Adventures in Hyperborea

Hat tip to Jason Vey for sharing these with me.

So if I know ANYTHING at all about Conan, likely it came from Jason Vey. In addition to being a top rate game designer, he is a Master's level scholar on Robert E. Howard.  So when he shares something related to Conan, or Howard or realted topics, I pay attention.

This week he shared this with me, Adventures of the Hyborian Age. This is an older site with adventures for the Mongoose d20 Conan game.  Jason is using this material for his OD&D-based Conan game which sounds fantastic.

He shared with me something he knew I would love. A Conan-flavored conversion of one of my favorite adventures of all time, S4 The Lost Caverns of Tsojcanth.

The new adventure has a more Hyborian feel to it and draws heavily from Conan lore, in particular, Red Nails.

HS4 The Lost Caverns of Acheron

The adventure is, at it's heart, the same as S4.  Save now it has been reskinned for the Hyborian Age and all the background has been changed.

Now maybe I have been reading a lot of Eric Fabiaschi of late (or always really) but this sounds like a PERFECT adventure for  Astonishing Swordsmen & Sorcerers of Hyperborea!

Eric has had a LOT to say about AS&SH (most of his blog) and S4 The Lost Caverns of Tsojcanth.  In fact he pulls in a lot of Jason Vey's own game, Amazing Adventures into the conversations too.

In fact, I am very curious to hear what Eric has to say about this adventure. (EDITED: I talked to Eric before this post went up. He has played it using AS&SH. He also pointed out my next point.)

Now AS&SH only takes us to level 12.  This adventure is right up against that level limit and might even be a bit more than a party can deal with. I would alter this by having a larger party to be honest or carefully scaling the encounters.

Outside of the Hyborian skin the biggest change is the Witch-Queen Xaltana.  She essentially combines the characters of Iggwilv and Drelzna into one.

So instead of this:

We get this:

It actually works out quite well. In fact, Xaltana is much more interesting than Drelzna ever was. (Sorry D!)

Appropriately the adventure takes on a more Clark Ashton Smith feel to it.  This plays so well into the sequel WG4 The Forgotten Temple of Tharizdun. Which could in like fashion be reskinned as The Forgotten Temple of Thasaidon. Hmm. Maybe that is something to try; borrowing heavily from The Tomb-Spawn.

She would make a great Witch Queen!  More on that later.

In a time of Ancient Gods...

There were the ones that beseeched these gods for power and it was granted!

These are the witches of the Classical Traditions and their closely allied sisters the Amazon Tradition.

Coming soon for the BLUEHOLME Journeymanne and Prentice Rules.

Sumer. Egypt. Greece. Rome.

These are the foundations of civilization. Where mythology, religion and magic collide in a fertile land.

It is a time of Gods and Witches!

This book introduces the Classical Witch Tradition. Witches from the ancient time of myths and legends.

•         The witch class and four new combination classes
•         Guidelines for playing any species of witch
•         Six witch covens of the Classical Tradition
•         120 Spells and Rituals for witch characters
•         24 Monsters to challenge or be allies
•         29 magic items and six artifacts
•         Three Non-player character witches from pages of mythology

Also fully compatible with Daughters of Darkness: Lilith and the Mara Tradition.

#RPGaDAY2019: One

Today's topic is One.

Every so often the topic comes up of what RPG would you choose if you could only choose one.

If I over-think it, it becomes hard. There are so many great RPGs out there.  So many that I love and have loved playing.  But if I could only choose one, forever, then the choice becomes clear and easy.

CJ Carella's WitchCraft RPG.

WitchCraft is, hands down, my favorite game.  Period.  Picking up a copy of this book back in 1999 was just like picking up a copy of the Monster Manual in 1979.  Everything I ever wanted in a game was right there.
Everything.

WitchCraft had such a profound effect on my gaming that I can draw a rather clean line between what came before and what came after it.  Granted a lot was going on in 1999/2000 both gaming-wise and personal that may have added to this effect, it was an effect all the same.

Back in 1999, I was really burned out on D&D.   I was working on my own Witch netbook and reading a bunch of different games when someone, I forget where, must have been the old RAVENLOFT-L that TSR/WotC used to run, told me I really need to check out WitchCraft.  At first, I balked.  I had tried Vampire a couple years ago and found I didn't like it (and I was very much out of my vampire phase then), but I was coming home from work and my FLGS was on the way, so I popped in and picked up a copy.  This must have been the early spring of 2000.

I can recall sitting in my office reading this book over and over. Everything was so new again, so different.  This was the world I had been trying, in vain, to create for D&D but never could.  The characters in this book were also all witches, something that pleased me to no end, it was more than just that.  Plus look at that fantastic cover art by George Vasilakos. That is one of my most favorite, is not my favorite, cover for a gamebook. I have it hanging in my game room now.

WitchCraft uses what is now called the "Classic" Unisystem system.  So there are 6 basic attributes, some secondary attributes (derived), skills and qualities and drawbacks.  Skills and attributes can be mixed and matched to suit a particular need.

WitchCraft uses a Point-Buy Metaphysics magic system, unlike Ghosts of Albion's levels of magic and spells system.  Think of each magical effect as a skill that must be learned and you have to learn easier skills before the harder ones first.    In D&D, for example, it is possible to learn Fireball and never have learned Produce Flame.  In WitchCraft you could not do that.  WitchCraft though is not about throwing around "vulgar magics".  WitchCraft is a survival game where the Gifted protect humanity from all sorts of nasty things, from forgotten Pagan gods, to demons, fallen angels and the Mad Gods; Cthulhoid like horrors from beyond.  WitchCraft takes nearly everything from horror and puts all together and makes it work.

