Showing posts with label witch. Show all posts
Showing posts with label witch. Show all posts

Friday, January 1, 2021

Character Creation Challenge: NIGHT SHIFT

Welcome to 2021! Happy New Year and here's to a better year.  I am going to start this year with the Character Creation Challenge. 

A lot of people will be doing this and that is fantastic.  So if you are doing this on your blog, Twitter, YouTube, or wherever you have an open invitation to post a link to you creation in the comments section below.  I have moderation turned on to stop the spammers, but I'll approve your post.

For me, I am going to do witches. That's my thing and it is why so many people come here I think. Plus it is a challenge for me to take a game and make a witch, Rules As Written.  In every post I will give a little bit of detail about the RPG used and then the character I make and how they might fit into my world or campaigns.

Today I want to start with a game very near and dear to my heart. 

The Game: NIGHT SHIFT Veterans of the Supernatural Wars

NIGHT SHIFT Veterans of the Supernatural Wars is a modern supernatural monster hunting game written by Jason Vey and myself.  We took all of the work we have collectively done with Old-School RPGs along with all the experiences we had while working on Buffy, Angel, Army of Darkness, Ghosts of Albion, and All Flesh Must Be Eaten and poured it into this new game.  My personal goals here were to make a game that I could play any type of witch I wanted and to fill the Buffy-shaped hole in my life.  I feel I succeeded in both.  

NIGHT SHIFT is available from the Elf Lair Games website (hardcover) and from DriveThruRPG (PDF).

The Character: Sabrina Spellman

Last night the fourth (and sadly the last) season of Chilling Adventures of Sabrina was released. I am only up to episode 5 so far, but I have all day today.  Plus Sabrina gives me the chance to see how well NIGHT SHIFT holds up to my design goals.

Sabrina Spellman
4th level Female Witch (Supernatual)* 
(In Sabrina's world a witch is a different species of human and different than a "mortal."  Sabrina is also the daughter of Lucifer Morningstar.)

Strength: 10
Dexterity: 15 
Constitution: 13
Intelligence: 12
Wisdom: 12
Charisma: 17

HP: 8
Alignment: Neutral (Good Tendencies)
AC: 9 [10]

Check Bonus: +3 (Primary) +2 (Secondary) +0 (Tertiary)

Familiar: Salem (Cat)

Arcane Powers
Supernatural: Astral Travel (to Hell only)
Witch: Innate Magic (Glamour), Telepathic Transmission

Spells 
First: (3) Command, Mind Obscure, Obscurement
Second: (2) ESP, Produce Flame

It's hard to nail down her spells really. She has shown she can cast teleport, exorcism, astral projection and more.  Some of this is plot-focused, others are one-shot abilities.  All I can explain with the use of my ritual magic rules from my Basic-era books.

This version stacks up well with the Swords & Wizardry version and the Cinematic Unisystem version I posted a while back.

I think this is a pretty good build for her to be honest. NIGHT SHIFT really works well for both of my design goals, and a great start to this challenge.



Friday, December 25, 2020

Christmas Miracle! I Started "War of the Witch Queens"

It's Christmas, spent some quality time with the family yesterday and today.  We built a new kitchen cart for my oldest to keep all his cooking gear in, made a turkey, got a new laptop (using it now) oh and we started the War of the Witch Queens today!


Started with The Witch of Wydfield.  Didn't get very far though, we just started with session 0.  

We are going to use the Classic D&D B/X rules.  I didn't pick a particular flavor yet but likely go with Old School Essentials.  Right now since this is a DCC adventure for 0 level characters I had everyone roll up three characters.  All very simple. I used the classic Basic rules and had everyone choose Cleric, Fighter, Magic-User, or Thief at 0 level.  Once everyone hits 1st level, at 500 xp, I am going to allow them to specialize into OSE Advanced Classes or even something from BX RPG or anything really.  My goal is to say "yes" first and then direct them to something that works.

I had everyone roll 2d6+3 for stats. Yes that makes them all rather low on their abilities, but they are also just starting.  I am going to either allow them all a 1d6 per ability when they get to level 1 or give them 5d6 number of points to distribute amongst all their abilities.  This will in turn make their abilities a touch higher than average.  I am ok with that. I am still playing around with ideas.  I might even adopt some D&D 5 rules and let them add +1 to a stat every four levels or so.

Since they are super low level and below-average at this point I am saying they are all refugees from another village destroyed abut terrible weather.   This is of course the first "attack" of the witches with the Witch Queen now dead.  No queen so the more evil elements of the witchcraft world are running free.

This is going to be one of those only every so often games.  I am not 100% convinced everyone likes the old rules or are they just humoring me. 

I hope to pick up the next session soon.

Wednesday, December 16, 2020

The Sea Witch Tradition

I have been playing around with a Sea Witch Tradition.   The Sea Witch is a powerful archetype and one that has featured in myths and legends since humankind looked out into the sea.  

