Wednesday, August 14, 2024

Dracula, The Hunters' Journals: 14 August Mina Murry's Journal (Cont.)

Lucy is seeing red eyes.

Dracula - The Hunters' Journals


14 August.—On the East Cliff, reading and writing all day. Lucy seems to have become as much in love with the spot as I am, and it is hard to get her away from it when it is time to come home for lunch or tea or dinner. This afternoon she made a funny remark. We were coming home for dinner, and had come to the top of the steps up from the West Pier and stopped to look at the view, as we generally do. The setting sun, low down in the sky, was just dropping behind Kettleness; the red light was thrown over on the East Cliff and the old abbey, and seemed to bathe everything in a beautiful rosy glow. We were silent for a while, and suddenly Lucy murmured as if to herself:—

“His red eyes again! They are just the same.” It was such an odd expression, coming apropos of nothing, that it quite startled me. I slewed round a little, so as to see Lucy well without seeming to stare at her, and saw that she was in a half-dreamy state, with an odd look on her face that I could not quite make out; so I said nothing, but followed her eyes. She appeared to be looking over at our own seat, whereon was a dark figure seated alone. I was a little startled myself, for it seemed for an instant as if the stranger had great eyes like burning flames; but a second look dispelled the illusion. The red sunlight was shining on the windows of St. Mary’s Church behind our seat, and as the sun dipped there was just sufficient change in the refraction and reflection to make it appear as if the light moved. I called Lucy’s attention to the peculiar effect, and she became herself with a start, but she looked sad all the same; it may have been that she was thinking of that terrible night up there. We never refer to it; so I said nothing, and we went home to dinner. Lucy had a headache and went early to bed. I saw her asleep, and went out for a little stroll myself; I walked along the cliffs to the westward, and was full of sweet sadness, for I was thinking of Jonathan. When coming home—it was then bright moonlight, so bright that, though the front of our part of the Crescent was in shadow, everything could be well seen—I threw a glance up at our window, and saw Lucy’s head leaning out. I thought that perhaps she was looking out for me, so I opened my handkerchief and waved it. She did not notice or make any movement whatever. Just then, the moonlight crept round an angle of the building, and the light fell on the window. There distinctly was Lucy with her head lying up against the side of the window-sill and her eyes shut. She was fast asleep, and by her, seated on the window-sill, was something that looked like a good-sized bird. I was afraid she might get a chill, so I ran upstairs, but as I came into the room she was moving back to her bed, fast asleep, and breathing heavily; she was holding her hand to her throat, as though to protect it from cold.

I did not wake her, but tucked her up warmly; I have taken care that the door is locked and the window securely fastened.

She looks so sweet as she sleeps; but she is paler than is her wont, and there is a drawn, haggard look under her eyes which I do not like. I fear she is fretting about something. I wish I could find out what it is.

Notes: Moon Phase: Waning Gibbous

We catch our first glimpse of Dracula in England, the dark man sitting where Mina and Lucy normally sit to watch the sea. While it is sunset, it is still light outside. Giving our first book evidence that Dracula can move about during the daylight hours. Something seen in both the 1979 John Badham movie (even if he is destroyed by the sun in the end) and the 1992  Francis Ford Coppola movie. Mina and Jonathan will comment more on this later on.

We also get to hear about his red eyes. Are the pupils red? Do they glow red? Are they red like mine after playing Baldur's Gate 3 all night with my kids? I think they appear more like Christopher Lee's in his Dracula films rather than Gary Oldman's "Sith-like" eyes in his.

Dracula has found his prey and is enjoying himself. 

#RPGaDay2024 Compelling Characters

What makes for a Compelling character? What makes one for me and say not for you?

I'll talk about an NPC on the 22nd, so today I'll feature PCs.  As it turns out, I also just got some new art for a couple of my PCs Sinéad and Larina from artist Mondhut.

Sinéad
Sinéad Moonshadow

Larina
Larina Nix

I should think that these two don't really need introductions at this point. But briefly, Larina is my witch character I stat up in every game I play to see if I can make a witch in that game.  Sinéad is a sorcerer/bard that I am currently using in my exploration of the Forgotten Realms. Sinéad was also the character I used when I did my "perfect" run of Baldur's Gate.

What I had not realized until I started this post is that at no point in my histories of these character have they ever met.

Larina has had dealings with all my major characters over the years, being a near immortal witch will do that. Sinéad has interacted with Taryn, Larina's daughter, quite a bit. In fact when Sinéad was trapped in the Feywild she and Taryn met and decided that they must be sisters (both are half-elves). 

But Sinéad and Larina have never actually met.

They are compelling, to me, because I keep finding ways to use them. I also have my Johan character and he is every bit as compelling, but he is 100% a PC, so a lot of what happens to him (all the Johans) is largely due to the game he is in at the time. Larina and Sinéad bonuce a lot now as PCs, NPCs, and GMPCs. 

Check out Mondhut's Instagram if you can.

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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024




Tuesday, August 13, 2024

Dracula, The Hunters' Journals: 13 August Mina Murry's Journal (Cont.)

Mina worries about Lucy and her sleepwalking. 

