October Horror Movie Challenge: Another aka Mark of the Witch (2014) and Sorceress (2017)

This is another couple of movies that came recommended. Not sure if the recommendation though panned out.  These two have a lot in common. Both movies deal with dead mothers of witch girls, family curses, insanity, and both movies are way, way damn slow.

Another aka Mark of the Witch (2014) 

On her 18th birthday, Jordyn (Paulie Rojas) begins to notice some strange things going on around her, starting with her Aunt harming herself.   Turns out that her mother was in some sort of cult with her sister and Jordyn was conceived during some ritual.   Her mother died in childbirth and her aunt has protected her this entire time.

Jordyn is going crazy seeing all sorts of strange things, but mostly someone that looks just like her doing evil acts.  As the movie, slowly, develops, we learn her doppelgänger, is the spirit of her mother trying to take over her life. 

The movie is 80 mins long, but if all the slow-motion scenes were played at normal speeds it would have only been an hour long, tops.

I wanted to like this movie more. It had a lot of good ideas going into it, but they never quite jelled in my mind.

Sorceress (2017)

So, oddly enough a lot of similar elements here.  We have girl, this time Nina (Naama Kates, also the writer and director) who's mother just died by suicide.  Nina has traveled to Russia to visit her mother's family.  Nina was told her life that she was a witch like her mother.  While she does not get along with her uncle and his family she does meet Katya.  Katya (Oona Airola) flirts with Nina and soon both women are living together.  Nina though is either going crazy, like her mother did, or does have magic, also...like her mother did. 

This one looks great; I find there is a bleak beauty to Russia, I find it oddly fascinating.  Sadly this is not enough to save this movie.

There is something about the intersection of madness and witchcraft.  Something that I think Rosaleen Norton was tapping into.  I was hoping for more with both movies to be honest. I am going to need to find more on this topic.  Hopefully ones that won't put me to sleep.

October 2021
Viewed: 52
First Time Views: 39

This Old Dragon: Retrospective, Devils and the Nine Hells

It's the last full week of Halloween (October to you mundanes out there) so what better topic than the go over all of the Devils that have appeared in the pages of Dragon Magazine. 

This Retrospective could go on for a long time, so I think I am going to limit myself to mostly 1st Edition treatments.  Thanks to TSR bowing to the moral panic of the time we got exactly one article about Devils proper that I can find for the 2nd Ed days.  They pick back up for D&D 3rd Ed, but that is getting beyond the scope of "This Old Dragon."

"The Dragon" Days

These were some of the earliest discussions on the Devils and the Nine Hells. They typically coincide with the release of the AD&D 1st Edtion Monster Manual when we introduced devils to D&D for the first time. Demons had already been added in Eldritch Wizardry for OD&D and had become a staple as these articles show.  This also set the divide of Chaotic Evil Demons and Lawful Evil Devils that persists to this day.  But before we get to devils proper, let's have a look at some early articles on Demons.

The Dragon #13

This issue comes to us from April 1978.  This issue is notable in our discussions for two reasons. First is an ad in the back for the Monster Manual and secondly, there is the brief one-page article on Demon creation.  Ok, so not devils, but the same logic could apply. 

The Dragon #20

I covered this one in a proper This Old Dragon a little bit back. In this issue we have Demonology made easy; or, How To Deal With Orcus For Fun and Profit by Gregory Rihn.  This expands the above article and makes it more AD&D than OD&D.  Again these are demons, but the same rules can apply to devils.

The Dragon #23

This is the third attempt at a random demon system, this time from Gary himself. This one draws from the first two. Random Generation of Creatures from the Lower Planes is exactly what it says on the tin really.  We should make a note here. This is for creatures of the Lower Planes, not just demons.

The Politics of Hell

Dragon #28, or more specifically for me, The Best of Dragon Vol. II gave us a landmark article that is almost entirely fluff; The Politics of Hell by Alexander von Thorn. Mr. von Thorn's only other contribution to Dragon would be 10 issues later with some skill for Traveller. He continued working, mostly on GURPS, and is still active online.  

