Monday, February 20, 2017

Russian Dragonlance Musical

People have a lot of opinions on Russia these days.
Gamers have always had a lot of opinions about Dragonlance.

But wherever you fall on the spectrum of opinions on either of those topics you are going to have to admit that this is kind of cool.

Here is the official Russian musical stage adaptation of the Dragonlance world.


The musical is called "The Last Trial" and it is based on the second (and better) Dragonlance Trilogy Legends.  You can easily pick out which characters are which even if you don't speak Russian (which I don't).


I guess it has been in development since the 90s.

There is a website dedicated to it here, http://lasttestmusical.weebly.com/ and of course a Facebook page.

To my knowledge, there is no Russian musical of the Forgotten Realms or Greyhawk.  So Dragonlance has that in its favor.

Sunday, February 19, 2017

More Hero Forge Minis, Part 2

About a month ago I posted pictures of my new +Hero Forge Minis.   Since then I got in contact with +Epic Die Studio and they were looking forward to painting some Hero Forge minis. Plus they were nearby, so it looked like it was going to be good match.

I was wrong.

It was a GREAT match!

Here are the unpainted minis:


And here they are again after Epic Die Studio did his magic.







Love the design on the shield.  Great for a warrior of Bahamut





Skylla!



Taryn and Mojo




If you live in the Chicago area they are totally worth checking out.
I am beyond pleased with these.  Can't wait to do some more.

Saturday, February 18, 2017

Zatannurday: Zatanna in Justice League Dark

Zatannurday? Twice in a row?
What sort of magic is this?

Last week (but not in time for last Zatannurday) I watched the new Justice League Dark movie.

Here's a somewhat spoilery clip of just how much of a bad-ass Zatanna really is.



You almost feel bad for Felix Faust....almost.

No. I have not played this backwards yet to see what she is saying.

Friday, February 17, 2017

Kickstart Your Weekend: The Book of Passion

It's the week of Valentine's Day.  My wife and I have a LONG overdue date night and Misfit Studios has released their latest Kickstarter for OGL 3.75 (D&D 3.5 and Pathfinder I take it).

The Book of Passion, by authors Will Wells and Margherita Tramontano, adds role-playing rules for love and sex to your OGL 3.75 campaign. Long-time game designer/editor/developer, Christina Stiles, will publish the book via Misfit Studios.


To find out more about this project I went to the authors to ask some questions.

Interview with Will Wells and Margherita Tramontano

(Full Disclosure: I work with Misfit Studio on the Strange Brew line of Witch and Warlock books.  Margherita has contributed to my book. This book and Strange Brew share editors Christina Stiles and Robert Hudson in common as well as artists Jacob Blackmon and Peter Bradley.)

Tim: So with tell me who you are and what your other publications of note have been.

Will: Well, I'm an English teacher from Cleveland who has been gaming since 1999 (see next question) and has been creating fan-made rule systems and modifications to the same for basically just as long.  I love to translate what I see in film, books, and video games into tabletop rules (likely from my start with the Fusion system, which did that for Bubblegum Crisis - again, see below).

Most of the time, this sort of thing has just been for my own personal use.  In fact, that's how the Passion Mystery started.  Sometimes I post my system modifications on the Paizo forums for others to use as well (again, as seen with the Passion Mystery).

As for official paid publications, my only current publications are outside the gaming realm - although that is about to change in a big way - Margherita and I have been doing a lot of work for Christina Stiles the past few months.

Also - fun fact - I've been trying to write a bio for the front-matter of some of the aforementioned work, and haven't been able to hit the right tone.  I think I just did here, so if you don't mind, I'm going to steal basically everything I just said for my official bio.

Margherita: Well, I am an Italian Literature teacher and a mum of two boys. I always wanted to be a writer since I was a little child. I published two volumes of poetry and some chapters of my fantasy novel… then I began sending articles to Wayfinder. The Paizo forums put me in contact with so many great persons that also were authors and publishers, so I tried to send something to them too. And here I am, working with people I look up to.
In recent years, I published articles in several issues of Wayfinder, on the Kobold Press blog with a series of options for their shaman class, and in the new version of Green Ronin Publishing’s Advanced Bestiary (Teratocephalos template). I also co–authored four Letters from the Flaming Crab for Flaming Crab Games and created the Esotericist oracle archetype for The Knotty–Works; for Everyman Games, I am the author of Childhood Feats and Mysteries of Passion; and I contributed to The Colossal Creatures Bestiary for Zenith Games with the kaiju Dypthera. For Christina, Will and I co-authored and developed the Talented Adventurers of SpirosBlaak line. This year more projects in which I am involved should see the light!

