Honestly, I could get this just for the elves, but it all sounds fantastic.

I want the Hardcover version, but the softcover would fit in with all the other books I am using in and around Calidar.  

The Kickstarter is doing great, but there are all those fantastic-looking stretch goals too.

This is another one of those projects that Kickstart was really made for.  Top-notch creative with big visions and the ability to get those visions realized, they just need a little help to get the ball rolling.

So back this one!

Review: The Runewild Campaign Setting

Putting the Hex into hex crawls.

A while back I mentioned the Runewild Campaign Setting Kickstarter. I was quite excited about it and happily backed it.   I got my books and my PDFs, but it was in the middle of my Covid-19 fueled busy summer last year. The book has been sitting on my desk, mostly ignored since then.

That is a damn shame.

With all the fun I have been having with Van Richten Guide to Ravenloft lately I wanted to revisit this book and see what I can add to it from this book.  The short answer? A lot.  So much in fact that while there are some great ideas in this book for Ravenloft, there is a TON more for my War of the Witch Queens campaign for Basic-era (B/X, BECMI, OSE) D&D. 

So for this review, I am going to refer to both the Softcover print and the PDF.

The Runewild Campaign Setting

Published by Sneak Attack Press, written by William Fischer, art by Joyce Maureira, and Cartography by Toy Fayen.  306 pages. Full-color covers and interior art. Available in PDF, Hardcover, and Softcover versions. For 5th Edition, recommended levels are 1 to 10.  Available on DriveThruRPG and at your FLGS.

The PDF is fully bookmarked with hyperlinked Table of Contents. 

The Runewild Campaign Setting (Runewild) is overtly a "Dark Fantasy fairy tale" campaign sandbox guide and a hex crawl in one volume.  That is it in a nutshell but does not really do it justice.  Best to break it up a little more.  

From the introduction,

This book includes:

• A history of the Runewild and its surrounding settlements
• 150 detailed encounter areas for player characters to explore 
• 8 new Backgrounds and a new Feat: Fey-Touched 
• 21 unique magic items (like witch embers and the staff of clarity and confusion) 
• 32 new monsters (including clockwork dwarves, fey lions, giant forest sloths, and the terrifyingly beautiful Golden Bodach) 
• Detailed descriptions of the histories, motivations, and weaknesses of the witches of the Runewild, including the Whitebone Sisters; Missus Switch, the swine hag; Korthsuva, the Witch of Hours; and the Hag Queen Griselda, Mother of Ogres 
• New optional rules for exploration and resting 
• Advice for running a sandbox campaign 
• Dozens of random tables designed to help GMs make a Runewild campaign their own

That is quite a lot. Frankly, I was just happy getting the material on the Witches of the Runewild, the rest is gravy for me.  I turn the page and suddenly my "gravy" turns into another dessert course when I am introduced to the "Witch Wars."  Oh. This will be fun.

The book is split into four sections, Running the Runewild, Magic of the Runewild, A Runewild Gazeteer, A Runewild Bestiary.

Running the Runewild: This section covers what the Runewild is and a bit of its history.  It also introduces the idea of a Sandbox Campaign.  While many gamers of a certain age will already be familiar with the idea of a sandbox (and even where the term comes from) this might be new to the majority of younger D&D players.  No inditement of their experience; everyone learns something new at different times. This is a good overview of this style of play for the newer generation of players.  

The advice given about Sandboxes vs. Adventure Path is solid and there is even something here that warms the cockles of my old-school heart.  To quote page 10, "e of the greatest difficulties in running a sandbox-style campaign is balancing encounters. In short, there are no balanced encounters in the Runewild."  Players and Characters need to get used to the idea of running away. 

While this might be a shift for some 5e players, it is not a hard or difficult one.  In fact, it is presented in the light of the characters have the ultimate freedom to do what they want.  It is wonderful really and to quote Darkseid from the Synder Cut of Justice League, "we will use the old ways."

The Old Ways describes Runewild to a tee. 

