Season of the Witch: Episode 3

Episode 3: Strange Sort of Homecoming

Late Summer 2004
Willow & Tara go to Tara's home town in Alabama to attend the funeral of Robert Maclay, Tara's father. While there they discover more about Robert's past and how it is connected to Willow and Tara's future.

Synopsis
The girls return to Tara's hometown where they stay with her brother Donny, his new wife Leah and their new baby Megan (named after Tara's mother). Though without knowing Leah has set the girls up in seperate rooms as if they were "just friends". One of the themes of this episode was actually confronting the issues of homophobia as opposed to dancing around the issues. This was at the request of my player/testers who felt that the show never did a very good job of this.

The girls arrive in town. Go to the wake. Tara decides she needs a drink and heads to the local bar. She runs into a guy (Dan) that had a crush on her in high school who never quite understood she was gay. As well as cousin Beth. People in the bar begin to talk and whisper about Tara being back, and with a girlfriend no less.  To bust the tension of the moment my Tara player decides to break into a bit of dirty dancing with Willow to Prince's "Gett Off".  They of course get kicked out of the bar, much to Beth's delight.

During the funeral Tara and Donny get into a fight over the minister Donny chooses to speak. They get into a fight, Tara storms out, Beth comments on "Tara running away again".  Beth mentions that she cast a spell to set everyone against Tara for leaving her behind. Willow punches her.  Willow follows Tara, tells her about Beth's spell.  Discover that Beth did cast a spell, but it had no effect.    Next day things seem to be better, Donny apologizes. Beth has left town. Tara is given her mother's things including her journal that details this entire life she had working with her father as part of a covert ops group to take out supernatural threats.  Donny also gives the girls Robert's car, a blue 1967 Ford Thunderbird.  Tara, now feeling welcomed in her old home decides to head back to her new home.  On the drive back though the ghost of Robert McClay informs them they have work to do.

Notes: This was not an action packed episode, but rather one of interpersonal actions and reactions.  I wanted to delve deeper into Tara's past and her family life, plus fix some of the problems from the show (demons in female side of the family?? WTF?? yeah, I fix that too). Things learned in this episode:  Tara, her mother and grandmother are/were all power witches. Megan was a "Craft Worker" assigned to Robert's unit to aid his group in hunting the supernatural.  Her job was the "Cleaner", or the removal of spirits.  Robert didn't want to work with a witch, but orders are orders.  Now for their group I just used my old 1980's Chill game.  So Bob and Megan were part of S.A.V.E., but something happened back then and they never finished their mission and Bob and Megan left, never to talk about it again.  We also learn that Megan was from Sunnydale.  Donny is not an dick really, just a jerk that listened to his father's anti-demon, anti-witchcraft tirades a little too much.  He is after all Megan's child too, though he does not have any magic.  Beth though does have some magic, though hers never works.  Her role here is smaller than originally planned, but that is fine, she comes back in Web of Lies.

The big deal here of course is Bob, the Ghost.  He needs to lead Willow and Tara through his failed 1976-79 mission in order to find peace.  This mission is also tied to the what the girls are dealing with now and the Awakening.  They also are given Megan's journal which has the cut scenes of the action in the 70's. 

So you are a young gay woman on a road trip with your girlfriend in a cool convertible, what else could you want?  That's right the ghost of your ultra-conservative, way strict father hanging around.  That's got comedy gold written all over it!  Too bad that the trip is to discover what supernatural force might be taking over the world soon and may have had an impact on why your mother died and why your dad is such an asshole.

