October Horror Movie Challenge: The Lighthouse (2019)

 This one has been on my "to-watch" list for a while now. Figure with today being "Slow Burn," this would be a great night for it. Plus Robert Eggers (who gave us the amazing "The Witch") does this sort of tale well.

The Lighthouse (2019)

Ephraim Winslow (Robert Pattinson) is sent to work as a "Wickie" on a remote lighthouse on the New England coast with Thomas Wake (William Dafoe). The movie starts out moody and even a little claustrophobic in Black & White and 4:3 aspect ratio. Plus, there is no talking until we are 7 mins into the film.

It is obvious from the start that Winslow and Wake will not get along. Wake has Winslow doing all the menial tasks while he saves the prestigious task of manning the light (often completely naked) for himself.

The tension between the two builds throughout Winslow's two-week stay. It builds to head when after two weeks of abuse (and maybe some hallucinations) Winslow finally has a drink with Wake.  There is a storm coming and things get worse between the two men. Winslow keeps seeing a mermaid (Valeriia Karaman), getting attacked by seagulls, and even seeing a large tentacle in the light room.

They also continue to drink and when the alcohol runs out, and the secret stash as well, they switch to drinking turpentine and honey. The last few days become a strange mix of paranoia and hallucination. We learn that Winslow's real name is Thomas Howard and that he let his former boss the real Ephraim Winslow, die.  

The weather and their attitudes worsen. Winslow/Howard finds the head of his predecessor in the lobster trap. He reads Wake's logbook and discovers that Wake has be saying it is Winslow who is abusive and wants to not pay him for the last two weeks. They run out of food.

Eventually, it all comes to a boiling point. Wake tries to kill Winslow/Howard with an axe, but he manages to kill Wake. He goes up to the light and opens the lens only scream in horror and fall down the steps.

We end with nearly dead Winslow/Howard lying on the rocks as seagulls pick at his insides.

It was certainly a slow burn with more happening in the last few hours of the story than the first two weeks. Eggers does a great job on building tension and suspense. Plus you are never exactly sure what is going on which is also quite effective.

Glad I finally took the time to watch it.

October Horror Movie Challenge 2023
Viewed: 10
First Time Views: 4

Monstrous Mondays: D&DGII Dökkálfar and Ljósálfar

One of the main features of the Black Forest Mythos is the ever-present forest. Things and things live there, and they are not meant for human eyes.  Something we forget in our age of Google Maps and GPS is how frightening the unknown is to people. Still is, but there was so much more of it then. The forest was the home to goblins, witches, and even the Devil himself. So, reading over the myths and fairy tales of the time it behooves me to include some of the inhabitants.

Dökkálfar and Ljósálfar

These are the "dark" elves and "light" elves (respectively) of the Norse and Germanic myths. I kept their names intact because they felt different enough for, yet close to, "Dark Elf" and "Light Elf." I have discussed the Dökkálfar before, and they are worth revisiting. For this, I wanted to return to an idea I had in the late 1980s of a "Progenitor Species" of all the elves and faerie creatures. It's something similar to what the Sidhe and the Eladrin have done in my games after and especially in the 2000s. This is returning to that idea shed of the connotations connected to the Sidhe. 

This is also something I am developing for my Wasted Lands campaign, which I'll be talking about more and more.

For these myths, I am also combining bits of the Greek nymphs and Roman Genius loci into a single idea. Thus these people are very specific to their environment, so the Light vs. Dark bifurcation.  I am purposely trying to avoid distinctions like Seelie vs Unseelie courts. That is another part of the world (though close by) and centuries away. 

The Álfar

The Álfar were a race of immortal, nearly divine people that some claim existed before the gods. Their origins vary, but almost all agree they are the children of the Earth (Großmutter).  One group lives above ground and cherishes the light (Ljósálfar) and another lives underground and loves the dark (Dökkálfar).

It is believed that these creatures are the progenitors of all nature spirits (elves, nymphs, dryads) and other earth creatures (kobolds, dwarves, gnomes). Like their forebears the have no souls but are not immortal.

ÁLFAR
FREQUENCY:  Very Rare
NO.  APPEARING:  1-2
ARMOR CLASS: 1
MOVE: 18" 
HIT DICE:  10+10 (55 hp)
%  IN  LAIR:  90%
TREASURE  TYPE:  Q (x10)
NO.  OF  ATTACKS:  2
DAMAGE/ATTACK:  Sword (1d8+3) or by spell
SPECIAL  ATTACKS:  Spell
SPECIAL  DEFENSES: +1  or  better weapon to hit
MAGIC  RESISTANCE:  45%
INTELLIGENCE:  High
ALIGNMENT:  Chaotic Good (50%) or Chaotic Evil (50%)
SIZE:  M  (6')
PSIONIC ABILITY:  Nil

The Álfar are the progenitor race of all elves and other faerie races. Some also claim that dwarves and gnomes can trace their ancestry to these people. They are divided into the Ljósálfar (Light) and Dökkálfar (Dark) depending on where they live: above or under the ground, respectively.

Regardless of their Light vs. Dark viewpoints, they are still the same species.

Álfar can attack with a sword twice per round or cast spells as a 10th-level magic-user. They have access to all magic-user spells and many unique ones as well. 

Courtesy is tantamount to the álfar. They will not attack someone honoring the rules of hospitality, but these rules must be adhered to strictly. They have been known to curse mortals that displease them for even the smallest of slights, and reward them with powerful magic for those that treat them with courtesy and respect. 

The Dökkálfar live underground and are often considered to be evil. The Ljósálfar live above ground in a "land beyond the forest" and are most often thought to be good but no less dangerous to deal with.