Among the "old ways" are plenty of Random Encounter tables with brief descriptions of what is encountered.  Adventure Hook tables, Scenery tables, Fey prank tables, general Runewild strangeness, random animals, random NPCs, and more.  For new schoolers, this will make the area feel vibrant and alive. For new schoolers, this will feel strangely homelike. Note at this point, 30 pages in, there has been very, very little in the way of stats. An encounter with a Skeleton is listed for example, but where you look up your skeleton is up to you.

We do get into Runewild Backgrounds which are 5e backgrounds.  For 5e they are great really, lots of great information here, and none of them feel overpowering (they grant a skill and a tool proficiency and usually a language) for other games, you can use the native skill system (Trained would be the equivalent in 3e, free Proficiency in AD&D 1.5) or wing it. One of my favorites is a Polymorphed Animal.  You used to be a normal animal and now thanks to strange magic you are human-ish.  Really fun stuff.

Magic of Runewild: This section covers some more game-specific information such as some new feats, curses, and new magic items (lots of these).  But the star attraction of this section has to be the Goblin Market.  There is so much here and frankly, they could have published this on its own and it would have been a great seller.  There are random tables of trinkets, goblin charms, treasures, and of course a list of vendors and encounters.  

“We must not look at goblin men, We must not buy their fruits:
Who knows upon what soil they fed Their hungry thirsty roots?”

One thing that I felt was missing from this section? Spells.  There are no new spells here.

A Runewild Gazetteer. This starts out with the hex maps of the Runewild. Numbered just like all old-school hex maps too! The hex encounters are then detailed throughout the chapter with a corresponding Challenge Rating. An improvement from older Hex crawls to be sure.  So yeah the party of first-level characters can enter a CR 0 hex with no problem and come out ok. They can also enter into a CR 10 hex with the same level of difficulty (that is, none at all) but they are not going to leave it as easily!  That's a hex crawl. There are no signs saying "You Must Be Level 5 or higher to Enter" if the player goes there, then their characters will pay the price.

Each hex of course has different levels of detail, but they are all given some quick bullet points to help the DM out.   For example:

2. The Last Tower (CR 4)

• A ghost haunts the tower 
• Ten giant rats feast on bandit corpses in the tower’s basement 
• The bandits carried stolen treasure

Then more details follow.  NPCs are noted ad are monsters. There are maps where needed (even a player's map in a few cases!) and yes more random tables. There are 150 such encounter areas and it covers a little over 200 pages. Some encounters are a paragraph or so, others are multiple pages. 

A Runewild Bestiary: Now you know I love this section.  There are over 30 new monsters, monster variants, and (and this is my favorite) listings of  The Witches of Runewild. This includes a bunch of various witches (mostly hags), new types of hags, and the two major and one minor covens.  Again, if they had sold this separately I would have scooped it up the moment it hit DriveThru.   

Here is an example of one of the witches.

There is no Witch Class.  Part of me is disappointed, but another part is happy since I can now do what I want with them. 

The chapter and book ends with Monster Variants. 

The art in this book is quite great and helps give the proper mood for this dark fairy tale land.

Using this with Basic-Era D&D

The book feels like a BECMI Gazeteer.   I could set this outside of Glantri and it would feel right. There are 5e stats, but not a lot.  Most of the monsters have an analog in other games.  For example, if you run this with say, Old School Essentials, just swap out the monsters.  BTW this would work FANTASTIC with the Dolemwood products. 

This is a wonderful book and resource and I am very pleased with it. My only regret with it is I wish I had picked up the Hardbound version instead!

More Mystoerth

While I was driving on vacation, I get a message from Matthew Fenn, AKA "Matteus," on Facebook. It was his new version of the Mystoerth map.   Now I likely saw it right as I was getting ready to leave and responded back with a "wow, that is cool!" and then I sadly promptly forgot about it.  In my defense, it was 900 miles later when I actually sat down to look at social media again.

The map he sent to me is fantastic.  Click for a larger version.