Now about Bob: Bob of course was on the show, but never given that name.  I named him that cause he looks like a Bob to me, plus it was a nod to a friend of mine author Robert Black.  Funny thing is Robert Black goes to the same church as does Steve Rankin who played Mr. Maclay in the episode "Family" (one of the highest rated Buffy episodes). This is my chance to try to redeem the character a bit instead of making him a two-dimensional cliche.  Since he played a number of military types on various shows (including multiple characters on various Star Treks) he is portrayed here as a Marine (he has played Klingons, Romulans and Cardassians, and as the infamous Col. Green, I think he can pull off a Marine too).  He was later convinced to work with SAVE after seeing something really scary.  In 1976, when he meets Megan O'Kelly he is in his late 20's

"Megan" was my Tara player's idea.  Originally she was named Deirdre (I had just read the Irish tale "Deirdre of the Sorrows" and thought that Bob should be much older than his wife), but in the end came to like Megan more.  Deirdre then became her grandmother.  Megan, who I figure was 22 in 1976 when she joined Bob's team was something of a California girl.  Long blonde hair, Led Zeppelin concert tee, and wearing hip hugger bell bottoms.  For Megan think of a young Eliza Roberts (Eric Robert's wife), though she does not make any appearnces here except in photos and flashbacks.
We learn that Bob had been in the military when he was younger, but left for an unknown reason.  He was getting followers and cards from people Tara had never heard of before from all around the globe.  Donny didn't even know them.

The town the Tara lived in had been her family home for years.  Her father's family had been her for generations.  People talked about how Tara left AND also how Bob had left when he was roughly the same age.  Both came back with a strange new woman from California in their lives (Willow and Megan respectively).  This was the start of building a lot of parallels between Bob/Megan and Willow/Tara.  Each generation did something that the other generation could relate too.

We also learn about Tara's first crush. Tara had been in Jr. High and her crush had been a red-headed high school girl that worked at the "Tastee Freeze" (no, there are no Tastee Freezes in AL). Tara would go there to buy a small vanilla ice cream cone just so she could see her, even if she never actually said anything to her. The girl found out, thought it was cute, and began dipping her cone in that strawberry stuff that freezes when it comes in contact with the ice cream. We called them dip-cones. Of course, the girl had a boyfriend, which broke Tara's heart, but her taste for red-headed women remained. Not sure about the strawberry dip-cones though.

Strange Sort of Homecoming was also the first of the "Road Stories" sub arc.  We had planned this as the first series even before Dragon and the Phoenix.  The 67 Ford Thunderbird was our nod to Thelma and Louise, though we already did that ending in Dragon.

We now had our cast whole.  Willow and Tara, our two witches. Bob the ghost and Cordy the Whitelighter.  It was good that the last two could move in and out at will since the Thunderbird can only seat two.

Next Time: Willow, Tara, Bob, and Cordy get caught up in the crossfire of a voodoo war, meet an unlikely ally, and find what may be the most haunted house in the entire Western Hemisphere in "Under a Cajun Moon".

New Game Group

Tonight will be the first meeting of my new game group.  Well, not so much new and not really mine.
"The Northlands Gaming Group" will be the same members of my "adult" Pathfinder/D&D4 group which is a larger set of my normal Unisystem playtest group.  The DM will be Greg aka Rhonin84.

Tonight is the prep meeting over some Chicago-style pizza.  I am expecting we will be doing more in Greg's own world, which will be a treat.  What I am not sure of yet is which system we will be using.  I have narrowed it down to a few guesses though.

D&D4
Why?  Well we both play it with our own kids separately now and when we get them together. It would be easy to do and between the two of us we have everything.  Plus we had a good Essentials based game recently that was a lot of fun.
Why not? For exactly the same reasons.
My take: I get to play a lot of D&D4 and with this group we will spend a lot of time in combat.  D&D4 combats do take a long time but there are ways to speed it up.

Pathfinder
Why? This is the odds on favorite I think. This is the system that this group started out in.
Why not? These reasons are fewer.  The main reason would be that one of the other systems has something in it that PF does not.
My take:  I like Pathfinder and unless we do it here I am not sure when I'd ever play it.

Retro-Clone
Why? Greg has been telling me for weeks now how much of a fan he is of OSRIC and S&W.  We both love the new B/X Companion. So there is some traction here.
Why Not? The other players are not as familiar with these games as we are.
My Take: I'd love to play in retro-clone game; if done right.

I think I am going to opt for a Paladin in this group; something against my typical witch or wizard.

Looking forward to the first meeting of the new Northlands Gaming Group!

Reviews: Chill RPG

Reviews: Chill
Did some more reviews the other night.  Woefully behind schedule. So wanted to take a big chunk out of it with ones I really, really like first.

