Wednesday, April 29, 2026

The Witches of Appendix N: Jack Williamson

Darker Than You Think by Jack Williamson,
“The trouble began when the first witch was hounded and stoned to death by the first savage man. It will go on till the last witch is dead. Always, everywhere, men must follow that old Biblical law: Thou shalt not suffer a witch to live.”

- April Bell, Darker Than You Think

Today is the birthday of Jack Williamson. Born on this day 118 years ago. He appears near the end of Gygax's Appendix N, and he is responsible for a couple of books extremely relevant to my exploration of the Witches of Appendix N.

This is also the second of what I think of as the two "witch-centric" authors of the Appendix N. Last time it was Margaret St. Clair and her quasi-Wicca witches and keepers of Occult Knowledge. Today with Williamson I am looking at two other witches, also keepers of Occult Knowledge, but also different. Different from St. Clair's and different even from each other.

If you go back and look at the AD&D Dungeon Masters Guide, something rather odd becomes apparent. When Gygax lists his authors in Appendix N, for the most part, you can find at least a couple of works listed for any given author. It was direct, straight from the book into the game (more or less). But Williamson is different. He is (and just a few others are) listed, but no works are mentioned. This was no accident, and it says a great deal about the man and his work. Williamson's contribution to early D&D was not because of any given work, but because of the ideas that are present in all of his work. Ideas of hidden worlds beneath the surface of reality, of old things wearing human faces, and of the disturbing notion that magic isn't learned, but remembered, at least for some.

There are two books of his that I think are crucial to any exploration of Witchcraft from the Appendix N starting point.

Darker Than You Think

This novel began as a novelette in the pages of Unknown back in 1940. Williamson expanded it and its themes to encompass post-War science-fiction rationalism. Occult themes are translated into science fiction, but I'll get to all of these. As a quick aside, this is a really good read. Part science fiction, part occult, and part mystery. Our protagonist, Will Barbee a rough around the edges newspaper man, gives us an almost proto-Kolchak. 

I won't go too deep into the plot of this one because it is a good read, and you look up the details yourself if you really want to (and spoil the big reveal).  Though I will talk about the bewitching (in all senses of the word) April Bell. We meet April Bell, a new reporter, very early in our tale. She is beautiful, with bright red hair (there we go again!), big green eyes, and (dare I say it) a healthy dose of animal magnetism. Our protagonist is smitten right away and, unlike some other heroes I have discussed in this series, is practically dragged around by her. Though that is the point, I think, he has no agency, he is under her spell from the moment he (we) see her.

April Bell admits to being a "witch" and a "witch child." She began her life as a witch when she was only 7. Again, I wonder how my own witches would have been different had I read this first.

April does have some magical abilities like spells, even if there is a "scientific explanation." But mostly their magic involves shape-shifting. I won't spoil the surprise for you, but it is a fairly obvious one. 

The Homo lycanthropus vs. Homo sapiens battle is a parallel to the pagan vs. monotheism/Christian battle I find so compelling.  Casting witches as another species of human is not uncommon, it is something we see in DC Comics, Anne Rice's "Mayfair Witches," and Kim Harrison's "The Hollows" series, just to name a few. And these are also related species to vampires, werewolves, and/or demons in many of these tales as well. This could be related to the psychological phenomena of "the Uncanny Valley," or the human fear of near human, but not quite human, looking beings. Granted, there is no fear of April Bell when we first meet her.  

Witches and Weretigers

While this book did not inspire Gygax to add a witch to AD&D, it very likely contributed to the weretiger we see in the Monster Manual. While many of the lycanthropic creatures are of indeterminate gender, two stand out. The werebear is male and has a rather obvious relation to Beorn of the Hobbit (and both to the berserkers of Norse myth), and the weretiger who is quite obviously female. Indeed almost all art of the weretiger from the Monster Manual on features a female weretiger. I am making the claim that this is directly related to this book and to April Bell. The image of her riding the sabre-tooth tiger must have really resonated.

Including the cover (another witch on the cover of an Appendix N book. Yes I am keeping track) there have been other depictions of April Bell with a tiger.

April Bell

April Bell by Rowena

And then early depections of the AD&D weretiger.

Tramp's Weretiger

AD&D 2nd ed Weretiger

AD&D 2nd ed Weretiger

Dragon Magazine #93

Our "Exhibit A" is the weretiger from David Trampier in the AD&D Monster Manual. I mentioned back when I was exploring the origins of the various Monster Manual monsters that the Weretiger likely had an origin from 1942's "Cat People," just as I speculated that the Cat Lord was influenced by the 1982 remake. 

