Wednesday, July 26, 2017

Green Witch in Print

I mentioned it yesterday, but today I wanted to give the Green Witch its own due.  It is out in print now at DriveThruRPG and RPGNow.


The book follows the same format as does The Warlock and they are 100% compatible with each other with very, very little repeated content (some spells like Bestow Curse are repeated).

In fact the goal for all my witch books is to give you a complete playable class where you don't need any other book I publish.  If do buy one of the other books then you get something that both classes can use.  Witches can use Warlock spells and visa-versa.

Each book features either a different class (Witch, Warlock, Huntsman and Green Knight) or a different witch tradition.  So each book gives you something new.


Not only can you now get the Green Witch in print, you can get it on sale!
OneBookShelf's Christmas in July sale is still going on and I have a lot of books up for sale from various publishers (and various levels of contribution on my part).

The next witch book I have due is the White Witch.  It is going to be Swords & Wizardry White Box focused.

After that, I think it will be The Mara Tradition and then The Winter Witch.

Should be great!

Tuesday, July 25, 2017

New in Print: Mail-call Edition

When I get games or game books together; either via a con, or an auction, 2nd hand sale, or whatever I tend to think of them as "linked" products whether they are or not.  This is doubly true when I get a bunch books at the same time in the mail.  Like I did over the last couple of days.

Here is what the UPS man left on my door in three different boxes.


That is +Mark Taormino's latest Maximum Mayhem Dungeon #4 Vault of the Dwarven King, fresh from the Kickstarter.  The print proof of my own The Green Witch, which you can now buy in print AND while it is on sale at RPGNow's Christmas in July.   With +Gavin Norman's print copy of Theorems & Thaumaturgy Revised Edition. His PDF is also on sale.

Let's jump in!

First up is the fourth installment of Mark Taormino's Maximum Mayhem Dungeon series.  This time for characters level 4 to 7 it involves investigating a Dwarven mine.  But you know that is not all.

The mine cars and tracks look more like roller coasters and there are monsters breeding down in the mines.  I would say they are unimaginable, but in truth, they are EXACTLY the sort thing we probably imagined at age 13-14 when making our own dungeons.  Mark just has better production values.  Like the others in this series, this is pure nostalgia fueled gonzo fun.   Crazy mines, insane monsters, goblins with chain saws. Yup.  This module has it all, and what it doesn't one of the others in the series does.


OR order them this way to have The Maximum Mayhem CampaignTM for levels 1 to 14!


Makes me want to pull out my Basic and Expert books and do that!

If so then you can bet that I will be including one of Gavin Norman's Vivimancers in the mix.

Theorems & Thaumaturgy Revised Edition has been out for about 7 months and it looks like it is doing well.  That's great because this is completely kick ass little book.


Inside we have three new classes, The Elementalist (specialist in the volatile energies of nature), The Necromancer (master of death and restless spirits), and The Vivimancer (expert of cloning, vat-growth, and bio-sorcery).  All for you Labyrinth Lord or Basic-era game.
If you have the older T&T then Gavin has put up a blog post to explain the differences.


And of course, I will have to include a Witch in the mix.


The Green Witch for Swords & Wizardry follows up my Warlock class.  These are witches that protect the wood.  Are they protecting it from humankind, or are they protecting humankind from it? Maybe both.

Like my other witch books, this presents a new witch Tradition which includes new Occult Powers and Spells.  It also has some new associated classes, the Green Knight (a paladin for witches) and the Huntsman (a pagan-inspired Ranger).


All my recent witch books are for Swords & Wizardry and written not only to be compatible, but also to have very little in the way of overlap.  Obviously, the Experience tables are the same (they are all witches) and some spells are shared by all witches (Bestow Curse is a good example).  I try to make each one worth your while and moeny to buy.



And right now it is on sale. In fact nearly everything for the witch is on sale now.



Monday, July 24, 2017

The Basic Set at 40

Gamers of a Certain Age all know about their first Basic Set.  For some, it was light maroon with a red book.  For many it was a red box with red books.  But some of us had a different experience.  The box was blue(ish) and had a dragon on the cover, the book was blue and it changed gaming forever.



