Monday, March 7, 2011

Finally got my Expert Set!

So here is a story and it is a familiar one.   Young boy in the early 80's playing Atari and listening to Thomas Dolby gets the gift that will change everything, the D&D Basic set.  Later, with his well earned and saved money he buys the D&D Expert set.  Life is pretty good.  Advanced books follow.  Boy becomes a young man and moves away to college.  Books are taken in some moves, left at parents in others, many years later that milk crate of D&D books, including those once prized Basic and Expert sets (and a crap ton of AD&D hardcovers) have disappeared.

Sad tale to be sure.

Well no more, because after years of looking (albeit not very hard) I finally got a decent looking Expert set.


The box has some wear, yes, but let's look inside.


The books themselves are in fantastic shape.  Almost mint I would go as far to say.

Much better than the one I had (bought a couple years back),


The box also had a near mint AD&D 1st ED DM's screen and a full booklet of AD&D NPC record sheets.

Of course now I have four copies of X1, Ilse of the Dread; three of them in near mint condition.

This was pretty much the last thing I wanted to buy.  Now my long lost collection is complete again.  Well, I don't have the Dungeon or Wilderness Survival Guides, but that's fine.

They Don't Write 'em Like that Anymore

Back when I was in college I got a call from my mom, she was at a yard sale and someone was selling all their old Dragon magazines.  It was a box just full of stuff from like issue #35 on to #140 or so. Most were there, but a couple were missing, all in all about 100 issues.  Asking price, 10 bucks.
A while later I was able to get my hands on some old White Dwarf magazines, issues #1 through #50.  Most of them were there as well but not all of them were in great shape.
But beyond the quality of the magazines and how much (or rather how little) I paid for them, reading them was pure joy.  Even if I was not actually playing the versions of the games they were talking about (this was during the 2nd Ed era and into the 3rd Ed one) they were still fantastic.  Some stuff was good, some was bad, but all of it was earnest and just plain fun to read.

I get that same feeling while reading Oubliette.

I just picked up Issue #5 and I have others, but this issue really gave me the same feeling as reading a newly discovered fan magazine from the late 70s. There is nothing that stands out as special to me in this issue, it is just the whole package that I enjoy.  It was interesting to see the Monstermark system again, having seen it in my collected issues of White Dwarf and still not getting it. I liked the "advanced" vampires too.

The art is very evocative of the old school style seen in Dragon, White Dwarf and The Dungeoneer magazines.

I hope we can see more from The Oubliette!

Sunday, March 6, 2011

Exploring Characters

So one of the latest (or am I two weeks too late on this one) mantra is "We explore dungeons, not characters."  In the immortal words of Tony Stark from Iron Man "is it too much to ask for both?"

I like exploring characters.  I guess this means I am a "role-player" more than I am "Dungeon Crawler".  I like to explore my characters, figure out what makes them tick.  I'd rather loose to a monster in way that advances the plot or characterization than kill the monster and get the treasure in what was otherwise a roll of the dice.

I guess that is just one more hit to my old-school street cred.

Saturday, March 5, 2011

Reviews: Can't Sleep, Clown Will Eat Me edition

Some reviews while I can't sleep.

Legends of Excalibur: Arthurian Adventures HC
I picked this up at the same time I did the True20 version.
This is one of the best Arthurian legends games I have read in a good long time. The text is very readable, the layout is very well done and the maps are fantastic.
The use of the d20 system here is nice, but lacks the elegance of the True20 version.
You do get a number of very good feats and prestige classes here though so that evens it out some.
If you are a fan of Arthur in any of it's many re-tellings then this is a fantastic game to own.
5 out of 5 stars.

Fantasy Women Clipart JPEG 7
20 clip art images to use in your games. All are 3D "poser" style computer images, so their utility for certain styles of play might be limited. But all in all they are not bad and the price is fine.
4 out of 5 stars.

Solid! The d20 Blaxploitation Experience
A very interesting take on a little traveled genre in RPGs. While the rules are firmly within the d20 Modern ruleset, there are bit of interesting crunch here and there to make it worthwhile. But where this game shines really is as a guide to the Blaxplotation film genre and history. If you want to run any type of game, regardless of the system, set in the 70’s then this is a good place to start.