The original Cat People came out in 1942. The novelette of Darker than you Think came out in the pages of Unknown in 1940. So, there was enough time for the film's producer, Val Lewton, writer DeWitt Bodeen, or director Jacques Tourneur to have encountered the story, but not enough to prove they did. Though there is a more important fact.

The genesis of Cat People was Lewton's own short story, "The Bagheeta," published in Weird Tales magazine (July 1930), about a legendary panther, a "half leopard and half woman ... were-beast." This predates Williamson's tale by 10 years. Digging into this there are many tales equating shape-shifting cat people to witches. The movie Cat People, though, is closer in tone to Williamson's take than to Lewton's original tale.

This doesn't weaken Williamson's claim to the weretiger, but it does show a lineage.  Lewton's "The Bagheeta" only alludes to witchcraft via occult Satanism (or at least an enemy of the Church), Williamson's tale, and Lewton's own "Cat People" make this more explicit. Though this is lost again in the 1982 version. 

In many ways, the "witches" of Darker Than You Think are really closer to shamans than witches. They could have even been part of the mix (along with other sources) of the Druid's ability to change shape.

The Green Girl

Taking place in the far future time of May 4, 1999 (I know I shouldn't be snarky about it) we have a tale of interplanetary travel and alien life. Not really a dungeon crawl, or even magical (almost), but there are still things here to make note of. 

The titular Green Girl, Xenora, has many features of a classical witch, even if Williamson never uses that word here. For starters, there is her green skin, often associated with witches, but that is only superficial. Her best claim to the lineage of witchcraft is her ability to communicate with our protagonist, Melvin "Mel" Dane, via telepathy across great distances. Even more so is her ability to charm or bewitch our hero. 

There is also the Lord of Flame, who is very much like a demoniac figure in this tale. Especially when he responds to anyone speaking his name. 

A lot of this story reads like a tale of a witch and a demon told through the lens of science fiction rather than magic. Though the tech here is so fantastical, it appears like magic. 

Plus I *get* Mel. Much like his Xenora, I have been haunted by Larina. 

Williamson delves into other tales in which strange women act as oracles or seeresses, such as in "After World's End," but that one is weaker. Or even the legacy of occultism and witchcraft, as in "The Mark of the Monster." Here, witchcraft is used as a backdrop. 

Science Fiction Witches

Through both of these works, a pattern emerges that is uniquely Williamson's own. Unlike the other Appendix N authors, who situate their witches in folklore and fantasy, Williamson dresses his in science fiction. 

They are not supernatural, exactly, for they are natural, though natural in a way that ordinary humanity seems to have forgotten or suppressed. "Not supernatural, but superhuman," as quoted from Darker Than You Think. 

They are not taught from books or granted by demons. They are innate, biological, and tied to blood and bone. Telepathy, charm, and hidden sight are not spells, but evolutionary features, the inheritance of something older than civilization itself. This is the way in which Williamson views witchcraft, and this is the way in which he views it in Darker Than You Think, which stands as his definitive work on the subject.

Final Analysis

I think what we have here are two somewhat different interpretations of the witch idea using the lens of science fiction.  Both, though, are good. While I would normally spend this section lamenting that, despite all these examples, we never got a witch, I think I can see what came out of Gygax's reading of these. The weretiger and the druid ability to change shape.  

And neither of those is bad, they are just not witches.

Monday, April 27, 2026

Monstrous Mondays: MoChem the Morgan Chemical Monster

 Going back today to Jackson, IL, my current NIGHT SHIFT® campaign and my all-consuming obsession. 

Today I have a monster that I have been trying to bring into a game for the better part of 47 years. Not that this guy is a hard monster to figure out, it's just that his history is so tied up in my hometown that he didn't really fit into any other game I have done before.

This particular monster was created by me one afternoon in the summer of 1979 when I was 10. I had been reading a lot of Daniel Cohen's "monster books" thanks to our town's well-stocked Carnegie grant library

Kids' monster books from Daniel Cohen

I lamented that our town didn't have their own local monster (the word "cryptid" was not in my vocabulary yet) though this was way before the internet and before I discovered microfiche to discover my hometown did indeed have it's own history of monsters, ghosts, and other things. 

I figured my creation was as "real" as anything I had been reading (age 10 was the start of my real exploration into skepticism, which led me to the conclusion that the supernatural was all bullshit). While I still enjoyed reading it all, I thought it was as real as, say, "Star Wars."

So in a fit of childhood bravado and creativity that I subject you all too every day, I made a monster.

Outside of town was a chemical plant. Now, I am not sharing the name because my blog gets hit by bots I have found material I have written here for games passed off as "truth."  Details about the Hex Girls and Astral Spiders, just to name two. So there is no reason to drag a real company with real employees into something invented by a 10-year-old. But I am keeping the monster's name.