Dracula - The Hunters' Journals


13 August.—Another quiet day, and to bed with the key on my wrist as before. Again I awoke in the night, and found Lucy sitting up in bed, still asleep, pointing to the window. I got up quietly, and pulling aside the blind, looked out. It was brilliant moonlight, and the soft effect of the light over the sea and sky—merged together in one great, silent mystery—was beautiful beyond words. Between me and the moonlight flitted a great bat, coming and going in great whirling circles. Once or twice it came quite close, but was, I suppose, frightened at seeing me, and flitted away across the harbour towards the abbey. When I came back from the window Lucy had lain down again, and was sleeping peacefully. She did not stir again all night.

Notes: Moon Phase: Waning Gibbous

Prior to the discovery of the Americas, the bat had not been associated with the Vampire. The Vampire bat of South America was quickly adopted as the animal form of the Vampire. 

I have noted already that Stoker was a big fan of America, so the idea that he would also use the bat seems like a foregone conclusion. 

The bat flies back to the Abbey, where of course Dracula is now staying. Mina "scarred off" the bat and likely was the also the cause of Lucy's good night sleep.

Mail Call Tuesday: Swords & Wizardry, Basic Sorceress

 Some good things in my mail this week!

Up first the new Swords & Wizardry books from their most recent Kickstarter.

Swords & Wizardry Kickstarter

Swords & Wizardry Kickstarter

The books are top notch and look fantastic.  There are lots of new classes and monsers.

Swords & Wizardry Kickstarter

Swords & Wizardry Kickstarter

Swords & Wizardry Kickstarter

Swords & Wizardry Kickstarter

Swords & Wizardry Kickstarter

Even the GM's Screen is good.

Also got my Glow in the Dark Sorceress from ReAction / Super 7.

Basic Sorceress

Basic Sorceress

Basic Sorceress

Pretty cool, really.

Maybe I should stat her up as a S&W Warlock sometime. There is no S&W Sorcerer. Or maybe I should make one.

#RPGaDAY2024 RPG Evocative Environments

 Evocative environments. Well. There are quite a few really. But one really stands out for me right now.

That is the Solar Frontier of Thirteen Parsecs.

Webb's First Deep Field
Webb's First Deep Field

In Thirteen Parsecs the Solar Frontier is as far as humanity has gotten in space at that time. Why? Well there are a lot of reasons. We have many "Solar Frontiers" detailed in the book. Mine are Space Truckin' and Darker Stars.

In Space Truckin' the Solar Frontier is as far as we have gone due to technology. To get goods and service past the Frontier, and into what are known as The Hazard Lands, you need the services of the Space Truckers! What out for the CHiPs (Colony Hyperspace Patrols) and "Lot Lizards!"

In Darker Stars the Solar Frontier is a border between what we know of as "Normal Space" and the weird, science defying space of the Old Ones. It is space exploration meets cosmic horror.

Now, as of this writing we are in layout of Thirteen Parsecs (and let me just say this, Jason has OUT DONE himself on it!) BUT one of those Solar Frontiers will not make it to the final book. No worries, if you were a Backer then you still get both, just one as a PDF.

The one that does not make it will be expanded on and released as a stand-alone product.

I can't wait to get this all to you!


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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

Monday, August 12, 2024

Dracula, The Hunters' Journals: 12 August Mina Murry's Journal (Cont.)

Mina worries about Lucy and Jonathan. 

Dracula - The Hunters' Journals


12 August.—My expectations were wrong, for twice during the night I was wakened by Lucy trying to get out. She seemed, even in her sleep, to be a little impatient at finding the door shut, and went back to bed under a sort of protest. I woke with the dawn, and heard the birds chirping outside of the window. Lucy woke, too, and, I was glad to see, was even better than on the previous morning. All her old gaiety of manner seemed to have come back, and she came and snuggled in beside me and told me all about Arthur. I told her how anxious I was about Jonathan, and then she tried to comfort me. Well, she succeeded somewhat, for, though sympathy can’t alter facts, it can help to make them more bearable.

Notes: Moon Phase: Waning Gibbous

More journalling from Mina. 

Unknown to Mina, Johnathan has been in the care of Sister Agatha at the Hospital of St. Joseph and Ste. Mary, Buda-Pesth. Mina will get her letter, dated today, in about a week.

#RPGaDAY2024 RPG with well-supported campaigns

 This one is pretty easy. Probably the best supported campaign setting anywhere is the Forgotten Realms for Dungeons & Dragons.

Forgotten Realms

There are plenty of well-supported campaigns, but few have spanned multiple editions of their game, even through rule changes.

Sure, there is the "Arkham" setting of Call of Cthulhu and whatever the setting is for World of Darkness. But those are largely "our world, but different." The D&D settings take on a bit more work, and few have done this as well as the Realms have. 

Not to mention the support of novels, board games, movies, and video games. It's all rather impressive, really. 

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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

Sunday, August 11, 2024

Dracula, The Hunters' Journals: 11 August Mina Murry's Journal (Cont.)

Dracula attacks, though we don't know that just yet. Mina makes many diary entries.

