Monday, October 14, 2024

Monstrous Mondays: The Ravenloft Monstrous Compendiums

 I have been covering the AD&D 2nd Ed version of Ravenloft all this month. I have also been covering the the Forgotten Realms and currently in the AD&D 2nd Edition era. One thing they both have in common is that a few of the books feature new monsters in AD&D 2nd Monstrous Compendium format.

I reviewed the Ravenloft Monstrous Compendiums sometime back. Since I have been reviewing the various books I have been printing out the Monstrous Compendium pages and adding them to my three-ring binder for Ravenloft.

The Ravenloft Monstrous Compendiums

As I run across a monster page for these reviews OR from Dragon magazine in my This Old Dragon feature, I print them out (or cut them out as the case may merit) and add them to my binder.

The Ravenloft Monstrous Compendium pages

The Ravenloft Monstrous Compendium pages

The Ravenloft Monstrous Compendium pages

The Ravenloft Monstrous Compendium pages

The Ravenloft Monstrous Compendium pages

The Ravenloft Monstrous Compendium pages

It has taken 30+ years but I feel that the Monstrous Compendium concept is finally living up to its potential for me.

I have been doing the same thing with my Forgotten Realms monsters as I talked about a while back.

Again, I might start mining my other MCs to see what would fit here. I already have one filled with demons and devils, so I wont add those, but I am considering taking the Death Knight from Krynn and putting in this one.

The truth is I am not likely to play AD&D 2nd ed Ravenloft again. BUT my son is running his 5e group through Castle Amber using AD&D 1st ed. So it is possible I could run an AD&D 2nd Ed game again one day. I have mentioned that I am running an AD&D 2nd Ed Forgotten Realms game with my oldest, though we have not played in a while. So I guess never say never.

Despite my concerns with Ravenloft under AD&D 2nd ed, it was my game for the 90s. 

In any case I feel like an archivist in some dusty library, collecting tomes for my own pleasures. 

This is another entry for my RPG Blog Carnival for October!


RPG Blog Carnival


Review: Masque of the Red Death and Other Tales

Masque of the Red Death and Other Tales
Very few games or game products have had *lasting* profound effects on my gaming. Oh sure there have been a LOT of great games that I have played or used over the years, but only a handful that have been a sea change for me. 

They are: 
  1. The AD&D 1st Ed Monster Manual
  2. D&D Basic Moldvay Edition
  3. 1st Edition Chill
  4. CJ Carella's WitchCraft RPG
  5. Masque of the Red Death and Other Tales
This last game combined everything I wanted into one game. Horror? Check. AD&D? Check? Gothic Victorian Earth? Double check.

For the longest time, it was the perfect game for me. I had to write an entire other game, Ghosts of Albion, just to get what I wanted, and then again with NIGHT SHIFT.

But before I go there, let's go back—not to the 1890s, but rather to the 1990s, when this game came out.
In the theaters, we saw Lost Boys, Near Dark, The Crow (okay, not a vampire movie, but still. And the 1994 version, not the 2024 one), and most of all, a big-screen adaptation of Dracula that was the most faithful to the book yet. In the game stores, Vampire: the Masquerade reigned supreme. AD&D had started the decade doing well but had begun to flounder by the middle. Soon, it would be all but dead; we didn't know it then.  Amidst all of this, we were given the gift of Gothic Earth. 

Masque of the Red Death and Other Tales 

by William W. Connors, D. J. Heinrich, Shane Lacy Hensley, Colin McComb.
Art by Ned Dameron, Stephen Fabian, Robh Ruppel, David C. Sutherland, III.

Masque of the Red Death and Other Tales is nominally released under the Ravenloft line and you will need one of the Ravenloft core books to be able to play this along with the AD&D 2nd Edition rules.  However if you know the AD&D rules well enough you might be able to get by.  The premise of the game it rather a simple one. What if the Dark Powers from Ravenloft found their way to Earth?  Well...I should state out and out that they never actually say that, but imply it rather heavily.  The is a dark, malignant force controlling things on Earth, known here as The Red Death, and this Earth of the 1890s certainly has a lot more in common with Ravenloft.

Pretty much from the time it was published to the onset of the new 3rd Edition rules, Masque of the Red Death was my campaign world of choice.  I still played AD&D2 in Ravenloft, or rather, I ran AD&D2 in Ravenloft, but the lines between Ravenloft proper and "Gothic Earth" became very, very blurry.

For this review, I am considering my original boxed set from the 1990s and the PDFs from DriveThruRPG.

This package from DriveThruRPG includes five PDFs, which correspond to the four books and the DM's screen found in the Boxed Set.

Book I is the main Masque of the Red Death book.  It is 130 pages of a high quality, OCR scan.  Some the images are fuzzy, but I feel that is more due to the source images rather than the scan itself.  The scan comes in at just over 35 meg.

We begin with an overview of what this campaign guide is about.  I might be mistaken, but this is the first official AD&D product to take place on Earth.   This followed up with a history of Gothic Earth.  Things began to go downhill for everything around 2700 BC when Imhoptep (yes, same as the Mummy movies) began experimenting with darker magics.  The next dozen or so pages bring us to the present day (1890s).  The history is a fast read and I would not ignore it. It sets the tone for the entire game.

Chapter II details character creation.  There are different methods used than the PHB to reflect that characters are not your sword wielding barbarians of a bygone age.  So characters are more average.
There are rough parallels to all the classic AD&D classes, Soldiers, Adepts, Mystics, and Tradesmen.  The AD&D Proficiency system is used here as well.  Interestingly the system seems make more sense here (since skills are really what sets characters apart) but also shows its wear and tear.

