Review: Ravenloft 3.0

 We are moving into a new territory now with Ravenloft.  TSR is gone, and Wizards of the Coast is in its place. AD&D 2nd ed is done, and the brand new D&D (no more "A") 3rd edition is out. And there is a new Ravenloft core rules out. BUT it was not being done by Wizards.

Well. It is. Sort of. 

Newly formed Swords and Sorcery Studio is a division of White Wolf and their label Arthaus and its purpose is to publish material for the brand new d20 STL license under the Open Gaming License. They obtained a license from Wizards to produce the new Ravenloft. White Wolf. The makers of Vampire: the Masquerade, now in charge of Ravenloft?!

If you had told me this was going to happen back in 1992 I would have never believed it. But here we are. I remember the very animated discussions on the RAVENLOFT-L mailing lists at the time. 

Ravenloft 3.0

2001. by Andrew Cermak, John W. Mangrum, Andrew Wyatt. Art by Leanne Buckley, Mike Chaney, Talon Dunning, Anthony Hightower. Jeff Holt, Steve Prescott, and Richard Thomas. 224 pages. Hardcover.

Ravenloft 3.0 was one of my favorite books I bought in the new 3.x era and I loved how it looked. I splurged and grabbed the limited edition version from my favorite local game store.

I thought the art was fantastic and loved how well it adapted to the 3.0 rules. But I had already had some experience with 3.0 and had even picked up some Swords & Sorcery Studios books and enjoyed those as well. The races were a nice treat, to be honest. For the first time, I really felt like I could run a Ravenloft game with the likes of gnomes, halflings, and especially half-orcs, now rebranded as Calibans and the new Giogoto.

I think, though, I was expecting more at the time. SSS was part of White Wolf like I mentioned, and I was hoping for some of what made Vampire: The Masquerade so good to be here. In re-reading it now, so many years later, I had unrealistic expectations. In truth, this book is a much better organized and updated version of the 2e Domains of Dread book. 

The nice thing about Ravenloft (and many of the D&D worlds) is that the plot kept moving along despite edition changes. However, there is also a nice timeline included so DMs can do what they want. You don't need to know all the details of say, The Grim Harvest, just know it happened.

This book had a black and white interior, while most others were going full color. This is a feature, not a bug. Ravenloft is a world of shades of grey; the art here helps convey this. The book is an introductory campaign guide including the people, the lands, and, most important for Ravenloft, the horrors of the lands. There are some new feats and skills. No new spells, but suggestions on how magic will be altered by the Mists. There is even a section on the Gods of Ravenloft.

Since most of this book covers the lands, their inhabitants, and the Cultural Level of each, there is only a little crunch. Translation: You can use this with any other version of D&D you like. Even the feats look like they would work well with 5e. Even the "Fear, Horror and Madness" section would work well.

It lacks large foldout maps of the 2e days, but it is a surprisingly good resource to me these days. Well worth picking up.

It is available as a PDF and Print on Demand on DriveThruRPG. I do not have the PoD, so I can't speak to that version. 

At some point the rights to the 3.x versions reverted back to Wizards and now they sell the PDFs/PoDs on DriveThru and not SSS/White Wolf's storefront.

My physical copy is nearly 25 years old (24 years and 1 week, according to the ISBN database), and it is still in great shape. 

Advent-ure Dice: Day 23

  Day 23

Witch's Brew d%

October Horror Movie Challenge: Gill-man/Gill-woman Night

 A classic and an unofficial sequel tonight. Been a bit since I have seen either, but longer for the first.

Creature from the Black Lagoon (1954)

This is another classic I watched with my dad. The Gill man is one of the very few Universal Monsters that was not directly tied to old world myths or classic novels. As such, as far as I can tell, he is one of the few monsters where Universal holds all the copyrights. Now, that being said, the copyrights are on "Gill-man" and "The Creature from the Black Lagoon." There have been other amphibious monsters to appear in movies, and I am covering one later tonight.

The plot is, well, the same a King Kong really. Scientists go to a remote area, this time the Amazon, find a creature, try to take it back. It falls in love with a beautiful woman, they have to kill it.

There are some good scenes in this one and I am a little surprised by how much of it I remember once watching it again. Not scary by today's standards, but still effective. It has a charm. Also the rubber suit doesn't get better looking with age, but I can ignore that.

The Shape of Water (2017)

Guillermo del Toro's love letter to the Creature from the Black Lagoon is an unofficial sequel. It picks up the events nearly 10 years later where the creautre (or one like it) is being held in a US facility in Canada. Mute cleaner Elisa Esposito (played by the amazing Sally Hawkins) discovers the creature and they fall in love. There were other standout performances by Michael Shannon and Octavia Spencer, as expected. They are both fantastic. Special shoutout to Doug Jones (Saru in Star Trek Discovery) playing the Creature.

Yeah, not your typical horror flick.

It was fun, though, watching them back to back. You do feel like these movies were made for each other.  I would love to see Guillermo del Toro do a remake of Creature from the Black Lagoon, with Doug Jones back as the Creature. 

When the Screaming Stops (1973)

While reading up on these movies I also came across this one, also called "The Loreley's Grasp." In this during a full moon a woman (played by Helga Liné, in one of her many horror roles) "reverts" back to an earlier form, a reptilian river monster that looks related to our Gill-men here. 

The implication is that all of our Gill-men are somehow related to humans.

