Look what I got!
I grabbed the "D&D"-like ones, because that's what my kids enjoy the most.
Been toying around with an idea that might incorporate all four into a game...but that is silly.
The ShadowRun was more for me. I have been itching to pull my ShadowRun books down again.
Don't forget you can also get the Ghosts of Albion Quick Start and Adventure Derby Day.
Sunday, June 17, 2012
Saturday, June 16, 2012
Free RPG Day: Free Stuff Here!
I hope you all enjoy Free RPG Day.
Please head to your FLGS (am will be going to mine)to get some great RPGs and accessories.
Here at the Other Side we don't want you to feel left out if you can't get to a game store.
So here, by permission of Eden Studios you can download the Ghosts of Albion Quick Start and Adventure Derby Day!
Derby Day was written by Garner Johnson who was invaluable help to me while writing Ghosts.
If you were ever curious about my game Ghosts of Albion, then this is your chance. Please download and try this out.
If you were ever curious about my game Ghosts of Albion, then this is your chance. Please download and try this out.
You can also use these rules to play the first ever Buffy Adventure The Dark Druid.
Please enjoy these courtesy of the Other Side and Eden Studios.
Zatannurday: Zatara
Last two Mother's Day weekends I mentioned a bit about Zatanna's mother Sindella. But in truth there is only one parent that Zatanna has known here whole life and that is her father Giovanni "John" Zatara.
He first appeared in the June 1938 issue of Action Comics #1, notable for the introduction of another famous golden age superhero, Superman.
"Zatara Master Magician" was by Fred Guardineer and ran from pages 20 to 31.
From the beginning Zatara spoke his spells backwards. Mostly to give him something different than the other magicians-turned-crime-fighting-mystermen like Mandrake the Magician and his imitators.
Zatara was woven into the DC Comics fold more completely when he was given the back story of having been a friend of Thomas Wayne, introducing him to his future wife Martha and then later training a young Bruce Wayne in the skill of escapology. It was in fact during the time right after the Waynes were murdered that Zatara left America on an extended tour of Europe. Here he met Sindella and soon Zatanna was born.
This was developed more as Zatanna's history was developed and most famously in the Batman: The Animated Series episode "Zatanna".
Another of his good friends, or rather paramours was Madame Xanadu, who would not marry him. Currently Xanadu and Zatanna share a title in Justice League Dark. They are both Homo Magi, so even though X was Z's dad's former girlfriend, they do look about the same age. Zatara himself was also Homo Magi in addition to being a stage magician. A distinction he shares with other, now dead, father figures like Ludlow Swift of "Ghosts of Albion" and Harry Dresden's father.
Of course the most notable feature today of Zatara is that he is dead. His death is what help push his daughter into a life of fighting crime as her father had done. Though for a dead guy he pops up often enough in Zatanna's life.
I like the idea of Zatara. I'd love to try him out sometime in a supers or pulp like game.
I have already decided that my first Amazing Adventures character will be Giovanni Zatara.
But until then, here he is in all his Golden Age glory!
Giovanni (John) Zatara - PL 10
Artificer, Benefit, Wealth 3 (millionare), Connected, Contacts, Defensive Attack, Fascinate (Expertise), Languages 3, Skill Mastery: Expertise: Magic, Uncanny Dodge, Well-informed
Skills
Close Combat: Unarmed 2 (+4), Deception 6 (+10), Expertise: Magic 10 (+13), Expertise: Stage Magic 6 (+9), Insight 10 (+14), Intimidation 2 (+6), Investigation 5 (+8), Perception 10 (+14), Persuasion 4 (+8), Ranged Combat: Eldritch Blast 6 (+9), Ranged Combat: Mental Blast 4 (+7), Sleight of Hand 10 (+13), Stealth 2 (+3), Technology 1 (+4)
Powers
Magic: Magic 10 (DC 25)
!dleihS: Deflect 10
!ediH: Concealment 0
!elzzaD: Dazzle 10 (Alternate; Affects Sense: hearing, sight, Resisted by: Will, DC 20)
!tsalb hctirdlE: Blast 10 (Alternate; DC 25)
!tsalb latneM: Mental Blast 5 (Alternate; DC 20)
Magical Senses: Senses 5 (magical, Acute: Sight, Analytical: Sight, Detect: Sight, Hearing 2: ranged, Ranged: Sight)
Offense
Initiative +1
!elzzaD: Dazzle 10, +3 (DC Will 20)
!tsalb hctirdlE: Blast 10, +9 (DC 25)
!tsalb latneM: Mental Blast 5 (DC Will 20)
Grab, +2 (DC Spec 11)
Magic: Magic 10, +3 (DC 25)
Throw, +3 (DC 16)
Unarmed, +4 (DC 16)
Complications
Motivation: Doing Good
Responsibility
Languages
Italian, English, Greek, Latin
Defense
Dodge 10, Parry 9, Fortitude 7, Toughness 2, Will 10
Power Points
Abilities 40 + Powers 30 + Advantages 14 + Skills 39 (78 ranks) + Defenses 27 = 150
He first appeared in the June 1938 issue of Action Comics #1, notable for the introduction of another famous golden age superhero, Superman.
"Zatara Master Magician" was by Fred Guardineer and ran from pages 20 to 31.
From the beginning Zatara spoke his spells backwards. Mostly to give him something different than the other magicians-turned-crime-fighting-mystermen like Mandrake the Magician and his imitators.
Zatara was woven into the DC Comics fold more completely when he was given the back story of having been a friend of Thomas Wayne, introducing him to his future wife Martha and then later training a young Bruce Wayne in the skill of escapology. It was in fact during the time right after the Waynes were murdered that Zatara left America on an extended tour of Europe. Here he met Sindella and soon Zatanna was born.
This was developed more as Zatanna's history was developed and most famously in the Batman: The Animated Series episode "Zatanna".
Another of his good friends, or rather paramours was Madame Xanadu, who would not marry him. Currently Xanadu and Zatanna share a title in Justice League Dark. They are both Homo Magi, so even though X was Z's dad's former girlfriend, they do look about the same age. Zatara himself was also Homo Magi in addition to being a stage magician. A distinction he shares with other, now dead, father figures like Ludlow Swift of "Ghosts of Albion" and Harry Dresden's father.
Of course the most notable feature today of Zatara is that he is dead. His death is what help push his daughter into a life of fighting crime as her father had done. Though for a dead guy he pops up often enough in Zatanna's life.
I like the idea of Zatara. I'd love to try him out sometime in a supers or pulp like game.
I have already decided that my first Amazing Adventures character will be Giovanni Zatara.
But until then, here he is in all his Golden Age glory!
