October Movie Challenge: Jinn (2014)

This 2014 indie film from writer-director Ajmal Zaheer Ahmad wants to be an American horror story with Islamic roots, and that alone makes it worth watching. We’ve seen vampires, werewolves, and demons a thousand times, but the Jinn, beings of smokeless fire from pre-Islamic and Qur’anic lore, rarely get their cinematic due. I was hoping for something a little more here. It has Serinda Swan (who I like) and Ray Park (who is also a lot of fun).

Jinn (2014)

The film opens with a bit of apocryphal myth-building: God created three intelligent races, angels from light, humans from clay, and jinn from smokeless fire. Some jinn sided with Iblis when he fell, others remained neutral, and ever since, they’ve lived hidden among us. So far, so mythic. Then we jump to present-day Michigan, where automotive designer Shawn (Dominic Rains) starts experiencing visions and supernatural attacks. Soon, he’s told that his family is cursed by the evil jinn and that he’s the last of a bloodline chosen to end it.

It's not bad, really. It's a neat way to try to square all the Abrahamic religions into a single narrative. 

The acting is earnest but uneven, even Serinda Swan as his wife, the pacing awkward, and the CGI creature effects are… well, let’s just say they’d fit right into a 2000s Syfy Channel movie. But, and this is a big but, there’s a sincerity to it. Ahmad isn’t mocking his subject matter or cashing in on the latest horror trend. He’s telling a story about faith, legacy, and unseen forces that most Western horror simply ignores. You really feel that he has a story he wants to tell, but I am not 100% sure he knows *how* to tell it. 

Ray Park is fun; he is given more of a chance to act here and even show off some of his martial arts moves as "Good Jinn" Gabriel. 

I *like* the concept of the jinn as older than humanity, as beings with free will, capable of love, hate, and religion, gives them a complexity that your average “fallen angel” lacks. They aren’t just demons; they’re the others, the neighbors just beyond the veil. In folklore, a jinn might bless your child or burn down your house, depending on how you treated their territory. That ambiguity is missing in Hollywood, and Jinn at least tries to reclaim it.

This is not a particularily good film, but it was a fun one. The highlight for me? William Atherton as Father Westhoff. First he is a likable character who you feel has a history and not always as a priest. Plus he is playing a good guy you are supposed to like. Very different from the "Asshole" he usually played.  The acting might uneven, but he was great.

The scares are few and predictable, but still not bad. 

NIGHT SHIFT & Occult D&D Ideas

This movie feels like someone's WitchCraftRPG game. It could also be a great NIGHT SHIFT game as well. As I said above, Jinn can be really interesting and something other than just another demon type.

For Occult D&D the potential is even greater. Djinn and their kin are reduced to Elemental "gennie" types and nearly everything that makes them interesting in myth is gone. 

So not a great movie, but certainly one I might have to revisit someday.

October Horror Movie Challenge 2025
Viewed: 35
First Time Views: 26

Witchcraft Wednesdays: The Witch Queen Advanced Class

Photo edit of "Ginger Queen by Black-Bl00d"

For all my talk about witch queens here, I have no real witch queen class. Yes, there is my D&D 3x Prestige class, but nothing really for Old School games. So my oldest and I tried this one out during our AD&D games. Not 100% there yet, and in the tradition of the Arch Druid (Unearthed Arcana), she might get her own level progression above and beyond the witch class. I just have not crunched all the numbers just yet.

This is primarily for AD&D 1st Edition, but it should work in many other games as well.

WITCH QUEEN / WITCH KING

Advanced Class for Witches

When a Witch has reached the height of mortal power, there yet remains one step further upon the Path, the ascension to the mantle of the Witch Queen (or Witch King). This being is the supreme vessel of a Patron’s will, the living nexus of a Tradition’s power, and the spiritual sovereign of all witches within her realm. Like the Grand Druid of the Old Faith, she is both pontiff and prophet, counselor and conduit, a figure whose very presence can bend the ley and alter the seasons' turning.

Whether crowned by fate, prophecy, deed, or divine lineage, this witch has ascended beyond the coven to become a legendary figure. 

