Friday, October 15, 2021

October Horror Movie Challenge: Horror Planet aka Inseminoid (1981)

Horrorplanet aka Inseminoid (1981)
Man, I am in some kind of rut.  Ok in my defense this movie has been on my list for years, but even I thought it was too cheesy to consider.   Also there are not a lot of choices when your search terms are "Horror," "Sci-fi," "Alien," and "Archeologist." 

So if you read my post earlier today you know I have an idea, or the start of one, for my alien reoccurring Big Bad.  

So this film is taking place on an alien planet.  Writing is discovered on the walls while the research operations are going on this frozen planet.  There appear to be a lot of couples here, convenient really.  One of the researchers is hurt in an explosion and his buddy starts to go crazy.

I am not sure what the future is like, but according to this movie, they must be outlawed by then. 

While out (even though the commander ordered everyone to stay on the base) Sandy and Mitch get out of communication range.  Mitch is killed by some sort of monster and ripped apart.  Sandy is captured and taken to some room where she is stripped naked and impregnated (via a long clear tube full of green slime) by some weird-looking alien creature. 

Sandy starts acting strange.  Not in the "I am traumatized" way, but in the "I have an alien baby growing inside me and I need to kill and eat people now" way.   Sandy is played by Judy Geeson, who has had a really great career over the last 7 decades. This movie wasn't even the start of her career, she had already been working for 20 years at this point.  

Each plan to stop Sandy ends up getting more people killed, often from complete stupidity.  By the end I was rooting for Sandy since pretty much everyone was the cause of their own deaths.

I am not sure what was the biggest scientific screw-up.  When Mark was able to go outside and see Sandy when everyone else died outside.  Or that Sandy was able to get her pants off to give birth and back on again without ever taking off her shoes.

There are some minimally interesting ideas here, but not enough to sit through an hour and a half of this.  At least I have some ideas of things not to do. In the end, it is just a fairly weak Alien rip-off with a side helping of misogyny.   

Directed by Norman J. Warren who also gave us Satan's Slave and another potential one for tonight, Prey.  Let me say right now I am not really that impressed. 

I need to make some better choices in my movies.


2021 October Horror Movie Challenge

October 2021
Viewed: 27
First Time Views: 14

Thursday, October 14, 2021

BlackStar: Horror in Space. Children of Earth, Cardassians, and Aliens

Plain, simple Garak
Plain and simple Garak

In many RPGs, the enemies are easy to figure out.  In *most* horror RPGs the bad guys are the supernatural creatures.  If you are playing Buffy for example then you are going to be hunting vampires.  Now it is also fun to "flip the script" so in the various World of Darkness Vampire games you are the vampire.  You are still the monster, but you have some more control over that evil.  In "Ordinary World" in NIGHT SHIFT you can play a supernatural creature, but you are not the bad person, you are "just a person" trying to get by in a world full of mortgages, jobs, oh and neighbors that might want to kill you.

In many fantasy games there are plenty of other monsters that want to kill you. We might be getting away from orcs (thank goodness) and goblins (have not used them as "bad guys" in over a decade or two) but there are still plenty of evil dragons, beholders, and of course demons and devils. 

Sci-Fi games tend to fall into the same sort of tropes.  Only this time it is whatever aliens are the focus.

I want to talk about three different sorts of aliens, all considered to be enemy species, but handled in different ways.

First are the Cardassians.  Introduced in Star Trek: The Next Generation and really got the focus in Star Trek: Deep Space Nine.  The Cardassians are humanoid (this is important later) and come from the world of Cardassia.  They had occupied the nearby Bajor in a very clear analog to fascist Germany occupying France.  The Cardassians are never painted as irredeemably evil. Yes, many of them are in fact evil, but there are some that are not.  They are also depicted as highly intelligent, organized, and utterly brutal.  For most of the seven seasons on DS9, they were the bad guys.  Each step forward (oh look they love their kids) is reversed (oh, but they slaughter Bajoran orphans).  They are richly detailed and complicated, but always a foe to stand up to.  They are not an existential threat though to anyone but the Bajorans.  They are not even "supernatural" threats until the very, very end when Gul Dukat (a Cardassian and our main bag guy since Season 1) is possessed by the Kosst Amojan, the literal Bajoran devil. 