Damnation Decade
I have a love/hate relationship with the 70s. I grew up in the 70s and have good memories of them. Loved classic rock, hated disco. Loved the new age occult revival, could have cared less about some of the other stuff. I grew up then, but consider myself a child of the 80s.

Damnation Decade though is the pure raw distillation of everything 70s, good and bad, into one awesome game. It is a historical game, in the same way Ghosts of Albion is about 1839. Damnation Decade takes a wrong turn in 1974 down a dead end. The world is sort of like ours, yet also very different in some key respects. Damnation Decade is also quite possibly the one RPG product to ever tacitly or implicitly illustrate that things under President Ford could have been a lot worse that what we really got. Reading through Damnation Decade is at the same time a trip down memory lane and an exercise in identifying puns and analogues to our real world. Green Ronin: did we really need a world where folk singer Edmund Fitzgerald sings about the Wreck of the Gordon Lightfoot? But I guess you are forgiven by giving us the first RPG product to feature a real Fantasy Island.

It reminds me of Solid!, which is also about the 70's. If Solid! is Parliament, then Damnation Decade is Grand Funk Railroad. Damnation Decade though gives something that Solid lacks; memorable NPCs. Sure if you can get past that most of them are amalgams of 4 or 5 70s figures, for example Humboldt Suede is not just a bad Hugh Heffner rip-off, he is part Hugh Hefner, Bob Guccione AND the Son of Satan. Though some are original enough to be useful outside the 70s atmosphere; Theramin Hunker for example could work well (maybe even better) in 21st Century games full of conspiracies.

Damnation Decade works great as a d20 game AND it has a True20 appendix that might even be better.
Plus that cover rocks.
5 out of 5 stars.

Bunnies And Burrows
The premier RPG of playing something other than a human or anything humanoid. It is basically "Watership Down" the role-playing game, but there is much more to it than that.
It would be disingenious to review it with modern eyes (it is nearly 35 years old now) but it has a very good skill system, and one of the first to be honest. Since the characters are rabbits, there is not much in the way of combat and instead a focus is placed on solving problems and role-playing.
5 out of 5 stars.

Dreaming Cities: Tri-Stat Urban Fantasy Genre
Dreaming Cities was one of the first attempts I had seen of putting together a good Urban Fantasy game that was not also trying to do horror. Sure we had Urban Arcana for d20 and a few others, but this one felt a bit different to me. At least at first. So the real feature of this game is the background information and how they make Urban Fantasy work for them.
The game system itself is Tri-Stat which at this point was mostly the same as BESM 2nd Ed-Revised and SAS. If you know the powers and rules for those you have the same things here.
The real meat for this game comes in only around page 70 when we see how to apply these character rules into archetypes to work in Urban Fantasy. Many seem cribbed from other versions of Tri-Stat/BESM/SAS games, but that is fine.
The rest of the book talks about how to make an Urban Fantasy game work. Like the treatment SAS gave the 70+ year history of comic book heroes, DC tells about the modern urban fantasy genre. There is a quite a bit of crunch mixed in with text on how a modern society deals with things like magic, pixies, zombies, demons and dragons and visa versa.
GoO and Tri-Stat are gone, sad to say, but this game is still worthwhile and has a lot going for it. If you play a modern horror game or a modern supernatural one where magic and supernatural are still hidden, then this is a refreshing little breather.
IT’s not D&D with guns and computers mind you. It is however something very fun.
The rules suffer the same pros and cons as SAS, BESM and the rest of the Tri-Stat family. There is not a lot here that is new in terms of rules, just new ways to use them.
The text is clear and the art is very good.
4 out of 5 stars.

ION Guard
Bash! Edition
ICONS Edition

If you need a reason to buy BASH or ICONS then this is it. At just about 60 pages this supplement presents the Intergalactic Ordinance Network Guard or ION Guard, an intergalatic police force defending the universe from all sorts of bad guys.
Yes we have seen this before, but the the presentation in this book is so enduring you ignore the obvious DNA of this product and just pull on your ION Fist, say your Oath and protect the Galaxy. NPCs are detailed as well as bad guys for you to fight. The layout of the book is awesome and I honestly can't say enough good about it.
Dislike: would have liked to see more bad guys.
5 out of 5 stars.

