Room 4 can be found on either side of the entrance of the Gallery of Room 2.
Room 4a is to the left and Room 4b is to the right.
These rooms appear to be some sort of guardroom or wayroom.
It is long abandoned. There are some basic weapons here; a dagger, a sword, and a few arrows.
Room 3 covers the 13 alcoves on either side of this gallery (26 total).
Each alcove features the bust of an ancient dwarven king. Their names and lineages are inscribed along with their accomplishments. The dates go back to the dwarven mountain kingdom when the mountain was to the north.
Of the 26 busts, at least five have been completely destroyed. Another eight had secret panels, but those have all been looted centuries prior. All have damage.
The level opens up to a large open gallery. The design is dwarven, but has been modified. The gallery is over 600 ft long.
This room is filled with the shadows of dwarven lords and wizard students. They seem to be from different times since they do not interact at all with each other.
Hidden among these shadows are four (4) Spectres.
These are former minions of the Vampire Queen in life and serve her still after death.
The specters have normal treasure E x4.
There are also Type A, C, D here as well, but no magic items. The Vampire Queen has used all of those.
On each side of the gallery there are multiple alcoves and exits.
A couple of art Kickstarters this weekend. Both are pretty well known for their witches.
Larry Elmore: The Complete Elmore Volume III hardcover book
There is not a D&D player who doesn't know the art of Larry Elmore. I am not even sure what I need to say here.
It's Larry. It's his D&D art. Buy it.
A collection of ink illustrations celebrating witches from around the magical world.
https://www.kickstarter.com/projects/kesingersketchcraft/sketchcraft?ref=theotherside
This one just looks fun.
All sorts of little witches. I would have LOVED to grab an original commission, but I can't easily part with $850.
But it all looks like fun.
These stairs take the party down to level 9. The temperatures are much cooler now.
As the stairs descend (at least 200 ft) there are other staircases. Many are broken, but other still look viable. These others usually lead to dead ends, lairs of monsters (use Wandering Monsters), or fall into darkness.
The feeling here should look like a broken and destroyed kingdom of stone. This is more of the original dwarven mountain and has been less "renovated" by the Vampire Queen. There are also areas of the original Citadel of Necromancers here too, under the devastation of the mountain. Dwarven character will be able point out at least four different types of structures here: the original stone of the island, the dwarven mountain, modifications by various wizards and necromancers who lived here, and finally, modifications from the experiments of the Vampire Queen herself.
The Necromantic aura of the upper levels mixes with the demonic ones of the level above and something else that even the most learned magic-user can't quite identify.
Every 6 turns roll for wandering monsters as normal. There is a 25% chance that the monster encountered is a "Shadow" version. It looks like the shadow of the monster. It attacks, but it has no physical form so it can't damage or be damaged. Every 3 turns a "Shadow Wizard" will be spotted. This is a dead wizard or student who does not know they are dead. They go about their business as if it were a normal day for them. They do not damage or interact, but they are creepy.
One of the best things about blogging and writing about games for so long is I have gotten to meet so many really great people and made some really great friends.
Two such are Tim Knight over at Hero Press and Pun Issac over at Halls of the Nephilim. Both are great guys, and we all have many intersecting interests in RPGs, comics, and movies. So it is no real shock then when we decide to go over and play in each other's sandboxes.
Over the summer, they graciously allowed me to use two of their iconic characters, The Acrobatic Flea and The Web Archivist, for The Wasted Lands.
Now they have returned to honor and built versions of my misanthrope villain, The Refrigerator, for their own respective supers games, along with tweaks to make him work in their worlds.
Both are great takes on my villain, and I love the additional little details they have both added.
What is the point of having an iconic character if you can't share it?
This is a tough one. I have had so many favorites over the years. Each one representing a different point in my life and gaming.
Most of these will be known to readers here.
Basic (B/X) D&D - not the one I started with that would be the Holmes Basic, but the one that got me deep into the hobby.
AD&D 1st Edition - This is the one I played the most in those early days. The Monster Manual was my gateway drug to RPGs coming from Mythology.
Chill 1st Edition - This was either my first or second RPG after D&D (tied with Traveller) but it was my first horror RPG, and it spawned everything after.
Call of Cthulhu - Not my first Horror RPG, but one of my favorites. Really set the bar on what a horror RPG should be.
Masque of the Red Death - not an RPG by itself, and a bit wonky, it did something I always wanted: it brought my AD&D 2nd ed rules to Gothic Victorian Earth and Horror. Ravenloft brought some of this earlier, and both were my game of choice throughout the 90s until D&D-burnout set in and I went to my next big thing.
CJ Carella's WitchCraft - I can't overestimate how much this RPG changed things for me. The world was close enough to that of Chill, Call of Cthulhu, and Masque of the Red Death that my ideas for those games gained new life under Unisystem. I loved the game so much I pestered the publisher, Eden Studios, to let me write for them. The result was my next favorite.
Ghosts of Albion - while this might be self-serving, it is my favorite for a reason. Everything I wanted in a Unisystem game is here. Victorian era, magic, horror, and Unisystem. I would have happily written for Unisystem for ever if I could have. Which leads me to my last one and the top of my list.
NIGHT SHIFT Veterans of the Supernatural Wars - Again, a little self serving but NIGHT SHIFT is everything I have ever wanted in a game. It combines the best mechanics of all the games above along with a play style I love and in a world, or more to the point worlds, I enjoy.
If I only get to pick one, then it will be NIGHT SHIFT.
I have had the luxury and the privilege to work on a great number of RPGs over the years. Some of which were dream jobs and dream games. I consider myself lucky. But of all of those, NIGHT SHIFT is not just my favorite game, favorite rules, and favorite setting; it was also my favorite writing experience. Only Ghosts of Albion and my various Witch books come close.
Thank you, Dave Chapman for hosting this again! I had a great time.