Newes from Scotland. Witches brewing a storm in Scottland
Witches brewing a storm in Scottland

Among the media, mythological and literary examples are Circe from myth,  Calypso from The Odyssey, Sycorax in Shakespeare's The Tempest, the Sea Hag from Popeye, Ursula from The Little Mermaid (and from the original Hans Christian Andersen),  Tia Dalma in Pirates of the Caribbean, comics, and a story I recall reading as a kid that I have not been able to remember properly.

The Sea witch has power over wind, weather, waves, and various creatures of the sea and coast.  This would include the obvious fish and marine mammals, but also birds associated with the sea. 

Sea Witch Tradition

Witches of the Sea Witch Tradition are members of a very ancient tradition related to the Classical tradition but also the Pagan traditions and Chthonic traditions.  Witches of this tradition honor the sea in both it's capacity the cradle of life and in its capacity to destroy.

Role: Witches of this tradition often serve gods, goddesses, and other ancient powerful beings as their patrons.  Many will often refer to the Sea as a Goddess in and of herself and other Gods of the seas are merely Her extensions and proxies.

Joining this Tradition: Sea witches join this tradition typically very early in life. They will claim they have sea-water in their veins and the sea in their soul.  They feel drawn to the sea and will typically live near the sea if they are land-dwelling, or in it.  They will often grow up in families where many of the members are sailors or fisherfolk.  Some even are related by blood to creatures like selkies, mermaids, or even swanmays or nymphs. 

Unlike most Hags that are part of the Faerie tradition, Sea Hags are part of this Sea Witch tradition.

Leaving this Tradition: Witches rarely if ever leave this tradition. Even when they are physically distant from the sea they still "feel the call of the sea."

Occult Powers

Minor, 1st Level: Familiar. The Seas witch gains a familiar related to the sea. 

Lesser, 7th Level: Breathing. The sea witch gains the ability to breathe underwater if they normally breathe air, or the ability to breathe on land if they normally breathe water. This is a persistent power.

Medial, 13th Level: Shape Change. The Sean witch may shape change as per the Druid ability Wild Shape or Polymorph Self. This may be done once per day at the 13th level. The witch may only change shape to a natural sea animal that is within one size category of her normal size. So a Medium-sized witch may only change to a Small, Medium, or Large animal.

The number of times the witch may do this per day increases with every other level.  So 2 times per day at 15th, 3 times per day at 17th, and 4 times per day at 19th.  The witch may opt to sacrifice one of these times to go outside of her normal range of sizes.  So a 17th level Amazon witch could shift to Huge or Tiny once and her normal sizes the other two (total of 4 shapeshifts per day).

Greater, 19th Level: Raise Storm. Considered by many to be the ultimate form of the Sea Witch's power, the Sea Witch can affect the weather as per the magic-user and druids spells Control Weather and Control Winds.

Major, 25th Level: Longevity.  The witch stops aging.  Her appearance will continue to age but her body and mind will stay the same age she was when she reached this level.  She is also no longer affected by magical aging.  She can still be killed by normal means.

Superior, 31st Level: Apotheosis.  The witch becomes something else. This new form and powers are dependent on the Patron she serves.  For sea witches, her form becomes that of a sea creature.  She becomes something akin to a Triton, a Cecelia, or even odder combinations. 

Special Benefits and Restrictions: The sea witch will honor a god or goddess of the sea. The vow never to willing move further and a mile away from any body of water. Most prefer to be much closer.  Seas witches with a familiar can communicate with marine life and even other creatures that leave near the sea.

Equipment:  The tool of this tradition is the cauldron.  Like the sea, the cauldron holds all possibilities. 

Preferred/Barred Covens: Sea Witches are typically solitaries, but they will often meet up every few years with others. Sea witches also tend to be very territorial, so only one will typically be found in any one natural locale, such as a bay, cove, or other inlets. 

Relationship to the Goddess/Patron: The sea witch views the Goddess as the Sea itself.  "Human" manifestations of Her are but limited projections into the human understanding of what the Sea and the Goddess actually is.

This relationship with the sea also makes the Sea Witch a unique figure among sailors.  Many sailors are very superstitious and among those superstitions and fears are ones regarding having women on ships.  Many feel it is bad luck, others feel that a woman on a ship will cause the crew to mutiny. The witch is exempt from these notions. She is both a welcome and feared member of a crew.  

Male sea witches are a welcome addition to most crews even if they are just as feared and respected.

Source/Views of Magic: Like most witches, the Sea Witch views her magic as a manifestation of the Goddess who is the Sea.  The source of her magic is the endless ocean, the unfathomable depths, the irresistible urge of the sea.  

Archetypes: Most Faerie Witches see little use in the Good vs. Evil axis. The sea is both and neither, so why should they choose?  Most tend towards neutral if a little chaotic.