Tim: I suppose I should ask how you all got into gaming. So. How did you get into gaming?

Will: Back in 1999, I picked up a copy of the Bubblegum Crisis RPG because I was a huge fan of Bubblegum Crisis.  Having bought the book, it only seemed right to try it out.
From there, I jumped into 2nd Ed D&D just before the release of 3rd Ed - and 3rd Ed just made so much more sense to me than THAC0.

Margherita: It was a little tragic. I was involved in a game run by a friend, and since I always was curious about RPG, I accepted (it was a 2E campaign). It did finish well for my character, but much less well for me. I thought it would be an heroic Arthurian fantasy manga campaign, while the master and the other players were all into gothic dark Arthurian fantasy manga gaming. Like so many newbies, I couldn’t keep myself and my character separated, and the game’s flavor caused me a long period of deep depression and anger.
Fortunately, this stimulated me to learn more about the game, to understand whether I was wrong or my master was. I read manuals, tried to translate rules, created my own characters, campaign, game world and novels, and- well, ultimately I fell in love. I began to write my own rules at first just for myself. I found many beautiful netbooks of rules written by gamers (one was the Netbook of Witches and Warlocks, another the Complete Guide to Unlawful Carnal Knowledge!).
I never loved 3E or 3.5E much, however. But one day I found Pathfinder. The rest is history.


Tim: Great.  Now tell me about the Book of Passion.  Who’s idea was this and what are you hoping gamers can get from it?

Margherita: It was in part a coincidence. Will had started a thread on the Paizo forums with his first draft of the Mystery of Passion. I was searching for a way to convert one of my 2E characters to Pathfinder (the same that became my iconic romance oracle in the Book of Passion), and his idea was the nearest thing to her I could found then. So I answered to the thread with some ideas to make the mystery better. Before we knew, we were working together, exchanging ideas for the mystery, then for oracle archetypes tied to the mystery, then for other classes… I don’t remember which one of us had first the idea of making a book, but we liked it more and more. I had already proposed some pieces to Owen K. C. Stephens and Christina, so I thought to try sending some examples to them. And now, after some years of work, the book is nearly ready to become a reality.

Will: For me, it started with the release of Paizo's Advanced Player's Guide.  I loved the Oracle class during the playtest, and was eagerly awaiting the final book to see what interesting options would be released for clerics of Calistria.  I preordered the book and, when it finally arrived, I practically tore it open to get to the Oracle section and - nothing.  No mystery was listed for Calistria.  I was really disappointed - and after a brief snit, I decided that the best way to fix this was to make my own.

Except, of course, that Oracle mysteries are intentionally broad, so I couldn't make one specifically for her - I had to pick an aspect that she represented.  Plus, since I was also a huge fan of the works of Jacqueline Carey (particularly Kushiel's Legacy), I kept Naamah in mind as well.  Sacred prostitution is a shared theme between both goddesses, so that's where I started.

Tim: I am looking forward to that, I have used Naamah myself in other games.  What is one of your favorite features about this book?

Margherita: Among the parts I wrote, I like the Merciful Oracle archetype -the one that my iconic uses- but also the Chasmalim angel, which is the good counterpart of a succubus, and of course my pregnancy and hybridization rules, and the stats of my character. Among the parts Will wrote, maybe the richest of hints, flavor and fantasy are his descriptions of sex-oriented societies. But the Mystery of Passion is the book’s nucleus, the one from which everything else has grown, and we wrote that together!

Tim: What sort of games/stories do you expect that people will use this for?

Will: Any story that features romance, love, or sex.  Many (if not most) published Pathfinder adventures (by any publisher) feature these things, but they were usually on the "plot" side of things with no mechanical elements.  For example, in one adventure I can recall off the top of my head, it is a minor background note that two of the major NPCs are in a lesbian relationship with one another.  Aside from some motivations, however, this has no impact on the character builds.

With the Book of Passion, that could change.  Now, if there are two characters (PC or NPC), they could choose to take "Marriage Feats" - a special kind of teamwork feat that only works between individuals in a romantic relationship (they don't actually have to be married, but if you are choosing feats together, that's pretty significant commitment).

