Friday, June 15, 2012

World of Darkness and Mage the Awakening

World of Darkness and Mage the Awakening

One of the most influential games to ever hit the market was Vampire the Masquerade.  I have talked about this game quite a bit in the past, but never addressed directly.   Well a while back they “rebooted” the entire universe and now we have the “New World of Darkness” and with it a revised vampire game, Vampire the Requiem.

Let’s start basic; both games are all perfectly playable as they are.  All the games cover much of the same ground and allow you to play similar types and styles of games.  All the games have similar backgrounds, realities and even to some degree futures.  Characters created in one game can easily be thought of as having an analogue in the other game.  In fact recently White Wolf created a “Translation Guide” to allow you to move characters from Vampire the Masquerade to the newer Vampire the Requiem.  It was an insanely popular book spending many months in DriveThruRPG's top 10.   They also now have a Werewolf Translation now.  I am waiting for them to do one for Mage.

The same could be thought of when comparing *WoD with Unisystem.  For every Unisystem character there is an analogue in the World of the Darkness (either).    Both games cover a lot of the same ground, just in different ways.

Translations between the two different systems it bit hard than between oWod and nWod, but it can be done.  So the question then is why would I want to?

Well there are many reasons.  Maybe you want something new a unique to spring upon your players.  Zombies with more “life” in them, vampiric ghouls, conspiracies from either game.    Given that the in-game realities allow many permutations the question become more of Why not?
Maybe you have tons of books of one system, but want the new challenge of a new system, but don’t want to loose your investment in a world.

Or, lets face it SOME ONE out there want’s to see what happens when a Slayer goes up against the Ordo Dracul, or who really is more powerful, a Mage or a Witch.

For the sake of this post I am going to concentrate on nWod or new World of Darkness and the "Storytelling" system and the WitchCraft and Ghosts of Albion flavors of Unisystem.  Given that, I am going to focus mostly on Mage the Awakening.

Worlds of Darkness
What is different between the two WoD games and why should I care?  To start with the rules have been cleaned up to allow greater playability across all the lines and a new focus has been placed on “normal” humans; something the old World of Darkness sorely lacked.  All in all the rule changes are an improvement.  They are, if I dare say it, more Unisystem-like. Also the meta-plot and background has changed.  In many respects the meta-plot of old is gone, this allows Storytellers great freedom.  But it also seems they purposefully did what they could to make differences more pronounced.  In Vampire this is a good thing, in Mage I am less pleased with the results.

Mage: So What’s New?
Well in many ways much is the same.  Characters are still magic wielding humans that can change the nature of reality through the effort of their will and a butt-load of d10s.  There are still traditions of sorts (now called Paths) and there are still spheres of control (10 total).
The authors really took time to think about the myths of Mage. The results will vary in the eyes of the beholder, but there is no doubt that they craft an interesting world.  It is almost like they took all the myths of the world and thought “what are the root truths to all of these”.  The result is something I describe as looking at the world from a perpendicular or a sideways glance; it looks familiar and yet oddly strange.  Everything is familiar and still new and different. Also there seems to be a general fondness for the 70’s occult revival or the trippy acid-induced hangover of the 60’s. For example the five mages of the watchtowers look like something out of a Black Sabbath album.

Mage the Awakening system wise is much closer to WitchCraft.  Mage: The Ascension is more compatible with WitchCraft thematically.

nWoD: Second Sight
In many ways this the Mystery Codex of the new World of Darkness.  It is also the new “Sorcerer: The Hedge Wizard’s Handbook”. It deals primarily with psychic powers and phenomena as well as “low magic”.  It is a good addition to any WoD game and a decent enough primer of psychic ability for any game if you can’t get your hands on the Time-Life Books series. It does do something that the old WoD was never able to do adequately for me, and that is answer the question of what happens if an already powered character gains vampire, werewolf or mage powers.  Full of ideas of new Supernatural Qualities, Seer Metaphysics, and even Taint based powers.  This book is actually quite useful as is for Unisystem gamers.