Other: Sea Witches tend not to hoard much wealth, but they do appreciate treasure. Especially treasure found in the sea or on it, such as a pirate's chest of gold, or something rare and beautiful from a faraway land. Pearls are valued over other gems and gold more so than silver or platinum. 

Other Traditions

Tuesday, December 15, 2020

Skylla: D&D 3.5 Edition

I am going over my options for the big New Year, New Character Challenge coming up next month.  Seeing where I have some gaps and what other characters I need to do.  

Surprisingly the one I don't have a lot of is D&D 3rd Edition. So I thought I might dust off my 3.5 books and see if I can still do this.  Plus it is conspicuous by it's absence in my write-ups of Skylla.

A recap.  Skylla is an NPC "magic-user" introduced to us in the LJN Advanced Dungeons & Dragons toy line and given more background in module XL1 Quest for the Heartstone and AC1 The Shady Dragon Inn.   I have adapted her as a witch for various D&D-like game settings and systems.  

She has become something of a reoccurring villainess in my games. I admit to borrowing heavily from Master's of the Universe Evil-Lyn for her characterization.  I figure I can do worse than that.

For this version of Skylla for D&D 3.5 I am going to use the sample custom witch class from the Dungeon Master's Guide.

The DMG witch class is a bit anemic really, it is just a reskinned Sorcerer.  But the goal for it was not to develop a full-blown witch class as I have done, but rather show how the classes can be altered for your own needs.   Given how 3.x did the Sorcerer class this one should be fairly close to the BECMI roots of the character.

Skylla
Skylla by ePic Character Generator
Skylla
Female Human Witch, Level 7 (DMG Witch)
Chaotic Evil

Abilities
Strength: 9 (-1)
Dexterity: 11 (0) 
Constitution: 10 (0)
Intelligence: 11 (0)
Wisdom: 12 (+1)
Charisma: 15 (+2)

Saving Throws
Fortitude: +2
Reflex: +2
Will: +6

AC: 7
HP: 22
BAB: +3
Initiative: +0
Speed: 30

Skills
Bluff +2, Climb -1, Concentration +10, Diplomacy +2, Disguise +3, Gather Information +4, Heal +1, Intimidate +2, Jump -1, Listen +1, Search +!, Sense Motive +1, Speak Language +1 (Draconic), Spellcraft +10, Spot +1, Survival +1, Swim -1

Feats
Brew Potion, Chaotic Mind, Craft Wondrous Item, Simple Weapon Proficiency, Toughness

Special Abilities - Familiar
Familiar - Raven (level 1, 11 HP, 18 AC Attack +5)
+3 to Appraise Checks while Familiar is within 1 mile
Deliver Touch spells through familiar
Empathic Link (Su)
Speak with Animals (Ex)
Speak with Familiar (Ex)

Spells
Spell DC 12 + Spell level
Cantrips: Arcane Mark, Daze, Detect Magic, Light, Mage Hand, Mending, Read Magic
1st level: Charm Person, Floating Disk, Hold Portal, Identify, Magic Missle
2nd level: Alter Self, Detect Thoughts, Invisibility
3rd level: Hold Person, Magic Circle Against Good


Not a bad build really.  She compares well to her base stats and to the Pathfinder 1st Edition version.  I will have to try a Pathfinder 2nd Edition version sometime. 

I also pleased with how her ePic Character came out. 

RPG Blog Carnival

This is my entry in this month's RPG Blog Carnival, When the Bad Guys Win, hosted by Phoenix Games.  Skylla is certainly one of my favorite "Bad Girls" and I do like her to win.

Wednesday, December 9, 2020

Featured Artist: Margaret Brundage

Margaret Brundage
Margaret Brundage is another artist you may not know by name but certainly by her art.  I will go out on a limb and say she was one of the most recognizable artists of the Pulp Era.

Margaret Brundage, born Margaret Hedda Johnson was born December 9, 1900, in Chicago, a place she would call home till her death in 1976.  

She was looking for work when she found  Farnsworth Wright editor of "Oriental Tales" and then "Weird Tales" Brundage would paint covers for both magazines and sign them "M. Brundage" so no one knew it was a woman doing all this art of scantily clad or nude women in peril. 

Her artwork became part of the image of Weird Tales in the 1930s with some authors, Seabury Quinn notably, not only requesting her work but working in scenes of her art into the story.  Others like Clark Ashton Smith and H.P. Lovecraft were less pleased with her work.  But there is no doubt that her covers sold magazines.

Often her covers also had to be toned down for publication.  Her other works were even more risque.

She would go on to do 66 covers for Wierd Tales. Some have gone on to become classics.