So let's switch over to the fictional Jackson, IL and it's resident mutant.

The Story of MoChem and the MoChem Monster

Just east of town, the Mauvaisterre splits into various creeks and smaller bodies of water. One of these runs by the now-closed Morgan Chemical plant. Morgan Chemical came to Jackson in the late 1800s, and was founded by Jacobi Morgan and Sons. Morgan Chemical produced fertilizer, pesticides, and other agricultural chemicals needed by the growing farming boom in Central Illinois post-Civil War economy. The plant was well-run, provided hundreds of jobs for locals, and brought money into the local economy. So successful was the plant that the road on which the plant was located was renamed Morgan Ave, and businesses began to pop up all along the east-west corridor. So much so that it eventually took businesses away from the North-South Main Street. 

Jacobi Mogan was very typical of many of the entrepreneurs who had settled in the area at the time. "Work Hard. Tend to Family. Fear God" was his motto. In all fairness, he was, for the time, a good boss. His employees did work hard, and he paid them a fair wage. The company grew on his solid Presbyterian-Protestant work ethic and the belief that anything is possible with faith and hard work. He was an early benefactor to MacAlister College and helped build one of Jackson's famous Gothic-revival style churches.

His sons, however, were not so charitably minded. When the sons took control of the company in the early 1900s, they saw ways to increase profits by cutting some safety standards. They also got involved in the Great War, providing "fuel additives," but it was well known they had taken a side contract in weapons research. When World War II came around, Morgan Chemical provided gas masks, and rumor says the chemicals the gas masks protected against. 

With each generation, the Morgan family motto (metaphorically speaking) lost another word until, in practice, only “Work Hard” remained. By the 1960s, under the fourth generation of Morgans, the plant had become notorious among workers for failing safety standards, careless disposal practices, and toxic leaks. Waste seeped into the groundwater and into the channels that fed the Mauvaisterre. Cattle downstream sickened or died. Children born to workers were whispered about in hushed voices. Whatever prosperity the company had once brought to Jackson now came at a terrible cost.

It was in this poisoned environment that MoChem first came to be known.

No one agrees on what MoChem truly is. Some claim it was born in the tainted water itself, shaped by chemical waste and bad earth. Others whisper that it was once a deformed child, discarded by frightened parents after the plant poisoned too many families. Another tale says it had been a worker who fell into a vat and came back wrong. The most popular story holds that MoChem was an undercover reporter from St. Louis or Chicago who came to expose Morgan Chemical, got too close to the truth, and was murdered and dumped in the waste.

What is known for certain is that in 1973 Morgan Chemical was fined, shuttered, and abandoned. Cleanup was promised. Very little was ever done.

Soon after that, sightings began.

MoChem
MoChem (AD&D 1st Edition)

Frequency: Very rare
No. Appearing: 1 (Unique)
Armor Class: 5
Move: 9”
Hit Dice: 4+4
% in Lair: 55%
Treasure Type: Nil
No. of Attacks: 2 or 1
Damage/Attack: 1-6/1-6 or special
Special Attacks: Blood drain, engulf small prey
Special Defenses: Semi-liquid form, surprise
Magic Resistance: Standard
Intelligence: Low to Semi-
Alignment: Neutral (Evil)
Size: M
Psionic Ability: Nil
Attack/Defense Modes: Nil
Level/X.P. Value: IV / 240 + 5 per hit point

MoChem (NIGHT SHIFT)

No. Appearing: 1 (Unique)
DV: 6
Move: 45 ft.; may flow through narrow gaps at 30 ft.
Vitality Dice: 4
Attacks: 2 slams/claws
Damage: 1d6/1d6
Special: Semi-liquid form, blood drain, engulf, surprise, light sensitivity, sunlight damage, double damage from fire
XP Value: 140

MoChem is a malformed humanoid horror spawned from decades of illegal chemical dumping. Roughly man-sized but squat and thick-bodied, it has overlong arms, short, powerful legs, a single milky eye in its upper torso, and a flexible feeding maw below. Its body is coated in a red oily secretion often mistaken for blood.

Combat: MoChem attacks with two heavy slams or claws for 1-6 points of damage each. It may instead attempt to batter, grapple with, or press itself against prey to feed. It is cunning only in an animal way, preferring darkness, ambush, narrow spaces, and prey that are alone or already frightened.

Special Abilities

Blood Drain: Whenever MoChem scores a critical hit, it opens feeding pores or its maw against exposed flesh, draining 1-4 additional hit points of blood and vital fluids. This is in addition to normal damage. A drained victim may appear pale, weak, and chemically burned around the wound. This is not a vampiric or magical effect.

