For my October Reviews I am back on Dracula.
Count Dracula (1977, BBC)
I am half-tempted to count this one as two movies. It does come in two-parts and it was rather long.
Ok let's start with the good.
This is closer to the book than any other movie so far.
There are some differences though. Minor are Lucy and Mina are sisters here. Arthur Holmwood and Quincy Morris have been combined to a single character, Quincy Holmwood, but he is still American. An aside, I love it when English actors do American accents. Quincy is so stereotypically Texan that it comes off more endearing than comedic or even bad. The actor is very earnest about his role.
Louis Jourdan is a fantastic Dracula.
Susan Penhaligon as Lucy does remind me quite a bit of Sadie Frost, who played Lucy in the 1992 movie. One gets the feeling that Francis Ford Coppola watched this movie to get ideas.
Judi Bowker (who would later earn her geek cred playing Andromeda in the original Clash of the Titans) plays a wonderful Mina here. She has the sweet innocence that one needs in Mina in the early part of the tale. She was the best Lucy up that time and rivals that of Kate Nelligan in the Hollywood film of 1979.
The bad. Though it is not really that bad.
The effects are Doctor Who-in-the-70's quality, but this should not be a surprise given it was in the 70s on BBC. Missing Holmwood is not that big of an issue. When you are doing this on stage fewer actors are better, but as we would later see in the FFC Dracula (1992) that it can be done.
It suffers from some of the same issues as the book. Long and drawn out in places.
All in all a great movie, tribute to the BBC. I am glad I finally got a chance to watch it.
Friday, October 15, 2010
Thursday, October 14, 2010
Dracula: Ghosts of Albion
Something I have always wanted to do is bring Dracula into Ghosts of Albion. I could imagine a plot similar to Dracula's Guest, only with the Cast. The cast come to castle Dracula and meet up with the Count, in his old form from the the beginning of the book. I'd like some sort of mystery. Maybe a murder, but the Count wants to find out who did it just as much as the Cast. I'd like to pit the Count against the cast, but not in a physical or combative way; I need him "alive" at the end of the tale.
I'd use the maps from Castle Ravenloft, since they are supposed to be like Dracula's castle anyway.
But the issue is, and has been, I can't quite come up with something interesting enough for the Cast to do with Dracula. I figure if I am pulling out the big gun here, it needs to be nothing short of awesome.
If I come up with something you all will be the firsts to know.
Count Dracula of Transylvania
Name: Count Dracula
Motivation: To leave Transylvania and see new lands
Creature Type: Vampire, Protector
Attributes: Strength 9, Dexterity 6, Constitution 7, Intelligence 5, Perception 5, Willpower 7
Life Points: 98
Drama Points: 10
Qualities
Acute Senses
Age 4
Animal Communication (limited to bats, rats and wolves)
Charisma
Cloak of Beasts (bat, rat, and wolf)
Control Weather
Hard to Kill 8
Hypnosis 3
Nerves of Steel 2
Magic 4
Mesmerize
Protector of Transylvania
Resources 7
Scale Walls
Soldier, Officer (Retired)
Status, Noble
Sunlight Immunity (limited, unable to change form or use his magical powers except at noon)
Vampire
Drawbacks
Adversary (monster hunters, rival vampires, some gypsies, people with the last name Van Helsing) 8
Anti-Social Impulses (violent)
Archaic 1
Attractive -1 (remember, this is Old Dracula with the bad breath, very thin, hairy palms, and long mustache)
Covetous (Lechery, 2)
Cruel 3 (deranged)
Home Soil
Honorable 1
Love, Tragic (sure, why not. He believes so at least)
Natural Barrier (running water)
Obsession (leaving Transylvania) 2
Obsession (find a bride) 1
Secret 3 (many)
Skills
Armed Mayhem 7
Art 2
Athletics 6
Crime 5
Doctor 1
Drive/Ride 5 (Coaches)
Engineering 2
Fisticuffs 6
Influence 5
Knowledge 8 (he has done nothing for the last few centuries but read)
Languages 9 (he speaks many languages including English with no noticeable accent)
Marksmanship 3
Notice 10
Occultism 9
Science 4
Combat Maneuvers
Name Score Damage
Punch 12 18 Bash
Break neck 16 36 Special
Sword 13 36 Slash/stab
Bite (vampire)14 22 Must Grapple first; no defense action
Dodge 13 -- Defense action
Grapple 15 -- Resisted by Dodge
Bat 20 -- +8 to hiding
Bite (bat) 14 8 Slash/stab
Wolf 20 -- Double movement; +3 to Crime at night
Bite (wolf) 14 15 Slash/stab
Claws (wolf) 14 15 Slash/stab
Magic 20 Varies By spell
Deflect 20 90° spell deflection (Innate Magic)
Hold 19 Holds spell in place for SL rounds
Dispel 17 Cancels Spell
Volley 14 Returns spell to originator
This is Dracula in 1839. He has not left Transylvania in years and is now planning his moving to England. Of course there are the Protectors of Albion yet to deal with.
