Monday, October 28, 2024

Dracula, The Hunters' Journals: 28 October; Telegram and Doctor Seward's Diary

 The update our heroes have been waiting for.

Dracula - The Hunters' Journals

28 October.—Telegram. Rufus Smith, London, to Lord Godalming, care H. B. M. Vice Consul, Varna.

Czarina Catherine reported entering Galatz at one o’clock to-day.”

Dr. Seward’s Diary.

28 October.—When the telegram came announcing the arrival in Galatz I do not think it was such a shock to any of us as might have been expected. True, we did not know whence, or how, or when, the bolt would come; but I think we all expected that something strange would happen. The delay of arrival at Varna made us individually satisfied that things would not be just as we had expected; we only waited to learn where the change would occur. None the less, however, was it a surprise. I suppose that nature works on such a hopeful basis that we believe against ourselves that things will be as they ought to be, not as we should know that they will be. Transcendentalism is a beacon to the angels, even if it be a will-o’-the-wisp to man. It was an odd experience and we all took it differently. Van Helsing raised his hand over his head for a moment, as though in remonstrance with the Almighty; but he said not a word, and in a few seconds stood up with his face sternly set. Lord Godalming grew very pale, and sat breathing heavily. I was myself half stunned and looked in wonder at one after another. Quincey Morris tightened his belt with that quick movement which I knew so well; in our old wandering days it meant “action.” Mrs. Harker grew ghastly white, so that the scar on her forehead seemed to burn, but she folded her hands meekly and looked up in prayer. Harker smiled—actually smiled—the dark, bitter smile of one who is without hope; but at the same time his action belied his words, for his hands instinctively sought the hilt of the great Kukri knife and rested there. “When does the next train start for Galatz?” said Van Helsing to us generally.

“At 6:30 to-morrow morning!” We all started, for the answer came from Mrs. Harker.

“How on earth do you know?” said Art.

“You forget—or perhaps you do not know, though Jonathan does and so does Dr. Van Helsing—that I am the train fiend. At home in Exeter I always used to make up the time-tables, so as to be helpful to my husband. I found it so useful sometimes, that I always make a study of the time-tables now. I knew that if anything were to take us to Castle Dracula we should go by Galatz, or at any rate through Bucharest, so I learned the times very carefully. Unhappily there are not many to learn, as the only train to-morrow leaves as I say.”

“Wonderful woman!” murmured the Professor.

“Can’t we get a special?” asked Lord Godalming. Van Helsing shook his head: “I fear not. This land is very different from yours or mine; even if we did have a special, it would probably not arrive as soon as our regular train. Moreover, we have something to prepare. We must think. Now let us organize. You, friend Arthur, go to the train and get the tickets and arrange that all be ready for us to go in the morning. Do you, friend Jonathan, go to the agent of the ship and get from him letters to the agent in Galatz, with authority to make search the ship just as it was here. Morris Quincey, you see the Vice-Consul, and get his aid with his fellow in Galatz and all he can do to make our way smooth, so that no times be lost when over the Danube. John will stay with Madam Mina and me, and we shall consult. For so if time be long you may be delayed; and it will not matter when the sun set, since I am here with Madam to make report.”

“And I,” said Mrs. Harker brightly, and more like her old self than she had been for many a long day, “shall try to be of use in all ways, and shall think and write for you as I used to do. Something is shifting from me in some strange way, and I feel freer than I have been of late!” The three younger men looked happier at the moment as they seemed to realise the significance of her words; but Van Helsing and I, turning to each other, met each a grave and troubled glance. We said nothing at the time, however.

When the three men had gone out to their tasks Van Helsing asked Mrs. Harker to look up the copy of the diaries and find him the part of Harker’s journal at the Castle. She went away to get it; when the door was shut upon her he said to me:—

“We mean the same! speak out!”

“There is some change. It is a hope that makes me sick, for it may deceive us.”

“Quite so. Do you know why I asked her to get the manuscript?”

“No!” said I, “unless it was to get an opportunity of seeing me alone.”

“You are in part right, friend John, but only in part. I want to tell you something. And oh, my friend, I am taking a great—a terrible—risk; but I believe it is right. In the moment when Madam Mina said those words that arrest both our understanding, an inspiration came to me. In the trance of three days ago the Count sent her his spirit to read her mind; or more like he took her to see him in his earth-box in the ship with water rushing, just as it go free at rise and set of sun. He learn then that we are here; for she have more to tell in her open life with eyes to see and ears to hear than he, shut, as he is, in his coffin-box. Now he make his most effort to escape us. At present he want her not.

“He is sure with his so great knowledge that she will come at his call; but he cut her off—take her, as he can do, out of his own power, that so she come not to him. Ah! there I have hope that our man-brains that have been of man so long and that have not lost the grace of God, will come higher than his child-brain that lie in his tomb for centuries, that grow not yet to our stature, and that do only work selfish and therefore small. Here comes Madam Mina; not a word to her of her trance! She know it not; and it would overwhelm her and make despair just when we want all her hope, all her courage; when most we want all her great brain which is trained like man’s brain, but is of sweet woman and have a special power which the Count give her, and which he may not take away altogether—though he think not so. Hush! let me speak, and you shall learn. Oh, John, my friend, we are in awful straits. I fear, as I never feared before. We can only trust the good God. Silence! here she comes!”

I thought that the Professor was going to break down and have hysterics, just as he had when Lucy died, but with a great effort he controlled himself and was at perfect nervous poise when Mrs. Harker tripped into the room, bright and happy-looking and, in the doing of work, seemingly forgetful of her misery. As she came in, she handed a number of sheets of typewriting to Van Helsing. He looked over them gravely, his face brightening up as he read. Then holding the pages between his finger and thumb he said:—

“Friend John, to you with so much of experience already—and you, too, dear Madam Mina, that are young—here is a lesson: do not fear ever to think. A half-thought has been buzzing often in my brain, but I fear to let him loose his wings. Here now, with more knowledge, I go back to where that half-thought come from and I find that he be no half-thought at all; that be a whole thought, though so young that he is not yet strong to use his little wings. Nay, like the “Ugly Duck” of my friend Hans Andersen, he be no duck-thought at all, but a big swan-thought that sail nobly on big wings, when the time come for him to try them. See I read here what Jonathan have written:—

“That other of his race who, in a later age, again and again, brought his forces over The Great River into Turkey Land; who, when he was beaten back, came again, and again, and again, though he had to come alone from the bloody field where his troops were being slaughtered, since he knew that he alone could ultimately triumph.”

