Monstrous Monday: Children of Darkness

Author and world creator Anne Rice died this past weekend at the age of 80. 

Rice's writing, whether her books on vampires, witches, mummies, or erotic fairytales, had a huge effect on horror writing, modern media vampires, and not least of all, games. 

I recently watched the 2017 "World of Darkness" documentary where Vampire the Masquerade creator talked about how he tried to avoid everything Anne Rice when he was writing, only to watch all the movies and read the books that influenced her. 

There was certainly something in the air around then.  World of Darkness / Vampire the Masquerade came out in 1991, with development starting in the late 80s (on the way to Gen Con according to the documentary).  Back in 1985-86, I read "The Vampire Lestat."  I actually read it before I read "Interview with A Vampire" so my opinion of Lestat was a bit higher than my friends that read the books in the proper order.  "Lost Boys" came out in 1987.  All of this led to some interesting discussions at the game table on the nature of vampires.  

Once again I am going back to my original "Red Book" and I pulled the stats on an old favorite, the Children of Darkness, updated to my new Basic Bestiary stat block.  Though spoiler alert, you have seen a variation on these with the Children of Twilight.

Vamire, Children of Darkness
Medium Undead (Corporeal)

Frequency: Very Rare
Number Appearing: 1 (1d4)
Alignment: Chaotic [Chaotic Neutral]
Movement: 180' (60') [18"]
  Run 360' (160') [36"]
Armor Class: 2 [17]
Hit Dice: 10d8+20*** (65 hp)
To Hit AC 0: 6 (+13)
Attacks: 2 fists or by weapon
Damage: 1d6+5 x2, or weapon+5
Special: Constitution drain, immune to mind-affecting spells such as sleep, hold, and charm, plus additional powers
Save: Monster 10
Turn As: Type 12 (Lich)
Morale: 11 (12)
Treasure Hoard Class: XX [C]
XP: 3,000 (OSE) 3,100 (LL)

Str: 22 (+5) Dex: 18 (+3) Con: 16 (+2) Int: 16 (+2) Wis: 13 (+1) Cha: 20 (+4)

Few undead creatures are as powerful as the vampire and none are as successful as hunters as the vampire.  The Children of Darkness are among the most powerful of the vampires.  The transformation to the undead causes the Children of Darkness to become the perfect predator. Their physical form becomes perfect; imperfections disappear, they become stronger, can see and hear better, and naturally, can smell blood.  These vampires only prey on humans and as such only humans become Children of Darkness. 

The Children of Darkness share many of the same strengths and weaknesses as the common vampire. They are strong (they have strength scores of 22), undead, immune to mind-affecting spells such as sleep, hold, and charm. They are also immune to having their minds read.  However, unlike other types of vampires, they can enter dwellings, holy ground and are not harmed by holy items like symbols of holy water.   Additionally, they cannot turn into bats, wolves, or mist. They do not need to rest in coffins, but many do since it is a good guarantee that they will lie undisturbed.  Like all vampires, Children of Darkness are damaged by and can be destroyed by sunlight.   They take 2d6 hp of damage per round exposed to sunlight.   These vampires are turned by Clerics as Liches or Type 12 Undead. 

These vampires can attack with their fists causing 1d6+5 points of damage per hit or attack with a weapon with a +5 to damage.  Additionally, these vampires can have a special power.  These powers can include, Charm, Levitation, Pyrotechnics, Telekinesis, or Telepathy.  Typically these vampires gain their first power soon after becoming a vampire and an additional power for every 100 years of age.   Children of Darkness over 1,000 years old are believed to be able to fly or even immunity to sunlight.

Magical weapons can harm them and if they are reduced to below 0 hp they do not die, must retreat where they will heal at the rate of 1 hp per day.  Damage above this 0 hp threshold is regenerated at the rate of 1 hp per round.  Vampires can "heal" hp on an eight-for-one basis for any hp they drain from constitution points (1 con point = 8 hp). 

The deadliest attack is their Constitution Drain.  Once they latch onto a victim they drain them of blood via a bite.  This bite drains the victim of two (2) points of constitution per round, with most humans drained to zero in five rounds. A human drained to below 0 constitution points will die. A drained human will not return as a vampire unless the Child of Darkness also gives them some of their own blood.  They can only do this if the human is at 0 points of constitution, no more, no less.

