Monstrous Mondays: Corn Goblins for Basic era games

It's that time of year again.  The nights are getting longer and the days are shorter.  The corn and pumpkins are getting ready to harvest in the midwest.

I was walking through my in-law's cornfields back when I was working on Ghosts of Albion and I was thinking there are not really enough local Fae in Illinois.  Ok, there are none really.   But I thought this one would be fun.

Corn Goblins

Corn Goblins are not really goblins at all. They are in fact faeries, but they are so ugly that they are mistaken for goblins.  They have some similar features to the Bendith Ý Mamau of the Welsh but have not (so far) displayed any type of magic. Nor are they unpleasant like their Welsh cousins.

Corn Goblins appear as small ugly faeries with dark yellowish-brown skin, yellow hair and bright blue eyes. They are fond of wearing pale green clothes. 

Corn Goblins though are named for their preferred habitat, the endless fields of corn and other grains. They rarely, if ever interact with humans but have been known to befriend crows and even use them as transports.

Very little is known about them but to date, they have shown to be benign. The earliest recorded mention of a corn goblin-like creature is from the records of a witch trial. One girl described consulting with a “foule imp” that matched the corn goblin description given by occultists.


Corn Goblins
(Labyrinth Lord, Pumpkin Spice Editon)
No. Enc.: 1d6 (3d6)
Alignment: Neutral
Movement: 90’ (30’)
Armor Class: 4
Hit Dice: 1
Attacks: 1 (dagger)
Damage: 1d4
Save: E1
Morale: 6
Hoard Class: None
XP: 13

Corn Goblins
(Blueholme Journeymanne Rules)
AC: 4
HD: 1d8
Move: 30
Attacks: 1 dagger (1d6)
Alignment: N
Treasure: None
XP: 13

Corn Goblins
(Old-School Essentials)
A small ugly faerie with dark yellowish-brown skin, yellow hair and bright blue eyes. Often encountered with a large crow.
AC 4 [15], HD 1* (4hp), Att 1 × dagger (1d4), THAC0 19 [0], MV 90’ (30’) flying, SV D12 W13 P13 B15 S15 (E1), ML 6, AL Neutral, XP 13, NA 1d6 (3d6), TT None
▶ Attacks with small daggers.
▶ Often works with large crows as mounts.

Deserts of Desolation & Death & More

It's a blah rainy day here in Chicagoland.  Great day to do some prep on my Desert portions of my Second Campaign.

I am currently re-reading all the desert adventures I own and working out a coherent narrative.

Right the idea is the PCs head out to the desert in search of the reptile cult that has been plaguing the land.

The adventures are:

The Desert of Desolation series:

• I3 Pharoah (levels 5-7) (5e Conversion) (maps)
• I4 Oasis of the White Palm (levels 6-8) (5e Conversion) (maps)
• I5 Lost Tomb of Martek (levels 7-9) (5e Conversion) (maps)

and the Desert Nomads/Temple of Death series:

• X4 Master of the Desert Nomads (levels 6-9) (5e Conversion)
• X5 Temple of Death (levels 6-10) (5e Conversion)

and then the two stand-alone adventures:

• I9 Day of Al'Akbar
• Gary Gygax's Necropolis

The adventures span several designers, worlds and even games, but all link back to the idea of ancient Egypt.  Known as Eyrpt on Oerth, Ayrpt on Mystara, and Aegypt in Gary Gygax's original Dangerous Journey Necropolis and then later Khemit in the 3rd edition version.  I combine them all into one place I call "Ærypt". The series is called "The Deserts of Desolations and Death".

But I am missing some bits.  Originally I thought that I could gloss over some of the missing ideas (at least in terms of my campaign plans) with B4 The Lost City, but there are some issues there.  One the module is too low of level to fit with what I want exactly, also I ran the kids through it years ago so likely they will remember it even with some changes.  But most of all the Elder Evil Zargon is a bad or more exactly problematic fit for the current game.  Besides if I do bring back B4 it will be as part of a game using Astonishing Swordsmen & Sorcerers of Hyperborea as Eric Fabiaschi often talks about.