It is based on the James Mishler and Chatdemon map I love so much.

This would have been reason enough for me to talk about it today, but there is more! 

There is a discussion about this map on Facebook,

And at the Piazza Message Boards.  I even dusted off my old Piazza account to join in on the posts.

I am going to add some of these links to my Mystoerth page.   I also went to Map to Globe to get a globe of the world rendered.

I also uploaded the huge TimeLine my co-DM from the 1980s and early 90s compiled to cover the combined Mystara-Greyhawk world.

While writing this I was chatting with Matthew and he is getting the map printed on cloth.  This made me think of my own Victorian London map I had printed by Banners on the Cheap.  I am going to check that out in a bit.  Though, maybe not as big as the one I have now.

So. Where does that leave me?

Well, it was not that long ago when I was talking about using the Orignal Known World for War of the Witch Queens.  

My problem is I love maps.  Every map is a new world to explore.  I have been using Old-School Essentials for my system of choice for WotWQ and I just got my OSE-Advanced Fantasy books and will be using those going forward.  Since OSE-AF is a nice mix of Basic and Advanced versions of the D&D game, why not use a world that is a nix mix of the Basic and Advanced worlds?

Ugh. I hate having to choose! Why can't I use both?  Right. Time. 

Maybe I can cheat. Make my Mystoerth hollow (I do love a Hollow Earth!) and use the Moldvay/Schick Known World map as the interior of my Mystoerth.  Hmm. I do like that idea.  It would help explain some similar names on the maps.  Though it gives me some problems with the Underdark.  The Moldvay/Schick map is much smaller, implying a smaller surface area.  It's been decades since I took calculus to figure out the interior surface area of a sphere. I could compare the outer surface vs. the inner surface and then work out the "depth" between the two worlds.  The crazy Hollow Earth book I have here assumes a "thickness" of 8 miles. I forget what the Rules Cyclopedia assumes. 

Sounds like time to do some math!

I'm Going To Hell!

Well.  Not actually, but I am considering completely redoing all the Outer Planes in my D&D-like games, and the lower planes in particular.

My goal here is to restructure it is such a way that it works better for me and what I am doing in my games, and yet still be compatible enough with other iterations of the game, de that original game, OSR, or other OGL sources, that I can grab something off the shelf and make it work.  

Over the years I have talked about Hell, the Abyss, and other places such as Xibalba, Tartarus, and Tehom.  Pathfinder has added some of these realms into OGC, or rather have made SRD connections to Public Domain names (like Abaddon). 

I would also like to work in places like Sheol as well and homes for all the demon species I have been working on. 

Hell

Hell of the D&D universe is much more akin to the ideas of Hell from Greek myths, Dante, and Milton than it is from Judeo-Christian sources.  There are some ideas here from other myths as well.  

According to Dante, the main named devil in Hell is Lucifer/Satan.  He also mentions Geryon and names 12 individual Malebranche devils ("evil-claws") on Hell's eighth level, called here Malbolge.

According to Milton, the main devils are Beelzebub, Belial, Mammon, Moloch, and Satan. But on his way to Hell, possibly when he passes through Night and Chaos, are Orcus, Demogorgon, and Hades.

One of the first things I need to do is at least come up with some names for the Nine Circles / Nine Layers of Hell.  At least most people agree on nine.

Layer	Name (D&D)	Name (Pathfinder)	Name (Dante)*	Deadly Sin (Dante)
1	Avernus	Avernus	Limbo	Virtuous Pagans
2	Dis	Dis		Lust
3	Minauros	Erebus		Gluttony
4	Phlegethos	Phlegethon		Greed
5	Stygia	Stygia	City of Dis	Wrath
6	Malebolge	Malebolge		Heresy
7	Maladomini	Cocytus		Violence
8	Caina	Caina	Malebolge	Fraud
9	Nessus	Nessus	Pandæmonium*	Treachery

I can't use the "D&D Column" with an OGL/OGC book, but the "Pathfinder" one is fine.  Well. It is fine, but lacks something for me. For now though I am going to use these.