On July 22, 1977 the Dungeons & Dragons Basic Set was shown at Origins Game Fair and it changed the face of RPGs.  Prior to this people learned to play from others that had been playing.  The John Eric Holmes edited Basic Set gave brand new players with no prior experience in either RPGs (which really meant D&D) or in wargames.  It gave us the Moldvay Basic set and the  Frank Mentzer Basic set. But more importantly, it opened the world of D&D to others.

Dr. Holmes took on the massive task of collecting what was then OD&D, edited it and reorganized it into a game that made sense to new players.  There is some debate as to whether this was designed as a stand alone game line (which it would become) or as an introduction to Advanced D&D (which it reads like).

A lot of blogs will talk about the history of the Holmes Basic Edition. A great post can be found over at +Wayne Rossi's Semper Initiativus Unum, Basic D&D at 40  and pretty much the entire Zenopus Archive blog by +Zach H.

My experiences with Holmes though are a little different.



My gaming began in 1979, before the Moldvay set, but after Holmes.  I had read the Monster Manual and I had a copy, badly xeroxed, of the Holmes Basic set.   Like many, my "first" D&D was a combination of Basic and Advanced. Still today that is the same experience I look for in D&D.



I will be honest, it took me a while to get the game down.  With Holmes D&D I always felt like there was something I was missing. I only learned later of the "Little Brown Books" and how "Basic" actually came about.  I also did not have a full copy.

I would later get my hands on a copy of Holmes to read in full.  It was an eye opening experience to be sure. I had been playing Moldvay Basic for a while and moving over to AD&D proper.  Holmes felt like a Rosetta Stone to me.  A product that could crossover between these two games.
When I got a hold of a copy of my own much later I would use it for 1st level characters with my adventure of choice, B1 In Search of the Unknown, before moving over to AD&D.

I became a fan of J. Eric Holmes work and even stumbled on vague references for a Witch class!


I had found some alternate evolution of D&D, one where Basic lead to Advanced and not to Expert. Where you played a magic-user in one and a wizard, illusionist or witch in the other.
It should come as no surprise then that my own witch class is heavily influenced by my time playing using the Holmes and Moldvay rule sets.

Re-reading my Holmes set over the weekend made me think about how much fun a box set really is.  The next time I start up an AD&D game, I'll be starting with Holmes.

I also feel the need to mention that along with Holmes the Traveller "Little Black Books" also celebrated 40 years.


Safe journeys to you Free Trader Beowulf. Hope you found help.



Thursday, July 20, 2017

This Old Dragon: Issue #160

August of 1990 was my Senior year in college. I moved into an apartment in a very notorious neighborhood of my college town.  I was helping my roommate (one of four guys living in this place) put together this huge entertainment center. He sent me out to get a case of beer for the job. We lived next door to a liquor store.  I was back with the case (likely Keystone) in hand.  He didn't even know I had left.  We got so drunk that we named the entertainment center "The Ferderko" (after Bernie Ferderko). That was how the 90s began for me.  They ended with me three degrees later, married, living 300 miles away from that liquor store and the Ferderko, with a new baby son.  So yeah, I saw some changes.
Dragon, D&D and especially TSR saw a lot of changes in the 90s too.  But that was not obvious to us in August of 1990 when issue #160 came out.  So let's turn on some Star Trek TNG Season 4, fire up the 386SX and let's get going on Issue #160 of This Old Dragon.

The cover looks like it should be part of a Halloween issue, but it is actually for the special topic section of Urban adventures.  I was quite excited to see this, to be honest.  During the last couple of years of my High School AD&D game we focused largely on urban adventures.  My then DM and I even wrote up our own "Urban Survival Guide".  Kinda wish I still had that, would be cool to polish it up and use it.  At this point I should note that this particular Dragon, while not my original from then, is in surprisingly great shape.  The covers are still on it and it doesn't reek of mildew.

Inside we get an ad that would shape my entire 2nd Ed AD&D experience.  The first ad for the Ravenloft campaign world.  I bought everything for Ravenloft back then, when I could afford it, from the newly opened Castle Perilous Games in Carbondale, IL.  Ravenloft was my world.