Giovanni (John) Zatara - PL 10
Strength 1, Stamina 2, Agility 1, Dexterity 3, Fighting 2, Intellect 3, Awareness 4, Presence 4
AdvantagesArtificer, Benefit, Wealth 3 (millionare), Connected, Contacts, Defensive Attack, Fascinate (Expertise), Languages 3, Skill Mastery: Expertise: Magic, Uncanny Dodge, Well-informed
Skills
Close Combat: Unarmed 2 (+4), Deception 6 (+10), Expertise: Magic 10 (+13), Expertise: Stage Magic 6 (+9), Insight 10 (+14), Intimidation 2 (+6), Investigation 5 (+8), Perception 10 (+14), Persuasion 4 (+8), Ranged Combat: Eldritch Blast 6 (+9), Ranged Combat: Mental Blast 4 (+7), Sleight of Hand 10 (+13), Stealth 2 (+3), Technology 1 (+4)
Powers
Magic: Magic 10 (DC 25)
!dleihS: Deflect 10
!ediH: Concealment 0
!elzzaD: Dazzle 10 (Alternate; Affects Sense: hearing, sight, Resisted by: Will, DC 20)
!tsalb hctirdlE: Blast 10 (Alternate; DC 25)
!tsalb latneM: Mental Blast 5 (Alternate; DC 20)
Magical Senses: Senses 5 (magical, Acute: Sight, Analytical: Sight, Detect: Sight, Hearing 2: ranged, Ranged: Sight)
Offense
Initiative +1
!elzzaD: Dazzle 10, +3 (DC Will 20)
!tsalb hctirdlE: Blast 10, +9 (DC 25)
!tsalb latneM: Mental Blast 5 (DC Will 20)
Grab, +2 (DC Spec 11)
Magic: Magic 10, +3 (DC 25)
Throw, +3 (DC 16)
Unarmed, +4 (DC 16)
Complications
Motivation: Doing Good
Responsibility
Languages
Italian, English, Greek, Latin
Defense
Dodge 10, Parry 9, Fortitude 7, Toughness 2, Will 10
Power Points
Abilities 40 + Powers 30 + Advantages 14 + Skills 39 (78 ranks) + Defenses 27 = 150
Happy Father's Day everyone!
Friday, June 15, 2012
Willow & Tara: World of Darkness (new)
Willow and Tara in Mage the Awakening
This is my last post for the YAM Magazine LBGT Blogathon. I wanted to end with Willow & Tara and using one of the most accepting RPG I have ever known.
Following up on my post from earlier today on The World of Darkness RPG.
One of the reoccurring themes in Willow & Tara fiction or games is their shared growth of magical power. As they grow together and grow more in love, their powers increase to a near phenomenal level. Sort of like the powers wielded in Mage the Awakening.
Now in my last Buffy campaign, "Season of the Witch", I had Willow and Tara become "mages". Not exactly what is here, but very close. I would be lying though if I didn't say there was some influence. There was. You can read about that in the last three adventures of that game:
This is also a common theme in the various Willow & Tara fanfics out there. In fact one of the best Willow/Tara fan fics out there is “Unexpected Consequences” by Lisa Countryman. Lisa even uses the word “mage” to describe their power level even though I know for a fact she has never seen any White Wolf game. In Lisa’s “Unexpected Consequences” Tara’s Awakening happens too soon and it causes, well, all sorts of unexpected consequences. It takes place during season six and is far, far better than what happened on TV. In the sequel fic “Milestones” Lisa deals quite well with Willow and Tara’s true Awakening some 10-15 years in the future. Not only does she capture 30-something Willow and Tara quite well, it is an excellent narrative of how an Awakening can happen or be done. Willow and Tara knew it was coming, and yet they are still totally unprepared for it. It also shows what an Awakening must be like through the eyes of a mundane or other non-awakened witches.
So as they grow old together Willow and Tara will get much more powerful.
Presented here are a possible Willow and Tara right after the events of Season of the Witch. I am borrowing heavy from Lisa here as well as my own World of Darkness (old) stats. This would have lead up to my Season 3 that would have been more magically focus. In fact these conversions lead right from my Mutants & Masterminds 2.0 conversions in terms of when they happened (game wise) and when I wrote them (real time). It was because of these two games that gave me the idea to move the girls to Boston.
Their Awakening in Brief
Lisa and I both consider Willow and Tara to be “old souls”, they have both been reincarnated many times and have shared many lives together. Our separate visions of this were so compatible that we meshed them. I had considered their first incarnations to be “Bodhmal” (Willow) and “Liath” (Tara) from Celtic Ireland, Lisa’s are “Belen” (Tara) and “Damara” (Willow). In either case Willow and Tara’s Awakening in Mage is a similar event to awakening their Old Soul in WitchCraft; contact with their primal soul-selves. In Mage Revised this would have been their avatar. In Mage the Awakening this is the primal spirit that instructs them on who they were, who they are now and what they are to become. I choose them both to take the Path of Thyrsus. While they are not really “shamans”, there is an earthy quality about Tara. It was more for their seeking of their Primordial Soul-selves. Plus in Lisa’s fiction Willow and Tara’s awakenings was always about a surplus of life and life-power. In UC Tara becomes faster, stronger and more confident. Something she tries to maintain later in MS. What also struck me was the description of the Thyrsus’ extreme emotions. This also fits Lisa’s fictions.
Delving deeper into the “Tome of The Watchtowers” (which also inspired the name for Episode 13) we learn that Thyrsus was the only Watchtower formed by a woman. The sexual nimbus fits with sex=magic we saw on TV and Lisa’s description of Adourflame (Episode 11).
I could have chosen Acanthus as well since this communication with their previous souls is across time and space, but I did not feel either of them fit the “Fool” or extremely lucky archetypes.
Willow Rosenberg
Path: Thyrsus Order: Mysterium
Virtue: Justice. Willow is very much about what is right and what is wrong.
Vice: Wrath. Some people bring a gun a knife fit, Willow brings a flame thrower.
Merits
Allies
Ambidextrous
Encyclopaedic Knowledge
Language 2
Striking looks 2
Size: 5
Speed: 8
Initiative Mod: 4
Defence: 2
Health: 8
Willpower: 6/6
Morality: 6
Mana: 9
Gnosis: 5
Wisdom: 8
Personal Data
Age: 27 (in 2008)
Ht: 5’3”
Wt: 115#
Hair: Red
Eyes: Green
Gender: Female
Arcana
Death: 0
Fate: 0
Forces: 3
Life: 2
Matter: 1
Mind: 2
Prime: 2
Space: 0
Spirit: 1
Time: 0
Tara Maclay
Path: Thyrsus Order: Mysterium
Virtue: Temperance. Tara is nothing if not understanding and temperate
Vice: Sloth. She is not lazy, but she likes things to move a little slower. She does not enjoy fighting monsters.
