Dracula, The Hunters' Journals: 15 October; Jonathan Harker’s Journal

 Our hunters arrive in Varna. 

Jonathan Harker’s Journal.

15 October, Varna.—We left Charing Cross on the morning of the 12th, got to Paris the same night, and took the places secured for us in the Orient Express. We travelled night and day, arriving here at about five o’clock. Lord Godalming went to the Consulate to see if any telegram had arrived for him, whilst the rest of us came on to this hotel—“the Odessus.” The journey may have had incidents; I was, however, too eager to get on, to care for them. Until the Czarina Catherine comes into port there will be no interest for me in anything in the wide world. Thank God! Mina is well, and looks to be getting stronger; her colour is coming back. She sleeps a great deal; throughout the journey she slept nearly all the time. Before sunrise and sunset, however, she is very wakeful and alert; and it has become a habit for Van Helsing to hypnotise her at such times. At first, some effort was needed, and he had to make many passes; but now, she seems to yield at once, as if by habit, and scarcely any action is needed. He seems to have power at these particular moments to simply will, and her thoughts obey him. He always asks her what she can see and hear. She answers to the first:—

“Nothing; all is dark.” And to the second:—

“I can hear the waves lapping against the ship, and the water rushing by. Canvas and cordage strain and masts and yards creak. The wind is high—I can hear it in the shrouds, and the bow throws back the foam.” It is evident that the Czarina Catherine is still at sea, hastening on her way to Varna. Lord Godalming has just returned. He had four telegrams, one each day since we started, and all to the same effect: that the Czarina Catherine had not been reported to Lloyd’s from anywhere. He had arranged before leaving London that his agent should send him every day a telegram saying if the ship had been reported. He was to have a message even if she were not reported, so that he might be sure that there was a watch being kept at the other end of the wire.

We had dinner and went to bed early. To-morrow we are to see the Vice-Consul, and to arrange, if we can, about getting on board the ship as soon as she arrives. Van Helsing says that our chance will be to get on the boat between sunrise and sunset. The Count, even if he takes the form of a bat, cannot cross the running water of his own volition, and so cannot leave the ship. As he dare not change to man’s form without suspicion—which he evidently wishes to avoid—he must remain in the box. If, then, we can come on board after sunrise, he is at our mercy; for we can open the box and make sure of him, as we did of poor Lucy, before he wakes. What mercy he shall get from us will not count for much. We think that we shall not have much trouble with officials or the seamen. Thank God! this is the country where bribery can do anything, and we are well supplied with money. We have only to make sure that the ship cannot come into port between sunset and sunrise without our being warned, and we shall be safe. Judge Moneybag will settle this case, I think!

Notes: Moon Phase: Waning Crescent

We are getting nearer to Dracula's home. This is also where we picked up the story, more or less, with Jonathan at the start of our tale.

So we know that our heroes traveled on the Orient Express. We also know that from Thomas Cook European Timetables, that the Orient Express ran from Paris to Varna ONLY till 1894. After 1894 it went from Paris to the Black Sea coast via the Fetești Bridge. But never on to Varna after that. I will add this to the pile of evidence that the events of this novel are to have taken place in 1892, or at least prior to 1894 and not 1897 as so many adaptations claim.

Harker says they left London and arrived in Paris the night of October 12. There they secured their passage on the Orient Express to arrive in Varna on the 15th. According to the same time tables The Orient Express left Paris at approximately 7:08 PM on Tuesdays and Fridays. In 1892, October 12 was a Wednesday. Could they have left at 7:00pm on Friday, October 14, and made it to Varna in 24 hours? Not likely. Even the modern Orient Express takes about 60 hours to make the same trip. So this is evidence against my 1892 date.

1888 could work. October 12 is a Friday, and then they leave on that night's train and arrive late on Monday the 15th. Cutting it close. For similar reasons 1886 also works.

Stoker obviously didn't have access to the same tools that I have at my disposal, but he was a lot closer to the times, and by all accounts, his research notes for Dracula were quite exhaustive and very comprehensive. 

One other thing in 1886's and 1888's favors over that of 1892. There is the epilogue at the end that takes place seven years later. If we are to assume the fan theory that Harker told all of this to Stoker and Stoker wrote it all up then he would need time after 1893 and 1895 (respectively) to get the book together for an 1897 date.

I should go back and look at all my data again. There are personal reasons I like 1886 as well.

New Release Tuesday: Wasted Lands: The Dreaming Age Fate Deck

 It's Tuesday and that means time to see what new release has caught my eye, and today's is close to home.

Wasted Lands: The Dreaming Age Fate Deck

Wasted Lands is on its way to becoming my Fantasy RPG of choice. One of the things I love about it is the Fate Point system. Well, Elf Lair Games just released a new set of Fate Cards as a supplement to the game. 

From the DriveThruRPG page:

This deck of Tarot-sized cards includes 72 special effect cards designed for the Wasted Lands: The Dreaming Age RPG, but intuitive to use with almost any RPG, especially those designed for OSR or the World's Most Famous RPG. Also included are two double-sided cards with guidelines on using the deck, how it can complement or replace Fate Points or other Player Agency mechanics in your game. Add some dynamic excitement and surprise to your game with the Wasted Lands: The Dreaming Age Fate Deck! 

This deck is also 100% compatible with other Powered by O.G.R.E.S. games, including Night Shift: Veterans of the Supernatural Wars and Thirteen Parsecs: Beyond the Solar Frontier!

I can't wait to get these myself!

Review: Ravenloft Gothic Earth Gazetteer and A Guide to Transylvania

 Today I continue my exploration of Ravenloft's Gothic Earth. But first I want to set the proper stage. These next two products were released in 1995 and 1996, respectively. I had moved to Chicago already and I had gotten married. I moved to the suburb of Mt. Prospect, the point? Well, after years of buying my Ravenloft material from Carbondale's Castle Perilous, I was buying again from Games Plus, a place I had mail-ordered from since the 1980s. I bought my copy of Chill Vampires via mail order from Games Plus, so buying these two from their physical store seemed like a sort of homecoming. 