Margaret Brundage Weird Tales cover

Margaret Brundage Weird Tales cover

Margaret Brundage Weird Tales cover

Margaret Brundage Weird Tales cover

Margaret Brundage Weird Tales cover

Margaret Brundage Weird Tales cover

Margaret Brundage Weird Tales cover

Margaret Brundage Weird Tales cover

Margaret Brundage Weird Tales cover

Margaret Brundage Weird Tales cover

Margaret Brundage Weird Tales cover

Margaret Brundage Weird Tales cover

Margaret Brundage Weird Tales cover

Margaret Brundage Weird Tales cover

Links


Thursday, December 3, 2020

Character Advice from Ginny Di (and Aisling!)

I have gone on record with my love for the newest generation of D&D Players.  They are passionate about the game they play and they LOVE their characters.  I know that can sometimes feel a bit odd to the old-school crowd, but I don't care.  They have passion and energy and it is them that will carry role-playing into the future for the next generations, not us.

Among all these "New School" players one of my favorites is Ginny Di.  I'll provide some links below.


I featured her last week as the start of my Tasha's Week of Everything. She did a cosplay of Tasha, sponsored by Wizards of the Coast. It was a fun video and I enjoyed seeing all the work she put into the costume. 

This week she is back with another great video.  Here is her Twitter post for it.

And the video itself.

I know what you are thinking and to quote the Ninth Doctor, "I bet you are fussing and moaning right now, typical."

But really, how is this any different than what we all used to do anyway?  Roll 3d6 in order and deal with it.  Ginny is not so much against "Old School" as she thinks.  Maybe against the "Middle School" of character optimization (positive spin) or Min-Maxing (negative spin).

It is also great advice.  Characters should never be perfect.  Flaws, quirks, and shortcomings make for far more interesting characters.  Stan Lee knew this well. Peter Parker was a neurotic teen struggling to make ends meet. Doctor Strange was an arrogant prick before and even after his accident.  Tony Stark was an arrogant prick alcoholic.  I have/had a cleric who is afraid of the dark, a warlock who is colorblind,  a dwarven thief that was kicked out of his clan, loves opera, and hates ale (one did not cause the others).  

One of the things the New School D&D players do and do well is to think about their characters and try to build a good group dynamic.  This is mocked in Old School circles as "back story" but that is a rather naïve or limiting way of looking at it.   It is simply a different way of having fun with the same game.

Here is another video where she talks about 50 Character Builder Questions to ask of your character.  Now in a game like D&D where characters can grow and change a lot based on what happens around them then I say it is ok to answer "I don't know yet" or even change answers later.

She does these before each session (not all of them of course) and I think that is a good way of doing things.  I have been looking at her list and thought I might use some of them for my 31-day character challenge in January. 

Aisling

An aisling is a poetic dream or vision and an Irish name for girls.  It is also the name of Ginny's elf warlock/druid character.  And she is also such a great character!   Here are some videos about her character.



Count me among those that have grown to love Aisling as well. She is such a great character and sounds like she is a lot of fun despite no because of her various flaws. 

Since I feel that Ginny's advice is actually in line with Old School character creation ethos I wanted to try to recreate Aisling for old school/OSR D&D.  Since she is a warlock/druid "witchdaughter" it makes sense to me that she is a type of witch.  Her Fey patron, Ùir, the Woman of the Soil, would make her a good Faerie Witch, but given her multiclassing into a druid and other factors, I see her as a Green Witch.   All apologies to Ginny for borrowing Aisling here.

Aisling by Ginny Di
Aisling by Ginny Di
Aisling
Female Elf
5th Level Witch (Green Witch Tradition) 

Strength 8
Intelligence 14
Wisdom 15
Dexterity 13
Constitution 15
Charisma 15

Saving Throws
Death Ray/Poison 13
Magic Wands 14
Paralysis, Polymorph 13
Dragon Breath 16
Rods, Staffs, Spells 15

Hit Points: 19
AC: 7 (leather)
To hit AC 0: 18

Occult Powers
Familiar: Psuedo dragon "Nightshade"
Herbal Healing

Spells
1: Fey Sight, Fury of the Ancestor
2: Blazing Gaze, Evil Eye
3: Bestow Curse

Patron: Ùir, the Woman of the Soil
Coven: Solitary

I think this works well. 

There is a lot of "fan art" of Aisling out there.  Here is one from joenni, an artist I want to feature one day.

Aisling by joenni
Aisling by joenni

I can't do fan art, but I can do character write-ups.  I hope I did her justice.

check out Ginny's sites and especially her video content. It is all great fun.

Links

Monday, November 23, 2020

Monstrous Monday: Wolf-Witch (A Wolfenoot Special)

Happy Wolfenoot Everyone!

What, you don't know about Wolfenoot, the holiday to celebrate all that is cool about the wolf and dogs?  Well get yourself over to Wolfenoot.com to find out more then come back here.

Back? Good.  Today's monster is based on an idea I have been kicking around ever since I read Pam Keesey's "Women Who Run with the Werewolves" which is a play on Clarissa Pinkola Estés' bestseller "Women Who Run with the Wolves."  