Semi-Liquid Form: MoChem may compress itself into a half-fluid shape, allowing it to pass through bars, storm drains, culverts, wide cracks, broken windows, pipe openings, or any aperture large enough for a cat or small dog. In this form, it cannot attack normally, but it may move through spaces inaccessible to most man-sized creatures. It may resume its full shape in the following round. Because of this ability, it cannot be held by ordinary ropes or manacles, and non-magical grappling attacks against it suffer a -2 penalty.

Engulf Small Prey: Creatures of small build, as well as animals the size of dogs or smaller, may be engulfed if MoChem successfully hits with both attacks in a single round. The victim must save vs. petrification or be pinned within its semi-fluid mass. Thereafter, the victim suffers 1-4 hit points of damage per round until freed or dead. Small animals may simply be swallowed whole at the DM’s discretion.

Surprise: In darkness, sewers, culverts, abandoned industrial works, or wet ground near polluted runoff, MoChem surprises on 1-4 on 1d6.

Light Aversion: Bright light causes MoChem pain and disorientation. A strong lantern beam, continual light spell, or similar bright illumination forces it to attack at -2. If trapped in such light for more than 3 consecutive rounds, it will retreat if possible. A light spell cast directly upon or very near it inflicts 1-4 hit points of damage.

Sunlight: Direct natural sunlight inflicts 1-6 hit points of damage per round and prevents use of its semi-liquid form. MoChem avoids daylit areas whenever possible.

Vulnerability to Fire: All fire-based attacks inflict double damage.

MoChem is not undead, nor is it a true elemental or demon. It is a pollution-born predator, a toxic life form awakened in bad ground and abandoned waste. It lairs in culverts, runoff tunnels, chemical pits, and flooded industrial ruins.

MoChem possesses a rudimentary intelligence. Enough to know it despises its own existence, but not enough to know how to end it. It fears light and the sun and avoids both at all costs. According to scholars on local BBS sites, if you could lure it into direct sunlight, it would dry up and die. Others speculate that such a death would not be permanent unless the creature was also burned.

--

I kinda wish 10-year-old me could see this!

Night Shift® is a registered trademark of Elf Lair, LLC.

Thursday, April 23, 2026

Tales of Jackson, IL: Hot for Teacher

I had something scheduled for today, but got my dates wrong, so today's post will be in one week instead. This one was supposed to be next week's post. 

One of my good friends has been helping me with ideas for this game. He has expertise here since he is a high school football coach and works security at a large suburban high school. Valerie Beaumont is one of his characters that I use as an NPC often. I have been helping him a little with his current Star Trek game, so I figure he can help me with some more teachers for my Jackson, IL game.

Today, two coaches and their friendly rivalry. 

Character sheets for Keri and Kurt

Dr. Kiera "Keri" Moreau

Dr. Kiera Moreau could have gone anywhere. Former Olympian (Montreal, 1976), she retired, returned to school, and got her Ph.D. in Classical Studies. She was on her way to an interview for a job at MacAlister College when she crossed paths with Valerie Beaumont. They knew each other from years before and convinced her to come and teach at Jackson Public School. They also know each other's secrets. Vallerie is immortal, and Kiera is Fae, in particular, a sea nymph, or rather, the daughter of one. She isn't immortal, but she is long-lived. 

She opted to stay. She teaches Latin I and II, and an elective in Classical Mythology. Larina is in her class and is annoyingly excited about it. She is also the girls' swim team coach. 

In truth, Keri really kinda outclasses everyone here. I really like her and want to do more with her, and I know the characters can learn a lot from her. But. She has it all. Beauty. Brains. Strength and power. Why is she slumming it here? She knows something is going on. 

She has seen these patterns repeated throughout history, and this time she has decided that she won't just sit by. Valerie stays away because her connection to others hurts. Keri stays because life without that connection hurts more. This is a point of contention between the two. Val thinks Keri gets too involved, Keri thinks that Val doesn't get involved enough.

And if she can give the cast something to aspire to be? Well then, "fortes fortuna adiuvat.