This was a landmark article that among other things it lets us know why Asmodeus, a lesser demon from the Tobit originally, was the ruler of Hell and where Satan was.  The mythology presented here is extremely Judeo-Christian, so that may or may not work for a lot of games and gamers.  It did however introduce me to Astaroth and by extension Astarte. 

Dragon #42 would make a good choice for a future This Old Dragon.  I'll have to see if I have it in my big old box of Dragons.  This is the October 1980 Halloween-themed issue and has a few articles on Devils and even features on of the most famous pictures of Orcus ever.

The article "Demons, Devils and Spirits" comes to us first from Tom Moldvay.  This one features four new spirits that are Lawful Good, Neutral, Chaotic Evil, and Lawful Evil. So a full house!  Ashleigh Parker is next with The Possessors, or demons that can possess others.  Lewis Pulsipher wraps it up with Patron Demons, a forerunner to what we will see in warlock pacts

The Nine Hells by Ed Greenwood

Not since Dragon #28's The Politics of Hell did Devils and Nine Hells get as much attention as they did in the pages of Dragons #75 and #76.  There is a faint hint of the Realms here, but not so much that I felt this was world-specific.  In fact, in the summer of 1983, we were still a couple more years away from the Forgotten Realms being a thing for the rest of us.

These two articles cover every layer of the Nine Hells in descending order and discuss the Dukes that rule them, their consorts, their advisors, and even some of the other devils that can be found here.  There are shades of Dante's Inferno here but this is pure D&D.

This series casts such a long shadow that one would be forgiven if they forgot that Gary opened the series with the Devils that would appear in the upcoming Monster Manual II.  This includes the Abishai devils, which are the spawn of Tiamat.   Even though in my personal campaigns I have taken Tiamat out of Hell, the Abishai remain and are still her spawn. 

Combining these we can see there is a certain level of world-building that has gone on past the publications of books like the Deities & Demigods.  In particular, all non-Devil Gods have been kicked out of the Hells.  I took this a step further and even removed Tiamat and placed her on her own plane.

The articles are long and just filled with great information.  It would not be until the later AD&D 2nd Ed years that we would get this much detail on Devils.  

For Dragon #400, Wizards reprinted the entire series, with AD&D 1st ed stats.

Dragon #91

Greenwood (and Gygax) are back a little more than a year later.  Gary has a revised Goristro demon from Monster Manual II. But the big news is Ed has more Nine Hells with some details left out of the original series. It is quite a long one to be honest.  Of note for me there is a devil "Gargoth" that should replace "Astaroth" from the Politics of Hells article. We are told that Astaroth is a demon prince, but that is all.  Astaroth/Astarte just can't catch a break at all.

This is followed by Eight Devilish Questions, something of a FAQ about devils. 

Interestingly enough, this is also the issue that Ed gives us the sword that would change my campaign in very profound ways; Demonbane.

What the Hell is a Baatezu?

Dragon #223

It will be a little more than 10 years before we get anything else about Devils in the pages of Dragon.  This time it is a similar article to Politics of Hell but the new Lords of the Nine only have a little connection to old lords. Some are the same like Dis, others are related, like Fierana, and others still are new or so heavily disguised they might as well be new (Levistus and the Dark Lord respectively).

Honestly, it wasn't until Wizards of the Coast bought TSR that we ever got proper Devils back.  These lords though have been woven back into the history of the Devils since 3e.  Even in this article the term "Devil" to mean these fiends is never used. 

Final Thoughts

Doing a retrospective like this is mostly just time-filling fluff unless I want some takeaways from it all. 

Cosmic Chicken

There seems to be a game of cosmic chicken going on in the early depictions of devils. While there are some that are different in their mythological origins, Geryon from Dante's Inferno and the Erinyes from Roman Myth to name two, the vast majority of these creatures, especially the ones in Dragon, are from Judeo-Christian sources.  That is of course except for The Devil himself.  The authors are willing to pour through all the Medieval demonologies for names, but when it comes to Satan they blink. That is except for one article.  I get it.  There is a lot of baggage with "The Devil" both for religious and cultural reasons.  If you are going to mine "The Inferno" and "Paradise Lost" then why leave out one of the main characters?