*City of Pandæmonium

From Milton (Not Dante). This is the great city in the lowest circle of Hell. I am certainly going to use this.

Once I get my layers worked out I'll need to figure out who rules them.  The current (and some former) rulers are here.  Using D&D layer names.

Layer	Name	Archdevil	Deadly Sin (Mine)
1	Avernus	Druaga/Tiamat/Bel/Zariel	*
2	Dis	Dispater	Envy
3	Minauros	Mammon	Greed
4	Phlegethos	Belial/Fierna	Sloth
5	Stygia	Geryon/Levistus	Wrath
6	Malbolge	Beherit/Moloch/Malagard/Glasya	Lust
7	Maladomini	Baalzebul/Beelzebub	Gluttony
8	Cainia	Mephistopheles	Pride
9	Nessus	Asmodeus	*

I do like the idea of aligning Lord/Layer with a Deadly Sin. 

Now, not all of these Archdevils are OGC, and frankly I would rather use one of the Ars Goetia demons as the rulers.  In other cases, I am making changes.  Tiamat is a Chaotic Evil "Eodemon" in my games. Geryon is also now a "rage demon."  Druaga, or maybe now just Druj, will also be something else. 

At the moment I have about 650 demons and devils detailed for my Basic Bestiary II but none are sorted or detailed beyond basic descriptions. I need to start figuring out who "lives" where.

Links

• Going (Up) to Hell? Cosmology
• Post 666
• Oh Hell!
• G is for Geryon as a demon, not a devil
• S is for Satan, or what is Asmodeus keeping in his basement?
• Druaga, OMG: Babylonian, Sumerian, and Akkadian, Part 1 (now a demon)
• Buer, The Great President of Hell

Mystara, The Known World of BECMI

Spend any time here and you will know that the Known World of the Basic/Expert Sets (B/X) was the first world I played in.  While I would move on the AD&D and Oerth the Known World would also move to Mystara.  It would be the world introduced to us in the Companion Set and expanded on the Gazeteer Series, the D&D Rules Cyclopedia, and even into the 2nd Edition age and beyond.

But it was in the Companion and Master Sets that Mystara got its start.

The Known World of  B/X was based on the world of Tom Moldvay and Lawrence Schick.  He detailed it a bit over at the Black Gate blog. This was expanded on by James Mishler in a post on his blog Adventures in Gaming, The Original Known World. But that only leads us to the B/X known world, not the one in the BECMI Companion and Master sets.

The B/X Known World only occupies the East-most lower gray box.   The BECMI World, Mystara, is going to be bigger.  Even this is just the continent of Brun.

I am not sure who came up with the idea for Mystara to look the way it does but there are some obvious parallels.

From the Master DM's Book,

Here is Mystara, courtesy of http://pandius.com/

If it looks familiar there is a good reason.

(image from here, http://www.scotese.com/earth.htm)

That is the Late Jurassic, early Cretaceous period of the Earth, 150+ Million Years Ago.

Long time reader here already know of the Paleomap Map project of Earth History.  It has many maps of the different stages of Earth history and potential future maps.  I will admit when I first saw maps of the really old Earth it was disquieting to me.  I love maps and throughout all of human history, the Earth has been the same. Not so throughout ALL history and prehistory.

It's also kind of cool to see where the places of Mystara will line up to our world.

Mystara and the Lands beneath the Waves by Grimklok

The Known World of Mystara was later expanded and given more detail in the wonderful Gazetteer Series, the Hollow Earth series and finally the Challenger series.

While delving into everything Mystara would take me another month, or another year really, there is still vibrant and active community on the web to support this world.  In fact I would say it is far more active than most other worlds. Starting in the early days of the MPGN listserve lists run by TSR, the MYSTARA-L listserve was active back in the days when my access to the Internet was via a mainframe.  Many of the same people on those lists then are still active in the various Facebook groups and websites today.