This is also when I  began to feel the shortcomings of the AD&D system. I loved the idea of Gothic Earth, I wanted that to be a world I played in, but that AD&D 2nd Edition rules just didn't quite cut it for me. I began to go back to Chill, this time the 2nd Edition, and most importantly to CJ Carella's WitchCraft RPG. But before I get to that, let me talk about these two products and why I still love them. 

For this review, I am considering the PDFs from DriveThruRPG and my originals purchased in the mid-1990s.

The Gothic Earth Gazetteer (2e)

1995. by William W. Connors. Cover art by Robh Ruppel. Interior art from Dover Publications. 64 pages, detached cover and poster map.

I want to state out of the gate that this is an indispensable guide for playing in the 1890s. While some Ravenloft-isms are here, I have used this guide with countless Victorian-era RPGs. 

The Gothic Earth Gazetteer goes into greater details than the similarly named sections in the Masque of the Red Death boxed set. 

We start with an Introduction and an overview of the 1890s in the form of Headlines. A set of bullet points covering the biggest news items around the world from 1890 to 1899 and The Spanish-American war. Even in the days prior to easy to access resources like Wikipedia (and I practically wore out my copy of Microsoft Encarta Encyclopedia CD-ROM looking all this up back then!) there is enought here in the first 16 or so pages to keep an enterprising Game Master* busy. Sorted by date and then by continent. 

I say Game Master instead of the more accepted Dungeon Master here for two reasons. Gothic Earth is really a significant step away from the dungeon-crawling ideas of Dungeons & Dragons. While yes there could be dungeons here, that is not what Gothic Earth does best. The back street of London, Paris, or New York is where this game does well. Also, I have already mentioned that this guyid can be used anywhere. This first section typifies what I mean. You can just as easily use this in Victorian Age Vampire, Cthulhu by Gaslight, or any other later Victorian-era game. 

This section is then expanded in the next section with other events more closely tied to the setting. Events of the 1890s covers The Ghost Dancers (and man, did I ever want to make ShadowRun the future of Gothic Earth!), Arctic Exploration, Railroads, Spiritualism, and a lot more.  Each section gives a real world background, and then in true Ravenloft fashion some "Forbidden Lore."

We then have a similar section, Who's Who on Gothic Earth, that covers specific people. There are more people covered than events, so the section on each is smaller. Not everyone has a Forbidden Lore section, but enough to keep any Game Master busy. This book + a little research would allow the GM to create even more if they wanted. If there is a figure from the Late Victorian era you can think of, then they are likely covered here. Sadly one of my favorite figures from the time, Harriet Tubman, was not listed. Maybe I could fix that.

Our last section covers various groups and cabals active in the 1890s (and beyond) on the Gothic Earth. 

The original print copy has a poster of the calendars for the 1890s, complete with images of ephemera from the time. At the time of publication, it was an amazing resource.  The only thing it is missing are moon phases.

There are no AD&D stats or rules in the book at all. It still assumes AD&D and the Ravenloft universe, but the book itself has no "crunch" only "fluff." But it is extremely useful fluff.

While similar details are to be found in other Victorian Era games, I still find myself going back to this one time and time again.

It is a resource I highly recommend. 

A Guide to Transylvania (2e)

1996. by Nicky Rea. Developer and Editor Steve Miller. Cover art Dawn Murin, interior art Val Mayerik. 96 pages.

This is another book I have used with many games. For some reason that I can't quite figure out, this one feels more like a Ravenloft core book than the Gothic Earth Gazetteer does. Maybe because Dracula's Transylvania was the model of for Strahd's Barovia and thus the core of the Ravenloft concept. While I stand by my assertions that Barovia is from Mystara, I have entertained the idea that it was really from Gothic Earth. 

A little more stage-setting, this was released after the wildly successful and critically acclaimed "Bram Stoker's Dracula (1992)" while the author and developers do a very good job of sticking to the novel and history, the movie still casts a long shadow.

The book's dedication is to various noted Dracula scholars; Radu Florescu, Raymond T. McNally (In Search of Dracula: The History of Dracula and Vampires), Dan Richardson, Tim Burford (Guide books), Rosemary Ellen Guiley (various encyclopedias), and Julian Hale (Historical guidebooks). 

Chapter One details the history of the lands in and around Transylvania with a bulk of this covering the conflicts between the Roman Catholic people of the area and their struggles against the Ottoman Turks. Special attention is given to the family of Vlad Dracul and Vlad the Impaler.  As with previous works the text is largely game-stat free and has only a few mentions of the Red Death and other "Ravenloft" details. More "game" details are given in the Forbidden Lore boxed text.

Chapter Two is a "current" sketch of Transylvania with entries on the geography, cities, and various landmarks such as the various castles. It reads like an 1890s travel guide, with Forbidden Lore boxed text. 

Chapter Three covers the peoples of Transylvania. This includes the various native Romanians, Magyars, Szeklers, and Germans as well as the Romanii and Jewish populations. Language is covered a bit which is good since this place really does feel like a crossroads of Eastern Europe just before one enters the East. There is even a bit on vampires in this land.

Chapter Four, Personalities, has the most Game-related information in the book. For example, it has stats for all sorts of highly detailed NPCs. In addition to Gothic Earth's particular flavor of AD&D 2nd ed stats, there is Forbidden Lore boxed text. We learn that Jonathan Harker is a 6th-level Tradesman, Dracula is a 13HD Vampire, and Van Helsing is a 12th-level Metaphysian. Dracula's write-up is similar in feel to the write-up Count Strahd got in Ravenloft I6. 