It can be as simple as that - or as complicated as the GM and players like.  During the playtesting for this book, I ran a game that resembled a fantasy romance novel.  There was a lot of political machinations, covert intelligence gathering, and - yes - a lot of seductions and romances.  Characters fell in love, entered into complex relationships (including a particularly complex polyamorous relationship between a married couple, their lover, her other lover, and his fiancee), suffered heartbreak, and in one case got murdered by a botched assassination aimed as the person sitting next to them.  The game was high melodrama and a lot of fun, with the archetypes, feats, and spells from the Book of Passion being a great way to flavor a character.  In fact, two of the three iconic character we present in the Book of Passion are from that game.

On the far end of the spectrum, we also playtested in a grim low-fantasy setting more reminiscent of Game of Thrones with a bit of Berserk (the manga) thrown in than anything like the usual Pathfinder setting.  And there, too, the Book of Passion was highly useful.  While there was far less magic in this game, several of the archetypes proved useful, as did a number of the more sinister monsters from the Book of Passion's Bestiary.

That's the thing - sex and romance are part of most of the stories we tell.  Whether they are the main focus, like in the romance novel game, or they are part of the tragic background, like in the low fantasy game, they're almost always there, somewhere.  Being able to make romance more core to a character, either through an archetype, feat, or spell, allows that oh-so important part of our characters' lives to be represented in their builds.

Margherita: I hope it will not be used to traumatize players or GMs! (Laughs) The book can be used not only to decide if a character gets pregnant or not, it also offers great tips for roleplaying many different situations and relationships in which sex must not necessarily be involved. If someone is just in search of “new positions”, then this is not the book they want.


Tim: It has to be asked, but is this just “Sex in D&D”? (nod to any old-school gamer that remembers that one).

Will: Yes - and no.  We do an update to some of the more common rules for sex presented in several different 3rd and 3.5 books, but that is literally the first half of the first chapter.  Sex has been part of D&D for a while now, and Pathfinder in particular has embraced that to a much greater degree than previous versions of the game.  However, while sex is a present and important aspect of the game, there is little a player can do to use sex meaningfully as part of their character.

That's where a lot of our work in this book comes in.  By far the largest chapter is a series of archetypes and class features for every class from Core, APG, Ultimate Magic, Ultimate Combat, and Advanced Class - all of which have to do with sex or romance in some way.  These features aren't just about flavor - they're about making sex and romance useful.  If you are a cleric or oracle who is granted spells by a god or goddess of fertility or sexuality, you should gain powers from that deity that relate to those aspects of the deity.  If you want to play a high class prostitute who uses sex to draw out information from his patrons, you can do that.  Or, if you want to play a knight with a pledge of courtly love to a noblewoman, you can do that too.  Archetypes for all of these concepts - and many, many more - are supported in such a way that even games that stick to a "fade to black" style PG rating can still use them.  A lot of game tables don't like to get into specifics but still use sexual themes, and we wanted to make sure they were covered as well.

Margherita: Nooooo. Love has many facets, and sex is just one of them. Will appreciates quality erotism, while I have a more romantic and platonic approach. We integrated both these points of view into our work. There is the temple prostitute inside, but there also is the virginal healer, the platonic lover, the courtly love-voted cavalier and bard. Passion is a nearly limitless subject.

Tim: So a related question.  What about the supposed “adult” content in this book. What do say to potential critics?

Will: First of all, I would ask where they were during 3.5 when at least five books on this topic (working sexuality into D&D) were released.  The concept of this book is nothing new - it's the execution, and the fact that it hasn't been done for Pathfinder yet, that make our book special.

Secondly, if you're talking about nudity, then I would remind any potential critics that the 3.5 "Book of Erotic Fantasy" used actual photographs of real models for its nudes, often photo-shopped in a very "uncanny valley" way to attempt to create magical effects.  We're using drawings - beautiful, well crafted drawings.  Again, anyone in a snit about this is nearly a decade late to the barbecue.

Does the book talk about sex?  Yes, quite a bit.  In fact, I make a point in chapter 1 to define sex as "oral sex, anal sex, vaginal sex, tribadism (aka scissoring), manual sex (aka hand-job or fingering), brachiovaginal insertion (fisting), or any other direct stimulation of one or both partners' genitals."  We don't just talk about sex - we talk inclusively about sex, making sure to cover various types of sexual relationships.

We also talk about the concept of "sex-positive" both as it applies to the book at large and to societies in various game settings.  Unlike some previous books on the topic, we don't make any assumptions about what a given race's sexual mores are and instead provide guidelines how sex-positive social mores might interact with various alignments.