Merits
Allies
Encyclopaedic Knowledge
Language 3
Striking looks 2
Size: 5
Speed: 9
Initiative Mod: 4
Defence: 2
Health: 8
Willpower: 7/7
Morality: 8
Mana: 10
Gnosis: 4
Wisdom: 8
Arcana
Death: 0
Fate: 0
Forces: 2
Life: 3
Matter: 1
Mind: 2
Prime: 1
Space: 0
Spirit: 1
Time: 0
Personal Data
Age: 28 (in 2008)
Ht: 5’4”
Wt: 125#
Hair: Blonde
Eyes: Blue
Gender: Female
Of all the re-builds I have done of the girls these are in my top 5.
If I were to pick-up playing these characters again I would seriously consider using the nWoD/Mage rules.
For Arcana I gave Willow 11 dots and Tara 10. This actually might be a little light.
I would love to play around some more with this game some day, but I can't find people to play it.
---
One of the reoccurring themes in Willow & Tara fiction or games is their shared growth of magical power. As they grow together and grow more in love, their powers increase to a near phenomenal level. Sort of like the powers wielded in Mage the Awakening.
Now in my last Buffy campaign, "Season of the Witch", I had Willow and Tara become "mages". Not exactly what is here, but very close. I would be lying though if I didn't say there was some influence. There was. You can read about that in the last three adventures of that game:
This is also a common theme in the various Willow & Tara fanfics out there. In fact one of the best Willow/Tara fan fics out there is “Unexpected Consequences” by Lisa Countryman. Lisa even uses the word “mage” to describe their power level even though I know for a fact she has never seen any White Wolf game. In Lisa’s “Unexpected Consequences” Tara’s Awakening happens too soon and it causes, well, all sorts of unexpected consequences. It takes place during season six and is far, far better than what happened on TV. In the sequel fic “Milestones” Lisa deals quite well with Willow and Tara’s true Awakening some 10-15 years in the future. Not only does she capture 30-something Willow and Tara quite well, it is an excellent narrative of how an Awakening can happen or be done. Willow and Tara knew it was coming, and yet they are still totally unprepared for it. It also shows what an Awakening must be like through the eyes of a mundane or other non-awakened witches.
So as they grow old together Willow and Tara will get much more powerful.
Presented here are a possible Willow and Tara right after the events of Season of the Witch. I am borrowing heavy from Lisa here as well as my own World of Darkness (old) stats. This would have lead up to my Season 3 that would have been more magically focus. In fact these conversions lead right from my Mutants & Masterminds 2.0 conversions in terms of when they happened (game wise) and when I wrote them (real time). It was because of these two games that gave me the idea to move the girls to Boston.
Their Awakening in Brief
Lisa and I both consider Willow and Tara to be “old souls”, they have both been reincarnated many times and have shared many lives together. Our separate visions of this were so compatible that we meshed them. I had considered their first incarnations to be “Bodhmal” (Willow) and “Liath” (Tara) from Celtic Ireland, Lisa’s are “Belen” (Tara) and “Damara” (Willow). In either case Willow and Tara’s Awakening in Mage is a similar event to awakening their Old Soul in WitchCraft; contact with their primal soul-selves. In Mage Revised this would have been their avatar. In Mage the Awakening this is the primal spirit that instructs them on who they were, who they are now and what they are to become. I choose them both to take the Path of Thyrsus. While they are not really “shamans”, there is an earthy quality about Tara. It was more for their seeking of their Primordial Soul-selves. Plus in Lisa’s fiction Willow and Tara’s awakenings was always about a surplus of life and life-power. In UC Tara becomes faster, stronger and more confident. Something she tries to maintain later in MS. What also struck me was the description of the Thyrsus’ extreme emotions. This also fits Lisa’s fictions.
Delving deeper into the “Tome of The Watchtowers” (which also inspired the name for Episode 13) we learn that Thyrsus was the only Watchtower formed by a woman. The sexual nimbus fits with sex=magic we saw on TV and Lisa’s description of Adourflame (Episode 11).
I could have chosen Acanthus as well since this communication with their previous souls is across time and space, but I did not feel either of them fit the “Fool” or extremely lucky archetypes.
Willow Rosenberg
Path: Thyrsus Order: Mysterium
Virtue: Justice. Willow is very much about what is right and what is wrong.
Vice: Wrath. Some people bring a gun a knife fit, Willow brings a flame thrower.
Attributes | ||
Intelligence: 5 | Strength: 1 | Presence: 3 |
Wits: 3 | Dexterity: 2 | Manipulation: 2 |
Resolve: 3 | Stamina: 3 | Composure: 3 |
Skills |
||
Mental | Physical | Social |
Academics 4 | Athletics 2 | Animal Ken 0 |
Computer 5 | Brawl 1 | Empathy 1 |
Crafts 1 | Drive 0 | Expression 1 |
Investigation 2 | Firearms 0 | Intimidation 1 |
Medicine 2 | Larceny 1 | Persuasion 2 |
Occult 3 | Stealth 1 | Socialize 1 |
Politics 1 | Survival 1 | Streetwise 1 |
Science 4 | Weaponry 1 | Subterfuge 1 |
Merits
Allies
Ambidextrous
Encyclopaedic Knowledge
Language 2
Striking looks 2
Size: 5
Speed: 8
Initiative Mod: 4
Defence: 2
Health: 8
Willpower: 6/6
Morality: 6
Mana: 9
Gnosis: 5
Wisdom: 8
Personal Data
Age: 27 (in 2008)
Ht: 5’3”
Wt: 115#
Hair: Red
Eyes: Green
Gender: Female
Arcana
Death: 0
Fate: 0
Forces: 3
Life: 2
Matter: 1
Mind: 2
Prime: 2
Space: 0
Spirit: 1
Time: 0
Tara Maclay
Path: Thyrsus Order: Mysterium
Virtue: Temperance. Tara is nothing if not understanding and temperate
Vice: Sloth. She is not lazy, but she likes things to move a little slower. She does not enjoy fighting monsters.
Attributes | ||
Intelligence: 3 | Strength: 2 | Presence: 3 |
Wits: 4 | Dexterity: 1 | Manipulation: 1 |
Resolve: 3 | Stamina: 3 | Composure: 4 |
Skills |
||
Mental | Physical | Social |
Academics 3 | Athletics 0 | Animal Ken 2 |
Computer 2 | Brawl 1 | Empathy 3 |
Crafts 1 | Drive 1 | Expression 0 |
Investigation 2 | Firearms 0 | Intimidation 0 |
Medicine 1 | Larceny 0 | Persuasion 0 |
Occult 5 | Stealth | Socialize 1 |
Politics 0 | Survival 1 | Streetwise 1 |
Science 1 | Weaponry 1 | Subterfuge 0 |
Merits
Allies
Encyclopaedic Knowledge
Language 3
Striking looks 2
Size: 5
Speed: 9
Initiative Mod: 4
Defence: 2
Health: 8
Willpower: 7/7
Morality: 8
Mana: 10
Gnosis: 4
Wisdom: 8
Arcana
Death: 0
Fate: 0
Forces: 2
Life: 3
Matter: 1
Mind: 2
Prime: 1
Space: 0
Spirit: 1
Time: 0
Personal Data
Age: 28 (in 2008)
Ht: 5’4”
Wt: 125#
Hair: Blonde
Eyes: Blue
Gender: Female
Of all the re-builds I have done of the girls these are in my top 5.