Finally we end with an AD&D 2nd Ed Monstrous compendium style page for the Dhampir.

There are maps throughout the book and on the inside covers.

Both books are still quite serviceable today and work well with any Victorian era game you might want to play. 

Advent-ure Dice: Day 15

  Day 15

Another 2 for 1! Purple d% and d4.

Almost half-way through!

October Horror Movie Challenge: Starve Acre (2023)

 Something a little different tonight. I saw this one had Matt Smith (Doctor Who) and Morfydd Clark (Rings of Power) and it was British Folk Horror, so I thought it would be a good choice. Was it? Well, lets find out.

Starve Acre (2023)

This British folk horror film based on the novel by Andrew Michael Hurley. The story follows Richard (Smith) and Juliette (Clark), a troubled couple who move to Richard's childhood home on the Yorkshire moors. Their idyllic rural life quickly takes a sinister turn when their young son, Owen, begins to act strange. Well, stranger than usual. 

As Owen's condition worsens, Richard becomes convinced that a malevolent force is at work, tied to the land and its dark history.

While this is going on, Owen dies from an asthma attack, sending the couple into a deep mourning. 

Richard delves into local folklore, uncovering tales of a malevolent entity that haunts the area. The line between reality and the supernatural blurs as Richard and Juliette grapple with the terrifying truth about their son and the ancient evil that threatens to consume them. 

Staying with them is Juliette's sister Harriet, played by Gotham's Erin Richards. They are also visited by locals Gordon and his wife. Gordon had told Richard tales of the sprites that lived on the land and told them to Owen as well.

We learn that Richard's father believed in the ancient pagan spirits of the land and tried to sacrifice Richard to them, but failed. When Owen dies, they take him as the sacrifice.

It is a slow-burn folk horror piece, as most are really, and the true horrors don't come in until the end. It has some good tension and couple of good scares, but no monsters to speak of.

So I liked it. I like folk-horror, but not a great fit for this month's theme.

Featured Monster: Sprite??

While no monster is ever seen, the effects or at least the shadow of "Jack Grey" are felt. Was he/it doing all the whistling? Was he/it the rabbit? One thing is certain Richard and Juliette believe in him in the end. 

It DOES, however, work in the sense that British folkloric fae creatures used to be a lot darker and lot scarier than they are today or as depicted in the Monster Manual. If a sprite, or a group of them, could cause madness in people then they would seem more of a threat.

Sprites are often used in place of hobgoblins or other faeries*. The Monster Manual might draw very strict lines around these creatures, but folklore did not. 

*(Robin Goodfellow of "Midsummer's Night Dream" was called a Spite and a Hobgoblin.)

Maybe we need to make these creatures a bit darker in their outlooks and intent.

October Horror Movie Challenge 2024
Viewed: 21
First Time Views: 11

Monstrous Mondays: The Ravenloft Monstrous Compendiums

 I have been covering the AD&D 2nd Ed version of Ravenloft all this month. I have also been covering the the Forgotten Realms and currently in the AD&D 2nd Edition era. One thing they both have in common is that a few of the books feature new monsters in AD&D 2nd Monstrous Compendium format.

I reviewed the Ravenloft Monstrous Compendiums sometime back. Since I have been reviewing the various books I have been printing out the Monstrous Compendium pages and adding them to my three-ring binder for Ravenloft.

As I run across a monster page for these reviews OR from Dragon magazine in my This Old Dragon feature, I print them out (or cut them out as the case may merit) and add them to my binder.

It has taken 30+ years but I feel that the Monstrous Compendium concept is finally living up to its potential for me.

I have been doing the same thing with my Forgotten Realms monsters as I talked about a while back.

Again, I might start mining my other MCs to see what would fit here. I already have one filled with demons and devils, so I wont add those, but I am considering taking the Death Knight from Krynn and putting in this one.

The truth is I am not likely to play AD&D 2nd ed Ravenloft again. BUT my son is running his 5e group through Castle Amber using AD&D 1st ed. So it is possible I could run an AD&D 2nd Ed game again one day. I have mentioned that I am running an AD&D 2nd Ed Forgotten Realms game with my oldest, though we have not played in a while. So I guess never say never.

Despite my concerns with Ravenloft under AD&D 2nd ed, it was my game for the 90s. 

In any case I feel like an archivist in some dusty library, collecting tomes for my own pleasures. 

This is another entry for my RPG Blog Carnival for October!

Review: Masque of the Red Death and Other Tales

Very few games or game products have had *lasting* profound effects on my gaming. Oh sure there have been a LOT of great games that I have played or used over the years, but only a handful that have been a sea change for me. 

They are: 

1. The AD&D 1st Ed Monster Manual
2. D&D Basic Moldvay Edition
3. 1st Edition Chill
4. CJ Carella's WitchCraft RPG
5. Masque of the Red Death and Other Tales

This last game combined everything I wanted into one game. Horror? Check. AD&D? Check? Gothic Victorian Earth? Double check.

For the longest time, it was the perfect game for me. I had to write an entire other game, Ghosts of Albion, just to get what I wanted, and then again with NIGHT SHIFT.

But before I go there, let's go back—not to the 1890s, but rather to the 1990s, when this game came out.

In the theaters, we saw Lost Boys, Near Dark, The Crow (okay, not a vampire movie, but still. And the 1994 version, not the 2024 one), and most of all, a big-screen adaptation of Dracula that was the most faithful to the book yet. In the game stores, Vampire: the Masquerade reigned supreme. AD&D had started the decade doing well but had begun to flounder by the middle. Soon, it would be all but dead; we didn't know it then.  Amidst all of this, we were given the gift of Gothic Earth. 

Masque of the Red Death and Other Tales 

by William W. Connors, D. J. Heinrich, Shane Lacy Hensley, Colin McComb.

