Into the Nentir Vale, 5e Style

Vacation day today.  So the boys and I are starting our "Halloween" adventures of Into the Nentir Vale.  Yes, I am converting the 4e the adventures to 5e.  I started these adventures back when 4e came out and they really had an impact on what I am doing now with Come Endless Darkness.

So today we start H1, Keep on the Shadowfell.

I have done the conversions to 5e and they look good.

We are going to stick with this one for a bit and pick up Vault of the Drow when we go to Gen Con in 2018.  That would be a good time to do that!

October Horror Movie Challenge: Dracula 2000 (2000)

Not one of my favorite Draculas to be sure, but it is satisfying that I also got to finish a tape.

It's an interesting tale. Bringing Dracula into the modern age, trouble is that we have seen this story many times and many times it has been better.  The twist here is that "Dracula" is actually Judas.
The movie starts out ok, I like the idea of a quasi-immortal Van Helsing dealing in ancient arms.

Somewhere along the way through the movie falls apart for me.

October Horror Movie Challenge: Gothic (1986)

Gothic is another one of those films that you either love or hate.  I enjoyed the hell out of it. The story of how Frankenstein and the Vampyre came to be? Ken Russell as the director? Gabriel Byrne as Lord Byron, Julian Sands as Percy Bysshe Shelley, and an absolutely lovely Natasha Richardson as Mary Shelley (in her film debut)?  Music by Thomas Dolby? What's not to love?
Well plenty it seems.  The movie was a commercial bomb, though it did make good money on the home video market.

Connor hated it. Though he did recognize Timothy Spall who played Dr. John William Polidori here and later Peter "Wormtail" Pettigrew.

I watched this a few Challenges back but for the life of me I can't find the write up.  My wife hated it then too. It does feel dated and the music is very much mid-80s synth.  But it is still a lot of fun.

Zatannurday: Interview with MYSTIK U's Alisa Kwitney

A few of weeks ago I mentioned the news of the new Zatanna centric comic MYSTIK U, about Zatanna's days at university.
As you can imagine I did a very unmanly squeal of delight and immediately set out to finding out as much as I could.

Well, my obsessions are your gain!  I got the chance to interview Alisa Kwitney.

Tim/The Other Side: Hello, my name is Tim Brannan and this is my blog The Other Side.  Today I am talking with author Alisa Kwitney. Alisa has been given the reigns on a new Zatanna comic for DC; Mystik U.  Our favorite fishnet-wearing magician is headed back to school to learn magic. She meets some now-familiar names and encounters a bunch of new adventures.

But first, let's meet the author herself.  Hello Alisa, why don’t you introduce yourself and give us a little bit a background on who you are?

Alisa: I was on staff at DC for about 7 years, working in the Vertigo imprint on SANDMAN and SHADE THE CHANGING MAN and other books in Karen Berger’s group. At the same time as I joined DC, my first novel, Till the Fat Lady Sings, was a comedy of manners about the first year of college, published by HarperCollins. My 10th novel, a YA called Cadaver & Queen, is now coming out from HarlequinTeen which is part of HarperCollins, so it’s kind of full circle. And now that I think about it, it’s also a novel about a school--a Victorian medical school that reanimates corpses to produce Bio-Mechanicals.

Tim: Excellent. The big one now, how did you get into writing comics?

Alisa: I actually said I wanted to write and edit during my first interview. These days, you have to choose between writing or drawing and being on staff, but at that time, lots of editors wrote or drew or inked or colored. Dick Giordano, the Vice President, once worked as inker for me on Sandman. I had already had a novel published, so people knew I could write--at least, in theory. In practice, I was still learning how to write comics. My first comic was a Phantom Stranger special, and whenever we got pages back from penciller Guy Davis, I would check to see where he had changed my pacing. Basically, he was giving me a master class in how to tell a better visual story.

Tim: So, if I can, you are something of Sci-Fi Royalty! Your father is the late Robert Sheckley. Did he give you good advice about writing? Do/Did you take inspiration from his works?
BTW, Immortality, Inc. is still one of my favorites and Bring Me the Head of Prince Charming was a lot of fun to read.

