Monstrous Mondays: Monster of Lake Fagua for OSE

Today I wanted to get into a monster from my recent re-discovery of Daniel Cohen and a bunch of books I read as a kid and critical to my early ideas of what could be part of my D&D games.  One of those books was "Monsters, Giants and Little Green Men from Mars."

And one of those monsters was the Monster of Lake Fagua.

Appearing something like a large manticore, it reminded me a lot of the Piasa Bird.

The monster was said to have been "found in the kingdom of Santa Fe," in Peru, in the province of Chile, "in Lake Fagua, which is in the" lands of Prosper - Voston."  At least as reported in France on several prints sold in Paris in October 1784.

The creature was described as follows:

"Its length is eleven feet; the face is almost that of a man; the mouth is as wide as the face; it is furnished with two-inch teeth length. It has two 24 inch long horns which resemble those of a bull; hair hanging down to the ground; the ears are four inches long and are similar to those of a donkey; it has two wings like those of a bat, the thighs and legs are 25 inches; it has two tails, one very flexible, which it uses to grip the prey; the other, which ends in an arrow, is used to kill him; his whole body is covered with scales.”

It had been described as a relative to the harpy.  So let's keep that.  Potentially a manticore/harpy crossbreed.

Monster of Lake Fagua
(Old-School Essentials)

Armor Class 2 [18]
Hit Dice 8 (36hp)
Attacks [2 × claw (1d6), 1 × bite (2d4)] or 1 × tail spike (1d6+poison) or 2 x horn gore (1d4+1)
THAC0 13 [+7]
Movement Rate 90' (30') / 180' (60) flying / 360' (120')  swimming
Saves D8 W9 P10 B10 S12 (8)
Morale 9
Alignment Chaotic
XP for Defeating 1200
Number Appearing 1d4 (2d10)
Treasure Type None

• Amphibious Movement. This creature is equally at home on land, water or sky.  The fagua monster can spend up to 12 hours underwater. 
• Nocturnal. The creature is only active at night and can seel equally well in the dark. 
• Tail Grab. On a critical success on a tail attack (natural 20) the Fugua Monster can instead grab a victim and squeeze them each round for 1d6 points of damage. A Strength check is needed to escape.
• Tail Spike. The spike of the Fugua Monster has a paralytic poison. Save vs. Poison or become paralyzed for 1d4+2 rounds.

Nice to see this guy again!

Weekend Gaming. Keep the Goblin in the Backpack

A full weekend of gaming.  

Friday Liam went to his friends' game (5e) where they are rotating DMs. I think this is a great idea. Gives everyone a chance to try DMing and keeps everything fresh with everyone's different style.  

Next week I hear they are doing Trek! 

Saturday was Connor's group. They are going through the Curse of Strahd, but the characters are again the stereotypical bi-sexual, kleptomaniac, pyromaniac band of murder hobos.  One of the players could not make it this week or last, so their character, a goblin fey-pact warlock, has been in the barbarian's backpack this whole time sleeping.  Trouble is the barbarian has decided he likes spiders, so he keeps putting live spiders into his backpack.  This will be fun next week.

Tonight Liam has his other group, his "college" group, over.  They are also going through Curse of Strahd.

We also went out to Games Plus this weekend to drop off some books for the local game auction.

For food, since it was 50 degrees in Chicago (which is like 70 everywhere else, except Minnesota, they think 40 is like everyone elses' 70) I grilled.  Chicken, garlic bread, romaine, as well as cornbread and brownies. 

Right now everyone is laughing, so it sounds like a good time. 

Hope your weekend of gaming went well!

Class Struggles: The Alchemist

The Love Potion by Evelyn De Morgan

Thought a Class Struggles might in order today.  I have been thinking a lot about the Alchemist lately and thinking that of all the potential classes, this the one Old-School AD&D/D&D talks around the most, but never actually executes. My history with the alchemist goes back to when I was creating a bunch of new classes.  There was the witch (obviously), followed by the necromancer, the "sun priest" and finally the healer.  The alchemist was one that I mentioned in conjunction with all these other classes, but never had much more than an outline of it.

So let's have a look at how the Alchemist has presented to us over the years and what the class has become today.