Zatannurday: Killing Joke

There are pivotal comics in in world.  Ones that change everything.  One such comic is "The Killing Joke".  It is the story of Batman and the Joker. But it is also the story of Barbara Gordon and how everything changed for her in one day.  How Batgirl was no more and paved the way for Oracle.

But take any game changing moment like that and it is ripe for others to want to look at it anew.

The "Brave and the Bold" banner is for various team ups from across the DC line.  One of last year's best was The Brave and the Bold #33, a team up of Z, Wonder Woman and Batgirl (Barbara Gordon).  OR My three top comicbook loves of all time.  Of course it is a powerful piece, but not in the way you expect.


Now I was never a fan of Babylon 5, but I have always sorta liked J. Michael Straczynski as a writer. He has given me reasons not to like him in the past, but this does not disappoint.

It takes place the day before Barbara's shooting and Zatanna has a vision.  We don't know that though.  We just know it Z and WW and they want to take Barbara for a girls night out of dancing.

You can see more here: http://scans-daily.dreamwidth.org/1855423.html

Obviously if you have not read The Killing Joke then the emotional impact will not be the same, but if you have then...well, you will have to read it for yourself I think.

-- Spoilers --



Honestly that is some pretty powerful stuff there.
Close up, http://www.dadsbigplan.com/2010/04/comic-rack-the-brave-and-the-bold-33/

Here are some reviews I found interesting, each having a slightly different take
http://allthiscrap.blogspot.com/2010/04/brave-and-bold-33-ladies-night-review.html
http://www.comicbookresources.com/?page=user_review&id=2155
http://acomicbookblog.com/channel/dc-comics-blog/the-brave-and-the-bold-33-review/

I had no problems with Zee and Wonder Woman not being able to help Babs.  Afterall Zatanna doesn't know when it will all happen anyway and she is sure that if she interferes it will only make things worse.  I also don't have an issue with her precognition; she is magical and weird stuff like that happens sometimes.

And because I can, here is a pic of Batgirl and Zatanna reading the comic.

Friday, March 4, 2011

Review: Haunts and Horrors

Haunts and Horrors

I love horror games. I love reading new ones, trying new ones and each time I try to do or learn something new. So it was is with great interest that I got the new “Haunts and Horrors” RPG (H+H RPG).

H+H RPG is a 126 page book. The art is predominantly public domain with some other pieces that are newer, but all are black and white. I bring this up for two reasons, first off the art is sparse which gives the book a “less than polished look” but the art is also thematically appropriate for the tone of the game. While I like newer art in a game, I think this works well for this game. The layout looks like a simple affair with clip-art borders.

H+H RPG is a fairly typical RPG, it starts out with “What is an RPG?” to Character Creation. I like the starting age effects starting XP section. It is an interesting take on how to deal with starting at different ages.

Points are given to buy attributes, skills and edges and disadvantages dependent on starting age.

Attributes are mentioned (Strength, Size, Willpower…) and then abbreviations are used (STR, SIZ, WIP) but nothing connecting the two. Granted a semi-experienced gamer could figure it out, but a novice will be scratching their head for a second or two. There are some generated secondary attributes as well, including something called “Killing Power Adjustment” which seems a bit off in a horror game; not that things don’t kill things, but often killing is not the focus, but I am fine with it. There is a section of previous experience which is interesting.

Lots of disadvantages (not sure why hay fever is worth more than partially deaf or partially blind, or why it was not just folded into Allergy). Though it does a much better job with the mental drawbacks than most games (eg it makes Multiple Personality Disorder different from Schizophrenia, a pet peeve of mine). Disadvantages are bought with points, any extra disadvantage points have to be bought off with experience points. I like that to be honest. It casts disadvantages in a different light. Instead of using disadvantages as a means to gain extra points, but rather as something that must be bought off. For a horror game it is a good model.

The skill system reminds of me a bit of Chill. Some will find this refreshingly “old school” others might find it “old” or “out moded”. I think given the atmosphere the game is trying go with I am going with “Classically oriented” and think it works fine for this game. There are a lot of skills too, which is also very old school in feel as opposed to more “cinematic” games that try to get more done with less skills.

There is a good section on Weapons which deals with a lot of standard weapons (guns, sticks, and archaic stuff).