For me, I always had a soft spot in my heart for Mystara. It was the world of my Basic era days and when I moved on AD&D I still kept the world as "my own."  It was understood that when I was a player it was in Greyhawk/Oerth but when I was a DM it was in the Known World/Mystara.  Eventually, right before college, we merged our worlds into one. I got the western half and my DM got the eastern half.  So you know I was thrilled when I found the James Mischler/Chatdemon Mystoerth map.  The worlds share a lot of details in common so that a merge was inevitable really.

Click for larger

This appears to be the original map.  While researching this I found an old post by Rich/Chatdemon that offers up an alternate name, Oerstara.  I kinda like that. A lot.  It sounds like Ostara, the pagan holiday that Easter comes from.  Oestara could have been an alternate name for the planet. Like Earth and Terra.

What I love about Mystara (Mystoerth) is that while so much of the world is "known" there are still many, many parts to discover anew. The communities are also very active in detailing new places, moving the timeline forward and adapting material from other sources.  I have already seen plans in place to adapt a new 5th Edition book to Mystara months before the book even hits the shelves.  That's dedication.

Would I like to see WotC produce new Mystara material?  Sure, but if they don't I know the world is in fine hands.

Links

• The Vaults of Pandius - for everything Mystara
• The supercontinent Pangaea showing regions of low oxygen.
• Facebook Groups & Pages
• Mystara
• The Piazza
• Vaults of Pandius
• Mystara Cartographic Society
• Atlas of Mystara
• Threshold Magazine
• Sages of Mystara
• Mystara Reborn
• Dungeons & Dragons 5th Edition Mystara

Going Wild for Wildemount

Wizards of the Coast just announced their next book for Dungeons & Dragons 5e and it has some sections of the fandom wailing in lamentations, but the vast majority excited about it.

Explorer's Guide to Wildemount will be out in Spring 2020 and it covers the part of the world from the highly successful Critical Role webseries.  Now I can already hear the older crowd bitching and moaning about it and all I can say is "typical".

There are people out there complaining that "Wizards has pissed off half their fans".  I would argue that "half" is really exaggerating it by quite a bit, but even so then they are at least pleasing the other half.

There are others that are also talking about how they won't be buying this. Ok. That's fine you don't need to buy every D&D book.  I enjoy 5e and I don't even have every book.  I have most, but I don't have them all.

But even then, these people are often the same ones that will claim never to have bought a WotC D&D book ever anyway, so they were never the audience.

Personally, I think this is a really intelligent move on Wizard's part.

Critical Role is hugely successful.

The Kickstarter for just the animated series brought in $11,385,449.   And this book, announced just 48 hours or so ago, has all the relevant #1 spots on Amazon.

Note that's not just #1 in the D&D categories, that is #1 in Books.  All of them.

Would I, as an old-school gamer, love to have seen Greyhawk or Mystara?  Of course!  Do I *need* them? No, not really.  I have everything I need for those worlds now.  I have MORE than what I need for my home-brew world now.  New worlds are always fun to read and maybe I can use some things from that book in my world. Or maybe not.  Who knows yet.

I do know that some sections of our hobby need to lighten the hell up and let people enjoy things.

April TTRPG Maker, Day 5

Day 5: Character or Worldbuilding?

Hmm...

As a gamemaster I enjoy both, as a player I enjoy characters.

I have often said I am a bit of an oddity in my OSR crowd. I have said in the past that I explore characters and not dungeons.

To me, I love character development.  Don't get me wrong, I love worldbuilding, but only insofar as it provides a stage for the characters to grow in. 

Do I care about weather patterns or the price of grain on the local markets? No. I really don't.  If it needs to rain, it is raining.  If there is no grain then there is no grain.  The only reason I need is how does it affect the characters in their situation right now.