What Do Users of Each Game Get?
For the Unisystem player the answer should be quite obvious, a variety new and interesting powers for Vampyre characters. Most Vampire powers can be converted to Qualities.  But beyond mere crunchy stuff, there is the thing that makes both games so appealing; the back stories.  Both the new WoD and the old WoD had very interesting back stories and meta plots to their game, it really gave the feeling of living in a real, living (unliving?) world.
Unisystem Games are not as detailed for another good reason, to allow players the freedom to make the worlds their own.  WitchCraft also assumes that there are many different kinds of magic, not just paths to one ultimate truth.  These magics can coexist with each other and the world.

Conversions to Unisystem
Normally when doing a game to game conversion I like to think these are the same characters in the same world, with just a different way of looking at things. Conversions between Unisystem, d20, BESM, Chill,  and even Kult have worked out fine in this regard. Sure there are some differences in world mythos and ways and means of magic, but all in all conversions can be (and have been) done.

This one is a little more tricky.  While converting the actual numbers is not a difficult task really, it is determining if the numbers mean the same thing.  Then there is the dice pool mechanic vs. the stat+roll compare to a target number mechanic of games mentioned above.
In most cases a direct conversion may not be possible so instead one should try to stat the character using the same concepts.  So my Wicce Seeker of Knowledge ends up being a witch on the Thyrsus Path and a member of the Mysterium.  Not exactly the same thing really, but close.
I am viewing this then as separate but equal (which, thanks to the Kansas Board of Education we know really isn’t) characters; alternate universe versions of each other. So the characters are largely the same, just the worlds are different.

Points to Points
We can look at conversions two ways; a point for point conversion or some external correlation.  In WoD (most) everything is on the same 1 to 5 point scale.  In Unisystem everything is also on an equal pointing scale.
This is good, so let’s start with the Attributes. The new WoD still has nine Attributes in 3x3 categories, with Willpower which is removed from the attribute list and has it’s own scoring.  Unisystem has 6 attributes in 2 categories (mental and physical). So not everything is going to convert nicely.
Intelligence, Strength, Dexterity and Stamina (WoD) line up well to Intelligence, Strength, Dexterity and Constitution (Uni).  Willpower and Perception in Unisystem are slightly different in WoD.
The Social triad, Presence, Manipulation and Composure can best be handled by Qualities and Skills.  In particular Charisma (which can be positive or negative in Unisystem) can handle Presence and Composure to some extent.  Others Qualities and Skills include Influence and Attractiveness, as well many supernatural qualities.

If we count the “free” point everyone gets in WoD for all nine attributes and add the amount allocated we get 30 points total and an average of 2.333 per attribute.
In Cinematic Unisystem Heroes get 20 points for 6 attributes, this amounts to a 3.33 per attribute.  So on the average 1 point higher per attribute.

Going to the external validation let’s do what I did with the Chill conversions; compare the max lift of both games.  At a strength of 1 a character can lift 50 lbs in Unisystem or 40 lbs in WoD.  In both systems a strength of 2 will allow a character to lift 100 lbs.  But it is at Strength 3 that the systems differ. At Strength 3 a WoD character can lift 250 lbs, a Unisystem character 150lbs.  This continues and gives us the following table.

Strength nWoD Unisystem
1 40 lbs 50 lbs
2 100 lbs 100 lbs
3 250 lbs 150 lbs
4 400 lbs 200 lbs
5 650 lbs* 250 lbs
6 800 lbs 450 lbs *
7 900 lbs 650 lbs
8 1000 lbs 850 lbs
9 1200 lbs 1050 lbs
10 1500 lbs 1250 lbs

There is a built in error factor of ± 10% of the weight on Unisystem’s side.

Continuing our look at external validation let’s compare what each system calls their human maximum (* above).  In WoD this is 5 (at a higher point cost) and in Unisystem it is a 6 (also at a higher point cost).