Chapter IV also details money and Equipment. Interestingly, this is one of the few Victorian-era games in which the default currency is American Dollars rather than Pounds Sterling.
It should be of note that this is also the book that adds guns to AD&D2.  Quite a number of guns are detailed here as well.

Chapter V covers magic, and you need the Player's Handbook for this section.

Chapter VI covers the changes to combat.
Getting back to what really makes this special is Chapter VII, An Atlas of Gothic Earth. I should point out at this point that the large poster-sized map that came with the boxed set is not included here. It gives a brief overview of the world. This section is done much better in the full-fledged product that shares its name.

The first Appendix covers various character kits.  If you remember 2e at all, you remember kits. Quite a few interesting ideas are detailed, but you could also do these with the base four classes and good roleplaying.
 
Appendix II covers some villains of Gothic Earth. There are plenty of old favorites here and some new takes on old characters.  Though I will admit the one thing that still gets on my nerves is Moriarty re-done as a Rakshasa.  In my games, he was human. And yes, Dracula is there as well.

Finally, Appendix III covers the adventuring of Gothic Earth.

Book II is an adventure in three parts by future Pinnacle Entertainment head honcho Shane Hensley and features the rock star of Gothic fiction, Dracula. What is the advantage of this PDF over my boxed set copy? I can print it out and make changes to it. Yeah, it is a good adventure, but it is a pastiche of Hammer and Stoker's original work.

Book III is a Jack the Ripper adventure, Red Jack. Unlike Moriarty's change into a supernatural creature, this adventure makes "Jack" into something more mundane.  Normally, I would be fine with this, but the name of the adventure itself and some of the elements BEGS it to be tied to the old Star Trek episode The Wolf in The Fold and Redjac.

Book IV is The Red Death, an adventure based on elements of the Edgar Allen Poe story.  Some details have been changed and added, but the spirit is the same.  Again, I am tempted to make the main antagonist, Prospero, the Prospero.

Book V is the DM's screen.

Part of me wants to get the Print on Demand version, just to see how it is, but I know it will not live up to my boxed set. 

In any case, boxed set, PDF, Print on Demand, this is still one of my all-time favorite Ravenloft products and changed how I wanted to play my games. I spent a lot of time talking to the late Johnathan Thompson and we both agreed had it not been for MotRD there would not have been his Gaslight nor my Ghosts of Albion games. 

Advent-ure Dice: Day 14

  Day 14

Advent-ure Dice Day 14

Orange spider d%, but no spiders on it.


Sunday, October 13, 2024

October Horror Movie Challenge: Dracula Night

 Decided that a Dracula night was in order. I wanted to watch "Last Voyage of the Demeter" and "Renfield" and thought I'd throw "Bram Sotker's Dracula" in as well. 

Last Voyage of the the Demeter (2023) Bram Stoker's Dracula (1992) Renfield (2023)

The Last Voyage of the Demeter (2023)

This movie takes the log of the ill-fated Demeter and turns it into a full-length movie. Not a bad concept really, and certainly enough here for a movie. There are some good bits here. Liam Cunningham (Davos Seaworth in Game of Thrones) is the captain of the Demeter with David Dastmalchian as the first mate. New characters include Anna (Aisling Franciosi) as Dracula's "road trip snack," and Corey Hawkins as Cambridge-schooled doctor Clemens. 

We know the story here. Dracula charters The Demeter to London with 50 boxes of earth. He kills everyone on board, and the boat runs ashore.

In this one, Anna and Clemens survive, only for Anna to die when sunlight hits her. Clemens vows to hunt Dracula down, but we know he is not successful. 

Dracula is played by Spanish actor Javier Botet under a lot of make-up. 

A couple of points. The movie takes place in 1897, the same year Dracula was published, but you know my issue with that

Also, the main character is named Clemens, and the dog on the boat is named Huck, short for Huckleberry.  This is a neat little nod given what I have said about Samuel Clemens/Mark Twain's relationship with Bram Stoker

Bram Stoker's Dracula (1992)

Honestly, I have lost track how many times I have seen this movie. A couple of notes on this viewing.

One. It also takes place in 1897. I guess that can't be helped. Two. Honestly, we gave Keanu Reeves too much grief when this came out. He is nowhere near as bad as I thought he was or remembered. The same is true for Winona Ryder. Time has been better for them both. I mean who doesn't love Keanu Reeves and where would "Stranger Things" be without Joyce Byers?

Three. I am still not a fan of the "Immortal Beloved" subplot. Why can't Dracula just be the evil asshole he is in the book? It worked so well for other Draculas. 

Four. Some of the script dialog is a bit cringey. 

Still, this is one of the best Dracula movies. It could also be better.

The scene with Dracula as a bat-creature (after he feeds on Mina) is very much like the bat-creature in "Last Voyage of the Demeter."

I kinda wonder what Mina would have been like had she joined Dracula. I think more interesting that what we saw in "League of Extraordinary Gentlemen."

Renfield (2023)

Ok. This one. First off, Nicolas Cage as Dracula? Oh HELL YES. This movie is crafted as sequel to the 1931 Dracula starring Bela Lugosi.  Nicholas Hoult, who is pretty much brilliant in everything he does (see "The Great" where he played Peter III of Russia), and Awkwafina playing...well Awkwafina (but that is fine it works here). 

This movie has Renfield still serving Dracula into the 2000s. It is silly and maybe one of the bloodiest movies I have ever seen, but it is just so much fun.

Dishonorable Mention: Dracula's Guest (2008)

Thought I'd make a night of it and watch this one as well. But wow, is it really bad. I mean terrible. It is late and frankly I just can't sit through this one. So not finishing it, but not counting it either. 

Featured Monster: Vampire

None of these movies contributed to the 1977 Monster Manual, obviously. But Dracula, the novel, and earlier movies did. The truth is that while there are plenty of pulp-era vampires, you can go wrong with Dracula as your model.