Links

• One Man's God Special: Syncretism Part 3, the Roman-Norse Pantheon
• One Man's God series
• Monstrous Mondays: D&DGII The Monsters of the Black Forest Mythos
• My overview and rules for these postings

This is another post for my RPG Blog Carnival Horrors, Gods, and Monsters.

#Dungeon23 Tomb of the Vampire Queen, Level 10, Room 9

 The end of this plane is a wall of stone. Carved into this stone is a huge Dwarven Mausoleum. 

The door to this structure is sealed shut and requires a combined strength of 40 to open. 

Once open, the characters in the doorway need to save vs. Death or take 2d6 hp of damage (save for half).

October Horror Movie Challenge: Abbott and Costello Meet Frankenstein (1948)

 I was talking to my wife about tonight's theme, Horror Comedy, and how I wasn't quite in the mood for that. I wanted to watch Pet Sematary again before the new Paramount channel series. Talking with my wife she asked if I had ever reviewed Abbott and Costello Meet Frankenstein, a movie she knew I loved. As it turns out, Amazon Prime has it.

Abbott and Costello Meet Frankenstein (1948)

This movie is an old one. So instead of going over it detail (I mean, everyone has seen this one right?) let's talk about what it has going on.

Béla Lugosi is back as Dracula, a role he has been playing at this point for 20 years. This was one of his last major roles before his alcohol and drug addiction made getting roles more difficult. He also was very typecast at this point. I always liked him in this role and I think this is one of the first depictions of Dracula as a mad scientist. Something that would become more prevalent later on.

Lon Chaney Jr. is also back as Lawrence Talbot / The Wolf Man. This role I think really was the first time it sold me on the idea of lycanthropy as a curse. This movie was also one of the many of the Frankenstein-Dracula-Wolfman crossovers of the last four or so years. Were these the origin of the Vampires vs. Werewolves in the movies? Maybe.  This was also the last appearance of the Wolf Man in the Universal Studios movies.

Lenore Aubert plays Sandra Mornay, our mad scientist. She is the one bringing Frankenstein's monster back to left and just needs Lou Costello's brain to do it. Fairly progressive for 1948.

This movie also has a special guest at the end, Vincent Price as the voice of the Invisible Man. A nice start to his career in horror.

The movie is fun. It was one of the first "monster movies" I can remember watching with my dad.

October Horror Movie Challenge 2023
Viewed: 9
First Time Views: 3

#Dungeon23 Tomb of the Vampire Queen, Level 10, Room 8

 Moving past the area where the Ankou and his undead cows are "grazing," the party will encounter three wandering vampire girls. They look young but are many centuries old. 

They will claim to be thralls of the Vampire Queen and want to help the party. 

In truth, it is far simpler. They were thralls and now they are bored. They come back here because they are still drawn to their Queen.

They have no idea if the Queen is living or dead. They have not been able to get below this level. They will try to strike up a bargain with the party to get to the lower levels. They have no idea how to get to lower levels, nor even what is there. 

They have every intention of killing the party as soon as they can.

October Horror Movie Challenge: Night Teeth (2021)

Teen Angst. Yeah, that covers a lot of Horror Movies, but nothing I was in the mood for tonight. So I checked the Teen Horror Halloween movies and found this one. Looked fun.

The voiceover in the beginning informs us that humans and vampires have had a truce for years. 

We see 

Benny (Jorge Lendeborg Jr.) is a driver...well, not really, he is subbing in for his brother Jay, and he is hired to drive around two young socialites, Blaire (former Disney kid Debby Ryan) and Zoe (Lucy Fry, playing her second Vampire).  The girls have a list of parties they want to hit and the last one has to be reached before morning.

Blaire and Zoe are vampires going on a killing spree, killing people against the truce.  Beeny discovers this and soon discovers that the cops are going to be no help to him. 

We learn they are working Victor (who also grabbed Jay's girlfriend in the beginning) killing everyone in Eva (Sydney Sweeney) and Grace (Megan Fox) network. Jay is a vampire hunter who was supposed to help them, but Jay wouldn't help.

The girls go through LA killing vampire bosses, dragging Benny with them. 

Jay confronts Victor to kill him, but Victor already had his girlfriend Maria killed. 

At the last stop Zoe is shot with a crossbow so they go to Victor's.  Knowing he is about to be killed Beeny crashes the car into the house, killing Zoe with sunlight. Jay tackles Victor but not before Benny is bitten.

Benny, dying is given some blood from Blaire. At first it looks like maybe Benny isn't a vampire, but when he is later picked up by Blaire you can see his fangs.

--

So not a bad flick really. Certainly, part of the modern Vampire mythos of vampires as the rich and powerful. Other recent examples include Day Shift (2022) and go back to the Blade and Underworld movies. Sure it has been part of Vampire myths for a while, with the prime example coming from the Anne Rice books.  This newest crop also features organized and funded (though not as well as the vampires) vampire hunters.

This one wasn't very "Teen" but still a fun flick. It was great seeing Debby Ryan in something other than a Disney series (I had little kids back then). 

October Horror Movie Challenge 2023
Viewed: 8
First Time Views: 3

#Dungeon23 Tomb of the Vampire Queen, Level 10, Room 7

 Beyond the tomb of the Blood Goblins, there is a 40% chance that the party will encounter the Ankou and his undead herd.

The Ankou is a farmer who was caught between the Vampire Queen and the dwarves when she grabbed their mountain and transported it here.

The Ankou uses the same stats as a Mummy. It can only transmit its disease with its mowing scythe.

The 12 undead cows use the same stats as a horse.  The cows are turned as Ghouls. The Ankou is turned as a mummy.