“What does this tell us? Not much? no! The Count’s child-thought see nothing; therefore he speak so free. Your man-thought see nothing; my man-thought see nothing, till just now. No! But there comes another word from some one who speak without thought because she, too, know not what it mean—what it might mean. Just as there are elements which rest, yet when in nature’s course they move on their way and they touch—then pouf! and there comes a flash of light, heaven wide, that blind and kill and destroy some; but that show up all earth below for leagues and leagues. Is it not so? Well, I shall explain. To begin, have you ever study the philosophy of crime? ‘Yes’ and ‘No.’ You, John, yes; for it is a study of insanity. You, no, Madam Mina; for crime touch you not—not but once. Still, your mind works true, and argues not a particulari ad universale. There is this peculiarity in criminals. It is so constant, in all countries and at all times, that even police, who know not much from philosophy, come to know it empirically, that it is. That is to be empiric. The criminal always work at one crime—that is the true criminal who seems predestinate to crime, and who will of none other. This criminal has not full man-brain. He is clever and cunning and resourceful; but he be not of man-stature as to brain. He be of child-brain in much. Now this criminal of ours is predestinate to crime also; he, too, have child-brain, and it is of the child to do what he have done. The little bird, the little fish, the little animal learn not by principle, but empirically; and when he learn to do, then there is to him the ground to start from to do more. ‘Dos pou sto,’ said Archimedes. ‘Give me a fulcrum, and I shall move the world!’ To do once, is the fulcrum whereby child-brain become man-brain; and until he have the purpose to do more, he continue to do the same again every time, just as he have done before! Oh, my dear, I see that your eyes are opened, and that to you the lightning flash show all the leagues,” for Mrs. Harker began to clap her hands and her eyes sparkled. He went on:—

“Now you shall speak. Tell us two dry men of science what you see with those so bright eyes.” He took her hand and held it whilst she spoke. His finger and thumb closed on her pulse, as I thought instinctively and unconsciously, as she spoke:—

“The Count is a criminal and of criminal type. Nordau and Lombroso would so classify him, and quâ criminal he is of imperfectly formed mind. Thus, in a difficulty he has to seek resource in habit. His past is a clue, and the one page of it that we know—and that from his own lips—tells that once before, when in what Mr. Morris would call a ‘tight place,’ he went back to his own country from the land he had tried to invade, and thence, without losing purpose, prepared himself for a new effort. He came again better equipped for his work; and won. So he came to London to invade a new land. He was beaten, and when all hope of success was lost, and his existence in danger, he fled back over the sea to his home; just as formerly he had fled back over the Danube from Turkey Land.”

“Good, good! oh, you so clever lady!” said Van Helsing, enthusiastically, as he stooped and kissed her hand. A moment later he said to me, as calmly as though we had been having a sick-room consultation:—

“Seventy-two only; and in all this excitement. I have hope.” Turning to her again, he said with keen expectation:—

“But go on. Go on! there is more to tell if you will. Be not afraid; John and I know. I do in any case, and shall tell you if you are right. Speak, without fear!”

“I will try to; but you will forgive me if I seem egotistical.”

“Nay! fear not, you must be egotist, for it is of you that we think.”

“Then, as he is criminal he is selfish; and as his intellect is small and his action is based on selfishness, he confines himself to one purpose. That purpose is remorseless. As he fled back over the Danube, leaving his forces to be cut to pieces, so now he is intent on being safe, careless of all. So his own selfishness frees my soul somewhat from the terrible power which he acquired over me on that dreadful night. I felt it! Oh, I felt it! Thank God, for His great mercy! My soul is freer than it has been since that awful hour; and all that haunts me is a fear lest in some trance or dream he may have used my knowledge for his ends.” The Professor stood up:—

“He has so used your mind; and by it he has left us here in Varna, whilst the ship that carried him rushed through enveloping fog up to Galatz, where, doubtless, he had made preparation for escaping from us. But his child-mind only saw so far; and it may be that, as ever is in God’s Providence, the very thing that the evil-doer most reckoned on for his selfish good, turns out to be his chiefest harm. The hunter is taken in his own snare, as the great Psalmist says. For now that he think he is free from every trace of us all, and that he has escaped us with so many hours to him, then his selfish child-brain will whisper him to sleep. He think, too, that as he cut himself off from knowing your mind, there can be no knowledge of him to you; there is where he fail! That terrible baptism of blood which he give you makes you free to go to him in spirit, as you have as yet done in your times of freedom, when the sun rise and set. At such times you go by my volition and not by his; and this power to good of you and others, as you have won from your suffering at his hands. This is now all the more precious that he know it not, and to guard himself have even cut himself off from his knowledge of our where. We, however, are not selfish, and we believe that God is with us through all this blackness, and these many dark hours. We shall follow him; and we shall not flinch; even if we peril ourselves that we become like him. Friend John, this has been a great hour; and it have done much to advance us on our way. You must be scribe and write him all down, so that when the others return from their work you can give it to them; then they shall know as we do.”

And so I have written it whilst we wait their return, and Mrs. Harker has written with her typewriter all since she brought the MS. to us.

Notes: Moon Phase: First Quarter

Telegram informing our heroes of the Czarina Catherine near Galatz/Galați.

Our heroes are ready, but this, the start of the final act still surprises them. Stoker tells us about Quincy's belt-tightening habit as if it were something he always did, but this is the first time we see it in print. Freud had not published his essays as of yet, but I would have been inclined to have said this was a commentary on Quincey's masculine virility or his impatience. Hmm...maybe there is a Freudian analysis of Dracula out there somewhere. Though I am more likely to write a Jungian one.

We get more of Stroker's via Van Helsing's praise of Mina. Which is fine, but at a point it feels over-done. And more of Dracula's "child thought."  Again I contend that this is a metaphor for the Count's Old World thinking vs. our hunters' New World thinking.