Alisa:  When I was 19, I asked my father if he thought I had it. I wanted him to anoint me and say, in effect, Yes, my child, you have the magic spark of writerly brilliance. Instead, he said in this very dismissive tone, “Yeah, you got talent, I suppose. Whatever that’s worth.” At the time, I was disappointed in his response, but over the years I’ve come to realize that he was absolutely right. Talent counts for very little. Applying yourself to your stories is everything. And in a sense, that’s what I’m writing about in Mystik U. These 18-year-olds come to college, wanting validation of their special powers, and instead they discover their limitations.

Tim: You are no stranger to the DC Universe.  Your run on Destiny: A Chronicle of Deaths Foretold was up for an Eisner Award.  How did you get that job and did it help when pitching Mystik U?

Alisa: I pitched Destiny when I was pregnant and obsessed with plagues. I kept imagining these awful horror scenarios and I had to get it out of my system. I also wanted to do something sweeping and epic, like the big Frank Yerby historicals I read when I was a kid. (My favorite was The Odor of Sanctity.) Neil told me about The Secret History of Procopius, which is a history of the early Byzantine empire written by a scholar who was convinced that the emperor had been possessed by a demon.

I’m not sure how much Destiny helped in my pitching Mystik U. In general, I find that if you’ve written a historical horror story, people tend to think it means you can write historical horror stories. If you write a contemporary YA, (which I did for Shelly Bond’s Minx line at DC), then people might say, Oh, I see, you can write contemporary YA. Mystik U is sort of a hybrid of superhero and horror and YA, so it seems a logical next step to me--but I’m not sure it seemed logical to anyone else at first.

Tim: Now tell us about Young Zatanna and Mystik U.  Was this your idea?

Alisa: Yes. I wanted to do a book about college, because that first year of being off on your own and finally learning things you choose for yourself is really rich with story possibilities. People keep comparing the concept of Mystik U to Hogwarts, which is fine--I own not one but two Harry Potter wands, and consider myself a Ravenpuff--but I could never write a book about boarding school. At age eleven, I would have hated Hogwarts, because I was basically Neville Longbottom. I also really enjoyed Lev Grossman’s books about magical college, but his take is also different from mine. For me, college is a stage where people go to improvise themselves. It’s a place where you get to try on new ideas, new philosophies and new identities. And it’s a place where the bathrooms contain some unpleasant surprises.

Tim: Stories about schools and young heroes are very popular. You don’t need to look much farther than Harry Potter or Buffy to see that.  On the comics front we have the classic Chris Claremont run on X-Men and the George Pérez run on Teen Titans.  What do you want to do with Zatanna as a character that covers this same sort of time in her life and the storytelling opportunities?

Alisa: Zatanna comes to school thinking that she has a great power and that she needs training--and then finds herself unable to access her power when she wants it. There are other people there, on her hall, who seem a lot better at magic than she is--like Enchantress, and Davit Sargon, and her roommate Pia and the broody Sebastian Faust. She’s like a lot of people, who were amazing at something in high school, and then get to college and find they aren’t the top of the heap anymore. In an earlier version of Mystik U, I thought this character was going to be Tim Hunter, and I’m so much happier exploring the theme with Zatanna. There are fewer stories of female ambition and drive that aren’t posed as cautionary tales. There’s a parallel story about Rose Psychic, the dean of the school, and her relationship with Dr. Occult, who shares her body. (I wanted Rose to look like Ming Doyle, by the way. I met her when I first pitched Mystik U, and she remains the model for Rose in my mind’s eye.)

Tim: I am a huge fan of Paul Dini’s run on Zatanna, but I love the old Gardner Fox stories as well. What are some of your favorite Zatanna stories?

Alisa: I love Paul Dini’s storytelling. I also love a lot of the stories where she meets up with John Constantine. I figured she was always drawn to bad boys, which you get to see in her relationship with Sebastian Faust.

Tim:  What sort of older elements might we see in your version of Zee? (I already saw Zatara is still around).

Alisa: Mike Norton, the artist, has done an amazing job creating a Zatanna who feels like the bright, upbeat, pragmatic character we know, but also seems like a college freshman. I really wanted all of the characters to feel like real people. For example, Davit Sargon performs a small feat of magic when Zatanna first meets him, and says, “that’s just a little cantrip I picked up.” Zatanna doesn’t know what a cantrip is, and her roommate, Pia explains that it’s a clue that Sargon plays D&D.