All three of these combined point to one overwhelming conclusion:
WoD scores = Unisystem – 1

Very nice.  A quick and dirty look at skills, metaphysics, merits and flaws and this seems to hold true.

Vices and Virtues
This is new to the new WoD game and it is an interesting role-playing twist.  By having your character role-play one of the seven deadly sins and the seven virtues they gain Willpower points.  My suggestion is to retain these when converting to Unisystem and have players gain or loose Essence Points (for Classic games) or Drama Points (for Cinematic games) in place of Willpower.   In the case of following their virtue they gain a 1 to 3 Essence points or 1Drama point instead regaining all lost.
Of course Experience points can always be given, but by giving Essence or Drama points they take on a different feel.  My personal preference is to use this with Essence.
This is most similar to Kult’s Mental Balance mechanic or the Karma mechanic of other games. My trouble is often my characters do not fit well into the seven virtues or vices.

Skills
Skills seem a bit easier.  Classic Unisystem has more skills than WoD, but CineUnisystem has less.  Five dots is the human maximum in the WoD, 6 is the human max in Unisystem, but some can go to 9.
Use the same conversion formula here, WoD score = Unisystem score -1.
If converting to CineUnisystem, use a wild card for skills not covered (like politics).

Metaphysics
Ah. Now here is the meat of the matter, what makes both games unique.  Mage and WitchCraft’s magic systems are not only very different from each other, they are also largely different from most other games out there. The magic system is often one of the big reasons why people choose one of these games over the other.
In Mage one immerses themselves in a Path and learns (by spending points) Arcana.  These are then utilized by Rotes and powered by Mana (Quintessence in old Mage).   In WitchCraft one immerses themselves into metaphysics and learns the invocations (by spending points) of that area.  In some cases these are also call Aracana. These metaphysics are powered by Essence.

Converting Rotes to Classic Invocations
In Mage magic exist in Arcana and are powered by Mana.  WitchCraft invocations are likewise grouped and are powered by Essence. So they do have surface similarities.
Since invocations have mostly set effects, it is often easier to use Mage rotes as the path of conversion.  But it should be noted that purchasing 7 levels in any WitchCraft invocation often has the same effect as becoming the master of an Aracana (5 dots), again the WoD = Unisystem -1 formula (more or less) comes into play.

For WitchCraft I would take each Mage Sphere and make them a sub category under a new grouping of Metaphysics called “Mage Arcana”.  What separates these from other invocations is the only way to learn them is to be a member of one of the Mage associations.  Mage Arcana might just be a long hiden type of Atlantian Arcana (something both games have) or it might something completely new.  Lost texts from ancient Lemuria come to surface full of this new type of magic for example.
Now certainly there is (and should be) overlap. The Mind sphere should be accessible to anyone with the Sight, and Death and even some Life and Time should be available to Necromancers.

Converting Rotes to Cinematic Spells
When converting to Cinematic Unisystem, Rotes are the way to go.  The dots of the Rote add up to give the Cinematic Power Level.  In many cases this will have to be adjusted by -1.
Witches and Magicians that have more than 9 levels of Sorcery or Magic (respectively) can use the Improvised casting rules in Mage.

Up next, conversions in practice.

Thursday, June 14, 2012

Dear Gamers, We had better be doing better

I want to direct your attention to Anita Sarkeesian.  She is a blogger.
You can finder her blog here, http://www.feministfrequency.com/

She writes about a lot of things, but what got my attention is she wants to talk about games, video game specifically, but a lot can apply to Table Top games.

Well Anita had this idea.  The idea was she wanted to talk about depictions of women in video games versus various tropes.  Mind you there was initial indication on what she was going to say.  She wanted to talk about it. She set up a Kickstarter to be used to buy video games to play and to do the videos.  Perfectly reasonable if you ask me.
http://www.kickstarter.com/projects/566429325/tropes-vs-women-in-video-games

That is until the bottom feeders on 4Chan found out about it.
Now complaining about 4Chan is like complaining that shit smells bad. Yes, it does, but it's shit.