Stoker was obviously very familiar with criminologist Cesare Lombroso as Harker's earlier descriptions of the Count match with Lombroso's own text when describing criminals. Does this mean that Stoker believes that Dracula was a type of "born criminal" as Lombroso describes? Maybe, the idea was certainly popular enough at the time. I am betting that I could use his text to also find a description similar to Sir Arthur Conan Doyle's Professor James Moriarty; the other biggest villain of the Victorian era.

Despite all that is going on here, Mina still manages to type everything up, with copies no less, and get them to our hunters. Stoker might be going overboard with his verbal praise of Mina, but let's be honest here. Mina is showing up. What was Quincy doing at this time? Oh yeah, adjusting his belt. 

DriveThruRPG Halloween Sale

 Every year DriveThruRPG / OneBookshelf has a big Halloween sale and every year I participate.

Halloween Sale

Head on over to DriveThruRPG to see what I have on sale this year!

The Other Side at DriveThruRPG

https://www.drivethrurpg.com/en/publisher/8419/the-other-side-publishing?promo=45295&src=browse8419&affiliate_id=10748


Review: Expedition to Castle Ravenloft (3.5)

Expedition to Castle Ravenloft 3.5
Near the end of of the life cycle of D&D 3.5 people were beginning to suspect that a new edition was on the way. They were not wrong, but before that happened we saw some changes in the adventure format from Wizards of the Coast. Certainly a trend to more tactical maps. These last few adventures were all mostly re-visions of some of the classic adventures of old. Castle Greyhawk, Queen of the Demonweb Pits, Undermountain, and of course, Castle Ravenloft.

Expedition to Castle Ravenloft (3.5)

2006. by Bruce R. Cordell and James Wyatt. Based on Ravenloft by Tracy and Laura Hickman. Cover art Kev Walker. Interior art, Dave Allsop, Kalman Andrasofsky, Ralph Horsley, William O’Connor, Lucio Parrillo, Anne Stokes, and Eva Widermann. Cartography Jason Engle, Kyle Hunter. 224 pages.

For this review I am considering my PDF and Print on Demand copies

It is not a new edition of D&D unless we have new take on the classic Ravenloft. This adventure sees Ravenloft back in it's original home; not just in terms of the adventure published by Wizards of the Coast after Sword & Sorcery Studios license, but Castle Ravenloft, divorced from the Demi-Plane of Dread. This is the 3.5 revision of the original adventure.

Like the original I6 Ravenloft adventure, this adventure plunges players into the cursed land of Barovia, a realm dominated by a bleak atmosphere and ruled by the vampire lord Strahd von Zarovich. Adventurers take on the daunting mission of navigating Castle Ravenloft, confronting Strahd, and ending his sinister reign over Barovia once and for all.

The revamped (heh) Expedition to Castle Ravenloft expands on the original with enhanced encounters, new rules, and a more comprehensive campaign that immerses players in Strahd’s haunting domain. The new encounter system of 3.5 takes up the later half of the book, but makes it easy for DMs to plan out how they want to do their encounters. Given we are on the eve of 4e, this means which minis to grab and which maps to use.

The adventure is expanded into a mini-campaign of sorts. And really, that has always been one of the strengths of this adventure; its ability to do more. The adventure can cover 20 sessions, raising characters from 6th level to 10th or broken up into smaller sessions. It can even be run exactly like the original adventure as a straight forward 1 or 2 sessions of "Find the vampire and kill it."

While that is a great bit of flexibility for the adventure, I already did that back in the 1980s. It would be a shame not to use all the new great material here that Cordell and Wyatt (two excellent designers) have done here. There are new antagonists and new locations to explore. 

Barovia itself is a character in this module: a mist-laden, gloomy land filled with mystery, danger, and spectral beauty. Players are encouraged to explore its towns, ruined abbeys, and dense forests, meeting unique NPCs who add depth and lore to the journey. The encounters are varied and challenging, balancing tense dungeon crawls with narrative-driven encounters that test both the characters' skills and the players' wits. And then finally getting to Castle Ravenloft itself. A locale that has lost none of its "charm" over the years. 

We still have the Fortunes of Ravenloft here, among other classic notes expanded for this new adventure. And like the original, Count Strahd von Zarovich is front and center. Not just in the adventure but in the book as well. 

I have played and run the original Ravenloft many, many times. I honestly think this version is rather fun. It stays true to the original while updating the adventure is good AND providing more adventure as well. It is rare when a "remake" can improve, but this one does.

Even if I were to run Ravenloft again under the 1st or 2nd Ed of AD&D, I would still import ideas from this version to those, especially all the locales around the castle and in Barovia. The original adventure kinda just drops you in (not a big deal, works fine) but this one gives you more land to explore, more people to interact with. 

Strahd is still awful, tragic, powerful and one of the more interesting villains in D&D. Castle Ravenloft is still wonderful to explore filled with dangers both obvious and hidden. 

The art is amazing, and really the views of Castle Ravenloft alone in both art and maps makes this must have for any fan of the adventure. 

The adventure/book is divided into five major sections, four chapters and an Appendix.

Chapter 1 covers Adventures in Ravenloft. An overview of what one should expect to see (or do since this is a Dungeon Masters' book) in the area. While the demi-plane of Ravenloft is not used here, there are area affects due to Strahd and his evil.  This also features our first encounter areas.

Chapter 2 the Village of Barovia covers D&D's own "Hammer Hamlet." 

Chapter 3 details the Lands of Barovia. We have more encounter areas here and our "Fortunes of Ravenloft" options.

Chapter 4 is Castle Ravenloft itself.

The Appendix details some new feats, a new spell, and various magical items.

About the Print on Demand

Of all the Print on Demand products I have bought, this one might be one of the very best. It is the "Hardcover, Standard Color Book" option and it compares very well to the off-set printing ones of the same era. 

Expedition to ... PODs

The pages are crisp and easy to read. The binding is solid.