Vampire


October Horror Movie Challenge 2024
Viewed: 20
First Time Views: 10

Monster Movie Marathon


Advent-ure Dice: Day 13

  Day 13

Advent-ure Dice Day 13

Advent-ure Dice Day 13

A green d4. I don't have a complete set yet of all one color, but I am getting there.


Saturday, October 12, 2024

October Horror Movie Challenge: The Day of the Triffids (1963)

Day of the Triffids

 I was looking back at some of the movies I have watched and it dawned on me that I have never reviewed Day of the Triffids. My wife mentioned it to me the other day and I told her yes, I have seen many times, but I checked and I have never reviewed it. Odd. I did a monster write-up for it years ago, but never an October Horror Movie Challenge.  Let's change that.

The Day of the Triffids (1963)

A meteor shower blinds most of the population of Earth and spreads the spores of the deadly Triffids.

Our hero, Bill Masen played by Howard Keel had been in a hospital with his eyes bandaged, so he was unaffected. 

The Triffids quickly overrun everything, firing their spores and killing humans. They seem to be unkillable and constantly regenerate and grow new Triffids. 

The movie is a bit slow, and while I enjoy it, I am not ...ehm...blind to it's shortcomings.

The Triffids are all eventually defeated when Masen discovers they can be dissolved in salt water.

The movie takes a few liberties with the source novel. That's all I can recall, I read the novel back in the 1980s, and I am getting it; this movie and the 1981 BBC serial are all confused. Partly because I never got a chance to finish the 1981 version.

This movie is notable for being one of the first appearances on screen of Carol Ann Ford, who would later go on to play Susan Foreman in Doctor Who.

Featured Monster: Shambling Mound (and maybe Shrieker)

There are not a lot of plant monsters in the Monster Manual. Treants have a very obvious genesis, but the Shambling Mound was at least partially influenced by the Triffids, either book or movie. Though the art is more reminiscent of Dc's Swamp Thing and Marvel's Man Thing.  The noise the Triffids make is what I always suspected a Shrieker sounds like, only much louder and constant.

Shambling Mound and Shrieker


October Horror Movie Challenge 2024
Viewed: 17
First Time Views: 8

Monster Movie Marathon


October Horror Movie Challenge: Cry of the Banshee (1970)

Cry of the Banshee (1970)
You can't go wrong with an American International Pictures film or Vincent Price. I am touch surprised I had never seen this one, I was very sure I had but I have no memory of it.

The title sequences were created by Terry Gilliam of Monty Python fame. It was a little jarring at first, I was expecting a Monty Python sketch.

Set in England at the time of the Witch trials (16th Century) we have corrupt magistrate Lord Edward Whitman (Vincent Price) determined to seek out and punish witches. It just happens that he and his men only find pretty witches to torment. 

He encounters a true coven of witches and has many of their members killed, leaving the old witch Oona (Elisabeth Bergner). She pleads to Satan to send her an avenger to kill Whitman and his family.  Which is weird because I thought they were supposed to be worshiping "The Old Religion?"

The first to die is the son, Sean, and then the Lady Patricia.

Oona is discovered by the Priest and Harry Whitman, but not before Maureen is attacked.  Oona is killed but she admits that Roderrick (Patrick Mower) is really a Sidhe sent to kill the Whitmans.

Roderrick convinces Maureen he won't harm her until he sees Lord Edward, then he transforms to some sort of beast creature. Maureen grabs a blunderbus and kills Roderick. Lord Edward says with Roderick dead their family curse is lifted and they can leave their home. 

Lord Edward goes to visit Roderrick's grave only to discover he isn't in his coffin. He goes back to his carriage to find Harry and Maureen dead and Roderick now driving the carriage.

Featured Monster: Groaning Spirit (Banshee)

Banshees are a creature out of folklore, but there have been some modern, pre-1977, interpretations. This is one, and "Darby O'Gill and the Little People (1959)" is another. Which was likely as much of a source for leprechauns how they are used in the Monster Manual in addition to folklore.  I can make this claim easy enough since they were the only two movies I could find prior to 1977 to feature a banshee.

Banshee

 The Banshee here is not the folkloric one, but it is a spirit of sorts. The Banshee in Darby O'Gill was actually much more terrifying.

 

But it is not much of a horror movie really. Darby O'Gill that is. Cry of the Banshee is quite the classic, even if it doesn't have a "real" Banshee in it.

The Banshee in the Monster Manual is the spirit of an elf woman. This comes from the idea that Ban Sidhe or Ban Sith means "Faerie Woman" in Gaelic. It works as far as AD&D goes. But this film makes a good case that the Banshee could also be the spirit of a dead witch. 

Maybe that is where I need to take this for D&D and related games.

October Horror Movie Challenge 2024
Viewed: 16
First Time Views: 8

Monster Movie Marathon


Advent-ure Dice: Day 12

  Day 12

Advent-ure Dice Day 12

Another d6!


Friday, October 11, 2024

October Horror Movie Challenge: Blood Trap / Bite (2015) & Abigail (2024)

 Two vampire movies with the same plot, 10 years apart. It may not be the best representation of the AD&D Vampire, but in all honesty, I have already watched every vampire movie released before 1977.

Basic Plot: A bunch of criminals get together with the brilliant idea of kidnapping the daughter of some powerful and rich underworld figure for a bunch of money. Only after they are all trapped in the house with the daughter do they discover it is a trap and the daughter is a vampire.  I watched Abigail over the summer but wanted to rewatch it once I found Blood Trap.