Dracula - The Hunters' Journals


11 August, 3 a. m.—Diary again. No sleep now, so I may as well write. I am too agitated to sleep. We have had such an adventure, such an agonising experience. I fell asleep as soon as I had closed my diary.... Suddenly I became broad awake, and sat up, with a horrible sense of fear upon me, and of some feeling of emptiness around me. The room was dark, so I could not see Lucy’s bed; I stole across and felt for her. The bed was empty. I lit a match and found that she was not in the room. The door was shut, but not locked, as I had left it. I feared to wake her mother, who has been more than usually ill lately, so threw on some clothes and got ready to look for her. As I was leaving the room it struck me that the clothes she wore might give me some clue to her dreaming intention. Dressing-gown would mean house; dress, outside. Dressing-gown and dress were both in their places. “Thank God,” I said to myself, “she cannot be far, as she is only in her nightdress.” I ran downstairs and looked in the sitting-room. Not there! Then I looked in all the other open rooms of the house, with an ever-growing fear chilling my heart. Finally I came to the hall door and found it open. It was not wide open, but the catch of the lock had not caught. The people of the house are careful to lock the door every night, so I feared that Lucy must have gone out as she was. There was no time to think of what might happen; a vague, overmastering fear obscured all details. I took a big, heavy shawl and ran out. The clock was striking one as I was in the Crescent, and there was not a soul in sight. I ran along the North Terrace, but could see no sign of the white figure which I expected. At the edge of the West Cliff above the pier I looked across the harbour to the East Cliff, in the hope or fear—I don’t know which—of seeing Lucy in our favourite seat. There was a bright full moon, with heavy black, driving clouds, which threw the whole scene into a fleeting diorama of light and shade as they sailed across. For a moment or two I could see nothing, as the shadow of a cloud obscured St. Mary’s Church and all around it. Then as the cloud passed I could see the ruins of the abbey coming into view; and as the edge of a narrow band of light as sharp as a sword-cut moved along, the church and the churchyard became gradually visible. Whatever my expectation was, it was not disappointed, for there, on our favourite seat, the silver light of the moon struck a half-reclining figure, snowy white. The coming of the cloud was too quick for me to see much, for shadow shut down on light almost immediately; but it seemed to me as though something dark stood behind the seat where the white figure shone, and bent over it. What it was, whether man or beast, I could not tell; I did not wait to catch another glance, but flew down the steep steps to the pier and along by the fish-market to the bridge, which was the only way to reach the East Cliff. The town seemed as dead, for not a soul did I see; I rejoiced that it was so, for I wanted no witness of poor Lucy’s condition. The time and distance seemed endless, and my knees trembled and my breath came laboured as I toiled up the endless steps to the abbey. I must have gone fast, and yet it seemed to me as if my feet were weighted with lead, and as though every joint in my body were rusty. When I got almost to the top I could see the seat and the white figure, for I was now close enough to distinguish it even through the spells of shadow. There was undoubtedly something, long and black, bending over the half-reclining white figure. I called in fright, “Lucy! Lucy!” and something raised a head, and from where I was I could see a white face and red, gleaming eyes. Lucy did not answer, and I ran on to the entrance of the churchyard. As I entered, the church was between me and the seat, and for a minute or so I lost sight of her. When I came in view again the cloud had passed, and the moonlight struck so brilliantly that I could see Lucy half reclining with her head lying over the back of the seat. She was quite alone, and there was not a sign of any living thing about.

When I bent over her I could see that she was still asleep. Her lips were parted, and she was breathing—not softly as usual with her, but in long, heavy gasps, as though striving to get her lungs full at every breath. As I came close, she put up her hand in her sleep and pulled the collar of her nightdress close around her throat. Whilst she did so there came a little shudder through her, as though she felt the cold. I flung the warm shawl over her, and drew the edges tight round her neck, for I dreaded lest she should get some deadly chill from the night air, unclad as she was. I feared to wake her all at once, so, in order to have my hands free that I might help her, I fastened the shawl at her throat with a big safety-pin; but I must have been clumsy in my anxiety and pinched or pricked her with it, for by-and-by, when her breathing became quieter, she put her hand to her throat again and moaned. When I had her carefully wrapped up I put my shoes on her feet and then began very gently to wake her. At first she did not respond; but gradually she became more and more uneasy in her sleep, moaning and sighing occasionally. At last, as time was passing fast, and, for many other reasons, I wished to get her home at once, I shook her more forcibly, till finally she opened her eyes and awoke. She did not seem surprised to see me, as, of course, she did not realise all at once where she was. Lucy always wakes prettily, and even at such a time, when her body must have been chilled with cold, and her mind somewhat appalled at waking unclad in a churchyard at night, she did not lose her grace. She trembled a little, and clung to me; when I told her to come at once with me home she rose without a word, with the obedience of a child. As we passed along, the gravel hurt my feet, and Lucy noticed me wince. She stopped and wanted to insist upon my taking my shoes; but I would not. However, when we got to the pathway outside the churchyard, where there was a puddle of water, remaining from the storm, I daubed my feet with mud, using each foot in turn on the other, so that as we went home, no one, in case we should meet any one, should notice my bare feet.