Well read what happened after that.
http://www.newstatesman.com/blogs/internet/2012/06/dear-internet-why-you-cant-have-anything-nice

So after the most despicable display of human behavior where Ms. Sarkeesian was called ugly, a man hater, threatened with violence, rape and death.  Her project is now 20x over her goal of $6,000.00 ($126,550 as of this writing).
I pledged, and I hope you do as well.

But I am not here to get you do that.  She is doing fine thanks to press coverage.
I am here to talk about what happened here.

The issue was she was going to talk about it.  The mere idea of this sent the lowest form of internet mouth breather into a fit of rage.  The fact that many of them were gamers or at least self-identified themselves as gamers is bad for all of us.  And frankly if you can't see why then it only illustrates how pervasive this problem is.

The problem is of course not just one of rampant sexism in games, both Video and Table Top, but how we treat and welcome (or fail to) the female gamer.

I don't pretend for a moment that we, the larger community of self-identified gamers, can fix all the issues we have here.  And I would also like to think that the reader of this Blog looks at this a problem.

But what can we do?  Well the best I think we can strive for is make gaming a more enlightened place. Yes, were are here to have fun, but I also think back to all the things I have learned over my years as a gamer.
I feel we can use this as a learning tool as something more than just pushing dice and papers around.  There is a solid social aspect here that Video Games can't touch and we, because of that, can and should be better.

Right now my game group consists of all guys. Boys, actually since they are my sons.  But I'll soon be adding one of my son's friends to the mix. But what I can do with them, and I feel I have some success, is point out that Role-Playing is some EVERYONE can do.  Girls like Harry Potter too (remember who my audience is) and if Hermonie can kick ass, so can they.

I think this needs to be the frontier RPGS need to move too.  Get us out of the basements and into the family rooms! Get different people involved.  IF the larger video game community is unwilling to welcome more gamer girls (and women) I say we do.  Make the games that people want to play with their families.

I am not talking watering down the games (At all!).  S&W, LL, BF, OSRIC and S&S are all perfect as they are right now, plus 100s of others, but make the space more inviting.

Table Top Gamers lament that we are loosing ground to video games.  The sales numbers certainly attest to this.  There is a place though where we can always do better than the video games, IF we choose to do and choose to make it better.

Wednesday, June 13, 2012

The Dark Druid

Something different today for the YAM Magazine LBGT Blogathon.  Today, not a character so much as characters  and an adventure.  I wanted to repost a link to the first ever Buffy adventure I ever wrote; updated to feature Willow & Tara more prominently.  Also updated with a new download link.
Originally posted here in 2010.


The Dark Druid: The Director's Cut



A bit of history.  Back in 2002 Eden was getting ready to release their newest game, The Buffy the Vampire Slayer game.  As you may know, I had already been playing a Willow/Tara focused WitchCraft game for about a year, so I was pretty excited by this.  Well I got asked by Eden to write the first Buffy adventure that would appear in "Games Unplugged" along with an interview with C.J. Carella talking about the game.

I took an idea I had been working on for my other game (tentatively called "All Soul's Night") and thus the Dark Druid was born.

I had been reading a ton of Irish myths then.  Among those were the stories of Fionn MacCumhaill ("Finn MacCool") and his foster mothers Bodhmal and Liath.  It occurred to me that Liath and Bodhmal were lovers, and to tie it more directly to my work in Buffy, they were reincarnated later on into the form of Willow and Tara.   Since that time anytime I read a story about Fionn MacCumhaill I can't help but read Bodhmal and Liath as lovers.

The original featured, rather prominently, Willow and Tara, as to be expected.  I had to make some changes to make it playable for others and to make it an "intro" or season opener type episode.  The plot dealt with an enemy from the Cast's past as a portent to greater evil in the future.  It was designed to be a opening episode of the season, but one that may or may not be directly related to the seasonal arc.  We were going to use this i n part of the great "Djinn" story, but that never happened.