Only one Witch Queen (or King) may reign for each Tradition at any given time, making them as rare as they are powerful.

Requirements

To become a Witch Queen (or Witch King), a character must:

• Be a Witch of at least 14th level
• Possess Charisma 17 or higher. Additionally, the witch needs to have an Intelligence or Wisdom of 15 or higher.
• Be a member in good standing of a coven
• Must know the Supernal Language
• Have been chosen through omen, divine sign, or a coven-wide rite as the next Queen or King

Restrictions

• Only one Witch Queen or King may exist per Tradition at a time (GM’s discretion)
• To become a Witch Queen or King, the previous sovereign must abandon or relinquish their rulership.  This is often upon the death of the previous sovereign, but not required. 
• Occult Powers are gained differently (see below)

Spellcasting

• The Witch Queen continues to cast spells as a Witch of her full level
• May forego the use of Material Components. 

Witch Queen Abilities

Awesome Presence (gained at level 16): Witches perceive the Witch Queen as a radiant beacon of power. Allies within 60 feet receive +1 to morale checks and saving throws vs. fear; enemies must save vs. spells or suffer -1 to morale. All witches instinctively recognize her status and will defer unless magically compelled otherwise.

Occult Eminence (gained at level 18): The Witch Queen gains one choosen Occult Power of her Tradition. This power is gained as if at the appropriate level, but may not exceed the “Grand” tier unless already eligible. She may choose another Occult Power from a different Tradition at level 19 if desired.

A Thousand Faces (gained at level 20): The Witch Queen may alter her appearance at will, as per the disguise self spell, though the effect is real, not illusory. This change does not affect clothing or equipment, and may be maintained indefinitely.

Timeless Body (gained at level 22): The Witch Queen ceases to age. She gains immunity to magical aging and no longer suffers ability penalties due to age. Natural bonuses to Intelligence and Wisdom still accrue. Her lifespan is extended to 120 years, and she will still die of old age unless further extended by other magical means. 

Rulership and Influence

The Witch Queen or King is not merely a title, but a mantle of magical authority. All witches of her Tradition know of her. At the GM’s discretion, she may gain the right to command covens, invoke her Patron’s will across vast distances, or declare magical edicts that affect ley lines or seasonal flows. Along with this power and influence comes the wisdom and responsibility of how to use such power. 

Optional Rule: Mantle of Sovereignty

Once per month, the Witch Queen may perform a rite, calling upon her Tradition’s power. Effects may include summoning a spirit host, causing omens to appear across the land, or sealing a region against extra-planar intrusion for 1d4 days.

Experience Progression and Saving Throws

Continues to use the Witch class tables for all purposes.

Multi-Class and Dual-Class Use

Only single-classed Witches may become Witch Queens (Archwitches and Witch-Priestess are considered single-class witches). The transformation requires undivided devotion to the Patron and Tradition. Other characters may assist or serve such a queen, but may never claim her title.

The Witch Queen is both symbol and sovereign, oracle and enforcer. Her path is not taken lightly, for once crowned, her soul is forever marked by the gaze of the gods.

--

Still have details to work out, but I like it so far. Again, this is designed to mimic the Arch Druid to Hierophant Druid of AD&D 1st Edition. Though I do think the Hierophant is a bit overpowered.  

I briefly considered the more gender neutral title of Witch Sovereign, but that doesn't have the same weight to it. My influences should be rather obvious, but even "Simon King of the Witches" is called a King and not a Sovereign. 

Likely need some more work on this one, so feedback is appreciated. 

October Movie Challenge: The Impossible Planet / The Satan Pit (2006)

 Every October Challenge I like to do a Doctor Who episode. It has to be at least two full episodes of new Who or a complete series of old Who. And it has to "hide behind the sofa" scary. Since it is my kid's birthday, we let him choose. 

The Impossible Planet / The Satan Pit (2006)

Ok this is one of the all time great Doctor Who stories.

The 10th Doctor and Rose land on a planet (later they learn it's called "Krop Tor" the bitter pill). There is writing that the TARDIS can't translate (bad sign #1), there are odd creatures (the Ood), oh the planet is orbiting a giant black hole (bad sign #2), and the TARDIS is lost in a quake (bad sign #3).