Fortune favoured us, and we got home without meeting a soul. Once we saw a man, who seemed not quite sober, passing along a street in front of us; but we hid in a door till he had disappeared up an opening such as there are here, steep little closes, or “wynds,” as they call them in Scotland. My heart beat so loud all the time that sometimes I thought I should faint. I was filled with anxiety about Lucy, not only for her health, lest she should suffer from the exposure, but for her reputation in case the story should get wind. When we got in, and had washed our feet, and had said a prayer of thankfulness together, I tucked her into bed. Before falling asleep she asked—even implored—me not to say a word to any one, even her mother, about her sleep-walking adventure. I hesitated at first to promise; but on thinking of the state of her mother’s health, and how the knowledge of such a thing would fret her, and thinking, too, of how such a story might become distorted—nay, infallibly would—in case it should leak out, I thought it wiser to do so. I hope I did right. I have locked the door, and the key is tied to my wrist, so perhaps I shall not be again disturbed. Lucy is sleeping soundly; the reflex of the dawn is high and far over the sea....

 

Same day, noon.—All goes well. Lucy slept till I woke her and seemed not to have even changed her side. The adventure of the night does not seem to have harmed her; on the contrary, it has benefited her, for she looks better this morning than she has done for weeks. I was sorry to notice that my clumsiness with the safety-pin hurt her. Indeed, it might have been serious, for the skin of her throat was pierced. I must have pinched up a piece of loose skin and have transfixed it, for there are two little red points like pin-pricks, and on the band of her nightdress was a drop of blood. When I apologised and was concerned about it, she laughed and petted me, and said she did not even feel it. Fortunately it cannot leave a scar, as it is so tiny.

 

Same day, night.—We passed a happy day. The air was clear, and the sun bright, and there was a cool breeze. We took our lunch to Mulgrave Woods, Mrs. Westenra driving by the road and Lucy and I walking by the cliff-path and joining her at the gate. I felt a little sad myself, for I could not but feel how absolutely happy it would have been had Jonathan been with me. But there! I must only be patient. In the evening we strolled in the Casino Terrace, and heard some good music by Spohr and Mackenzie, and went to bed early. Lucy seems more restful than she has been for some time, and fell asleep at once. I shall lock the door and secure the key the same as before, though I do not expect any trouble to-night.


Notes: Moon Phase: Waning Gibbous

Tonight, or rather last night, is the night Dracula first feeds on Lucy.

This is the section that also led me to first think that the story is set in 1892.  Mina tells us that last night (Aug 10) "(t)here was a bright full moon," well in 1892 the moon phase was one day past the full moon, though often we count the day before and the day after as the full moon. So her observations track with the real data.  This also tracks with 1897 with Aug 10 being the day before. 1897 is the year Dracula was written. 1889 is also a good potential date to be honest. This would also place the epilog in 1896. So maybe I should rethink my 1892 dates. I'll keep this in mind as I go forward.

Stoker here does a good job of describing Lucy's anemia with symptoms that were very common. 

We also see Lucy seeming get better at times. Why? Because she is enjoying Dracula's visits. 


#RPGaDay2024 RPG with well-supported one-shots

 For this I am going back to the dawn of the OSR to pick Basic Fantasy.

Basic Fantasy

In truth Basic Fantasy can work for any "Well Supported" item. One shots, adventures, supplements, you name it. The community is rich, vibrant and engaged. Their Downloads section is loaded full of things you can get for free and are constantly updated.

This includes all their adventures.

Basic Fantasy adventures


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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

Saturday, August 10, 2024

Dracula, The Hunters' Journals: 10 August Mina Murry's Journal

Mina details the funeral of the Captain of the Demeter. Lucy gets worse. Old Swales dies as well. I wonder if these are all related somehow.

Dracula - The Hunters' Journals


10 August.—The funeral of the poor sea-captain to-day was most touching. Every boat in the harbour seemed to be there, and the coffin was carried by captains all the way from Tate Hill Pier up to the churchyard. Lucy came with me, and we went early to our old seat, whilst the cortège of boats went up the river to the Viaduct and came down again. We had a lovely view, and saw the procession nearly all the way. The poor fellow was laid to rest quite near our seat so that we stood on it when the time came and saw everything. Poor Lucy seemed much upset. She was restless and uneasy all the time, and I cannot but think that her dreaming at night is telling on her. She is quite odd in one thing: she will not admit to me that there is any cause for restlessness; or if there be, she does not understand it herself. There is an additional cause in that poor old Mr. Swales was found dead this morning on our seat, his neck being broken. He had evidently, as the doctor said, fallen back in the seat in some sort of fright, for there was a look of fear and horror on his face that the men said made them shudder. Poor dear old man! Perhaps he had seen Death with his dying eyes! Lucy is so sweet and sensitive that she feels influences more acutely than other people do. Just now she was quite upset by a little thing which I did not much heed, though I am myself very fond of animals. One of the men who came up here often to look for the boats was followed by his dog. The dog is always with him. They are both quiet persons, and I never saw the man angry, nor heard the dog bark. During the service the dog would not come to its master, who was on the seat with us, but kept a few yards off, barking and howling. Its master spoke to it gently, and then harshly, and then angrily; but it would neither come nor cease to make a noise. It was in a sort of fury, with its eyes savage, and all its hairs bristling out like a cat’s tail when puss is on the war-path. Finally the man, too, got angry, and jumped down and kicked the dog, and then took it by the scruff of the neck and half dragged and half threw it on the tombstone on which the seat is fixed. The moment it touched the stone the poor thing became quiet and fell all into a tremble. It did not try to get away, but crouched down, quivering and cowering, and was in such a pitiable state of terror that I tried, though without effect, to comfort it. Lucy was full of pity, too, but she did not attempt to touch the dog, but looked at it in an agonised sort of way. I greatly fear that she is of too super-sensitive a nature to go through the world without trouble. She will be dreaming of this to-night, I am sure. The whole agglomeration of things—the ship steered into port by a dead man; his attitude, tied to the wheel with a crucifix and beads; the touching funeral; the dog, now furious and now in terror—will all afford material for her dreams.