Though I will admit I have also struggled in using the Big D in my games, only because it needs to be something special.

Worlds Apart

While a lot of "game rules" can be applied to both demons and devils equally, I am reminded in this retrospective that they are not, and should not be the same.  So while I was mentally looking over the differences and resorting (something that D&D 4e tried to do as well and met with some successes but most criticism from the fans) them into different categories, one category began to show itself in a surprising way.

Gary was better at creating demons and demon-like devils, Ed Greenwood was better at devils.  So for this reason I have decided that in my games demons take a larger interest in the world of Oerth (Greyhawk) and devils take more of an interest in the world of Toril (Forgotten Realms).  There are some exceptions of course.  Orcus has tried to make headway into the Realms many times.  But generally speaking in the games I have run and the D&D novels I have read, this seems to hold true.

October Horror Movie Challenge: Coven of Evil (2020)

I wanted to get in more witch movies this Challenge, but I am running out of days.  I added this one early one and just never got around to it till now.  Many of the reviews for it online are fairly bad but a couple suggests checking out for yourself. So I did.

Coven of Evil (2020)

Joe is a journalist and he just published his first article about a coven of witches in England.  He is later approached by the high priestess Evie asking him if he wants to come to one of their rituals so he could correct some inaccuracies he published.

He meets many of the members including Evie's jerk husband Zander and a few other guys who all live in the house.  There is also a woman upstairs that no one acknowledges.  

He agrees and is soon joining a ritual where he gets high and ends up having sex with one of the other girls, Talia (we think).  The next morning Joe wants to leave until he sees one of the other guys hitting one of the other girls. 

Joe finally runs into Alice, the girl he saw in the upstairs room. She later returns to her room where she is beaten with a belt by Zander.  He does it again when she sleepwalks out. The guy is a sadist.   For some reason, they don't want or let Alice join the coven.  

Some errors in the plot/script.   The night after she gets beaten by Zander so bad she needs a healing spell, she is walking around the house with a low-cut dress in the back.  No scars.  

We learn they are planning on sacrificing Alice, so they practice by killing Talia.

While all of this is going on Joe and Alice end up having sex, or at least trying. Turns out that when Joe had sex with "Talia" it was actually a drugged-out Alice. 

We get to the sacrifice and learn that Alice is no longer suitable for sacrifice but her unborn baby will be. 

The eclipse comes and Alice sees herself talking to herself telling her not to be weak.   She wakes up from her stupor and turns the knife onto Evie, who she ends up killing.   Turns out they summon the "Gate Keeper" anyway and he is pissed off that the sacrifices were inadequate. 

The Gatekeeper takes everyone to hell (or wherever) and leaving Alice and Joe.

A year later the baby is born and it might be evil.

They try for a "Wicker Man" vibe here and more or less get it.  The movie is independent, so don't expect great special effects, acting, or production values.   The biggest issue is the movie is slow and the script for the most part makes little sense at times.

October 2021
Viewed: 50
First Time Views: 37

October Horror Movie Challenge: Carmilla (2019)

"I'll never let the devil into this house Lara."

- Miss Fontaine

Not too long after saying this, she does exactly that.

One would think I had seen every version of Carmilla out there. And in truth I had, until very recently.  This is a new one and one that came highly recommended to me. 

The cast is pretty amazing with a personal favorite of mine Jessica Raine as Miss Fontaine, the Mademoiselle De Lafontaine character from the novella.  Tobias Menzies of Game of Thrones and Outlander fame as The Doctor (Spielsberg).

It also includes new(-sh)commers, Hannah Rae as Lara "Bauer" (not sure why the name is changed), and Devrim Lingnau as Carmilla.

The movie more or less follows the basic story novella but also takes a few liberties.  It is atmospheric and gothic and sadly dreadfully slow. It does play up the tension between Carmilla and Miss Fontaine more.