Think the old man that greats Harker in the beginning of the book; Old, not very attractive, but charismatic. Here is also the Protector of Transylvania. Though you might want to rule that in your games he looses the benefit of those powers when he leaves his lands.
I'd use the maps from Castle Ravenloft, since they are supposed to be like Dracula's castle anyway.
But the issue is, and has been, I can't quite come up with something interesting enough for the Cast to do with Dracula. I figure if I am pulling out the big gun here, it needs to be nothing short of awesome.
If I come up with something you all will be the firsts to know.
Count Dracula of Transylvania
Name: Count Dracula
Motivation: To leave Transylvania and see new lands
Creature Type: Vampire, Protector
Attributes: Strength 9, Dexterity 6, Constitution 7, Intelligence 5, Perception 5, Willpower 7
Life Points: 98
Drama Points: 10
Qualities
Acute Senses
Age 4
Animal Communication (limited to bats, rats and wolves)
Charisma
Cloak of Beasts (bat, rat, and wolf)
Control Weather
Hard to Kill 8
Hypnosis 3
Nerves of Steel 2
Magic 4
Mesmerize
Protector of Transylvania
Resources 7
Scale Walls
Soldier, Officer (Retired)
Status, Noble
Sunlight Immunity (limited, unable to change form or use his magical powers except at noon)
Vampire
Drawbacks
Adversary (monster hunters, rival vampires, some gypsies, people with the last name Van Helsing) 8
Anti-Social Impulses (violent)
Archaic 1
Attractive -1 (remember, this is Old Dracula with the bad breath, very thin, hairy palms, and long mustache)
Covetous (Lechery, 2)
Cruel 3 (deranged)
Home Soil
Honorable 1
Love, Tragic (sure, why not. He believes so at least)
Natural Barrier (running water)
Obsession (leaving Transylvania) 2
Obsession (find a bride) 1
Secret 3 (many)
Skills
Armed Mayhem 7
Art 2
Athletics 6
Crime 5
Doctor 1
Drive/Ride 5 (Coaches)
Engineering 2
Fisticuffs 6
Influence 5
Knowledge 8 (he has done nothing for the last few centuries but read)
Languages 9 (he speaks many languages including English with no noticeable accent)
Marksmanship 3
Notice 10
Occultism 9
Science 4
Combat Maneuvers
Name Score Damage
Punch 12 18 Bash
Break neck 16 36 Special
Sword 13 36 Slash/stab
Bite (vampire)14 22 Must Grapple first; no defense action
Dodge 13 -- Defense action
Grapple 15 -- Resisted by Dodge
Bat 20 -- +8 to hiding
Bite (bat) 14 8 Slash/stab
Wolf 20 -- Double movement; +3 to Crime at night
Bite (wolf) 14 15 Slash/stab
Claws (wolf) 14 15 Slash/stab
Magic 20 Varies By spell
Deflect 20 90° spell deflection (Innate Magic)
Hold 19 Holds spell in place for SL rounds
Dispel 17 Cancels Spell
Volley 14 Returns spell to originator
This is Dracula in 1839. He has not left Transylvania in years and is now planning his moving to England. Of course there are the Protectors of Albion yet to deal with.
Think the old man that greats Harker in the beginning of the book; Old, not very attractive, but charismatic. Here is also the Protector of Transylvania. Though you might want to rule that in your games he looses the benefit of those powers when he leaves his lands.
October Movie Reviews: Dracula 1992
For my October Reviews I am continuing my Dracula reviews.
Dracula (1992)
Also know as "Bram Stoker's Dracula".
Depending on your point of view this is either the best cinematic Dracula, or the worst. But before that lets take the movie at face value.
What I like the most of about this one is it is beyond a doubt one of the better cinematic adaptations of Stoker's book. All the characters are here, including the oft missed Quincey Morris and Arthur Holmwood. There are tons of little details that I love. Dracula's shadow in the early scenes at Castle Dracula are great and invoke the classic Nosferatu. The newspapers, Draucla's map of London, even a sandwich board advertising the Lyceum Theater are nice touches. The sets are masterful, this may be the best Castle Dracula since Lugosi. Of course watch for Dracula's shadow in his castle. Nosferatu anyone? The three brides, always hinted at, are revealed in their full gory glory here. This might also be one of the first film roles for Monica Bellucci. The use of real Romanian is a nice treat, even if it isn't perfect (it's modern Romanian through out, even when medieval Romanian should have been used).