Longtime readers know of my love for Chill, my first true horror RPG.

Chill
To many role-players around my age their first introduction to Horror roleplaying was the venerable “Call of Cthulhu”, but not me. Mine was Chill. I had the Pacesetter version (1st Edition), which I remember quite fondly, even if I did not get much of a chance to play.
The Mayfair version (2nd Edition) is of course superior and it is great to see it here. Picking up a copy of the Mayfair version now I get the impression (true or not) that the makers of Kult saw it and thought, “yes this is good, but what if the world was much, much worse?”
I liked Chill also because it had Midwest sensibilities. Pacesetter was from Wisconsin; Mayfair was/is in Niles/Skokie, a suburb of Chicago than is not to far from where I live (and has one of my favorite pizza places). It was while playing Chill that learned that the best horror was horror close to home. I don’t know, or much care really, what Hollywood thinks is horror. How can a place that gets like 350 days of sunshine know what is horror? On the other hand East Coast horror (Lovecraft) has a completely different flavor. It’s almost alien. Chill may have had a global scope, but the horror is home grown. Chill remembers that there is simple horror in the haunted house, or the strange creature from the Unknown. It is not about the bigger-badder-more horror of some games, where every game has to up the ante on the last game.
Chill does look dated by today’s standards, but keep in mind that most of it was written in the early 80’s and updated in the 90’s. A lot of the rules in Chill can be found in one way or another in modern horror games. In fact one gets the feeling of seeing evolution in process when comparing similar rules in Chill and Unisystem or World of Darkness. Successes, Fear Checks, even proto-Drama point usage (of a sorts) are all here. If one is more used to modern games, the Chill versions do seem unwieldy and even a bit primitive, but looking at them the other way, the Chill rules were a landmark for the time. Indeed there are a lot of rules in existence today that we take for granted that were still cutting edge in Chill.
But that is not to say that Chill does not have something to offer the player of today.
If horror is your game, then Chill is worth your time and money.
5 out of 5 Stars.

Chill Companion
A must have if you are playing 2nd Edition/Mayfair Chill, AND a good buy for fans of any horror rpg.
Add more depth to your characters including (and most importantly to me) the use of magic and psionics. Nothing beats Chill and this was one of the best additions to the game.
5 out of 5 Stars.

Horrors of North America
What I loved most about Chill was it was American Horror. Not just New England, or even old England, but the Mid-West, the North and all over the place.
Horrors of North America is one part travel guide, one part monster manual and all parts awesome. Great even if you are not playing Chill as a guide to whats weird and supernatural out there.
5 out of 5 Stars.

Chill: Vampires

Chill Vampires is the standard to which all vampire related supplements to a horror game must be measured. Any game can produce a bunch of stats, some bad fiction and link them together, Chill: Vampires is a Master's Thesis on combating the undead. Not just notes for the would be vampire slayer (and game masters) but also detailed accounts of the most brazen of the undead. Complete with stats, history, motivations and the notes of previous investigators and SAVE agents.
This book is fantastic for any game but essential for a good Chill game. I would recommend it on the basis of the Dracula and Bathory write-ups alone, but there are more and even stranger and deadlier vampires in these pages.
All games before, and many after, dealt with vampires much the same way, little carbon copies of Hollywood Dracula. Sure, some made attempts at doing different things, but most were weak in implementation. But Chill (and to be fair a D&D article in Dragon about a year before) did something that no other game had done before, give us varieties of vampires. So it was not just pack your stake, holy water and crucifix, you had to know what species of vampire you were after. So that stake would be fine against a Common Carpathian and by luck the Macedonian Vampire, but completely useless against an Alpine Vampire. This played well into Chills other evolutionary concept, in game research.
Some of these vampires represented a type or species of vampire. The Common Carpathian, Macedonian and Oriental Vampires are of this kind. Others were most likely unique individuals with a specific vampirism curse, Elizabeth Bathory is a good example, she is most like a Common Carpathian with some things that are unique to her nature in life.
5 out of 5 Stars.

