Witch & Witchcraft Reading Challenge: Witch of Rhostshyl (Silverglass #3)

"You forget that I am a witch, Rehal." 
 - Nyctasia

Headed back to the world of witch Nyctasia r'n Edonaris brenn Rhostshyl and mercenary Corson brenn Torisk.  No longer on the run, our brave heroines are headed their separate ways for now.   Corson heads back to her lover Stefian and his tavern/inn in Chiastelm while Nyctasia remains with her cousins a bit longer.   Corson, of course, can't stand sitting around, she is too much of an adventurer, so she takes odd-jobs here and there.  One of which gets Steifann's other occasional lover, Destiver, captured and arrested as a smuggler.   While Steifann stews and Destiver waits for her likely execution, Corson decides to get out of town of a bit.
Back on the Endonaris Estates, Nyctasia is also getting restless. She translates books all day and comes down to interact with her cousins in the evening.   Eventually, she is dealing with a runaway slave and is drawn back into the civil war in Rhostshyl that she was trying to stop in Book 1.
Eventually, our heroes are reunited.  Nyctasisa takes on her rightful place as ruler of the City of Rhostshyl with Corson first as her body guard and then elevated to Lady Coirsonde.

More so than the previous books this one felt like two people writing a book separated by distance.   The story didn't pick up until the end, and only when our two leading ladies were back together again.  The bickering was gone and they have settled into a pretty solid friendship despite their differing stations.
I felt though there were some missed opportunities in this book.  There is a part where Nyc is off with a pack of traveling actors and acrobats that might have been fun.  Though we did get a lot of Corson's exploits.  We do get to meet Nyc's younger sister and mother in this, so more of the Edonaris clan.

This adventure really felt like a "Name Level" adventure in the old D&D sense.  Corson is made a Lady with all the rights and responsibilities.  Nyc stops running around and takes up her family's rulership of the city.

I am quite excited about starting the next, and sadly, the last book. No one will confuse these book with great literature, but they are a really fun and fast read.

The book is out of print and there are no digital or audio versions I have found.  They pop up every so often at Half-Price books.

2017 Witch & Witchcraft Reading Challenge
Books Read so far: 19
Level: Crone
Witches in this book: Nyctasia is very much a witch, but keeps her powers away from prying eyes.
Are they Good Witches or Bad Witches: Nyc is much better in this book.
Best RPG to Emulate it: For this book, there is a strong "Adventurer" vibe here not to mention all the things associated with hitting "name level" of old D&D.  So something D&D Basic/Expert, Adventurer Conqueror King,  or Astonishing Swordsmen & Sorcerers of Hyperborea would be great.
Use in WotWQ: Likely, but since I am using them as characters in the Blue Rose game I am currently playing their involvement might only be as a cameo.

Nyctasia and Corson for Basic/Expert D&D

Basic and Expert era D&D has so much going for it really. It is simple, it is easy to pick-up AND you can really pack a lot of fun in 14 levels.  I see why ACKS and AS&SH end around the same levels; ACKS, in particular, takes the B/X idea and really expands it to encompass a lot of  play-types.

Here they are for B/X era D&D at "name level".

Nyctasia r'n Edonaris brenn Rhostshyl

10th level Witch (Vahnite Tradition*)  (Family Trad)

Strength: 9
Dexterity: 9
Constitution: 10
Intelligence: 16
Wisdom: 15
Charisma: 18

Hit Points: 28
Alignment: Neutral
AC: 8 (leather armor, dex -1)

Occult Powers
Familiar: Greymantle (large hound)
7th level: Family Enemy

Spells
Cantrips: Chill, Daze, Detect Curse, Ghost Sound, Object Reading, Open, Spark
First: Bewitch I, Cause Fear, Glamour, Mend Light Wounds, Sleep
Second: Agony, Calm Emotions, Rite of Remote Seeing
Third: Circle of Respite, Ghost Ward, Speak with Dead
Fourth: Divine Power, Intangible Cloak of Shadows
Fifth: Death Curse, Sending

Corson brenn Torisk, aka The Lady Corisonde Desthene li'Rhostshyl brenn Torisk

9th level Fighter

Strength: 17
Dexterity: 16
Constitution: 15
Intelligence: 13
Wisdom: 14
Charisma: 16

Hit Points: 65
Alignment: Neutral
AC: 7 (leather)

Equipment:  Sword, armor, coins. Enchanted comb (will cast Bewitch 1/day).

