1940, not the "remake" from America in 1944. In truth, they are both remakes of the stage play.
Second, this movie is the origin (or maybe the American one is) of the term "Gaslighting"; or making someone (in particular a woman) think they are insane by manipulating the environment around them. Upfront you can tell that is an adaption of a play. Not that this a bad thing, but there is a certain level of melodrama that comes from a stage play that you can see here.
The film is Noir even if the story is straight out of gothic literature. It makes for a great late-Victorian, early-Edwardian piece. I am calling it horror because there are some fairly horrific implications of this movie. Paul is quite a monster in this, to be honest. I kept wanting him to die a horrible death. His ending is very delicious.
The atmosphere skips between the whimsy I associate with films from the 1940s and the think gothic atmosphere of the story.
I saw the 1944 version years and years ago. This one really reminded me of that one.
2016 Movie tally