Fast forward a few years and I was finishing up work on Ghosts of Albion and another adventure that sprang from "All Soul's Night" called "Blight" (which I have played at Gen Con before).  I felt it was time to bring back the Dark Druid and restore it to the mythology that I had created in my games.  Now you can have it too.  So it became a Prequel or an Episode 0 for my huge Willow & Tara series, The Dragon and the Phoenix.  This adventure and the Dragon adventures were designed to feature Willow and Tara.  My players were extremely pissed off at Tara being killed, so this was our way of getting our own way.

I updated it not only to fit better with my world-myths, and with some of the work I did on Ghosts of Albion and the adventure Blight.  In fact you can run Blight and The Dark Druid as co-adventures, separated by time.

The story is rather direct and linear.  This was partly due to the nature of the story and what is was supposed to do (introduce new players to the game) and part of just me writing for the Buffy game for the first time.  I have opted not to change that here, despite nearly 10 years of Cinematic Unisystem adventure writing since then.  It is supposed to be a quick, fun little adventure dealing with past lives.

The episode was well received and even has a bit on Wikipedia, http://en.wikipedia.org/wiki/Buffyverse_role-playing_games#Adventures

It was the first. The start of a series of adventures that led me personally down a crazy path.  It's hard to gauge the effect it has had, it was so fundamental.  From this point my writing increased maybe a 100 or 500 fold.  Hard to say really.

White Dwarf Wednesday #20

August/September 1980.
We get six pages of ads to start with.   This month's Editorial on Alignments and how they play out.  It's a fluff piece that doesn't really go anywhere,  other than to get the reader thinking.

The big article here is the famous Dungeons & ...Dragoons one on historical troops in D&D. This 4-page article by Philip Masters attempts to bring authentic troop types to D&D.  I am not sure how well it succeeds historically, but as a bit of game writing it is fantastic. Again, this is the kind of thing we could and should be seeing from the OSR.

Andy Slack gives us Star Patrol, scout services in Traveller.

A new feature, Character Conjuring, looks into various variant NPC character classes.  This issue has the Alchemist by Tony Chamberlain.  Since it is an NPC class there is no XP advancement table.  I am sure there were a few PC Alchemists though in the late summer of 1980.

Open Box has a few new reviews.  Dark Nebula from GDW gets a 9/10.  TSR's The Awful Green Things from Outer Space only fares a 7/10.  In a case of don't judge a game by it's box cover art, The Mystic Wood gets a 9/10 for play even if the art is bad.  We also have some new Traveller books from GDW, Book 5 High Guard (8/10), The (infamous) Spinward Marches (9/10) and Citizens of the Imperium (8/10).

With all this going over old Traveller books and games I really want to play some old school Traveller.

We get an AD&D Adventure from Will Stephenson, Grakt's Crag. 7-8 characters of 3rd level are suggested.

Fiend Facotry is back and we have a Creeper, which looks like a Roper mixed with a Shambling Mound.  The Water Leaper, which is a cross between a frog, a bat and a snake. The Slime Beast and the Frog Folk, which if I am not mistaken, became the Bullywugs.  The Cauldron-Born walked off the screen of the Black Cauldron and into White Dwarf.  And finally the Melodemon.
They are holding their first ever competition to come up with some monsters.  The monsters are all fly-related, Flyman, Flymage, Sandfly and so on.  No Fly-girls though.  Submit your stats and background and the best submission will get the Illustrated Inventorum Natura by Una Woodruff.  Add that one to your Appendix Ns.

A new regular column premiers this issue.  Star Base will discuss Traveller and other Sci-Fi games specifically.  This entry has setting up your Traveller campaign.

Treasure Chest has a bunch of Odd Items such as a Windbag and Lotion of Undead Repulsion.

A new clerical ability is covered, Conversion.  We would later see similar ideas in Dragon.
We end with a few more pages of adds and the first look at the cover of the Games Workshop Doctor Who game.  I wanted that so bad.