Art by Ned Dameron, Stephen Fabian, Robh Ruppel, David C. Sutherland, III.

Masque of the Red Death and Other Tales is nominally released under the Ravenloft line and you will need one of the Ravenloft core books to be able to play this along with the AD&D 2nd Edition rules.  However if you know the AD&D rules well enough you might be able to get by.  The premise of the game it rather a simple one. What if the Dark Powers from Ravenloft found their way to Earth?  Well...I should state out and out that they never actually say that, but imply it rather heavily.  The is a dark, malignant force controlling things on Earth, known here as The Red Death, and this Earth of the 1890s certainly has a lot more in common with Ravenloft.

Pretty much from the time it was published to the onset of the new 3rd Edition rules, Masque of the Red Death was my campaign world of choice.  I still played AD&D2 in Ravenloft, or rather, I ran AD&D2 in Ravenloft, but the lines between Ravenloft proper and "Gothic Earth" became very, very blurry.

For this review, I am considering my original boxed set from the 1990s and the PDFs from DriveThruRPG.

This package from DriveThruRPG includes five PDFs, which correspond to the four books and the DM's screen found in the Boxed Set.

Book I is the main Masque of the Red Death book.  It is 130 pages of a high quality, OCR scan.  Some the images are fuzzy, but I feel that is more due to the source images rather than the scan itself.  The scan comes in at just over 35 meg.

We begin with an overview of what this campaign guide is about.  I might be mistaken, but this is the first official AD&D product to take place on Earth.   This followed up with a history of Gothic Earth.  Things began to go downhill for everything around 2700 BC when Imhoptep (yes, same as the Mummy movies) began experimenting with darker magics.  The next dozen or so pages bring us to the present day (1890s).  The history is a fast read and I would not ignore it. It sets the tone for the entire game.

Chapter II details character creation.  There are different methods used than the PHB to reflect that characters are not your sword wielding barbarians of a bygone age.  So characters are more average.
There are rough parallels to all the classic AD&D classes, Soldiers, Adepts, Mystics, and Tradesmen.  The AD&D Proficiency system is used here as well.  Interestingly the system seems make more sense here (since skills are really what sets characters apart) but also shows its wear and tear.

Chapter IV also details money and Equipment. Interestingly, this is one of the few Victorian-era games in which the default currency is American Dollars rather than Pounds Sterling.
It should be of note that this is also the book that adds guns to AD&D2.  Quite a number of guns are detailed here as well.

Chapter V covers magic, and you need the Player's Handbook for this section.

Chapter VI covers the changes to combat.
Getting back to what really makes this special is Chapter VII, An Atlas of Gothic Earth. I should point out at this point that the large poster-sized map that came with the boxed set is not included here. It gives a brief overview of the world. This section is done much better in the full-fledged product that shares its name.

The first Appendix covers various character kits.  If you remember 2e at all, you remember kits. Quite a few interesting ideas are detailed, but you could also do these with the base four classes and good roleplaying.

 
Appendix II covers some villains of Gothic Earth. There are plenty of old favorites here and some new takes on old characters.  Though I will admit the one thing that still gets on my nerves is Moriarty re-done as a Rakshasa.  In my games, he was human. And yes, Dracula is there as well.

Finally, Appendix III covers the adventuring of Gothic Earth.

Book II is an adventure in three parts by future Pinnacle Entertainment head honcho Shane Hensley and features the rock star of Gothic fiction, Dracula. What is the advantage of this PDF over my boxed set copy? I can print it out and make changes to it. Yeah, it is a good adventure, but it is a pastiche of Hammer and Stoker's original work.

Book III is a Jack the Ripper adventure, Red Jack. Unlike Moriarty's change into a supernatural creature, this adventure makes "Jack" into something more mundane.  Normally, I would be fine with this, but the name of the adventure itself and some of the elements BEGS it to be tied to the old Star Trek episode The Wolf in The Fold and Redjac.

Book IV is The Red Death, an adventure based on elements of the Edgar Allen Poe story.  Some details have been changed and added, but the spirit is the same.  Again, I am tempted to make the main antagonist, Prospero, the Prospero.

Book V is the DM's screen.

Part of me wants to get the Print on Demand version, just to see how it is, but I know it will not live up to my boxed set. 

In any case, boxed set, PDF, Print on Demand, this is still one of my all-time favorite Ravenloft products and changed how I wanted to play my games. I spent a lot of time talking to the late Johnathan Thompson and we both agreed had it not been for MotRD there would not have been his Gaslight nor my Ghosts of Albion games. 

Advent-ure Dice: Day 14

  Day 14

Orange spider d%, but no spiders on it.

October Horror Movie Challenge: Dracula Night

 Decided that a Dracula night was in order. I wanted to watch "Last Voyage of the Demeter" and "Renfield" and thought I'd throw "Bram Sotker's Dracula" in as well. 

The Last Voyage of the Demeter (2023)

This movie takes the log of the ill-fated Demeter and turns it into a full-length movie. Not a bad concept really, and certainly enough here for a movie. There are some good bits here. Liam Cunningham (Davos Seaworth in Game of Thrones) is the captain of the Demeter with David Dastmalchian as the first mate. New characters include Anna (Aisling Franciosi) as Dracula's "road trip snack," and Corey Hawkins as Cambridge-schooled doctor Clemens. 

We know the story here. Dracula charters The Demeter to London with 50 boxes of earth. He kills everyone on board, and the boat runs ashore.

In this one, Anna and Clemens survive, only for Anna to die when sunlight hits her. Clemens vows to hunt Dracula down, but we know he is not successful. 

Dracula is played by Spanish actor Javier Botet under a lot of make-up. 

A couple of points. The movie takes place in 1897, the same year Dracula was published, but you know my issue with that. 