The Eden Studios version was the Second Edition, I was later to find out.  The first one was from Myrmidon Press. I managed to find a copy of that one too and it was like reading the same book, from an alternate universe.  I prefer the Eden Edition far more for a number of reasons, but I am still happy to have both editions.

The central idea behind WitchCraft is the same as most other Modern Supernatural Horror games.  The world is like ours, but there are dark secrets, magic is real, monsters are real. You know the drill.  But WitchCraft is different.  There is a Reckoning coming, everyone feels it, but no one knows what it is.  Characters then take on the roles of various magic-using humans, supernaturals or even mundane humans and they fight the threats.  Another conceit of the game (and one I use a lot) is that supernatural occurrences are greater now than ever before.  Something's coming.  (dogs and cats living together, mass hysteria).

It is most often compared to World of Darkness, but there are things WitchCraft does that I just like better.  Unlike (old) Mage there is no war between the (good) Mages and the (evil) Technocracy.  There is a war certainly, but nothing so cut and dry.  Unlike new Mage, there are rarely clean divisions between the factions.  Yes, yes Mage players, I am being overly simple, but that is the point, on the simple levels new Mage dives everything into 5 because that is how the designers want it.  There are factions (Associations) and there are different metaphysics for each, but also overlap, and sometimes no clear and defined lines are to be found or given.  It feels very organic.

In my opinion, C. J. Carella may be one of the best game designers out there.  WitchCraft is a magnum opus that few achieve.  I took that game and I ran with it.  For 2000 - 2003 it was my game of choice above and beyond anything.  The Buffy RPG, built on the Cinematic Unisystem took over until I wrote Ghosts of Albion, which also use the Cinematic Unisystem.  I mix and match the systems as I need, but WitchCraft is still my favorite.

WitchCraft, in fact, is what got me into professional game design.

Back in the Spring/Summer of 2001, I started up a new game.  I had just purchased the WitchCraft RPG book about 16 months prior and I was looking for something new.  That something came to me in the guise of Willow and Tara.  I had been watching Buffy for a bit and I really enjoyed the character of Willow.  When she got together with fellow witch Tara I thought they were perfect.  I had become very involved in the online Willow/Tara fandom so I created a game, focusing on just them.

The game would focus on just these two, no one else from the show (which I would soon become an ex-fan of, but that is a different story).  Plus it gave me something to try out in a modern setting, something I have not done since my days with the Chill RPG.

The trickiest part of developing game stats of any fictional character that belongs to someone else is knowing how to strike a balance between the game's rules and the fictional portrayal. A lot of "artistic" license needs to be used in order to get a good fit. For example, how do you determine what some one's strength is when there is little to no on-screen evidence? What spells would the girls have?

In the end, I decided to play it a little loose, but I love where their stats ended up.  In many ways, this is who Willow and Tara are to me, not the characters on TV or comics, but the ones that were my characters since that day back in May 2001 that I decided they needed their own chance to shine.

After this, I went on to work on the Buffy the Vampire Slayer RPG.  It should be no surprise then that the Willow and Tara stats that appear there are not that much different than my own.  I can be quite vocal in playtests.  That got me the chance to write the Ghosts of Albion RPG. This also allowed me to meet, work with and remain friends with Christopher Golden and Amber Benson.

WitchCraft paved the way for so many other games for me, not just in terms of playing but in writing.  If it were not for WitchCraft then we would not have had Buffy, Angel or Army of Darkness.  Conspiracy X would have remained in its original system. There would be no Terra Primate or All Flesh Must Be Eaten and certainly, there would be no Ghosts of Albion.  The game means that much to me.

But you don't have to take my word for it, Eden Studios will let you have it, sans some art, for free.
http://www.drivethrurpg.com/product_info.php?products_id=692&it=1&affiliate_id=10748

Download it.  If you have never played anything else other than D&D then you OWE it yourself to try this game out.

My thing is I wish it was more popular than it is.  I love the game. If I was told I could only play one game for the rest of my life then WitchCraft would be it.

#RPGaDAY2019: Familiar

Today's topic is Familiar.

Again, I think I'll make a hard turn here and talk about Familiars; as in animal familiars, not something that is familiar.

I have talked a lot about familiars here. Books on familiars, spells for familiars, and what familiars could do for witches and wizards.

Sometimes I have pondered doing a book on just familiars. An OSR books for both witches and magic-users/wizards.  I'd include animal companions for druids as well.

But there are already good books out there for that and most of what I have wanted to add have been already added to my various witch books.  So maybe there is no need.

Still. It could be fun.

What do you all think?  Would this be something anyone is interested in?  I wouldn't do it if I didn't add a bunch of new material.

Christmas in July Sale!

I have a lot of books on sale in DriveThruRPG's Christmas in July sale.
Yes, it is 100+ degrees heat indices outside, but DTRPGs thoughts are to Christmas.

You can even get my newest book, The Daughters of Darkness, on sale.

If you have grabbed one of my books here is a great time to finish up your collection.

Coming soon, "Children of the Gods. The Classical Witch Tradition".

Mystic Locales: The Library

This one is for all my librarian friends out there and for all the libraries I have loved.

Mystic Locales: The Library

There is a rumor. 

Naturally, it is whispered since talking aloud is not permitted and many find that they can no longer say the rumor in anything above a whisper.  The rumor is ignored by sages. It is conjectured as a flight of fancy among occult scholars. It is whispered among students, who find the idea terrifying at some level. But the librarians know it is real and true. Moreover, they have all taken a sacred vow to protect the secret and keep it from those who would use this power for evil ends.

Librarians all know that all libraries, everywhere, are connected.