Quite a bit seems to have been tidied up in this issue.  While there are no big sweeping changes, other than the introduction of two new features,  one has the feeling of a bunch of smaller changes.

Tuesday, June 12, 2012

Batwoman: Marvel Heroic Role-Playing

Note: Here is my next post for the YAM Magazine LBGT Blogathon.  I am going to go over some of my favorite characters from TV, Books, and Movies and talk about how to use them in various games.

In some cases I'll also talk about why I picked the characters I did and why I paired them with the game I did.

Today I want to focus on a character I absolutely adore, but have not devoted many posts too.  The Kate Kane Batwoman.

Batwoman: Marvel Heroic Role-Playing

Batwoman is one of the more interesting characters to come out of DC's 52 comic from a few years back.  52 is also notable for giving us a new Question, Black Adam kind of sympathetic, and making Booster Gold actually kinda cool.  But it was Batwoman that made her debut here and the character has been crazy popular ever since.

This is not the old, original Bat-woman, set up only as a romance interest for Batman.  No. Not this one.

Kate Kane, is a rich heiress. A socialite. A member of the family that "owns everything else in Gotham that Bruce Wayne doesn't". But all of that is a façade.  Kate Kane is a lot of things. She is a daughter, once was a sister. She is soldier, she is openly gay and she it the Batwoman.

As an openly gay character in the comics Kate received a ton of publicity, and not just because of that, but because she was a "Bat".  The Batman family is royalty in the comics biz.  Do anything that close to the Batman and no matter what it is, it will be noticed.

While Kate of "52" seemed to be a somewhat closeted "lipstick" lesbian, Kate of the "Batwoman" series (one of DC's best selling female lead books) isn't.  She is openly out, she has tattoos, she is a former Army cadet with a promising career ahead of her till "Don't Ask, Don't Tell".  I talked about her backgroud a lot in my review of Elegy a while back.

One of the things I enjoy about this book is that her sexuality is part of person, not there to attract or tantalize readers. Look at the cover for the upcoming Batwoman #0.  Yes, she is very attractive, and yes you about about to get a boot to your face.  Kate is a soldier, first and always.

I choose to stat her up in Marvel Heroic Role-Playing for the same reasons I often choose this game. It is because it is a great comic-book game and a great tool for role-playing interpersonal drama.  Kate is great character and there is a lot going on in her life.  Her new relationship with Maggie Sawyer and her old relationship with Renee Montoya. Her strained relationship with her father.  Her significance to the Cult of Crime (who alternately want to worship her or sacrifice her).  Her relationships with the rest of the Bat family and here working with the D.E.O.  All of this stuff combines to make great character driven drama.  You could not for example simply replace Batwoman with Batman or Batgirl in these stories.   The are different stories.  In many cases Batgirl is too smart to get mixed up in same sort of cases and the Batman would punch out the bad guys and threaten everyone else.  Kate is not as strong as Bruce, or as smart as Barbara.  So she has to be more dedicated and more tenacious.

Here she is, in her Marvel Heroic Role-Playing format.


The Batwoman

"The bat they shine in the sky... civilians think it's a call for help. The bad guys think it's warning. But it's more than that. It's something higher. It's a call to arms... I've found my way to serve."

Name: Batwoman
ID: Katherine "Kate" Kane (secret)
Affiliations: Solo d10, Buddy d8, Team d6 (Currently she is solo, she has worked with father and Flamebird before. She is best though when she has someone to work with, even if she prefers to be alone)

Distinctions:
Found my Way to Serve - Kate sees herself as a soldier in a war against crime. She applies all her discipline and training to this service.
Out Lesbian - while not out as Batwoman, this does affect her mental attitude. She had to stay true to herself, even if it meant costing her everything she had worked for.
Rich Heiress - what Kate does costs a lot of money. Also her "role" as the rich heiress is a good cover.