The Dragon Magazine Alchemist(s)
I want to start here since these are the first alchemists. The ones that even predate the information in the DMG.
To claim there is one alchemist from Dragon Magazine is a bit of a stretch.  While a claim can be made for the Dragon Mag witch class, the alchemist has seen less cohesion.
The first alchemist we see, and one that predates AD&D, is the  "New D&D Character Class: The Alchemist" by Jon Pickens in Issue #2, page 28. This is a solidlyOD&D class.  Here we get 20 levels of the alchemist class which functions as a slightly weaker version of the magic-user.  It can create potions up to 6th level, like spells.  This alchemist though has some special powers to go with it. It can detect and then later neutralize poisons and paralysis. It can identify potions and can prepare various poisons.  The class is playable, but feels limited to a support role in some cases.  The Prime Requisite is Wisdom, though I think Intelligence is a better choice.

A few more years in and we get a combo of classes for Roger and Georgia Moore in Dragon #45, "NPCs For Hire: One who predicts... ...And One Who Seeks the Perfect Mix." This gives us two NPC classes, the Astrologer and the Alchemist. While the Astrologer looks like a lot fun, I want to focus on the alchemist now.  This is a pure NPC; no class levels or XP, no hp, just what they do and how they do it.  There is a bit on hiring an alchemist as well.  The assumption here must be that these are all older professionals likely past their adventuring years.  Fo me I can see both versions working at the same time in the same class.  Pickens' class for adventuring years and the Moores' for after that.

Separate, these classes feel a bit lacking by my standards but are likely fine by others.  Together though they combine rather nicely into a complete whole for me.

In "Recipe For the Alchemist" (Dragon Mag Issue #49), Len Lakofka presents, in very typical Len fashion, a very complete alchemist class.  Like many of his classes, this one is an NPC only and should be considered something of a more useful henchman.  In addition to the powers of detecting and making potions and poisons there are skills on glass blowing and pottery making.  Two useful skills for an alchemist to be sure.
There are XP per levels given, but they add up to be a little bit more than the magic-user if you consider the first couple levels are "apprentice" levels with little more than pottery making and glass blowing skills.   While the class is very complete it is a bit prohibitive as a PC class. I am certain that is by design.

There is a bit of a stretch before we get to another one, but it is worth the wait. "Better Living Through Alchemy" from Tom Armstrong in Dragon #130 has become in my mind the defacto article on alchemy in D&D.  Armstrong gives us not only an alchemist class but also a primer on Alchemy and how it could work in the game.  This is also the only alchemist I have played and playing the class though was hard. It had higher XP per level than the wizard and there was little they could do without their lab. The article is dense. That is in the sense that there is a lot here to read and unpack.
The article reads like a cleaned-up version of all the alchemists we have seen so far and this one also has the benefit of a few more years of play on it. 

The Alchemist in the DMG and D&D Expert
In between all of those we get some notes on the alchemist from the Dungeon Master himself in the DMG.  Though if anything this only makes me want to have an Alchemist NPC class, or better yet PC class, even more.

While the alchemist is not needed for higher-level magic-users, someone is going to need them.  Plus someone out there is creating all those potions.   If Jonathan Becker's recent deep-dive into the Illusionist class is any indication we could have used a magic-user sub-class of an alchemist more than the illusionist!

The D&D Expert set also has guidelines for an alchemist and maybe the most iconic alchemist art there is in D&D.

For 1000 gp a month you can have an alchemist on hire. Likely less for that sketchy guy above.

So how do we get there?  Well, let's see what the 3rd party publishers have to say.

Bard Games

I have gone on the record many, many times about my love of the books from Bard Games.  Their Compleat Spellcaster is still a favorite and particularly germane to today's discussion is their Compleat Alchemist.

While the Compleat Spellcaster is my favorite for obvious reasons, the Compleat Alchemist seems to be the most popular.  There are two prints from Bard Games, the Arcanum (which combines all three) and then another one from Wizards of the Coast long before their D&D years.

This was one of the most complete (it says so in the title) alchemist classes for some time to come. At 48 pages the book was huge for a single class.  By necessity, the class was written for "any FRPG" so a lot of the language is coded since they did not want to run afoul of TSR. But there is enough information here for you to read between the lines to figure out what to do. 

Some time is given to the art and science of alchemy. This includes the use of special symbols and language to communicate with other alchemists. Prices and rarities of ingredients and equipment.  And even a component sheet to keep track of the alchemist stores.
Potions and Elixers are granted by level as one would expect, only, in this case, it details what the alchemist can do at their class level. Not by let's say potion level (like a spell).