This one is a German flick playing on the myth of the Lorelei. A Nymph of the River Rhine. There is a nearby boarding school for girls, so naturally, they are the prime target of our monster. 

It's not a great flick, but it is a new one to me.

Featured Monster: Locathah and Sahuagin

There are no lack of sea-people monsters in D&D. The trick is finding the ones with Gill-man DNA and the ones with Deep Ones DNA.

Since I am watching Gill-Man movies, I think the Locathah and Sahuagin fit best, and the Kuo-toa are more "Deep Ones."  Though the implications of The Shape of Water show that there might be only one species here and they are linked back to humans.

October Horror Movie Challenge 2024
Viewed: 33
First Time Views: 15

Review: Ravenloft Carnival

One last AD&D 2nd edition Ravenloft product before moving on. This one is unique for me for a lot of reasons. First off, I never owned the original print version. I wanted to, but at the time it came out (1999), I was pretty much out of D&D completely. I made a comeback at the end of the year with my "Complete Netbook of Witches and Warlocks" and soon would come back fully with D&D 3.0.  Secondly, I also don't have PoD version of this since there isn't one. So it is just the PDF this time.

Carnival (2e)

1999. by John W. Mangrum and Steve Miller. Cover art by Todd Lockwood. Interior art by Kevin McCann. 64 pages.

Carnival, if memory serves me correctly, was the last Ravenloft product produced. It's banner is "Advanced Dungeons & Dragons" with the late 90s "Advanced" part reduced in size, and "For use in Ravenloft" as a subtitle.  It is also one of the TSR Silver Anniversary branded books. Strange that there is as much time between now and this product's publication as there is between it and the publication of the original D&D rules.

This product covers "The Carnival," a traveling side show/carnival with some not-so-subtle horror elements.

The product gives the players some background on this carnival and very detailed NPC descriptions. As with many of the later-day Ravenloft products, this one is heavy on the "fluff," and the "crunch" is typically presented in boxed text.  The entire product is given from the point of view of the Carnival Barker. It a way it reminds me of the Planescape setting.  Though there is a fair amount of Ravenloft background here, ie. some language used in the previous Vistani sources are used here: "Vardos" instead of "wagons."

This can also be seen in the Mistress of the Carnival herself, Isolde is an Ghaele Eladrin from the Planescape setting. 

The vast bulk of this book covers the various people and things found in the Carnival. This is actually a good thing since the attraction of the Carnival is it's, well, attractions. The people that work for it. 

While there are implicit plot hooks spread about these pages, the adventure ideas and campaign only uses the last four-five pages of the book, along with Isolde's stats.

Honestly, despite that, there is a lot here.

This covers every concept from Tod Browning's "Freaks (1932)," to "Something Wicked This Way Comes" (book and movie). I would also say there is a little bit of the 7th Doctor serial "The Greatest Show in the Galaxy" here. There has always been something a little unsettling about a carnival. Hell, Rob Zombie has made a career out of it.  

I feel like it accomplishes more in fewer pages than "The Wild Beyond The Witchlight" does. However, both products could benefit from notes from the other. Both could benefit from ideas from Baldur's Gate 3's Circus. 

This would be a great product to have as a PoD, but at 64 pages it is not unreasonable to run off on my home printer and put it into a three-ring binder. I could then scribble notes on my changes.

Maybe I could even port over the clowns Dribbles or Thaco.  

I just need a good place to use it. I am certainly not at a loss of ideas here.

Advent-ure Dice: Day 22

  Day 22

Two d2s! "Drink Me" and "Drank Me." Nice. 

October Horror Movie Challenge: The Wolf-Man

 Making up for lost time (ok, not really) but thought I dip into some classics.

The Wolf Man (1941)

"Even a man who is pure at heart
And says his prayers by night
May become a wolf when the wolf-bane blooms
And the moon is full and bright."

I mean really? Has there been a better quote for a horror movie?  I had mentioned in my interview last night that I think I knew the name "Lon Chaney" before I even knew the name of the President.  So I think it behooves me to re-watch this one.

This is the story of Lawrence "Larry" Talbot, a man who becomes a were-wolf when the moon is full. 

We have had a number of werewolf and wolf-man movies over the years, some of which are really good. But this one is the original, as it were, and it is a really great story. Yeah, maybe it is a bit slow by today's standards, but still very watchable.

The Wolfman (2010)

This newer one, with big name stars like Benicio del Toro, Anthony Hopkins, Emily Blunt, and Hugo Weaving is a remake of the 1941 movie. 

It is slick and it is stylish with updated special effects.

And it is nowhere near as good. Though it is better than I remembered.

Featured Monster: Lycanthropes, Werewolves

Werewolf legends predate movies. But there is no doubt that the original 1941 had an impact on the AD&D game. In fact Van Richten Monster Compendium Vol 1 features the "big 3" Vampires, Flesh Golems, and Lycanthropes. 

October Horror Movie Challenge 2024
Viewed: 30
First Time Views: 14

GREYHAWK - Special Guest: Timothy Brannan on Gabbin #323; Witches & More!

So I didn't watch a horror movie last. So no post last night, but I did do this instead.

I was a guest on Lord Gosumba's GREYHAWK Livestream to talk about witches, Greyhawk, Mystara, and more.  Plus, a special announcement.

Check it out.

I had an absolute blast doing this. Can't wait to get back on. 

Review: Children of the Night Vampires

 We are getting to the end of the AD&D 2nd Ed era of Ravenloft. Well...there are still a lot of products to cover but we are getting to the end of my coverage of them.  