The next section is on Psychic abilities and mention they can be bought by anyone with a high Perception, so a little different than saying buying a “psychic edge” and then buying the abilities.
The psychic abilities seem work fine and feel right here. Again, I am feeling a bit of Chill here, though the magic and psychic powers are not the same as Chill’s magic, it’s the overall vibe; more magic than Call of Cthulhu, less than C.J. Carella’s WitchCraft.

Next up is magic.
(Speaking of magic, on page 41 the formatting shifts down by an inch or so for the rest of the magic secction. Nothing is unreadable, but looks odd.)

Magic is divided up into traditions (like that) and talks about what a tradition is and how they have access to some spells, but not all (like that too). Each tradition also has various mechanical things that can happen to them via their magic, so each one does feel different than the other.

Spells are supposedly bought like Psychic abilities, but I have not found a guide anywhere in my reading.

Combat is next (odd that it is not with Weapons) along with misadventures, healing and diseases.

The chapters on creatures and their powers are next and it is full of the horror show mainstays and a few new ones. I like that there are multiple types of vampires for example.

A section on curses is also provided which would be useful for any game with curses.

All in all there are some interesting things in this game, though nothing terribly unique. I like some of the character creation options. The magic system has some neat points but not quite unique in and of itself really. My biggest issue with the game is that I expected more, and the layout is far below what I would have expected from an established game company. There are also a number distracting typos, while I normally would ignore these, but some made it difficult to understand the text.

The game itself looks like it would fun with the right mindset. There is a darker tone to it that puts it somewhere between Chill and Call of Cthulhu. Though it lacks a bit of focus; is it Victorian, is it Modern? And what do characters do in the game? The motivations of the characters are unclear too. What do they do, why are they doing it? I think this needs to be better defined.
I would have liked to see some character write-ups so we could see how characters look when done.

Season of the Witch: Episode 8

Episode 8: Heart of Light

Winter 2005
Area 51

Cordelia voice over: Previously on “Willow & Tara: Season of the Witch”

The Thunderbird rolls into Roswell, NM.
Willow and Tara on the bed making out, Bob walks in.
Tara yelling at Bob, then following him outside.
Willow following Coyote out of the hotel room.
Tara panicking asking where Willow is, blows up the TV.
Scrying crystal landing on Area 51, Tara peels out in the Thunderbird and driving into the night.
Coyote turns into Oz.
Tara driving, but falling asleep. Bob yelling at her to wake up she crashes the Thunderbird into an invisible wall. See Tara bleeding and unconscious.
Coyote-in-Oz’s-form telling Willow “You are going to destroy the world and there is nothing you can do about it.”
Tara, Bob and Cordy in military custody. The base commander speaks to them. "Everyone knows what happened in Roswell New Mexico in 1947. But I am here to tell you ladies and gentlemen, that everyone is wrong."
While speaking pan to the hanging angel. Hear Cordy say “Oh. God. It’s Uriel.”


Roswell, 1947
Scene changes. Black and white, a man in uniform, an Air Force Captain, looks into a room were electrical charges can be seen reflecting on the wall along with sounds of electrical discharge and a high pitched screaming. He looks on in horror then turns away to a General examining some debris on the floor of the office. The material looks shiny, like flexible metal. There are the remains of a long sword, shattered and covered in runes.
“General! We can’t keep him here, this office is in no way equipped to deal with…with that!”
“I know son. That is why he is being transferred to a more secure facility.” Off the captain’s look. “No worries son, we have dealt with his kind before. Well maybe not exactly like his kind, but close enough.”
“Is he? Is… What is he?”
“He is a threat, a threat to the sovereignty of the United States of America. And we do not deal with threats, we eliminate them.” A pause. “This entire fiasco will covered up and forgotten. Is that understood?”
Snaps to attention. “Yes sir!” a pause. “But sir, what do we tell the press, they will be here shortly.”
The General looked over the silvery material on the ground, it was light and flexible like cloth, but nothing they had could even tear it a little. “Tell them.” Pause. “Tell them it was a weather balloon.”