This Old Dragon: Issue #53

Time again to set the Wayback machine, TARDIS or DeLorean back to a time when hair was feathered and big and that was just on the guys. "Endless Love" by Diana Ross and Lionel Richie dominates the airwaves. The Summer's biggest hit, Raiders of the Lost Ark, still rules the movie theatres.   Sandra Day O'Connor becomes first woman justice on U.S. Supreme Court. In Dallas, a child is born with a huge destiny, known to us today as Beyoncé Giselle Knowles.  On the shelves are the last three parts of the A series for Advanced D&D and B3 for Basic D&D and issue #53 of This Old Dragon!

Again, no cover for this one which is a shame since I consider it one of my favorites.  It's one form Clyde Caldwell of a woman wizard and a black dragon.  It is a pretty simple cover but the colorful background really sells it to me.  The blonde wizard doesn't hurt either. Kim Mohan's editorial (below) tells that this picture is called "Dragon Spell".

Publisher Jake Jaquet has an editorial on the "Assassination" game that was popular at the time. We played it in high school a lot. Got into a lot of trouble too.  Jaquet goes on about this is "not" role-playing.  It's not, but I also don't think anyone ever claimed it.  Interesting snapshot of the time.

Editor Kim Mohan lets us know about finding the gem that is The Garden Nefaron.  We will get into that later.

Out on A Limb covers the ethics of reprint exact copies of old issues. Another reader lets us know he has been a DM for 3 years (which is at the time about half of D&D's lifespan) and he wants more PC classes not NPC classes, like the Witch, the Anti-Paladin and more.

Speaking of which, Philip Meyers is up first with Why isn't this monk smiling?  A new take on the AD&D monk class.  I am a long time removed from the AD&D 1st ed monk, so I have no idea how well this article covers it.  As a class read through though it feels pretty good to be honest.  To date I have played exactly 1 monk character, so I also have no play experience to back me up on this.

Continuing the monk discussion is Defining and Realigning the Monk by Steven D. Howard and Sage Advice which cover monk questions.  Both look to cover questions and rule interpretations regarding the monk.  Again, I wish I had some good monk anecdotes from the time to share, but I never really was interested in the class except in an academic way.

That section ends with an ad for my most desired "Holy Grail" item. A set of intact, still in the blister case, blue Dragon Dice.

I still have a full set, but I would love to have some that are still on the card.  These and the Percentile ones on the dark blue card.

Speaking of classes, here's a new one!  And one I don't believe I knew about.

The Oracle: When he talks, everybody listens by Andrew Dewar is up.  Before I delve into what looks like a really good class but I have to ask; why "he"?  The most famous oracles in history have been female. Why not "She"?  It's a minor point but one that irks me. Granted TSR/Dragon/Dewar were addressing their audience, who was primarily male, but this was a HUGE missed opportunity in my mind.  Though EVERY example given is female.

Anyway, off my soapbox now, the class is pretty cool.   The Oracle needs a good combination of Wisdom and Intelligence which makes sense since they situated between Clerics and Magic-Users.  They have a lot of shared spells with the Cleric and Magic-User classes and even some Witch spells from a previous Dragon.  The class is spread out over the issue but takes up seven pages.  I think I should check it out in more detail.  Maybe compare it to the Pathfinder Oracle class some. That would be fun.  There are a lot of different types of divination mentioned in this article as well.  Great for any class that tries to divine the future.

We have not heard from Lewis Pulsipher in a LONG time here, but he is back now with Understanding Armory which is about heraldry.  There is quite a bit of scholarship here distilled down to a game-friendly use.  But that describes most of Lew's work really.

Ah, now this is the sort of thing that was my go to back in the day.  World building.  Some universal rules. Making your own campaign — and making it work by Roger E. Moore covers a little about make your own universe but mostly it covers on how not steal from others.  He gives examples of worlds that are common to us all, Hyboria, Zothique, Middle-Earth, Oz, and Earth mythologies. He talks about how difficult it can be to disentangle elements from these worlds AND ALSO make it fit AD&D.  The part though I love is where he covers how these different universes can be explored without breaking things.  I tend to be a bit more relaxed in my world building but I am sure Moore would question, or at least look akance, at my overall internal logic.  That's OK. There is so much good stuff here.