I had come up with a couple of ideas here and there including a "mother of werewolves" and a werewolf/hag cross.  But nothing I really liked.  Until that is I read about "The She-Wolves of Jülich" and their connection to various witch trials that were going on around Germany in the 1500s.  Often witches were burned on the suspicion that they would turn into werewolves.  This was not the charge in and of itself, the crimes they were accused of were often the inversion of what good women were supposed to be at the time.  They were accused of running wild, killing men and boys, eating babies, and killing livestock.  Given the living conditions for most women at the time I would have not have been surprised by an occasional expression of homicidal rage. 

Georg Kress's woodcut of the She-Wolves of Jülich, Germany, 1591, colored later.

Georg Kress's woodcut of the She-Wolves of Jülich, Germany, 1591, colored later.

There is something though compelling, even pagan, about the idea of shedding not just clothes but social mores and standards and running wild. Something that both Estés and Keesy know too well about.

Brundage 1933 03 Weird Tales
Margaret Brundage, Weird Tales 1933
Wolf-Witch

Medium Humanoid (Lycanthrope)
Frequency: Rare
Number Appearing: 2d6+1 (0)
Alignment:
Chaotic [Chaotic Neutral]
Movement: 240' (80') [24"]
  Human: 180' (60') [18"]
Armor Class: 6 [13]
Hit Dice: 3d8+3* (17 hp)
Attacks: by special weapon, claw/claw, or by magic or special
Damage: 1d4 x2, 1d4+1
Special: Silver or Magic required to hit, Witch spells
Size: Medium
Save: Witch 3
Morale: 8 (10)
Treasure Hoard Class:
XX
XP: 75 (OSE), 100 (LL)

By the light of the full moon, the Wolf-Witches gather.  For the three nights of the full moon each month the women of the wolf witch covens gather and partake in a ritual that transforms them into wolves, much like a werewolf. They roam the countryside causing havoc and mayhem wherever they can.  

The group requires at least one witch of 2nd level to cast the Summon the Spirit of the Wolf Ritual (qv).  The majority of the other witches participating will be lower level (2nd or 1st), if the gathering is large (10 or more) then there will be a 3rd level witch with two 2nd level apprentices.  The ritual begins after the sun has set and while the moon is rising. The witches dance around a bonfire and when the ritual is complete they transform into wolves. When the sun rises the next morning they will have transformed back into their normal human forms.

Unlike werewolves, wolf-witches are not necessarily evil. They also retain most of their mental faculties so they are able to cast at least one witch spell of 1st level per night.  Also unlike werewolves, true wolves will join with the wolf-witches on their midnight, moonlit runs.  Wolf-witches also cannot transmit lycanthropy via a bite.

Wolf-witches seek little more than the feeling of freedom being in wolf form gives them, though a little chaos is necessary. They will kill to protect themselves and their coven-pack.  

Presented below is the ritual used.  I am also experimenting with High and Low rituals for my next book. 

New Ritual: Summon the Spirit of the Wolf

Summon the Spirit of the Wolf 
Level:
Witch Ritual (Low): 1
Ritual Requirement: Two or more witches, one of at least 2nd level. Full moon.
Duration: From Midnight to Sunrise during the Full Moon
Range: All Participants

This ritual is only performed during the three nights of the full moon. The witches gather to cast the ritual but only one witch needs to know the actual spell, the others dance around a bonfire while the highest level witch cast the spell.  At midnight all participants will then transform into Wolf-Witches where they will run and hunt until the morning. 

At dawn, by the light of the rising sun, the witch will transform back into her normal form.   If she is killed then she will remain in wolf form until the sunlight hits her body, thereupon she will transform. 

During the "Wolf Moon" or the first full moon of the year (after Yule) there is a chance that anyone watching this secret ritual that they too will be pulled into the magic and become wolves.  There is a 5% chance per number of witches present that others will be affected.  Those unwilling affected must make a save vs. Spells or be transformed permanently.  A Remove Curse will return them to human form, but only if cast before the next full moon (the "Snow Moon").  

Friday, November 20, 2020

#FollowFriday: Tasha / Iggwilv on the Web

It is another Follow Friday here and since we are wrapping up Tasha's Week of Everything I thought it might be nice to detail some of the sites on the web and social media that feature Iggwilv, Tasha, and items from her history.

The Web

Tasha from HeroForge
Tasha from HeroForge
Lots of great stuff here really. 

Greyhawk Online has a wiki full of details.

Likewise, the Forgotten Realms wiki has some entries for her. 

She has even made appearances in Golarion from the Pathfinder wiki.  In particular as a former Queen of Irrisen.  According to the Golarion timeline, she ruled 4113 AR to 4213 AR (current year 4720 AR).
If you want some fiction about Tasha/Iggwilv then there is Tommy John Kelly's Greyhawk Stories Page
Greyhawk Online has a number of posts featuring S4 The Lost Caverns of Tsojcanth.