Spell Research

It's August and the theme of this month's RPG Blog Carnival hosted by Kobold Press is all about Magic!

Today I want to talk about something I am very much involved in right now. Spell Research.

One of the more nebulous rulings in *D&D covers research new spells.  Across all versions of the game there are spells named after various wizards and magic-users.  Some have real world significance such as Otiluke, Rary, Mordenkainen, and Melf.   Others represent historical or mythical figures.  But all have the implication that this spell was created by or named for these spell-casters.  So someone had to write them.

There are thousands of D&D spells. I think my 2nd Ed database (in Microsoft Access 97) has 3000+ spells.  I know the 3rd edition has to be more; there are about 2000 attributed to Pathfinder alone.  A project I am working on now tells me that my own OSR witch books have 700+ unique spells.

Someone had to write all of these.
Someone that is other the authors of these games and books.  Someone in the game itself. (But both are true).

So what are the hows and whys of Spell Research?

Why Should a PC Spell Caster Research a Spell?
This one is the easier of our two questions.  Why? Lots of reasons. The PC might want some new effect or magic not listed in PHB.  Say they want to cast "Frost Ball" instead of "Fire Ball" because they are more fond of cold based attacks and not fire ones.  Maybe the new spell comes about as part of other magical research. Maybe it was a total accident while casting a spell and not having the material components on hand or even a poorly memorized spell.
There are a number of in-game reasons.  In Ghosts of Albion, spells are cast based on Success Levels.  If a character casts a spell and gets really high successes on it then sometimes something new can happen.  I would give the same sort of ruling to D&D sorcerers and bards, they do something strange and a crazy new spell effect happens.  But that is an accident, what about doing that on purpose.

The most compelling reason, of course, is need.

Take a look at my witch (not important that it is a witch just yet) spell "Moonstone".  This spell stores moonlight.

Moonstone
Level: Witch 1
Range: Touch
Duration: 1 day per witch level
The witch can store moonlight in a small stone. The stones must be enchanted and then exposed to moonlight. Each stone will last 1 day per caster level unless discharged. Once invoked, the moonstone will shed soft light, equal to torchlight, and give off no heat. The moonstone does not affect low-light vision and does not cause damage to creatures that would normally be affected by light.
Note: Despite the wich's level, no Moonstone can last past the full cycleof the moon. So if moonlight is stored during a full moon then it will only last till the first night of the next full moon. If the witch's level is less than the number of days to the next full phase then the spell ends then.
Material Components: A bit of moonstone and the light of the moon.
(Special thanks to +Paolo Greco for pointing out some errors on this spell.)

Why do I need this spell?  I mean it's only first level, but a torch is cheaper.  Also, it is actually LESS effective than the first level spell Light.  You can't cast it into someone's eyes to blind them.
The reason here is need.  Moonstone is a fine spell all on it's own. But it's true value comes when paired with other spells.
Spells like Moon’s Heart (finding the time and direction, 1st level), Witch Writing (writing that can only be read by moonlight, 3rd level) Moonlit Way (finding the safe path, 4th level), and Moonbow (create a weapon out of moonlight, 6th level) all need moonlight to work.  Not something that can happen easily underground OR during the daylight hours.  Unless, of course, you have a fully charged Moonstone.

Another need is maybe less defined.  Back in the 3e days, I created a Prestige Class that had as a part of their requirements the applicant had to submit a new spell for the use of the other members of the Class.