Children of Darkness will band together in small groups for protection. Many will share the same sire or will even be "orphans", Children whose sire has abandoned them.  They have a complex set of laws they must abide by which includes not turning children into vampires, (though feeding on them seems to be ok) not creating too many of their own kind (which is difficult to start with), and not killing their own sires.  Some even take this as far as not killing others of their kind. 

The Children of Darkness see themselves as superior to all other types of vampires.  They view other vampires as mutations or aberrations.  Their own rules prohibiting them from killing other vampires do not apply to other vampire types. They often refer to all these other types as "Children of the Devil."

Every hundred years or so a Child of Darkness feels the need for a deeper sleep. They will find a secluded location away from the sun where they will sleep for a decade or more.  Sometimes very old vampires will fall into this death-like state and forget to awaken. 

--

About twice as much text as my late 80s version.  For this stat block, there is now a "Turned As" listing.  This is something I'll introduce in Basic Bestiary II: Undead (currently 220 entries, but only 140 are complete).  "Named" undead will get a chance to make a saving throw but I will detail all of that and my alternate rules for Undead Level Drain in the book.

Kickstart Your Weekend: Vaesen RPG – Mythic Britain & Ireland

There are few things I love more than Creepy Folk horror and one of those things is creepy Gothic Horror.  I was quite pleased to see that Free League Publishing of Sweden was doing a horror Mythic Britain and Ireland, you know it has my attention.

Vaesen RPG – Mythic Britain & Ireland

https://www.kickstarter.com/projects/1192053011/vaesen-rpg-mythic-britain-and-ireland?ref=theotherside

I picked up Vaesen based on solid recommendations while I was at Gen Con this past year.  The game is gorgeous, but I have yet to play it.  But this?  This looks like it was tailor-made for me.

Once again the art looks amazing and the game itself?  Well, I am hooked and already thinking of a game I could run with it.  

Check it out and throw them a Krona or two.

NotTSR sues Wizards of the Coast

Kinda busy with work and other projects this week, so this will be a fast one.  

File under, "Gods, Not these Idiots Again?"

So the New, New TSR, also 3SR, or TSR3, or NotTSR by me, have decided in their infinite wisdom to sue Wizards of the Coast.

Yup.

Wizards of the Coast/Hasbro (the makers of Magic: The Gathering and Dungeons & Dragons) is being sued by TSR (the makers of well...nothing actually).

You can read the filed suit here: 

• Case 7:2021cv00210 filing
• Case 7:2021cv00210 document
• Exhibit A

Now that is the text of the suit and details exactly what is being asked of the courts. This is a copyright and trademark dispute.

The copyright one is completely bogus as Wizards owns (and has all the receipts) of the copyright to all of TSR, Inc.'s former copyrights.  This has been repeated multiple times by Ryan Dancey, the Wizards of the Coast employee charged with investigating and authorizing the purchase of TSR, Inc. (and the spearhead of the OGL), by Shannon Appelcline the RPG historian who has covered the history of D&D/TSR, and most recently by Benjamin Riggs who writing a book to cover the purchase of TSR, Inc. by Wizards of the Coast. 

Reading through this document this is about NotTSR wanting to have free and clear use of the old logos that Wizards had owned but the trademark licenses elapsed.  Currently, it looks like the use of the "Man in the Moon" logo has cancelation pending. 

Given the language in the NotTSR's IndieGoGo's page (which I am not linking and will get to in a bit) makes the claim that Wizards of the Coast are "bullying" them to give up the logos and maybe even the name. This is what I thought they had done anyway back in July with the whole "WonderFilleD" name.

While the text of the actual suit says one thing, their IndieGoGo page says something else.

The crowdfunding effort on IndieGoGo makes it sound like they are taking on WotC to reclaim D&D and get them to remove the disclaimers on older products (including ones produced and published by WotC themselves).

There is a whole lot of nonsense here to unpack.  Where to start?

TSR, Inc. is not New TSR.