The story is fine, not a lot of horrors though and some of my favorite lines from the book are gone.

Not really a fan of how it ended.

October 2021
Viewed: 49
First Time Views: 36

 

Review: She is the Ancient: A Genderbent Curse of Strahd

A couple of months ago, beginning of September I think, I was made aware of a new title on DMsGuild called She is the Ancient: A Genderbent Curse of Strahd by Beth the Bard. 

I checked it out and liked it. Hopped on to Twitter to offer her congratulations and mentioned that she would hit Gold Best Seller status.  Well, this past month she did it!  I thought with Halloween coming up and so many people running the 5e Curse of Strahd this would be a great time to review it.

She is the Ancient: A Genderbent Curse of Strahd

by Beth the Bard

157 pages, color art, PDF.

To start with you will need the 5th Edition version of Curse of Strahd to use this resource. Though I am going to also talk about how this can be used with the original AD&D 1st Edition adventure I6 Ravenloft.

She is the Ancient is more than just giving us a distaff Strahd. You don't need a guide for that.  This guidebook shows how changing the gender of Strahd, but keeping her as a strong warrior figure, changes the nature of her relationship with, well everyone. The most interesting is her new rivalry and even hatred of Tatyana.  These new relationships take up a good bit of this guide. 

Beth the Bard reminds us that this IS a horror adventure and to assume that bad things can't happen to, well, everyone, is unreasonable.  So yes there is still violence here and it's directed at everyone this time.

The changes are largely of these sorts:

Characters/NPCs.  Several characters get changes, some minor, others are major.  Strahd is now female, as is Van Richten.  Others get minor changes. Any of these can be used optionally.  Many of these are much more interesting than the ones we get in Curse of Strahd. 

Relationships. Related to the characters are new relationships.  These are very well detailed and even if you never change a single character according to this guide this is a very useful tool for Curse of Strahd.

Encounters.  There are also changes to various encounters all over the Curse of Strahd adventure.  This takes the shape of some encounter rewrites and others with tips.  Additionally, there are encounter "flowcharts" that show how the various encounters are related to each other.  There are also new handouts that you can print out to give to players.

That is overly simple, there are 157 pages here after all, but this is the gist of it. 

The layout is clean and clear and the art is rather fantastic.  It is on sale right now, but even at its regular price of $19.99 is a good deal, especially considering all we are getting here.

The overall feel is the same I get from watching a classic horror movie.  "Dracula" is a horrid monster, someone that kills pretty much everyone in his path.  "The Bride of Dracula" is just as evil, and likely kills as many people, but for some reason, her story seems more tragic.   This new guide turns even this around.

Strahd is tragic, his love for Tatyana has driven him to become a monster.  In this new Strahd, she is still a tragic figure, but it is nothing so prosaic as love that drives her, but hate and betrayal and yes jealousy.  THIS Strahd is motivated by more violent emotions and desires.  You anger her at your peril. 

There is an accessible version of this adventure available. Link included in the PDF.  There are tokens and NPC portraits you can use with this OR with the original Curse of Strahd if you choose.

I6 Ravenloft

Curse of Strahd is the newest iteration of the classic Ravenloft tale.  This is "Dracula Untold" with Luke Evans.  "I6 Ravenloft" is Hammer Horror with Christopher Lee.  SO it stands then that "She is the Ancient" applied to I6 Ravenloft is Ingrid Pitt, in her "Countess Dracula" role. 

I have not sat down with this new guide and Ravenloft and analyzed it line by line, but I have run Ravenloft several times since I purchased the original shortly after it was released.  I have run it for every version of D&D since 1983, including D&D 5e before Curse of Strahd was released.  My feeling here is that She is the Ancient can be used with the classic module just as easily. 

Much of what is presented in the She is the Ancient is relationship-based. So conversion to or from 5e and 1st Ed is not an issue.  There are some 5e stat blocks, but nothing that can't be easily replaced or swapped out. 

Honestly the next time I run I6 I am going to give this a try.