Plus there is always the challenge and joy of discovery. Spells like Wave of Mutilation and Brigit's Flame Sheet were created just for the sheer joy of it.

I think this holds true for any sort of Arcane spellcaster.  What about clerics? druids? Heck, even witches!

Clerics & Druids
In the 3.5 SRD is says that Divine Casters can research a spell much like Arcane Spellcasters can.   But that section only says "A wizard also can research a spell independently, duplicating an existing spell or creating an entirely new one."
That's not really a lot to go on.
More to the point why would they do it?  I mean aren't clerics supposed to be given their spells by their gods?  Does it make sense that a cleric would tell his god "hey, look I know you are busy, but instead of light can you give me a spell that casts moonlight instead?"

It does if you think of clerical spells like a liturgy or even a sermon.  Think of modern day priests, preachers and other people of the cloth.  They have their holy books. They have some sermons and prayers they have always done (common book of prayer for example), some hymns that have been used since the middle ages and so on.  But they also write a sermon, sometimes a new one, each week.  The purpose is to take divine inspiration, common language, and new ideas to make something new.
Now. Truth be told Clerics (and Druids) should get a set amount of "spell levels" of power to work with an then they can perform their miracles as needed.  That might be a little too much like Mage for most D&D players' taste (but it would be fun to try it!).  From this perspective, even a tradition bound "old" class like the druid could invent new spells.   In theory, an all knowing god should know which spells to give when.  For this reason, I do allow clerics and druids to swap out spells on the fly.  Much like how D&D 3 introduced the idea of spontaneous healing magic.

But what about witches?

Witches

This is an 8th level Ritual Spell for witches.

Depending on my mood and the book in question witches can either be Divine or Arcane spellcasters. Typically I think of them as Witches.  The magic they use is Witchcraft. It has both Divine and Arcane aspects.  They learn their magic from their Patron, via a familiar, but record the spell formula in a spell book.   The underlined terms can have various meanings.  Take the girls from Charmed (why, you will see later).  Their Patrons are the past witches in their family line.  Each one learning more and more than and from the witches that came before. Their familiar in this case is their Book of Shadows.  Their spellbook is also their book of shadows.   In my Pathfinder Warlock book I have rules for a Book of Shadows that is spellbook AND familiar.

At one point in the show Charmed, the witches learn that they can also create new spells rather than just relie on the ones in their Book of Shadows.  It actually becomes a feature of the show where Phoebe (Alyssa Milano) is the sister with the best ability to come up with new spells. It is this ability they have that allows them to tap into greater and greater sources of their power.  One such spell summons the power of all their family witches to destroy what is essentially the Devil (Source of All Evil. But not without cost.)

Given this would I allow "10th level" spells?  That's a good question.  Most spells of significantly high level do a lot. A spell that powerful would need to be limited in other ways.

So that's the why, what about the how?

That depends on the edition.

1st Edition starts with some advice on page 115 of the DMG.  The hardest part of this is determining the level of the spell in question.  This is done only by comparing the spell to be created to others in the Player's Handbook.  +Bruce Heard expands on this in Dragon magazine #82 (more on that tomorrow!), but it does cover somethings not in the DMG that are important. Namely to properly stock your occult/arcane library.

An occult library.

For the moment let's assume that your character has the tools and books needed.  The time needed for research and materials is 200 gp per level per week.

2nd Edition covers much of the same ground, but with less information to be honest.  Even the amount spent is now only given as a range of gp.

3rd Edition and 5th Edition have similar advice on pages 95 and 283 (respectively). So similar in fact that it felt like I was reading the same text. Though they both give good advice on setting levels based on the amount of damage caused.  The numbers differ, but the logic is the same.

I could not find any Spell Creation or Spell Research rules in BECMI or 4th Edition.

So really. The level of the spell is largely a matter of guesswork and tradition.  I spend a lot of time, maybe too much time, trying to figure these things out.

Yeah. A lot.