There is a lot of conflating of the two (well there were three) TSRs.  LaNasa here is trying to make a connection between the TSR that dissolved in the 1990s to the new "company" he created.   That conflation is something he has been doing for the last few months.  I am wondering if he is actually starting to believe this himself. 

IndieGoGo and not GoFundMe

Then there is the issue of IndieGoGo vs. GoFundMe.  GFM is the go-to platform for things like this. So why IGG? I think it is because there are few consumer protections against fraud that GFM was specifically designed for. IGG is great, but this is not what it was meant for.

The Suit vs. What the fundraiser page says

The suit covers a trademark dispute.  The IGG pages leads you to believe that they are also going after Wizards to get the language on the DirveThruRPG/DMSGuild pages changed.

Keep in mind that NotTSR has no legal leg to stand on here. WotC owns those products lock, stock, and barrel. They can do whatever they want to their own products.

I said it 18 months ago, and I revisited it 6 months ago, but those disclaimers are not coming down. It doesn't matter what the older, tiny subset of fans, many who also claim never to buy the products, want.  If anything it increased the sales.  Do you honestly think Oriental Adventures was going to go to Mithril seller on its content alone?

NotTSR and LaNasa do not have that sort of power. Not even if their Fundraiser ran at its current levels for the next 10,000 years. 

Libel and Slander?

Good thing that this wasn't in the actual suit.  This is a perfect example of someone not knowing what the legal terms Libel and Slander actually mean. I would even argue that LaNasa has MADE money since those disclaimers went up.  Also, WotC can also show that no harm has been caused to their own livelihood since they went up.   This is the weakest of all his claims. 

So what is the point of all of this?

Simple. I have talked to a lot of people that are part of the RPG industry and the overwhelming consensus is that is nothing more than a cheap cash grab.  It is a grift to get money from the old-school gaming crowd. 

LaNasa is promising the return of "old TSR" but not only is Old TSR gone, it is gone forever. The copyrights and IP are held by a multi Billion dollar company (Fortune 500 rank #494).  The principles and the creatives are all for the most part dead. The ones that are still alive have nothing but contempt for this cash grab.  Don't forget that "good old TSR" was not always so good. Gygax tried to screw Arneson of money he was owed (it was Wizards of the Coast that made Dave Arneson was paid finally, not TSR), it was TSR that fired Gygax from his own company, and it was TSR that threatened to sue anyone that so much as talked about D&D online back in the early 90s.   The whole "Make TSR Great Again" is a smokescreen for a blatant cash grab and to hide the fact they still have no products out.

Edited to Add: Here is a brilliant takedown of the complaint by a lawyer who does this stuff all the time.

Mail Call: Chris Perkins' "Advanced Dungeons & Dragons 3rd Edition"

Been a busy time at work, so just a fast one today.

Some time ago I grabbed something called "Advanced Dungeons & Dragons 3rd Edition" from the web.  It has been sitting in my "to be sorted" folder for ages.  I was in the process of digging up some other material for a project when I happened upon them.   The layout was nice and clean and the covers were nearly print-ready.  So I spent some time a few nights ago tweaking it and slapped the whole thing on Lulu.

Here is what I got.

Frankly, I am pretty happy with it. 

I went a re-looked up what this game was/is and it turns out it was done by Chris Perkins.  The game is a very nice blend of AD&D 1st and 2nd Editions with mechanics from D&D 3rd Edition and inspiration from Castles & Crusades.  The overall effect is not unlike D&D 5th Edition, but more of a 1st Edition feel.

The art is all copied from published classic D&D sources, so there is no way this thing is legal to sell. I am sure if cleaned up it could be released under the OGL, but it is so close to Castles & Crusades and D&D 5th edition there is no need to do so save as an entertaining experiment.

Perkins used to have a website for it, http://www.adnd3egame.com/cnc.htm but it is long since gone. There are details about it at RPG Geek and Boardgame Geek.  I have no idea where it is hosted anymore.  I found a new site for it here: https://scruffygrognard.wordpress.com/2010/02/02/add-3rd-edition/.  Note: Perkins is now working on a BX3e.

It is a completely playable game and has a lot of nice features.  It reads like a D&D "Greatest hits" album.  It is just missing some "kits" or "subclasses" to make it more like 5e.  