Present Day

Lieutenant General Ashby informs them that this “monster” was shot down by the U.S. Air Force and that is what crashed in Roswell. The metal everyone thought was “Spaceship metal” was really his armor. The Lt. General takes them to their own cells and tells them not to worry, that a solution to the Supernatural Menace has been discovered and will be used shortly. The doors close on them. Bob cannot phase out and Cordy can’t orb out. But they have larger concerns. Tara has blacked out again and is muttering in Gaelic, more gaelic than she actually knows. Her tempature is spiking and Cordy guesses it must be at least 107. She has been trying to heal her, but her magic is not working due to the cell. Tara does come around and asks about the angel upstairs. Cordy (with the Director’s help) explains that he is Uriel and he has been missing for 60 years. A long time for humans, but for angels a blink of the eye. What is so important is that Uriel stands in front of the gates of Hell and keeps the demons from getting out. Since he has been missing the demons have been getting to Earth. Tara feels Willow is near, Cordy does not. Feeling stronger Tara uses her own heat to focus on the lock and melt it. They are able to leave their cell, but still can’t use magic. They manage to get up a level before being captured again. Ashby decides that some time in the common area with the other prisoners is what they need. So they are all locked up with various other supernatural monsters. We see demons of all sorts, a werewolf and other things. All the creatures approach them.

Willow has subdued her guards (Director Fiat, I just said she did it) and is walking around the facility. She sees the Lt. General, but not Tara. At this point Willow’s player asks if she can use magic to talk to the computer the system. There is no spell so I set a SL for her to hit and asked her to use an Int + Magic + Computers + d10 and treat it like a spell of PL 5 or 6 I think. She rolls, made it of course and communicates with the base main frame. This is the first use of her mage powers. The ability to make on the fly magical effects using a variety of skills. I let her do this one now, but another one, jumping up a few dozen feet with STR + Magic + Acrobatics I did not (even though that would have been the way to do it as a Mage. She is not all the way there yet.) She does discover that the government has a plan. They have created a virus that will kill all supernaturals, angels, demons, vampires, werewolves, and witches.

Willow finds Uriel, is mostly left alone, and manages to talk to him. She tells him she will free him. He agrees, but it won’t be now. Uriel tells her that he has been waiting for her for a very long time. She quips that is the Coyote only told her last night. Uriel warns her not to trust the Coyote, he doesn’t lie, but he hardly ever tells the whole truth. Willow tells Uriel that Coyote said she was going to destroy the world. Uriel stops and then says that may be the one time when Coyote has told the whole truth. Uriel tells Willow her path is before her, but she will not walk it alone, that her Anamchara is here, and she must find her and then they will free him. But like her, he has his love, and Willow must find her as well. Willow asks who it is and Uriel says Sherazza. He tells her there is a plan for them all to escape, they were waiting for the sign. The sign of course is the arrival of the Cast.

Back at the common cell, all the creatures are approaching Bob, Cordy and Tara. A female voice shouts stop and the creatures stop and look over their shoulders. Approaching is a tall, beautiful red skinned demoness, a Lilim. Her wings are tattered and she has obviously not been well treated, but she still has a commanding presence here. She looks at each cast member in turn. Growling at Cordy. She approaches Tara. She begins to sniff her, looking her all over. She places her clawed hands on Tara’s stomach and before Tara can say anything or react, the Lilim turns to the others and says “It is her! She has the Allaidh!” The other creatures roar in triumph. Finally asking what the hell is going on, the Lilim tells them that it had been foretold to them by the Seer that they would be freed by the one possessing the Allaidh. The demoness only smiles and says “Mother said you have questions. But I don’t have to answer them.” Mother of course is Lilith, and the Lilim tells them that they will honor the pact made by her sisters the Mormo and the one made by their mother. As long as she is here, there will be no harm to the cast. But the Lilim wants Tara to break them out now. Tara tries but she can’t do it like she did before.

Willow shows up, drawn to her Anamchara. Together the girls manage to melt the locks on the door (my players wanted to blow it up, but were talked out of it by Bob). The meet, the lilim touches Willow’s face and smiles, saying “Two? Two with the Allaidh? What engines of destruction you will become!” Willow gets ranty about no destroying anything. Tara tells her they have to go and get Uriel. Willow says they will once they rescue Sherazza. The lilim laughs and tells them they already have.

The Cast and the demons are running helter skelter through the base. Willow tells them about the virus, but the military is starting to open fire. Sherazza, flies into the crowd and begins to subdue, but not kill they notice, the airmen. The other demons do not show the same restraint.
Sherazza, goes to Uriel to free him, but she can’t. I now let Willow use a Strength + Magic + Kung-fu +d10 to rip the locks off. It works (but I give her a penalty to her magic rolls next, seeing right away that mages can be game breaking) and have her take some damage.
The rush to the room where the virus is kept to encounter Lt. General Ashby. Sherazza grabs the virus and a stand off begins.