Of course, we also talk about love and romance.  As I mentioned before, our archetypes are as likely to be focused on the emotion of love as they are to be on the physical act of sex.

Margherita: We always used a respectful language and a respectful approach to the many ways in which people see love. Some of the monsters and characters included in the book enjoy rape or non-consensual domination: these are evil. Many more enforce reciprocal trust, fealty and sincerity in a relationship, and defend even love that some would find “wrong”. These are the good ones and the model roles we hope to show to our readers.


Tim: Last question, something I always ask.  Who is your favorite witch, wizard or magic-user and why?

Margherita: Tiffany Aching. Because she will be the greatest witch in the Discworld and has surpassed even her teacher. She has all her teacher’s virtues and none of her teacher’s quirks. Though if I were a witch, I’m afraid I would be more a Magrat than a Tiffany.
Oh, and the witch I created for Christina, Marena Lenoire, is cool too. (Laughs)


Will: Favorite Witch?  Wow, how specific.  Okay - for me, that would be Anthy Himemiya from Revolutionary Girl Utena.  While she isn't a "traditional" witch, that is how she's described in the show, and she does have the power of illusions.  As to why - Anthy's story is that of a victim breaking free of her own guilt and finally walking away from her abuser.  She makes mistakes along the way and betrays her best friend, but it is that very betrayal - and her friend forgiving her for it - that finally makes her see that she can't keep being that person anymore and needs to change.  And change she does.  Her character arc is both tragic and uplifting, horrible and beautiful, and I love her to death.

--

Personally I think it looks like a lot of fun.

Wednesday, February 15, 2017

Plays Well With Others: D&D 4th Edition and D&D 5th Edition

Wait...what?
Seriously though hear me out on this one.

Long time readers will know of my enjoyment of 4e when it first came out.  I felt there was a good game here, even if it was not 100% D&D-like-we-knew-it.   Well it was pretty much derided by any old school gamer and those that did like it, loved it with a passion.

Well yesterday +Thomas Denmark over at Original Edition Fantasy/Rules posted a video about how to incorporate elements of 4e into your 5e game.
https://originaleditionfantasy.blogspot.com/2017/02/dr-strange-edition-or-how-i-learned-to.html

Here is the video he shared.


It's an hour long, but the YouTuber Matthew Colville is so earnest about this that it is fun to watch.  BTW he has a lot of other D&D videos as well. The guy is obviously a gaming evangelist so his enthusiasm is contagious.  So much so that this morning before getting everyone awake I dove into my 4e monster manuals.


It seems that Colville is onto something here.

I have mentioned before that there a number of 4e innovations I would like to adopt in my games.  Among these are some of the conditions, in particular bloodied, and the minion rules.

But today I want to talk Giants.

My group is working their way through a modified and expanded version of the G series.  They finished G1, "G4" (the R.C. Pinnell Stone Giant adventure) and G2.  Next they are going to do a mish-mash Cloud/Fog/Storm Giant one before going on to G3 and the Fire Giants.  But before that they are going to do a one shot based on the old Conan story, "The Frost Giant's Daughter".  My adventure will be called "The Frost Giant Jarl's Daughter" though roughly the same plot.

I will be 100% honest here. I was never a big fan of giants for most of my D&D adventuring days.  That is until 4e helped turn them into something else.  In 4e (and possibly before, I might have missed it)  Giants became the products of Primordials and Elemental forces.  They were not just "bigger orcs" but something else.  I really liked the 4e versions of giants that included not only giants, but also titans.  So you could have a Frost Giant and a Frost Titan.  The Titans were larger and more tied to their elemental natures.

In the G4 module I did a bit of this with the main Stone Giant being replaced by a 4e style Earth Titan.

In The Frost Giant Jarl's Daughter I am going to take Colville's advice and run the giants with more of the 4e elements than I had previously.  A lot more in fact.


The adventure takes place right after G2 (I am calling it G2.5, but I guess G2.45 is a better code).  The party must cross a glacier to get to the next point in the series.   However, along the way, they will be taunted by the apparition of a beautiful girl.  Now I need to be careful here.  I have an elf woman that has been following them all the way from the A series. They think she is a thief, but in reality she is a spy from another group that wants the same things the party wants.  I don't want to run into the cliche of a beautiful woman actually being something else.


Along the way there will be three 4e crafted encounters; a group of Winter Wolves, Frost Giant Skeletons and finally her two Frost Giant brothers.  The Jarl's Daughter is a Frost Giant Ice Shaper from 4e; or maybe the Frost Titan, have not decided yet.  So she is going to have some very nasty tricks up her sleeve.

