My wife just pointed out to me that I have never actually played Ghosts of Albion (not Angel, not Buffy) as a player. I have played the rules before. But never as an honest to goodness, made in 1839 player.
How in the heck did I manage that???
Sunday, April 22, 2012
A to Z Blogfest So Far .
We are in the home stretch of hte A to Z blogfest for this April.
I have now visited EVERY SITE on the on the list.
There are a lot of cool sites out there and I want to go back to a lot of them.
If there is something you want me to see or if I have not posted to your blog yet, let me know!
Leave me a link in the replies below.
I have now visited EVERY SITE on the on the list.
There are a lot of cool sites out there and I want to go back to a lot of them.
If there is something you want me to see or if I have not posted to your blog yet, let me know!
Leave me a link in the replies below.
Saturday, April 21, 2012
S is for Spellcraft & Swordplay
Continuing on with some of the games of the Old School Renascence I want to talk about my favorite game.
Spellcraft & Swordplay by Jason Vey.
Now, just I get this out of the way first. Jason is a friend of mine and we worked on a lot of Unisystem games together. Also I worked on a supplement for S&S called Eldritch Witchery that is due out soon. That all being said I developed my opinion of this game long before EW ever was thought of.
Spellcraft & Swordplay is not a retro-clone exactly. It is more of a "near-clone" or as I often think of it as an alternate reality version of OD&D.
When D&D was starting out it grew out of the rules in Chainmail. Using a d20 (twenty-sided die) was the "alternate" combat method that became the norm. But the original combat method involved 2d6 (two six-sided dice), S&S (among other changes) explores that further.
There are other changes such as saving throws are made against the appropriate ability (which is not to far off to how 3rd or 4th ed does it) and there are no skills, but ability rolls.
So in many respects it is a much simpler game than the other clones.
I have written a rather long review here for the core book:
http://rpg.drivethrustuff.com/product_reviews_info.php?&reviews_id=57722&products_id=94105&affiliate_id=10748
I wrote that before I got the gig to write EW. In fact I got the book, read it, reviewed and then convinced Jason to let me write EW.
If you are new to this sort of game or want to check it out then PLEASE give this a shot. All you are two normal 6 sided dice, just like the ones in your Monopoly game to get started.
There is the core book, Spellcraft & Swordplay and a supplement, Monstrous Mayhem.
Both PDFs and print copies are on sale now. Plus if you buy the print copies you can get the PDFs for free.
I really can't say enough about this game. In fact here are my old posts about it.
Get it. You can thank me later.
Spellcraft & Swordplay by Jason Vey.
Now, just I get this out of the way first. Jason is a friend of mine and we worked on a lot of Unisystem games together. Also I worked on a supplement for S&S called Eldritch Witchery that is due out soon. That all being said I developed my opinion of this game long before EW ever was thought of.
When D&D was starting out it grew out of the rules in Chainmail. Using a d20 (twenty-sided die) was the "alternate" combat method that became the norm. But the original combat method involved 2d6 (two six-sided dice), S&S (among other changes) explores that further.
There are other changes such as saving throws are made against the appropriate ability (which is not to far off to how 3rd or 4th ed does it) and there are no skills, but ability rolls.
So in many respects it is a much simpler game than the other clones.
I have written a rather long review here for the core book:
http://rpg.drivethrustuff.com/product_reviews_info.php?&reviews_id=57722&products_id=94105&affiliate_id=10748
I wrote that before I got the gig to write EW. In fact I got the book, read it, reviewed and then convinced Jason to let me write EW.
If you are new to this sort of game or want to check it out then PLEASE give this a shot. All you are two normal 6 sided dice, just like the ones in your Monopoly game to get started.
There is the core book, Spellcraft & Swordplay and a supplement, Monstrous Mayhem.
Both PDFs and print copies are on sale now. Plus if you buy the print copies you can get the PDFs for free.
I really can't say enough about this game. In fact here are my old posts about it.
Get it. You can thank me later.