I think it will be best for her to go to bed tired out physically, so I shall take her for a long walk by the cliffs to Robin Hood’s Bay and back. She ought not to have much inclination for sleep-walking then.


Chapter 8

MINA MURRAY’S JOURNAL

Same day, 11 o’clock p. m.—Oh, but I am tired! If it were not that I had made my diary a duty I should not open it to-night. We had a lovely walk. Lucy, after a while, was in gay spirits, owing, I think, to some dear cows who came nosing towards us in a field close to the lighthouse, and frightened the wits out of us. I believe we forgot everything except, of course, personal fear, and it seemed to wipe the slate clean and give us a fresh start. We had a capital “severe tea” at Robin Hood’s Bay in a sweet little old-fashioned inn, with a bow-window right over the seaweed-covered rocks of the strand. I believe we should have shocked the “New Woman” with our appetites. Men are more tolerant, bless them! Then we walked home with some, or rather many, stoppages to rest, and with our hearts full of a constant dread of wild bulls. Lucy was really tired, and we intended to creep off to bed as soon as we could. The young curate came in, however, and Mrs. Westenra asked him to stay for supper. Lucy and I had both a fight for it with the dusty miller; I know it was a hard fight on my part, and I am quite heroic. I think that some day the bishops must get together and see about breeding up a new class of curates, who don’t take supper, no matter how they may be pressed to, and who will know when girls are tired. Lucy is asleep and breathing softly. She has more colour in her cheeks than usual, and looks, oh, so sweet. If Mr. Holmwood fell in love with her seeing her only in the drawing-room, I wonder what he would say if he saw her now. Some of the “New Women” writers will some day start an idea that men and women should be allowed to see each other asleep before proposing or accepting. But I suppose the New Woman won’t condescend in future to accept; she will do the proposing herself. And a nice job she will make of it, too! There’s some consolation in that. I am so happy to-night, because dear Lucy seems better. I really believe she has turned the corner, and that we are over her troubles with dreaming. I should be quite happy if I only knew if Jonathan.... God bless and keep him.


Notes: Moon Phase: Waning Gibbous

We have a lot going on here with dead sea captains and Lucy, but the most important bits here is buried and I want to talk about it. 

There is the first mention of the “New Woman” here. Stoker's own mother had been something of a suffragette and even a proto-feminist for her time.  I spent a lot of time detailing how Mina is in fact this new woman and how it she that leads the men of action to victory against Dracula. 

Does this make Stoker a feminist? He was certainly forward thinking and held a well published respect for both women and America, the symbols of the future.

The second happens tonight, but I'll detail it tomrrow.


#RPGaDAY2024 RPG You'd Like to See on TV

I am not 100% sure I know what this is asking. An RPG played on TV or an RPG translated to TV.

In either case, I am going to say NIGHT SHIFT.  

NIGHT SHIFT

If it is the RPG translated to TV then I'd want it to be something like a horror anthology like The Twilight Zone or Tales from the Crypt.

That would be a lot of fun.

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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

Friday, August 9, 2024

Dracula, The Hunters' Journals: 9 August Cutting from "The Dailygraph" (Pasted into Mina Murry's Journal) Cont.

The story of Demeter is told in full after it runs a ground.

Dracula - The Hunters' Journals


9 August.—The sequel to the strange arrival of the derelict in the storm last night is almost more startling than the thing itself. It turns out that the schooner is a Russian from Varna, and is called the Demeter. She is almost entirely in ballast of silver sand, with only a small amount of cargo—a number of great wooden boxes filled with mould. This cargo was consigned to a Whitby solicitor, Mr. S. F. Billington, of 7, The Crescent, who this morning went aboard and formally took possession of the goods consigned to him. The Russian consul, too, acting for the charter-party, took formal possession of the ship, and paid all harbour dues, etc. Nothing is talked about here to-day except the strange coincidence; the officials of the Board of Trade have been most exacting in seeing that every compliance has been made with existing regulations. As the matter is to be a “nine days’ wonder,” they are evidently determined that there shall be no cause of after complaint. A good deal of interest was abroad concerning the dog which landed when the ship struck, and more than a few of the members of the S. P. C. A., which is very strong in Whitby, have tried to befriend the animal. To the general disappointment, however, it was not to be found; it seems to have disappeared entirely from the town. It may be that it was frightened and made its way on to the moors, where it is still hiding in terror. There are some who look with dread on such a possibility, lest later on it should in itself become a danger, for it is evidently a fierce brute. Early this morning a large dog, a half-bred mastiff belonging to a coal merchant close to Tate Hill Pier, was found dead in the roadway opposite to its master’s yard. It had been fighting, and manifestly had had a savage opponent, for its throat was torn away, and its belly was slit open as if with a savage claw.