The 456
The other alien race is known only as the 456, for the frequency they contact Earth on in Torchwood: Children of Earth.   The Nazi connections with the Cardassians are intended, and not designed to be subtle.  These aliens are also not subtle; they steal human children and graft them into their own bodies because the chemicals the children create feels good to them.  They are back because they want more kids.  These creatures are never seen clearly, we never learn their name, their language, or even where they are from. Only that they want our children and they have the means to get them.  They are properly scary.  But. Do they make for a good "big bad?"  I don't think so.  They have one trick; stealing children.  While that is good enough for a fairy tale witch, the witch usually gets tossed into the oven at the end.  The 456 get sent back to their planet/ship or are destroyed much in the same manner when Capt. Jack Harkness feeds their communication signal back on them and killing his own grandson in the process.

The last is the Xenomorph from the Aliens franchise.  Alien is a true horror film in space, right down to a monster stalking everyone to a "final girl" in Ellen Ripley.  Aliens is sci-fi adventure.  I have lost track of how many Traveller games I saw in the 80s that were more or less a riff on the Aliens movie.  Again these guys are properly scary.  One on a ship is a true horror. Hundreds on a planet can take out a bunch of Marines.   The trouble with the Xenomorph is there is little to no mystery about them anymore.  In the original movies they were mindless, insectlike killing machines.  In future movies they...well I am still not 100% sure what Alien Covenant was about or Prometheus, though I did enjoy them.  The "Shared universe" of Alien, Blade Runner, and Predator though does give me a lot to game with. 

Use In BlackStar

The issue for me is not just "do these aliens make for a good scary monster?" They do.  The real question is "will they work for me and my particular game?"

I mean this is no different than any other game or setting.  Let's take an odd example.  Orcs in Ravenloft.  I originally did not want to do orcs, a classic D&D/Fantasy monster, in my Ravenloft games.  When it came up that I needed an orc-like monster I went with something more akin to a Grimlock or even a Neanderthal-Troglodyte (in the classical sense of the word) creature.  I made it work AND it also made me want to redo the troglodyte from D&D to make them more "devolved" human. Like the old Homo Sapiens Troglodytes. Maybe even a cross between H.S. and the Pan Troglodytes

But what about BlackStar which happens in a Star Trek universe. Well oddly enough that rules out the Cardassians. We know what they were doing at the time in Universe, they were at war with the Federation.  So I will have that going on, but in the far background.  They are on the far side of the Alpha Quadrant. My action is closer to home and might even take tiny little excursions into the Beta Quadrant.

The Xenomorphs would be fun for an "Episode" (what I am calling a single adventure) but not a "Season" (a campaign).  Same with the 456.

Originally I WAS thinking the 456 would be my focus as the bogeyman alien in the background.  But having a couple of conversations with my oldest he was like "why not just use the Mi-Go?"

He has a point.

There are a lot of great reasons to use them not just for the Lovecraftian origin.  They would have had an outpost on Yuggoth/Pluto that I absolutely LOVE.  It fits in with my ideas when watching the Thing and the various horror movies on Mars

I mean if I am going to do "Cthulhu meets Star Trek" then I kinda need to have appearances by the Mi-Go, Elder Things, Shoggoths, and Yithians.  They were described as "Alien" but I think I want to use them in the "Alien" sense of both Lovecraft AND of Trek.   The Mi-Go could take the place of the Borg in terms of a lifeform that can't be reasoned with and have their own, completely separate, morality. 

Given that my preferred version of Trek for this is Modiphius' Star Trek Adventures this makes things pretty easy for me.  I can now use ideas and stats from the new Achtung! Cthulhu 2d20 system. 

But system and stats are only the start of the conversation, not the end.  I have to make sure these guys are scary.  Mi-Go landing on the hull of The Protector while not wearing EV suits and cutting through (like the Borg did) is scary.  Leaving behind dead crew with their brains surgically removed (not unlike "Spock's Brain", but less...bad) is a little more horrifying.   Finding crew members whose livers have been altered to create a sort of super-acid that eats through their bodies but keeps on working is more horrifying still. The Mi-Go don't communicate. Their chitterings are unable to be translated.  Since they are reported as not being able to be filmed or photographed they are largely invisible to sensors; having natural stealth abilities. 