No, I am going to need something else.  Thankfully something almost exactly like what I need dropped into my lap.

Cha'alt
Venger Satanis sent me a copy of his latest publication in exchange for a fair review, but it was on on my radar anyway.  There are a few reviews ok for it now, so I am going to gloss over some of the "reviewy" bits in favor of how I am planning on using it.

Cha'alt is 218 pages, full color, desert-themed adventure in Venger's normal gonzo style.  The rules are his O5R system which is a mix of OSR and 5e, so it works with just about any game. 
There is a "Campaign Map" of sorts with twelve areas, but only a few of them are heavily detailed.   The campaign map and the sandbox nature of this adventure gave me a few ideas for use in my own desert-themed games,  so that made the review worth it to be honest, but there is a lot more here than just that.

Like all of Venger's books there is a high-quality production value here.  He is not afraid to spend the money to get high-quality artists and layout.  Also, true to his style, there are plenty, ok LOTS, of tongue in cheek pop-culture references throughout the book. Ranging from 80s nostalgia to yesterday's internet humor. 

The adventure is gonzo as I mentioned, so there is a fair bit of science-fantasy thrown in for good measure.  Enough that is t makes me think it too is also a good fir for Astonishing Swordsmen & Sorcerers of Hyperborea.  The levels are more in line with AS&SH than my current campaign, but that is fine. Though in either case, I'll need to figure out what to do about the giant sandworms, spider droids, and hunter-killer robots.

In true old-school fashion, there are plenty of random tables and charts. Advice for surviving in the desert and plenty of new monsters.

The Black Pyramid
The biggest feature of this book is the Black Pyramid. 
The obvious inspiration for this portion is the venerable Lost City, but again through a darker, slightly warped lens.  As with the rest of the book, this section is full self-referential humor and nods. So of it works, some of it doesn't. Adventure-wise the pyramid is full of eldritch weirdness.  At 111 rooms not all of them are great, but there is enough here to keep the players all busy and adventurers entertained.

There is a lot of fun to had with Cha'alt.  I have quite a lot of ideas of things to do with it, none of which are as it was designed.   Still, there is a lot of material here and plenty of ideas. For me, I am likely to remove many of the sci-fi elements if I run this as part of a campaign, or at least tone them down if I run it using AS&SH.

If you are familiar with Venger's work then you will find more of this here though this might be his best looking work to date.

Introducing Night Shift

I had something planned for today, but it will have to wait till later.  Busy day at work.  So here is something I have been working on.

So folks, to coincide with Halloween, I will be Kickstarting the newest core RPG from Elf Lair Games this October! I'm still working out the exact details (getting quotes for printing costs in particular) so I know what to set my goal, but it's planned as a hardcover B&W release. Please spread the word and keep your eyes out! Here's some more about the game:

NIGHT SHIFT: VETERANS OF THE SUPERNATURAL WARS Debuting the new Elf Lair Games house system, O.G.R.E.S., Night Shift is an urban fantasy, horror, and dark modern supernatural game that uses a brand new system of old-school mechanics inspired by and derived from the original, basic, expert, and advanced versions of the World's Most Famous Role Playing Game. It allows you to mimic all the tropes of just about any film, TV series, or novels you like.

All of the following are possible with Night Shift:

• Cheerleaders that are chosen to slay vampires
• Sisters imbued with the power of chosen witches
• Worlds where Fae of all manner battle in the politics of light and dark
• The great-grandniece of a famous gunslinger inherits the legacy of the demon hunter.
• A world where two brothers armed with knowledge and weapons hunt the supernatural in their father's name

And more!

Jason and I have been working together for years.  We worked on Buffy the Vampire Slayer RPG together.  I playtested Jason's AFMBE games and his Amazing Adventures books, he playtested my Ghosts of Albion.  He published my first OSR Witch book.  We have over 80 years of game playing and nearly 50 years of professional game design combined.