Ravenloft's Strahd


Ravenloft pod

I am pretty sure the idea to divorce Ravenloft: The Adventure from Ravenloft: The Demi Plane was a.) to get a new generation into the adventure in it's "original" form, and b.) maybe part of their larger plans for it moving away from 3.x to 4e. But I have nothing to back that up.

This is a great adventure by all accounts for D&D 3.x. It has everything the original AD&D adventure had and more.Maybe it is my "nostalgia goggles" (as my son would say) but I still prefer I6 Ravenloft.

This adventure also marks the end of the 3.x Ravenloft line. Next time we meet in the Land of the Mists it will be under 4th Edition D&D rules.

Advent-ure Dice: Day 28

  Day 28

Advent-ure Dice Day 28

A purple sparkly d12.


Sunday, October 27, 2024

October Horror Movie Challenge: Ghostbusters

 Got a chance to check out the two new(er) Ghostbusters movies and I had a blast with them. The two questions that come up here are "Are they horror?" and "What do they have to do with D&D?" The first is "who cares, they have the trappings of horror" and the second, "yeah, for me they do."

Given that the two movies have the same cast and are continuations of the original Ghostsbusters (1984, 1989) I will talk about them together.

Ghostbusters: Afterlife (2021)Ghostbusters: Frozen Empire (2024)

Ghostbusters: Afterlife (2021)

This series follows up on the original 1980s with the estranged family (daughter and grandkids) of Egon Spengler (the late Harold Ramis). They move out to Oklahoma, where Egon had been hiding. There is a prophecy about the return of Gozer. The plot is a bit silly to be honest, but the story is a lot of fun.

What really sets this movie apart is the cast. Yes, we get Ray, Peter, Winston, and Janine back, all played by their original actors. Even a bit of CGI and Ivan Reitman playing Harold Ramis as the the now dead Egon. But the real stand outs are the new cast, especially McKenna Gract as Phoebe, the granddaughter of Egon. I have seen her in a lot of movies since Gifted (2017), where she played a seven-year-old math genius.  Here she is not far from that. She is a genius and the spitting image of Egon. 

We also get Finn Wolfhard as her older brother Trevor. He is sorta the comic relief here and that works. Paul Rudd is here playing seismologist turned science teacher. Carrie Coon plays mother (and Egon's daughter) Callie Spengler. New characters include the entertaining Podcast (Logan Kim) and Lucky (Celeste O'Connor). 

They have to battle Gozer again, but that is fine. Gozzer this time is played by Olivia Wilde and her voice is done by Shohreh Aghdashloo. I mean, what a combination. 

The most fun of this movie is watching all the references to the first two movies and other horror movies/shows, including Stranger Things. Lots of cameos; stick around for Sigourney Weaver. And special cameo/casting of  J. K. Simmons plays Ivo Shandor, looking and sounding just like Ketheric Thorm

Ghostbusters: Frozen Empire (2024)

This one is not quite as good, but it has some fun moments. This one expands on the Ghostbuster myths and makes the case for more sequels. Winston Zeddemore, now an entrepreneur, funds all sorts of Ghostbuster related technology and keeps the whole place funded.

The cast is the same with the additions of Kumail Nanjiani and Patton Oswalt. We even get the return of William Atherton as Mayor Walter Peck. For the record I have heard from people I know that William Atherton is actually one of the nicest guys you can ever meet.

There are good moments, the battle at the end is a lot of fun. The big bad, Gahraka is rally scary looking and that is great. Nice to see Dan Ackroyd is still crazy. 

Confession, I thought it was great that McKenna Grace's Phoebe was the hero of both movies. 

The first movie was dedicated to Harold Ramis and this one was dedicated to Ivan Reitman.

Featured Monster: Ghosts and Ghostbusters

These movies, even the originals, had no influence on the D&D books, but they had a huge effect on my games. I loved playing undead hunting clerics and even created special gens to fight and trap ghosts. Yeah, they're not original, but hey, I was 14. 

There are lot of ideas here for a game. Maybe a "Ghost Hunting" game for NIGHT SHIFT! 

October Horror Movie Challenge 2024
Viewed: 39
First Time Views: 19

Monster Movie Marathon



Dracula, The Hunters' Journals: 27 October; Doctor Seward's Diary

More updates from Seward about Mina.

Dracula - The Hunters' Journals

Dr. Seward’s Diary.

27 October, Noon.—Most strange; no news yet of the ship we wait for. Mrs. Harker reported last night and this morning as usual: “lapping waves and rushing water,” though she added that “the waves were very faint.” The telegrams from London have been the same: “no further report.” Van Helsing is terribly anxious, and told me just now that he fears the Count is escaping us. He added significantly:—


“I did not like that lethargy of Madam Mina’s. Souls and memories can do strange things during trance.” I was about to ask him more, but Harker just then came in, and he held up a warning hand. We must try to-night at sunset to make her speak more fully when in her hypnotic state.

Notes: Moon Phase: Waxing Crescent

Mina reports nothing new. I have wondered whether or not the Count could lie to Mina about what he sees and hears. She is getting this information as if it were from a mis-wired wireless set; something used to receive instead of transmit or something like that. 

Obviously our hunters should have seen sight of the ship by now.


Horror Movies will resume...

 Slept through the night last night. 

Yesterday I got up after only a couple of hours of sleep. Voted and my wife said "Hey it is beautiful outside, lets go on a hike."

So six miles later I crashed.

that was a hike!

Slept now, will resume tonight.

Advent-ure Dice: Day 27

  Day 27

Advent-ure Dice Day 27

A purple d8


Saturday, October 26, 2024

Dracula, The Hunters' Journals: 26 October; Doctor Seward's Diary

 Seward gives some more updates.

Dracula - The Hunters' Journals

Dr. Seward’s Diary.

26 October.—Another day and no tidings of the Czarina Catherine. She ought to be here by now. That she is still journeying somewhere is apparent, for Mrs. Harker’s hypnotic report at sunrise was still the same. It is possible that the vessel may be lying by, at times, for fog; some of the steamers which came in last evening reported patches of fog both to north and south of the port. We must continue our watching, as the ship may now be signalled any moment.

Notes: Moon Phase: Waxing Crescent

Not much here.  More examples of the Count controlling the weather. 