Creating a Spell

I wonder if we can use what we know already to create a new spell.  This is one I am actually working on right now.  As I type these words the spell is not written, but it will be by the end of this post.

The spell is one I have thought about for a while. It allows a caster to make a perfect copy of another spell into a specially prepared spellbook.  I have decided that the spell needs the following.
A specially prepared but blank spell book. This will be 200 gp per the level of the spell copied. Following the rules above.  The quill used to scribe the spell has to come from the rare Giant Mimid Bird (or Dire Mockingbird if you prefer) and the ink is a rarer distillation of the ink of an octopus (not a squid).

The spell makes a duplicate so it is beyond Mirror Image or even Minor Creation since the creation is magical (in a sense).  It is less than Wish.  It is permanent, but more so than Permanent Image.
It can reduce the time needed to copy a spell down to hours from weeks, that is pretty powerful.
8th Level feels right, but I could go as low as 6th and maybe, just maybe up to 9th.

It's a new spell, so let's give it a name. My iconic witch is named Larina. I always imagined this was her spell.  Since it deals with the copying of spellbooks some form of Liber should be used. After all, aren't all spell books written in Latin?   Liberum works and that is a call back to my d20 Witch book.  Since the words are being set free then Libre is also good.  Alliterations are always fun.
So let's go with Larina's Liberum Libre.

Larina is a witch, but this would be good for wizards too.
Let's try it in Basic-Era/S&W/OSR format.

Larina's Liberum Libre
Level: Witch 8, Wizard 8
Range: 1 Spellbook
Duration: Permanent; see below
This spell was named for the first witch to successfully use it to make a copy of another spellbook.  The spell requires a book of the same size, shape and page numbers of the spell book to be copied. The base cost for this book is 200gp per spell level copied.  Also needed are a special quill of a Giant Mimid Bird and distilled ink of an octopus. Both may be purchased, base cost of 100 gp, or prepared by the caster ahead of time.  The ink is used up in the spell casting, the quill can be used for 1d6+6 uses.
The blank book, quill, ink and the spell book to be copied are placed on a specially prepared cloth (not rare, just clean and white). The spell is cast and the cloth covers both books.  The spell will take 1 hour per spell level to copy.  Once complete the spell will create a perfect copy of the book in question.  If the spell is interrupted during this time; the cloth removed or either book opened, then the spell is canceled and the new book, ink, and quill are destroyed.

Note: Normal non-magical books may be copied as well, but only require normal ink and a regular book with the same number of pages.

Ok. So I like the spell, might tweak it a bit before publication. Still not happy with the guesswork involved with the levels.
I would love to develop a system like I did for Ghosts of Albion but that would take a time and the return might not really be worth it.

How do you go about researching spells? Both in game and in real life?

This Old Dragon: Issue #83

Have a look at that cover.  1984 was a good year for Chess themed things.  In October we would get the #1 hit, "One Night In Bangkok" from the Album Chess and sung by Murry Head.  In March we got this famous cover of Dragon #83 by  Denis Beauvais.  It is part of the oft mentioned Chess series that stretch to the modern day.  On the radio "Jump" by Van Halen dominates the airwaves. In the theatres we get "Against All Odds", "Police Academy" and "Romancing the Stone" as the big box office hits.  On the shelves "Dragonlance" is starting to appear and we get Issue #83 of This Old Dragon!

Letters cover the usual questions about psionics and where someone can get an article reprint.  Hang tight, you will be able to buy everything on CD-ROM in about 15 years.   There is also a letter on the longest continuous game of D&D at 100 hours.  I think the longest game I ever played was a combo Ravenloft I6/I10 game at 48 hours.

Ads for James Bond and Cities of Hârn.

Michael Lowrey is up first with The many facets of gems. Since a lot of my D&D game play is 70s and 80s fueled I always wanted to use gems as a means of storing magical energy in my games.  I never quite got it the way I wanted it to be honest (still working on it) but this article was a huge help back in the day.  It is also a pretty long article.