Power Sets
Next Level Training d8
Kate sees herself as soldier still, this is the next level of training for her.
Enhanced Senses d8
Enhanced Reflexes d8
Enhanced Stamina d8
Speed d6

SFX: Effort.  Spend 1pp to up a die in NLT power.
SFX: Second Wind. Before using a NLT Power move physical stress to Doom Pool and step Power up +1
SFX: Immunity. Spend 1 pp to ignore stress, trauma or complications of a physical nature.
Limit: Exhausted.

Uniform of the Bat d8
This is not a costume for Kate. It is her uniform, the ideals she believes in.  And the boots do not have heals on them!
Gadgets/Utility Belt d8
Body Armor d8
Batarangs (attack) d8
Swingline d8

SFX: Focus
SFX: Area Attack. Target multiple opponents
Limit: Gear


Specialties 
Acrobatics Expert d8
Crime Expert d8
Military Expert d8
Menace Expert d8
Combat Master d10

Milestones
"I'm a Goddamned Solider!"
1xp when you first enter a mission.
3xp when your loyalties to those you serve with are called into question
10xp when you must abandon your loyalties for the sake of the mission or visa-versa.

My Past Haunts Me
1xp when you first interact with your Father, Cousin Bette/Flamebird or something to do with your sister.
3xp when a member of the Cult of Crime recognizes you as the Twice Named Daughter of Caine
10 xp  when you have to defeat Alice to accomplish the mission, or abandon the mission to save your Father or Cousin.


Compared to my Unisystem build I think this is rather nice.
I have done other builds for MHRP as well:


Monday, June 11, 2012

Xena & Gabrielle: Spellcraft & Swordplay

Note: This is my first (albeit late) post for the YAM Magazine LBGT Blogathon.  I am going to go over some of my favorite characters from TV, Books, and Movies and talk about how to use them in various games.

In some cases I'll also talk about why I picked the characters I did and why I paired them with the game I did.

Xena & Gabrielle: Spellcraft & Swordplay

I make no excuses of my enjoyment of Xena: Warrior Princess.  The show was silly, irreverent and always a fun time. Frankly, with it's mix of comedy, drama, memorable characters and a mis-mash of historical and mythological events, it really was the perfect D&D TV show.

I have discussed Xena in the past, with both M&M3/DCA stats and Ghosts of Albion/Army of Darkness. The unisystem versions has been one of my most popular posts. Xena certainly has earned a place in many game worlds, but in particular mine.  So here are some more stats.

This is Xena and her anamchara Gabrielle for the Spellcraft & Swordplay RPG.  Unlike my other stats, these assume that Xena and Gabrielle are still together and travelling the world.


Xena, Warrior Princess of Amphipolis
Warrior (Fighting Woman): 9th Level

Strength: 18
Dexterity: 18
Constitution: 17
Intelligence: 11
Wisdom: 12
Charisma: 15

Attacks: 7+5 (7 attacks per round, +5 to any one attack)
Hit Points: 40
Alignment: Neutral (Unaligned)
AC: 5
Sword: 1d6+3
Chakram 1d6+1, decapitates on "box cars" (double 6s), on any double that hits can knock out instead of doing damage.

+2 to Con-based Saves


Gabrielle, The Battling Bard of Potidaea
Bard: 7th Level (Bards are found in Monstrous Mayhem)

Strength: 14
Dexterity: 15
Constitution: 15
Intelligence: 15
Wisdom: 14
Charisma: 16

Attacks: 4+3
Hit Points: 25
Alignment: Neutral (mostly Good)
AC: 7
Sword: 1d6+3
Favored: Charisma, Intelligence
Oration: Gabrielle is a teller of tales, in particular the tales of Xena.  She is the author of the so called "Xena Scrolls" which could be a fabled magical tome in your game.

Staff: 1d6
Sais: 1d6 can attack with both hands (used later in the series)

Why Xena?
There is one thing that Xena does better than any RPG.  It attracted a huge female audience and kept them.  Granted, one could argue that "Friend in Need" might have killed that, but up until then.  I think Xena works for the same reason that other successful shows do.  Great characterizations and great characters.  You know all about Xena and Gabrielle, but they are still great to watch.  Adding them to your game might just be that spice you didn't know you were missing.