Interesting how he was such a presence in the first part of the book and now he has no lines to speak of.


Advent-ure Dice: Day 26

  Day 26

Advent-ure Dice Day 26

A green witch's brew d6


Friday, October 25, 2024

October Horror Movie Challenge: Land of the Minotaur (1976)

Land of the Minotaur (1976)
As longtime readers will know I am a fan of Greek Mythology, it was my "gateway drug" to D&D. So to find a movie that combines horror, Greek Myths, and stars such luminaries as Donald Pleasence and Peter Cushing, all before the Monster Manual was published (1976) sounds like solid gold for this year's theme. And it could have been...but I could not find on any streaming service under this name of the longer cut titled "The Devil's Men."

So today I was weeding through some of my boxed sets of questionable horror DVDs when I found it. Donald Pleasance even has top billing on the cover. Sadly the movie itself doesn't hold up the search I have been on for it.

Land of the Minotaur (1976)

I mentioned it is also The Devil's Men, was a Greek/British production starring Donald Pleasence and Peter Cushing. In a turn around, Pleasance plays the good guy Father Roche and Peter Cushing plays our bad guy, cultist Baron Corofax.

The movie centers around the idea that a Minotaur is still somehow alive and worshipped as a god. OR it is really demon. OR it is just a statue what has jets of fire coming out of it's nose. Hard to say really.

A group of Archeology student go missing and Father Roche calls up his friend private detective Milo Kaye (Kostas Karagiorgis) to help him and survivor Laurie Gordon (Luan Peters) investigate.

They discover a cult lead by Cushing who sacrifices outsiders to the minotaur.

Standard cult fare really. There is confusion as to whether or not this minotaur is a minotaur or some manifestation of the Devil. Father Roche is able to keep the cultists (most of the village) at bay with a cross. Note: Father Roche is an Irish Catholic priest, but uses what looks like an Eastern Orthodox cross. 

They find the cult, and Father Roche blows up the minotaur (stone on the outside, soft squishy guts on the inside) using holy water.

Yeah it is not great, but not a bad little cult movie. The American version is 8 minutes shorter than the European version, as can be expected really. There is a whole scene I guess where Milo and Laurie have sex that is not on my DVD.

Drive-Inn Cult Classics


Featured Monster: Minotaur

The Minotaur of Greek myth was a unique creature. Thus it had certain gravitas or even a god-like quality about it. It was the monster in the labyrinth, whom sacrifices had to be made. Multiple minotaurs in a game make them just ogres with bull horns.

BUT the thing this movie does do well is show how terrifying a single minotaur can be to a group 0-level Humans. The factor in the whole Minotaur as a god thing and getting damaged by holy water, just make him into Baphomet. Now suddenly the movie makes much more sense.

Minotaur


October Horror Movie Challenge 2024
Viewed: 37
First Time Views: 17

Monster Movie Marathon



Dracula, The Hunters' Journals: 25 October; Doctor Seward's Diary

 Seward gives us some updates and laments doing it all by hand.

Dracula - The Hunters' Journals

Dr. Seward’s Diary.

25 October.—How I miss my phonograph! To write diary with a pen is irksome to me; but Van Helsing says I must. We were all wild with excitement yesterday when Godalming got his telegram from Lloyd’s. I know now what men feel in battle when the call to action is heard. Mrs. Harker, alone of our party, did not show any signs of emotion. After all, it is not strange that she did not; for we took special care not to let her know anything about it, and we all tried not to show any excitement when we were in her presence. In old days she would, I am sure, have noticed, no matter how we might have tried to conceal it; but in this way she is greatly changed during the past three weeks. The lethargy grows upon her, and though she seems strong and well, and is getting back some of her colour, Van Helsing and I are not satisfied. We talk of her often; we have not, however, said a word to the others. It would break poor Harker’s heart—certainly his nerve—if he knew that we had even a suspicion on the subject. Van Helsing examines, he tells me, her teeth very carefully, whilst she is in the hypnotic condition, for he says that so long as they do not begin to sharpen there is no active danger of a change in her. If this change should come, it would be necessary to take steps!... We both know what those steps would have to be, though we do not mention our thoughts to each other. We should neither of us shrink from the task—awful though it be to contemplate. “Euthanasia” is an excellent and a comforting word! I am grateful to whoever invented it.

It is only about 24 hours’ sail from the Dardanelles to here, at the rate the Czarina Catherine has come from London. She should therefore arrive some time in the morning; but as she cannot possibly get in before then, we are all about to retire early. We shall get up at one o’clock, so as to be ready.

 

25 October, Noon.—No news yet of the ship’s arrival. Mrs. Harker’s hypnotic report this morning was the same as usual, so it is possible that we may get news at any moment. We men are all in a fever of excitement, except Harker, who is calm; his hands are cold as ice, and an hour ago I found him whetting the edge of the great Ghoorka knife which he now always carries with him. It will be a bad lookout for the Count if the edge of that “Kukri” ever touches his throat, driven by that stern, ice-cold hand!

Van Helsing and I were a little alarmed about Mrs. Harker to-day. About noon she got into a sort of lethargy which we did not like; although we kept silence to the others, we were neither of us happy about it. She had been restless all the morning, so that we were at first glad to know that she was sleeping. When, however, her husband mentioned casually that she was sleeping so soundly that he could not wake her, we went to her room to see for ourselves. She was breathing naturally and looked so well and peaceful that we agreed that the sleep was better for her than anything else. Poor girl, she has so much to forget that it is no wonder that sleep, if it brings oblivion to her, does her good.

 

Later.—Our opinion was justified, for when after a refreshing sleep of some hours she woke up, she seemed brighter and better than she had been for days. At sunset she made the usual hypnotic report. Wherever he may be in the Black Sea, the Count is hurrying to his destination. To his doom, I trust!

Notes: Moon Phase: Waxing Crescent

Seward has to write out his diary instead of recording. Ah the inconveniences of modern life. 

They are tracking the Count, but it seems as they get closer and closer Mina is more and more affected. So much so that Seward is already thinking what will need to be done if she turns.