And speaking of soapboxes, the Up on a Soapbox feature is back. This time we have Judith Sampson and Adventuring with shaky hands: Where there’s a will, there’s a way to play.   This covers how you can accommodate players with physical disabilities.  Way ahead of its time really. This could have been a blog post today or a YouTube talk and people would be praising her for her insight.  We still should there are some good insights here.  Sampson suffers from choreo-athetoid cerebral palsy, which is a motor control issue. She typically types up all her character sheets for ease of reading and use in the game.  She talks about how D&D is a perfect game for her really since it doesn't really require a lot that could be difficult for her.  It's a good piece.

David Nalle is next with the Larger than Life feature of mytho-historical NPCs. This time it is The
Bogatyrs of old Kiev.  We get a lot of old Russian characters from myth and legend.  Among others, we get Ilya Muromets, Alyosha Popovich, Dobrynya Nikitich, Svytogor, Gorynich, and Baba Yaga.  Lots more that I don't recognize (Russian folklore was never a big interest to me).  But reading these NPCs, I think I am going to have to check out more of these tales.

Our adventure is next.  The Garen of Nefaron by Howard de Wied is a well-sized adventure at 16 full pages.  That's a full module inside your Dragon.  It looks fun with a strong Raiders of the Lost Ark feel about it.  One of the issues I have with it is that the adventure is much more difficult to complete if your party is of good alignment and easier if they are all evil.  I prefer it the other way around to be honest. 

Merle "The Administrator" Rasmussen is up with the Rasmussen Files for Top Secret.  You know I don't feel Merle gets enough credit. Since I have started doing these Dragons I have been more and more interested in Top Secret and coming to the conclusion that Merle more or less invented the Spy RPG genre. Now maybe there were other games before Top Secret and there were many after.  But I have to give the guy a LOT of credit.  The fact that he is still out evangelizing Top Secret is really damn cool.  This article covers how to control various pieces of equipment that agents can get ahold of in a game.  Based on rarity and what might be confiscated from other agencies.
I can't help think of Ilya Muromets (not related to Illya Kuryakin) above how awesome a Man from U.N.C.L.E. game would be. Set in the 60s would be best.

The Dragon Bestiary covers a magic eating lizard man, The Argas.  A weird ass eye monster, Oculon, and a cow with a human head, the Narra.  I don't think I have seen these before or since.

Lenard Lakofka covers doors, their strengths and hp in Leomund's Tiny Hut.  I think this would work great in just about any version of D&D to be honest.  Will have to clip this one for the tool-box.

Mark Nuiver covers one of my favorite monsters in The Ways of the Triffids.  I also did some Triffid stats a while back, but his are more powerful.  Triffids are sure under-used these days. It could be because the book and the later movie are both pretty old now, but not so much then.

Dennis Matheson is next with some new Traveller rules for Merchants and how to expand the "class".  Again, Traveller is one of the games that I wished I spent more time on.
I will say this, this weird-ass combination of a Klingon D7 and the Space:1999 Eagle is kinda cool.

Reviews are next. G. Arthur Rahman covers "Junta".  Tony Watson covers "Stalin’s Tanks". Bill Fawcett takes on "Warlock" and "A House Divided".

We get the convention schedule for Fall 1981.

DragonMirth is next.
We get one of the last Finieous Fingers.  There is a nice line for me and Dragon; the Before and the After.  It is the before I started reading and after. This is roughly the same time period of when Finieous Fingers appeared in Dragon.  I have no real emotional attachment to the comic save that it represents a time "before".

A similar relationship with What's New With Phil and Dixie, I just happen to like this comic more and I made an effort to read the back issues.

Then we get this comic/ad in the very back the Molvay Basic Set.

Of course, there were no beholders in D&D B/X, but hey that's just details right?

So all in all a really fun issue. Lots of great stuff that I can still use today.

Want to know what I said about White Dwarf from this same time?  Check out White Dwarf Wednesday #26.