Adding Xena and Gabrielle to your Game
Given their wanderings across the world it should actually be only a matter of time before the characters would run into her.  Maybe they know of her infamy as a conqueress.  Maybe they know of her turn and desire to do good to atone.  Or maybe it is just one of those things where the PCs and Xena arrive in the same place at the same time.  Fate is funny that way.



Plus they are kick-ass characters that bring a lot of fun to the game.

Sunday, June 10, 2012

Tiamat on my Mind

Been doing some research on the end game of my kids D&D 3.x game and I have been thinking a lot about Tiamat.  The kids are going to fight her in the end, but I wanted something more than the big five-head dragon of the AD&D Monster Manual, and not exactly like the Takhisis of Dragonlance.


So I hit the "books".

http://en.wikipedia.org/wiki/Tiamat
http://en.wikipedia.org/wiki/Tehom
http://en.wikipedia.org/wiki/Tiamat_(Dungeons_%26_Dragons)
http://en.wikipedia.org/wiki/Takhisis
http://forgottenrealms.wikia.com/wiki/Tiamat (for the Forgotten Realms info)
http://www.pantheon.org/articles/t/tiamat.html

And inspirational posts:
http://gorgonmilk.blogspot.com/2012/01/tiamat.html
http://dndwithpornstars.blogspot.com/2012/05/percentile-systems-girl-voices-and.html
http://blackmoormystara.blogspot.com/2011/09/divinity-of-dragons.html


http://timbrannan.blogspot.com/2010/03/drow-should-be-lawful-evil-among-other.html
http://timbrannan.blogspot.com/2010/01/going-up-to-hell-cosmology.html
http://timbrannan.blogspot.com/2011/05/post-666.html
http://timbrannan.blogspot.com/2010/11/sohave-you-ever-killed-god.html


Well I also hit the real books too.

One thing I recall thinking up years ago was that Tiamat in the old myths was the personification of Chaos.  This idea was reaffirmed with me when I, like many others, dabbled in Chaos Math and Science (it was the 90s, all the cool grad students were doing it).   Tiamat is primordial chaos.   Well what is that in D&D?  Simple, the Abyss.  So I have placed Tiamat in the Abyss, but it is not-quite-the-Abyss.  Her realm is Tehom, the Hebrew word for abyss or deep.  It is also related to the Kabbalah, being one of the Qliphoth.  Tiamat and Tehom also are have etymological relations.

Zak even talks a bit about fighting Tiamat and the mytho-historical Tiamat near the end of his interview over at Penny Red. (1:20:00 or around there).

Tiamat and Lolth
In my games Tiamat and Lolth are strong allies (no, not like this). Mostly because I have effectively had them swap places; Lolth becoming LE and in Hell, Tiamat CE and in the Abyss.  But also because they have similar backstories.  Both were (are) gods. Both were cast out by male Gods to establish some new order.  I can see each seeing something of herself in the other, and not in a self-loathing way (Lolth in my world is full of self-loathing, no pun intended) but rather as solidarity.  Their views are radically different, but their plans for conquest do not conflict really.  So they see each other as an ally.  Not best friends or anything like that, but there is mutual trust built up over centuries.  They are evil, not stupid.   If I were to play this out then I would have an alliance between the Drow and a group of dragons.  Most likely the red dragons, like what the Githyanki do.  I might even revise that a bit and say it was a select group Drow that went to serve Tiamat and she in return had some dragons serve Lolth.  Of course they are spies, but everyone knows this.

Here is an odd entry, attributed to the Demonomicon that Lolth is the offspring of Tiamat and Alrunes, the Queen of Sorcery.   Not quite sure about that one really.  But I have conjectured that Orcus is the offspring of Tiamat.  That would give me a hook too.

Of course I had this evil thought of using  the Scales of War material for the last few adventures.

Just a little late night research.

Anything cool about Tiamat or Lolth I should know?