Dr. Kiera Moreau
Dr. Kiera Moreau

7th Level Psychic (Empath), Half-fey (Sea Nymph)

Base Abilities
Strength: 12 (0)
Agility: 16 (+2) n
Toughness: 14 (+1) 
Intelligence: 18 (+3) 
Wits: 18 (+3) n
Persona: 20 (+4) A

Vit: 43 (7d6)
DV: 9
Fate Points: 1d8

Check Bonus (A/N/D): +4/+2/+1
Attack bonus (base): +2
Melee bonus: +0  Ranged bonus: +2

Languages: English, Latin, French, Greek 
Skills: History (Int), Swim (Agl), Occult Knowledge (Int)

Saves: +3 to Persona-based saves

Psychic Abilities
Body Control, Empathy, Hydrokinesis

Fey Abilities
Glamour, Breathe underwater (1 hour), Harmed by cold iron and shadow steel (double normal damage), Long-lived

Hair: Black
Eyes: Gold
Height: 5'10"

Archetype: The Teacher with a mysterious past
Quote: "Fortes fortuna adiuvat." Fortune favors the brave!
Quirks: Arrives at school super early to swim. 
Theme song: "Rio" - Duran Duran

Coach Kurt Zimmerman

Coach Zimmerman here is as much Greg's character as he is mine. Nearly all his background came from Greg.

Kurt Zimmerman, and he was born in Wisconsin in 1950. Went to college for math and was drafted into the Vietnam War in 1969. Did one tour of duty, where he rose to the rank of corporal. Was there at the Fall of Saigon and nearly missed his ride out. He was delirious but was rescued by Valerie Beaumont, whom he only sort of remembers. 

He was awarded medals that he felt he didn't deserve. He used the GI Bill to return to college and ended up at the University of Illinois, where he followed the Illini as a religion. Got his teaching degree in math and a coaching certification. Kurt likes the orderliness of math. Finding proofs and working on problems were his solace while overseas. 

He graduated and took a job teaching honors-level math (a job that Warren Evans wanted) and is the school's sponsor of the National Honor Society. He was raised on the idea that anything worth doing is worth doing correctly. This extends to his coaching and to his Calculus class.

He has a friendly rivalry with Keri over who will have more of their athletes on the Honor Roll. The winner gets to choose where they eat dinner, and the loser has to pay. Though they almost always end up at Sal's Pizza, where Keri orders her pizzas with green olives and extra anchovies. 

Kurt has seen the supernatural and fought it before. But he reasons that he left all that behind in Saigon. Now he is not so sure. He doesn't suspect that Keri or Valerie are anything other than they appear. Though he can't help but think he has seen Valerie somewhere else.

Coach Kurt Zimmerman
Kurt Zimmerman
6th Level Veteran, Human

Base Abilities
Strength: 16 (+2) A
Agility: 15 (+1) n
Toughness: 14 (+1) 
Intelligence: 16 (+2) n
Wits: 14 (+1) 
Persona: 12 (+0) 

Vit: 38 (6d8)
DV: 8
Fate Points: 1d8

Check Bonus (A/N/D): +4/+2/+1
Attack bonus (base): +3
Melee bonus: +2  Ranged bonus: +1

Languages: English, Latin, Spanish
Skills: Math (Int), Running (Agl)

Saves: +2 to all saves

Veteran Abilities
Melee combat, Ranged combat, Increased damage, Combat expertise, Improved defense, Supernatural attacks, Tracking

Hair: Brown, usually cut close to his scalp
Eyes: Green/Blue
Height: 5'11"

Archetype: The Coach
Quote: "Hello, class, my name is Coach Zimmerman. No, you can't call me Coach Z. Yes, I was in Vietnam. No, I will not tell you if I killed anyone."
Quirks: Flies a crop-duster plane over the summers and fall. Says he nevers takes late homework, but always does. Hates the sound of chalk on a chalkboard, one of the only teachers who has a whiteboard.
Theme song: "Fortunate Son"  - Creedence Clearwater Revival

Coach Zimmerman is one of those guys who could have come back bitter from the war, but instead threw himself into his chosen vocation. He could have gone on and maybe even gotten his Ph.D. in math, but he wanted to teach so he could be a positive influence. He is kinda based on my high school calc teacher who was also a coach. 

As of now, Kurt is the only Veteran in the group. I kept the Veteran class out of the players' hands because I couldn't justify it. I suppose if someone had come to me and said that their character was a hunter, then maybe. I mean, I knew kids like that in high school, so it's not that odd. But these players grew up in the suburbs. That never dawned on them.

He gets a bit flustered around women, especially Keri, but she makes conversation easy, and they have a lot of common ground. 

Their Quarterly wager is well known throughout the school, just as it is also known that they will end up at Sal's Pizzeria. The only thing more certain is the constant shouting match between the waitress, Denise, and the owner, Sal.

Kurt and Keri's date while Denise wants to be anywhere else.
Kurt and Keri's date, while Denise wants to be anywhere else.

"I swear, why do I bother writing this down? You two order the same stupid thing each time: a large pizza, green olives and extra anchovies, and two Budweisers. Gross." - Denise. 

I think I'll have to detail Sal's Pizzeria along with some other locations.