Blogs

Iggwilv from HeroForge
Iggwilv from HeroForge
Lots of people have had some words about Iggwilv in the blogging circles too. Here are some of them

James over at Grognardia gives her an uncharacteristically brief mention in his post about The Lost Caverns of Tsojcanth.

Sean McG has written up an extensive post on the publication history of Iggwilv, which he keeps updated at the Power Score.

Mike Bridges at Greyhawkery also has a few posts.

And of course, Greyhawk Grognard has some posts. Though he is not as enamored with the adventure as I am. 

Blogger Trent over at The Mystical Trash Heap has some thoughts on S4 as well.

Paleologos at the OSR Grimoire has a post on Drelnza the Vampiress Lord and talks a lot about the original Lost Caverns of Tsojconth

Social Media

Baba Yaga from HeroForge
Baba Yaga from HeroForge
There is a ton of social media out there. What places are best for Iggwilv and Tasha?

Facebook


MeWe


YouTube

Wednesday, November 18, 2020

Classic Adventures Revisited: S4 The Lost Caverns of Tsojcanth

One of my all-time favorite adventures is S4 The Lost Caverns of Tsojcanth.

A solid two-level dungeon crawl, filled with new monsters, dangers, and the promise of great treasures. Additionally, there are rumors of an ancient witch/archmage and her battles with demons and even the threat that some of those demons are still around. There is plenty of wilderness area as well. A wide expanse with a gnome community nearby and a raging blue dragon.

With its "Booklet 2" filled with new spells, magic circles, and demons it made me think that a witch class with ritual magic could be something that would work for D&D. 


There is so much great stuff in and around this adventure it is hard to know where to begin.  So let's start with the adventure itself.

S4 The Lost Caverns of Tsojcanth

The adventure, S4 The Lost Caverns of Tsojcanth, was published back in 1982 by TSR. It was written by none other than Gary Gygax himself. It is listed as "S4" and was the last of the labeled "S series" or Special modules.  This includes some of the most popular adventures ever written; S1 Tomb of HorrorsS2 White Plume Mountain, and S3 Expedition to the Barrier Peaks

The adventure itself is comprised of two 32 page booklets. The first book is the adventure itself, which I will get into detail in a bit.  The second booklet covers all sorts of new magic, monsters, and more. 

Book 1: The Adventure

The adventure is of the classic sort; the rumor of treasure and a vague threat coming from an area of the map known as Iggwilv's Horn.  The adventure is designed for characters level 6 to 10.   I have found over the last 40 years that it can be adapted to a variety of levels, though higher levels are better. Though the original tournament adventure featured slightly lower levels. Likely due to the addition of the wilderness adventure. 

The wilderness adventure is actually well put together and not the older crazy random monster encounters.  The encounters make sense for the area. Among the encounters are the Hermit, and I could not help make this the same hermit from Keep on the Borderlands (also a Gygax creation) and the Blue Dragon.  The Blue Dragon, in particular, became so much a hit the first time I ran this that in future runnings of this I changed the dragon to Korbundar from CM2 Death's Ride to have a reoccurring villain.   A lot of adventure is packed into 12 pages.

The second part of the adventure covers the Lost Caverns themselves, which includes the Lesser and  Greater caverns. This features a large variety of new monsters, some living here, some just wandering around. Even encounters such as "The Garden of One Thousand Earthly Delights" have a good (enough) reason to be there. 

The final encounter is in the center of the Greater Caverns and it is not for Iggwilv's Treasure, but rather against Iggwilv's Treasure; the vampire Drelnza.  She is a bit more powerful than your average vampire and she has magic to help her out.  Eventually, she will succumb to heroes and the treasure will be found including the infamous Demonomicon of Iggwilv, Daoud's Wonderous Lanthorn, and the Prison of Zagig.

Book 2: Monsters and Magic

This second booklet, as I have mentioned, grabbed my attention as much as the first, if not more.  Listed inside were new monsters, only some appeared in the adventure, including new demons and demon lords. There were the mysterious Xag-ya and Xeg-yi, the Derro and the awkwardly named (for the early 80s) Valley Elf. All these creatures would later be reprinted in the Monster Manual II for 1st Edition. This is fitting since the original tournament adventure introduced monsters that would become part of the first Monster Manual.  There are some magic items including some wonderful artifacts mentioned above.  Of these The Demonomicon of Iggwilv capture not just my imagination, but that of hundreds of others. The Demonomicon became a feature in Dragon Magazine and even a 4e book of the same name. Iggwilv went from a "long-dead archmage" to "The Mother of Witches" and the premiere demonologist in D&D.   This little booklet also contains plenty of new spells.  

This was classic AD&D at the end of its 1st Golden Age.