The Ood start acting strange, talking about the Beast Rising from the Pit and people start hearing voices. Interestingly the voice of "The Beast" is Gabriel Woolf, who was also the voice of Sutekh for the 4th Doctor and the 15th Doctor.

The astronauts are drilling into this Impossible Planet to see why is it still here, not falling into the black hole, and sending out a signal. 

Then the really weird stuff really starts. Toby Zed, the archeologist, becomes possessed.  He lures another out on the planet to kill her. The drilling stops and the Doctor goes down. The Ood begin attacking everyone and speaking of the Beast.

On the planet, the Ood are attacking everyone with Toby Zed as their secret master. In the pit the Doctor and scientist Ida find an even deeper pit with a seal. Down in that Pit the Doctor finds The Beast, a giant Devil creature chained to a wall. It reminds you of one of the Daemons.

Not to spoil the ending, but it is nearly 20 years old, The Beast is trapped and he has sent his mind into Toby. Toby is escaping and the body of the Beast is stuck in the Pit with the Doctor. The Doctor springs the trap (on purpose) and the planet, the Beast, his mind, and Toby with Rose the other survivors falling into the black hole.  The Doctor escapes, finds the TARDIS, and rescues Rose. The Beast, along with Toby, gets sucked into the black hole.

I am not doing this episode any sort of justice. It is late and I am still over-stuffed with birthday Indian food. 

NIGHT SHIFT & Occult D&D Ideas

The Devil as a great cosmic monster is just too good to pass up really. Especially if you consider this beast is the source of all of them. Sorta like how "God" was supposed to be the source in Star Trek: The Final Frontier. This Doctor Who answers the question "What does the Devil need with a Starship?"

I have talked about this episode here before as well. So I'll end this here before I fall asleep. 

This obviously is a rewatch and only counts as 1.

October Horror Movie Challenge 2025
Viewed: 34
First Time Views: 25

Mail Call: Aquelarre

 Treated myself to a game I have been wanting for some time now. The Spanish RPG Aquelarre.

This is the English version, but it is still a great RPG.

And it is massive. Can't wait to dig into it.

October Movie Challenge: Deadly Blessing (1981)

 Another attack of opportunity tonight and another American Horrors pick. Of course I had to chat with my siblings about it.

Deadly Blessing (1981)

Here is my original review from 2018.

A young Sharon Stone forced to eat a spider by an Incubus? Hell yeah! That's nightmare fuel for decades.   And a real spider was dropped into her mouth for this scene.  How's that for dedication?

Ok, where to start on this movie?  Well, it features a young Sharon Stone in one of her very first roles.  It also features Battlestar Galactica's Mara Jensen in her very last role before disappearing from public life.  Also appearing is 80s horror mainstay Michael Berryman, TV star Lisa Hartman, and the last film for Susan Buckner before she left public life as well.

The movie features a group of people called the "Hittites" (no relation to the ancient Mesopotamians) who are supposed to be some sort of ultra-Amish.
Our demon-de-hour is an Incubus, but one that decides to possess women.  I guess "incubus" sounds cooler than "succubus" in this case.

Anyway. Lots of creepy stuff. Murders happen. Mara Jensen takes a famous bath with a snake. And it a fashion that predicts A Nightmare on Elm Street, we think we have the murderer and everyone goes back home.  Except for Martha (Mara Jensen), who pulled into hell by the Incubus in his full demon form.

Ok. Let's be honest. The movie doesn't hold up.  In truth, it wasn't that good to start with, but my memories of it are tied up in watching it with my family.

Sharon Stone is great really.  You get a feeling for the sort of actress she will become later.  Maren Jensen is fine, but I think had she not be diagnosed with Epstein-Barr Syndrome she would have naturally left acting.  She was good, but didn't have a lot of range.

Update: Mara Jensen seemed better to me this time around.  

NIGHT SHIFT & Occult D&D Ideas

Dragging now. What will I do with this? Likely to drop some spiders in my player's mouths. I mean characters. Yeah. Characters.