AD&D 2nd Ed was really the golden age of campaign settings. Sure, that gold was only a very thin veneer, maybe even just electroplating.  But instead of focusing on that I want to enjoy what was great about that time and that was the depth of products.  TSR must have known the writing was on the wall by 1996 because the Children of the Night books, starting in 1996, were an attempt to build bridges across the campaign worlds.  

Children of the Night Vampires

1996. By Paul Culotta and Steve Miller with Carol L. Johnson and Jonathan Ariadne Caspian. Cover art by Daniel Home. Interior Illustrations by Jason Burrows. 96 pages.

For this review I am considering the PDF and PoD from DriveThruRPG and my memories of my original print copy.

This book is dedicated to the memory of Nigel D. Findley, who created Rudolph Van Richten. Findley had died of a heart attack at age 35.

This first of the Children of the Night series features 13 unique vampires to challenge PCs. "Challenge" doesn't always mean "fight."

I should point out that this is not the first time we have seen a "Children of the Night" for Ravenloft. The first one was "MC15 - Monstrous Compendium - Appendix II Children of the Night." 

The concept is a solid one. Ravenloft breathed new life (heh) into Vampires with the very first adventure, so it makes sense that it would continue to do so and then expand on that. The book starts out by saying that while these are all unique takes on vampires native to Ravenloft's mists, they don't have to stay there, and they can be added to your own campaign world. 

Each entry includes a stat-block, description and history, usually with how they became a vampire. There is also a mini adventure/plot hook you can use with the vampire in question.

Among the famous, or about to become famous, vampires include Ravenloft's Jander Sunstar, the eleven vampire introduced in the novel "Vampire of the Mists." Jander is a Chaotic Neutral (which as close to Good as it gets) vampire from the Forgotten Realms. He is just as likely to help the PCs fight vampires as he is to want to be left alone. 

Also, here are Lyssa von Zarovich, Strahd's great-niece (or something like that) and one of the members of his family line that was not killed when Barovia was pulled into the Mists. Don't mistake her hate for Strahd as "goodness" she is still quite evil. She will later go on to appear in Curse of Strahd.

We get a desert vampire, Moosha, the Ixitxachitl vampire Myxitizajal, and the vorlog Don Pablo among the others. 

The one I liked the most back then, because the concept was novel to me, was Lady Heather Shadowbrooke, the Druid Vampire. She is quite evil and a tragic character, really. 

I certainly think this is a great addition to any AD&D 2nd Ed game, Ravenloft or not. 

Note about the PoD

The Print on Demand copy I have does show some fuzziness, but all in all it is a very good copy. There are two PDFs you get from DriveThruRPG. Once is quasi OCR and the other is image. Neither seems as clear as the PoD which I find weird. 

This PoD is a worthy replacement for my original book from 1996. 

Children of the Night vs. Vampires

Children of the Night Vampires is not the first time a collection of various vampire NPC/Antagonists has been done for an RPG. The first one I ever bought was Vampires for the Chill RPG (1st Ed). The 2nd edition version is available on DriveThruRPG.

Both books do the same thing for their respective games, and both do it well. I give a slight nod to the Chill one since it came first.  The Ravenloft/AD&D one has 13 vampires vs the Chill's 11 (10 entries), so it has that in it's favor. 

Advent-ure Dice: Day 21

  Day 21

Spider venom d20

Advent-ure Dice: Day 20

  Day 20

Ok. This is new. Not the sparkly purple, but a true black die with moon phases on it. Very cool.

October Horror Movie Challenge: Body Snatcher's Night

 Managed to squeeze in all three of a theme today/tonight. Now, I don't trust who anyone says they are.

You all know the plot. Alien pods rain down. People get caught and duplicated. As fun as these all are, I have seen all three. Though it has been a while.

Invasion of the Body Snatchers (1956)

This one is a classic in every sense of the word. The pacing is a bit slow, but better than I remembered. Speaking of which I can't actually recall the last time I saw this one. Kevin McCarthy is great in this, and it quite possibly put him on the map in terms of character acting.

Invasion of the Body Snatchers (1978)

It is rare that a remake does as well as the original. It is even rarer still when that remake can one up or do better. Well 1978's Body Snatchers does exactly that. I mean really is there a more iconic movie moment than Donald Sutherland's Pod person scream at the end? Or maybe when Harry and his dog are combined into one creature? That one always freaked me out. 

This one also features the talents of Jeff Goldblum, Leonard Nimoy, and Kevin McCarthy(!) in a cameo role saying the same line, "You're next! You're next!" from the first movie. I have to admit, I love it when they do that. 

Body Snatchers (1993)

A remake or a sequel? Or a bit of both? Hard to say, I am a bit tired now, and the sleepier I get, the more like a sequel I can see it. 

This was the first real big film roles for then rising star Gabrielle Anwar. The scene of her in the bathtub is the iconic one from this movie. Somehow it doesn't quite measure up to Kevin McCarthy's frantic warning or Donald Sutherland's alien scream.

Though this is the movie that my wife and I saw when it first came out that started us using the term "Pod People." As in "You know I have been replaced by a pod person when..."

Featured Monster: Doppelgangers

The idea of Doppelgangers goes way back. So there is no way, no matter how iconic the movie, that I can claim these movies had any influence on the AD&D Monster Manual. I can guess, but can't make the claim with any certainty. 