Night Shift® is a registered trademark of Elf Lair, LLC.

Wednesday, April 22, 2026

Tales from Jackson, IL: Witchy (Wednesday) Woman, Sylvia Velasco

No game for me this past weekend. My wife was sick, so I had dinner prep all on my own (we usually work together on the big game-day meals), but even then, I think it came out looking good.

Ham, homemade Mac & Cheese, caramelized sweet corn.
Ham, homemade Mac & Cheese, caramelized sweet corn.

It also gave me some time to work on adventures, monsters, and an NPC. 

"Hey, maybe if we get lucky, someone will drop a house on her." - Valerie Beaumont on Sylvia.

Getting ready for this coming weekend's game, and I thought I'd introduce the campaign's resident evil witch. She is not going to be a big bad or anything like that, and I might have to go after the theosophist. If there had been a witch PC in the group, that theat character would have been the target. But this character is a background threat. Like a yard with a loud dog. Sure, they look dangerous and are noisy, but as long as you don't try to get into their yard, you can ignore them.

While deciding on my witch of choice, and I have so many to choose from, one became obvious to me right away. Sylvia Velasco. Though you all know her better as Skylla

Sylvia "Skylla" Velasco

Sylvia Velasco

Sylvia Velasco is one of the few adults the cast of characters will interact with who are not teachers or parents. She runs an occult bookstore, El Espejo Oscuro ("The Dark Mirror"), and claims to be from Spain. While her shop never seems to have customers (and most people are afraid of the place), she dresses immaculately and drives a brand-new (1985) Ferrari 308 GTS (red, of course).

Everything about Sylvia screams style, class, elegance, and danger.

Her accent is exotic without being off-putting. She is attractive without being threatening. She is older than the characters without coming off like a stereotypical evil witch.

Trouble is, of course, she *IS* the stereotypical evil witch.

My original plan was to have her go after any witch characters in the cast to prey on their power.  But we don't have a PC witch. I might set her after the psychic and/or theosophist. I want to establish her as evil and a real witch, making her a threat (but not THE threat). Later, she is going to the target of the local mob in my "Satanic Panic" adventure. She and her shop will also serve as a resource for PCs and NPCs alike.

Sylvia "Skylla" Velasco
Sylvia Velasco
6th Level Witch, Human

*Background: Sorcerous

Base Abilities
Strength: 9 (0) 
Agility: 11 (0) 
Toughness: 14 (+1) 
Intelligence: 12 (0) N
Wits: 15 (+1) N
Persona: 17 (+2) A

Fate Points: 1d8
Defense Value: 5
Vitality: 28

**Degeneracy: 0
Corruption: 0

Check Bonus (A/N/D): +4/+2/+1
Melee Bonus: +1 (base) 
Ranged Bonus: +1 (base)
Spell Attack: +3
Saves: +3 to Spells and Magical effects (Witch) +2 to Intelligence saves (Sorcerous background).

Witch Abilities
Arcana, Arcane Powers (2): Innate Magic: Arcane Dart, Beguile Person

Witch Spells
First Level: Arcane Dart, Glamour, Gout of Flame
Second Level: Beguile Person, Magic Lock, Paralyze Person
Third Level: Dark Lightning, Dispel Magic

Heroic Touchstones
2nd Level: First Level Spell: Mystic Senses

Archetype: The "Evil" Witch
Quote: "I'll never make you do anything you don't want, and I will never lie to you." All of which is technically true.
Quirks: Looks AMAZING. Never so much as one perfect silver hair is out of place.
Theme song: "Abracadabra" - Steve Miller Band

Ok, a couple of things here.

I am going to start using the Backgrounds introduced in Wasted Lands. Though the backgrounds I am going to use are "Jock," "Band Kid," "Nerd," and other high school archetypes. since Sylvia is the first I am just using the stock "Sorcerous."  Right now, my high school background will only provide a bonus of +1 in either a skill type or a save.

I am also bringing in Corruption, though it is not as dangerous as what Wasted Lands has. In my Jackson game, it is called "Soul Burn." The first sign of soul burn, literally burning away pieces of their soul, is white hair. This helps explain why Sylvia and Faye Thorne both have white hair. Sylvia has done hers on purpose; Faye was subjected to it by her evil aunts. 

As I mentioned previously, I am also experimenting with adding various Heroic Touchstones. But since want this to be a more "realistic" game, or at least on the more realistic side of cinematic, I am going to pretty judicious in adding these. 

El Espejo Oscuro
Looks like witch-bait to me.

And it can hardly be the 1980s without a great soundtrack!

Night Shift® is a registered trademark of Elf Lair, LLC.