This game is going to be so much fun.  And perfectly suited to the cinematic style games I love.

Hoping to get you all some previews and character write-ups throughout October.

What Everyone* Is Getting Wrong about "Consent in Gaming"

This past week Monte Cook Games released their Consent in Gaming free PDF.
And...as expected there is a lot of whining and complaining from the expected crowd.  Lots. Like somehow this is a personal affront to them.

Now I say Everyone* up there, but really most comments I have read get what this guide is trying to do and be.  So the vast majority get it.  I have tried to spend the last week or so reading everything I can that has been posted online.  I certainly have not read everything, but I am pretty happy with the sampling I have read.

AND nothing in this is new. I talked about social contracts back in 2015. They have been going on for longer than that.  This is just one type of codified social contract / social agreement.

On Wikipedia, we have something called "Assume Good Faith."   The same needs to be used when using this.  Assume the player on the other side of the table is presenting their concerns in good faith.  If something bothers them then it bothers them. 

At the risk of these being straw-man arguments, I do want to address the most common types of comments I have seen online (FB, Twitter, YouTube).  By lumping them together I do make my own error of over-generalization, but I have already spent a lot of time on this post (I started it last week) and more time and text will not make my points any clearer.

But I am Only Gaming With People I Really know.
Great!.  Guess what, you probably don't need this. You likely don't.  You have self-selected yourself out.   Don't worry about downloading it.

But what about...
Whataboutism is a weak argument all the time. 
Sure ANY rule in ANY book from ANY game can have a "What about..." This is not a reasonable argument.  Sure though maybe some hypothetical reasons could come up, but isn't that what this document is supposed to help with? 

But...
I have SO many reasons why people will use this to "fuck with a game" but guess what? That can happen with ANYTHING.  Your ability to pull a hypothetical situation out of your ass is not an argument against this.

Ok. But What About *MY* Fun?
Again, if you can't give an example without starting it with "What About" don't even try.
Also, why is YOUR fun greater than everyone's total fun? OR what is your fun greater than someone else's personal pain?

This is SJW Virtue Signalling!
Since when does not being an asshole mean you are an SJW? Besides calling someone an SJW and expecting it somehow mean an insult is signaling to your own in-crowd and like-minded people.

This is some sort of Millenial Bullshit!
The authors, Sean K. Reynolds and Shanna Germaine, are in their mid to late 40s.  Monte Cook, of Monte Cook games who publishes this, is also in his mid to late 40s.   All have several decades of game design and development with some of the biggest publishers in the world and the awards to match.  They are all solidly Generation-X.

This is Censorship!
Far from it. This actually frees you to do the things you and your players agree with.

But What About Horror movies/TV Shows?
Yeah, and those things have warnings and people self-select themselves out of them.  I love horror movies, my wife hates them. I don't take her to see them no matter how much we love each other. Nor do I expose her to them without warning her. She doesn't "stop the movie" because she scared, she just doesn't go. 
This document helps people make those choices.

What the %@&! are "Sensitivity Readers"?
I took that as basically "Educational Consultants." Both seem qualified to that. Darcy Ross is getting her (or has) Ph.D. from the University of Chicago (something I don't see on the CVs of the critics) and I don't know much about Jessica Meier save that she works in RPGS and has a black belt in taekwondo. 

It's *My* Game.
No. It isn't. It stopped being *your* game the second other people sat at the table.  If you want a situation where characters go through your made-up world with no agency consider becoming a novelist instead.

This is Maoist/Communist/Socialist!
Hmm. So I guess these people never actually studied those things in school.

We have always handled this on our own.
Great. If your track record is objectively, rather than subjectively, good.  If not then this is just another tool to help.