Zatannurday: My God It's Full of Stars!
Zee and her assistant Mikey going to a formal party.
BTW here is the before shot:
Good trick to have I say.
Friday, April 20, 2012
R is for Ravenloft: Masque of the Red Death
One of my first exposures to Victorian era gaming was through the Ravenloft: Masque of the Red Death.
Last year I did Ravenloft, and this year given all the Victorian games I am talking about this seems a natural.
Masque of the Red Death was a Ravenloft branded supplement for both AD&D 2nd Ed and for D&D 3. Both dealt with a familiar; Earth, but one that was darker and magic was real. It's almost a cliche with me anymore. What made the first MotRD special was that for the first time you could play "D&D on Earth", in particular Victorian Age Earth that they called "Gothic Earth".
There were a lot of classes (kits too for AD&D 2nd Ed) and I always thought it was some what overkill. Magic was much more limited than your typical D&D game and a lot of the rules (Horror, Fear and Dread) were ported over from the Ravenloft line proper.
I SOOOO wanted to run this game, but it came at a bad time in my gaming career. I was just about ready to give up on D&D altogether and this was the only thing I was excited about anymore. Some of my first writing gigs was for the official Ravenloft Netbooks from the Kargatane. A lot of that I have been able to re-use here in fact (Haunted Illinois and the Piasa Bird).
There was such a cool, dark vibe to the game but it did do somethings that irked me. To many of the bad guys were in fact monsters that looked human; Moriarty was a Rakshasa for example. Sometimes I like my monsters to be human. Also there were just too many classes.
I'd love to revisit Gothic Earth. Maybe under one of the game systems I have reviewed already or even as something for Ghosts of Albion.
Sadly, Masque of the Red Death is long out of print. You can still find copies though on ebay and at Nobel Knight.
Last year I did Ravenloft, and this year given all the Victorian games I am talking about this seems a natural.
Masque of the Red Death was a Ravenloft branded supplement for both AD&D 2nd Ed and for D&D 3. Both dealt with a familiar; Earth, but one that was darker and magic was real. It's almost a cliche with me anymore. What made the first MotRD special was that for the first time you could play "D&D on Earth", in particular Victorian Age Earth that they called "Gothic Earth".
There were a lot of classes (kits too for AD&D 2nd Ed) and I always thought it was some what overkill. Magic was much more limited than your typical D&D game and a lot of the rules (Horror, Fear and Dread) were ported over from the Ravenloft line proper.
I SOOOO wanted to run this game, but it came at a bad time in my gaming career. I was just about ready to give up on D&D altogether and this was the only thing I was excited about anymore. Some of my first writing gigs was for the official Ravenloft Netbooks from the Kargatane. A lot of that I have been able to re-use here in fact (Haunted Illinois and the Piasa Bird).
There was such a cool, dark vibe to the game but it did do somethings that irked me. To many of the bad guys were in fact monsters that looked human; Moriarty was a Rakshasa for example. Sometimes I like my monsters to be human. Also there were just too many classes.
I'd love to revisit Gothic Earth. Maybe under one of the game systems I have reviewed already or even as something for Ghosts of Albion.
Sadly, Masque of the Red Death is long out of print. You can still find copies though on ebay and at Nobel Knight.
Thursday, April 19, 2012
Q is for QAGS
QAGS is an interesting little game and my post today for Q.
It is the acronym for Quick Ass Game System, and that is pretty accurate. What is QAGS or more to the point why is there a QAGS?
A bit of history. Back when RPGs were becoming popular it was quickly obvious that people liked to play multiple games, but not always play with multiple rules. D&D had one ruleset, Boot Hill another, Star Frontiers another and so on, and this was all in the same company. The need then for a "Generic" system arose. Something you could learn once and use anywhere. This was the birth of GURPS and many other games such Fudge, FATE, Fuzion, QWERPS and eventually QAGS and even d20.
QAGS though is a little looser than GURPS, but not quite as loose and Fudge or FATE.