First up is The Enemy at the Gates by James R. Collier.  This details some of the magical defenses a city must have to survive in the *D&D game worlds.  It's a good read, to be honest, and anyone with solid knowledge of the D&D spells or monster could likely come up with even more ways to attack a city.  Examples of +1 swords to Ents/Treants are given.  I also once destroyed a keep full of vampires with a charmed blue dragon in a game.  Likely right around this same time to be honest.  The article is good in describing all sorts of attacks, but not much in the way of defending against those attacks save for "fight dragons with dragons!".  The material though is still good after all these years and it can be used with just about any FRPG.  The article is also quite a long one.

The Last Call Inn by Willie Walsh is a sample inn and tavern with maps that can be used in any AD&D game.  Again, while it says AD&D on the tin, it could be used with any FRPG.  The article is more than just a map and room descriptions. It covers running the inn, prices, costs and setting up shop.   The economy is very AD&D 1st ed, though I think it was trying for AD&D 2nd ed.  Stats for NPCs are 2nd Ed.

Matthew J. Iden is next with a thieves' guild in The Touch of the Black Hand.  By this time we have seen a lot of Dragon articles on thieves' guilds and assassin guilds.    This one is good but doesn't expand much on the articles from the earliest days of the Dragon.  Maybe I should collect them all and have a look at them in that perspective.  I bet then I could find something unique and useful in each one.

Sage Advice covers some questions on Krynn and Greyhawk.

A big, garish, advertisement for Chill 2nd Edition.  The 90s were going to be about horror. I didn't know that then, but the writing is there on the walls as if it had been written there in blood by Anne Rice or Poppy Z. Brite.  I started the 90s with Ravenloft, ended it with WitchCraft. Had Chill and Vampire in-between.

The Forum handles the various "Is D&D Satanic" questions.  I guess the 80s are not quite over just yet...

+Bruce Heard is up with Up, Away, And Beyond: Space Travel in D&D a topic he is well versed in.  I'll even go as far to say as one of the two or three experts in it.  There are a couple of things in this article right away.  This is for D&D. Not AD&D.  So we are talking BECMI here.  There is even a bit on how the D&D and AD&D worlds are not linked. So you can't use space travel to get to one from the other.  Well, I tend to disagree, but that is the beauty of these games right.
There is a lot here really. Heard talks about different shaped worlds, odd gravity and how to work Spelljammer into all of this.  Fascinating read really.  A lot of this can also all still be used today, whether or not you use Spelljamer or Bruce's own Calidar setting.
Naturally, this is followed up by an episode of Voyage of the Princess Ark.

The Role of Computers is up next.  I could not help but notice it was Copyright 1990 by the authors.  Not too uncommon really, but will cause some problems for WotC when they try to re-publish these in ten years.

Nigel D. Findley is up with The Ecology of the Gibbering Mouther.  Did you know that creatures killed and eaten by the Mouther can not be raised, resurrected or reincarnated?  I don't think I did. Yes, this thing actually eats your soul too.

In the middle of the magazine, and still intact are some of the then new AD&D Trading Cards.
I really don't know much about these, to be honest.  I was never a collectible card guy. Are they worth anything?


Inside is also a poster for Dungeon magazine.

The fiction piece, Thief On  A String, features a scene that Mission: Impossible will steal in 6 years.

More ads...The Convention Calendar reminds us to get our tickets for Gen Con early. They had 10,000 people now two years running!

Another article that could see new life today is one from Mark E. Smith on There Are No Generic Black Belts: Defend yourself with a variety in TOP SECRETS/S.I.™ games.  I am not sure if the rules will match up with the new Top Secret coming out, but the advice is solid.   Several styles are covered here.  Interestingly enough, the one that I was studying at this time and into grad school, Isshinryu, is listed here.  I don't see it mentioned much.

Novel Ideas is more of an ad than it is an article. J. Eric Severson covers the Buck Rogers novels from TSR.

Also, more of an advertisement than an article is the Game Wizards detailing the new Ravenloft campaign setting.  I was very, very excited to see this.

We get a lot of ads and the comics.
And since I actually have one this time, the back cover features the Hollow World.


This is a nostalgic issue for me if only for the time it represents and not really for the content inside. Soon I would stop buying Dragon and eventually even D&D stuff completely.  Grad School makes for some difficult times for gaming.

I suppose it is good then that I don't have many issues past this one. I have no real insights to them having not read them when they were new and not even playing for much of the late 90s.  Still, it is fun to look back on these.