Unknown Providence: SAVE in New England
Part source guide to New England, part historical treatsie and part adventure Unknown Providence covers a lot of ground. Set firmly in the Chill/SAVE meta-plot this book was one of the first of what was to be the new direction in Chill. Sadly it was also one of the last.
The background and history of New England is awesome. Filled with all sorts of facts and ideas to use in any game as well as a cast on NPC, monsters and SAVE agents.
The adventure is less good, though perfectly fine.
4 out of 5 Stars.

Professor Elemental for Ghosts of Albion?

Why not.  Though Marquis of Queensbury rules did not exist yet in Ghosts of Albion, but it is hard to find Vicortian-era hip-hop.



How many points should a "Fighting Trousers" Quality be worth anyway?

Even Witches have itches

Saw this the other night on "That 70's Show", yeah I know I am behind a bit on my TV watching.

Cause even witches have itches... Made me laugh.

Justice is Blind, Issue 2: BASH!

Continuing on my development of a "new" superhero I want to first talk about a few things from my first post on Justice. I see Justice as a very conflicted sort of hero, but not angsty.  She is conflicted because she wants to do good, but is unsure what is the best way to that.  She knows she has a duty because of who her parents are and she has obligation because of who she is.

One thing that Justice is really needs is a nemesis.  All good heroes are defined by their enemies.  For the moment I'll leave that one to my GM.  Though I did just finish Batwoman: Elegy and I am thinking that the best nemesis for her would be her own twin sister.

Justice is sort of my anti-Witch.  She is smart, yes, but she is strong and has no affinity for magic whatsoever.  So this makes for a character that is more physical than I have done in the past.

Since this is a new character I think I need to use the game that was my first new game of 2010, BASH!.

BASH is a pretty simple system.  Basically it is kind of a modified point buy with points determined by the campaign setting.  Pretty common for a supers game.  The mechanic is kind of an odd one with multipliers (but I think it works for supers) and exploding doubles on 2d6, which I admit I like. It also has a cool FASRIP-looking chart for die results, so it gives it an old school feel (something all old school supers games had were charts, lots of them!). I like that the main Abilities have been reduced to just three; reminiscent of Tri-Stat, but these a Brawn, Agility Mind (BAM!).  Everything after that are skills and powers.

It has it's legions of fans and that is cool and I can see why.  I don't know if I'll ever play it myself.  I'll try it out one day to be sure, but if and when I do, I have a character ready to go.

Here is Justice based on a 40 point game.

Name: Justice
Real Name: Astra Kent / Astra Kal-el

Brawn: 4
Agility: 3
Mind: 2

Soak: 9
Defense: 4
Mental Defense: 2

Powers
Martial Arts Mastery (Tough, Fast, Wrestling styles) (+2 Brawn, +1 Agility) 2
Flight, 15 squares, 3
Armor, Impervious (+3 Brawn) 3
Super Senses, Vision and Hearing 3
X-Ray vision 3
Keen Senses, Vision
Skillful, +2 to Skills 1
Heat Vision, Special Attack 2
Super Speed

Skills
Social/Sci - Law
Social/Sci - History
Athletics - Acrobatics
Athletics - Running
Stealth - Prowl
Investigate - Finding Clues
Security - Surveillance

Advantages
Contacts
Never Surrender
Resources

Disadvantages
Outsider
Secret
Magic Weakness (Negates Armor)

Character Points: 39

Again I like the picture being put together here.
If this was an on going narrative, Issue #1 (Mutants & Masterminds) focuses on her powers and how much she is like her parents.  Issue #2 here (BASH!) then is told in flashbacks to talk about her training as an Amazon and then her later training with Bruce on martial arts and how to be a detective.  Issue #3?  Well not sure yet, either Icons or Villains and Vigilantes.

Either way tune in next time for the exciting new adventures of Justice!

Reviews, True20 Edition

Some more reviews from DriveThruRPG.  Since I have been on a True20 kick again of late, here are some True20 products.