If I were to pick-up playing these characters again I would seriously consider using the nWoD/Mage rules.
For Arcana I gave Willow 11 dots and Tara 10. This actually might be a little light.
I would love to play around some more with this game some day, but I can't find people to play it.
---
This is my last post for the YAM Magazine LBGT Blogathon. I wanted to end with Willow & Tara and using one of the most accepting RPG I have ever known.
World of Darkness and Mage the Awakening
World of Darkness and Mage the Awakening
One of the most influential games to ever hit the market was Vampire the Masquerade. I have talked about this game quite a bit in the past, but never addressed directly. Well a while back they “rebooted” the entire universe and now we have the “New World of Darkness” and with it a revised vampire game, Vampire the Requiem.
Let’s start basic; both games are all perfectly playable as they are. All the games cover much of the same ground and allow you to play similar types and styles of games. All the games have similar backgrounds, realities and even to some degree futures. Characters created in one game can easily be thought of as having an analogue in the other game. In fact recently White Wolf created a “Translation Guide” to allow you to move characters from Vampire the Masquerade to the newer Vampire the Requiem. It was an insanely popular book spending many months in DriveThruRPG's top 10. They also now have a Werewolf Translation now. I am waiting for them to do one for Mage.
The same could be thought of when comparing *WoD with Unisystem. For every Unisystem character there is an analogue in the World of the Darkness (either). Both games cover a lot of the same ground, just in different ways.
Translations between the two different systems it bit hard than between oWod and nWod, but it can be done. So the question then is why would I want to?
Well there are many reasons. Maybe you want something new a unique to spring upon your players. Zombies with more “life” in them, vampiric ghouls, conspiracies from either game. Given that the in-game realities allow many permutations the question become more of Why not?
Maybe you have tons of books of one system, but want the new challenge of a new system, but don’t want to loose your investment in a world.
Or, lets face it SOME ONE out there want’s to see what happens when a Slayer goes up against the Ordo Dracul, or who really is more powerful, a Mage or a Witch.
For the sake of this post I am going to concentrate on nWod or new World of Darkness and the "Storytelling" system and the WitchCraft and Ghosts of Albion flavors of Unisystem. Given that, I am going to focus mostly on Mage the Awakening.
Worlds of Darkness
What is different between the two WoD games and why should I care? To start with the rules have been cleaned up to allow greater playability across all the lines and a new focus has been placed on “normal” humans; something the old World of Darkness sorely lacked. All in all the rule changes are an improvement. They are, if I dare say it, more Unisystem-like. Also the meta-plot and background has changed. In many respects the meta-plot of old is gone, this allows Storytellers great freedom. But it also seems they purposefully did what they could to make differences more pronounced. In Vampire this is a good thing, in Mage I am less pleased with the results.
Mage: So What’s New?
Well in many ways much is the same. Characters are still magic wielding humans that can change the nature of reality through the effort of their will and a butt-load of d10s. There are still traditions of sorts (now called Paths) and there are still spheres of control (10 total).
The authors really took time to think about the myths of Mage. The results will vary in the eyes of the beholder, but there is no doubt that they craft an interesting world. It is almost like they took all the myths of the world and thought “what are the root truths to all of these”. The result is something I describe as looking at the world from a perpendicular or a sideways glance; it looks familiar and yet oddly strange. Everything is familiar and still new and different. Also there seems to be a general fondness for the 70’s occult revival or the trippy acid-induced hangover of the 60’s. For example the five mages of the watchtowers look like something out of a Black Sabbath album.
Mage the Awakening system wise is much closer to WitchCraft. Mage: The Ascension is more compatible with WitchCraft thematically.
nWoD: Second Sight
In many ways this the Mystery Codex of the new World of Darkness. It is also the new “Sorcerer: The Hedge Wizard’s Handbook”. It deals primarily with psychic powers and phenomena as well as “low magic”. It is a good addition to any WoD game and a decent enough primer of psychic ability for any game if you can’t get your hands on the Time-Life Books series. It does do something that the old WoD was never able to do adequately for me, and that is answer the question of what happens if an already powered character gains vampire, werewolf or mage powers. Full of ideas of new Supernatural Qualities, Seer Metaphysics, and even Taint based powers. This book is actually quite useful as is for Unisystem gamers.
What Do Users of Each Game Get?
For the Unisystem player the answer should be quite obvious, a variety new and interesting powers for Vampyre characters. Most Vampire powers can be converted to Qualities. But beyond mere crunchy stuff, there is the thing that makes both games so appealing; the back stories. Both the new WoD and the old WoD had very interesting back stories and meta plots to their game, it really gave the feeling of living in a real, living (unliving?) world.
Unisystem Games are not as detailed for another good reason, to allow players the freedom to make the worlds their own. WitchCraft also assumes that there are many different kinds of magic, not just paths to one ultimate truth. These magics can coexist with each other and the world.
Conversions to Unisystem
Normally when doing a game to game conversion I like to think these are the same characters in the same world, with just a different way of looking at things. Conversions between Unisystem, d20, BESM, Chill, and even Kult have worked out fine in this regard. Sure there are some differences in world mythos and ways and means of magic, but all in all conversions can be (and have been) done.
This one is a little more tricky. While converting the actual numbers is not a difficult task really, it is determining if the numbers mean the same thing. Then there is the dice pool mechanic vs. the stat+roll compare to a target number mechanic of games mentioned above.
In most cases a direct conversion may not be possible so instead one should try to stat the character using the same concepts. So my Wicce Seeker of Knowledge ends up being a witch on the Thyrsus Path and a member of the Mysterium. Not exactly the same thing really, but close.
I am viewing this then as separate but equal (which, thanks to the Kansas Board of Education we know really isn’t) characters; alternate universe versions of each other. So the characters are largely the same, just the worlds are different.
Points to Points
We can look at conversions two ways; a point for point conversion or some external correlation. In WoD (most) everything is on the same 1 to 5 point scale. In Unisystem everything is also on an equal pointing scale.