((Logs of the Demeter))

18 July

22 July

24 July

28 July

29 July

30 July

1 August

2 August

3 August

4 August


(Cont)

Of course the verdict was an open one. There is no evidence to adduce; and whether or not the man himself committed the murders there is now none to say. The folk here hold almost universally that the captain is simply a hero, and he is to be given a public funeral. Already it is arranged that his body is to be taken with a train of boats up the Esk for a piece and then brought back to Tate Hill Pier and up the abbey steps; for he is to be buried in the churchyard on the cliff. The owners of more than a hundred boats have already given in their names as wishing to follow him to the grave.

No trace has ever been found of the great dog; at which there is much mourning, for, with public opinion in its present state, he would, I believe, be adopted by the town. To-morrow will see the funeral; and so will end this one more “mystery of the sea.”


Notes: Moon Phase: Waning Gibbous

We get the full, and final, telling of the ill-fated Demeter.  


#RPGaDAY2024 An Accessory You'd Like to See

 An accessory I'd like to see? I think in general I would like to see some more ethically trained AI apps, both for art and text. I love the potential of AI. Despite all the time I have spent trying to find ways to deal with AI-based plagiarism in my day job, I still think there is something powerful here.

AI art

The problem I have with AI right now is largely two-fold.  The current databases are filled with material that is in reality owned by someone else and they never got paid for.

But even if you remove all the art or text from the databases the algorithms were trained on that data, so even that is somewhat tainted. This why you should never believe someone when they claim that they are using ethically trained AI, most people don't know enough to do that. 

I have used many AI products, but all of them have issues. I'll use them on my blog here, but not in any published product unless there is an ethical way to do so. 

Until then it is traditional art for me. 

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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024


Thursday, August 8, 2024

Dracula, The Hunters' Journals: 8 August Cutting from "The Dailygraph" (Pasted into Mina Murry's Journal)

The story of Demeter is told in full after it runs a ground.

Dracula - The Hunters' Journals

CUTTING FROM “THE DAILYGRAPH,” 8 AUGUST

(Pasted in Mina Murray’s Journal.)

From a Correspondent.

Whitby.

ONE of the greatest and suddenest storms on record has just been experienced here, with results both strange and unique. The weather had been somewhat sultry, but not to any degree uncommon in the month of August. Saturday evening was as fine as was ever known, and the great body of holiday-makers laid out yesterday for visits to Mulgrave Woods, Robin Hood’s Bay, Rig Mill, Runswick, Staithes, and the various trips in the neighbourhood of Whitby. The steamers Emma and Scarborough made trips up and down the coast, and there was an unusual amount of “tripping” both to and from Whitby. The day was unusually fine till the afternoon, when some of the gossips who frequent the East Cliff churchyard, and from that commanding eminence watch the wide sweep of sea visible to the north and east, called attention to a sudden show of “mares’-tails” high in the sky to the north-west. The wind was then blowing from the south-west in the mild degree which in barometrical language is ranked “No. 2: light breeze.” The coastguard on duty at once made report, and one old fisherman, who for more than half a century has kept watch on weather signs from the East Cliff, foretold in an emphatic manner the coming of a sudden storm. The approach of sunset was so very beautiful, so grand in its masses of splendidly-coloured clouds, that there was quite an assemblage on the walk along the cliff in the old churchyard to enjoy the beauty. Before the sun dipped below the black mass of Kettleness, standing boldly athwart the western sky, its downward way was marked by myriad clouds of every sunset-colour—flame, purple, pink, green, violet, and all the tints of gold; with here and there masses not large, but of seemingly absolute blackness, in all sorts of shapes, as well outlined as colossal silhouettes. The experience was not lost on the painters, and doubtless some of the sketches of the “Prelude to the Great Storm” will grace the R. A. and R. I. walls in May next. More than one captain made up his mind then and there that his “cobble” or his “mule,” as they term the different classes of boats, would remain in the harbour till the storm had passed. The wind fell away entirely during the evening, and at midnight there was a dead calm, a sultry heat, and that prevailing intensity which, on the approach of thunder, affects persons of a sensitive nature. There were but few lights in sight at sea, for even the coasting steamers, which usually “hug” the shore so closely, kept well to seaward, and but few fishing-boats were in sight. The only sail noticeable was a foreign schooner with all sails set, which was seemingly going westwards. The foolhardiness or ignorance of her officers was a prolific theme for comment whilst she remained in sight, and efforts were made to signal her to reduce sail in face of her danger. Before the night shut down she was seen with sails idly flapping as she gently rolled on the undulating swell of the sea,

Shortly before ten o’clock the stillness of the air grew quite oppressive, and the silence was so marked that the bleating of a sheep inland or the barking of a dog in the town was distinctly heard, and the band on the pier, with its lively French air, was like a discord in the great harmony of nature’s silence. A little after midnight came a strange sound from over the sea, and high overhead the air began to carry a strange, faint, hollow booming.