The adventure is extremely playable and I have adapted it over the years for AD&D 2nd ed, D&D 3rd, and 5th Editions as well.

If you want to play it for 5th Edition D&D then the team over at Classic Modules Today has made a 5e conversion

There are also maps you can print out with DM's notes.

And other realistic maps also for printing

The Sequels

The first true sequel to this adventure was WG4 The Forgotten Temple of Tharizdun (though no WG1-3 were made*). This was published the same year and dealt with a Temple of Tharizdun. It was designed to be played right after S4 and used the same wilderness map.  The adventure fits in well enough. I justified in my games by saying that Iggwilv, like Tsojcanth before her, chose this area due to its arcane and eldritch properties.  The adventure also has a wealth of information on the World of Greyhawk and Tharizdun.  All of these will be explored later in Gary Gygax's novel series about Gord the Rogue

S4 and WG4 would also get a review in White Dwarf #44 and both get 9/10 from Jim Bambra. He calls them the last of the Golden Age adventures.

*The rumor is that WG1 was Village of Hommlet, WG2 Temple of Elemental Evil and WG3 was The Lost Caverns of Tsojcanth, or Tsojconth in the original.


Another sequel of sorts was The Dancing Hut of Baba Yaga. Published much later in 1995 for 2nd Ed AD&D and written by Lisa Smedman, this adventure was labeled "S5" but it never appears in any of the classic reprints of the S Series adventures.  While the connection is little more than any of the other "S" series, there is the connection of Iggwilv, then Tasha as the adopted daughter of Baba Yaga.  Lisa Smedman would also work on Ravenloft and ShadowRun. Some Ravenloft monsters make their way into this adventure.


Yet again another sequel, this time for 3.5 D&D, was published in 2007.  Iggwilv's Legacy was published in Dungeon Magazine in October 2007 and appeared for free on Wizard's of the Coast website well into the 4e era. Sadly no longer available, it added another level to the caverns to explore, The Hollow of the Horn, the areas left behind by Tsojancth himself with the implication that even Iggwilv was afraid of these areas. The adventure and the additions were converted and updated to 3rd Edition.  I ran this version for my family at their first Gen Con in 2009.  Here we meet the half-demon  archmage Tsojcanth and his vile witch mother Vilhara.


The Reprints

As part of the much-loved S-series, the Lost Caverns of Tsojanth has been reprinted twice.  Both times bundled with the other three S-series adventures.

The first reprint was called Realms of Horror and it was all the S-series adventures combined into a loosely tied together "Super Module" that was all the rage in the late 80s.  All the maps were reprinted in a small booklet and personally, I found them harder to read.

The second reprint was the more faithful reprint from Wizards of the Coast, Dungeons of Dread, in 2013. 


The Original Tournament Adventure

The original tournament adventure, the Lost Caverns of Tsojconth (note the spelling) appeared at the Wintercon V game convention in 1976.  This would have been akin to a playtest version of AD&D.  Also Iggwilv is described as being dead, and male.

While the adventure does not feature the wilderness areas, the caverns seem to have a more mystical bent to them, with the center "nexus" described as the connection point between worlds to help explain all the new and weird monsters in it.  It would make sense, to be honest, and help explain why Tsojcanth and later Iggwilv possessed it. 

Paleologos at the OSR Grimoire talks a lot about the original Lost Caverns of Tsojconth.

The era of 1976-1978 was an interesting time and lead to some interesting styles of play.  We had the Holmes Basic Set and the B1 In Search of the Unknown (1978) adventure out and we had the AD&D Monster Manual.  This Holmes + Monster Manual actually became the game of choice for many.  I would later play this same hybrid of D&D/AD&D in 1979.
Likely as a way to replicate that Demos Sachlas/Paleologos over at the Vaults of Pandius recreated the original tournament adventure, along with some descriptions from the full 1982 S4 adventure and reformated it to fit the style of B1 to give us a "Holmes version of the Lost Caverns of Tsojconth."  This adventure is a tight 16 pages with two more pages for maps.  It feels like a late 70s offering.  Reading through it I do get the feeling that B1 and S4 could be bookends of a classic 70s adventure series.  All it is missing a nice monochrome cover.  I might need to mock one up someday.

Greyhawk Online has a side-by-side comparison of the 1976 Tsojconth and the 1982 Tsojcanth.

If you want to buy your own Noble Knight Games has one on sale for only $7,195.50. If you are worried that is overpriced it does come with the original zip-lock bag. 

Playing in Hyperborea

Normally at this point in my Revisted posts I would talk about using this adventure with other games.  But instead, I think I just want to focus purely on Astonishing Swordsmen & Sorcerers of Hyperborea.

A while back I posted about HS4 The Lost Caverns of Acheron, a Hyborian Age reskinning of S4 from the Hyborian Age site dedicated to the d20 Conan RPG.  They have a lot of adventures including some reskinned ones on their Adventures in the Hyborian Age page.  But it is S4 that interests me today.