But Psychological Studies Say...
Ah, more whataboutism.   Ok I have read those studies. I have WRITTEN those studies. They are good, BUT please keep in mind WHO were the subjects back then.  Those subjects would not be the ones this document is aimed at. 

That Form
So the fuck what?  I recall starting a game back in college in the late 80s where I went over the potential issues in the game (AD&D Ravenloft) that included murder, the threat of sexual violence and implied child murder (I mean where do you think I used my Utburds?).  You know what people had the most issue with? The child murders of course.


I am reminded of one of my more intense and adult WitchCraft RPG games, my Vacation in Vancouver game. This game dealt with themes of sex, bdsm, sexual slavery, actual fucking evil (demons) and death.  Would this document have helped this game?  Maybe.  I can say this with 100% certainty; this Consent in Gaming document would not have had much change to my game.  We all had talked beforehand about what was and what was not allowed in the game.  I was pretty upfront about the content and the people signing on agreed to this.  There were some intense moments AND at the time I was coming off a long bout of very deep depression, so lots of things bothered me then.
There were things the players did not want.  For example one wanted more BDSM, another player though had issues with this due to her personal history.  Oh she was fine with other violence, but not this.  What did I do?  Did  I kick the player out?

No. Because I am a fucking adult. I worked around it.

I had to get MORE creative, not less creative.
There were a couple times when the game was paused when things got fairly intense.  We then went back to figure out where to take it next.  Well, that was EASY REALLY.  We moved the timeline a few hours ahead past the situation.  That worked FOR US. The same thing may or may or not have worked for other groups.  That is where this document would have worked in those groups. 

Don't tell me it will damage games.  Maybe it will damage YOUR game.  Maybe YOU need to become more creative.


When my kids run games in my house my wife and I cook for them. (yeah full diners each session)
We DON'T make anything with peanuts in it.  Why?  One of the players has a peanut allergy, a pretty bad one.  Do we tell them (that is their pronoun, go suck it if you don't like it) "sorry, you will have nothing to eat for the next four hours!" or "you self-selected into this game now eat the peanut chicken or you can leave!"

No. Because we are not dicks.  We make something else. We do something else.

This is the same thing. Why is that so hard to get?

So here is a bit of advice to the crowd that is so quick to dish out the exact same advice.
If you don't like it or don't want to use it, then don't.
It's really that damn simple.  I have never seen sadly I have seen way too much immature overreacting about this.

It's not going to retroactively change your games. It won't do a damn thing to the 40+-year-old game you run with your buddies.  Nothing.

So be the intelligent player/gamer you say you are.  If you don't want this, then don't use it.

But those that want to use should have access to it. 

Update on The Classical Witch

Yesterday I got my 2nd round of proofs back from DriveThruRPG on the Classical Witch POD.

So far the cover looks fantastic!

But some of the interior art doesn't.

I have an idea about what is going on.  I fixed it, but now I still need to wait for another proof to arrive.

Such is the glamorous life of an independent game publisher.

I hope that third time is the charm on this one and the next proof will be fine.

Monstrous Monday: Pumpkin Golem

Often times the witch needs someone or something other than their coven for aid.  In addition to summoning a familiar or an Unseen Servant, the witch will often create a servant or helper from the material she has at hand.  The druther and scarecrow are two such examples. The Pumpkin Golem, or Gourd Golem, is another.

The Pumpkin Golem is usually a bit more powerful than a scarecrow but not as powerful as the golems created by priests or mages.  Typically, like a scarecrow, these creatures are used to guard the witch's home or garden.  If a scarecrow is left in a field to guard there, the pumpkin golem will be closer to the witch's home.  Likewise, the druther will be guarding inside the home.

Pumpkin golems are immune to any spell that affects the weather. Any spell that has water as an attack (ie. "Flood of Tears") will heal the golem of all damage.  Pumpkin golems only take half damage from fire or fire-based attacks.  They take double damage from cold-based attacks.

The ritual to create a pumpkin golem follows.