Also, the main character is named Clemens, and the dog on the boat is named Huck, short for Huckleberry.  This is a neat little nod given what I have said about Samuel Clemens/Mark Twain's relationship with Bram Stoker. 

Bram Stoker's Dracula (1992)

Honestly, I have lost track how many times I have seen this movie. A couple of notes on this viewing.

One. It also takes place in 1897. I guess that can't be helped. Two. Honestly, we gave Keanu Reeves too much grief when this came out. He is nowhere near as bad as I thought he was or remembered. The same is true for Winona Ryder. Time has been better for them both. I mean who doesn't love Keanu Reeves and where would "Stranger Things" be without Joyce Byers?

Three. I am still not a fan of the "Immortal Beloved" subplot. Why can't Dracula just be the evil asshole he is in the book? It worked so well for other Draculas. 

Four. Some of the script dialog is a bit cringey. 

Still, this is one of the best Dracula movies. It could also be better.

The scene with Dracula as a bat-creature (after he feeds on Mina) is very much like the bat-creature in "Last Voyage of the Demeter."

I kinda wonder what Mina would have been like had she joined Dracula. I think more interesting that what we saw in "League of Extraordinary Gentlemen."

Renfield (2023)

Ok. This one. First off, Nicolas Cage as Dracula? Oh HELL YES. This movie is crafted as sequel to the 1931 Dracula starring Bela Lugosi.  Nicholas Hoult, who is pretty much brilliant in everything he does (see "The Great" where he played Peter III of Russia), and Awkwafina playing...well Awkwafina (but that is fine it works here). 

This movie has Renfield still serving Dracula into the 2000s. It is silly and maybe one of the bloodiest movies I have ever seen, but it is just so much fun.

Dishonorable Mention: Dracula's Guest (2008)

Thought I'd make a night of it and watch this one as well. But wow, is it really bad. I mean terrible. It is late and frankly I just can't sit through this one. So not finishing it, but not counting it either. 

Featured Monster: Vampire

None of these movies contributed to the 1977 Monster Manual, obviously. But Dracula, the novel, and earlier movies did. The truth is that while there are plenty of pulp-era vampires, you can go wrong with Dracula as your model.

October Horror Movie Challenge 2024
Viewed: 20
First Time Views: 10

Advent-ure Dice: Day 13

  Day 13

A green d4. I don't have a complete set yet of all one color, but I am getting there.

October Horror Movie Challenge: The Day of the Triffids (1963)

 I was looking back at some of the movies I have watched and it dawned on me that I have never reviewed Day of the Triffids. My wife mentioned it to me the other day and I told her yes, I have seen many times, but I checked and I have never reviewed it. Odd. I did a monster write-up for it years ago, but never an October Horror Movie Challenge.  Let's change that.

The Day of the Triffids (1963)

A meteor shower blinds most of the population of Earth and spreads the spores of the deadly Triffids.

Our hero, Bill Masen played by Howard Keel had been in a hospital with his eyes bandaged, so he was unaffected. 

The Triffids quickly overrun everything, firing their spores and killing humans. They seem to be unkillable and constantly regenerate and grow new Triffids. 

The movie is a bit slow, and while I enjoy it, I am not ...ehm...blind to it's shortcomings.

The Triffids are all eventually defeated when Masen discovers they can be dissolved in salt water.

The movie takes a few liberties with the source novel. That's all I can recall, I read the novel back in the 1980s, and I am getting it; this movie and the 1981 BBC serial are all confused. Partly because I never got a chance to finish the 1981 version.

This movie is notable for being one of the first appearances on screen of Carol Ann Ford, who would later go on to play Susan Foreman in Doctor Who.

Featured Monster: Shambling Mound (and maybe Shrieker)

There are not a lot of plant monsters in the Monster Manual. Treants have a very obvious genesis, but the Shambling Mound was at least partially influenced by the Triffids, either book or movie. Though the art is more reminiscent of Dc's Swamp Thing and Marvel's Man Thing.  The noise the Triffids make is what I always suspected a Shrieker sounds like, only much louder and constant.

October Horror Movie Challenge 2024
Viewed: 17
First Time Views: 8

October Horror Movie Challenge: Cry of the Banshee (1970)

You can't go wrong with an American International Pictures film or Vincent Price. I am touch surprised I had never seen this one, I was very sure I had but I have no memory of it.

The title sequences were created by Terry Gilliam of Monty Python fame. It was a little jarring at first, I was expecting a Monty Python sketch.

Set in England at the time of the Witch trials (16th Century) we have corrupt magistrate Lord Edward Whitman (Vincent Price) determined to seek out and punish witches. It just happens that he and his men only find pretty witches to torment. 

He encounters a true coven of witches and has many of their members killed, leaving the old witch Oona (Elisabeth Bergner). She pleads to Satan to send her an avenger to kill Whitman and his family.  Which is weird because I thought they were supposed to be worshiping "The Old Religion?"

The first to die is the son, Sean, and then the Lady Patricia.

Oona is discovered by the Priest and Harry Whitman, but not before Maureen is attacked.  Oona is killed but she admits that Roderrick (Patrick Mower) is really a Sidhe sent to kill the Whitmans.

Roderrick convinces Maureen he won't harm her until he sees Lord Edward, then he transforms to some sort of beast creature. Maureen grabs a blunderbus and kills Roderick. Lord Edward says with Roderick dead their family curse is lifted and they can leave their home. 

Lord Edward goes to visit Roderrick's grave only to discover he isn't in his coffin. He goes back to his carriage to find Harry and Maureen dead and Roderick now driving the carriage.

Featured Monster: Groaning Spirit (Banshee)

Banshees are a creature out of folklore, but there have been some modern, pre-1977, interpretations. This is one, and "Darby O'Gill and the Little People (1959)" is another. Which was likely as much of a source for leprechauns how they are used in the Monster Manual in addition to folklore.  I can make this claim easy enough since they were the only two movies I could find prior to 1977 to feature a banshee.