The question of course is why play this when I have all the other versions of *D&D?  Well, the simple answer is that it looks like fun.  IT might be neat to play this "what if" version.  It is also interesting to see which design choices Perkins went with. Like why 20th century D&D style saving throws and not say 3rd/4th Edition ones or 5th Edition/Castles & Crusades ones?  How does the skill system work (feels like a mix of AD&D 1st ed and D&D 3rd ed)?  There are Bard and Monk classes, how do they compare to their 1st and 3rd ed counterparts?  Plus there is a section on Psionics. So there is a lot to explore here.

Besides the books are damn attractive.  The layout like I said is clean and simple, but it appeals to me.

Now that I found his site again I am curious to see if there will be more updates on it. His BX3e project also looks very interesting.

Monstrous Monday: Demon Prince Orcus fo AD&D 2nd Edition

Going back a bit to do some more level setting and based on a conversation I had last week with a friend.  He was looking for some stats for Orcus for 2nd Edition AD&D.  I have stats for all versions of AD&D/D&D for him, but none for 2nd Ed.  I had always felt that Orcus was dead throughout all of 2nd Edition (thanks to The Throne of Bloodstone) but the events of Dead Gods brought him back. 

I did have some older AD&D 2nd Ed stats I had created in something I call the "Red Book."  The notes are largely cribbed from 1st Edition sources. 

To rebuild this I am going to also look to other sources like Swords & Wizardry and Pathfinder.  

Orcus, Demon Prince of the Undead

Climate/Terrain:  The Abyss
Frequency:  Unique
Organization:  Solitary
Activity Cycle:  Any
Diet:  Carnivore
Intelligence:  Supra-genius (20)
Treasure:  P, S, T, U
Alignment:  Chaotic evil
No. Appearing:  1 (Unique)
Armor Class:  -6
Movement:  18, Fl 36 (B)
Hit Dice:  25 (130 hp)
THAC0:  7
No. of Attacks:  3 (see below)
Damage/Attack:  1d10+3/1d10+3/2d4 + special
Special Attacks:  Fear, spell-like powers, summon and command undead, Wand of Orcus
Special Defenses:  +3 or better weapons to hit
Magic Resistance:  85%
Size:  L (15' tall)
Morale:  Fearless (19-20)
XP Value:  36,000

Orcus is the Prince of the Undead, and it said that he alone created the first undead that walked the worlds.

Orcus is one of the strongest (if not the strongest) and most powerful of all demon lords. He fights a never-ending war against rival demon princes that spans several Abyssal layers. From his great bone palace he commands his troops as they wage war across the smoldering and stinking planes of the Abyss. Orcus spends most of his days in his palace, rarely leaving its confines unless he decides to leads his troops into battle (which has happened on more than one occasion). Most of the time though, he is content to let his generals and commanders lead the battles.

Appearance:  Orcus is a grossly fat demon lord, some 15 feet tall.  His huge grey body is covered with coarse goatish hair.  His head is goat-like, although his horns are similar to those of a ram.  His great legs are also goat-like but his arms are humanoid.  Vast bat wings sprout from his back, but these are usually tucked out of sight when he is not in flight.   His long, snaky tail is tipped his a poisonous head.

Combat: It is probable that this creature is one of the most powerful and strongest of all demons. If he so much as slaps with his open hand the blow causes 1-4 hit points of damage. His terrible fists can deliver blows of 3-13 hit points. If he uses a weapon he strikes with a bonus of +6 to hit and +8 on damage. Additionally, his tail has a virulent poison sting (-4 on all saving throws against its poison), and his tail strikes with a 15 dexterity which does 2-8 hit points each time it hits.

Orcus prefers to fight using his wand. (see below)

Orcus radiates a 60-foot-radius aura of fear (as the spell). A creature in the area must succeed on a saving throw vs. Spell or be affected as though by a fear spell (caster level 30th). A creature that successfully saves cannot be affected again by Orcus’s fear aura for one day. 