For this I had Willow and Tara’s players take on the role of Uriel and Sharazza respectively and hit them with the Prisoner’s Dilemma. Ashby asks Sharezza for the virus, he has a gun pointing at her. He tells her he can shoot her and kill her, shoot the virus and kill them all (except him) or she can give it to him. It is the only sample. Ashby eludes to a supposed double cross where she was supposed to be freed only to betray Uriel. She denies this (I told Tara’s player it wasn’t true, but not Willow’s player). Basically then I gave both players a choice. Turn in themselves, or turn in their lover. If they turned in a lover and the other turned in themselves then that one would go back and the other would be free. So if Uriel turned in Sharezza and Sharezza turned in herself, then Ashby would shoot Sharezza dead and Uriel would go free. If they turned in each other, then Ashby shoots them both, if they turned in themselves, they went back to prison. Leave it to my Tara player to find the other option. She flies into Ashby, burning a drama point and kills him, but is killed herself.

Uriel seeing this weeps for his lost love and before “sterilizing” the base he teleports the Cast back to the Thunderbird. The cast watches as the base is destroyed. They are sure it is Uriel. Cordy “heals” the car (Whitelighter thing) and they drive on. It is late in the day now.

Willow tells Tara about Coyote. We end the episode with car driving on and entering California.

Notes: We are introduced now the fourth and last faction dealing with the Cast, the Government. Like S.A.V.E. their primary goal is to protect humanity. But of course unlike S.A.V.E. good old Uncle Sam adds, “by any means necessary”. Now one thing we didn’t want to do was paint the government as a one sided, one dimensional entity. In fact their cause is in fact noble. They just have their facts a little wrong and tend to be a bit paranoid. They make other appearances later, but mostly as a threat.
There are also other clues here to the girls oncoming mage powers. Tara blows up a TV is the obvious one, Willow talking to gods and super hacking are others, but the subtle one are the girls themselves. I told my players that they were much more amorous with each other. They ran with it and had them having sex at every chance. Which is fine, not what I had in mind 100%, but hey when life hands you hot girl-on-girl action….make lemonade and watch I guess. (????) Of course my players, who were involved in the in-world-myths, knew what was happening. This is the start of their powers growing. In game this was dubbed “Allaidh” (the “wilding” in Gaelic) by my Tara player. Sharezza makes note of it. Again another Charmed influence…the Seer is mentioned. I don’t say which one, the Charisma Carpenter or the Debi Morgan one. As much as I like Charisma Carpenter I am inclined to say it’s Debi Morgan. http://charmed.wikia.com/wiki/Seer

Ever wonder why in the 50’s we had some many UFO stories and then nothing. Then next thing you know, little bit by little bit we get flooded with tales of demons, vampires, and other supernatural baddies? Well that’s because we were being visited by angels more often then, we thought they were UFOs, and then the big bad ass angel that guards the gates to Hell and keep demons away was shot down by the U.S. Air Force. While he is in a cell for almost 60 years (not long enough for the side of Good to notice, but Evil sure did!) demons run amok. Buffy is busier than any other Slayer before, the Charmed Ones have more work to do than all the Warren Witches combined and we get thousands of supernatural themed TV shows. Of course it doesn’t help that the Veil is weakening.
One way or the other the fit is going to hit the shan.

The Uriel/Sharezza was going to play out differently. She was going to be redeemed and go to Heaven with Uriel. But we thought that that was not as interesting. Plus there is the issue of the government base. They needed to be weakened and only Uriel was strong enough to do that and he wouldn’t if he were all happy. But as the Angel of Vengeance, well that is different. Originally then Sharezza was going to be shot while they were making their escape, but I couldn’t let them get to the virus without Ashby being there. So there he was. I also was going to have him die from the virus, but that would imply he was also a supernatural, and I have seen that too many damn times in X-men, so I figure he was human with a gun that could kill supernaturals.

Another subtle nod to what will happen in the finale is here. Can you spot it? ;)

Next up… The girls are home and stars of their own X-Rated web show???
Plus the return of Amy and Beth.