Pop Yourself! Larina

 I am not a big collector of Funko-Pops. I have a few but not what I consider a lot. But recently I saw they had a Halloween (now over) promotion to get a Funko Pop figure of yourself. Well that is fine and all, but do I really need one of me? A blonde (er now gray) guy with glasses? I am not even sure I can get one with glasses and a goatee. (I just checked, I can). But since one of the choices was a witch, well I knew what I needed to do!  

And since today is what I consider to be Larina's birthday, I thought I would share the Funko Pop I had made of her.

Larina Nix Funko Pop

Larina Nix Funko Pop

I did a re-paint on her hair, and yo see I messed up her eyebrows a bit. Still, I am happy with the hair. I opted not to repaint the rest of her. I am not really that good to be honest.

Here is the original. 

Larina Nix Funko Pop

Larina Nix Funko Pop

Larina Nix Funko Pop

LARINA NIX Funko Pop


Obsessive? Yeah maybe. But I always buy something for myself on Halloween. This was what I got for myself this year.

By the way, I did go back and see what a Funko Pop version of me would look like. 

Funko Pop Tim


Not bad. Not sure I need it though.


Review: Van Richten's Arsenal, Vol 1

Van Richten's Arsenal, Vol 1
Ok. A bit of an odd one, but one I wanted to take time out to do.  I am still covering the 3rd edition era of Ravenloft, mostly published by Swords & Sorcery Studio. I didn't buy many of these books. After 10+ years of Ravenloft I was ready for something new. But I did buy a few in PDF. OR at least I think I did. I went back to DriveThruRPG and could not find ones I knew I had purchased. It was not until I plugged in my external drive of 3rd edition PDFs that I did find them and yes I had bought them on DriveThruRPG. No idea when (the file date is 2008), but they are all watermarked. 

As you can see with the cover to the right, the scan is not very good. Though my order number confirms it was purchased from DriveThruRPG (or maybe RPGNow). 

Van Richten's Arsenal, Vol 1

2002. By Andrew Cermak, John W. Mangrum, Ryan Naylor, Chris Nichols, Andrew Wyatt. Art by Jeff Holt, Brian LeBlanc and Talon Dunning. Softcover/PDF. 160 pages.

Of note, John W. Mangrum was very active in Ravenloft fandom during the 2e days. He was one of the main authors for the various Books of S___ produced by the Kargatane. Looking him up now I see he ended up with a few more official Ravenloft books under his belt. Happy to see that.

Ok. So why this book? Well it has a witch prestige class in it, so I had to buy it. 

Introduction: Like many of the "Van Richten guides..." this one works under the conceit of have been started by the eponymous hunter of evil and completed by his various protégés.

Chapter One: Stake and Silver. This chapter deals with variou mundane tools used to hunt the supernatural creatures of Ravenloft. 

Chapter Two: Faith and Fury. This covers new arcane and divine spells. There are quite a few good ones here too. Makes me wish this was an OGC book and not a licensed one. Spells are divided into offensive and defensive.

Chapter Three: Instruments of power. These are new magic items and other ways to enhance weapons.

Chapter Four: Bottled Lightning. Introduces alchemical devices and feats. It essentially gives us an alchemist class, or more to the point a way to build and alchemist out of any other class.

Chapter Five: Perilous Pursuit.  These are our Prestige classes. They include Alchemical Philosopher, Anchorite of the Mists, Avenger, Crypt Raider, Dirgist, Guardian Seeker, Hallowed Witch, Knight of the Shadows, Pistoleer, and the Stygian Attendant. The Hallowed Witch was why I bought the book but these all were very fun. In some ways I miss Prestige Classes. I did have a Dirgist at one point as an NPC. 

Hallowed Witch

I should point out that this witch is again different than the witches that appeared in the AD&D 2nd Edition VanRichtens Guide to Witches. This witch for example HAS to be a spell caster first, and have both divine and arcane spellcasting. In 2nd ed the witch had to be anything but a spellcaster first.

This witch does have coven casting abilities too. 

Chapter Six: Tricks and Tactics. This covers how to plan investigation and battles with the supernatural, and extra-normal elements of the demi-plane. This includes dealing with the Vistani, and how to research. Some details on various monster types are also covered. Such as vampires, liches and lycanthropes.

DM’s appendix: NPC stat sheet and detailed background for Gennifer and Laurie Weathermay-Foxgrove (The Weathermay Twins), George Weathermay, Perseyus Lathenna, Lord Balfour de Casteelle, Agatha Clairmont, Toret Johann Severin, and Jameld of Hroth. Each comes with a background, 3e stat blocks and "Dread Possibilities" on how these good hunters of evil may have become corrupted. No witches though. Maybe I should stat up Goodwife B of Kartakass above. I am not sure if I remember HOW to do a 3rd Edition character. I would give her the minimums of cleric or druid for her divine spell casting and the minimum levels of sorcerer. She feels more clerical to me than druid to be honest.

I do still like this book, though I lament that it is no longer available on DriveThruRPG and print copies are more than I want to pay for just for a casual stroll down memory lane.

Advent-ure Dice: Day 25

 Day 25

Advent-ure Dice Day 25

Nice. An orange d8. 


Thursday, October 24, 2024

October Horror Movie Challenge: Living Dead Night

 I can't say for sure that the zombies in the Monster Manual are based on the zombies from Romero's "Night of the Living Dead," but so many of modern zombie lore is based on them it would be very difficult to tease apart what was Romero and what is say voodoo myths.  So tonight I am doing the original Romero classic and the new unofficial sequel. 

Night of the Living Dead (1968)Festival of the Living Dead (2024)


Night of the Living Dead (1968)

I have lost track how many times I have seen this movie. I mean, let's be honest there would be no "Walking Dead," no "Evil Dead," and certainly no "All Flesh Must Be Eaten" without this movie.

I don't think I really appreciated how much this movie had an impact. This is not even mentioning the casting of Duane Jones as Ben. You can see the DNA of this movie in nearly every single zombie/living dead movie made since.

The acting could be better, but it works. 


Festival of the Living Dead (2024) 

This one is billed as a sequel and an homage to the 1968 movie. It attracted me for a few reasons. First, it is a Tubi exclusive, so that is great. I love Tubi, and it has been great for me. Second, it was directed by the Soska sisters (who also make a cameo), and that is always a plus in my book. And it stars Camren Bicondova, who played Selena Kyle in the series Gotham.