This alchemist really was the gold standard by which all other alchemists were to be judged for years.  Enough so that it appeared in several different books by a few different publishers over the years.  So much so that it still appears in the Arcanum 30th Anniversary Edition from ZiLa Games.

The OGC / OSR Alchemists
Not to be left out modern authors have looked back to the Alchemist and created their own versions using the OGL.

Pathfinder
The evolution of the D&D game to Pathfinder has also given us an evolved alchemist class.  This is presented as a fully playable PC class. It is also so popular that while it was originally a "Base Class" in Pathfinder 1st Editon, it became a Core Class in Pathfinder 2nd Edition and the favored class of Pathfinder goblins.
I rather enjoy this version of the class since it more playable than previous versions of the class.  Good rationale is given as to why an alchemist would want to leave the lab and get out into the field of adventuring.   The class though does tend to be a little too "blasty" for my tastes and it seems that the 2nd Edition version has gone even more in that direction, but it is still a very fun class to play.

There is so much alchemist stuff  (over 300 according to DriveThruRPG) that there is even a product to collect all the OGC extracts into one place, Echelon Reference Series: Alchemist Extracts Compiled.

Pathfinder is not the only place though to find a "new" alchemist.  There are plenty of OSR/Old-school choices out there.  Here are a few I have grabbed over the years. In no particular order.

The Alchemist
Tubby Tabby Press
This is certainly one of the more complete alchemist classes I have seen. At 81 pages it is full of information on all of the class details, equipment, ingredients and everything the alchemist can create by level.  Designed for AD&D it can be ported over to any game. It is based on the Bard Games version.  There is only a small amount of art in this one and no OGL statements.  Despite that this is a very full book and plenty to keep players and GMs busy.

Basic Alchemist
Den Meister Games
This is a smaller product, but it is totally in line with the Basic-era games.  What makes this particular product useful is its flexibility.  Produced for Labyrinth Lord it is a solid B/X feeling class. The cover art even invokes the Erol Otus alchemist art from the D&D Expert book.  The alchemist can build potions, elixirs, and compounds and use them as magic-user spells.  Some examples are given and it has a great old-school feel. In particular, I love the alchemical failure table! 
At six pages it is not big, but it makes each page count. I do wish there more examples of spells though.

Supplement #1: The Alchemist
Vigilance Press
This is another smaller product. Five pages (1 cover, 1.5 OGL, 3.5 content) at $0.99.  It reminds me a bit of the Dragon magazine alchemists; Smaller XP per level needed, but only a few "powers" per level and some levels none at all. Slightly better hp and attacks set this off from other "magic-user" based alchemists.   I do wish this one had more to it than this, but it is a playable class.  If I were to use this one I might try it as a multi-classed Magic-User/Alchemist.  Get the advantages of the magic-user spells and the better hp/attacks of the alchemist.  Designed for OSRIC.

Old School Magic
Vigilance Press
This is an update to The Alchemist also by Vigilance Press. For another buck, you get more classes, another 23 pages and a better-looking layout. A good deal if you ask me.  The alchemist is very much like the one from the previous product.  Like the alchemist supplement, I might do a multi-class with this alchemist. Either as an alchemist-artificer or an alchemist-sage. 
The other classes include the artificer, conjurer, elementalist, hermit, holy man, naturalist, sage and seer.  Plus there are some new spells that I rather like.

The OSR Chymist
Jeremy Reaban
A slightly different version of the alchemist. Jeremy Reaban does some great classes and this one is no exception.  This chymist is closer in nature to the Pathfinder Alchemist but somehow this one feels more like an old-school class and manages to work well.   He includes some new formulae for alchemists/chymists and some sample NPCs.  Also there are tables for whatever old-school games you are playing. Sure conversion is easy, but this makes it all easier. 
It is PWYW, but my advice is to send him a buck or more. It is 16 pages so that is not bad for a dollar.

There are more, including many alchemists that are parts of larger books like Fantastic Wizardry, The Crimson Pandect, and the previously mentioned Arcanum.

How to Destroy a Legacy in a Week

I was not going to talk about this today.  I wanted to do a One Man's God today.

But in truth, I can't be silent about this. Last week I talked about Bob Bledsaw II and his racist, anti-Semitic, anti-woman, posts on Facebook.  Some fans of Judges Guild were content to ignore them or try to separate the "art from the artist".

Well, I am here to say that is all bullshit.