Combining this idea with the Holmes flavored Tsojconth above you could have a perfect game for AS&SH.  The idea came to me while reading Eric Fabiaschi's Swords & Stitchery blog.   He even pointed to me that he had done exactly this. 

The pulp sensibilities of Gygax's adventures comes through in S4 with vampires in lost temples, ancient eldritch forces, and strange creatures from beyond.  Pairing this with AS&SH and the Lost Caverns of Acheron turns it up to 11 as it were. 


With its history of magic, archmages, witch queens, vampires, and demons it is no wonder that this is one of my favorite adventures. Like B1, it is one I like to come back to again and again. 

Tuesday, November 10, 2020

Current Works In Progress: Basic Bestiary & High Witchcraft

Work has me really busy right now, so I have been slow on getting new material out.  Either in book form or for this blog (except for Halloween).  But I wanted to give an update on what I am working on now.

I recently went through all my research notes, books, and files.  This has been a good thing and something I like to do every so often to keep me grounded in what sort of game I want.  It is far, far too easy in game design to drift away from your core principles into something else.  One example of this power-creep in games, though there are other reasons for power-creep too.  The other is scope-creep and that is when a project gets too unwieldy and becomes much larger than intended. 

Both types have hit my latest two works in progress, so I have been taking a step back to see what I really have.

Basic Bestiary

This is the "Big" project that has my focus now.  The project began with collecting all the monsters from all my witch books, plus all the monsters for Monstrous Mondays, and additional ones I have but have not published.  Once I pull them all together I had over 220 pages with 300 or so monsters with no art (yet).  For me that felt like a "good size" but I got to thinking.  Even if I edit them all and standardize them all, which is no small amount of work, these are all essentially "re-runs" material people have already seen and in some cases paid for.   That didn't feel right to me.  So I started adding more (power and scope creep!) and that is where the issues began.

For starters, I publish most for Basic-era (B/X, BECMI, OSE, LL) and Swords & Wizardry games.  Add in all the other games I post about here I have monsters in six to seven different but still largely compatible systems.  I needed to standardize my monster stat block.  You have seen it's evolution here on my blog. The current and most stable version can be seen in yesterday's Fenodyree.  Essentially a Labyrinth Lord stat block with some other information thrown in that I like to use in my games.   If you go back and look at something like the Wendigo then you can see that there are three different, similar but not the same, stat blocks.   So there is that process now going on.  Some stat blocks like S&W and OSE are great, but far too minimal for me. 

Also since the hardcover of The Craft of the Wise went over so well I decided that the Basic Bestiary needed softcover (Basic) and hardcover (Advanced) options.  Here are the covers as they sit now.  These very likely will change again.

Basic Bestiary cover, version 1 Basic Bestiary cover, version 2

For these covers, I made two changes.  First I switched to Goya's "The Witches' Sabbath" to reflect the feel that this book is mostly witch related monsters.  It also fits better with the quote I use in the Preface, "El sueño de la razón produce monstruos." or "The sleep of reason produces monsters."

I am also going with my own compatibility logos on these since they really have gone beyond one system or the other.  They are still largely "Basic" in nature, but as you can see from my stat blocks they have a little bit of everything in the OGC. 

Switching from Fuseli to Goya also was an outward sign of another issue.   I had WAY too many demons.  Not just demons, but devils and all sorts of fiends.  I also had my own demonic families of Baalserph, Lilim, Eodemons, Calabim, and Shedim.  I mean you can't do as much reading, researching, and writing about witches like I do and not collect some demons.    There really was only one solution.

Split them into two books. 

This actually works well since in my discussions with people there are decidedly two camps. The ones that use demons in basic-era games and those who don't.   This gives both groups buying options.

Basic Bestiary II, Basic coverBasic Bestiary II, Advanced cover

Regardless of whether you buy the "Basic" softcover or the "Advanced" hardcover, the material inside will be the same.  The Basic Bestiary I will be heavy on undead, vampires, fey, hags, and other witch-related monsters.   The Basic Bestiary II will cover demons, devils, and all sorts of fiends.

Right now there is no projected publication dates.  BUT I want to get BBI out and follow up with BBII maybe three or six months later.

Between those two I will also publish my "Last Witch Book,"  The High Secret Order Witchcraft book.


Going back to Rosetti for this one, a perennial favorite of mine.  The piece is "Astarte Syriaca" which harkens back to the first witch coven I ever wrote, the Coven of AstártÄ“ Queen of Heaven.

All three books (five covers) will be under my "Basic-Era Compatible" banner to indicate greater compatibility with each other and my desire to use what I consider the best or best of all the systems along with my own additions. Compatibility is key, but innovation is the driving goal here. 

The weakest link right now is The Secret Order book.  I have a ton of material and none of it put together the way I want yet.

Personally, I am really excited about all of these.