This movie takes place 55 years after a huge zombie outbreak (that goes nameless). It is Ash's (Ashley Moore) birthday (and she seems related to Ben), and she wants to go to the Festival of the Living Dead with her boyfriend but has to stay home to babysit her little brother Luke (Shiloh O'Reilly). Her best friend Iris (Camren Bicondova) agrees to watch him. Ash goes to the festival with her boyfriend Kevin (Gage Marsh), his friend Ty (Andre Anthony), and twins Lindsey and Destini (Maia Jae and Keana Lyn Bastidas). Interesting that the Soska twins also hired another set of twins for this film.

Kevin drives but is doing drugs while the girls watch a livestream video of the festival where people are snorting metro dust. They nearly hit someone in the road, a zombie, it turns out, and they crash the car, and Linsey breaks her leg. 

Back at home Iris's friend Blaze comes over to get high and they decide to go the festival and use Balze's delivery truck to sneak in. 

Ash, Kevin, and Ty go to the festival to find help, but soon, it becomes obvious that there are more zombies. Some scenes are obviously inspired by the Romero movie, and even a couple that I swear was inspired by Stranger Things.

Iris, Blaze, and Luke find Destini walking on the road, and it is revealed that the zombie got Lindsey and bit her as well.

Zombies run rampant throughout the festival. Iris manages to find and rescue Ash. They all regroup in the medical building. 

Luke starts panicking and we find out he has lost his insulin, prompting Ash to go out to find some in an ambulance they saw on the way in. Iris joins her. 

Ty freaks out wants to kill Luke. Zombie Destiny attacks Kevin and Ty shoots him instead of her. Ty runs off and finds the glowing meteor. Zombies seem to avoid. Blaze grabs Luke and heads out. They are covered in zombie blood, so the zombies ignore them. 

More zombie craziness. Ash distracts the zombies so Luke, Blaze and an infected Ty can get to a and including Iris, leading all the zombies to the large burning man-like structure. Well. Buring Woman really. Ash saves Iris. 

Daylight comes and Luke, Ty, and Blaze manage to find the car, and zombie Lindsey.  She attacks Blaze and Ty runs off with Luke.  Ty drives off, but Luke grabs the gun and shoots Ty.  Lindsey bites Blaze, so he distracts the zombies so Ash and Iris can run away.

The army flies drones in to blow everything up. 

Ash, Iris, and Luke drive home. 

Okay, this was a fun flick. I wanted to see it because of Camren Bicondova, but Ashley Moore's standout performance was worthy of being Ben's granddaughter.  

Featured Monster: Zombies

Zombies in the Monster Manual are not as scary as the ones here. However, they are more akin to those in Night of the Living Dead, moving slowly.

The "living dead" of both movies and the ones in most movies are typically the "hungry dead" and more akin to ghouls. 

Zombie


October Horror Movie Challenge 2024
Viewed: 36
First Time Views: 16

Monster Movie Marathon


Dracula, The Hunters' Journals: 24 October; Jonathan Harker’s Journal (cont)

 Updates from Harker and by telegram.

Dracula - The Hunters' Journals


Jonathan Harker’s Journal (cont).


24 October.—A whole week of waiting. Daily telegrams to Godalming, but only the same story: “Not yet reported.” Mina’s morning and evening hypnotic answer is unvaried: lapping waves, rushing water, and creaking masts.

Telegram, October 24th.

Rufus Smith, Lloyd’s, London, to Lord Godalming, care of H. B. M.
Vice-Consul, Varna.


Czarina Catherine reported this morning from Dardanelles.”

Notes: Moon Phase: Waxing Crescent

Harker letting us know that nothing new has happened in a week. A telegram lets us know the Czarina Catherine has been spotted.


Review: Ravenloft Masque of the Red Death d20

Ravenloft Masque of the Red Death d20
Ravenloft was doing well from what I can recall so it was only natural that Sword & Sorcery Studios would eventually want to take on Ravenloft's other setting, Gothic Earth. So in 2004 they published the new Ravenloft Masque of the Red Death.

Ravenloft Masque of the Red Death d20

2004. by Jackie Cassada, Claire Hoffman, Carla Hollar, Harold Johnson, Rucht Lilavivat, Nicky Rea, Andrew Scott, and Peter Woodworth. Art by Talon Dunning, Jeff Holt, Marcio, Fiorito, Brian LeBlanc, Jeremy McHugh, Claudio Pozas, and Beth Trott. Cover art by Ron Thompson. 288 pages. Hardcover.

There is no PDF option for this title at DriveThruRPG. So, for this review, I considering only my hardbound copy. 

I LOVED Gothic Earth for Ravenloft AD&D 2nd Edition. To me, it felt like a bold attempt to try something brand new. Plus, I love Victorian Gothic Horror, so it was an easy win. But despite all of that, some of the things in Masque of the Red Death for 2ne Ed just really didn't work. The "new" Masque of the Red Death for the d20 rules fixes some of those problems. But does it measure up?

The background is largely the same, or at least I didn't see anything jump out at me as very different. 

Chapter One: A History of Gothic Earth

This all feels very similar to the AD&D 2nd Ed version. I can't find anything here wildly different.

Like the original, there are sections of "Forbidden Lore" spread throughout the book. 

Chapter Two: An Atlas of Gothic Earth

This chapter covers all the continents in a very brief manner. There is more here than the AD&D set, or at least it is presented with some more information. They still use a "Western" or even "British Empire" point of view here. I feel that this is the right way to do this. Why? The British Empire was at its zenith now, and this was the time when "the sun never sat on the British flag" so coming from this point of view works here. Plus why not add in the horrors of colonialism to it all as well. 

I feel more lip service is paid to the Domains of Ravenloft here, but I am not able to quantify it in any meaningful way. 

Chapter Three: Character Creation

This naturally has the most changes over its predecessor. It also has some changes over the D&D 3.x/d20 Modern rules. The six core classes are Adept, Athlete, Intellectual, Mystic, Sleuth, and Tradesman. For me this is the biggest improvement in these rules. The classes have be redesigned with an Earth-like world in mind. This is much better than trying to fit the AD&D classes into an Earth-shaped hole. 