If you buy one of my books you are buying a piece of me. You are buying the stories I read, the music I listen too, the movies and TV shows I watch.  When doing research I make choices to read Book A or Book B, Article C or Article D, Documentary E or F.  This goes on and on.  What I choose is based on my interests, my time, and yes, my political leanings.  You don't have a choice in this save for one; to buy or not buy my books.  When writing I have one principle that applies; is this fun to play. If so then I do it.  If I do it right you buy and enjoy it too.

But don't pretend my politics don't enter into it.

Well. Now all the hemming and hawing and handwringing aside, Bob Bledsaw II posted the following unhinged screed on the Judges Guild official Facebook page.  There is no separation now of art and artist.  And to be 100% accurate, BBII did not, as far as I know, create anything for Judges Guild.

You might need to click on this or download it to read the whole thing.  Otherwise, Tenkar over at his eponymous Tavern has been doing a good job of keeping track of this whole clusterfuck.

There is so much wrong with this posting that it would take me several hours to point all the self-contradictory statements, the outright false-hoods and tin-foil hat wearing conspiratorial bullshit and frankly, he is not worth my time.

But there are only two facts that matter to me.
1. This was posted as part of an official release on the Judge's Guild page.
2. It is so full of hate, bigotry and vile thoughts as to be repulsive to any reasonable individual.

Does BBII have to right say what he wants? Yes. So fuck off with the "free speech" bullshit argument.  There is no such thing as consequence-free speech.  He can say what he wants. So can I.

BBII has destroyed any sort of good legacy Judge's Guild had left.

So fuck him. Fuck his ideas. Fuck his company's products.
And if you support him or his ideals then fuck you too.

I am not going to buy any of Judges Guild stuff. If you decide you don't want to buy my stuff.
Good. I don't really want your money here.

I am happy to note there are many in the community, and in the OSR community too, to stand up against this type of behavior.

Here are some videos that address the topic.





There are undoubtedly more and plenty of Twitter and Facebook conversations too.

TL;DR Bob Bledsaw II is a piece of shit and if you support him don't fucking buy my books.
Likely you are too stupid to understand them anyway.

Witchcraft Ritual Kit (1974)

I was out getting some driving practice with my sons over the weekend.  They didn't want too so I made them a deal, if they drove we could go to our favorite local game store Games Plus.  So we did and I found something of a little treasure.

This is Avalon Hill's Witchcraft Ritual Kit from 1974!

So imagine this, the year is 1974.  Avalon Hill knows about D&D having passed on previous Gygax penned works.  The biggest movie of the year is The Exorcist and rival Milton Bradley is churning out Ouija boards all day.  What is Avalon Hill to do?  Simple they create a "game" based on Wicca and Witchcraft.

Supposedly authored by "Dr. Brooke Hayward Jennings", who I can find nothing on anywhere, and neither has anyone else, this was one of two of their occult-themed games.  The other was called "Black Magic" and featured a similarily "porny" cover.

Now, all that aside I have been wanting this game forever.  It has been out of print since the mid-70s and finding a good copy is nearly impossible.

I found this sitting in the stacks of out of print wargames. It was labeled as "unpunched" and interior in good condition even if the box had some shelf wear.  I knew, more or less what I was getting here, so despite the high price (I am not going to tell you what I paid for it) I had to get it.

Well.  I am not disappointed.

Let's have a look inside.

That game board is gorgeous! Not so sure about all the pieces, and those game tokens have to go!
I'll likely replace the male and female figures with minis, maybe 72mm ones, and the other items with small 3D printed versions.  Don't know yet, have to read how they are used.

The gamebook is a mix-mash of all sorts of wicca, occult and pagan ideas that lack coherence. It is, however, a fun read.

This is easily the most 70s thing I own.

I could not find any reviews online and none from any pagans or gamers to give me their insight and point of view.

Also, I am not sure what I will do with it yet. Like I said some of the pieces have to go to make it playable in my mind, but that game board.

In line with my "Traveller Envy" I talked about with Wizard's Quest and Witch's Caldron boardgames I really WANT to use this as part of the larger "War of the Witch Queens" campaign. I am just not sure how yet.  I do have other board games to add to it.

Oh, it also been properly pointed out that the TRUE way to express my Board Game Traveller Envy is via Starfleet Battles and my "BlackStar" campaign.  But that is a topic for another day.

Zatannurday: DC All Star Games

Now here is something truly unexpected!

DC Universe wants to get in on the "Critical Role" action and do a live-action unscripted 5-part special with actors playing the 1980s DC Adventures RPG.