Ed Greenwood is back with the Ecology of the Stirge. Is it a bug? Is it a bird?  Going back and rereading these now I admire how well Ed could take even the most banal monster and turn it into something interesting.  While I used to find his "in universe" writing a little twee now I am genuinely amused by it.  I can imagine some Academy in the Forgotten Realms where monster experts debate the finer points of monster biology and killing methods, all safe in their academic halls and ivory towers.

Sign of the times.  The fiction section is not only by Margaret Weis, it is the first Dragonlance story in the pages of Dragon magazine.  Test of the Twins features the twins Caramon and Raistlin.  A lot of ink and pixels have been spilled over the effect on D&D by Dragonlance.  Whatever your point of view on this the Dragonlance era starts here and now with this issue.   The story is a pivotable one in the Dragonlance saga. So much so that I have read it, or versions of it, in other books before I saw it here.

The centerfold is the massive adventure from Roger Moore, the Dancing Hut. This was such a great adventure then that I had to rerun for my kids.  Though I combined it with bits of the 2nd Edition version that came out much later.  This one is a keeper.
Baba Yaga is such a historic figure in D&D it is no surprise there are so many adventures built around her.

Roger Moore follows this up with a simplified unarmed fighting system in How to Finish Fights Faster.  Frankly, I never used it.

There is an ad for my FLGS here, +Games Plus.  This might have been the first time I discovered them to be honest.  I used to order the hard to find stuff from Games Plus because they were the only Illinois game store that knew of that did mail orders. They were about 210 miles away from me at the time, but now they are only 8 miles. So I am very, very pleased to still be going there.

There is a Top Secret article here, but mine was cut out.

There is another ad and a long review of the James Bond 007 game.
I am a HUGE Bond fan.  My first Bond movie was Live and Let Die. It gave me a life long obsession with Bond, Voodoo and Jane Seymour.
Despite this, I have never played a James Bond game.  My loss to be sure.  I'll need to fix that someday.
My first Bond may have been the late great Roger Moore (no relation of course to the above-mentioned RM), the BEST Bond is Daniel Craig.

Ads...an order form for the Mail Order Hobby Shop to get back issues of Dragons.

In the comics section we get a rare celestial conjunction; Wormy, What's New with Phili and Dixie AND Snarf Quest all in one issue.  There is even an entry of Talanalan here.

A great issue really, if for nothing else than for the Baba Yaga adventure.

March 1984 was also a good issue of White Dwarf. Check that out on my White Dwarf Wednesday Issue #51.

Using Baba Yaga in your games
This adventure features Baba Yaga and gives her stats ala Deities and Demigods.  She is a tough one to beat too.   She has 3 attacks, 135 hp, a -1 Charisma which gives her horror like effects.  She fights like a 16HD and has the spell casting ability of a 25th level Magic-User, a 15th level Illusionist and a 14th level Druid.  Crazy.  Oh, and she has some abilities of an assassin too.

There is no doubt that she is one of, if not THE, most powerful witch in the D&D multiverse.  When she is not working with her daughter Iggwilv on Oerth she is off on Golarion dealing with the Winter Witches of Irrisen.  I would not be surprised to discover she has also been to Aglarond and Rashemen. And if she hasn't been there then her Hut has.

No one is better suited for a Basic Witch write-up to be honest.
I will use Roger Moore's stats as a guideline and use the witch rule from my The Witch: A sourcebook for Basic Edition fantasy games.