This is good, so let’s start with the Attributes. The new WoD still has nine Attributes in 3x3 categories, with Willpower which is removed from the attribute list and has it’s own scoring. Unisystem has 6 attributes in 2 categories (mental and physical). So not everything is going to convert nicely.
Intelligence, Strength, Dexterity and Stamina (WoD) line up well to Intelligence, Strength, Dexterity and Constitution (Uni). Willpower and Perception in Unisystem are slightly different in WoD.
The Social triad, Presence, Manipulation and Composure can best be handled by Qualities and Skills. In particular Charisma (which can be positive or negative in Unisystem) can handle Presence and Composure to some extent. Others Qualities and Skills include Influence and Attractiveness, as well many supernatural qualities.
If we count the “free” point everyone gets in WoD for all nine attributes and add the amount allocated we get 30 points total and an average of 2.333 per attribute.
In Cinematic Unisystem Heroes get 20 points for 6 attributes, this amounts to a 3.33 per attribute. So on the average 1 point higher per attribute.
Going to the external validation let’s do what I did with the Chill conversions; compare the max lift of both games. At a strength of 1 a character can lift 50 lbs in Unisystem or 40 lbs in WoD. In both systems a strength of 2 will allow a character to lift 100 lbs. But it is at Strength 3 that the systems differ. At Strength 3 a WoD character can lift 250 lbs, a Unisystem character 150lbs. This continues and gives us the following table.
There is a built in error factor of ± 10% of the weight on Unisystem’s side.
Continuing our look at external validation let’s compare what each system calls their human maximum (* above). In WoD this is 5 (at a higher point cost) and in Unisystem it is a 6 (also at a higher point cost).
All three of these combined point to one overwhelming conclusion:
WoD scores = Unisystem – 1
Very nice. A quick and dirty look at skills, metaphysics, merits and flaws and this seems to hold true.
Vices and Virtues
This is new to the new WoD game and it is an interesting role-playing twist. By having your character role-play one of the seven deadly sins and the seven virtues they gain Willpower points. My suggestion is to retain these when converting to Unisystem and have players gain or loose Essence Points (for Classic games) or Drama Points (for Cinematic games) in place of Willpower. In the case of following their virtue they gain a 1 to 3 Essence points or 1Drama point instead regaining all lost.
Of course Experience points can always be given, but by giving Essence or Drama points they take on a different feel. My personal preference is to use this with Essence.
This is most similar to Kult’s Mental Balance mechanic or the Karma mechanic of other games. My trouble is often my characters do not fit well into the seven virtues or vices.
Skills
Skills seem a bit easier. Classic Unisystem has more skills than WoD, but CineUnisystem has less. Five dots is the human maximum in the WoD, 6 is the human max in Unisystem, but some can go to 9.
Use the same conversion formula here, WoD score = Unisystem score -1.
If converting to CineUnisystem, use a wild card for skills not covered (like politics).
Metaphysics
Ah. Now here is the meat of the matter, what makes both games unique. Mage and WitchCraft’s magic systems are not only very different from each other, they are also largely different from most other games out there. The magic system is often one of the big reasons why people choose one of these games over the other.
In Mage one immerses themselves in a Path and learns (by spending points) Arcana. These are then utilized by Rotes and powered by Mana (Quintessence in old Mage). In WitchCraft one immerses themselves into metaphysics and learns the invocations (by spending points) of that area. In some cases these are also call Aracana. These metaphysics are powered by Essence.
Converting Rotes to Classic Invocations
In Mage magic exist in Arcana and are powered by Mana. WitchCraft invocations are likewise grouped and are powered by Essence. So they do have surface similarities.
Since invocations have mostly set effects, it is often easier to use Mage rotes as the path of conversion. But it should be noted that purchasing 7 levels in any WitchCraft invocation often has the same effect as becoming the master of an Aracana (5 dots), again the WoD = Unisystem -1 formula (more or less) comes into play.
For WitchCraft I would take each Mage Sphere and make them a sub category under a new grouping of Metaphysics called “Mage Arcana”. What separates these from other invocations is the only way to learn them is to be a member of one of the Mage associations. Mage Arcana might just be a long hiden type of Atlantian Arcana (something both games have) or it might something completely new. Lost texts from ancient Lemuria come to surface full of this new type of magic for example.
Now certainly there is (and should be) overlap. The Mind sphere should be accessible to anyone with the Sight, and Death and even some Life and Time should be available to Necromancers.
Converting Rotes to Cinematic Spells
When converting to Cinematic Unisystem, Rotes are the way to go. The dots of the Rote add up to give the Cinematic Power Level. In many cases this will have to be adjusted by -1.
Witches and Magicians that have more than 9 levels of Sorcery or Magic (respectively) can use the Improvised casting rules in Mage.
One of the most influential games to ever hit the market was Vampire the Masquerade. I have talked about this game quite a bit in the past, but never addressed directly. Well a while back they “rebooted” the entire universe and now we have the “New World of Darkness” and with it a revised vampire game, Vampire the Requiem.
Let’s start basic; both games are all perfectly playable as they are. All the games cover much of the same ground and allow you to play similar types and styles of games. All the games have similar backgrounds, realities and even to some degree futures. Characters created in one game can easily be thought of as having an analogue in the other game. In fact recently White Wolf created a “Translation Guide” to allow you to move characters from Vampire the Masquerade to the newer Vampire the Requiem. It was an insanely popular book spending many months in DriveThruRPG's top 10. They also now have a Werewolf Translation now. I am waiting for them to do one for Mage.
The same could be thought of when comparing *WoD with Unisystem. For every Unisystem character there is an analogue in the World of the Darkness (either). Both games cover a lot of the same ground, just in different ways.
Translations between the two different systems it bit hard than between oWod and nWod, but it can be done. So the question then is why would I want to?
Well there are many reasons. Maybe you want something new a unique to spring upon your players. Zombies with more “life” in them, vampiric ghouls, conspiracies from either game. Given that the in-game realities allow many permutations the question become more of Why not?
Maybe you have tons of books of one system, but want the new challenge of a new system, but don’t want to loose your investment in a world.
Or, lets face it SOME ONE out there want’s to see what happens when a Slayer goes up against the Ordo Dracul, or who really is more powerful, a Mage or a Witch.
For the sake of this post I am going to concentrate on nWod or new World of Darkness and the "Storytelling" system and the WitchCraft and Ghosts of Albion flavors of Unisystem. Given that, I am going to focus mostly on Mage the Awakening.
Worlds of Darkness
What is different between the two WoD games and why should I care? To start with the rules have been cleaned up to allow greater playability across all the lines and a new focus has been placed on “normal” humans; something the old World of Darkness sorely lacked. All in all the rule changes are an improvement. They are, if I dare say it, more Unisystem-like. Also the meta-plot and background has changed. In many respects the meta-plot of old is gone, this allows Storytellers great freedom. But it also seems they purposefully did what they could to make differences more pronounced. In Vampire this is a good thing, in Mage I am less pleased with the results.