I can, however, claim that the Ravenloft AD&D monster, Doppelganger Plant, was.

Personally, I like having both sorts of doppelgangers in my games. The trickster fae types and the destructive alien pods.

October Horror Movie Challenge 2024
Viewed: 28
First Time Views: 14

Advent-ure Dice: Day 19

  Day 19

Sparkly d10

October Horror Movie Challenge: Lemora

I was on Tubi, which is hands down the best place to find old and obscure horror films, watching Messiah of Evil last night. When it was done, I was shocked to see that it was none other than Lemora, a movie I have wanted to see for years!  So I had to save it for tonight.

Lemora (1973)

Also known as Lemora: A Child's Tale of the Supernatural, The Legendary Curse of Lemora, and Lemora, Lady Dracula.

Lila Lee (Cheryl Smith  in one of her first ever roles) is a girl in trouble. He father is a notorious Prohibition-era criminal and he has just killed his wife and her lover. Lila goes to live with the local minister where she becomes a paragon of Christian goodness and values.  One day, she gets a letter from a mysterious Lemora, who tells her that her father has shown up three years later and is now dying. She is supposed to meet them in the town of Astaroth.

She goes there to find her father and told to watch out for the locals, who are said to have that "Astaroth look." 

Lila meets Lemora (Lesley Taplin) and it is pretty obvious from the start she is a vampire. It is like the writer (Richard Blackburn, who is also the Director and plays the minister) took the beginning of Dracula and merged it with Carmila. 

Lila figures out what Lemora is and tries to run away, only to encounter the rest of the townsfolk who try to kill her. She ends up killing her own, not bestial, father.  During this time the minister is looking for her and has found Astaroth. 

The minister gets to town and falls asleep in a barn. He is awakened by Lila who begins kissing him, he tries to get her to stop only to start kissing her back. Lila reveals her vampire fangs and bites him as Lemora, smiling, looks on.

So...happy ending I guess! 

I have been looking for this movie for ages, so there is no way it is going to measure up. There is far less witchcraft in it than I was led to believe, and the supposed sexual themes were blown completely out of proportion. There was a lot more in The Vampire Lovers (1970). Still though, it is a nice moody flick with some nice horror elements.

Our lead in this, Cheryl "Rainbeaux" Smith, would have a career into the 1980s, including the rather notorious erotic "Cinderella" playing the titular role.  Sadly, as expected, Smith died young. Liver disease and hepatitis due to being addicted to heroin for two decades. 

Featured Monster: Vampires (again)

There is not much else to say here that I have not already said. BUT I am struck by how similar in tone this movie is to Messiah of Evil.  For starters both deal with remote towns with ancient backgrounds (for America), both feature a central undead figure. Both feature undead monsters that are not quite vampires and not quite zombies, but something in between. Both feature central female leads. Both are also what has been described as a sub-genre of Horror, "American Nightmare" usually films set in American and produced between 1968 and 1976. It's not quite occult-themed horror, but it's related. 

For a game, I might mix the two up a little. Lemora turned Lila in the 1930s. What would they be like now, nearly 100 years later? Maybe the "Blood Moon" prophecy of "Messiah of Evil" is about Lemora's death at the hands of a stronger, more powerful vampire? Lots to choose from, really.

October Horror Movie Challenge 2024
Viewed: 25
First Time Views: 14

Kickstart Your Weekend: Adventures in Teaching and Learning with TTRPGs

 Here is one that combines my professional life with my hobbies. I think they are going to so great things.

Adventures in Teaching and Learning with TTRPGs

https://www.kickstarter.com/projects/grm/adventures-in-teaching-and-learning-with-ttrpgs?ref=theotherside

This group of TTRPG professionals and educators are getting together for this new startup, Tabletop EDU, to provide the tools of TTRPGs to educators.

I can't even tell you how excited I am for this. 

While many of the Kickstarters I cover are aimed at gamers, this one is aimed at educators (teachers, curriculum experts, instructional designers) to work with the tools we play with everyday. I think it is great.

Check out what they are doing and back them if you can!

Review: Van Richten's Guides

 Today I will cover a lot of ground very quickly as a retrospective review. I have talked about these about books off and on over the years here and they stand as some of the best deep dives for monsters I have ever seen for the AD&D game. Yes, Elmimster's Ecologies are very good and the Monstrous Compendiums sat the stage for detailed monster coverage, but where these sources fall short of the Van Richten Guides is the level of detail; in terms of monster coverage, variations of the monster, and of course hunting the monsters.

Van Richten's Guides

The Van Richten's Guides began in 1992 with the publication of Van Richten's Guide to Vampires, which I already covered in detail. The other guides that came after followed a similar format, each detailing a different monster.

They were all largely agnostic in terms of system, though they were all still AD&D books and the fluff was still very much set in Ravenloft. I personally felt they could have been used in any AD&D campaign setting, and I even felt that a few were useful enough to use in any system.  For example, I used the Liches book for WitchCraft/Unisystem to great effect. 

The original Guides were single volumes of around 96 pages each. The product numbering was a little haphazard, they were all "Ravenloft Reference" but Liches also had the code RS and the last two had no codes at all. 

In 1998, after TSR was purchased by Wizards of the Coast, the books were combined into a compendium of three monster books, each with a third, Guide to Witches, new. It also had a bit of a different feel than the others. Though it's most similar to the Vistani one.  The books were grouped by theme rather than publication dates. Volume 1 featured the "Classic" Universal monsters. Vol. 2 was undead, and Vol. 3 what can best be described as "occult" related.