Though the movie is not without some serious problems. The whole Mina and Dracula love affair thing is just another example of the Dracula/Vampire fetish. And don't get me started on the whole absinthe scene. As much as I like Wynnona Ryder I felt her Mina was very flat. Yes, and there is Keeanu Reeves as Harker, but I like Reeves and didn't mind this, though I kept thinking he was going to say "No way Van Helsing!" ala Ted. Sadie Frost was a bit overtly sexual as Lucy, but I preferred her performance over that of Jan Francis' portrayal of the similar character in the 1979 film.
We have a little joke among my friends, if you can't figure out an actor to play a roll, get Gary Oldman, he can do anything. He is convincing as Dracula, both old and young, the suave seducer and terrible monster. But sometimes here he is a bit over the top.
This movie, more so than even the Jack Palance one, makes the connection between Dracula, the vampire, and Dracula aka Vlad the Impaler more explicit. It also bridges that important gap of how one man became the monster. At the time of the movie I liked that, but after just re-watching I am less convinced. Oh it still is a good bit of storytelling, but it is another factor of the whole Dracula loves Mina sub-plot that gets on my nerves.
In terms of the other characters, well they are all there. Arthur Holmwood, Quincy Morris, Dr. Seward are all great in their respective points in the story played very well by Cary Elwes, Bill Campbell and Richard E. Grant respectively. Anthony Hopkins plays a much crazier Van Helsing than those before him. Taking that "we are all God's madmen" line a little too literal I think. Hopkins is great of course, he is Sir-Anthony-fucking-Hopkins after all, but some things about his portrayal bugged me. The whole "the foe I have been searching for all my life" thing bugged me too. Was this a metaphorical foe as in "all evil" or "Dracula" in particular? I got the impression that they meant Dracula himself.
I do have this copy of the script that is full of production notes, stills from the movie, images from the various Dracula publications over the years and Victorian era photos/pictures. It is sitting in-between my copy of Ghosts of Albion and Victoriana on my "Horror RPG" shelf.
The next full outing of Dracula will have to do better than this one in order to be remembered. And we are about due for one.
Dracula (1992)
Also know as "Bram Stoker's Dracula".
Depending on your point of view this is either the best cinematic Dracula, or the worst. But before that lets take the movie at face value.
What I like the most of about this one is it is beyond a doubt one of the better cinematic adaptations of Stoker's book. All the characters are here, including the oft missed Quincey Morris and Arthur Holmwood. There are tons of little details that I love. Dracula's shadow in the early scenes at Castle Dracula are great and invoke the classic Nosferatu. The newspapers, Draucla's map of London, even a sandwich board advertising the Lyceum Theater are nice touches. The sets are masterful, this may be the best Castle Dracula since Lugosi. Of course watch for Dracula's shadow in his castle. Nosferatu anyone? The three brides, always hinted at, are revealed in their full gory glory here. This might also be one of the first film roles for Monica Bellucci. The use of real Romanian is a nice treat, even if it isn't perfect (it's modern Romanian through out, even when medieval Romanian should have been used).
Though the movie is not without some serious problems. The whole Mina and Dracula love affair thing is just another example of the Dracula/Vampire fetish. And don't get me started on the whole absinthe scene. As much as I like Wynnona Ryder I felt her Mina was very flat. Yes, and there is Keeanu Reeves as Harker, but I like Reeves and didn't mind this, though I kept thinking he was going to say "No way Van Helsing!" ala Ted. Sadie Frost was a bit overtly sexual as Lucy, but I preferred her performance over that of Jan Francis' portrayal of the similar character in the 1979 film.
We have a little joke among my friends, if you can't figure out an actor to play a roll, get Gary Oldman, he can do anything. He is convincing as Dracula, both old and young, the suave seducer and terrible monster. But sometimes here he is a bit over the top.
This movie, more so than even the Jack Palance one, makes the connection between Dracula, the vampire, and Dracula aka Vlad the Impaler more explicit. It also bridges that important gap of how one man became the monster. At the time of the movie I liked that, but after just re-watching I am less convinced. Oh it still is a good bit of storytelling, but it is another factor of the whole Dracula loves Mina sub-plot that gets on my nerves.
In terms of the other characters, well they are all there. Arthur Holmwood, Quincy Morris, Dr. Seward are all great in their respective points in the story played very well by Cary Elwes, Bill Campbell and Richard E. Grant respectively. Anthony Hopkins plays a much crazier Van Helsing than those before him. Taking that "we are all God's madmen" line a little too literal I think. Hopkins is great of course, he is Sir-Anthony-fucking-Hopkins after all, but some things about his portrayal bugged me. The whole "the foe I have been searching for all my life" thing bugged me too. Was this a metaphorical foe as in "all evil" or "Dracula" in particular? I got the impression that they meant Dracula himself.