From the first construction of the Library of Alexandria to the Carnegie Libraries of the 20th Century to the largest University Libraries to the small Little Libraries of a local neighborhood to the planet-sized Library of the 51st Century, all are connected. Not just spiritually, but physically as well.  One can wander the stacks of a library and end up in the stacks of another library hundreds of miles away and even dozens of years different.

When people go missing like this often a librarian will find them. A quick check in their own "inter-library loan" memos will discover who the person is and where they belong. The librarian will escort them back to where they need to go under the guise of 'helping them find their book' and send them along the way.  Most often the person in question will have no recollection of this other than the very pleasant and helpful staff.

There are those rare individuals who know how to navigate "The Stacks". The entrance is never the same for each library, and sometimes it can change in the same library.  These special people usually have some things in common. They spend a lot of time at libraries, often just reading or roaming the stacks and shelves looking for interesting and rare books.  They often have a love for books in general; not just in learning, but in the simple joy of reading or holding a book.
The rare ones even know how to move from one library to another as easily as others walk into a room of choice and back.   These special few are usually discovered and offered a job as a librarian where they can learn more ways to other libraries.

New Witch Ritual

Access the Library
Level: Witch Ritual 5
Ritual Requirements: 1 witch, 1 cleric, and 1 magic-user. see text
Range: 10-foot radius centered around a thaumaturgic triangle
Duration: See text
Legends claim that there is a library, The Library, that can be accessed if the intention is one of pure learning.  This library exists in its own extra-dimensional space and it contains the works of all sages, scholars, researchers, and authors as well as works of magic divine, arcane and occult.
To open the door the witch must gather together a magic-user (wizard) and a cleric, all of whom can cast 5th level spells.  It is believed that only by working together in ritual can all access the library.  Once the ritual is cast, usually taking an hour, all three may enter.  Their time spent in the Library is equal to a number of hours equal to their combined levels.  Time outside the library passes normally, but nothing else from the outside world affects them. Only the three that have cast the ritual may enter.
Once inside the ritual participants may look up any information they wish.  This can be used to research any magical question such as new spell creation, magic item creation or learning a new spell.  For every level the participant has they gain a +1 or a +5% where appropriate.
While in the Library the participants will see ghostly figures moving about. These are other patrons who have entered the Library via their own means or by means of a similar ritual.  Patrons cannot interact with each other; no talking or physical contact.  Patrons can only interact with those they entered with. 
Once the spell duration is complete the ritual participants will find themselves back in their thaumaturgic triangle.  A patron may leave at any time, but it will end the ritual.
Material Components: Each participant must bring and leave behind a book, scroll or other forms of printed work to give to the Library.  It need not be original, but an original work will grant the patrons an extra hour of reading/research time.

Featured Artist: Djinninthebox

I am very pleased to present another Featured Artist!

Today I have Hera, also known as Djinninthebox and Djinnintheshade.  She is an artist and gamer (only old school D&D for her!) and has been doing some great work.

Here she is in her own words:

For the bio... I'm Djinn, a italian girl. I'm a professional animator who loves rpg and draw a lot. I draw anything I play: characters, maps, heraldry, and I really love to draw NSFW stuff... so I'm developing a Fantasy Erotic Comic!

Here is some of her Safe for my Blog works.

She did one for me of my witch Larina.

My witch Larina!

She also does a lot of her own original character, Solaine,  from her current D&D game.
Here is what she says about Solaine:

Let me introduce you to Solaine, my D&D character: a young sorceress forced to hide her powers from the eyes of an oppressor kingdom, behind the innocent image of an educated librarian. Thanks o my costantly patient and creative DM, I play Solaine in a long homebrew campaign, soaked of intrigues, adventures, emotions, blood and love... ...or is she play me?

And many others

Check out her sites at:

Here commissions are currently closed, but she should open up again soon.

You can find Djinn on the web at:

• DeviantArt: https://www.deviantart.com/djinninthebox
• Twitter (sometimes NSFW): https://twitter.com/Djinninthebox
• Instagram (Main): https://www.instagram.com/djinninthebox/
• Instagram (NSWF): https://www.instagram.com/djinnintheshade/
• Ko-fi: https://ko-fi.com/djinninthebox
• Facebook: https://www.facebook.com/djinninthebox-407996516407917

Daughters of Darkness: The Mara Witch for Basic Era Games in Print

It took me a while (work and a couple of dumb mistakes in editing) but my latest book is now out in print!

Daughters of Darkness: The Mara Witch for Basic Era Games

It looks great and even better when paired with the Witch for Basic Era Games.

100% compatible with that book.  Also compatible with my Swords & Wizardry line of books.

I will share some details about the books so you can see things like spell overlap (spoiler: some version of Bestow Curse appears in every book).

I will send out codes for a discounted print copy for people who already bought the PDF.

OMG: Greek (and maybe Roman) Mythos, Part 3 Hecate

Hecate is getting her own post.

There is no way I am going to say everything about this Goddess; either for D&D or in general.  So keeping that in mind, let's go.

Hecate, or sometimes, Hekate, is the Goddess of Witches, Ghosts and the Crossroads OR she is a Titan. OR she is something different. 

Like some of the Olympian Gods, she is of the third or fourth generation.  Her Great grandparents are namely Gaia (Earth) and Ouranos (Sky), same as Zeus' own grandparents.  Their offspring was Crius, whom the D&DG gives as the Greater Titan of Gravity.  Gaia (Earth) and Pontos (Sea) gave birth to Eurybia (Winds and Constellations; things that seemingly comes from the sea). Crius and Eurybia give birth to Perses (Titan of Destruction). He joins with the Titaness Asteria the Titan of stars and nighttime oracles.  She herself was the daughter of Phoebe and Coeus, making her a half-sister to Leto the mother of Apollo and Artemis.   Though there are other claims to her parentage.  Some also claim she the daughter of Leto, which would make her Apollo and Artemis' half-sister.