Tim: And finally where can we find you on the internet?

Alisa: https://www.facebook.com/alisa.kwitney.sheckley/. Twittter @akwitney. My website is www.alisakwitney.com

Tim: Ok last question and this is one I always ask here at the Other Side. Who is your favorite wizard, witch or magic-user?

Alisa: I loved Witch Hazel, from the old Bugs Bunny cartoon.  She loved being green and hideous and hated being seen as a conventional beauty--which is kind of badass and punk, in retrospect. https://www.youtube.com/watch?v=BzEYxGc2RmMI

I also totally understood Endora’s point of view in Bewtiched. Why was her powerful witch daughter wasting time on a dull mortal? In my dreams, Endora and Snape are sitting together in a pub, making caustic remarks about everyone sitting around them.

Tim: Love that visual!  Alisa thank you so much!

Zatanna and MYSTIK U will be out in Novemember.

October Horror Movie Challenge: Lair of the White Worm (1988)

On to my vampire tapes now.  I am not going to review all of these since I had done so many of these in past Challenges. But there are few that stand out.

Lair of the White Worm (1988) is one of those movies.  Rather infamous at the time and a lot of the same visuals from director Ken Russell that made Tommy (1975) so good.

The star of this is a deliciously sexy-evil Amanda Donohoe as the snake-vampire thing Lady Sylvia Marsh.  I read that the role had been offered to Tilda Swinton. Could you have imagined that? I think it would have been awesome. Of course watching it now it is a very young looking Peter Capaldi with a thick northern accent as archaeology student Angus Flint.

I know this is based on a Bram Stoker novella, but it's not a very good novella really.  I read it, gods, back in my university days.  Connor wanted to know why worms, dragons, snakes, and vampires were all getting blended together in this.  It's a good question really.

Kickstart Your Weekend: Jacob Blackmon style!

If you have been here for any period of time of bought any of my Pathfinder books then you will have seen the fantastic art of +Jacob Blackmon.

We are at a point where there are three Kickstarters out now featuring the art of Jacob and you can get in on all of them (if you hurry).

Super Powered Legends Sourcebook for M&M

A collection of supers for M&M that Jacob has been creating over the last couple of years. I have seen many of them and they are a lot of fun.  It features what I have come to think of his "cover girl" Pendragon.

https://www.kickstarter.com/projects/1768030821/super-powered-legends-sourcebook-for-mandm

The Orcish Beefcake Calendar 2018

In what gets the prize as one of the silliest things I have seen is a pinup calendar of orcs.
Sure. Let's do it!
https://www.kickstarter.com/projects/zombieorpheus/orcish-beefcake-calendar-2018

And ending in just a couple of hours is +Mark Taormino's

Dark Wizard Games: Double Mayhem Adventures

Jacob has had art in Mark's modules before, not sure if any will be in this one but I think so.

https://www.kickstarter.com/projects/marktaormino/dark-wizard-games-double-mayhem-adventures

There you go!

Jacob has a Pateron and can also be found on RPGNow with a TON of art and books you can buy.

He forever gets credit for really bringing my iconic witch Larina to life.

Not an easy task to draw a character that has been in my head for nearly 30 years and get her exactly right!

October Horror Movie Challenge: Dark City (1998)

This must be my Alex Proyas tape.  Dark City was one of those movies that came up a lot on the old Kult RPG list I was on.

Connor thought it was cool, but had a lot of his own theories and questions.

As much as I talk about the Occult Revival 70s, there is also the Paranoid 90s.  Everything is a conspiracy and THEY are always out to get you or keep you from the truth.  You can see this in the X-files and movies like The Matrix and They Live.

Games like Kult (1991), Conspiracy X (1996), Beyond the Supernatural (1987), Chill 2nd Edition (1990), even to a degree Alternity's Dark Matter, all captured different aspects of this feeling.

I was involved in many online debates on what system would do Dark City justice.  I had always put my chips in a Conspiracy X/WitchCraft hybrid.