I do have this copy of the script that is full of production notes, stills from the movie, images from the various Dracula publications over the years and Victorian era photos/pictures. It is sitting in-between my copy of Ghosts of Albion and Victoriana on my "Horror RPG" shelf.
The next full outing of Dracula will have to do better than this one in order to be remembered. And we are about due for one.
Wednesday, October 13, 2010
Dracula: True 20
I like True20. I do. It suffers from some issues though. If you like generic games, then it is great, but it still has classes and levels. Plus the only way to really do a character properly is a load of multiclassing.
Here is Dracula in his True 20 form. Warrior is obvious, as is expert to some degree. Adept really is there to cover his powers.
Count Dracula, True 20
Type: 16th level Undead (Adept 2/Expert 1/Warrior 13)
Size: Medium
Speed: 30 ft
Abilities: Str +8, Dex +7, Con -, Int +3, Wis +1, Cha +3
Skills: Acrobatics 19 (+26), Bluff 8 (+11), Climb 8 (+16), Concentration 7 (+8), Diplomacy 11 (+14), Disable Device 2 (+5), Disguise 2 (+5), Escape Artist 2 (+9), Gather Info. 7 (+10), Handle Animal 2 (+5), Intimidate 14 (+17), Jump 2 (+10), Languages 5 (+5), Medicine 4 (+5), Notice 3 (+4), Ride 6 (+13), Search 5 (+8), Sense Motive 3 (+4), Sleight of Hand 3 (+10), Stealth 6 (+13), Survival 8 (+9), Swim 0 (+8), Knowledge (History) 2 (+5), Knowledge (Supernatural) 2 (+5), Knowledge (Religion) 2 (+5)
Feats: Iron Will, Menacing, Leadership, Armor Training (Heavy), Armor Training (Light), Weapon Training, Armor Training (Heavy), Weapon Training (Long Sword), All-out Attack, Canny Dodge, Attack Focus (Long Sword), Defensive Attack, Diplomatic, Improved Strike, Dedicated, Influential, Night Vision, Uncanny Dodge, Rage, Smite Opponent, Greater Attack Focus, Accurate Attack, Power (Weather Shaping), Power (Mind Touch), Master Plan
Traits: Determination, No Constitution, Dark Vision (60ft), Proficiency (Natural Weapons), Immunity (Mind Influencing Effects), Immunity (Sleep, Poison, Paralysis, Stunning), Immunity (Critical Hits, Fatigue), Immunity (Fortitude Saves), Unhealing, Healed by Harm (Harmed by Heal)
Powers: Suggestion 5 (+8) DC 14, Wind Shaping 5 (+8) DC 14
Combat: Unarmed +21, Damage +8 (20/+3), Longsword +21, Damage +11 (19/+3), Defense +21/+22, Initiative +7
Saving Throws: Toughness +8, Fortitude +8, Reflex +11, Will +8
Here is Dracula in his True 20 form. Warrior is obvious, as is expert to some degree. Adept really is there to cover his powers.
Count Dracula, True 20
Type: 16th level Undead (Adept 2/Expert 1/Warrior 13)
Size: Medium
Speed: 30 ft
Abilities: Str +8, Dex +7, Con -, Int +3, Wis +1, Cha +3
Skills: Acrobatics 19 (+26), Bluff 8 (+11), Climb 8 (+16), Concentration 7 (+8), Diplomacy 11 (+14), Disable Device 2 (+5), Disguise 2 (+5), Escape Artist 2 (+9), Gather Info. 7 (+10), Handle Animal 2 (+5), Intimidate 14 (+17), Jump 2 (+10), Languages 5 (+5), Medicine 4 (+5), Notice 3 (+4), Ride 6 (+13), Search 5 (+8), Sense Motive 3 (+4), Sleight of Hand 3 (+10), Stealth 6 (+13), Survival 8 (+9), Swim 0 (+8), Knowledge (History) 2 (+5), Knowledge (Supernatural) 2 (+5), Knowledge (Religion) 2 (+5)
Feats: Iron Will, Menacing, Leadership, Armor Training (Heavy), Armor Training (Light), Weapon Training, Armor Training (Heavy), Weapon Training (Long Sword), All-out Attack, Canny Dodge, Attack Focus (Long Sword), Defensive Attack, Diplomatic, Improved Strike, Dedicated, Influential, Night Vision, Uncanny Dodge, Rage, Smite Opponent, Greater Attack Focus, Accurate Attack, Power (Weather Shaping), Power (Mind Touch), Master Plan
Traits: Determination, No Constitution, Dark Vision (60ft), Proficiency (Natural Weapons), Immunity (Mind Influencing Effects), Immunity (Sleep, Poison, Paralysis, Stunning), Immunity (Critical Hits, Fatigue), Immunity (Fortitude Saves), Unhealing, Healed by Harm (Harmed by Heal)
Powers: Suggestion 5 (+8) DC 14, Wind Shaping 5 (+8) DC 14
Combat: Unarmed +21, Damage +8 (20/+3), Longsword +21, Damage +11 (19/+3), Defense +21/+22, Initiative +7
Saving Throws: Toughness +8, Fortitude +8, Reflex +11, Will +8
October Movie Reviews: Dracula 1979
For my October Reviews I am continuing my Dracula reviews.