Hecate then is the daughter of Peres and Asteria and of the same generation of Apollo, Artemis, Hermes, and Dionysus.  While she is their generation she is often considered to be a Titan.

Like many of the Greek and later Roman Gods, Hecate has more than one, in what D&D came to call Portfolio.  She is the Goddess of Nighttime as opposed to Nox the Personification of Night. She is the Goddess of Oracular power based on stars (as opposed to her semi-cousin Apollo who is the God of Oracles), one of the Goddess of the Moon.  Her torches light the night.  She is the goddess of the Crossroads. With her three faces, she can see the past, present, and future.  And most notably, she is the Goddess of Witchcraft, Creatures of the Night and Ghosts.
Due to her rather complicated lineage, she also has dominion over Earth, Sky, and Sea.

She has been associated with the Goddess Demeter having been mentioned int he Homeric Hymns to Demeter.  She is believed to have lit the way to Hades for Demeter to find Persephone. While Persephone is in the underworld she and Hecate are companions.  She helps Persephone on her trip to and from the underworld.  This gives us one of our first triple-goddesses, with Persephone, Demeter, and Hecate as the Maiden, Mother, and Crone.

As a Goddess, she is often seen in the company of large dogs from the Underworld, the Hellhounds and common house cats.

She is depicted in the D&DG as being Lawful Evil.  I am not buying it.  Lawful I can live with, but so much of what she does is both good and evil that Lawful Neutral is the much better choice.

Hecate is one of the few gods that retains her name in both the Greek and Roman versions.  Though there is the Roman Goddess Trivia that also takes on some of what makes Hecate.

Goddess of Witchcraft
We know that many tablets and surviving scrolls have her mentioned in many curses and spells of protection against creatures of the night.  According to Hesiod, "Hecate whom Zeus the son of Cronos honored above all. He gave her splendid gifts, to have a share of the earth and the unfruitful sea. She received honor also in starry heaven, and is honored exceedingly by the deathless gods."

Interestingly enough her domain over witchcraft relates to her being worshipped by Circe and Medea. Medea, in fact, is called a Priestess of Hecate. Medea is almost always described as a witch.

Hecate also appears in Shakespeare's Macbeth and mentioned in Hamlet. Each time due to her association with witches.

Lampad the Nymphae Avernales
The lampads are described as Underworld Nymphs.  They were the constant companions to Hecate as a reward for Hecate taking part in the war against the Titans.  Sometimes described as the Daughters of Nyx or of Daimones, they share a similar relationship to Hecate as the forest nymphs do with Artemis.

Lampads appear in the Pathfinder game, in Bestiary 4.  Here is my interpretation.

Lampad (Nymph)
Armor Class: 9 [10]
Hit Dice: 3d8 +16 (30)
Attacks: 0 (see below)
Damage: None
Special Attacks & Defenses: Cause feeblemindedness, malaise and death
Movement: 120’ (40’)

No. Appearing: 0 (1d4)

Save: Witch 3
Morale: 8
Hoard Class: IX, XI x 10
Alignment: Neutral (Chaotic)
XP: 100
Nymphs are stunningly beautiful female fey creatures that closely resemble elven women. The lampad are nymphs of the underworld and desolate places.  They appear similar to drow (dark elves), with grey ashen skin and long white hair.  Anyone that sees a lampad must make a save vs. spells or become feebleminded as per the spell.  If more than one lampad is present the victim is instantly killed on a failed save.
Lampads have the spell-casting abilities of a 6th level witch. They have their own language and speak common and the languages of the infernal realms.

Tears of the Lampad:  These tears are extremely magical if a tear touches a mortal (not an elf though) they must make a save vs. poison at -4 or enter into a depression so deep they are unwilling to move or do anything.  A victim will starve to death before they will attempt to bring themselves out of this malaise. Only a remove curse spell will allow them to return to their normal life.

The Empusa
I have used the Empusa many times in a lot of games.  I have often categorized them as Lilim, or the Daughters of Lilith (who also shares a lot with Hecate) but in ancient myth they are the daughters, or at least the offspring, of Hecate.

Empusa (Lilim)
Armor Class: 3 [16]
Hit Dice: 8d8+4** (40 hp)
No. of Attacks: 2 claws and 1 bite or 1 weapon
Damage: 1d6 / 1d6 / 1d6 or 1d10
Special Attacks & Defenses:  Magic resistance (25%), Lilim abilities, magical abilities, +1 magic weapons to hit, Intelligence drain
Movement: 120' (40')
   Flying: 240’ (80’)
No. Appearing: 1d4
Save As: Witch 9
Morale: 8
Horde Class: X, XI
Alignment: Chaotic (evil)
XP:  2,380
These are believed to be the daughters of Lilith or Hecate and the various proto-demons. They are the most “demonic” of all of the Lilim. The Empusae (or “forcers-in”), like all Lilim, can appear as a stunningly beautiful woman or as a demon. The demonic form of the Empusa is one of the most hideous of all of the Lilim. The body remains mostly humanoid and female but covered in fine scales. Its legs become like those of a horse or ass and end in hooves that are made of brass or bronze. Its back supports a set of large leathery bat-like wings, similar to that of a succubus. It is its head that features its most horrible transformation. The creature’s long flowing tresses are replaced with a mass of snakes similar to that of a medusa. Its facial features are blocked by an area of complete darkness, only it’s glowing eyes are visible. It is said among sages that face of the Empusa is not shrouded in darkness, but it is so horrible that our minds block the vision from us. It is also said that other demons can actually see the Empusa’s face and run in fear from it. Its former delicate hands now end in razor-tipped claws. A long reptilian tail completes the picture.
An Empusa can appear as human, or it can also shapeshift into a large dire wolf (statistics as per Dire Wolf).
Unlike the combat avoidant Succubus, Empusae live for battle. They can either use their natural claw/claw/bite routine or use a flaming sword that strikes for 2d6 points of damage plus 1d6 of flame damage. Empusa gain to hit and damage bonuses due to their high strength as well.
The touch of an Empusa drains the Intelligence of the victim at 1 point per barehanded, not weaponed, attack.