Wednesday, July 19, 2017

Witch & Witchcraft Reading Challenge: Under Her Spell

"When a witch has a feeling it must be listened to, and promptly." - Isabella Fox, Mediocre Witch.

Under Her Spell by Bridget Essex came to me from a variety of different means.  One, which I'll mention in detail below, was because she was the author of another book I had read.  The second, though I didn't know it at the time, was because it was an update to a book I had read a while back.

First though to the book proper.  Under Her Spell (and let's be honest here. How was I NOT going to grab this book?) deals with Isabella Fox (a very mediocre witch) and her talking familiar Alice.  Isabella has just been run out of her last town and she needs a new job.  As a witch for hire, especially one that is only so-so, she doesn’t have a lot of options.   She spots an ad for a town that needs a witch to cast one spell a year. How could she possibly screw this one up? So she ends up with the town of Benevolence.  Benevolence is quiet on the verge of boring. The town is full of "Shifters", people that can take animal form and have their own type of magic.  She only has one spell to cast every year (and she is not even convinced it’s needed) and it would be the perfect gig.  Except for the Outcast.  The outcast is Emily Deer. Her ancestor betrayed the town to the Wolf of Winter and now her whole family is outcast.  Since Isabella doesn't even believe the Wolf is real (and whom she is supposed to cast the spell to ward off) she seeks out this strange, and beautiful outcast.

And that is where it hit me that I had read this book already...sort of.  I had read "One Solstice Night" by Elora Bishop some years back.  Well, Elora Bishop is Bridget Essex.  One Solstice Night is just a section in Under Her Spell.  The remaining sections cover Imbolc (a ghost story) and the Equinox (dealing with an ancient god).

The common theme though is love. Love of friends, family and of course romantic love. Though to use a quote, "there was plenty of magic."  Isabella and Emily are a great romantic couple. Emily is so down to earth and Isabella is such an air head (but in the best ways possible) that you can't help but root for them.  The only couple that is better is Virago and Holly (they are below).

There are a lot of cool locales that I hope we get to see in Essex's other books (again, see below).  The Hag Bar in the World’s Largest Swamp was a really cool idea. It was very easy to see all these witches, holding brooms and their drinks walking around, drinking, chatting.  I wish I had thought of it.     Benevolence is an interesting town.  I enjoyed the casual magic people were using and Essex did a great job of detailing the inhabitants.  The Rose Temple is a fantastic setting for any D&D game (ghosts and all) and I can't wait to read more about Arktos City from her other books.

Now I came to Bridget Essex via another book.  I had been searching for a book where a Knight falls in love with a Witch.  Spend any time here and you know I love witches but I am also fond of Paladins.  I was looking for a book then where a knight in shining armor finds a witch and falls in love with her.  What I ended up finding in my search was A Knight to Remember by Essex.  It had everything I was looking for, a dragon, a knight, a witch and even librarian (my current witch character is also a sage).  It just didn't have them in the order I was looking for!  The knight (Virago) and the librarian (Holly) fall in love, and the witch is the librarian's brother!  Still. This was also a really, really great read. It introduced me to Essex (or re-introduced me) and to her creation of Arktos City.  I will say that Virago is one of my favorite charcters ever.  She is so pure and focused on her task, duty and mission that she could have come off as a complete jerk, but instead, she was noble and just.  She really was the epitome of a paladin in my mind.
From this book and her website, I found so many other books including Under Her Spell.

A Knight to Remember is another fun read, but not much in the way of witches in it.  Though I have to admit I was cheering at the end during the Ren-Faire Jousting scene.

I am going to be reading more of Essex's books. She has a gift for writing and for making characters you really want to cheer on.  Plus I have a guess on what is going to happen next for Emily and Isabella and I need her to write the next book so I can find out if I am correct!

Bridget Essex can be found on the web at: https://bridgetessex.wordpress.com/

2017 Witches & Witchcraft Reading Challenge
2017 Witch & Witchcraft Reading Challenge
Books Read so far: 16 (16.5 if you count AKtR)
Level: Crone
Witches in this book: Isabella in Part One and Three, her classmates and various other witches in Part Two.
Are they Good Witches or Bad Witches: Isabella is a mediocre witch.  No, she is all good.
Best RPG to Emulate it: Lots of great choices to be honest. Arktos City feels like it is right out of Blue Rose.  The openness of witches, shifters and same-sex love is also right out of Blue Rose.
Virago, the knight in A Knight to Remember, is a Rose Knight in all but name to be honest.
Use in WotWQ: Hell yes! In fact I would love to have Isabella and Emily make an appearance as guest stars.  Plus her witches drink inordinate amounts of tea just like mine do. How can I say no to that?