Blood Trap / Bite (2015)Abigail (2024)

Blood Trap / Bite (2015)

In this version our lead bad guy is Roman played by Costas Mandylor. He is a retired prison warden you gathers up some of his former inmates to do the kidnapping job. In this case it is Nika played by Elena Mirela.

This one has quite a bit of blood and violence in it. Even the babies in it are vampires.

The babies are all Nika's, from over 238 years, though most are too human to be able to feed on their own. She is looking for someone who can provide her with a healthy baby. 

Nika manages to capture one of the criminals, loads him up with viagra, and proceed conceive a new kid. Then she turns him. In the end her father comes back and complains about the mess and Nika looks about 5 months pregnant. 

Abigail (2024)

This one is much better. In this one our vampire is Abigail, a child of about 7 or 8 and played AMAZINGLY by Alisha Weir. In this our criminals seem more professional and less like "Resivoir Dogs meet The Daughter of Dracula."

This one also features up and comer in the horror movie scene, Kathryn Newton, who is great. 

In our X-Men connection between the movies Abigail has Kevin Durand, using his normal Quebecois accent which was cool, played The Blob / Fred Dukes in "X-Men Origins: Wolverine." Blood Trap has Vinnie Jones played Juggernaut / Cain Marko in "X-Men: The Last Stand."

Watching this ultra violent little girl kill off all the criminals except one was such a delight. Plenty of good scares too. 

In this one Abigail's father, Christof Lazar, shows up played by Matthew Goode who also plays the vampire in "Discovery of Witches."  There is some evidence that he might be Dracula.


Featured Monster: Vampire

Vampires are easy. There are over 3,000 vampire titles on IMDB alone. So, finding a vampire movie is easy, but finding a good one is hard. 

There are not many that feature vampires like those found in AD&D, that is, with "level drain," but maybe Lifeforce comes close. So, instead, I like looking for different sorts of vampire movies, so these two certainly count. 

I am likely to hit other vampire movies in this challenge.

October Horror Movie Challenge 2024
Viewed: 15
First Time Views: 7

Monster Movie Marathon


Dracula, The Hunters' Journals: 11 October; Dr. Seward's Diary

Mina is hypnotized. More plans are made.

Dracula - The Hunters' Journals

CHAPTER XXV

DR. SEWARD’S DIARY

11 October, Evening.—Jonathan Harker has asked me to note this, as he says he is hardly equal to the task, and he wants an exact record kept.

I think that none of us were surprised when we were asked to see Mrs. Harker a little before the time of sunset. We have of late come to understand that sunrise and sunset are to her times of peculiar freedom; when her old self can be manifest without any controlling force subduing or restraining her, or inciting her to action. This mood or condition begins some half hour or more before actual sunrise or sunset, and lasts till either the sun is high, or whilst the clouds are still aglow with the rays streaming above the horizon. At first there is a sort of negative condition, as if some tie were loosened, and then the absolute freedom quickly follows; when, however, the freedom ceases the change-back or relapse comes quickly, preceded only by a spell of warning silence.

To-night, when we met, she was somewhat constrained, and bore all the signs of an internal struggle. I put it down myself to her making a violent effort at the earliest instant she could do so. A very few minutes, however, gave her complete control of herself; then, motioning her husband to sit beside her on the sofa where she was half reclining, she made the rest of us bring chairs up close. Taking her husband’s hand in hers began:—

“We are all here together in freedom, for perhaps the last time! I know, dear; I know that you will always be with me to the end.” This was to her husband whose hand had, as we could see, tightened upon hers. “In the morning we go out upon our task, and God alone knows what may be in store for any of us. You are going to be so good to me as to take me with you. I know that all that brave earnest men can do for a poor weak woman, whose soul perhaps is lost—no, no, not yet, but is at any rate at stake—you will do. But you must remember that I am not as you are. There is a poison in my blood, in my soul, which may destroy me; which must destroy me, unless some relief comes to us. Oh, my friends, you know as well as I do, that my soul is at stake; and though I know there is one way out for me, you must not and I must not take it!” She looked appealingly to us all in turn, beginning and ending with her husband.

“What is that way?” asked Van Helsing in a hoarse voice. “What is that way, which we must not—may not—take?”

“That I may die now, either by my own hand or that of another, before the greater evil is entirely wrought. I know, and you know, that were I once dead you could and would set free my immortal spirit, even as you did my poor Lucy’s. Were death, or the fear of death, the only thing that stood in the way I would not shrink to die here, now, amidst the friends who love me. But death is not all. I cannot believe that to die in such a case, when there is hope before us and a bitter task to be done, is God’s will. Therefore, I, on my part, give up here the certainty of eternal rest, and go out into the dark where may be the blackest things that the world or the nether world holds!” We were all silent, for we knew instinctively that this was only a prelude. The faces of the others were set and Harker’s grew ashen grey; perhaps he guessed better than any of us what was coming. She continued:—

“This is what I can give into the hotch-pot.” I could not but note the quaint legal phrase which she used in such a place, and with all seriousness. “What will each of you give? Your lives I know,” she went on quickly, “that is easy for brave men. Your lives are God’s, and you can give them back to Him; but what will you give to me?” She looked again questioningly, but this time avoided her husband’s face. Quincey seemed to understand; he nodded, and her face lit up. “Then I shall tell you plainly what I want, for there must be no doubtful matter in this connection between us now. You must promise me, one and all—even you, my beloved husband—that, should the time come, you will kill me.”

“What is that time?” The voice was Quincey’s, but it was low and strained.

“When you shall be convinced that I am so changed that it is better that I die than I may live. When I am thus dead in the flesh, then you will, without a moment’s delay, drive a stake through me and cut off my head; or do whatever else may be wanting to give me rest!”