Hecate / Heka Connections
The Greeks and the Egyptians had a long and complicated relationship.  Greeks scholars used to say that everything they know came from the Egyptians.  Back when I was doing the research for OMG: Egyptian Mythos I came across this saying all the time.  This lead me to the Egyptian God of magic Heka.  Like many before I noticed some similarities with Hecate and Heka.  Both are their respective gods of magic. Both are heralded as "gifts" to the human race by their respective heads of their pantheon.  Despite the similar portfolios and similarity in names there is no linguistic connection between the two.

Must Be the Season of the Witch: Movies and TV

Now, this is working WITH me!

A new movie and new TV series created just for my entertainment. Though I am sure you all can watch too.

First up, Angelina Jolie is back as Maleficent: Mistress of Evil.

And over on Disney's FreeForm, who is currently KILLING IT with Marvel's Cloak & Dagger, we are getting a Witches-as-Warriors in a modern-day supernatural show, Motherland: Fort Salem.


I mean seriously, has someone been peeking at my birthday wish list?
Can't wait for these!

Melisandre. Priestess or Witch?

"The Night is dark and full of terrors."

- Melisandre

Melisandre of Asshai - by John Picacio

Game of Thrones is in its final season and so far it has not disappointed me.  Well...there was that "whole new world" scene with Dany, Jon, and the dragons.
This past week we got to see the Red Woman, Melisandre again during the battle at Winterfell against the Night King and his army of the dead.  It was so fantastic, to be honest.   Loved the battle, loved how the episode ended.  Everything.

But I am not here today to talk about the battle.

I want to talk about Melisandre.
In particular is she a Priestess, read Cleric, or is she as many will claim, a Witch?

I thought a firey red priestess/witch would be good for Beltane today.

Let's look at what we know.  I am going to focus nearly exclusively on the TV show on HBO.  I'll grab from the books when needed to smooth out some details or get answers to questions.

In many ways, I am going to follow the spirit of my other series, One Man's God and Class Struggles.

What is Known
Or Me nem nesa as the Dothraki say.

We know that Melisandre calls herself a priestess of the god R'hllor, known as the Red God, The Lord of Light or the One True God.  In Westeros this sets her apart from most people as they tend to worship the Seven, or the New Gods. The ones that don't worship the "Old Gods".
Melisandre claims that all the other gods are false gods.  Most people have no issues with the Old or New Gods, so this also sets her apart.

She has seen to have powers of divination, cursing, breeding shadow spawn, summoning fire and the greatest, bringing people back from the dead.  She able to cast glamours and her red-gold choker seems to keep her young or at least appear young.
We know she is very, very old. She was a slave named "Melony" who was sold to the Red Temple in Asshai.

Looking at her through the lens of classes in D&D, and in particular B/X version, has many limitations.  It is still a fruitful exercise though.  For starters, it shows the flexibility of the B/X flavor of classes. It also helps me see how well my own witch classes can emulate various media representations of witches.  My philosophy in game and class design has always been "if a player wants to do to something my rules should tell them how they CAN do it, not how they CAN'T." (I hear grognards, OSR purists and other screaming in rage now. That's fine, let them scream.)

So let's pull out my D&D Expert book and give Melisandre a go.

Melisandre is a Priestess
This is the easiest of course. She refers to herself as a priestess as do others.  Her religion is widely accepted in Essos and treated as such.  The biggest clue, of course, is her ability to raise the dead, a power she claims is not hers, but that of the Lord of Light.  Her spells and powers seem closest to a cleric.
If we take "Raise Dead" as the peak of her powers then that puts her level at a minimum of 7th level for B/X D&D. I would not say she is much past 9th level, but I am willing to accept 9th.

Melisandre, Priestess of R'hllor

7th level female Cleric

Strength: 9
Intelligence: 16
Wisdom: 17
Dexterity: 10
Constitution: 12
Charisma: 17

AC: 9
HP: 33

Magic items: Necklace of Protection Against Aging

Spells
First: Cure Light Wounds, Light, Remove Fear
Second: Hold Person, Resist Fire, Silence 15' radius
Third: Continual Light, Remove Curse, Striking
Fourth: Cure Serious Wounds, Protection/Evil 10' radius
Fifth: Commune, Raise Dead

Close...but missing some of her abilities she is really known for, starting fires and giving birth to shadow monsters.  Plus by the rules Melisandre the Cleric can Turn Undead.  That skill would have been helpful in the Battle of Winterfell.

Taking a peek at my 5th Edition D&D books it looks like a Cleric and not a Warlock or Druid would be the best choice.

Let's see how she works as a witch.

Melisandre is a Witch
Of course, for that, I would also need to decide on a tradition for her.  Something like Lord of Light Tradition.  Witches, in general, do not get the spell Raise Dead.  So I am thinking that should be an occult power.  Something they gain at 7th level.
Also, there is her lesser explored power of alchemy/herbalism.  Something all witches get.