• RR3 Van Richten's Guide to Vampires (2e)
• RR7 Van Richten's Guide to Werebeasts (2e) 
• RR8 Van Richten's Guide to the Created (2e)
• Compiled in Van Richten's Monster Hunter's Compendium, Vol 1
• RR5 Van Richten's Guide to Ghosts (2e)
• RS1 [RR6] Van Richten's Guide to the Lich (2e)
• RR9 Van Richten's Guide to the Ancient Dead (2e)
• Compiled in Van Richten's Monster Hunter's Compendium, Vol 2
• Van Richten's Guide to Fiends (2e)
• Van Richten's Guide to the Vistani (2e)
• Van Richten's Guide to Witches (not published as a single book)
• Compiled in Van Richten's Monster Hunter's Compendium, Vol 3

I owned all of these back in the 1990s. I recall sitting in my apartment after getting married reading them all. There were subtle differences between the single (TSR-era) books and the compiled (WotC-era) books. Nothing I can recall off the top of my head, mind you, and nothing that was game-changing, save for maybe the notion that Van Richten was dead.

I unloaded all of these after I went over to other games and then later D&D 3. I don't regret it, but I kinda wish I had kept the Compendiums. Unfortunately, the PDFs, while great for reading, are not really good enough for Print on Demand.  Printing them all out for a binder would be fun, but we are talking about a lot of pages (800 or so for the single volumes) and a lot of ink.

Van Richten's Guide to Witches

For obvious reasons, I want to focus on this one. Not only is it germane to this blog and my interests, it is also the odd one out. 

Needless to say, I was really looking forward to this book. Obviously, the Guides to Demons (renamed from Fiends) and Vistani were still top-notch. The Guide to Witches really should have been called the Guide to Hags and Witches because it dealt with both. I'll break it down here.

Guide to Hags

        I really liked this part.  Hags should be part of Ravenloft, and this section did a great job of presenting another monster type in a far more complex light.  It is on par with the Guide to Liches or Vampires.

I would have liked to see more on linking Hags to Night Hags.  I liked the second change idea that other hag types change into Night Hags, but it does not have to be the only way they are linked.  The Monster Manual 2 (1st Ed.) states that the Annis are relative to the Night Hags, and the Greenhag are relative to both the Annis and the Sea Hags.

I liked the Irdra/Ogre link to Hags, but I liked the "Dark Fey" theory much better.  My hag, the Makva (or Wood Hag), is more of a dark faerie type than an ogress.  Plus I don't play Dragonlance, so the Irdra are not part of my worlds.

For Hag reproduction and powers, the Makva are most similar to Greenhags. Except, most Makva only live about 800 years.  Mavka is usually spawned from elves and half-elves rather than humans.  Makva may join Coveys, but there will be only one Makva per covey. In spawning rituals, Makva picks elves or half-elves as victims. They can perform them only on nights of the new moon.

Guide to Witches, Warlocks, and Hedge Magicians

        I was prepared to find witches that were very different than my own, but I did not expect that they would be this different. Witches have had a spotty history with D&D since the beginning, and it seems that every few years, a new rule book comes up that gives us a different vision of the witch.  To begin with, this witch is not a class or a subclass, but a kit.  It is also different from the Complete Wizards Handbook witch kit.  What I did like was the information on the Church of Hala and the acknowledgement that witches could be good or evil, overall I did not like it.

        I am not saying I did not like the new kit, I just do not like them as Witches.  The author, Steve Miller, got the points right about witchcraft being based in faith and I really liked the whole idea of the Weave, I just did not feel that these were the same kinds of witches from fantasy and horror literature. For example where was any mention of the occult? Or how about familiars? These witches lacked a few of the things that made witches special.

The witches and warlocks here are interesting classes, and looking back at them now, a quarter of a century later, I find that I like them a lot more than I did then. Maybe I have seen more witches since then, or maybe my tastes have changed.

All of these books, though, are essential to anyone playing in Ravenloft, a must-have if you are playing a horror game in AD&D, or really any version of D&D, and still pretty useful for other games.

Advent-ure Dice: Day 18

  Day 18

Kitty d4.

October Horror Movie Challenge: Messiah of Evil (1974)

 I have wanted to see this one for some time, based on the movie poster alone. It was not exactly the movie I thought it was going to be, but glad I finally caught it. The poster claims "From the makers of American Graffiti," and that is true. The Husband-and-wife team Huyck and Katz (writers-producers-directors) did write "American Graffiti" and then would go on to direct and write "Howard the Duck," and write for Indiana "Jones and the Temple of Doom."

Messiah of Evil (1974)

This movie follows some old tropes. Old, even by the time of this movie and certainly one we have seen a lot. A woman, this time Arletty played by Marianna Hill, is searching for her artist father who has ended all communication with her. Told in flashback to her psychiatrist she talks about how she arrives in the coastal town of Point Dume, formerly "New Bethlehem," to find him.  She finds instead an odd man Thom (Michael Greer), and his two young groupies Toni (Joy Bang) and Laura (Anitra Ford). They are also interested in Arletty's father.

We learn, through various means, that the town is cursed and that during the Blood Moon the people will change and begin to eat raw flesh. This is told to us a few times to make sure we remember it. Even dear old dad comes back from the dead to tell us.