If this works well then I am planning on doing this more in the Fire Giant's adventure.


A bit of personal history.  Back in the earliest days of my gaming when I was going through these adventures myself I found a 60mm metal mini of a knight in bronze armor.  To me it looked just like the picture of the Fire Giant from the Expert set.


I wanted my DM to use it as an advanced Fire Giant Knight.  Someone that would come out to challenge the players.  Given that the art above also has a passing resemblance to Brian Blessed in his younger days (think Flash Gorden era) he would be very bombastic. Well on the day we did G3 I forgot the mini.
Somewhere over the last 35 years I lost the mini.  I remember his leg broke off and I was very disapointed that my Fire Knight never made it to battle.  Well thankfully I have the internet and I found a replacement.


That's the Fire Giant Queen and next her is the Schleich Dragon Knight Hero.  He is not perfect, but he is really, really, really close.  I can use the Fire Titan stats for him and give him all sorts of kick ass powers, like Hurl Lava and Burning Wave.

The Cloud Giant queen, who is in reality the bastard daughter of the Storm Giant King and a Cloud Giant Sorceress, will be recast as a 4e Eldritch Giant.


D&D5 has long been touted as the edition to unite all editions.  I have seen that certainly in terms of Basic and 1st through 3rd.  There are some remnants from 4rh here, but we could do with some more.  4th Edition, despite it's issues, had a lot of really cool innovations and I'd hate to see those lost.

Tuesday, February 14, 2017

Witch & Witchcraft Reading Challenge: Huntress

"I don't need a killer. I need a Hunter."
- The Faerie Queen to Kaede

A fairy-tale retold.  Warring Fae Queens. A world plunged into an endless, lightless winter.  Two powerful (even if they don't know it yet) female leads. Romance. Betrayal. World changing events? It's like author Malinda Lo was reading my Christmas list!
But seriously.  Huntress is a prequel to Lo's fantastic Ash, a retelling of the Cinderella story.  In this case we learn of the history of the King's Huntress and how she came to be.  Though Kaede is not the Huntress of Ash, not is she a Huntress yet, but it is no spoiler that she will be.  If she survives this tale first.

The story focuses on two 17 year girls, Kaede and Taisin.  Both are in the academy of sages. Kaede is from a well to do family, her father is the Chancellor to the King. She is not a great student and really has no magical talent to speak of.  She is good at throwing knives and picks up the bow through out this tale.  Her father wants to marry her off to a Lord in the south to strengthen ties, but Kaede, who prefers other girls, wants nothing to do with that.  In truth, she wouldn't want it if her father offered to marry her off to a noble Lady either.  Taisin, on the other hand, is from a poorer family, but she already has the Sight and is capable of other magics. It is Taisin's vision and an invitation from the Faerie Queen that bring them together and place them on the road north to Taninli, City of the Sidhe.
The world is currently into its third year of a seemingly endless winter; or rather the summers are poor, there is no light and things are getting worse.
Kaede, Taisin along with the Prince and some his guards must brave to road to the Faerie Queen's land to find out what is going on and how to stop it.
We also must learn what Taisin's visions of Kaede mean and if there is anything she can do to change them.

Like I said, this book is overflowing with the things I love.  Long time readers here will immediately see the parallels between this story and my own "Come Endless Darkness" campaign here.  There are lots of really, really good ideas for my games from this book.
Are their witches? Of course there are!  One could consider Taisin a witch.  That label certainly fits her better than "Wizard" or "Oracle".  There are also named Green Witches in the form of Mona later in the book.  Also, Ash tells us of a Green Witch that cast spells to protect the Huntress.  If this is a prequel to Ash, then how do we know that the Green Witch so mentioned wasn't Taisin herself?

If I extend the concept a bit further the idea of a Huntress is similar enough to my Witch Guardians in practice, if not form.  Malinda Lo is drawing on some deep mythological concepts here and breathing new life into them. It's one of the reasons I could not put this book down.
In fact, I could not but help think back to the otherwise dreadful "Snow White and the Huntsman" and wonder how a "Snow White and the Huntress" would fare in Ms. Lo's more than capable hands.

Using this Story in a Game
Without giving too much away the line of Huntresses starts here.  The Huntress would be charged with protecting the lands between the human and sidhe worlds.