October Horror Movie Challenge 2025
Viewed: 33
First Time Views: 25

October Movie Challenge: The Bird with the Crystal Plumage (1970)

It has been YEARS since I have seen this one. It came up on the Roku Channel, American Horrors, so I thought I would catch it again. I had forgotten that this was Dario Argento's first movie as a director.

The Bird with the Crystal Plumage (1970)

aka L'uccello dalle piume di cristallo

This is the one that started it all. Before Suspiria, before the neon nightmares and supernatural witches, Dario Argento gave us a razor-sharp modern fairy tale dressed as a murder mystery. The Bird with the Crystal Plumage isn’t just a giallo, it’s the giallo that kicked open the doors for everything that followed. You can't be a fan of Italian Horror and not see this one at least once.

Tony Musante stars as Sam, an American writer living in Rome who witnesses what he thinks is an attempted murder inside a modern art gallery. He’s trapped between two glass doors, helplessly watching as a woman struggles against a black-gloved assailant. It’s a haunting image, clinical, voyeuristic, and painfully symbolic of how Argento would frame horror as both spectacle and paralysis.

From there, Sam becomes obsessed. He’s convinced he saw something that doesn’t quite fit, a visual clue just out of reach. It’s classic Hitchcock territory filtered through late-'60s/early-'70s Italian cool; bright mod interiors, bizarre suspects, and Ennio Morricone’s unnerving, almost childlike score whispering through every frame.

What makes this film fascinating, especially looking back from Suspiria or Inferno, is how mundane its horror initially seems. There are no witches here, no covens, no occult conspiracies, just art, memory, and madness. But that’s where Argento’s dark alchemy comes in. He takes the language of realism and bends it into nightmare logic. The killer’s psychology is grotesque and tragic, a fractured reflection of trauma and repression, a kind of proto–Lucifer Rising through the lens of pop modernism.

And that title! The Bird with the Crystal Plumage. I have to admit it always made me think of the movie as a half-remembered dream. A play maybe you had heard someone refer too or maybe a book. You half-expect a witch’s curse or a magic talisman, but instead, it’s just one more symbol of distortion and misdirection, an exotic bird whose song contains the clue to everything. Argento always did love his twisted fairy tales.

Visually, it’s pure 1970: glass, chrome, and blood. The camera lingers like an artist obsessed with his own canvas, and even now, you can see the DNA of future horror. De Palma, Carpenter, and even Fincher ("se7en") all owe something to this.

Watching it today feels like finding the first sigil in Argento’s cinematic grimoire. It doesn’t yet glow with the supernatural madness of his later works, but the geometry of fear is already here: art as ritual, obsession as invocation, and violence as creation. And of course Argento's near trademark of blood, screams, and sexploitation.

NIGHT SHIFT & Occult D&D Ideas

Looking back over Argento's career, this one can feel like an aberration. A remarkably mundane killer, even one you might pity. 

For NIGHT SHIFT I have thrown this idea out before. The killer can seem like a supernatural creature, but instead the PCs discover it is only a normal, if troubled, human.

October Horror Movie Challenge 2025
Viewed: 32
First Time Views: 25

Monstrous Mondays: Dragon, Purple (Arcane Dragon)

Not all purple dragons are found near apple trees.
This one, though, is. 

 Tomorrow is my oldest kid's birthday. Over the weekend, he had his annual D&D birthday bash. Seems fitting then that I do a dragon today since they are his favorite (and he got like three of them for his birthday from his D&D group).

This is a repost, updated to better fit my "Occult D&D" project.

Dragon, Purple
aka Draco Arcanis Occultis, Arcane Dragon

FREQUENCY: Very Rare
NO. APPEARING: 1 (rarely 2)
ARMOR CLASS: 0
MOVE: 9” / 24”
HIT DICE: 9–11
% IN LAIR: 55%
TREASURE TYPE: H, S, U, Z
NO. OF ATTACKS: 3
DAMAGE/ATTACK: 1–8 / 1–8 / 3–28
SPECIAL ATTACKS: Breath weapon, spell use
SPECIAL DEFENSES: Resistance to magic (see below)
MAGIC RESISTANCE: Standard + bonus vs. arcane magic
INTELLIGENCE: Supra-Genius
ALIGNMENT: Neutral (Evil)
SIZE: L (45’ long)

CHANCE OF:

• Speaking: 90%
• Magic Use: 90%
• Sleeping: 25%

The Purple Dragon, also called the Arcane Dragon, is a rare and dangerous creature whose origins are cloaked in myth. Its scales shimmer in deep violet, often pulsing faintly with unseen magical energy. It is most frequently found in ancient ruins, planar nexuses, or near ley line convergences. Some scholars claim that Purple Dragons were once guardians of the primeval flows of magic itself.