Quincey was the first to rise after the pause. He knelt down before her and taking her hand in his said solemnly:—

“I’m only a rough fellow, who hasn’t, perhaps, lived as a man should to win such a distinction, but I swear to you by all that I hold sacred and dear that, should the time ever come, I shall not flinch from the duty that you have set us. And I promise you, too, that I shall make all certain, for if I am only doubtful I shall take it that the time has come!”

“My true friend!” was all she could say amid her fast-falling tears, as, bending over, she kissed his hand.

“I swear the same, my dear Madam Mina!” said Van Helsing.

“And I!” said Lord Godalming, each of them in turn kneeling to her to take the oath. I followed, myself. Then her husband turned to her wan-eyed and with a greenish pallor which subdued the snowy whiteness of his hair, and asked:—

“And must I, too, make such a promise, oh, my wife?”

“You too, my dearest,” she said, with infinite yearning of pity in her voice and eyes. “You must not shrink. You are nearest and dearest and all the world to me; our souls are knit into one, for all life and all time. Think, dear, that there have been times when brave men have killed their wives and their womenkind, to keep them from falling into the hands of the enemy. Their hands did not falter any the more because those that they loved implored them to slay them. It is men’s duty towards those whom they love, in such times of sore trial! And oh, my dear, if it is to be that I must meet death at any hand, let it be at the hand of him that loves me best. Dr. Van Helsing, I have not forgotten your mercy in poor Lucy’s case to him who loved”—she stopped with a flying blush, and changed her phrase—“to him who had best right to give her peace. If that time shall come again, I look to you to make it a happy memory of my husband’s life that it was his loving hand which set me free from the awful thrall upon me.”

“Again I swear!” came the Professor’s resonant voice. Mrs. Harker smiled, positively smiled, as with a sigh of relief she leaned back and said:—

“And now one word of warning, a warning which you must never forget: this time, if it ever come, may come quickly and unexpectedly, and in such case you must lose no time in using your opportunity. At such a time I myself might be—nay! if the time ever comes, shall be—leagued with your enemy against you.”

“One more request;” she became very solemn as she said this, “it is not vital and necessary like the other, but I want you to do one thing for me, if you will.” We all acquiesced, but no one spoke; there was no need to speak:—

“I want you to read the Burial Service.” She was interrupted by a deep groan from her husband; taking his hand in hers, she held it over her heart, and continued: “You must read it over me some day. Whatever may be the issue of all this fearful state of things, it will be a sweet thought to all or some of us. You, my dearest, will I hope read it, for then it will be in your voice in my memory for ever—come what may!”

“But oh, my dear one,” he pleaded, “death is afar off from you.”

“Nay,” she said, holding up a warning hand. “I am deeper in death at this moment than if the weight of an earthly grave lay heavy upon me!”

“Oh, my wife, must I read it?” he said, before he began.

“It would comfort me, my husband!” was all she said; and he began to read when she had got the book ready.

“How can I—how could any one—tell of that strange scene, its solemnity, its gloom, its sadness, its horror; and, withal, its sweetness. Even a sceptic, who can see nothing but a travesty of bitter truth in anything holy or emotional, would have been melted to the heart had he seen that little group of loving and devoted friends kneeling round that stricken and sorrowing lady; or heard the tender passion of her husband’s voice, as in tones so broken with emotion that often he had to pause, he read the simple and beautiful service from the Burial of the Dead. I—I cannot go on—words—and—v-voice—f-fail m-me!”

 

She was right in her instinct. Strange as it all was, bizarre as it may hereafter seem even to us who felt its potent influence at the time, it comforted us much; and the silence, which showed Mrs. Harker’s coming relapse from her freedom of soul, did not seem so full of despair to any of us as we had dreaded.


Notes: Moon Phase: Waning Gibbous

While travelling was Seward recording his diary via phonograph still? I don't think he was. 

During the times of sunrise and sunset, Mina has more control over herself and can see through the Count's eyes, or at least ascertain his whereabouts. Does the Count know this? I believe he does given actions later on in this chase. 

Mina is worried that she will die, either by the vampire or her own hand. She makes everyone promise that they will kill her if she becomes too far gone. Only Harker doesn't make the vow and Mina charges Van Helsing to make sure he does. 

It will be another few days before we meet up with our hunters again.


Review: Islands of Terror (2e)

We are slowly moving through the 1990s and coming up on our next Ravenloft accessory.  This one expanded on the idea of realms not connected to the core, but rather as "islands" in a sea of mist. You ended up in these realms largely by chance aka DM's whim. But the notion does fit with the idea of Ravenloft. As expected, some of this island would later cease to exist. Was it because their Darklords were defeated? Not as evil as the others? Or some other darker fate? Questions like these filled the old RAVENLOFT-L email list for a long time. 

RR4: Islands of Terror (2e)

1992. By Scott Bennie and Colin McComb. Cover art by Jeff Easley. Interior art by Ron Hill, John Knecht and Jaime Lombardo, art and maps by David C. Sutherland III.

For this review I am only considering the PDF from DriveThruRPG. There is no Print on Demand copy yet and I lost my original a long time ago.

This book contains new "island" domains and their darklords. Many pulled from or influenced by other TSR campaign worlds. 

Nidala. This realm is the domain of a Lawful Good Paladin turned crazed zealot. She is now just a Lawful Evil fighter and rules her land with an iron fist. Of course she still sees herself as acting for the good of all. I liked this one because I played a lot of Paladins in my time, and Elena was a great example of her "Lawfulness" overpowering her "Goodness." Plus she still thinks she is a Paladin because the Dark Powers are now granting her her former paladin powers. 

Elena Faith-hold is connected to Kateri Shadowborn from the Darklords book (Ebonbane). Given the descriptions of each and their lands, I am inclined to say they were all from Oerth, the World of Greyhawk.