QAGS is nice because it works well as an entry to Role-playing that is not a kids game (by no means is this one for kids!) and it can be used by the old pros out there. Yums-Yums aside of course!
Chapter 1 then is all about Character Creation. What I like about QAGS are such things as the descriptors of your character. In fact they are not even called abilities but "Words". So there is much more of a author feel to this than say character creation. You describe your character in terms of these Words, such as Body, Brain, and Nerve as the base ones, and others like Job, Gimmick and Weakness. I also like the tacit nod to "Who Will Play the Character in the Movie" which is something everyone does anyway. I snarkily always say "Gary Oldman" cause he can play anything and anyone. Like with other games I have played, there is something to learn here. This chapter could help you define who your character is regardless of what game you play.
Chapter 2 is Doing Stuff or how to play. The system is pretty simple really. Words are given a value of 6 to 16 and skills can add up to 5 to these. These numbers then become the target numbers.
Chapter 3 expands on this with Combat.
Chapter 4 is the most entertaining, Yum-Yums. What are Yum-Yums? They are pieces of candy that are character rewards. They are points on your sheet, but they are also a pile of M&Ms or other candy in front of you. They are used like Drama or Hero points in other games, but if you eat them all well then your are literally out of luck.
Chapter 5 is a bit about role-playing your character. Making them more than a concept and stats on a page of paper.
After this we have the GM (Game Master's) section. Chapter 6 covers the basics of being a GM along with the rules and what you can do with your new found power over life and death. Chapter 8 goes into the Fine Art of GMing.
Chapter 7 deals with the story you are trying to create.
The Appendices are rather nice. The first one is a Big List of Words used to describe your character. Which seems to me would have utility in a Fate or Fudge game as well.
Appendix 2 is the quick start rules. 1/2 a page. They got the Quick part right. So quick in fact it is "Qik" start.
Appendix 3 is the section of Genres. Each one gets a page and covers the basics.
Appendix 4 is a collection of sample characters.
Appendix 5 is a list of creatures
Appendix 6 includes some equipment
Appendices 7 & 8 are sample adventures
Appendices 9 & 10 are dumb maps and dumb tables respectively
And 11 is a conversion from QAGS 1st Ed.
Finally ending with a character sheet. The first I have seen that lists Social Security Number.
QAGS is fun, but it might be too silly for groups. Or it might be perfect if the GM opts to play it straight.
A bit of history. Back when RPGs were becoming popular it was quickly obvious that people liked to play multiple games, but not always play with multiple rules. D&D had one ruleset, Boot Hill another, Star Frontiers another and so on, and this was all in the same company. The need then for a "Generic" system arose. Something you could learn once and use anywhere. This was the birth of GURPS and many other games such Fudge, FATE, Fuzion, QWERPS and eventually QAGS and even d20.
QAGS though is a little looser than GURPS, but not quite as loose and Fudge or FATE.
QAGS is nice because it works well as an entry to Role-playing that is not a kids game (by no means is this one for kids!) and it can be used by the old pros out there. Yums-Yums aside of course!
Chapter 1 then is all about Character Creation. What I like about QAGS are such things as the descriptors of your character. In fact they are not even called abilities but "Words". So there is much more of a author feel to this than say character creation. You describe your character in terms of these Words, such as Body, Brain, and Nerve as the base ones, and others like Job, Gimmick and Weakness. I also like the tacit nod to "Who Will Play the Character in the Movie" which is something everyone does anyway. I snarkily always say "Gary Oldman" cause he can play anything and anyone. Like with other games I have played, there is something to learn here. This chapter could help you define who your character is regardless of what game you play.
Chapter 2 is Doing Stuff or how to play. The system is pretty simple really. Words are given a value of 6 to 16 and skills can add up to 5 to these. These numbers then become the target numbers.
Chapter 3 expands on this with Combat.