I could introduce them much in the same way we saw in "At The Mountains of Madness" only this time they are discovered on Pluto/Yuggoth.  This leads to discoveries of bases on Earth, millions of years old, in the Andes, Appalachians, and Himalayas mountain ranges. How to get the crew out into deeper space to encounter them is the bridge I have not built yet.  

Frankly, I am overwhelmed with the potential. 

ETA:  I have found some more data that puts the Mi-Go origin, or at least another base of operations, at 61 Cygni, about 11.4 light-years away.  64 hours at classical Warp 9, but only 19 hours at The Protector's Warp 13.  In Star Trek, this is also the home of the Tellarites.  So obviously the Mi-Go visited them as well.

I will take a completely different approach in my Star Trek: Mercy game.

The Aliens

October Horror Movie Challenge: Humanoids From the Deep (1980)

Humanoids from the Deep (1980)
This would have done well with all my Dagon / Deep Ones movies last week. It certainly fits in with the whole humans becoming sea monsters theme.  I am a little surprised I had never seen it to be honest. It's a fairly notorious Corman flick, know more for him adding more gore and nudity after director Barbara Peeters was done with it.

Humanoids From the Deep (1980)

A small fishing village is dealing with the scarcity of fish and the prospect of a new canning factory moving into town.  While fishing a couple of fishermen catch what appears to be some sort of monster.  His sun falls into the ocean and something kills him.  The boat then explodes. Yes there is a reason, but this is Corman we are talking about. 

Later something is going through the village killing and mutilating all the dogs.  Oh, and there is not so casual and fairly overt racism to the village's Native American character.  Also, why is Dr. Susan Drake referred to as a "great little scientist" especially since actress Ann Turkel stands at 6'0" easily towering over everyone here?  We are a third of the way through the movie and we have had more racism and sexism than we have had of monsters.  Or when Doug McClure's Jim Hill is asking for men to help him and Ann Turkel volunteers? "No, I don't need you." Well, it was the 1980s, but even this one seems a little more than the usual stuff.  

Speaking of explosions. Why does one Molotov cocktail blow up an entire cabin?  Oh and cars. When they hit the sea. 

We learn that Dr. Drake has known about these creatures for a bit.  They are caused by the growth hormones that Canco (did they spend all day coming up with that name?) has been injecting into salmon.  These salmon then infected other fish till they "evolved" to humanoids.  They are driven to kill the men and mate with the women.  Totally makes sense.

There is the local Salmon fest going on that night and as expected the sea monsters attack, killing and raping their way through town.  The gore scenes are fun, some special effects people must have had a blast doing this one.  Kudos to Sally, Miss Salmon, for the wherewithal to bash a rapey fishman in the head with a rock.

In the end the monsters are dead (we think) and Peggy who had been raped before gives birth, well..., a monster cuts its way out of her.

So it dawned on me that there is a whole sub-genre of Fishmen movies that I have never really explored. I mean I have had no reason, but I kinda wish I had before running Isle of Dread to the Shrine of Kuo-Toa. Maybe I should check more of them out. I mean I have not seen any so far that I am like "yeah, that's my new jam" but maybe someone, somewhere did one right.

I could not find the 1996 remake anywhere to watch.


2021 October Horror Movie Challenge

October 2021
Viewed: 26
First Time Views: 13

Wednesday, October 13, 2021

October Horror Movie Challenge: Mars Night

Mars
What is it about Mars that both fascinates us and horrifies us at the same time?  Even long before H.G. Welles and "War of the Worlds" Mars has had a hold on our collective consciousness.  

Doctor Who has visited horror on Mars many times, most recently with "The Waters of Mars" (2009) and "Empress of Mars" (2017).  Notably, one of the few times we see the Doctor truly afraid is when he learns he is facing the Martian Grand Marshal Skaldak in "Cold War" (2013).  

Even the optimistic Star Trek is not immune, with one of the greatest terrorist acts committed against the Federation happening on Mars' Utopia Planitia

Mars has gotten to us. 

So it is not a big surprise that there are still today sci-fi horror movies featuring Mars.