Tuesday, April 21, 2026

Mail Call: These Old Dragons

 Quick mail call today.

Couldn't sleep one night so I got online one of the Facebook RPG Buy/Sell/Trade groups.

Long story short, I bought a bunch of Dragons I was missing. 

Dragons

This works out well for me since I was running out of Dragons for "This Old Dragon."

I don't quite have them all for 2nd Edition yet, or more to the point, between 1995 and 1999, but I have a lot. With some other recent purchases, this should keep me occupied for a while.

I think I might pull these out in order. I have a lot I want to do for the span of 1984-1987 and I want to be sure I cover them.


Monday, April 20, 2026

Monstrous Mondays: Old Annie, the Mauvaisterre Hag

 Everyone in Jackson, IL knows about "Old Annie" though not everyone agrees on what or who she is. The most popular story is that "years ago," Annie was a local woman who lived near the river. She had three (maybe four, maybe two) children. Her husband left her, and she drowned her children. Then, in a fit of grief, she drowned herself. At least that is the most common story. Everyone has a story about seeing her, or someone who has seen her, or heard her wails at night when she is supposedly out looking for her drowned children.

Others include an escaped patient from the Illinois State Hospital who fell into the river and drowned, and now her ghost is trying to find her way out.  Others claim the whole thing is a hoax and point to a 1967 Jackson Gazette story of faternity pranks at MacAlister College where pledges were forced to dress up as Old Annie to scare people.

Photo by Sergej : https://www.pexels.com/photo/scenic-river-view-with-bridges-in-coesfeld-37093409/

“Don’t go near Mauvaisterre River, Old Annie will snatch you.”

Everyone has a theory of who Annie was, including a woman named Anne Sullivan from the 1870s.  

The trouble is, everyone is wrong. Not about Old Annie as such, just who she is and what she is. Annie is not the ghost of a guilty mother. Old Annie is really the Mauvaisterre Hag.

The Mauvaisterre Hag

The land that was settled and later became Jackson, IL originally had a different name. When Jacques Marquette and Louis Jolliet first came through this area in the late 1600s, they went to places of local importance. Like the Dixon and Cahokia Mounds, the bluffs over the Mississippi River are where the Piasa was said to have lived. And north of that was a land that all the locals avoided. A place they called "The Bad Land."  This translated into "Mauvaise Terre" and eventually became "Mauvaisterre".  Today it is the name of the county where Jackson sits, a lake, and a river that runs through the town.

Even then, legends of a hag-like creature haunting the waterways were old.

The Mauvaisterre Hag is a corrupt spirit of the land, a water spirit similar in many ways to a nymph or nixie, but something evil happened, and this balanced nature spirit became twisted and evil. 

If the members of the Peoria tribes had a name for this creature, they never told anyone, least of all the white explorers to their lands.

THE MAUVAISTERRE HAG, "OLD ANNIE" (AD&D 1st Edition)

THE MAUVAISTERRE HAG, "OLD ANNIE"
Frequency: Very rare (Unique ?)
No. Appearing: 1
Armor Class: 5
Move: 9” / 12” in mud, swamp, or shallow water
Hit Dice: 3+3
% in Lair: 60%
Treasure Type: None
No. of Attacks: 2 or 1
Damage/Attack: 1-6/1-6 or by weapon
Special Attacks: Horrific appearance, drown
Special Defenses: Camouflage, surprise, half damage from cold
Magic Resistance: Standard
Intelligence: High
Alignment: Chaotic Evil
Size: M
Psionic Ability: Nil
Attack/Defense Modes: Nil
Level/X.P. Value: IV / 165 + 4 per hit point

Mauvaisterre Hag (NIGHT SHIFT)

No. Appearing: 1
DV: 5
Move: 45 ft. / 60 ft. in mud, swamp, or shallow water
Vitality Dice: 3
Special: 2 claw attacks or by weapon; horrific appearance, drown, camouflage, surprise, half damage from cold
XP Value

The Mauvaisterre Hag, also known as "Old Annie," appears as a bent and sodden crone with long trailing hair like river weeds, pale eyes, and skin the color of wet clay. Her garments are formed of rotted cloth, moss, mud, and reeds. She is most often encountered near creeks, riverbanks, marshes, drowned groves, or low ground where the earth has become soft and treacherous. Though related to the sea hag in nature and malignancy, Old Annie is a thing of bad earth and black water rather than salt sea and storm tide.

It is said by those who can read these signs that Annie used to be something more akin to a nymph or a nixie, a water creature of nature and balance, but something happened. Something that changed the land and corrupted it and the spirits that lived there. Some of these spirits have gone to darker, deeper places in the earth, but Old Annie remains. She is ancient beyond reckoning, and her age has done nothing but deepen her malignancy. 