Chapter 4 is the most entertaining, Yum-Yums. What are Yum-Yums? They are pieces of candy that are character rewards. They are points on your sheet, but they are also a pile of M&Ms or other candy in front of you. They are used like Drama or Hero points in other games, but if you eat them all well then your are literally out of luck.
Chapter 5 is a bit about role-playing your character. Making them more than a concept and stats on a page of paper.
After this we have the GM (Game Master's) section. Chapter 6 covers the basics of being a GM along with the rules and what you can do with your new found power over life and death. Chapter 8 goes into the Fine Art of GMing.
Chapter 7 deals with the story you are trying to create.
The Appendices are rather nice. The first one is a Big List of Words used to describe your character. Which seems to me would have utility in a Fate or Fudge game as well.
Appendix 2 is the quick start rules. 1/2 a page. They got the Quick part right. So quick in fact it is "Qik" start.
Appendix 3 is the section of Genres. Each one gets a page and covers the basics.
Appendix 4 is a collection of sample characters.
Appendix 5 is a list of creatures
Appendix 6 includes some equipment
Appendices 7 & 8 are sample adventures
Appendices 9 & 10 are dumb maps and dumb tables respectively
And 11 is a conversion from QAGS 1st Ed.
Finally ending with a character sheet. The first I have seen that lists Social Security Number.
QAGS is fun, but it might be too silly for groups. Or it might be perfect if the GM opts to play it straight.
Wednesday, April 18, 2012
P is for Passages
I love Victorian Era games. There is so much going on in the Victorian age, both in history and literature (esp Horror) that it is ripe for all sorts of gaming opportunities. I also love being mix it all up; having Jules Verne and Capt. Nemo in the same world as Bram Stoker and Dracula. So when I find a game that will let me do that (and do it in a cool way) then I am happy.
Passages is a rather interesting game. First the premise is one that all the literature of the Victorian age is true...somewhere. These stories exist in multiple parallel worlds that can be accessed via the Passages. So in some ways it is like Victorian Age Sliders, or Stargate. The mechanism for trans-versing these worlds is one of the more clever ones and wholly compatible with Victorian Age ideas. This is my favorite part of the game; the magic of the Passages and the very clever means of how they can be employed.
The game itself is a Victorian Age one with the aforementioned twist. It covers the time between 1837 to 1901, so a full Victorian time line is presented. Though what it has in breadth it lacks in depth as compared to games that only focus on a few years or a decade of the Victorian era. That being said though, that information is easily found anywhere. Game Masters should instead focus on which tale they want to interact with. Is this an Alice in Wonderland game? Well then that is all you need plus this book. Dracula? Likewise.
Passages does spend some time on character creation in a Victorian Age and that is a very nice touch. In fact I found the character creation portion of this book my second favorite part.
The game system itself is a simple version of the d20 system, somewhere between d20 proper and True20. I think I might have liked it more as a True20 system, but this is a nice middle ground. The system does add Advantages and Disadvantages to the d20 character creation, but most everything else is skill based. There are no classes, but there is HP.
There is a great section on the known world and again is a bit broader than other Victorian era games. This is a game obviously about adventurers, since so many options of places to go and things to do are given.
I love the Sherlock Holmes and Prof. Moriarty sidebars. Gives the game a really nice touch.
This is great game all by itself and one I am happy to own both the PDF and Print versions of. Where I get the most use out of it though is as a means of going between different Victorian games. Create characters and use the rules outlined here so they can move from game to game.
The layout is clean and easy to read. The art is a nice mix of original work and select PD images from the time.
In truth the only way I would like this more is if it had been created for True20. The "feel" of the book screams True20 to me and I think it would be a fantastic choice of a system. Not that there is anything wrong with the system it is using now. This is just a personal thing.
I will probably not play Passages straight, but I will use just about everything in the book for my Victorian games. It has the mechanics to allow me to cross-over Ghosts of Albion to Cthulhu by Gaslight to Gaslight to Rippers to Victoriana and Victoria.
DriveThru RPG link
Noble Knight Games
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