Angry Red Planet (1959)
The Angry Red Planet (1959)

One would assume I would start with War of the Worlds. At least the classic or maybe even one of the remakes.  But I want movies ON Mars and for better or worse, this is a classic. I have seen it before, but it is a good one to start the night and it is on every streaming service I have.  This one takes place sometime after the first moon landing. No date is given but you can assume it is the 1970s as seen through the eyes of the 1950s (Time Delta, 11 or so years).

Again, while I typically avoid movies from the 1950s, there are exceptions.  A couple of things make this one stand out.  The giant wolf-bat-spider creature being one and the "CineMagic" effect used when they were on the surface of Mars was another. The CineMagic could look cheap by our standards of today, but I actually thought it had some charm to it. 

The acting isn't bad, though it suffers from all the casual sexism of the time, though to it's credit it has Naura Hayden as biologist Dr. Iris "Irish" Ryan. She isn't so much there as eye-candy (plot wise) and has a role.  It is also noted that only Americans seem to bring guns into space. It does avoid the trope of one of the scientists being secretly evil or wanting to establish his own empire on Mars. 

The film is a bit silly for our times, but there were what appeared to be some good (for the time) scares.  The CineMagic effect really covers up a lot of special effects shortcomings. 

I am sure I have seen this one before, but there are a lot of parts I don't remember.  I am only giving myself ½ a credit for this one.

Star Crystal (1986)
Star Crystal (1986)

I actually started this one first. Stopped it because it was just not  good and came back to it tonight. While there is 30 years between this one and Angry Red Planet, it sure has improved much in attitudes.  This one takes place in the year 2030 to 2033 (Time Delta 44 to 41 years).

Let's be entirely upfront about this.  This one is bad.  I spaced (heh) out a lot writing other things.  Here is the gist.  Two dufuses bring back some rocks from Mars expecting some of them will give them a good payday.  One of the rocks cracks open and something slimy comes out.  Fast forward to NASA on Earth in the later 2030s where everyone is smoking like it's...well 1986. The first crew is dead so they send another crew after them.  

After some not-scares and other nonsense we learn the alien, named Gar, used the computer to learn about humanity including reading a Bible, and has decided to depart in peace.  What the actual fuck? Anyway, that's the movie.  There is more like the shitty effects, the toy Millennium Falcon used for close-up shots of the starbase and the misspellings on the computer screen.  An aside, here in the real 2021 I am using more computer power than they displayed in their fake 2033 just write these words. I also have the benefit of a spell check.

Anyway, I am embarrassed I watched this movie. 

By the way, this site Explore Mars wants us on Mars in the 2030s. I don't think they saw this movie.

Ghosts of Mars (2001)
John Carpenter's Ghosts Of Mars (2001)

2001 should have been a bigger year for sci-fi movies.  Just saying. This one takes place in 2176. The Time Delta on this is 175 years now.  As we move further and further away from the Apollo missions our optimism about colonizing nearby space is waning.  Or maybe we just have a better understanding of how bad the void of space really is. 

I also admit this is the one I was looking forward to.  I mean John Carpenter right?

Well...

The pluses. The film stars Natasha Henstridge, Ice Cube, Jason Statham, Pam Grier, Clea DuVall, Robert Carradine, and Joanna Cassidy. All of whom have delivered good performances in the past.  The key with any movie with Ice Cube and Jason Statham in it is you never take their characters seriously. Jason Statham has more or less likened all his characters to cartoon characters.  

The soundtrack is great, if for no reason other than the inclusion of Stevie Vai whom I have been a fan of since his days with Frank Zappa

Some interesting bits.  Mars' government appears to be a Matronage or rule by women.  The Mars here reminds me of Total Recall or Doom before the Demons arrive.

The story revolves around a group of police officers attempting to do a prisoner transfer of James 'Desolation' Williams, played by Ice Cube.  They get to the boomtown to find him but instead, they find everyone dead and Williams still locked up.  They find a couple of people still alive but possessed.

Turns out the ghosts of dead Martians are possessing people thinking the humans had killed all the Martians.  They decide to blow up the nuclear reactor thinking they can nuke all the spirits.  Sure. Why not.  

The ghosts just repossess other humans and attack the city.