Melisandre, Witch of R'hllor

9th level female Witch, Lord of Light Tradition

Strength: 9
Intelligence: 16
Wisdom: 17
Dexterity: 10
Constitution: 12
Charisma: 17

AC: 9
HP: 26

Magic items: Necklace of Protection Against Aging

Occult Powers
Familiar: Spirit of fire
Herb Use
Raise Dead

Spells
First: Bewitch I, Burning Hands, Glamour
Second: Augury, Dark Whispers, Hypnotize
Third: Bestow Curse, Brave the Flames
Fourth: Divination, Intangible Cloak of Shadows
Fifth: Summon Shadow

So I had to raise her level to 9th to get the Summon Shadow spell.  In general, I like her spell choices as a witch better.  BUT that could be my biases since I have written so many (900+ so far!) and I have many to fit an exact situation.

She doesn't really have a familiar, so I am saying her "familiar" is her ability to look into flames.
I also did not give her any "bonus" spells since I wanted a pure B/X experience here.

I should point out that Green Ronin produces a very fine game based, not on the TV show, but the books in A Song of Ice and Fire.

It's Beltane! A time for witches to celebrate.  Start your own celebrations with my new witch book: Daughters of Darkness, The Mara Witch Tradition

Daughters of Darkness: The Mara Witch Tradition

Tonight, evil witches gather on the Brocken to celebrate Walpurgis Night.
Tomorrow, good witches gather to celebrate the new spring with bonfires of Beltane.

But now you can join the celebrations with the Daughters of Darkness and the Mara Witch Tradition for Labyrinth Lord and other Basic Era Games.

The Daughters of Darkness for Basic Era Games

https://www.drivethrurpg.com/product/274429/Daughters-of-Darkness-The-Mara-Witch-for-Basic-Era-Games?affiliate_id=10748

Hail Lilith!

“Humanity has forsaken their Dark Mother.
 We will remind them.”

Lilith. 
 First Woman. First Witch. Mother of Demons.
 Now Her Daughters of Darkness are ready to take what is theirs.

Introducing the Mara Tradition, witches dedicated to the Dark Mother.
 - The Daughters of Darkness coven
 - 175 Spells and Rituals for witch characters
 - 39 Monsters to challenge or be allies
 - 3 Non-player characters to challenge the mightiest characters

Fully compatible with Labyrinth Lord^TM and other Basic-Era games.
Fully compatible with other witch books from The Other Side.

Part 1 of my "Back to Basics" series!

Daughters of Darkness: Lilith and the Mara Witch Tradition

This year marks my 40th year of playing D&D.  I started with Holmes Basic and quickly moved to Moldvay Basic when it was released.  It is also the 20th anniversary of my "Netbook of Witches & Warlocks".  So fairly auspicious anniversaries.

Since this year has been about "Back to Basics" for me I have some books ready to celebrate.

I am pleased to announce the first of three new Witch books for Basic Era Gameplay.

Daughters of Darkness: Lilith and the Mara Witch Tradition

Of Adam’s first wife, Lilith, it is told

(The witch he loved before the gift of Eve,)

That, ere the snake’s, her sweet tongue could deceive,

And her enchanted hair was the first gold.

And still she sits, young while the earth is old,

And, subtly of herself contemplative,

Draws men to watch the bright web she can weave,

Till heart and body and life are in its hold.

 - Dante Gabriel Rossetti, “Lady Lilith” 1873

"The world has forgotten their dark mother.  

WE will remind them why they should fear the dark."

- Traditional Mara oath.

Presented here are:

The Mara Witchcraft Tradition, an evil tradition for Basic Witches.

• 168 Spells
• 44 Monsters, featuring Demons, Lilim, and Vampires
• 100% Compatible with Labyrinth Lord and Advanced Labyrinth Lord.
• 100% with The Witch: A sourcebook for Basic Edition fantasy games and my other witch books.

To be released next week on Walpurgis Night or Beltane Eve, or April 30th.  Print version to follow.

Magic School: Idle Thoughts

Been busy this week.  I am part of a team that is building a new Masters of Social Work program.  It is great because this time I am NOT in charge of it, one of my really qualified co-workers is heading it up and I am really looking forward to working with him in his "Senior" role.  We are the same level so this is a nice switch and will give me some freedom to work creatively at a more "on the ground" level.  Last time our roles were reversed and he got to do the cool fun stuff while I had to mind all the details!
Remember, the reward for hard work is more hard work.

I was in my home office yesterday and two minutes before our video conference meeting started I noticed that my notebook was still out in my car.  So I grabbed the closest thing, my son's D&D notebook.  While sitting through the meeting I keep a set of parallel notes on D&D-ish social work program.  If is SOOO half baked right now and may never, ever see the light of day. But I was amused.

But it got me thinking on larger Magic School ideas and how they tie into my desire of "Back to Basics" this year.

Bruce Heard is over at his blog and online quietly building all sorts of great stuff for his Calidar world. Recently his big project is one I am REALLY dying for; Calidar On the Wings of Darkness. This product will include his magic school for his country of wizards.  Bruce gave us much of what we know about the Great School of Magic located in Glantri City.  If that work is any clue, add 32 more years of game development and writing and that gives me a hint of what we might see in On the Wings of Darkness.

His latest post also helps me figure out which flavor of Basic I am planning to use.  While my great love is B/X Molday/Cook/Marsh D&D, a strong  case has been made for BECMI flavor of Basic.  Plus I have my snazzy new Rules Cyclopedia thanks to POD so this is a good thing for me.
I just like the idea of crazy Magic School hijinks using the Basic rules.