What I like best about this is an attempt to do something different with what is now can be considered a classic sort of tale. It shows that like love, the topics of hate, revenge, and undying purpose are universal and can transcend simpler concepts of gender. 

I had thought, originally, that this would give me some ideas for my own Darklord and Domain, Darlessa and Arevenir.  Thankfully, She is the Ancient is not only NOT distaff Strahd, it is also NOT just a generic female vampire Darklord.  I will, however, adopt the adventure flowchart idea and the relationships as they are modeled here.  There are some great ideas to be honest.

Who should buy She is the Ancient?   Anyone who has run and wants to re-run Curse of Strahd and wants to try something different. Personally, I feel the DMs that have run Curse of Strahd already will benefit the most from this.

I also think that first-time DMs of Curse of Strahd will enjoy this, but there is a LOT going on in both Curse of Strahd AND She is the Ancient.

Once you have this you can adopt/adapt as much or as little as you like.   Or even just use the flowcharts and relationships to flesh out all the characters more.

I would say my ONLY complaint is that there is no POD option, but in truth, the layout and design are such that any page or collection of pages can be printed out and slotted into your Curse of Strahd book. Though a POD would be nice. 

She is the Ancient: A Genderbent Curse of Strahd is not going to be for everyone and that is OK.  BUT, for the people that are inclined to use it is a great resource and guide.  It is well written with great art and layout.  A lot of work went into this and like the original Ravenloft, it provides yet more options for replayability.  

October Horror Movie Challenge: The Queen of Black Magic (1981, 2019)

Believe it or not, I did not get the streaming channel Shudder, until really recently.  I was building my list and I saw one I knew of but had not seen yet, 1981's The Queen of Black Magic, also known as Ratu Ilmu Hitam or Queen of the Dark Arts. I also saw there was a Shudder exclusive, 2019's The Queen of Black Magic.  Thinking they might be the same I opted to make a night of it.  

The Queen of Black Magic (1981)

This one came highly recommended.  

Baedah is getting married, but something is wrong.  She sees maggots, snakes, and the groom as a corpse and his men as demons. Something also is attacking the local shaman.  The groom, Kohar, quickly decides that it must be Murni's fault because she is a witch. She is a witch because this is all her fault. Solid logic!  We learn that he had seduced Murni and took "her dignity" (virginity) but would not marry her. 

Murni is played by Indonesian horror queen Suzzanna (Suzzanna Martha Frederika van Osch).  "Murni" by the way means "Pure" in Indonesian.  Kohar and his mean go to her home and lynch her. He even slaps her old mother and sets their home on fire.  They toss her off the side of a cliff to make sure to "get rid of her black magic" but she is caught by a strange man.   

The man rescues her and nurses her back to health.  He tells her if they accuse of her black magic then she should use black magic to get her revenge. She will be the Queen of Black Magic.  

We get a "training montage" which involves Murni doing naked backflips under a full moon until smoke comes out of her head.  This had to be near-pornographic for Indonesia in the early 80s.

Murni returns to her village, much to the shock of the men that tried to kill her.  They try to warn Kohar, but she summons bees to kill one of them.  She then causes huge boils to form on another and they explode, filled with blood.   Gruesome, yet satisfying.  Lots of great examples of sympathetic magic here too.  

An Indonesian Lionel Richie-looking dude shows up to the village. He seems very religious and immune to the effects of black magic. 

Murni killing Kohar by getting him to rip off his own head is worth the price of admission alone.  Then watching Kohar's head fly around is just great. 

The becomes a battle between black magic and the power of the new stranger, Permana, invoking god. 

In their battle, we learn that Permana is Murni's older brother to learn from a holy man far away.  Makes sense since they both can do the same backflips.

They fight, but when the evil priest/magician that trains Murni shows up to kill Permana, Murni turns on him instead.  She blows him up with magic, but it is implied she dies as well.

Some great effects really, given the time and budget, and a fun story.

The Queen of Black Magic (2019)

This one is also Indonesian and described as a loose-remake of the first. 