Anyway, town's people start dying, Arletty reads some of her father's notes talking about how he is changing, and she notices she is changing the same way.  The groupies get picked off and eaten by the townsfolk and soon they come after Arletty and Thom.

In the end, Arletty is in the mental institution, but you get the idea that she is already dead.

The movie is all mood with some standard 70s-era zombies for blood and gore (and not a lot of that). It is not great, but not terrible either. We have seen the "Woman searches for lost family and only finds dead people" trope many times here. Hell, this isn't even the first one this month. But maybe there is something to that. Instead of a castle in Europe, it is an artist colony in California. 

I think this film had high aspirations and a limited budget for achieving them. 

Featured Monster: Ghouls

The movie is unclear on what sorts of undead the town's folk are. But the connection to "new religion" and Donnor Party made in the tales of the Blood Moon lead me to conclude they are ghouls. Granted not the grave robbing undead, but something a little more intelligent than a zombie and less powerful than a vampire. 

Now. It would be foolish of me to think this movie had any influence on the Monster Manual at all. But that doesn't mean we can look at ghouls a new way because of this movie.

The film's dream-like, or more to the point, nightmare-like quality makes it a good model for a Ravenloft adventure. Especially if you imagine Point Dume as part of Ravenloft.

The whole trope (woman seeks out weird family) really is a model for Ravenloft. Adding in the walking dead just seals the deal.

October Horror Movie Challenge 2024
Viewed: 24
First Time Views: 13

Dracula, The Hunters' Journals: 17 October; Jonathan Harker’s Journal (cont)

Our hunters make a plan.

Jonathan Harker’s Journal (cont).

17 October.—Everything is pretty well fixed now, I think, to welcome the Count on his return from his tour. Godalming told the shippers that he fancied that the box sent aboard might contain something stolen from a friend of his, and got a half consent that he might open it at his own risk. The owner gave him a paper telling the Captain to give him every facility in doing whatever he chose on board the ship, and also a similar authorisation to his agent at Varna. We have seen the agent, who was much impressed with Godalming’s kindly manner to him, and we are all satisfied that whatever he can do to aid our wishes will be done. We have already arranged what to do in case we get the box open. If the Count is there, Van Helsing and Seward will cut off his head at once and drive a stake through his heart. Morris and Godalming and I shall prevent interference, even if we have to use the arms which we shall have ready. The Professor says that if we can so treat the Count’s body, it will soon after fall into dust. In such case there would be no evidence against us, in case any suspicion of murder were aroused. But even if it were not, we should stand or fall by our act, and perhaps some day this very script may be evidence to come between some of us and a rope. For myself, I should take the chance only too thankfully if it were to come. We mean to leave no stone unturned to carry out our intent. We have arranged with certain officials that the instant the Czarina Catherine is seen, we are to be informed by a special messenger.

Notes: Moon Phase: Waning Crescent

More of Lord Godalming flexing his lordly muscle here. Been helpful to have that. We also get an idea on how they plant to kill Dracula.

Review: Ravenloft Domains of Dread (2e)

 I am skipping over the otherwise great Ravenloft Campaign Setting, Revised for the last core book of the Ravenloft AD&D 2e line for a few reasons.

First and foremost, I don't have a copy of the Ravenloft Campaign Setting, Revised boxed set anymore. I had the box, but it was lost somewhere along the way. I have the PDFs, but that really isn't the same, is it. Also, the Revised set is just that, Revised. It came out in 1994, only a couple of years after the original boxed set. It takes some details from the Core set and Forbidden Lore plus other material current at the time and gives us a new boxed set complete with more Tarroka cards.

All of this would then be surpased with the publication of Ravenloft Domains of Dread.

Ravenloft Domains of Dread (2e)

1997. By William W. Connors, Andria Hayday, Steve Miller, and Bruce Nesmith. Art by  Paul Carrick, Henry Higgenbotham, Scott Johnson, Robert Lazzaretti, David G. Martin, Val Mayerik, Mark A. Nelson, Arnie Swekel, and Peter White. 288 pages.

We are nearing the dawn of several eras. The end of the 90s, the end of the 20th century, and the end of TSR. Wizards of the Coast had just recently purchased TSR and saved it and D&D from bankruptcy oblivion. The changes were subtle at first, but one of the first clues was the shift in trade-drees and art for the Ravenloft books. Domains of Dread was a new hardcover, the first, for Ravenloft. I am not sure when the hardcover novels (and I think it was just "I, Strahd") were published.

For this review, I am considering my PDF and Print on Demand versions from DriveThruRPG and my memories of my original hardcover.

This is a good-sized book of the sort that was popular in the waning days of TSR. Notable about this one is the copyright page which includes the address for Wizards of the Coast, located in Renton, WA and not Lake Geneva, WI, and the use of the website www.tsrinc.com. You can still buy that if you like.

This book covers the same ground as the two previous core Ravenloft sets and updates them to reflect the recent events in the lands. 

I am happy to report that this one does indeed have 13 chapters and extra appendices to cover all the matieral. For example Darkon was gone and The Necropolis was in it's place

There are subtle as well as overt changes here. Some Domains are gone, others sent off to be Islands of Terror, and all due to the Grand Conjunction. Now I have mentioned this in terms of some of the adventures I have covered this month. If you buy this version, as opposed to say Realms of Terror, it is going to assume that the meta-plot of the Grand Conjunction has already happened. Does that mean you can't run say, Feast of Goblyns or Ship of Horror? No, but they are not going to work the exact same way.