Golem, Pumpkin
(Blueholme Journeymanne Rules)
AC: 6
HD: 5d8
Move: 30
Attacks: 2 vine whips (1d6x2),  1 fireball (once per day) 3d6
Alignment: N
Treasure: None
XP: 300

Golem, Pumpkin
(Old-School Essentials)
A collection of pumpkins and vines in a vaguely humanoid shape. The pumpkin used for it's head is carved like a Jack-o-lantern and glows with an inner fire.
AC 6 [17], HD 5 (24hp), Att 2 and 1, vine whip and fireball, THAC0 16 [+4], MV 60’ (20’), SV D11 W11 P12 B13 S15, ML 12, AL Neutral, XP 300, NA 1 (1), TT none
▶ Attacks twice per round with vine whips, 1d6 per attack.
▶ Can cast a fireball once per day for 3d6 hp of damage; save for half
▶ Construct: Not affected by sleep, charm or hold spells.  Silvered or magical weapons required to hit.

Create Pumpkin Golem
Level: Witch 5
Range: One pumpkin patch with at least five ripe pumpkins
Duration: 1 week per witch level or until the Winter Solstice
With this spell, the witch can animate a pumpkin golem.  The raw components of the spell must include a pumpkin patch of no less than five ripe pumpkins, a specially blessed candle, and one pumpkin carved into a face.  The witch casts this spell and over the pumpkin patch. She then selects one of the pumpkins and carves it into a Jack-o-lantern.  The witch burns herbs gathered from her own garden (50gp value) and then she lights the candle. 
Once lit the golem is animated and will obey the witch's commands.
Material Components: The pumpkin patch, jack-o-lantern, blessed candle, herbs.

Announcement: The Pagan Witch Tradition

And now the project I was working on all summer.  For Old-School Essentials.

The Craft of the Wise: The Pagan Witch Tradition

From the Foreword:

It was 40 years ago.  1979.

The 70s were ending and I was excited for the coming of the new decade of the 80s.  It promised to be a great decade of home computers, new music and for me, looking forward to Junior High and High School.

It was also a watershed year for my involvement in D&D and witches.

1979 was the year I was introduced to D&D. I have told the story before; I learned from a poorly Xeroxed copy of Holmes Basic and an AD&D Monster Manual.  That formed what became my D&D incubator. I would later move on to the Moldvay Basic rules.   What *IS* D&D to me was formulated at this time.

1979 was also the year that two books that would become central to what people considered witches to be were released.  Drawing Down the Moon by Margot Adler and The Spiral Dance by Starhawk.  Both books were released on October 31, 1979, and became best sellers.  Both authors were very influenced by the works of Margaret Murray (The Witch-Cult in Western Europe) and Gerald Gardner (Witchcraft Today).  While the archeological and historical scholarship of Murray and Gardner has been rightfully dismissed, the mythology of all these works is captivating.

The witches I started playing back then, Luna, Cara, Marissa and soon Larina, were based on these and other sources. I gathered notes, began my own classes; The Witch became the front runner and my favorite.

October 31, 1999. 20 years after my start and the publication of Adler’s and Starhawk’s books I released the Complete Netbook of Witches & Warlocks. My very first book on witches for the D&D (then AD&D 2nd ed) game. In the grand occult publishing tradition, I went under the pseudonym “Web Warlock”.  I clicked “OK” on the upload while sitting in the hospital three days after my first son was born.

October 31, 2019. Twenty years later again I present you this book.  It is something of a milestone for me.  It is the penultimate release of my “Back to Basics” series of Old-School Witch books. It is also the one that cleaves the closest to how I was playing in those long lost days.  And as a special treat; my son who was only three days old when I released my first book is now 20 and contributed some spells to this book.

I am looking forward to seeing where I go in the next 20 years.

I am really happy this is the book that will celebrate the anniversary of my Complete Netbook of Witches & Warlocks.

Out on October 31st 2019, Halloween.

Here are the Back to Basics series books so far.