This one starts out strong. A family is driving back to visit the orphanage the father grew up in.  While talking they hit something. Getting out they find a deer on the side of the road, but it seems like it has been there a bit.  As they drive off we see a bloody girl on the other side of the road that they missed. 

They meet at the orphanage and others are also here to see the old caretaker., Mr. Bandi.

We learn that one of the kids from the orphanage was a girl named Murni. But no idea if it is the same one. Obviously, there is something about Murni that makes the adults very squeamish.  

Hanif, the father, is getting food from his car when he notices the blood on the car but also the black hair.  The deer he hit was brown.  Driving back he and one of his brothers, Jefri, find the girl.  They also find a bus full of the orphans and they are all dead. Murdered. 

They let their other brother Anton know and he drives back to see and go get the police.  He gets trapped on the bus and attacked by bugs. So many that his eyes pop out of their sockets.  Back at the orphanage the same thing is happening to his wife Eva.  Lina, believing she is too fat due to hormone treatments and begins cutting off bits of her flesh.   Eva rips off some of her skin and bugs come crawling out.

We learn the three boys as orphans discovered that Ms. Mirah had abducted a girl and was using black magic. So they locked her in a room where she banged her head against a door until she split her own skull open.  So with Mr. Bandi's help, they tore up the floor, put her body in, and covered it in cement. 

We see her ghost at one point. Damn. The Indonesians have some scary-ass monsters.

Nadya, Hanif's wife, discovers a bunch of photos of half-dressed underage girls that apparently Mr. Bandi took.  One of the girls is Siti, the woman married to Maman who invited them all there.   When confronted with the photos Siti tells everyone he did it with all the girls. When three were going to tell, he locked them in a room and poisoned them.  It seems that Ms. Mirah was protecting the girls and she was going to kill Mr. Bandi.   

Nif finds another picture and we learn that Murni was Ms. Mirah's daughter.

Something, Murni likely, begins to torture everyone. Eva is clawing her skin off, the orphans are being scalded with steaming water. Nif's children are getting whipped. It's all pretty brutal. 

Murni gets her head cut off, but puts it back on in an obvious nod to the first movie.  Nadya sets Murni on fire.

Later Nadya is picking Haniq from school but thinks she sees Murni. 

The movie ends with scenes from the 1981 original. 

--

Both movies were pretty good with some good scares and a good story.  Glad I watched them back to back. 

October 2021
Viewed: 48
First Time Views: 35

Featured Artist: Rosaleen Norton

I have not done one of these for so long.  I am watching "The Witch of Kings Cross" the documentary of artist Rosaleen Norton.  The movie is great and it reminded me how much I love her work.  Before I get into talking about Roie, I want to mention that actress Kate Elizabeth Laxton who plays Roie in the documentary is just fantastic.  

Ok. On to Roie.

Rosaleen Miriam Norton was born October 2, 1917 and lived till December 5, 1979.  She was considered to be an esoteric artist and one of Australia's most notorious artists.  She was one of the first women to ever be charged with obscenity for her art. 

So I guess fair warning for the art that follows.

She referred to herself as a "witch" and used altered states of consciousness to make her art. She often called herself "Thorn," much like a craft name.  But her friends all called her Roie.

I came to know her via her art "The Seance."  I thought she had tapped into something deep and maybe even a little dark.  For someone young and obsessed with witches and the writings of C.G. Jung she seemed like some sort of prophetess or seeress to me. 

Later I learned her art was fueled by drugs, sex, and trying to commune with other powers, in particular Pan.  Sounds perfect to me.  

If The Seance grabbed me, then her Lilith cemented her in the pantheon of people that influenced my RPG writings.

She does a lot of Jungian archetypes in her art and I use the same ones when I wrote my first books on witches.

Her demon Fohat (above) was something of her personal demon or even a Jungian Animus. 

Interviewer: What would be the state of the world if evil ruled?
Roie: Exactly as it is now.

If I could, her art would be the covers for all my books.

"I came into this world bravely, and I will leave this world bravely."

- Last Words of Rosaleen Norton