Orcus can, at will, use any one of the following powers: 

Orcus can command or banish undead as a 15th-level cleric, controlling up to 150 HD worth of undead at one time. He casts spells as a 15th level cleric and 12th level magic-user, and can use the following magical abilities at will: animate dead, charm monster, darkness, dispel magic, ESP, fear, feeblemind (1/day), lightning bolt (12 die), speak with dead (as 20th level cleric), symbol (any) and wall of fire.

Additionally, he has an 80% chance of gating in any demon of type I-V (but only a 50% chance of gating a type VI or VI and will never call upon another prince). 

Orcus furthermore is able to summon the undead, for he is their prince. If random calling is desired by the referee the following is suggested:

• 4-48 Skeletons
• 4-32 Zombies
• 4-24 Shadows
• 2-8 Vampires

Habitat/Society: When not warring against rival demon princes, Orcus likes to travel the planes, particularly the Material Plane. Should a foolish spellcaster open a gate and speak his name, he is more than likely going to hear the call and step through to the Material Plane. What happens to the spellcaster that called him usually depends on the reason for the summons and the power of the spellcaster. Extremely powerful spellcasters are usually slain after a while and turned into undead soldiers or generals in his armies.

He has a following of human worshippers as well; warlocks, death masters, necromancers, and evil priests.

Ecology: Orcus controls several levels of the Abyss he claims as his own including the 113th and 333rd layers.  When not at war with the forces of good and life he wars with all the other demon princes for control of all the Abyss.  Orcus' goal is to see all life extinguished and death reigns supreme. 

Wand of Orcus: Mighty Orcus wields a huge black skull-tipped rod that functions as a +3 heavy mace. It slays any living creature it touches if the target fails a saving throw. Orcus can shut this ability off so as to allow his wand to pass into the Material Plane, usually into the hands of one of his servants. Further, the Wand has the following magical powers: 3/day—animate dead, darkness and fear; 2/day—unholy word.

--

Might need to tweak it some for my own uses, but this looks like it works well enough.  These stats are not perfect by any stretch, but they feel pretty close. 

I reject the fan theory that so many have adopted that Orcus was once human.  Though this does fit in with the Mystara/BECMI Immortals Set version of Orcus. Though THAT Orcus also has 39 HD and 620 HP.  

I prefer my own where he is a remnant of a former god. He has memories of God-like power, but nothing else.  After all according to Milton Orcus was in Hell when the Devils first arrived.

In any case, I do see that Orcus became more powerful after the events of Dead Gods. Maybe also explaining why he went from being "immensely fat and covered in grey hair" to the red demon of 21st century D&D. 

Links

• Orcus: Demon Prince of Undeath
• Orcus: Swords & Wizardry 
• Orcus: Forgotten Realms
• Orcus: Pathfinder
• Orcus on the Other Side
• Orcus for Unisystem
• Fight Against Orcus
• Tales of Brave Ulysses
• Deep Dive - Orcus

Plays Well With Others: Man, Myth & Magic and Lands of Adventure

Ok. "Plays Well With Others" might be stretching it a bit. Almost to the point of ridiculousness to be honest, but I have wanted to compare both Lands of Adventure and Man, Myth & Magic for a while now.

On the surface both games are attempts at presenting historical or at least semi-historical, roleplaying to a Post-AD&D world. Both games present various areas and eras of play to help facilitate that notion of historical roleplaying. LoA with its Culture Packs and MM&M with its adventures and Egyptian add-on.

Both games can best, and fairly, be described as overly complicated and in reality somewhat messy.

Both games have more complicated (than AD&D) character creation but attempt to create characters that are appropriate for their times.

Incidentally, both games also use real tiny d20 percentile dice that are difficult at best for me to read these days.

Thematically MM&M tries for historical accuracy despite having a rogue T-Rex running around as an ersatz dragon.  LoA probably does a little better here even though it does include several fantastic beasts and monsters.

LoA gives us two (more were planned) Culture Packs, Ancient Greece and Medival England.  They are separated by about 2000 years and characters are not expected to be able to travel to one from the other.

MM&M gives us a bunch of different cultures and the idea of "travel" between them is via Reincarnation.  The culture best (and I say that loosely) represented here is Rome circa 40 AD (or sometime around that).  Even then it has issues.