Arcane Dragons are solitary and philosophical by nature, prone to periods of deep contemplation and magical experimentation. Their mastery of eldritch forces and unpredictable moods make them dangerous when provoked. Don’t however mistake this attitude for benevolence. Their contemplation of these eldritch and occult forces put them above the concerns of most mortals.

The Purple Dragon may employ the standard claw/claw/bite attack or its breath weapon, a beam of raw magical force:

• Breath Weapon: A beam of pure arcane energy, ½” wide and 12” long, affecting all in its path. This energy deals damage equal to the dragon’s current hit points, half with a successful saving throw vs. breath weapon. Victims struck must also save vs. spells or be stunned for 1–4 rounds due to arcane backlash.

Spell Use: All speaking Purple Dragons with magic ability cast spells as Magic-Users of 9th level, improving to 11th level at ancient age.

• 1st–2nd age categories: 2 × 1st-level spells
• 3rd–4th: +2 × 2nd-level spells
• 5th–6th: +2 × 3rd-level spells
• 7th–8th: +1 × 4th-level spell
• Ancient: 3 spells per level from 1st to 4th

Purple Dragons gain a +1 bonus on all saving throws vs. arcane magic, and a +3 bonus on saves vs. Illusion or Enchantment/Charm spells. They are also immune to magical effects that alter time, space, or probability (e.g., time stop, maze, wish, limited wish, temporal stasis).

Arcane Dragons are usually encountered alone, though some ancient tomes speak of mated pairs guarding planar gates or hidden vaults of magical lore. They construct elaborate lairs filled with wards, illusions, and enchanted guardians. Their hoards often contain rare magical scrolls, potions, and tomes in addition to treasure.

They may form tenuous alliances with powerful witches, warlocks, or archmages, often in exchange for secrets or artifacts. 

Connections to the Scaled Sisterhood

Though the Scaled Sisterhood reveres the great dragon Patrons, Tiâmat, Bahamūt, Vritraxion, Lóngzihua, and Anantanatha, there are outlier dragons, revered by certain covens, that operate on the mystical rather than the primordial axis. Chief among these is the Arcane Dragon, Draco Arcanis.

Mystic Patron of Knowledge and Spellcraft

The first Arcane Dragon is honored by a coven of the Scaled Sisterhood known as the Order of the Violet Flame. These witches believe that while the elemental dragons represent the forces of the world, the Arcane Dragon embodies magic itself; pure, ineffable, and transcendent.

Witches of the Violet Flame often act as archivists, seers, and ritual specialists within the Sisterhood.

Their robes are trimmed in violet and silver, and their focus items are often made of crystalline dragon-scale or polished amethyst.

Their magical circles often incorporate symbols of sacred geometry, representing ley lines, runes, and arcane currents.

Dragon of the Nexus

The Arcane Dragon is drawn to leyline confluences and interplanar gates, making them ideal Patrons for witches who serve as gatekeepers, wardens, or planar navigators. The Scaled Sisterhood refers to such sites as Dracogates, where the breath of the Arcane Dragon is said to thin the veil between worlds.

Some believe the first Arcane Dragon was a child of Lóngzihua and Bahamūt, combining order and mysticism into a unique being beyond the elemental hierarchy, but was cast down or out for some long forgotten crime. This is the reason Purple Dragons in general are never recorded in official histories and bestiaries. 

Others claim the first Arcane Dragon is a former consort of Tiamat, who was cast out for refusing to align with chaos or tyranny, choosing instead the neutral perfection of the arcane.

All other purple dragons are the offspring of this first Arcane Dragon.