 The Banshee here is not the folkloric one, but it is a spirit of sorts. The Banshee in Darby O'Gill was actually much more terrifying.

 

But it is not much of a horror movie really. Darby O'Gill that is. Cry of the Banshee is quite the classic, even if it doesn't have a "real" Banshee in it.

The Banshee in the Monster Manual is the spirit of an elf woman. This comes from the idea that Ban Sidhe or Ban Sith means "Faerie Woman" in Gaelic. It works as far as AD&D goes. But this film makes a good case that the Banshee could also be the spirit of a dead witch. 

Maybe that is where I need to take this for D&D and related games.

October Horror Movie Challenge 2024
Viewed: 16
First Time Views: 8

Advent-ure Dice: Day 12

  Day 12

Another d6!

October Horror Movie Challenge: Blood Trap / Bite (2015) & Abigail (2024)

 Two vampire movies with the same plot, 10 years apart. It may not be the best representation of the AD&D Vampire, but in all honesty, I have already watched every vampire movie released before 1977.

Basic Plot: A bunch of criminals get together with the brilliant idea of kidnapping the daughter of some powerful and rich underworld figure for a bunch of money. Only after they are all trapped in the house with the daughter do they discover it is a trap and the daughter is a vampire.  I watched Abigail over the summer but wanted to rewatch it once I found Blood Trap.

Blood Trap / Bite (2015)

In this version our lead bad guy is Roman played by Costas Mandylor. He is a retired prison warden you gathers up some of his former inmates to do the kidnapping job. In this case it is Nika played by Elena Mirela.

This one has quite a bit of blood and violence in it. Even the babies in it are vampires.

The babies are all Nika's, from over 238 years, though most are too human to be able to feed on their own. She is looking for someone who can provide her with a healthy baby. 

Nika manages to capture one of the criminals, loads him up with viagra, and proceed conceive a new kid. Then she turns him. In the end her father comes back and complains about the mess and Nika looks about 5 months pregnant. 

Abigail (2024)

This one is much better. In this one our vampire is Abigail, a child of about 7 or 8 and played AMAZINGLY by Alisha Weir. In this our criminals seem more professional and less like "Resivoir Dogs meet The Daughter of Dracula."

This one also features up and comer in the horror movie scene, Kathryn Newton, who is great. 

In our X-Men connection between the movies Abigail has Kevin Durand, using his normal Quebecois accent which was cool, played The Blob / Fred Dukes in "X-Men Origins: Wolverine." Blood Trap has Vinnie Jones played Juggernaut / Cain Marko in "X-Men: The Last Stand."

Watching this ultra violent little girl kill off all the criminals except one was such a delight. Plenty of good scares too. 

In this one Abigail's father, Christof Lazar, shows up played by Matthew Goode who also plays the vampire in "Discovery of Witches."  There is some evidence that he might be Dracula.

Featured Monster: Vampire

Vampires are easy. There are over 3,000 vampire titles on IMDB alone. So, finding a vampire movie is easy, but finding a good one is hard. 

There are not many that feature vampires like those found in AD&D, that is, with "level drain," but maybe Lifeforce comes close. So, instead, I like looking for different sorts of vampire movies, so these two certainly count. 

I am likely to hit other vampire movies in this challenge.

October Horror Movie Challenge 2024
Viewed: 15
First Time Views: 7

Dracula, The Hunters' Journals: 11 October; Dr. Seward's Diary

Mina is hypnotized. More plans are made.

CHAPTER XXV

DR. SEWARD’S DIARY

11 October, Evening.—Jonathan Harker has asked me to note this, as he says he is hardly equal to the task, and he wants an exact record kept.

I think that none of us were surprised when we were asked to see Mrs. Harker a little before the time of sunset. We have of late come to understand that sunrise and sunset are to her times of peculiar freedom; when her old self can be manifest without any controlling force subduing or restraining her, or inciting her to action. This mood or condition begins some half hour or more before actual sunrise or sunset, and lasts till either the sun is high, or whilst the clouds are still aglow with the rays streaming above the horizon. At first there is a sort of negative condition, as if some tie were loosened, and then the absolute freedom quickly follows; when, however, the freedom ceases the change-back or relapse comes quickly, preceded only by a spell of warning silence.

To-night, when we met, she was somewhat constrained, and bore all the signs of an internal struggle. I put it down myself to her making a violent effort at the earliest instant she could do so. A very few minutes, however, gave her complete control of herself; then, motioning her husband to sit beside her on the sofa where she was half reclining, she made the rest of us bring chairs up close. Taking her husband’s hand in hers began:—

“We are all here together in freedom, for perhaps the last time! I know, dear; I know that you will always be with me to the end.” This was to her husband whose hand had, as we could see, tightened upon hers. “In the morning we go out upon our task, and God alone knows what may be in store for any of us. You are going to be so good to me as to take me with you. I know that all that brave earnest men can do for a poor weak woman, whose soul perhaps is lost—no, no, not yet, but is at any rate at stake—you will do. But you must remember that I am not as you are. There is a poison in my blood, in my soul, which may destroy me; which must destroy me, unless some relief comes to us. Oh, my friends, you know as well as I do, that my soul is at stake; and though I know there is one way out for me, you must not and I must not take it!” She looked appealingly to us all in turn, beginning and ending with her husband.

“What is that way?” asked Van Helsing in a hoarse voice. “What is that way, which we must not—may not—take?”