I think this was one of my big disappointments with this book.  By 1997 I had began to not play much AD&D at all. So a lot of the Grand Conjunction and later plots were still new to me when they were old news to everyone else. While this was certainly the shape of all AD&D settings at the time it did make entry, or re-entry a lot harder.

That all being said if you are new to AD&D Ravenloft OR you don't care about the meta-plots then this is a great place to start. Everything is revised and brought upto date with all the other Ravenloft rules published. It is the book I recommended to my oldest when he wanted to read more about Ravenloft in AD&D.

Of most use here to all Ravenloft players and DMs are the appendicies which cover various character creation rules. This helps with creating Ravenloft-native characters. Ability scores, races, and classes all get an individual appendix. New races and classes are also covered. Among the new classes are Avengers, new rules for Elementalists, Arcanists, and Anchorites. There is even a new "Gypsy" class as well as Psionicist.

There is also a fairly robust index.

About the PoD version

The PoD version is actually rather nice. It compares well to the original hardcover version to be honest.

Advent-ure Dice: Day 17

  Day 17

dark purple d10

October Horror Movie Challenge: King Kong (1976)

 King Kong, the original from 1933, holds a very special place in my heart. I watched it with my dad when I was very young and it was the start of a love affair with "monster movies" that lives on to this day. I have seen it honestly hundreds of times. Anytime it was on and my dad and I were near a TV we would watch it. 1976's remake, the first also holds a special place for me, but not for all the same reasons. It was, even in my young mind then, supposed to be "my" King Kong, the one I was watch and think back on when I was older. Did it do that? Well...not really. I am watching it tonight for the first time in many years, decades even.

King Kong (1976)

This first remake features many stars who were not quite big, well, at least not yet: Jeff Bridges, Charles Grodin, René Auberjonois, Jack O'Halloran, Ed Lauter, and a newcomer, Jessica Lange. This remake takes an environmental angle with an expedition by an oil company, Petrox; they suspect there is an island in the middle of an uncharted sea, and that island is filled with oil.

The rest. Well, it pretty much follows the original movie and movies after that. 

There are a few unique things about this movie. First, WOW, Jessica Lange was really young here. Her acting is not great, but it is much better than I remembered.  Though they do spend a lot of time on her in the early part of the film. Granted, she is the only woman in the film. 

Seeing the Twin Towers again in a movie is really odd. 

The film was produced by the legendary Dino De Laurentiis for Paramount, which got them into some issues with the original Kong studio Universal. 

Rick Baker, the special effects genius of the 1980s, had an uncredited role in the Kong suit. 

Rewatching the movie now, so many years later, I judged this one unfairly. Jessica Lange, too. In some ways, it is better than the 2005 Peter Jackson remake.

It has been so long that I forgot a lot of details. Lets be honest, though, there are three remakes, I have seen this one a lot.

Featured Monster: Giant Creatures, Dinosaurs

There is no doubt that the original King Kong had a huge effect on the monsters found in D&D. Module X1 The Isle of Dread, is practically Dave Cook and Tom Moldvay's love letter to King Kong.

The notion of a lost island filled with monsters is such a compelling one that D&D did it again with WG6 Isle of the Ape. It might be well-trodded ground, but it still works.

October Horror Movie Challenge 2024
Viewed: 23
First Time Views: 12

Dracula, The Hunters' Journals: 16 October; Jonathan Harker’s Journal (cont)

Mina reports there is nothing new to report.

Jonathan Harker’s Journal (cont).

16 October.—Mina’s report still the same: lapping waves and rushing water, darkness and favouring winds. We are evidently in good time, and when we hear of the Czarina Catherine we shall be ready. As she must pass the Dardanelles we are sure to have some report.

Notes: Moon Phase: Waning Crescent

No news is good news? Likely not, but Jonathan is oddly hopeful here.

Witchy Wednesdays: Mini Tasha

 So we have word now that Greyhawk has been "unlocked" on DMsGuild and prospective game authors can work in the World of Greyhawk. Maybe I'll contribute something. No idea yet, but the "Witches of Greyhawk" sound like an obvious choice.

In meantime Greyhawk's most famous witch Tasha/Iggwilv is getting a lot of attention. We got to see her "final form" as Zyblina in the 5e "Witchlight" adventure and an earlier version of her when she was still just Tasha in the more recent Vecna one.  This means we are getting some great minis of her. 

This is the new Vecna-line mini for Tasha and the LEGO mini-fig of her. Likely from about the same time period in her life.

Here we have Tasha, Iggwilv, and Zyblina. Tasha and Zyblina are new(er) WizKids minis and my Iggwilv is a HeroForge one.  I did a Tasha a while back on HeroForge too. Very similar. 

I have to admit, seeing them like this, I am VERY tempted to go with a Maiden, Mother, and Crone thing with them. Iggwilv is the mother of both Iuz and Drelnza. This doesn't consider Iggwilv's "true" form, which is supposed to be very hag-like.

Maybe that is my DMsGuild book right there!

Review: Night of the Vampire (2e, Mystara)

 A side step today, but one that is important to me. I have been talking about how I believe that Barovia, the core domain of Ravenloft, was originally part of the World of Mystara and from Glantri in particular. Today I am providing some more fuel for that fire, but with the runner-up land of Karameikos. 

Night of the Vampire (2e)

1994. Adventure Design: L. Richard Baker III. Editing: Michele Carter. Project Manager: Andria Hayday. Cover Art: Jennell Jaquays. Interior Art: Dan Frazier. 32 pages. 