Speaking of the Great School of Magic.  A new-to-me blog, the Breath of Mystara, pointed out a great resource to me, a 555 page PDF on the Great School of Magic.

Seriously that is a lot of material.

Another interesting bit that came up for me yesterday was this fun little character creator for making your own Hogwarts student.
https://www.deviantart.com/hapuriainen/art/Hogwarts-student-maker-302435099

For fun, I did one of me and my iconic witch Larina.  This would have been back when she had brown eyes and her hair was a bit darker.

For my magic school, I have not thought of "houses" really. but think about how important they are to the Harry Potter world and fandom.  EVERYONE has a house they think they belong to.   In my mind, I was more focused on the "Colleges" which is what we did in actual college/university and grad school.

I have also been following Dave Chapman's discussions on a Harry Potter RPG (hypothetical RPG that is) and taking a lot of his advice to heart.

Now I need to work more on my idea of "High Witchcraft", but more on that later.

April TTRPG Maker, Day 14

Day 14: Are Your Game Mechanics and Characters Intersectional?

My mechanics are math which is about as non-intersectional as you can be. Math is math.

Again, not to sounds like a broken record, I go back to my key philosophic design foundation; Is it fun?  Everything else flows from that.

Now to be fair.  I DID write The Witch: Aiséiligh Tradition AS I thought a radical feminist witch group would look like in a D&D/Fantasy world. 

Here I did play with concepts of power and gender as they related to the archetype of the witch.  I based it on the "Reclaiming Tradition" in modern Wicca who have decided that they need to reclaim the name "witch" and make it their own positive label.

The Aiséiligh are in a very real sense my Social Justice Witch class.  Lawful, Good, and sick your patriarchal shit.

Monstrous Monday: Lilith, Queen of Demons

It's April. And I have to admit I am kinda missing the A to Z challenge this year.  Maybe I'll do it next year.  But in any case, I was thinking of past challenges last week and the topics I have done and one topic just kept coming up nearly every time I did it.
Lilith.

For three consecutive challenges, I posted about Lilith on "L" day for Demons, Witches and Vampires.
2013 L is for Lilith and Lilim
2014 A to Z of Witches. L
2015 A to Z of Vampires: Lilith

The story of Lilith has always fascinated me.  The character has always fascinated me.
I suppose then it is no surprise that she lies at the intersection of all my interests.

Also this weekend I finished a nice binge watch of Chilling Adventures of Sabrina, Part 2. Here the amazing Michelle Gomez plays Lilith the Mother of Demons and the First Witch.

So, I figured it was time to revisit my muse.

Lilith by IsraLlona

Lilith
Queen and Mother of all Lilim (demons)
Hit Dice: 18d8 + 33 (114 hp)
Armor Class: -3 [22]
Attacks: 2 claws (1d4), 1 weapon (1d8)
Saving Throw: 3
Special: +2 magic weapons to hit, magic resistance (65%), immune to fire, magical abilities, summon minions
Move: 12/18 (flying)
Alignment: Chaotic Evil*
Challenge Level/XP: 20/3,400
Lilith appears an inhumanly comely woman standing 5’7” tall and weighing roughly 130 pounds. Her skin is cinnamon colored, and her hair is waist length and blood red. She has a pair of leathery black bat-like wings that she can hide or expose at will.

Lilith never openly attacks.   She considers combat beneath Her and will not partake in it.  Her arena is intrigue, guile, and deception.  Why fight when a cup laced with poison or a dagger in the night is much quicker.
She can use ESP and cast fireball, hold person, charm person or charm monster, suggestion and teleport at will. Three times a day she can cast lightning bolt and wall of fire.  She can see perfectly in darkness of any kind. Lilth can summon 1d4+4 lilitu with a 100% chance.

The First Witch
was the first witch and can cast any witch spell.  She cast spells as a 20th level witch but does not have any occult powers other than her magical abilities listed above.
Lilith was the first human woman. She rebelled against the gods that created her and now controls armies of demons.  The gods won't work against her or strike her down because she knows all their True Names.

Lilith has no true friends because most fear her.  She is known to ally herself with the Goddess Ereshkigal since both have similar portfolios and areas of concern.  Some even claim that Lilith spent some time as Ereshkigal's handmaiden.  Others claim she served Astártē or Ishtar.

Appearance and Emissaries
Lilith always appears as a young very attractive woman.  Most often with long flaming red hair.  It is claimed her true form is that of an ancient hag with long, but sparse wild black hair, talons, fangs and the feet of a predatory bird.  Either or neither could be her true form.

Servants
Lilith is typically honored by the Witches of the Mara Tradition.

Naamah - Known as the Daughter of Lilith Naamah is either a demon, a human or something else.  She is honored in her own right as either the Patroness of Whores or the Patroness of Those Who Hunt the Night (slayers of the undead).  Her title as The Daughter of Lilith, as opposed to just a daughter of Lilith, is significant.  She may be her first true daughter or she may be her first human daughter.

Abyzou - Another daughter of Lilith. She is a powerful Lilitu Demon. She takes pleasure in possessing others and destroying them from the inside out.

Nox - The Petty Goddess of the Dusk is also believed to be a daughter of Lilith.  Possibly the offspring of Lilith and a Sun god.

Camazotz - a Son of Lilith and the bloodthirsty god of Vampires.  Some claim that his father may have been Orcus.

*Lilith's alignment is listed as Chaotic Evil.  The Chaos part should be obvious, she has rebelled against the entire universe.  While many of her actions are evil, she still kills babies, she is also a lot more complicated than that.  Lilith has a high personal morality. She honors and keeps her friends and associates.  You can trust that she will always do what is best for herself, but she also cares for her own "children" so she will protect them.