Then without warning the tempest broke. With a rapidity which, at the time, seemed incredible, and even afterwards is impossible to realize, the whole aspect of nature at once became convulsed. The waves rose in growing fury, each overtopping its fellow, till in a very few minutes the lately glassy sea was like a roaring and devouring monster. White-crested waves beat madly on the level sands and rushed up the shelving cliffs; others broke over the piers, and with their spume swept the lanthorns of the lighthouses which rise from the end of either pier of Whitby Harbour. The wind roared like thunder, and blew with such force that it was with difficulty that even strong men kept their feet, or clung with grim clasp to the iron stanchions. It was found necessary to clear the entire piers from the mass of onlookers, or else the fatalities of the night would have been increased manifold. To add to the difficulties and dangers of the time, masses of sea-fog came drifting inland—white, wet clouds, which swept by in ghostly fashion, so dank and damp and cold that it needed but little effort of imagination to think that the spirits of those lost at sea were touching their living brethren with the clammy hands of death, and many a one shuddered as the wreaths of sea-mist swept by. At times the mist cleared, and the sea for some distance could be seen in the glare of the lightning, which now came thick and fast, followed by such sudden peals of thunder that the whole sky overhead seemed trembling under the shock of the footsteps of the storm.

Some of the scenes thus revealed were of immeasurable grandeur and of absorbing interest—the sea, running mountains high, threw skywards with each wave mighty masses of white foam, which the tempest seemed to snatch at and whirl away into space; here and there a fishing-boat, with a rag of sail, running madly for shelter before the blast; now and again the white wings of a storm-tossed sea-bird. On the summit of the East Cliff the new searchlight was ready for experiment, but had not yet been tried. The officers in charge of it got it into working order, and in the pauses of the inrushing mist swept with it the surface of the sea. Once or twice its service was most effective, as when a fishing-boat, with gunwale under water, rushed into the harbour, able, by the guidance of the sheltering light, to avoid the danger of dashing against the piers. As each boat achieved the safety of the port there was a shout of joy from the mass of people on shore, a shout which for a moment seemed to cleave the gale and was then swept away in its rush.

Before long the searchlight discovered some distance away a schooner with all sails set, apparently the same vessel which had been noticed earlier in the evening. The wind had by this time backed to the east, and there was a shudder amongst the watchers on the cliff as they realized the terrible danger in which she now was. Between her and the port lay the great flat reef on which so many good ships have from time to time suffered, and, with the wind blowing from its present quarter, it would be quite impossible that she should fetch the entrance of the harbour. It was now nearly the hour of high tide, but the waves were so great that in their troughs the shallows of the shore were almost visible, and the schooner, with all sails set, was rushing with such speed that, in the words of one old salt, “she must fetch up somewhere, if it was only in hell.” Then came another rush of sea-fog, greater than any hitherto—a mass of dank mist, which seemed to close on all things like a grey pall, and left available to men only the organ of hearing, for the roar of the tempest, and the crash of the thunder, and the booming of the mighty billows came through the damp oblivion even louder than before. The rays of the searchlight were kept fixed on the harbour mouth across the East Pier, where the shock was expected, and men waited breathless. The wind suddenly shifted to the north-east, and the remnant of the sea-fog melted in the blast; and then, mirabile dictu, between the piers, leaping from wave to wave as it rushed at headlong speed, swept the strange schooner before the blast, with all sail set, and gained the safety of the harbour. The searchlight followed her, and a shudder ran through all who saw her, for lashed to the helm was a corpse, with drooping head, which swung horribly to and fro at each motion of the ship. No other form could be seen on deck at all. A great awe came on all as they realised that the ship, as if by a miracle, had found the harbour, unsteered save by the hand of a dead man! However, all took place more quickly than it takes to write these words. The schooner paused not, but rushing across the harbour, pitched herself on that accumulation of sand and gravel washed by many tides and many storms into the south-east corner of the pier jutting under the East Cliff, known locally as Tate Hill Pier.

There was of course a considerable concussion as the vessel drove up on the sand heap. Every spar, rope, and stay was strained, and some of the “top-hammer” came crashing down. But, strangest of all, the very instant the shore was touched, an immense dog sprang up on deck from below, as if shot up by the concussion, and running forward, jumped from the bow on the sand. Making straight for the steep cliff, where the churchyard hangs over the laneway to the East Pier so steeply that some of the flat tombstones—“thruff-steans” or “through-stones,” as they call them in the Whitby vernacular—actually project over where the sustaining cliff has fallen away, it disappeared in the darkness, which seemed intensified just beyond the focus of the searchlight.

It so happened that there was no one at the moment on Tate Hill Pier, as all those whose houses are in close proximity were either in bed or were out on the heights above. Thus the coastguard on duty on the eastern side of the harbour, who at once ran down to the little pier, was the first to climb on board. The men working the searchlight, after scouring the entrance of the harbour without seeing anything, then turned the light on the derelict and kept it there. The coastguard ran aft, and when he came beside the wheel, bent over to examine it, and recoiled at once as though under some sudden emotion. This seemed to pique general curiosity, and quite a number of people began to run. It is a good way round from the West Cliff by the Drawbridge to Tate Hill Pier, but your correspondent is a fairly good runner, and came well ahead of the crowd. When I arrived, however, I found already assembled on the pier a crowd, whom the coastguard and police refused to allow to come on board. By the courtesy of the chief boatman, I was, as your correspondent, permitted to climb on deck, and was one of a small group who saw the dead seaman whilst actually lashed to the wheel.