The Martian possessed humans reminded me a lot of the Futurekind from the Doctor Who episode Utopia.  In fact, the scenes of Mars at night also remind me of the planet Malcassairo at the end of the Universe. 


2021 October Horror Movie Challenge

October 2021
Viewed: 25
First Time Views: 12

Tuesday, October 12, 2021

Science Fiction and Horror

Mary Shelly, the Mother of Science Fiction
This week I am working my way through a bunch of Sci-Fi/Horror movies.  I thought then that today would be a good day to see how I use both genres together.

Science Fiction and Horror have had a long-standing relationship.  Where horror stories are some of the first stories ever told, Science Fiction, or Science Romances, are newer.  

For me, and many others, the Modern Age of Science Fiction began with Mary Wollstonecraft Shelley's "Frankenstein; or, The Modern Prometheus" in 1818.  While considered by many to be a Gothic Horror novel, it only has the trappings of a true Gothic Horror. The work is pure science fiction of a brilliant man, the titular Dr. Frankenstein, and his attempts using science to reanimate dead tissue resulting in the creation of his monster, who is NOT named Frankenstein. 

Like all good science fiction, it is far looking and attempts to tell us something about our society or morals.   Which is why when people ask "When did Sci-Fi become so woke?" I say "In 1818 when it was invented by a Regency-age, teenage feminist."  This was 10 years before Jules Verne, the so-called Father of Science Fiction was born and almost 50 years before H.G. Wells was born.

It would be disingenuous to ignore the horror elements of Frankenstein in favor of its Sci-Fi elements.  They go hand in hand.  The story was conceived from a nightmare, the same night that John Polidori gave us "The Vampyre."  

Almost a century later we would get another popular horror/Sci-Fi mix in H.G. Wells War of the Worlds. This give us the popular and potent combination of Sci-Fi, Horror, and Mars. 

Sci-Fi tends to organized into two large camps; the hopeful and the dystopian.  YES there is more, I am not talking about ALL of sci-fi right now.  But you make some clear demarcations alonge the line of Hope.

Star Trek for example tends to be on the side of hope.  Hope for what the future can bring and be.  Again "Woke" since 1966. Star Trek is about hope in the face of all sorts of diversity.  But what about hope in the face of fear?

"Space is disease and danger wrapped in darkness and silence."
 - Leonard 'Bones' McCoy, Star Trek (2009)

The goal of Star Trek: BlackStar very early on was the horrors of space.  Often times, especially in the TNG days, space travel was depicted as fun, and easy (ish), and the horrors were the ones we brought with us.  While that made for great TV in the 90s, I was still left wanting something more.  Star Treks Voyager and then Enterprise got back to the idea that space travel was not easy nor always fun.  BlackStar I hope delivers on the "in space no one can hear you scream" angle.  I opted for mythos monsters and settings with the idea that "in space the stars are always right."  Even though that was also the same time I was lamenting you can't just slap Cthulhu on something to make it sell.

Well. I am not "selling" anything with BlackStar save for my own home games. Still, I feel I owe it at least to myself not to "just slap Cthulhu onto Star Trek." 

On the flip side of this I have my Star Trek: Mercy.  Which is nothing if not about hope.  A Starfleet full of various species from across the Galaxy, even ones the Federation are not allies with, all working together to run a hospital ship to save lives. Not that I can't run into horror elements, that is not the goal here. 

I have, thanks to many of the October Horror Movie Challenges had the chance to watch some great Horror/Sci-fi.  I have also had the chance to read a lot of horror sci-fi over the years, but sadly nothing recently.

It is a topic that I would love to explore more in depth and find stories that are unique to this combined genre.   Much like how Sci-Fi lead me to Fantasy and Fantasty lead me to Dark Fantasy and Horror, Horror is bringing me full circle back to Sci-Fi.  

I think it would be fun to get back to some sci-fi games.  Even if I have to add horror to them. 

I am not sure where this is taking me, but I am looking forward to finding out.  Hopefully I'll have some more insights later this week.

October Horror Movie Challenge: Saturn 3 (1980)

Saturn 3 (1980)
This is one of those movies I have wanted to go back and see to see if it was as bad as I remembered. Was it? Oh yeah.