Dracula (1979)
The John Badham film was one of the first Dracula films I saw in the theaters. Well, actually I think I saw it at a Drive-In. If you don't remember those then I can't help you.
This movie is a visual master-piece and Frank Langella dominates every scene he is in and he is in quite a number of them. Dracula in the book doesn't get a lot of "screen time", but this one cleaves closer to the screen-play. Like Lugosi before him, Langella played the character on stage first.
This is another one of the tales that reverses the roles of Mina and Lucy. Normally it is Mina who loves Jonathan Harker and who is later seduced by Dracula and Lucy who is the friend who dies by Dracula.
Kate Nelligan is a great Lucy (in the Mina role) and Lawerence Oliver is great as the aged Van Helsing. Donald Plesasence as Seward though left a little to be desired. I guess they decided to drop Seward's morphine addiction and swapped it with eating. Seward is eating in nearly every scene he is in. Watch close and you will see a younger pre-Doctor Sylvester McCoy.
For some odd reason this movie is set in the Edwardian age (1913 to be exact) rather than the more traditional late Victorian. It almost plays out as a sequel to the book, if you can come up with a good reason why Van Helsing and Seward don't remember Dracula from before, and deal with the issue that Van Helsing's wife was an invalid in the book. Maybe she died and he got remarried and had a daughter that he named Mina (after Mina Harker) and Seward got married and had a daughter named Lucy (after Lucy Westerna). Figure John Harker in this tale is really John Quincey Harker, the son of John and Mina Harker and "Milo" Reinfield is the son of R. M. Reinfield from the book. At least that is how I have viewed the film for years.
This is an interesting film for a number of reasons. First it has another great score by John Williams that is so sweeping in it's construction that you can feel that the sort of languid dream quality of the Dracula/Lucy scenes. Also it was the first Dracula film that many people my age recall seeing. I had seen the older Hammer and Universal ones yes, but I had been much younger. I was 9 when this came out and the scene where Mina comes back to her grave scared the crap out of me. Plus it was at a point in my life when I had not yet read the book, but knew of it's existence.
Langella's Dracula is a sexual predator. He takes Mina and then Lucy because he can. There is no "lost love here" like what we will see in the Francis Ford Coppola outing of 1992.
Langella does something here that few Draculas manage. He acts like royalty. Christopher Lee comes close and Oldman does capture the warrior-lord well, but Langella acts like a Count or a Prince. Like I said, he dominates every scene he is in and even when not the focus, his presence is felt. That's some good acting.
This was my favorite Dracula, but almost 13 years later a new one would challenge that title.
Dracula (1979)
The John Badham film was one of the first Dracula films I saw in the theaters. Well, actually I think I saw it at a Drive-In. If you don't remember those then I can't help you.
This movie is a visual master-piece and Frank Langella dominates every scene he is in and he is in quite a number of them. Dracula in the book doesn't get a lot of "screen time", but this one cleaves closer to the screen-play. Like Lugosi before him, Langella played the character on stage first.
This is another one of the tales that reverses the roles of Mina and Lucy. Normally it is Mina who loves Jonathan Harker and who is later seduced by Dracula and Lucy who is the friend who dies by Dracula.
Kate Nelligan is a great Lucy (in the Mina role) and Lawerence Oliver is great as the aged Van Helsing. Donald Plesasence as Seward though left a little to be desired. I guess they decided to drop Seward's morphine addiction and swapped it with eating. Seward is eating in nearly every scene he is in. Watch close and you will see a younger pre-Doctor Sylvester McCoy.
For some odd reason this movie is set in the Edwardian age (1913 to be exact) rather than the more traditional late Victorian. It almost plays out as a sequel to the book, if you can come up with a good reason why Van Helsing and Seward don't remember Dracula from before, and deal with the issue that Van Helsing's wife was an invalid in the book. Maybe she died and he got remarried and had a daughter that he named Mina (after Mina Harker) and Seward got married and had a daughter named Lucy (after Lucy Westerna). Figure John Harker in this tale is really John Quincey Harker, the son of John and Mina Harker and "Milo" Reinfield is the son of R. M. Reinfield from the book. At least that is how I have viewed the film for years.