Here is the information for DC.

DC UNIVERSE Announces Original Unscripted Gaming Mini-Series

'DC UNIVERSE All Star Games'

Clare Grant, Vanessa Marshall, Sam Witwer and WWE’s Xavier Woods Join Freddie Prinze Jr. For Five-Part Role-Playing Game Adventure Set in The Classic 1980s Game DC HEROES

DC UNIVERSE has announced its first original unscripted gaming mini-series, DC UNIVERSE All Star Games. This new anthology series brings famous DC fans together to play a variety of games in the increasingly popular gaming show genre. Season One features a nostalgic role-playing adventure, The Breakfast League, from Executive Producers Freddie Prinze, Jr. and Sam Witwer. The first episode of the five-part series will premiere exclusively on the DC UNIVERSE digital subscription service on Friday, February 28.

DC HEROES, the famous post-crisis role-playing game, sets the stage for the first season in which Vanessa Marshall, Clare Grant and WWE superstar Xavier Woods also join as players. Set in the same 80s era as when the game was first published, the five participants role-play as a group of high schoolers stuck in Saturday detention. As they improv their way through a variety of situations familiar to fans of beloved movies from that time period, they soon discover their destinies as the world’s greatest super-heroes.

“DC Heroes was the first RPG I ever played as a kid. It was also my introduction to the DC Universe, its Heroes and, most importantly, its rich pool of villains.” said Prinze. “ I had a blast making this series and I hope all of you love it as much as I do.”

Directed by Jon Lee Brody and produced by Telepictures, “DC UNIVERSE All Star Games” is the first unscripted addition to DC UNIVERSE’s expanding original programming slate which includes “DCYou Unscripted” and “DC Daily.” New episodes will go live exclusively on DC UNIVERSE every Friday after the series premiere on February 28.

For more information on DC UNIVERSE and “DCU All Star Games” please visit dcuniverse.com and follow DC UNIVERSE on Facebook and Twitter.

This could be a lot of fun.

Join Freddie Prinze Jr (Buffy's Husband), Clare Grant (Oz's wife), Sam Witwer (multiple DC shows), and more. I am looking forward to this!

Origins of the Witch: Early Research Edition

One question I constantly get is "why witches?" To which I usually reply, "why not witches?"
I have talked here about how it has been a subject that I have been fascinated with since even before my D&D days.

Well, a few things have gone on this week to make me want to look back at why I am interested and to try to capture some of the initial excitement.

First up was, of course, my coverage of the classic adventure B1 In Search of the Unknown, and what I started calling my First Witch Marissia. Not a lot of information there, but still a lot of fun while going back to look over my history.

I also talked about the first time I started putting a visual image to my iconic witch Larina from Dragon Magazine #65 from September 1982.  I am sure to talk more about her in this series in the future.

Another interesting bit is a new series of posts on the illusionist from Jonathan Becker over at B/X Blackrazor. 

He talks about the spell color spray (one I am including in my Pagan Witch book) and how it is kind of a wreck.   But that was not what got me thinking today. It was his inclusion of some Bill Willingham art from the module D1-2 Descent into the Depths of the Earth.  Here it is:

That Illusionist was the art I used for another one of my early witches, Cara Niemand (German for "nobody" since her last name was supposed to be a secret). She was a witch I tried to build using just the PHB "by the book".  I didn't like how she turned out, but she was a great character all the same.

Part of what is really extended navel-gazing under the guise of *serious research* is my work on the Basic-Era witch books I have been doing lately, with the Pagan Witch due out soon.

Last night though I got a HUGE piece of my pre-D&D witch past back. 
For years I could not remember the name of this author who had written a lot of children's books about monsters, ufos and all sorts of stuff.  Well, thanks to my sister I finally remembered.  Daniel Cohen.  Yesterday I got a few of his books in the mail.

Not all the books, but these were the big ones.

That Hodag! (from "Monsters")  Seriously I have been dying to put him into a game since forever.

From the witch book. Look at all that great woodcut art!  If you ever wanted to know why I have so much of these woodcuts in my books, well it started here.   I have one more of his books on the way, but after that the re-writes start.

My plan is to go over all these old books and my old notes from the time and make sure my Pagan Witch book is something that would have been on my shelves then.   Yeah, these are "kids books" but the point is not to provide you with Ph.D.-level work (I can do that if you like) but instead capture that feel of the early 80s by reading the same books I did then and in the late 70s.