This review is considering the PDF file from DriveThruRPG only.

A couple of points about our creative team. First, more art from the legendary Jennell Jaquays. Rich Baker would go on to have a very good career at TSR and then Wizards working on D&D 3.x, D&D 4, and Gamma World. Andria Hayday, who does not often get mentioned (she is not even on the DTRPG page for this) would later go on to be one of the main developers of the Ravenloft: Domains of Dread hardcover. 

I never owned this boxed set, but after buying it from DriveThruRPG, I really wish I had. It is, CD-Audio aside for the moment, a fun adventure for low level characters.

The task set before Richard Baker and his designe team was to created a low-level (levels 1-3, or possibly 4-6) adventure where the big bad was a vampire. A daunting task. A well-played vampire can wipe out a party of even mid level, and an exceptionally well-played one is a challenge to higher level characters, especially in what is now a Post-Ravenloft I6 world.

Baker gets by this issue by having some magic items available to the PCs to use. And even provides some rules for grappling and taking down a vampire en masse. 

The adventure starts with a shipwreck trope, in which the PCs end up on an island off the coast of Karameikos. Now, there are a lot of ways to spin this; my choice? The shipwreck is not about the sea but instead the Mists of Ravenloft. 

The adventure is a bit rail-roady and there are a LOT of NPCs to keep track of. The vampire-plot is reminiscent of the Strahd-Sergei-Tatyana tragedy so much that this adventure could be used as stand-in prequel to I6. Granted, there is a LOT more going on here. Namely all the NPCs, but an enterprising DM could re-mold it into this prequel. Great for heroes and players familiar with the tale of Strahd already in a strange time-travel adventure.

About the PDFs

Ah, the 90s. There was a lot of role-playing, and that often meant lots of handouts. The PDF allows you to print out all the handouts you want.

Plus, printing out the PDFs also allows me to edit them as I need. For starters I would make the PCs higher level and get rid of some of the aids given to them. The pages are all filled with color so 

About the Audio Tracks

There are 72 audio tracks on the CD, which is not included with the PDF. BUT you can find them on YouTube. 

The pros include proper pronunciations of the names of the various NPCs and some eerie background music. 

The cons include audio tracks putting words into the PCs mouths and it doesn't always jive with the adventure itself. It's not a perfect fit. For example the PCs are treated as well known heroes in the tracks. At 1st to 3rd level this is not really likely. Also, there are some spoilers in the audio tracks. Personally, I would listen to them all first and be a little more selective. That is if I used any of them at all.

Despite the shortcomings, this is a rather interesting adventure with a lot of potential. It also satisfies my desire to use Ravenloft and Mystara together. 

The layout and trade dress are very good and bright, which is typical of the Mystara products of the time. I rather love them, to be honest. It is a shame everyone was fighting online (at the time) about Forgotten Realms this or Greyhawk that while Mystara fans were off on their own enjoying some really fun products.

I think my FLGS might have a copy of this in the store now that I think about it.

Advent-ure Dice: Day 16

 Day 16

Sparkly d12

October Horror Movie Challenge: Beetlejuice Beetlejuice (2024)

Is this a D&D monster movie? Well, Beetlejuice (1988) was for me, at least regarding ideas for undead monsters. Tonight's movie, Beetlejuice Beetlejuice, is actually a real treat.

Beetlejuice Beetlejuice (2024)

This movie follows Lydia Deetz (Winona Ryder) now the host of a ghost reality show. She is still dealing with her stepmother, Delia (the always amazing Catherine O'Hara who can do no wrong in my mind), and her estranged daughter, Astrid (Jenna Ortega). The death of her father, Charles (formerly played by outcast Jeffrey Jones, now played by a combination of actors, creature effects, and old photos), brings them all back together at their old home.

In the meantime, our old friend Betelgeuse (the still fantastic Michael Keaton) is still in the afterlife, working as a bio-exorcist and still pinning for Lydia. In another part of the afterlife a janitor (Danny DeVito in a surprising cameo) accidentally freeing a soul sucker and Betelgeuse's ex-wife Delores (in another bit of great casting, Monica Bellucci). She sucks out DeVito's soul, making him dead dead, and proceeds to go on the hunt for Betelgeuse.

A lot is going on here, and all of it is fantastic. I loved this movie, and it was a worthy sequel.

I don't want to get too much into it since it is so new, so it has spoilers, but Willem Dafoe (Wolf Jackson actor turned Ghost Detective) and everyone were just great.

I loved seeing Winona Ryder and Jenna Ortega interact. After all, without Winona Ryder, there would not have been Jenna Ortega. How? Well, Christina Ricci was in Mermaids with Winona Ryder. She based her performance of Wednesday Addams on Ryder's Lydia. Ortega, in turn, based her Wednesday on Ricci's. We honestly missed a great opportunity to see all three together. 

But still, this movie was a treat. Loved seeing all these characters and actors again.  

Featured Monsters: Ghosts, Spectres, Zombies... and maybe a Succubus

Lots of undead here. Betelgeuse himself is described as a "demon," but in AD&D terms, he is more likely something like a Spectre. Bob and the other shrunken heads could be considered Zombies. Monica Bellucci's Delores was a witch in life and seems like a succubus. The line between demon and ghost is a little blurry here.

October Horror Movie Challenge 2024
Viewed: 22
First Time Views: 12