This is an interesting film for a number of reasons. First it has another great score by John Williams that is so sweeping in it's construction that you can feel that the sort of languid dream quality of the Dracula/Lucy scenes. Also it was the first Dracula film that many people my age recall seeing. I had seen the older Hammer and Universal ones yes, but I had been much younger. I was 9 when this came out and the scene where Mina comes back to her grave scared the crap out of me. Plus it was at a point in my life when I had not yet read the book, but knew of it's existence.
Langella's Dracula is a sexual predator. He takes Mina and then Lucy because he can. There is no "lost love here" like what we will see in the Francis Ford Coppola outing of 1992.
Langella does something here that few Draculas manage. He acts like royalty. Christopher Lee comes close and Oldman does capture the warrior-lord well, but Langella acts like a Count or a Prince. Like I said, he dominates every scene he is in and even when not the focus, his presence is felt. That's some good acting.
This was my favorite Dracula, but almost 13 years later a new one would challenge that title.
Tuesday, October 12, 2010
Moview Reviews
Hey.
I know I am late on the Movie Reviews.
Count Dracula (1977) is longer than I thought, and slow.
Plus there is something up with my Satanic Rites of Dracula disk, I have now tried to watch it three times on three different DVD players and it keeps crapping out on me.
Just watched Daughters of Satan, awful movie, but too beat to say anything more than that right now.
I know I am late on the Movie Reviews.
Count Dracula (1977) is longer than I thought, and slow.
Plus there is something up with my Satanic Rites of Dracula disk, I have now tried to watch it three times on three different DVD players and it keeps crapping out on me.
Just watched Daughters of Satan, awful movie, but too beat to say anything more than that right now.
Dracula: The Books
Despite my reviews, Dracula had a life before cinema.
The book "Dracula" is one of the most influential in the English language. While the book itself is long, and often slow in places, one cannot deny the effect it has had. There were vampire tales before it, Varney the Vampire and The Vampyre come to mind, and there were even better vampire stories before it, Carmilla is prime example. But none had the effect of Dracula, both the book and the character.
If you have never the book then you owe it to yourself to do so. You can get the book nearly anywhere, including for free at Project Guttenberg. I am fond of the Leonard Wolf annotated version myself, but I would read the book without the annotations first.
Dracula in print, like his movie counterpart, has also had a number of sequels published over the years. Some were good, most though were not. Here is a round-up of a few.
WARNING, there are spoilers here if you have not read these books.
The Holmes-Dracula File by Fred Saberhagen
I read this so many years ago that my recollection of it is fuzzy at best. I remember not liking it that much at the time, which I think had more to do with how Saberhagen choose to portray Dracula as a misunderstood hero. And the wood thing. And the amnesia thing too. I should re-read it to be sure.
Funny though, I am watching "Count Dracula" from the BBC now, and the cover art on this book reminds me of Louis Jourdan. The timing is right for it too.
Anno Dracula by Kim Newman
These books are just goofy fun. There is a good story here, one about Jack the Ripper and the changes happening to England now that Dracula sits on the throne next to Queen Victoria. All sorts of name dropping in this one (oh look there's Lestat, hey that's Prince Mamuwalde!) and nods to old vampire movies and books. I have not read all of his books, but the first one was quite fun. I remember at the time thinking that if Vampire the Masqurade was as fun as this book then I'd play it more.
The Historian by Elizabeth Kostova
Oh I LIKED this one. A secret book bearing the symbol from the Order of the Dragon shows up ever so often to historians throughout the 20th century. Each of them begins a quest that leads them to...what? Dracula? That is too insane, but as each one investigates further and further that is the conclusion they reach. The Historian spans three generations of historians as they search for the burial place of the infamous Prince only to find he is not there. Sweeping in scope and attention paid to the smallest detail you can almost smell the old books and taste the blood as you read this one.
It is a sequel in the loose sense. All the characters have read the Stoker novel and use it as a basis. It is never made clear whether or not Stoker was one of their kind as well or just happened to be lucky.
This one is long and you should have a love of history, old books or libraries to get the full satisfaction of reading it.
The narrator of the tale, who is 17 in the book, but in her 50s as she is retelling it, is a descendant of Vlad Dracula and would make for a great Van Helsing like character in a modern game.
Fangland by John Marks
This is a modern re-telling of Dracula rather than an out-right sequel. The main character Evangeline Harker fills the John Harker role, while Ion Torgu is our vampire (of sorts). It starts off really good and I like the gender reversal and the modern setting. Plus I could always imagine that Evangeline was the decedent of Johnathan and Mina Harker.