Mage: So What’s New?
Well in many ways much is the same. Characters are still magic wielding humans that can change the nature of reality through the effort of their will and a butt-load of d10s. There are still traditions of sorts (now called Paths) and there are still spheres of control (10 total).
The authors really took time to think about the myths of Mage. The results will vary in the eyes of the beholder, but there is no doubt that they craft an interesting world. It is almost like they took all the myths of the world and thought “what are the root truths to all of these”. The result is something I describe as looking at the world from a perpendicular or a sideways glance; it looks familiar and yet oddly strange. Everything is familiar and still new and different. Also there seems to be a general fondness for the 70’s occult revival or the trippy acid-induced hangover of the 60’s. For example the five mages of the watchtowers look like something out of a Black Sabbath album.
Mage the Awakening system wise is much closer to WitchCraft. Mage: The Ascension is more compatible with WitchCraft thematically.
nWoD: Second Sight
In many ways this the Mystery Codex of the new World of Darkness. It is also the new “Sorcerer: The Hedge Wizard’s Handbook”. It deals primarily with psychic powers and phenomena as well as “low magic”. It is a good addition to any WoD game and a decent enough primer of psychic ability for any game if you can’t get your hands on the Time-Life Books series. It does do something that the old WoD was never able to do adequately for me, and that is answer the question of what happens if an already powered character gains vampire, werewolf or mage powers. Full of ideas of new Supernatural Qualities, Seer Metaphysics, and even Taint based powers. This book is actually quite useful as is for Unisystem gamers.
What Do Users of Each Game Get?
For the Unisystem player the answer should be quite obvious, a variety new and interesting powers for Vampyre characters. Most Vampire powers can be converted to Qualities. But beyond mere crunchy stuff, there is the thing that makes both games so appealing; the back stories. Both the new WoD and the old WoD had very interesting back stories and meta plots to their game, it really gave the feeling of living in a real, living (unliving?) world.
Unisystem Games are not as detailed for another good reason, to allow players the freedom to make the worlds their own. WitchCraft also assumes that there are many different kinds of magic, not just paths to one ultimate truth. These magics can coexist with each other and the world.
Conversions to Unisystem
Normally when doing a game to game conversion I like to think these are the same characters in the same world, with just a different way of looking at things. Conversions between Unisystem, d20, BESM, Chill, and even Kult have worked out fine in this regard. Sure there are some differences in world mythos and ways and means of magic, but all in all conversions can be (and have been) done.
This one is a little more tricky. While converting the actual numbers is not a difficult task really, it is determining if the numbers mean the same thing. Then there is the dice pool mechanic vs. the stat+roll compare to a target number mechanic of games mentioned above.
In most cases a direct conversion may not be possible so instead one should try to stat the character using the same concepts. So my Wicce Seeker of Knowledge ends up being a witch on the Thyrsus Path and a member of the Mysterium. Not exactly the same thing really, but close.
I am viewing this then as separate but equal (which, thanks to the Kansas Board of Education we know really isn’t) characters; alternate universe versions of each other. So the characters are largely the same, just the worlds are different.
Points to Points
We can look at conversions two ways; a point for point conversion or some external correlation. In WoD (most) everything is on the same 1 to 5 point scale. In Unisystem everything is also on an equal pointing scale.
This is good, so let’s start with the Attributes. The new WoD still has nine Attributes in 3x3 categories, with Willpower which is removed from the attribute list and has it’s own scoring. Unisystem has 6 attributes in 2 categories (mental and physical). So not everything is going to convert nicely.
Intelligence, Strength, Dexterity and Stamina (WoD) line up well to Intelligence, Strength, Dexterity and Constitution (Uni). Willpower and Perception in Unisystem are slightly different in WoD.
The Social triad, Presence, Manipulation and Composure can best be handled by Qualities and Skills. In particular Charisma (which can be positive or negative in Unisystem) can handle Presence and Composure to some extent. Others Qualities and Skills include Influence and Attractiveness, as well many supernatural qualities.
If we count the “free” point everyone gets in WoD for all nine attributes and add the amount allocated we get 30 points total and an average of 2.333 per attribute.
In Cinematic Unisystem Heroes get 20 points for 6 attributes, this amounts to a 3.33 per attribute. So on the average 1 point higher per attribute.
Going to the external validation let’s do what I did with the Chill conversions; compare the max lift of both games. At a strength of 1 a character can lift 50 lbs in Unisystem or 40 lbs in WoD. In both systems a strength of 2 will allow a character to lift 100 lbs. But it is at Strength 3 that the systems differ. At Strength 3 a WoD character can lift 250 lbs, a Unisystem character 150lbs. This continues and gives us the following table.
Strength | nWoD | Unisystem |
1 | 40 lbs | 50 lbs |
2 | 100 lbs | 100 lbs |
3 | 250 lbs | 150 lbs |
4 | 400 lbs | 200 lbs |
5 | 650 lbs* | 250 lbs |
6 | 800 lbs | 450 lbs * |
7 | 900 lbs | 650 lbs |
8 | 1000 lbs | 850 lbs |
9 | 1200 lbs | 1050 lbs |
10 | 1500 lbs | 1250 lbs |
There is a built in error factor of ± 10% of the weight on Unisystem’s side.
Continuing our look at external validation let’s compare what each system calls their human maximum (* above). In WoD this is 5 (at a higher point cost) and in Unisystem it is a 6 (also at a higher point cost).
All three of these combined point to one overwhelming conclusion:
WoD scores = Unisystem – 1
Very nice. A quick and dirty look at skills, metaphysics, merits and flaws and this seems to hold true.
Vices and Virtues
This is new to the new WoD game and it is an interesting role-playing twist. By having your character role-play one of the seven deadly sins and the seven virtues they gain Willpower points. My suggestion is to retain these when converting to Unisystem and have players gain or loose Essence Points (for Classic games) or Drama Points (for Cinematic games) in place of Willpower. In the case of following their virtue they gain a 1 to 3 Essence points or 1Drama point instead regaining all lost.
Of course Experience points can always be given, but by giving Essence or Drama points they take on a different feel. My personal preference is to use this with Essence.
This is most similar to Kult’s Mental Balance mechanic or the Karma mechanic of other games. My trouble is often my characters do not fit well into the seven virtues or vices.
Skills
Skills seem a bit easier. Classic Unisystem has more skills than WoD, but CineUnisystem has less. Five dots is the human maximum in the WoD, 6 is the human max in Unisystem, but some can go to 9.
Use the same conversion formula here, WoD score = Unisystem score -1.