Holy Texts
As witches, the worshippers of Lilith hold their own Books of Shadows as their holy texts, but a few are are considered to be helpful in understanding Lilith.

The Splendor - The foundation text on which many of the Gods of Light have based their own holy texts.  The Splendor mentions Lilith as one of the first demons of darkness. For this reason, many religions will see Lilith as a threat to their religion.

The Enochian Tablets - More details on the life and rebirth of Lilith. Written in an ancient angelic script that is difficult for many sages to translate. Also discusses her relationship to the divine and the demonic.  It also details the origins of Those Who Hunt the Night.

Other posts about Lilith here
Every Angel is Terrifying: The Secret and True Origins of the Slayer
- Pseudo Slayers
Going Up to Hell: Cosmology
Sympathy for the Succubus
- Part 1, Part 2, Part 3
Let's Talk About Sex(y)
E is for Eodemon
The Dragon and the Phoenix: Episode 7
Season of the Witch: Episode 2

Monstrous Mondays: Lady Midday

One of my favorite games is Leagues of Adventure along with the Leagues of Gothic Horror setting.   It is a Ubiquity power game and it gives me the same feeling I get from Cinematic Unisystem.  So I was quite pleased to see three more books are coming out for it;  Guides to Faeries, Hags, and Walking Dead.

I'll post more about this later in the week, but today I wanted to update a monster I have used in the past, but have not featured here before.  Since I am on a Basic-era kick, let's do stats for Basic D&D (esp. as presented by Blumeholme and B/X Essentials) and Ubiquity.

Poludnitsa, Lady Midday

The Poludnitsa or Poludnica, also known as Lady Miday, is a relative of the more common Hag races. She is a creature of faerie (like all hags).  Unlike the more common hags, Lady Midday is very beautiful, unearthly so, and is only encountered on midday on hot summer days (thus her name). She appears as a very tall, beautiful pale woman with long white hair wearing a long white dress. Though it is said her true form is that a sundried corpse.

She will often appear in the middle of fields of wheat, barley or rye carrying a large set of antique looking shears or a scythe.  She will stop to ask anyone working in the field a question. If they fail to answer to it or answer incorrectly she will cut off their heads with the shears.
She is also known to kidnap girls under the age of 12 to take them back to her lair where she teaches them witchcraft if she doesn't eat them first.
Those she doesn't kill she can curse with madness or the "Heat Sickness".  Those that are not treated will die.

Poludnitsa lives in vast underground complexes, filled with ovens and roaring fires. Her captured slaves fulfill her wishes, roasting sheep and baking bread for her, all day long. Poludnitsa exits her underground lair only during sunlight hours. She usually perches in the immediate vicinity of her lair, waiting for unwary travelers to pass.

She is not commonly encountered, but parents of children commonly warn about her. Any child that wanders off, especially into fields of rye, run the risk of being captured by Poludnitsa. Parents will often warn “Don’t go to the rye, Poludnitsa will eat you!” or “Poludnitsa will burn you up!”

It is unknown if she is a unique creature or if there are many such creatures, but very, very rare.

Poludnica’s Sheep
The sheep Poludnitsa keeps are anything but ordinary. Each is a Large sized monstrosity, with wool the color of fresh blood.

Poludnitsa Basic-era stats
AC: 5
HD: 6d8 + 12hp
Move: 30'
Attacks: 1 weapon + Heat Madness
Damage: 1d8* (beheading on a natural 20) + Special
Alignment: CE
Treasure: none
XP:  1,280
Abilities: Strength +1, Intelligence +1, Charisma +2

Poludnitsa can only appear during the hour before and the hour after midday.  During the Sumer Solstice though she can appear during all hours of daylight. 
She may only attack those that refuse her questions or answer them incorrectly.  Once that has happened she will attack with her shears or scythe.  They are treated as "vorpal" weapons in her hands (treated as normal weapons in anyone else's).

Once per day, usually at the height of noon or moment of greatest temperature, she can curse one humanoid creature with heat madness.  They must make a saving throw vs. Death or be strickened.  A successful save means the creature is dazed and cannot attack for two round.  If the save is failed then the victim suffers the full effect of the heat madness. They are treated as if they had a combination of Slow and Feeblemind spells cast on them. Failing the first save means they will need to make another Death save in one full day or die.  Failing the first save and making the second means the victim is bedridden for four (4) days, minus their Con adjustment.  A Bless, Heal or Remove Curse spell will remove the heat madness.

Poludnitsa is immune to all heat and fire based attacks. She takes double damage from any cold-based attack.

A witch or cleric can "turn" (but not destroy) Poludnitsa as a Vampire if they present a Moonstone.

Poludnitsa Ubiquity Stats
Patron 1
Archetype: Hag
Motivation: Survival
Style: 1
Primary Attributes:
Body 3, Dexterity 3, Strength 3, Charisma 2, Intelligence 2, Willpower 3

Secondary Attributes:
Size 0, Move 6, Perception 4 (8), Initiative 4, Defense 6, Stun 3, Health 8, Horror n/a (human form) or 4 (corpse visage form)

Skills: Athletics 5, Brawl 5 (Grapple 6), Intimidation 8, Stealth 5 (Hiding 6)
Talents: Fearsome 2 (Can temporarily frighten foes)
Resources: None
Powers: Madness, Immune to Fire and Heat based attacks.
Weaknesses: Cold vulnerability (She takes x2 damage from any cold-based attack.)
Flaws: Thirst for Flesh (+1 Style point when its unholy appetite reveals its true nature)
Weapons: Shears 7L