But the book fell apart on me for a lot of reasons. First, Ion has none of Dracula's charm or grace. I also found I didn't care much for the characters in the book and the author kept giving me more. Telling it from the point of view of Trotter, a character I didn't like, also didn't help.
What bugged me the most was the part where Evangeline meets up with this other woman Clementine Spence after she (Harker) had been tortured at "Dracula's" home. Harker and Spence have a brief physical relationship while in Romania and Harker describes herself as "changing" which we learn means becoming a killer. One night she rapes and kills Spence and then drinks her blood.
Unlike the book (or movies) Harker does not "get better" but has become a vampire. The book makes it clear that Harker only had sex with Spence in order to close enough to kill her. This is another case of the Dead/Evil Lesbian Cliché and frankly it is getting quite old. The rest of the book was really just mush after that.
If I kept Evangeline Harker it would only be as a name drop and saying she had been killed under strange circumstances in Romania. Dracula getting his revenge.
Dracula the Un-dead by Dacre Stoker and Ian Holt
I am of mixed feelings about this one. On one hand we have an interesting story about the events of our heroes 25 years after Dracula. We have the great, grand-nephew of Bram Stoker penning the tale. We have a cool mystery involving Elizabeth Bathory.
Then is all goes bad.
The stories never quite jell, the book makes claims that "Dracula" by Stoker got it all wrong and even makes mistakes. In truth it is like the authors never actually read the book and instead wrote a sequel to the 1990's "Bram Stoker's Dracula" movie. Of course there are more cliches here as well. Tying Bathory to the Jack the Ripper murders (which also got some details wrong about that, and didn't do it a well as in Anno Dracula), more evil/dead lesbians in the form of Bathory (God would not allow her to be a lesbian so she rebelled against God and men, but kills women), Mina still pinning over her "Prince" and using a katana to fight of one of Bathory's brides. I could go and on, but I won't.
I liked the more explicit tie-in with Dracula and Bathory. I like that Dracula, even though is back up and running, is still not 100%, I like Mina not aging (shades of League of Extraordinary Gentlemen) and the way her and Johnathan's relationship turned sour. I like Seward's morphine addicted vampire hunter. So like I said a lot of good ideas strung together rather poorly. In the end the book just made me mad because how bad the ending was. This book was so derivative of other ideas that it is wonder it got published.
From this I use most of the background and chuck the narrative.
Special Mention
Grave Peril: The Dresden Files, Book 3
I picked this up after a long pause with the series and I have to say this was the best book in series (so far). I mention here because after nearly throwing Fangland out the window after reading Dracula the Un-Dead this was so good it restored my faith in the vampire story. Grave Peril is a vampire story and how Chicago's very own Harry Dresden manages to single handedly piss off 2/3rds of all the world vampires.
Dracula is mentioned in the book and Harry also states that Stoker penned the "big guide on how to destroy vampires". So I'd rather go that direction in my games. Sure I'll take the idea from DtU-D and say one of the vampire hunters told Stoker their tale and 10 years after that he publishes the book in hopes of building a stage career out of it, but in reality the effect was that vampire hunters all over the world now know how to kill vampires better.
In any case this book was very good and the best one I have read this month. I am on book 4 now and it is so far just as good.
The book "Dracula" is one of the most influential in the English language. While the book itself is long, and often slow in places, one cannot deny the effect it has had. There were vampire tales before it, Varney the Vampire and The Vampyre come to mind, and there were even better vampire stories before it, Carmilla is prime example. But none had the effect of Dracula, both the book and the character.
If you have never the book then you owe it to yourself to do so. You can get the book nearly anywhere, including for free at Project Guttenberg. I am fond of the Leonard Wolf annotated version myself, but I would read the book without the annotations first.
Dracula in print, like his movie counterpart, has also had a number of sequels published over the years. Some were good, most though were not. Here is a round-up of a few.
WARNING, there are spoilers here if you have not read these books.
The Holmes-Dracula File by Fred Saberhagen
I read this so many years ago that my recollection of it is fuzzy at best. I remember not liking it that much at the time, which I think had more to do with how Saberhagen choose to portray Dracula as a misunderstood hero. And the wood thing. And the amnesia thing too. I should re-read it to be sure.
Funny though, I am watching "Count Dracula" from the BBC now, and the cover art on this book reminds me of Louis Jourdan. The timing is right for it too.