“That I may die now, either by my own hand or that of another, before the greater evil is entirely wrought. I know, and you know, that were I once dead you could and would set free my immortal spirit, even as you did my poor Lucy’s. Were death, or the fear of death, the only thing that stood in the way I would not shrink to die here, now, amidst the friends who love me. But death is not all. I cannot believe that to die in such a case, when there is hope before us and a bitter task to be done, is God’s will. Therefore, I, on my part, give up here the certainty of eternal rest, and go out into the dark where may be the blackest things that the world or the nether world holds!” We were all silent, for we knew instinctively that this was only a prelude. The faces of the others were set and Harker’s grew ashen grey; perhaps he guessed better than any of us what was coming. She continued:—

“This is what I can give into the hotch-pot.” I could not but note the quaint legal phrase which she used in such a place, and with all seriousness. “What will each of you give? Your lives I know,” she went on quickly, “that is easy for brave men. Your lives are God’s, and you can give them back to Him; but what will you give to me?” She looked again questioningly, but this time avoided her husband’s face. Quincey seemed to understand; he nodded, and her face lit up. “Then I shall tell you plainly what I want, for there must be no doubtful matter in this connection between us now. You must promise me, one and all—even you, my beloved husband—that, should the time come, you will kill me.”

“What is that time?” The voice was Quincey’s, but it was low and strained.

“When you shall be convinced that I am so changed that it is better that I die than I may live. When I am thus dead in the flesh, then you will, without a moment’s delay, drive a stake through me and cut off my head; or do whatever else may be wanting to give me rest!”

Quincey was the first to rise after the pause. He knelt down before her and taking her hand in his said solemnly:—

“I’m only a rough fellow, who hasn’t, perhaps, lived as a man should to win such a distinction, but I swear to you by all that I hold sacred and dear that, should the time ever come, I shall not flinch from the duty that you have set us. And I promise you, too, that I shall make all certain, for if I am only doubtful I shall take it that the time has come!”

“My true friend!” was all she could say amid her fast-falling tears, as, bending over, she kissed his hand.

“I swear the same, my dear Madam Mina!” said Van Helsing.

“And I!” said Lord Godalming, each of them in turn kneeling to her to take the oath. I followed, myself. Then her husband turned to her wan-eyed and with a greenish pallor which subdued the snowy whiteness of his hair, and asked:—

“And must I, too, make such a promise, oh, my wife?”

“You too, my dearest,” she said, with infinite yearning of pity in her voice and eyes. “You must not shrink. You are nearest and dearest and all the world to me; our souls are knit into one, for all life and all time. Think, dear, that there have been times when brave men have killed their wives and their womenkind, to keep them from falling into the hands of the enemy. Their hands did not falter any the more because those that they loved implored them to slay them. It is men’s duty towards those whom they love, in such times of sore trial! And oh, my dear, if it is to be that I must meet death at any hand, let it be at the hand of him that loves me best. Dr. Van Helsing, I have not forgotten your mercy in poor Lucy’s case to him who loved”—she stopped with a flying blush, and changed her phrase—“to him who had best right to give her peace. If that time shall come again, I look to you to make it a happy memory of my husband’s life that it was his loving hand which set me free from the awful thrall upon me.”

“Again I swear!” came the Professor’s resonant voice. Mrs. Harker smiled, positively smiled, as with a sigh of relief she leaned back and said:—

“And now one word of warning, a warning which you must never forget: this time, if it ever come, may come quickly and unexpectedly, and in such case you must lose no time in using your opportunity. At such a time I myself might be—nay! if the time ever comes, shall be—leagued with your enemy against you.”

“One more request;” she became very solemn as she said this, “it is not vital and necessary like the other, but I want you to do one thing for me, if you will.” We all acquiesced, but no one spoke; there was no need to speak:—

“I want you to read the Burial Service.” She was interrupted by a deep groan from her husband; taking his hand in hers, she held it over her heart, and continued: “You must read it over me some day. Whatever may be the issue of all this fearful state of things, it will be a sweet thought to all or some of us. You, my dearest, will I hope read it, for then it will be in your voice in my memory for ever—come what may!”

“But oh, my dear one,” he pleaded, “death is afar off from you.”

“Nay,” she said, holding up a warning hand. “I am deeper in death at this moment than if the weight of an earthly grave lay heavy upon me!”

“Oh, my wife, must I read it?” he said, before he began.

“It would comfort me, my husband!” was all she said; and he began to read when she had got the book ready.

“How can I—how could any one—tell of that strange scene, its solemnity, its gloom, its sadness, its horror; and, withal, its sweetness. Even a sceptic, who can see nothing but a travesty of bitter truth in anything holy or emotional, would have been melted to the heart had he seen that little group of loving and devoted friends kneeling round that stricken and sorrowing lady; or heard the tender passion of her husband’s voice, as in tones so broken with emotion that often he had to pause, he read the simple and beautiful service from the Burial of the Dead. I—I cannot go on—words—and—v-voice—f-fail m-me!”

 

She was right in her instinct. Strange as it all was, bizarre as it may hereafter seem even to us who felt its potent influence at the time, it comforted us much; and the silence, which showed Mrs. Harker’s coming relapse from her freedom of soul, did not seem so full of despair to any of us as we had dreaded.

Notes: Moon Phase: Waning Gibbous

While travelling was Seward recording his diary via phonograph still? I don't think he was. 

During the times of sunrise and sunset, Mina has more control over herself and can see through the Count's eyes, or at least ascertain his whereabouts. Does the Count know this? I believe he does given actions later on in this chase. 

Mina is worried that she will die, either by the vampire or her own hand. She makes everyone promise that they will kill her if she becomes too far gone. Only Harker doesn't make the vow and Mina charges Van Helsing to make sure he does. 

It will be another few days before we meet up with our hunters again.