If converting to CineUnisystem, use a wild card for skills not covered (like politics).
Metaphysics
Ah. Now here is the meat of the matter, what makes both games unique. Mage and WitchCraft’s magic systems are not only very different from each other, they are also largely different from most other games out there. The magic system is often one of the big reasons why people choose one of these games over the other.
In Mage one immerses themselves in a Path and learns (by spending points) Arcana. These are then utilized by Rotes and powered by Mana (Quintessence in old Mage). In WitchCraft one immerses themselves into metaphysics and learns the invocations (by spending points) of that area. In some cases these are also call Aracana. These metaphysics are powered by Essence.
Converting Rotes to Classic Invocations
In Mage magic exist in Arcana and are powered by Mana. WitchCraft invocations are likewise grouped and are powered by Essence. So they do have surface similarities.
Since invocations have mostly set effects, it is often easier to use Mage rotes as the path of conversion. But it should be noted that purchasing 7 levels in any WitchCraft invocation often has the same effect as becoming the master of an Aracana (5 dots), again the WoD = Unisystem -1 formula (more or less) comes into play.
For WitchCraft I would take each Mage Sphere and make them a sub category under a new grouping of Metaphysics called “Mage Arcana”. What separates these from other invocations is the only way to learn them is to be a member of one of the Mage associations. Mage Arcana might just be a long hiden type of Atlantian Arcana (something both games have) or it might something completely new. Lost texts from ancient Lemuria come to surface full of this new type of magic for example.
Now certainly there is (and should be) overlap. The Mind sphere should be accessible to anyone with the Sight, and Death and even some Life and Time should be available to Necromancers.
Converting Rotes to Cinematic Spells
When converting to Cinematic Unisystem, Rotes are the way to go. The dots of the Rote add up to give the Cinematic Power Level. In many cases this will have to be adjusted by -1.
Witches and Magicians that have more than 9 levels of Sorcery or Magic (respectively) can use the Improvised casting rules in Mage.
Up next, conversions in practice.
Thursday, June 14, 2012
Dear Gamers, We had better be doing better
I want to direct your attention to Anita Sarkeesian. She is a blogger.
You can finder her blog here, http://www.feministfrequency.com/
She writes about a lot of things, but what got my attention is she wants to talk about games, video game specifically, but a lot can apply to Table Top games.
Well Anita had this idea. The idea was she wanted to talk about depictions of women in video games versus various tropes. Mind you there was initial indication on what she was going to say. She wanted to talk about it. She set up a Kickstarter to be used to buy video games to play and to do the videos. Perfectly reasonable if you ask me.
http://www.kickstarter.com/projects/566429325/tropes-vs-women-in-video-games
That is until the bottom feeders on 4Chan found out about it.
Now complaining about 4Chan is like complaining that shit smells bad. Yes, it does, but it's shit.
Well read what happened after that.
http://www.newstatesman.com/blogs/internet/2012/06/dear-internet-why-you-cant-have-anything-nice
So after the most despicable display of human behavior where Ms. Sarkeesian was called ugly, a man hater, threatened with violence, rape and death. Her project is now 20x over her goal of $6,000.00 ($126,550 as of this writing).
I pledged, and I hope you do as well.
But I am not here to get you do that. She is doing fine thanks to press coverage.
I am here to talk about what happened here.
The issue was she was going to talk about it. The mere idea of this sent the lowest form of internet mouth breather into a fit of rage. The fact that many of them were gamers or at least self-identified themselves as gamers is bad for all of us. And frankly if you can't see why then it only illustrates how pervasive this problem is.
The problem is of course not just one of rampant sexism in games, both Video and Table Top, but how we treat and welcome (or fail to) the female gamer.
I don't pretend for a moment that we, the larger community of self-identified gamers, can fix all the issues we have here. And I would also like to think that the reader of this Blog looks at this a problem.
But what can we do? Well the best I think we can strive for is make gaming a more enlightened place. Yes, were are here to have fun, but I also think back to all the things I have learned over my years as a gamer.
I feel we can use this as a learning tool as something more than just pushing dice and papers around. There is a solid social aspect here that Video Games can't touch and we, because of that, can and should be better.
Right now my game group consists of all guys. Boys, actually since they are my sons. But I'll soon be adding one of my son's friends to the mix. But what I can do with them, and I feel I have some success, is point out that Role-Playing is some EVERYONE can do. Girls like Harry Potter too (remember who my audience is) and if Hermonie can kick ass, so can they.
I think this needs to be the frontier RPGS need to move too. Get us out of the basements and into the family rooms! Get different people involved. IF the larger video game community is unwilling to welcome more gamer girls (and women) I say we do. Make the games that people want to play with their families.
I am not talking watering down the games (At all!). S&W, LL, BF, OSRIC and S&S are all perfect as they are right now, plus 100s of others, but make the space more inviting.
Table Top Gamers lament that we are loosing ground to video games. The sales numbers certainly attest to this. There is a place though where we can always do better than the video games, IF we choose to do and choose to make it better.
You can finder her blog here, http://www.feministfrequency.com/
She writes about a lot of things, but what got my attention is she wants to talk about games, video game specifically, but a lot can apply to Table Top games.
Well Anita had this idea. The idea was she wanted to talk about depictions of women in video games versus various tropes. Mind you there was initial indication on what she was going to say. She wanted to talk about it. She set up a Kickstarter to be used to buy video games to play and to do the videos. Perfectly reasonable if you ask me.
http://www.kickstarter.com/projects/566429325/tropes-vs-women-in-video-games
That is until the bottom feeders on 4Chan found out about it.
Now complaining about 4Chan is like complaining that shit smells bad. Yes, it does, but it's shit.
Well read what happened after that.
http://www.newstatesman.com/blogs/internet/2012/06/dear-internet-why-you-cant-have-anything-nice
So after the most despicable display of human behavior where Ms. Sarkeesian was called ugly, a man hater, threatened with violence, rape and death. Her project is now 20x over her goal of $6,000.00 ($126,550 as of this writing).
I pledged, and I hope you do as well.
But I am not here to get you do that. She is doing fine thanks to press coverage.
I am here to talk about what happened here.
The issue was she was going to talk about it. The mere idea of this sent the lowest form of internet mouth breather into a fit of rage. The fact that many of them were gamers or at least self-identified themselves as gamers is bad for all of us. And frankly if you can't see why then it only illustrates how pervasive this problem is.
The problem is of course not just one of rampant sexism in games, both Video and Table Top, but how we treat and welcome (or fail to) the female gamer.
I don't pretend for a moment that we, the larger community of self-identified gamers, can fix all the issues we have here. And I would also like to think that the reader of this Blog looks at this a problem.