Colonial Gothic (True20 version)
The world of Colonial Gothic using the True20 system instead of it's normal house system. Typically when a product is converted to a "generic" system some of the style and feel is lost. Though I will say that CG survived with much more of it's soul intact. The system is normally a very easy one to learn so the conversion here does not sacrifice complexity. The game is still same, one of a supernatural New World as it becomes a new country, America.
The conversion does highlight many of the pluses of the game including it's atmosphere and style of play. It also allows you know to bring other True20 that might be helpful. In some ways I prefer this to the original. This one also gets a plus from me as a fan of this time period for play. So kudos for giving revolutionary era America a go.
5 out of 5 stars.

Legends of Excalibur: Arthurian Adventures (True20)
Legends of Excalibur, True20 edition. This conversion of the very, very good d20 edition is also very, very good. In some ways I prefer it since it takes much of the d20 overhead and trims it out. Instead we are now focused on a game that strives to emulate Arthurian Legends with a very tight and neat system. Everything in the d20 version is also here, so this is not a "trimmed down" version of anything except rules. Maybe some of the unique flavor is lost (no prestige classes or new magic systems), but they are all there expressed in terms of the True20 system, so what would have been a class in d20 is now a background feat in true20. I think the system works well in presenting that low fantasy, high romance feel that one often associates with Arthur too. In the end I think the True20 version works better than the d20 one.
I think I even like this better than Pendragon.
5 out of 5 stars.

Gearcraft: Amazing Machines and Their Construction: The True20 Steampunk Sourcebook
Gearpunk and Steampunk for your True20 games. It is in interesting book. Not set in any particular genre or time the illustrations are evocative of Victorian Steampunk, Pulp and even weird science. The rules are fairly straight-forward on how to build various machines; almost as if they were characters in their own right. Feats and skills are discussed. If you have True20 or a TRue20-based game and want to add some gear based machines (no Matric here yet) to it then this a great little book.
4 out of 5 stars.

World of Nevermore (True20)
Ever wonder what the lands of dream are like? Wonder no more with this world guide book, World of Nevermore. Filled cover to cover with a fantastic world where dreams live. A perfect world for someone with True20 and desire to do something very different. Take your characters (and players) out of their reality and into this one. The book reads like one part Lovecraft's dreamlands, one part Shakespeare's land of the fae and one part Ravenloft.
Plenty of new rules for characters including roles, feats and powers. Plenty of new monsters and 200 pages worth of world to play with them. Really fun stuff here.
5 out of 5 stars.

Shadows of Cthulhu
Any game that tries to do H.P. Lovecraft mythos has an uphill battle against the very venerable "Call of Cthulhu" which is arguably not just the best Mythos game, but maybe the best horror game ever. That is some steep competition. Shadows of Cthulhu holds up quite well really. Looking at it as a Modern Supernatural game using True20 it works out really, really well. There are plenty of new roles and backgrounds for characters. SoC does what only CoC has been able to do well and this incorporate a sanity system into the game that makes sense. Here SoC makes good use of the True20 rules and gives us the Sanity Save. Works just like the damage track already used by True20 it works very, very well with the system.
There is a great section on role-playing in the 1920s (as it should have) and a great section on sanity and the Mythos, which includes the magic common to the HPL games. All regulars are here in the bestiary and some of the "gods" of the Cthulhu mythos. I didn't notice anyone was missing. The book ends with a bit on the town of Innsmouth.
SoC had an uphill battle, but I think it did a great job of giving us a good mythos-based RPG. You would think that we were all Cthulhued-out by now, but SoC is so good and makes True20 really shine. Fantastic use of True20 and the rule additions, while not earth shaking, are great all the same. A must buy if you are Cthulhu fan or a True20 fan.
5 out of 5 stars.

The Imperial Age: True20 Edition
True 20 has become a great solution for all sorts of Modern d20 based games for me and Imperial Age shows why. The rules are adapted from the Imperial Age supplements for d20, so a lot here has been seen before, but all of it looks new through the lens of True 20.
All the Imperial Age products ooze style and this one is no different. There may be better Victorian Age games out there, but one can't deny that this is a great product and a welcome addition to any Victorian gaming library.
5 out of 5 stars.


Unlike some of the d20 books, the True20 games even by 3rd party publishers, seem to work together a bit better.  Hope these games are as fun for you as they were for me.