In truth, there is so much great stuff here for a game.  Here and there in her books Essex has built a mythology and a history worth exploring. From her knights, to Arktos City, to the Temple of the Rose Goddess and her magical academy. Not to mention all the shifters and witches!

Gamers also already know the knight Virago.

Here she is on the cover of a Knight to Remember.


And again on Q Workshop's Classic RPG Dice Set!


I know, both Essex and Q-Workshop legal purchased the same bit of stock art and it might be a little tacky of me to share this.   But I will admit I bought those dice just because they had "Virago" on them.  I already have some dice for War of the Witch Queens, but I might sneak these in.

Looking forward to reading more.

Tuesday, July 18, 2017

Star Trek: Horror and the Old Ones

Somewhere in the Galaxy, the stars are right!

I got the new Modiphius Star Trek game the other day. I am not ready for a review, yet, but there is a lot of great stuff in the game.

It got me thinking about my terrible, horrible idea to mix Trek with the Lovecraftian Mythos and do a horror based Star Trek game.  I talked about this last year with my ship idea, the USS Protector, NCC-3120 and my idea for a Black Star game.



One of my favorite episodes of the TOS was "Catspaw" which naturally had some serious horror themes to it.  It is also notable for two other reasons.  First, it was written by Robert Bloch. Bloch not only wrote "Psycho" he wrote one of my other favorite TOS episodes "Wolf in the Fold".  He was associated with the Mythos circle through writers like  August Derleth and Clark Ashton Smith.  Lovecraft's own character of "Robert Blake" was dedicated to Robert Bloch.  So his connection is as solid as they get.

Catspaw is interesting for another reason.  The main antagonists, Korob and Sylvia, are referred to as "Servants of the Old Ones".  There is no reason to doubt that these Old Ones are not the same as Lovecraft's. The idea of having the Mythos in Star Trek has appeal.  It also is not entirely foreign to Star Trek cannon.

Trek has dipped into horror many times over the last 50 years.  Here are some of the episodes I am using for inspiration.

"Wolf in the Fold" also has strong horror elements and postulates that Jack the Ripper was actually "possessed" by a malign alien intelligence known as "Redjac".  While Jack the Ripper is not Mythos, an alien intelligence is.  It is also one of my favorites too.



"Conspiracy" was one of the few stand-out episodes of the first season of TNG.  It dealt with an alien brain parasite invading the Federation.  It is too bad they never followed up on it more.  Given the time frame I am wanting to play in it is likely I won't be either, but still a great resource.

"The Man Trap" (TOS) scared the crap out of me when I first saw it. Ok, I was 6 or 7, but still.  I love the idea of an enemy that looks like everyone else.

"Schisms". This sixth season TNG episode put the alien abduction scenario to the test with aliens from a "tertiary subspace manifold" or for all intents and purposes, another dimension or universe.

"Night Terrors" from TNG's fourth season shows us what will happen if the crew can't dream.  Personally I wanted to Crusher to be a little more immune to this situation. I am sure she once had to do a 48 hour shift at Starfleet Medical back when she was an intern!

"The Magicks of Megas-tu" from the Animated Series deals with magic and witches. While not the horror implied by the Mythos, there is something to this that helps bring magic and science together.

And really, couldn't the monster from "The Thing" been a wounded Founder?

Dark Elf or Romulan cultist?
Over the years I have developed a few Trek adventures for different versions of the game. But mostly for the FASA version.

"Ghost Ship" was my pastiche of the Flying Dutchman featuring the Enterprise-B (long before I knew it was going to be an Excelsior class ship).
"Citadel of Never" was a similar adventure to a dead ship in a dead star system.
After "Event Horizon" came out I wanted to run a Trek adventure just like it, only replacing the ship with a Romulan one.

I love the idea of a fresh group of new Federation explorers running head first into the horrors of the Mythos.  Maybe they find Azatoth in the center of the galaxy or get a distress call from a planet near Yamil Zacara.

Sounds like a fun Halloween themed session.