It was no wonder that the coastguard was surprised, or even awed, for not often can such a sight have been seen. The man was simply fastened by his hands, tied one over the other, to a spoke of the wheel. Between the inner hand and the wood was a crucifix, the set of beads on which it was fastened being around both wrists and wheel, and all kept fast by the binding cords. The poor fellow may have been seated at one time, but the flapping and buffeting of the sails had worked through the rudder of the wheel and dragged him to and fro, so that the cords with which he was tied had cut the flesh to the bone. Accurate note was made of the state of things, and a doctor—Surgeon J. M. Caffyn, of 33, East Elliot Place—who came immediately after me, declared, after making examination, that the man must have been dead for quite two days. In his pocket was a bottle, carefully corked, empty save for a little roll of paper, which proved to be the addendum to the log. The coastguard said the man must have tied up his own hands, fastening the knots with his teeth. The fact that a coastguard was the first on board may save some complications, later on, in the Admiralty Court; for coastguards cannot claim the salvage which is the right of the first civilian entering on a derelict. Already, however, the legal tongues are wagging, and one young law student is loudly asserting that the rights of the owner are already completely sacrificed, his property being held in contravention of the statutes of mortmain, since the tiller, as emblemship, if not proof, of delegated possession, is held in a dead hand. It is needless to say that the dead steersman has been reverently removed from the place where he held his honourable watch and ward till death—a steadfastness as noble as that of the young Casabianca—and placed in the mortuary to await inquest.

Already the sudden storm is passing, and its fierceness is abating; crowds are scattering homeward, and the sky is beginning to redden over the Yorkshire wolds. I shall send, in time for your next issue, further details of the derelict ship which found her way so miraculously into harbour in the storm.


Mina Murray’s Journal.


8 August.—Lucy was very restless all night, and I, too, could not sleep. The storm was fearful, and as it boomed loudly among the chimney-pots, it made me shudder. When a sharp puff came it seemed to be like a distant gun. Strangely enough, Lucy did not wake; but she got up twice and dressed herself. Fortunately, each time I awoke in time and managed to undress her without waking her, and got her back to bed. It is a very strange thing, this sleep-walking, for as soon as her will is thwarted in any physical way, her intention, if there be any, disappears, and she yields herself almost exactly to the routine of her life.


Early in the morning we both got up and went down to the harbour to see if anything had happened in the night. There were very few people about, and though the sun was bright, and the air clear and fresh, the big, grim-looking waves, that seemed dark themselves because the foam that topped them was like snow, forced themselves in through the narrow mouth of the harbour—like a bullying man going through a crowd. Somehow I felt glad that Jonathan was not on the sea last night, but on land. But, oh, is he on land or sea? Where is he, and how? I am getting fearfully anxious about him. If I only knew what to do, and could do anything!

Notes: Moon Phase: Full Moon

This is the start of Chapter 7.  I have already placed the Demeter's logs in chronological order in this series to get a full reckoning of all events. 

This is a rather picaresque bit of prose to describe the Whitby environs. While newspapers of today are more direct and to the point, this style was very common.  

Stoker invokes Coleridge here for "The Rime of the Ancient Mariner." This won't be the last time. His descriptions of Lucy later on are similar to Coleridge's Specter-Woman. 

The captain of the ship, steadfast to the end, is discovered dead at the helm. 

Even now, the storm that would inspire so many artists (as claimed) is abating. 

The question I have remaining. Did Mina paste this into her Journal right away, or did she add it after the event were known to her? 

Dungeons & Dragons Stamps

 I picked these up last week but forgot to mention them here.

Dungeons & Dragons stamps

These are the first class "Forever" stamps and there are 20 stamps of 10 designs. At 73¢ each this sheet costs $14.60.

Given the amount of letters I send, this might last me till D&D's 60th anniversary!




#RPGaDAY2024 An Accessory You Appreciate

 There is one accessory that I have to say has helped me more than any other when it comes to my games. That is Wikipedia

Wikipedia

Wikipedia first went online on January 15, 2001, and was created by Jimmy "Jimbo" Wales and Larry Sanger. As of July 2024, English Wikipedia hosts approximately 6.85 million articles and has about 47.68 million registered users, of whom 114,409 have made at least one edit in the past month.  As of early 2024, there are over 1,300 articles on Wikipedia related to "Dungeons & Dragons."

While I don't use Wikipedia for my "day job" as an academic, it is great for D&D and other RPGs.  I would not use it for an academic paper of any sort, but I will go there to get a summary of something. Or if I need to know something like when were sewers introduced in Europe or how a flying buttress was made.  It is also great for RPG and D&D specific information.

I started as an editor back in September of 2007 and I have touched a majority of the D&D articles over the years as an independent fact checker and source finder. I helped get a few articles to "Good Article" status like Drizzt Do'UrdenDwellers of the Forbidden City, and Bunnies & Burrows. I even got a small grant for that last one.  Even better, I got the Ravenloft and Expedition to the Barrier Peaks articles to Featured Article status. 

I don't edit there as much as I used to, but I still check in on various articles and provide support where and when I can.


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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024