2017 Witches & Witchcraft Reading Challenge
2017 Witch & Witchcraft Reading Challenge
Books Read so far: 6
Level: Maiden
Witches in this book: Taisin, Mona and the Faerie Queens.
Are they Good Witches or Bad Witches: Everyone does good as they see it, even if it doesn't look that way to others.
Best RPG to Emulate it: Any form of D&D will do. Must have a good witch class and a Feywild.
Use in WotWQ: So many ideas. First and foremost there is the obvious ideas for "Come Endless Darkness", the effects on the people and the land.  For War of the Witch Queens there is the answer of why my Witch Queens would want to involve mortals in their affairs.  Easy, they can't act directly against each other.

Personally, I would be shocked if Kaede didn't make a guest appearance in my games someday.  In Pathfinder she would easily be dual classed witch/ranger.  She started out as a witch (or maybe a cleric, oracle or something) and then became a Ranger.
In Blue Rose she would start out as an Adept and then move on to Warrior/Expert.
In fact, I think she might have to appear with an army of Sidhe warriors just in time to save the characters from undead before they get into Death's Ride.  If I do 5e, then she would have the Sage background, one or two levels of wizard (with limited spell choice) and maybe 13 levels of Ranger.  OR this would give me a good excuse to try out an Oath of the Ancients Paladin or the new Hexblade Warlock for 5e.

Monday, February 13, 2017

Powers of Darkness and the Dracula Myth

I do not consider myself a Dracula scholar. I have a number of rare Dracula related texts, read many more and pretty much seen every movie or stage play featuring the eponymous vampire count. My last (as in last ever) acting performance was as, appropriately enough, Dr. Seward in the Hamilton Deane play.  I try to reread the book every three or fours years or so.
I also once had a great conversation with a former Black Panther turned Educational reformist oh how horror in general, and Dracula in particular, was great insight on what people's fears are at the time.  We discussed how things he was doing and feeling as a young revolutionary in the 60s was being written about in the fiction of the time.  Great stuff.  Wish I had taken better notes.

So is it safe to say I am a fan who knows what scholarship is out there and I have read some of it.

So imagine my joy when I discover that there was/is another translation of Dracula out there.  One that was created nearly around the same time as the original, but with enough distance to be something new and old at the same time.

Over at Literary Hub they discussed the Icelandic translation of Dracula known as Makt Myrkranna, or the Powers of Darkness.

The book originally includes a forward by Bram Stoker, but it takes a number of interesting turns from Stoker's text.  The author, Valdimar Ásmundsson, includes mentions of the Ripper muders and a tantalizing preface that eludes that all the events in this book are true.
To the best of my belief, there is no doubt whatsoever that the events related here really took place, however unbelievable and incomprehensible they may appear in light of common experience.

[. . .]

I emphasize again that the mysterious tragedy described here is completely true as far as the events as such are concerned, although in certain points, of course, I have reached a different conclusion than the people involved. But the events as such are irrefutable, and so many people are aware of them that they will not be denied.
This is a long-held conceit in many post-Stoker works on Dracula.  We can't say it started here, it started with Stoker's novel itself, but there is something very seductive about this.

Scholars have long been under the belief that the Ásmundsson translation was merely a translation and an abridgment of Stoker's novel.  

Hans de Roos, the author of both the LitHub article and new re-translation, gives us some interesting insights to this lost translation, which ends up being more than expected.  There are the expected name changes; Johnathon is now Thomas, Mina is Wilma and Lucy is Lucia, but there is more to it that just that.

Mina/Wilma now accompanies Harker to Transylvania. Renfield is gone. And Dracula himself plays a much larger role.  That is one of the biggest things people who have not read Dracula don't know; how little Dracula is actually in the book.  It also seems that there are more sections that seem to be drawn from Stoker's own notes and incomplete manuscripts.  

Flipping through this book that is at the same time familiar and new*.
*Side Note:  I call situations like this a "Modula 2" moment. Back in college, I was a pretty proficient Pascal programmer. I later picked up other languages like C, C++ and Modula 2.  Modula 2 is so like and yet unlike Pascal it is like learning the same thing over again from an entirely new perspective.  If I ever mention Modula 2 here, this is what I mean. 

While I can't wait to jump feet first into this tale, it has gotten me more excited for my modern supernatural/supers game with Dracula as my big bad.

I am not anywhere close to getting this adventure together; either what the characters will do or what Dracula wants to do. I don't even have a system picked yet.

Maybe after this book, I'll have all that figured out.

Dracula-based Products I have Reviewed in the Past


And some I need to review



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