Anno Dracula by Kim Newman
These books are just goofy fun. There is a good story here, one about Jack the Ripper and the changes happening to England now that Dracula sits on the throne next to Queen Victoria. All sorts of name dropping in this one (oh look there's Lestat, hey that's Prince Mamuwalde!) and nods to old vampire movies and books. I have not read all of his books, but the first one was quite fun. I remember at the time thinking that if Vampire the Masqurade was as fun as this book then I'd play it more.
The Historian by Elizabeth Kostova
Oh I LIKED this one. A secret book bearing the symbol from the Order of the Dragon shows up ever so often to historians throughout the 20th century. Each of them begins a quest that leads them to...what? Dracula? That is too insane, but as each one investigates further and further that is the conclusion they reach. The Historian spans three generations of historians as they search for the burial place of the infamous Prince only to find he is not there. Sweeping in scope and attention paid to the smallest detail you can almost smell the old books and taste the blood as you read this one.
It is a sequel in the loose sense. All the characters have read the Stoker novel and use it as a basis. It is never made clear whether or not Stoker was one of their kind as well or just happened to be lucky.
This one is long and you should have a love of history, old books or libraries to get the full satisfaction of reading it.
The narrator of the tale, who is 17 in the book, but in her 50s as she is retelling it, is a descendant of Vlad Dracula and would make for a great Van Helsing like character in a modern game.
Fangland by John Marks
This is a modern re-telling of Dracula rather than an out-right sequel. The main character Evangeline Harker fills the John Harker role, while Ion Torgu is our vampire (of sorts). It starts off really good and I like the gender reversal and the modern setting. Plus I could always imagine that Evangeline was the decedent of Johnathan and Mina Harker.
But the book fell apart on me for a lot of reasons. First, Ion has none of Dracula's charm or grace. I also found I didn't care much for the characters in the book and the author kept giving me more. Telling it from the point of view of Trotter, a character I didn't like, also didn't help.
What bugged me the most was the part where Evangeline meets up with this other woman Clementine Spence after she (Harker) had been tortured at "Dracula's" home. Harker and Spence have a brief physical relationship while in Romania and Harker describes herself as "changing" which we learn means becoming a killer. One night she rapes and kills Spence and then drinks her blood.
Unlike the book (or movies) Harker does not "get better" but has become a vampire. The book makes it clear that Harker only had sex with Spence in order to close enough to kill her. This is another case of the Dead/Evil Lesbian Cliché and frankly it is getting quite old. The rest of the book was really just mush after that.
If I kept Evangeline Harker it would only be as a name drop and saying she had been killed under strange circumstances in Romania. Dracula getting his revenge.
Dracula the Un-dead by Dacre Stoker and Ian Holt
I am of mixed feelings about this one. On one hand we have an interesting story about the events of our heroes 25 years after Dracula. We have the great, grand-nephew of Bram Stoker penning the tale. We have a cool mystery involving Elizabeth Bathory.
Then is all goes bad.
The stories never quite jell, the book makes claims that "Dracula" by Stoker got it all wrong and even makes mistakes. In truth it is like the authors never actually read the book and instead wrote a sequel to the 1990's "Bram Stoker's Dracula" movie. Of course there are more cliches here as well. Tying Bathory to the Jack the Ripper murders (which also got some details wrong about that, and didn't do it a well as in Anno Dracula), more evil/dead lesbians in the form of Bathory (God would not allow her to be a lesbian so she rebelled against God and men, but kills women), Mina still pinning over her "Prince" and using a katana to fight of one of Bathory's brides. I could go and on, but I won't.
I liked the more explicit tie-in with Dracula and Bathory. I like that Dracula, even though is back up and running, is still not 100%, I like Mina not aging (shades of League of Extraordinary Gentlemen) and the way her and Johnathan's relationship turned sour. I like Seward's morphine addicted vampire hunter. So like I said a lot of good ideas strung together rather poorly. In the end the book just made me mad because how bad the ending was. This book was so derivative of other ideas that it is wonder it got published.
From this I use most of the background and chuck the narrative.
Special Mention
Grave Peril: The Dresden Files, Book 3
I picked this up after a long pause with the series and I have to say this was the best book in series (so far). I mention here because after nearly throwing Fangland out the window after reading Dracula the Un-Dead this was so good it restored my faith in the vampire story. Grave Peril is a vampire story and how Chicago's very own Harry Dresden manages to single handedly piss off 2/3rds of all the world vampires.
Dracula is mentioned in the book and Harry also states that Stoker penned the "big guide on how to destroy vampires". So I'd rather go that direction in my games. Sure I'll take the idea from DtU-D and say one of the vampire hunters told Stoker their tale and 10 years after that he publishes the book in hopes of building a stage career out of it, but in reality the effect was that vampire hunters all over the world now know how to kill vampires better.
In any case this book was very good and the best one I have read this month. I am on book 4 now and it is so far just as good.
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