Review: Islands of Terror (2e)

We are slowly moving through the 1990s and coming up on our next Ravenloft accessory.  This one expanded on the idea of realms not connected to the core, but rather as "islands" in a sea of mist. You ended up in these realms largely by chance aka DM's whim. But the notion does fit with the idea of Ravenloft. As expected, some of this island would later cease to exist. Was it because their Darklords were defeated? Not as evil as the others? Or some other darker fate? Questions like these filled the old RAVENLOFT-L email list for a long time. 

RR4: Islands of Terror (2e)

1992. By Scott Bennie and Colin McComb. Cover art by Jeff Easley. Interior art by Ron Hill, John Knecht and Jaime Lombardo, art and maps by David C. Sutherland III.

For this review I am only considering the PDF from DriveThruRPG. There is no Print on Demand copy yet and I lost my original a long time ago.

This book contains new "island" domains and their darklords. Many pulled from or influenced by other TSR campaign worlds. 

Nidala. This realm is the domain of a Lawful Good Paladin turned crazed zealot. She is now just a Lawful Evil fighter and rules her land with an iron fist. Of course she still sees herself as acting for the good of all. I liked this one because I played a lot of Paladins in my time, and Elena was a great example of her "Lawfulness" overpowering her "Goodness." Plus she still thinks she is a Paladin because the Dark Powers are now granting her her former paladin powers. 

Elena Faith-hold is connected to Kateri Shadowborn from the Darklords book (Ebonbane). Given the descriptions of each and their lands, I am inclined to say they were all from Oerth, the World of Greyhawk.

The Wildlands. This is an African-influenced, fable-like, domain full of talking animals. The animals act like humans in other domains and they are all terrified of the land's Darklord King Crocodile. This darklord is a huge crocodile with the abilities of a 12th-level fighter. 

Scaena. This domain is a theatre controlled by its author-lord, Lemot Sediam Juste. It is a "travelling show" that floats from place to place. It can appear as anything that Juste wishes (writes) it is just a theater building. The obvious influence here is Lon Chaney's Phantom of the Opera movie. 

I'Cath. This land is obviously from Kara-Tur and one of the few I had used from this book. 

Saragoss. This watery domain is from the Forgotten Realms' Sea of Stars. BUT I misread it back in the day and though it was from Krynn. Remember it was 1992, not much of an internet yet and I did not have ready access to either Dragonlance or Forgotten Realms books. The darklord here is a Pirate Captain who can change into a shark and is a Priest of Umberlee. It is an interesting one and I wanted to use in my failed nautical AD&D 2nd Ed game.

Timor. This is a large, Victorian-like city where the darklord is the Hive Queen of the Marikith. We would see something similar with the 10th Doctor in the Doctor Who episode, The Runaway Bride. The city of Timor is filled with food, no one goes hungry. Why, because the Hive Queen wants to keep the populace fattened up for her children to feed on. Outside of Ravenloft this would make for a nice scary one shot.

Pharazia. While not specifically stated, this land could have originated in the Al-Qadim setting. The darklord, Diamabel is an interesting sort. He sees himself as not just good, but the embodiment of goodly virtues. He is where he is because he has been betrayed by the entire world. 

Staunton Bluffs. I am not sure this one was needed. It does a lot of things that other domains also do. Gothic. Ghosts. We have seen this all before. A man jealous of his brother and his brother's position in the the family. BUT there is a little clue here that gives me some hope. One of the nearby duchies on their homeworld was Avergne. Now this could be the Auvergne of France OR the Averoigne of Glantri and Castle Amber. I am inclined to go with Glantril and Mystara here. Especially since there was a great magical rite performed by the would-be darklord Torrence Bleysmith (also cribbed from Strahd).

Bleysmith is now a ghost. He leaves his people alone, likely due to guilt, and their lives are better for it. 

Nosos. In a horror tale a little too close to reality, this is the land of what happens when the wealthy control everything. It is a vast industrial wasteland of pollution and disease.

We wrap-up the book with four "new" monsters. I say "new" because we have seen some of these before, but with new Ravenloft writeups. One, the Sea Zombie was first published in the AD&D 1st Ed Greyhawk Adventures book with AD&D 2nd Ed stats.

Over-all a good set of new domains and darklords for your Ravenloft game. Like a lot of the Ravenloft books the game stats are limited, so you could adapt this to and edition of Ravenloft you are playing with little to no effort at all.

Advent-ure Dice: Day 11

  Day 11

Nice green d8!

October Horror Movie Challenge: Equinox (1970)

 I was supposed to watch this one last night for a night of devils, but honestly I am run down with a cold and couldn't stay awake. 

Equinox (1970)

This one starts with David Fielding (Edward Connell) running away from something. He is then hit by a car with no driver. A year later he is still in a psychiatric ward. In flashback David tells us about his trip to visit his old professor along with his friends Jim (Frank Bonner, Herb from WKRP), Susan and Vicki. 

The movie is essentially the same plot as "Evil Dead." Group of young people go into the woods, encounters an evil tome, and all hell breaks loose. Literally.  Soon they encounter a park ranger named Asmodeus, as in THE Asmodeus.

The find Dr. Waterman's cabin in the woods, but it is destroyed. Then of all things they find a medieval castle in the distance. 

Much like "The Sentinel," this film deals with a gateway to Hell.  This time, the portal is opened when Dr. Watermann's book is read, and the demons are summoned. So yeah, like Evil Dead done by Ray Harryhausen instead of Sam Rami. 

The plot is thin, and the special effects look more like those of the 1960s than those of the 1970s (no surprise), but they are pretty much on par with what I'd expect for early 1970s pre-Exorcist.

Featured Monster: Devil

This one is obviously a devil in both form and deed and quite possibly even a good Asmodeus. This film was very popular in the midnight Drive-Inn circuit, so it is possible this flick was a possible influence on the Monster Manual, but it is more likely that both Gygax and the film's writers were drawing on the same sources popular at the time. 

October Horror Movie Challenge 2024
Viewed: 13
First Time Views: 6