But what can we do? Well the best I think we can strive for is make gaming a more enlightened place. Yes, were are here to have fun, but I also think back to all the things I have learned over my years as a gamer.
I feel we can use this as a learning tool as something more than just pushing dice and papers around. There is a solid social aspect here that Video Games can't touch and we, because of that, can and should be better.
Right now my game group consists of all guys. Boys, actually since they are my sons. But I'll soon be adding one of my son's friends to the mix. But what I can do with them, and I feel I have some success, is point out that Role-Playing is some EVERYONE can do. Girls like Harry Potter too (remember who my audience is) and if Hermonie can kick ass, so can they.
I think this needs to be the frontier RPGS need to move too. Get us out of the basements and into the family rooms! Get different people involved. IF the larger video game community is unwilling to welcome more gamer girls (and women) I say we do. Make the games that people want to play with their families.
I am not talking watering down the games (At all!). S&W, LL, BF, OSRIC and S&S are all perfect as they are right now, plus 100s of others, but make the space more inviting.
Table Top Gamers lament that we are loosing ground to video games. The sales numbers certainly attest to this. There is a place though where we can always do better than the video games, IF we choose to do and choose to make it better.
Wednesday, June 13, 2012
The Dark Druid
Something different today for the YAM Magazine LBGT Blogathon. Today, not a character so much as characters and an adventure. I wanted to repost a link to the first ever Buffy adventure I ever wrote; updated to feature Willow & Tara more prominently. Also updated with a new download link.
Originally posted here in 2010.
The Dark Druid: The Director's Cut
A bit of history. Back in 2002 Eden was getting ready to release their newest game, The Buffy the Vampire Slayer game. As you may know, I had already been playing a Willow/Tara focused WitchCraft game for about a year, so I was pretty excited by this. Well I got asked by Eden to write the first Buffy adventure that would appear in "Games Unplugged" along with an interview with C.J. Carella talking about the game.
I took an idea I had been working on for my other game (tentatively called "All Soul's Night") and thus the Dark Druid was born.
I had been reading a ton of Irish myths then. Among those were the stories of Fionn MacCumhaill ("Finn MacCool") and his foster mothers Bodhmal and Liath. It occurred to me that Liath and Bodhmal were lovers, and to tie it more directly to my work in Buffy, they were reincarnated later on into the form of Willow and Tara. Since that time anytime I read a story about Fionn MacCumhaill I can't help but read Bodhmal and Liath as lovers.
The original featured, rather prominently, Willow and Tara, as to be expected. I had to make some changes to make it playable for others and to make it an "intro" or season opener type episode. The plot dealt with an enemy from the Cast's past as a portent to greater evil in the future. It was designed to be a opening episode of the season, but one that may or may not be directly related to the seasonal arc. We were going to use this i n part of the great "Djinn" story, but that never happened.
Fast forward a few years and I was finishing up work on Ghosts of Albion and another adventure that sprang from "All Soul's Night" called "Blight" (which I have played at Gen Con before). I felt it was time to bring back the Dark Druid and restore it to the mythology that I had created in my games. Now you can have it too. So it became a Prequel or an Episode 0 for my huge Willow & Tara series, The Dragon and the Phoenix. This adventure and the Dragon adventures were designed to feature Willow and Tara. My players were extremely pissed off at Tara being killed, so this was our way of getting our own way.
I updated it not only to fit better with my world-myths, and with some of the work I did on Ghosts of Albion and the adventure Blight. In fact you can run Blight and The Dark Druid as co-adventures, separated by time.
The story is rather direct and linear. This was partly due to the nature of the story and what is was supposed to do (introduce new players to the game) and part of just me writing for the Buffy game for the first time. I have opted not to change that here, despite nearly 10 years of Cinematic Unisystem adventure writing since then. It is supposed to be a quick, fun little adventure dealing with past lives.
The episode was well received and even has a bit on Wikipedia, http://en.wikipedia.org/wiki/Buffyverse_role-playing_games#Adventures
It was the first. The start of a series of adventures that led me personally down a crazy path. It's hard to gauge the effect it has had, it was so fundamental. From this point my writing increased maybe a 100 or 500 fold. Hard to say really.
Originally posted here in 2010.
The Dark Druid: The Director's Cut
A bit of history. Back in 2002 Eden was getting ready to release their newest game, The Buffy the Vampire Slayer game. As you may know, I had already been playing a Willow/Tara focused WitchCraft game for about a year, so I was pretty excited by this. Well I got asked by Eden to write the first Buffy adventure that would appear in "Games Unplugged" along with an interview with C.J. Carella talking about the game.
I took an idea I had been working on for my other game (tentatively called "All Soul's Night") and thus the Dark Druid was born.
I had been reading a ton of Irish myths then. Among those were the stories of Fionn MacCumhaill ("Finn MacCool") and his foster mothers Bodhmal and Liath. It occurred to me that Liath and Bodhmal were lovers, and to tie it more directly to my work in Buffy, they were reincarnated later on into the form of Willow and Tara. Since that time anytime I read a story about Fionn MacCumhaill I can't help but read Bodhmal and Liath as lovers.
The original featured, rather prominently, Willow and Tara, as to be expected. I had to make some changes to make it playable for others and to make it an "intro" or season opener type episode. The plot dealt with an enemy from the Cast's past as a portent to greater evil in the future. It was designed to be a opening episode of the season, but one that may or may not be directly related to the seasonal arc. We were going to use this i n part of the great "Djinn" story, but that never happened.
Fast forward a few years and I was finishing up work on Ghosts of Albion and another adventure that sprang from "All Soul's Night" called "Blight" (which I have played at Gen Con before). I felt it was time to bring back the Dark Druid and restore it to the mythology that I had created in my games. Now you can have it too. So it became a Prequel or an Episode 0 for my huge Willow & Tara series, The Dragon and the Phoenix. This adventure and the Dragon adventures were designed to feature Willow and Tara. My players were extremely pissed off at Tara being killed, so this was our way of getting our own way.
I updated it not only to fit better with my world-myths, and with some of the work I did on Ghosts of Albion and the adventure Blight. In fact you can run Blight and The Dark Druid as co-adventures, separated by time.
The story is rather direct and linear. This was partly due to the nature of the story and what is was supposed to do (introduce new players to the game) and part of just me writing for the Buffy game for the first time. I have opted not to change that here, despite nearly 10 years of Cinematic Unisystem adventure writing since then. It is supposed to be a quick, fun little adventure dealing with past lives.
The episode was well received and even has a bit on Wikipedia, http://en.wikipedia.org/wiki/Buffyverse_role-playing_games#Adventures
It was the first. The start of a series of adventures that led me personally down a crazy path. It's hard to gauge the effect it has had, it was so fundamental. From this point my writing increased maybe a 100 or 500 fold. Hard to say really.
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