Old Annie attacks with filthy claws, striking twice per round for 1-6 hit points each. She may also wield a crude knife, broken oar, driftwood club, or similar object if it suits the encounter. She prefers ambush, isolation, and terror to open battle.

Special Abilities

Horrific Appearance: Any creature beholding Old Annie for the first time must save vs. paralysis/petrification (Wits based for NIGHT SHIFT). Those failing suffer a -2 penalty on attack rolls against her for 1-4 rounds due to revulsion and dread. If the victim fails the saving throw by 5 or more, they must also flee in panic for 1-3 rounds. This is less potent than the deadly gaze of a true sea hag, but no less hideous in its own fashion. Creatures accustomed to hags, swamp spirits, or similar horrors may receive a +2 bonus to the saving throw at the GM’s discretion.

Drown: If Old Annie successfully strikes the same man-sized or smaller victim with both claws in one round while in shallow water, mud, or slime, she may, on the following round, attempt to drag the victim beneath the surface. The victim must save vs. death magic or be pinned and begin drowning. On subsequent rounds, the victim may attempt to break free with a successful bend bars/lift gates roll or by Old Annie being driven off, slain, or taking 6 or more points of damage in a single round.

Camouflage: When standing motionless in reeds, mud, shallow water, or against a creek bank, Old Annie is 75% likely to be mistaken for driftwood, roots, a patch of reeds, or some other natural feature unless closely examined. She surprises opponents on 1-4 on 1d6 in such terrain.

Half Damage from Cold: As a creature of chill muck and black water, Old Annie suffers only half damage from cold-based attacks, with fractions rounded down.

Old Annie is not a true hag, but a corrupted nature spirit. As such, she does not have access to witch magic or form a covey with other hags. Though she shares no love for hags either and will avoid the Urban Hags of Jackson. 

--

"Mauvaisterre" is a real place name in Central Illinois. The rough translation does mean "bad earth" or "bad land." It is the real name of a creek and a lake, but not a river or county. I also thought it was appropriate for a place I have been calling "a sinkhole of evil."

Night Shift® is a registered trademark of Elf Lair, LLC.

Friday, April 17, 2026

Mail Call Friday: Kibifig minis

 Rare Mail Call on a Friday since I normally do these on Tuesday. But Tuesday has become the day I report on my weekend game, so this works fine. Plus, what I have today is about my weekend games. 

I love new tech. If there is something I can do now that I couldn't do before, then I am interested. Current 3D printing is in that realm. We have a few 3D printers thanks to my youngest's major in engineering, and I take advantage of them every chance I get.  The new spate of image to 3D print has also caught my imagination. I have been playing around with many of them, they typically have similar offerings; upload a photo, pick a style, choose a size. There is typcially a preview, but I often don't trust those. But one, Kibifig, seemed a little better than the rest. Not so much with price, they are all very similar there, but in terms of features. Given I was working on my NIGHT SHIFT and Wasted Lands games while going through these, I uploaded some images of my witch, Larina. Well I got them in the mail late last night and frankly I am thrilled with the results.

Larina in 70 mm
Jackson, IL, Larina and Ash Witch Larina

That picture really doesn't do them justice. These are the 70-mm versions. I am certain that the 90- or 120-mm versions would be much better. In fact, they don't really recommend the 70mm, but I wanted to try it first.

It was pretty simple. Upload the photos and click through. It took about 3 weeks to get here from China, which, honestly, given everything, is pretty fast. 

The minis were packed amazingly well. 

box in a box

serious packing

individually wrapped

The minis themselves are quite good and made of stronger material than I have seen in the past.

They also compare very nicely to their 2D images.

Ash Witch and Jackson, IL

Wasted Lands Dying Age - Ash Witch Larina
1986 Jackson, IL Larina

These are just 2D images. Thankfully, there was enough for the AI to work with, and it filled out the rest. 

Back side view

The backpack looks good, and so does the Ash Witch's cape. 

They came with plastic disc stands, but they stand pretty well on their own. 

I did a preview of the 120 mm version of Jackson, IL, Larina, and it looks great, really. The AI even gave her Doc Marten's purple boot laces. I might have to get it just for that.

It missed some details, like the Ash Witch's streaks of gray hair and the dirt on her legs. But otherwise these are rather perfect in my mind and I am pleased with them. I mean, even "Spells" is clearly legible on Jackson Larina's schoolbooks, if the pentagram is a bit small. 

So yeah, I am happy with these. 

I threw the cover for my Advanced Witches & Warlocks and this is what it came up with. 

Advanced Witch

I might have to get that one.