Neither system is one I want to cozy up with for long periods of time.  Not to mention there are plenty of other games that do historical roleplaying better, Pendragon and Chivalry & Sorcery are two that come to mind right away and there are others.  The idea of historical role-playing though is still an appealing one.

What is a Game Master to do?

The Fantastic Journey

Back in the late 70s there was a short-lived TV series, The Fantastic Journey, about a group of people that were traveling to different lands throughout time and space. It hit all the social and occult themes of the 1970s. A man from the future with psychic powers, the daughter of an Atlantean and an extraterrestrial, a scientist from the 60s (Roddy McDowall), a young African American doctor, and a super-smart teenager (Ike Eisenmann, fresh from Witch Mountain).  The show didn't last long, but it imprinted deeply on my psyche.  

It had similarities to the show Time Tunnel that came before it and Voyagers! and Quantum Leap that came after.  Though, unlike those shows that tried to pay a little lip service to time travel science, TFJ was pure fantasy.  There was magic and even a sorcerer and a werewolf.   I have often wondered how I could make a game that mimics this and fulfill the promises made by MM&M and LoA.

I could take a page from Herbie Brennan's other game Timeship for ideas. But honestly, that is just trading an easy solution for more problems.

I like the idea of a group of characters, unstuck in time, traveling to different periods.  Whether the characters themselves are doing it or they are reincarnations, I go back and forth on.   Part of me likes the idea of the idea reincarnation since that sets them in situ with the proper time and knowledge. OR maybe their consciousness is traveling and inhabiting new bodies ala Quantum Leap.  I would need a big bad of course.  Someone travelling through time, or maybe someone (or multiple someones) that are immortal and trying to do something to humanity.  Destroy it?  No, that is too easy. I am going to say advance them in the past so they are more powerful and deadly in the future for some nefarious means. I might take a page from the Doctor Who episode/serial City of Death.

Part of me wants to do this and each time the character travel in time use the system that best represents it.  So Pendragon, LoA, MM&M, even WitchHunt.   But that is, to put it mildly, insane.

I would use a simple system, likely NIGHT SHIFT to be honest. Survivors would work the best with the odd sage, psychic, and veteran.  Then adapting D&D-like games is easier. Each time the character travels they can pick up some odd skills or the like.

Again, I hate to fall into another sunk cost fallacy here but I like to think I owe it to myself to have the game that I wish these games were.

Character Creation Challenge: Man, Myth & Magic

It is the first of the month, so that means a new character.  I went through the effort of creating a new character for Man, Myth & Magic.  Well, I say "new" because it is a new character for this game, but it is someone I have used a lot in the past.

The Game: Man, Myth & Magic

I spent the day reviewing Man, Myth & Magic and it was rather fun. But not a game I am likely to play.  So in these cases I use the game to help inform characters that I might be using in other games.  In this case I am doing the human, still living version of a character that has so far only appeared in my games as a ghost.

The Character: Queen Boudica

Fans of the Ghosts of Albion RPG will recognize this name.  Boudica is the Queen of the Iceni Celts living in western Briton at the time of the Roman occupation.  So the time period is really perfect.  I set this at 61 CE.  If I am going to play a game in Roman Briton then I want to join the Queen as she burns down Londinium.

Boudica, or Boadicea, was a central figure in the Ghosts of Albion animations on the BBC and in the books by Christopher Golden and Amber Benson.  She became one of my personal favorite characters in the RPG as well.  While she is great fun as a ghost, getting the chance to play her as a still living and breathing human is too much of a temptation to pass up.

I am going to include a scan of the sheet with page numbers appended to it.  This was one of the bigger (but by no means unique) issues with this game.  You have to flip all over the place to get the information you need to create a character, let alone to play.  

Note: Windows updated and now can't find my scanner. So here is an image from my phone.

In Ghosts of Albion lore, Boadicea had some magic. She was in the middle of casting a spell when she was murdered in fact.

For Boudica here I did not include any spells, though I could have.  I didn't find any that fit well with the concept of her in this game.  Plus she is technically not a spell caster here.

In any case, she is a fascinating character and I could stat her up in several systems and not grow tired of her.

Long live the Queen.