The Wildlands. This is an African-influenced, fable-like, domain full of talking animals. The animals act like humans in other domains and they are all terrified of the land's Darklord King Crocodile. This darklord is a huge crocodile with the abilities of a 12th-level fighter. 

Scaena. This domain is a theatre controlled by its author-lord, Lemot Sediam Juste. It is a "travelling show" that floats from place to place. It can appear as anything that Juste wishes (writes) it is just a theater building. The obvious influence here is Lon Chaney's Phantom of the Opera movie. 

I'Cath. This land is obviously from Kara-Tur and one of the few I had used from this book. 

Saragoss. This watery domain is from the Forgotten Realms' Sea of Stars. BUT I misread it back in the day and though it was from Krynn. Remember it was 1992, not much of an internet yet and I did not have ready access to either Dragonlance or Forgotten Realms books. The darklord here is a Pirate Captain who can change into a shark and is a Priest of Umberlee. It is an interesting one and I wanted to use in my failed nautical AD&D 2nd Ed game.

Timor. This is a large, Victorian-like city where the darklord is the Hive Queen of the Marikith. We would see something similar with the 10th Doctor in the Doctor Who episode, The Runaway Bride. The city of Timor is filled with food, no one goes hungry. Why, because the Hive Queen wants to keep the populace fattened up for her children to feed on. Outside of Ravenloft this would make for a nice scary one shot.

Pharazia. While not specifically stated, this land could have originated in the Al-Qadim setting. The darklord, Diamabel is an interesting sort. He sees himself as not just good, but the embodiment of goodly virtues. He is where he is because he has been betrayed by the entire world. 

Staunton Bluffs. I am not sure this one was needed. It does a lot of things that other domains also do. Gothic. Ghosts. We have seen this all before. A man jealous of his brother and his brother's position in the the family. BUT there is a little clue here that gives me some hope. One of the nearby duchies on their homeworld was Avergne. Now this could be the Auvergne of France OR the Averoigne of Glantri and Castle Amber. I am inclined to go with Glantril and Mystara here. Especially since there was a great magical rite performed by the would-be darklord Torrence Bleysmith (also cribbed from Strahd).

Bleysmith is now a ghost. He leaves his people alone, likely due to guilt, and their lives are better for it. 

Nosos. In a horror tale a little too close to reality, this is the land of what happens when the wealthy control everything. It is a vast industrial wasteland of pollution and disease.

We wrap-up the book with four "new" monsters. I say "new" because we have seen some of these before, but with new Ravenloft writeups. One, the Sea Zombie was first published in the AD&D 1st Ed Greyhawk Adventures book with AD&D 2nd Ed stats.

Over-all a good set of new domains and darklords for your Ravenloft game. Like a lot of the Ravenloft books the game stats are limited, so you could adapt this to and edition of Ravenloft you are playing with little to no effort at all.


Advent-ure Dice: Day 11

  Day 11

Advent-ure Dice Day 11

Nice green d8!


Thursday, October 10, 2024

October Horror Movie Challenge: Equinox (1970)

Equinox (1970)
 I was supposed to watch this one last night for a night of devils, but honestly I am run down with a cold and couldn't stay awake. 

Equinox (1970)

This one starts with David Fielding (Edward Connell) running away from something. He is then hit by a car with no driver. A year later he is still in a psychiatric ward. In flashback David tells us about his trip to visit his old professor along with his friends Jim (Frank Bonner, Herb from WKRP), Susan and Vicki. 

The movie is essentially the same plot as "Evil Dead." Group of young people go into the woods, encounters an evil tome, and all hell breaks loose. Literally.  Soon they encounter a park ranger named Asmodeus, as in THE Asmodeus.

The find Dr. Waterman's cabin in the woods, but it is destroyed. Then of all things they find a medieval castle in the distance. 

Much like "The Sentinel," this film deals with a gateway to Hell.  This time, the portal is opened when Dr. Watermann's book is read, and the demons are summoned. So yeah, like Evil Dead done by Ray Harryhausen instead of Sam Rami. 

The plot is thin, and the special effects look more like those of the 1960s than those of the 1970s (no surprise), but they are pretty much on par with what I'd expect for early 1970s pre-Exorcist.


Featured Monster: Devil

This one is obviously a devil in both form and deed and quite possibly even a good Asmodeus. This film was very popular in the midnight Drive-Inn circuit, so it is possible this flick was a possible influence on the Monster Manual, but it is more likely that both Gygax and the film's writers were drawing on the same sources popular at the time. 

Devils


October Horror Movie Challenge 2024
Viewed: 13
First Time Views: 6

Monster Movie Marathon


In Search Of...Barovia (Ravenloft)

 I have been talking about the AD&D 2nd Edition campaign setting Ravenloft. Every domain in the Land of Mists / Domain of Dread is a copy of some land from one of the other campaign worlds. Darkon and Tovag are copies of old Oerth. Hazlan and I'Cath are from the Forgotten Realms; Thay and Kara-Tur specifically. Sithicus and Falkovnia are from Dragonlance. Lamordia seems to be from an Earth-like world given it has the same months we do. Even Eberron creator Keith Baker has a Domain in Ravenloft from his world. 

But there are two notable exceptions. 

  1. First, there are no core domains from Mystara. 
  2. Secondly, the black heart of the Core Domains, Barovia, does not have a "home world."

Why? Because Barovia is from Mystara!

The Mystara-Ravenloft Connection

Now, please keep this in mind. None of this is supported by real-world evidence at all. There was no secret cabal of ur-Developers at TSR deciding this was true and leaving breadcrumbs for me to find. This is less than circumstantial evidence. This is full-on Conspiracy Theory, tin foil hat territory. No, this makes conspiracy theories look like rational arguments. This is conclusion shopping at its lowest.