Saturn 3 (1980)

Kirk Douglas seems underutilized here.  Farah Fawcett is, well..., I have a better opinion of her now than I did then, but she is still not very good here. She seems to be here only as eye candy and to scream.  I can't even tell you what it is her character was supposed to be doing here.

Harvey Keitel has called this movie the "nadir of his career" and he certainly seems like he is only going through the motions here. He has even been redubbed for this.  I didn't even remember he was in this, to be honest.

The plot is super simple.  Harvey Keitel brings an experimental robot to an outpost near Saturn (Saturn 3) and he passes on his crazy to the robot. 

The outpost is researching new food alternatives for Earth and is run by Douglas and Fawcett who are also a couple. Yeah, he was twice her age in this.  

They have trouble with Keitel from the start and then trouble with the robot, and then everyone is fighting everyone else.  Despite being newer than 1979's Alien, the sets look more like a 1970s sci-fi movie. 

 I remember seeing this one on TV a while back, I thought it had some other scenes.  Checking good old Wikipedia there were other scenes when it aired on NBC. 

The movie is, or could have been, an Alien rip-off, but there are not enough people on the station and thus not a high enough body count.  It could be remade today an would be much better.


2021 October Horror Movie Challenge

October 2021
Viewed: 22
First Time Views: 9.5

Monday, October 11, 2021

Monstrous Monday: Doppelgänger, Pod

Again today's monster seems like the logical choice. There was a similar creature in Ravenloft for AD&D 2nd Ed, but I am going to ignore that one in favor of something a little different.  

Dante Gabriel Rossetti - How They Met Themselves
Doppelgänger, Pod
Medium Plant (Shape-shifter) 

Frequency: Very Rare
Number Appearing: 1d6 (2d6)
Alignment: Chaotic [Chaotic Evil]
Movement: 120' (40') [12"]
Armor Class: 8 [11]
Hit Dice: 6d8+6*** (33 hp)
To Hit AC 0: 10 (+9)
Attacks: 2 claws or by weapon
Damage: 1d6+3 x2 or by weapon+3
Special: Charm, regeneration, shape-shift, telepathic communication, only harmed by fire
Save: Monster 6
Morale: 8 (10)
Treasure Hoard Class: None
XP: 1,250 (OSE) 1,280 (LL)

Str: 18 (+3) Dex: 18 (+3) Con: 14 (+1) Int: 14 (+1) Wis: 14 (+1) Cha: 5 (-2)

The doppelgänger is known and feared by many veteran adventurers, but it is usually a single creature at a time.  The Pod Doppelgänger, named for the giant pods they grow out of, is a different sort of danger altogether.

While not related to the common Doppelgänger, these creatures share many of the same characteristics.  They use their shape-shifting powers to impersonate others.   The pod doppelgänger will lure unsuspecting creatures to where their seed pods lie.  

They will attack and attempt to subdue, but not kill, humanoid creatures (humans being their preferred targets). Once they have these humans they will place them into a pod where they are absorbed to feed the mother plant.  The pod will reopen 8 hours later and the new doppelgänger will walk out, a perfect copy of the human that was absorbed.  They will have their memories, their knowledge, and even combat skills. Doppelgänger cannot cast spells, they do not have the necessary connections to the magic that other living creatures do.  Likewise, they cannot lay on hands like a paladin nor Turn Undead as a cleric.  

Once someone is copied the pod doppelgänger has all their memories and the original creature will be gone.  

The pod doppelgänger has a limited charm ability effective on humans with a save at a bonus of +1.  Other species such as elves, dwarves, halflings gain a +2.  Goblinoids and orcs and other related creatures gain a +3 to their saves.  Pod doppelgängers have a sort of telepathic communication with all others from the same mother plant.  Pod doppelgängers regenerate 1 hp per round and can even "come back from the dead" of negative hp.

The only effective way to destroy these creatures is by fire.  Damage dealt by fire-based attacks is not regenerated. 

Mother Plant: In the pod doppelgänger's lair lives the mother plant.  She cannot attack, has an AC of 9, and a number of HD equal to the number of pods she has created (determined by the number appearing in lair).  Likewise, only fire can destroy her.  Her "children" will defend her to the very end.  

--

Might need a little more tweaking to make it work a little better.  Plus I should add some horror effect when seeing a pod duplicate a person.  That can't be a pretty sight.