Each class also has a few sub-classes or specializations. I would recommend keeping a tighter hold on the subclasses. Most can be accomplished with the parent class and some roleplaying. But that is up to individual game masters, really. In truth, all the classes are good fits, and there is plenty of choices here.

Skills are expanded/shifted to cover a 19th-Century Earth environment. Same with the Feats. 

Chapter Four: Money and Equipment

Re-read Dracula, esp. the last third of the book to see how important this is for a Victorian game.  This is not a long chapter but it is an important one.

Chapter Five: The Magic of Gothic Earth

Magic on Gothic Earth is different. It is less powerful and more dangerous to the practitioner than it is in other D&D/d20 worlds.  A bit of history is given, providing the background on why magic works and what is happening when the caster calls on these powers. 

Spells from the D&D 3.x and the Ravenloft Player's Handbook 3.5 are listed for the new classes and some new spells are also detailed. 

Gothic Earth is a magic-seeped world, but that doesn't mean mortals can or even should control it. There are no arch-mages here. Not anymore.

Chapter Six: Combat

Covers the sorts of combat that the PCs are likely to get into. Most importantly this covers the guns of the time.

Chapter Seven: Madness and Mystery

This chapter covers how the supernatural effects everything in the world of Gothic Earth, in particular magic and how people deal with the supernatural. This includes "insanity" rules. Now, I typically have a lot of issues with how games deal with sanity, madness, and psychological trauma. One nitpick here, they use "insanity" instead of madness. I typically prefer madness or even lunacy when doing Victorian-era games since that was the more common term. Thankfully we do not get a long list of mental illnesses here. I would rather see none than horribly wrong lists. 

Fear, Horror, and Madness are all dealt with as a subset of the Will Save. Which actually works well for me.

Chapter Eight: A Practical Guide to the 19th Century

This is a great guide for any Victorian-era game. While Gothic Earth is mentioned, this is fairly system—and setting-free. The timeline of inventions (real) and popular books and music of the 1890s is quite fantastic. 

We get into some "setting" details with the section on Clubs and Cabals. Some are real, and some are invented for this setting.

The "Language of Flowers" section is great addition. If you know your Victorian-era then you know how important this actually is. 

Appendix I: The Villains of Gothic Earth

Ahh...The Usual Suspects! This is the crunchiest part of the book so far and that is expected. Featured here are Dracula, Imhotep, Frankenstein's Monster, Professor Moriarty (still a Rakshasa, not my favorite choice), Xavier Von Tuerin, Madame Delphine LaLaurie, and Sarah Winchester (of the Winchester Mansion). 

Appendix II: Monsters in the World

A brief monster section on creatures unique to Gothic Earth. 

Appendix III: Lairs of Evil

Covers what I would call "Sinkholes of Evil" and their effects. Some specific examples are given. 

Appendix IV: Adventures in Gothic Earth

Covers how to run adventures in Gothic Earth and what makes them different. Several adventure ideas and seeds are given.  One of my favorites is the "Ghosts of Salem."

There is a good index in the back to wrap it all up.

Comparing the Two Masques

Masque of the Red Death for AD&D 2nd ed and D&D 3rd ed.

Both editions of Masque of the Red Death are wonderful to have. There is a lot more detail for AD&D Second Edition (a boxed set and two more books) compared to the single book for 3.x/d20.

The 3.x/d20 edition "feels" like a better fit for the world. 

What I can't tell is this. Do I like the AD&D 2nd Edition version because of the impact it made on me when I bought it and the 3.x/d20 version pales in comparison to that? Or is the 3.x/d20 quantifiably lacking in something? 

I don't think it is, especially considering that I can use the additional AD&D 2nd ed Gothic Earth books with the 3.x/d20 version. I can also use other supplements like d20 Past, Gaslight, and many other Victorian OGL titles. Not to mention all the Victorian games I already have.

Masque of the Red Death and Gaslight for d20/3rd ed.

I really need to come back to this world sometime.

Advent-ure Dice: Day 24

  Day 24

Advent-ure Dice Day 24

Dark purple d20


Wednesday, October 23, 2024

October Horror Movie Challenge: Kill, Baby... Kill! (1966)

Kill, Baby... Kill! (1966)
 I hate it when I queue up a movie to watch, only to discover I had already seen it. I mean, I should have guessed, really. Mario Bava directed and starring Erika Blanc. It just didn't show up in my search here. But yeah, I have seen this one.

Kill, Baby... Kill! (1966)

Also known as Operazione paura (Operation Fear) and Curse of the Living Dead. Dr. Paul Eswai (Dr. Paul Eswai) is summoned to a 1900s village in the Carpathian mountains to perform an autopsy on a girl suspected to have been murdered. He gets help from local nurse Monica Schuftan (played by the always wonderful Erika Blanc). He soon runs into a village full of superstitious locals who all fear the Baroness Graps and a strange ghost girl named Melissa (we later learn is Melissa Graps).

There is also a village witch, Ruth (Fabienne Dali) and her lover the local Burgomeister Karl (Luciano Catenacci), who tries to protect those targeted by Melissa. 

We learn that Melissa died while trying to get help and has since cursed the village with her dying words.

The sightings and the fear continue and people die all over the place. Monica wants to get out, but Paul is still convinced there is a logical reason for everything.

We learn that Monica is also Baroness Graps' daughter and Melissa's younger sister. Ruth confronts the Baroness Graps and kills her for allowing Melissa to kill her beloved Karl. Monica, the new Baroness Graps, leaves with Paul.

Well. I was hoping for a new one, but not tonight. But seeing Erika Blanc is always a treat. It was also nice seeing the village witch as someone everyone went too for help.

Featured Monster: Ghosts, Spectres

One of those. Melissa is a vengeful spirit. She will keep killing until the conditions of her undeath are met.  In this case the death of the medium, her mother, who summoned her back from the grave.


October Horror Movie Challenge 2024
Viewed: 34
First Time Views: 15

Monster Movie Marathon