But at least it makes more sense than some conspiracy theories. So adjust your tin foil hat, make sure your webcams are turned off, and your phone is nowhere near because we are going down a rabbit hole.

Evidence From the Novels

The Ravenloft novels...were a wild bunch. But we can at least assume they were canon. In the first one, "Vampire of the Mists," Strahd does not know about Faerûn when he meets Jander Sunstar. Jander also does not know about Barovia.  Likewise, in "Knight of the Black Rose," Strahd has never heard of Krynn or Lord Soth, not something that would been true for someone of Strahd's age and position. Everyone knew about Lord Soth. The best evidence comes from "I, Strahd: The Memoirs of a Vampire," where Strahd describes his lands and also mentions he has never heard of Azalin (Azalin Rex) or Oerth. 

These are all strikes against Oerth, Krynn, and Abeir-Toril.

Most of the novels in the Ravenloft line are self-contained, so no mention either way of what worlds they might be from originally. 

Evidence from the Campaign Worlds

Going the other direction, we know that the Gods of Krynn keep a pretty tight hold on their world. So much so that Spelljamming and Outer Plane travel to and from Krynn is very difficult. One more strike against Krynn.

The Forgotten Realms have nearly ever square inch of their world map accounted for. If it had been the Realms, we would have heard about it by now. One more strike against Abeir-Toril. OR at least the Toril part, "Forgotten Abeir" might be a different story.

Dark Sun's Athas is a desert wasteland filled with Psionic-enhanced creatures. So there is no way it is from there.

The World of Greyhawk's Oerth has a LOT of land that is unaccounted for. So, we need to find a way to rule it out based on the campaign setting.

Eberon was not created yet, so that one is out as well. 

None of this tells us where Barovia and Strahd are from. It just tells us where they are not from.

So, what does Mystara have to offer us? Well, a lot really.

Mystara

While Tracy Hickman is best known for Dragonlance, that is also one-half Margaret Weiss. So, I am not ready to say Ravenloft is from Krynn based on the Hickman connection alone. But there is another Hickman publication, and it is from Tracy AND Laura Hickman, just like Ravenloft. That is Rahasia.

Rahasia was written by the Hickmans and features body-snatching undead witches, a strong horror trope. Even in the 5e era, The Curse of Strahd adventure, lists Rahasia as an influence. Plus, there are some other solid connections, like finding the same wines in Rahasia's Wizard Tower and in Ravenloft Curse of Strahd. Rahasia is a solid Mystara, or at least a BECMI adventure.

There is also Castle Amber. This Expert Set adventure is explicitly Mystara with the inclusion of Glantri. It also reads like a "Proto-Ravenloft."  I have discussed the Castle Amber/Ravenloft connections before. 

Averoigne was later added to Glantri and the Amber family is said to have come from Old Earth. In many ways the Earth of the Ambers is very, very similar to the Earth of Ravenloft's Gothic Earth.

So, another set of near-evidence is connecting Ravenloft to Mystara. What else do we have?

The vampires of Mystara are more diverse than vampires of other game worlds. This collection of Vampiric Bloodlines at the Vaults of Pandius attests to that.

Immortals vs. The Dark Powers

Mystara and Ravenloft are both settings largely devoid of gods. There are the Immortals of Mystara that cover the same role as gods, but are explicitly not gods. Ravenloft has its Dark Powers which are also not gods. In fact, there is even some evidence that gods worshiped in Ravenloft might only be reflections of the Dark Powers. This all runs pretty counter to most D&D worlds, especially Krynn and Abeir-Toril where the gods are important and very active in the affairs of mortals.

Could the Dark Powers be Chaotic Immortals? I think that is a question best left un-answered, but it has, to quote Stephen Colbert, a bit of Truthiness to it.

Another factor. Both the Immortals and the Dark Powers have a history of scooping up land, countries, even entire civilizations and hiding them away. The Immortals do this with the Hollow World, and the Dark Powers do it with the lands of Ravenloft.

Barovia could have been scoped up and planted elsewhere, and both the Dark Powers and Immortals could have covered it up.  Which does lead into my next point.

Lands

Mystara is a strange patchwork of cultures and lands. Vikings live right next to a Khanate, and on the other side of these steppes is fantasy Wales with bits of Renaissance Italy. These lands only make sense when you realize the Immortals have a hand in moving people around.

Same is true for Ravenloft. Only here, there is less movement. 

Barovia is also small, only 24 miles East-West and about 10 miles North-South. This makes it smaller that an average hex on many Mystara maps. A place like could come from anywhere. More to the point it could go missing from anywhere.

Like Mystara, Ravenloft is a hodge-podge of lands and cultures. 

Time Lines

Additionally, I can use some dates from the novels to narrow some ideas down. Now, a note about time. Time seems to run differently in Ravenloft, so I can't put an exact formula for it. There isn't one. I just have to try to deal with it. The only hard and fast rule I will adhere to is that there is no travel to the past.

WORKING: Timeline

This timeline is a work in progress with changes being made all the time. 

I will add and move details around as I discover them. I am using the Forgotten Realms DR calendar here since many worlds have had interactions with the Realms so it helps with the dating. Any date in Red is a fixed date, one I have confirmation of.  I have squared all the dates yet. Part of the issue is that Mystara's year is different from the other worlds.  Some of the dates do not line up right yet, I am working on those.

This shorter timeline is based on these works: 

I still have a lot of work to do on these and some funky math to make them work. This is, of course, assuming that time passes the same way in all the realms, and I am not making that assumption.  I could hand wave and say "it fits" but I at least would like to find a large enough whole for Barovia in Mystara to fit.

The Art

This one is a little more interesting in my mind.

Both the early Mystara Gazetteer line and the Ravenloft line share the same artists. Now this is not a huge surprise. There were a lot of books being pumped out by TSR in the AD&D 2nd Ed days and only a few artists. But they typically were used on various projects in various combinations.

Both Mystara and Ravenloft shared the same cover artist, Clyde Caldwell, and the same interior artist, Stephen Fabian. And some of the parallels are striking.

Count Strahd and Prince Voszlany
Count Strahd (Ravenloft) and Prince Voszlany (Glantri)

Victor Mordenheim and Rafiel
Victor Mordenheim (Ravenloft) and Rafiel (Mystara - Shadow Elves)

Count Strahd and Prince Voszlany look like they are related, and Victor Mordenheim and Rafiel look like they went to University together.

The Caldwell covers are fairly part-and-parcel with the look of Ravenloft from the start. So seeing all the books side by side they do "feel" right together.

CLyde Caldwell covers

Likewise the Stephen Fabian interior art has a dark spookiness to it and his style is so unique that when I picked up a 1990 copy of Anita and saw his art I knew it right away.

Maybe I need to make a witch, named Anita, (or Anita Tina, I always wanted a character with a palindrome name) from Mystara, Glantri in particular, who gets stuck in Ravenloft. I like this.

--

Of course, none of this is true. But it feels true, and isn't that better than the truth? At least that is what Leonard Nimoy, the Patron Saint of "In Search Of," has to say.

 

Links


Products

Review: Forbidden Lore (2e)

Ravenloft Forbidden Lore (2e)
By 1992, Ravenloft was going full speed, though we would later learn that all of the settings were contributing to the eventual demise of TSR. I am not even sure if Ravenloft was ever profitable. I made my best efforts to make it profitable, even on a Graduate student budget. I bought a lot Ravenloft material. The Forbidden Lore boxed set was one I purchased back then. I loved the idea of my own Tarokka Cards and Dikesha dice sets. The material included was a mixed bag of course.

I sold off my boxed set many years ago, likely in my big move in 1997 or maybe in 2001-2002. Do I regret it? Hard to say. The material is not not needed to play in Ravenloft, and while having those cards would be nice, I have since acquired other Tarokka decks and even other tarot decks that work great.

Forbidden Lore (2e)

1992. Design by Bruce Nesmith and William W. Connors. Box cover art by Clyde Caldwell, Booklet cover art by Stephen Fabian, interior art by Stephen Fabian and Bob Klanish.

The boxed set originally came with five booklets, each covering a different aspect of the game. Reading these you can see that it is a collection of errata, material that didn't quite make it to the Ravenloft boxed set, and updates to cover the evolution of the AD&D 2nd Ed game and other game worlds; for example psionics. 

While the books could be used in any order. I am going with the order used in my Print on Demand copy. 

Dark Recesses. Psionics.

Much like magic, this section deals with how psionics are changed. The psionics used here are the same as featured in the The Complete Psionics Handbook. If you are not using that book, or don't have it, then you can ignore this book. Well...sort of. Even if you are not using "AD&D Psionics" this is a good resource on any sort of psychic powers or visions when used in Ravenloft. Psychic ability has been a horror staple forever, even if the psychic ability is "magic" there is still great advice here.

This includes an appendix for Dark Sun characters coming to Ravenloft.

Nova Aracanum. Magic.

This covers new magic spells and items. The conceit here is that some of this new knowledge comes from Strahd himself. I liked the idea that Strahd, the former warrior, was turning to necromancy and wizardry to find ways out of his prison. It certainly helped separate him from his origins as a "Dracula-clone."  Had there been rules for it I would have given him Alchemy instead, but hey, it works. 

This book covers more altered spells and gifts from the Realms, Wild Magic, Elemental Magic and Meta Magic. 

There are 14 new wizard spells, 7 new priest spells, and 5 new magic items.

Oaths of Evil. Curses.

This book is based on feedback from Ravenloft players it seems. This covers curses and dark powers checks. Giving clarifications and some edits on material presented in the Ravenloft core boxed set. 

Of note, the Apparatus of the Alchemist from module I10 makes an appearance here, though only in art, not in text.

We also get three very cursed and very evil objects that have found their way to the Demiplane of Dread.  

Cryptic Allegiances. Secret Societies.

What is horror without some secret societies? Here, Ravenloft takes a page from the Forgotten Realms. We get guidance on how to create and use secret societies in Ravenloft. We are given the examples of six secret societies. Of these, the Kargatane would spin off into a real-world group I was active in to develop new Ravenloft material. 

The Waking Dream. Fortune Telling.

This final book covers fortune telling and Vistani. This gives us the description of the Tarokka deck and how to use it. There are 54 cards in a Tarokka deck, so a standard deck with two jokers works in a pinch. 

The next section covers the Dikesha dice. A bit on how to use and read the portents of the dice. They are standard d6s, so they can also be replicated. You need five d6s, one each of red, yellow, orange, green and black. The PDF of the dice can be used and numbers added. OR if you feel particularly crafty you can get get some d6s of the correct colors and print out the PDF and glue these faces on the dice. 

Of the two, I, and I assume most people now, used the Tarokka decks over the dice. The fact that you can still find and buy Tarokka decks from various editions of Ravenloft lends some weight to my claim. 

There was also a large poster map included in the Boxed set. It was not printed with the Print on Demand version, but it is available as a PDF along with a PDF of the Tarokka deck and the Dikesha dice.

The Print on Demand version of this set is nice. It is clear to read and is a better scan than most. 

Do I miss my boxed set? Well, I have to say no. The boxed set was great yes, but this makes for a good substitute. It is also only $5 more than the list price, so not bad after 32 years of inflation.