Baba Yaga, Witch Queen

36th level Queen of Witches, Daughter of Baba Yaga Tradition (She is the Tradition founder.)
Female, Chaotic (Nuetral Evil)

Strength 20 (+3 / +8)
Intelligence 25
Wisdom 23
Dexterity 18 (+3)
Constitution 21 (+6_
Charisma -1* (Baba Yaga uses her negative CHA the way other witches use positive. So +5)

Saving Throws
Death Ray/Poison 3
Magic Wands 3
Paralysis, Polymorph 3
Dragon Breath 3
Rods, Staffs, Spells 3
+5 to all saves via Ring of Protection
+ for Wisdom

Hit Points:
AC: -10
(Grandmother's Shawl +5, Bracers of Defense +3, Ring of Protection +5, Dex 18 -3)

THAC0: 4
(I know, THAC0 was not used in Basic D&D. You know what this means)

Occult Powers
Lesser: Familiar (crow)
Minor: Kitchen Witchery
Medial: Detect Bloodline
Greater: Curse
Major: Shape Change
Superior: Longevity

Spell Immunities
Baba Yaga is immune to the following spells:
Cause fear, charm person, command, friends, hypnotism, forget, hold person, ray of enfeeblement, scare, beguiling, bewitch, domination, fear, charm monster, confusion, emotion, fumble, suggestion, telempathic projection, chaos, feeblemind, hold monster, magic jar, mass domination, quest, geas, mass suggestion, rulership, antipathy/sympathy, finger of death, mass charm, Otto's irresistable dance and any spell created by one of her "Daughters" (for example Tasha's Hideous Uncontrollable Laughter).

Other Powers
Arcane Diversity: Baba Yaga may learn other arcane spells (Wizard, Necromancer, Illusionist). She can replace 1 Ritual spell per spell level with an arcane spell she has learned.  These spells must be learned like other magic-users and recorded in her Book of Shadows.

Spells
Cantrips (8): Alarm Ward, Arcane Mark, Chill, Daze, Ghost Sound, Inflict Minor Wounds, Object Reading, Summon Vermin
1st (9+4): Bad Luck, Black Fire, Cause Fear, Charm Person, Chill Touch, Darkness, Endure Elements, Fey Sight, Ghostly Slashing, Glamour, Minor Fighting Prowess, Protection from Spirits, Silver Tongue
2nd (9+3): Agony, Biting Blade, Discord, Enthrall, ESP, Evil Eye, Ghost Touch, Hold Person, Invisibility, Mind Obscure, Phantasmal Spirit, Spell Missile
3rd (9+3): Astral Sense, Bestow Curse, Circle of Respite, Dispel Magic, Feral Spirit, Ghost Ward, Lethe's Curse, Lifeblood, Magic Circle Against Undead, Toad Mind, Witch Wail, Witch Writing
4th (9+3): Abomination, Analyze Magic, Arcane Eye, Charm Monster, Divination, Ethereal Projection, Intangible Cloak of Shadows, Phantom Lacerations, Speak with Dead, Spiritual Dagger, Tears of the Banshee, Withering Touch
5th (9+2): Baleful Polymorph, Blade Dance, Death Curse, Dreadful Bloodletting, Endless Sleep, Greater Command, Hold Monster, Magic Jar, Nightmare, Teleport, Waves of Fatigue
6th (9+1): Anchoring Rite, Anti-magic Shell, Break the Spirit, Death Blade, Eye Bite, Ethereal Banishment, Mass Agony, Mislead, True Seeing, Dismissal (Ritual)
7th (9): Call the Restless Soul, Death Aura, Draw Forth the Soul, Greater Arcane Eye, Greater Blindness, Foresight, Insanity, Wave of Mutilation, Gate (Ritual)
8th (9): Antipathy/Sympathy, Astral Projection, Destroy Life, Greater Mislead, Mystic Barrier, Pit, Trap the Soul, Ensnarement (Ritual), Imprisonment (Ritual)

Magic Items
Grandmother's Shawl (Greatest), Broom of Animated Attack, Baba Yaga's Hut, Baba Yaga's mortar and pestle.

To make her closer to the version presented here in Dragon #83 I could give her the Mind Bar from +Richard LeBlanc's Basic Psionics Handbook.

Enjoy!

Witch & Witchcraft Reading Challenge: Web of Wind (Silverglass #2)

We are back to the world of Nyctasia r'n Edonaris brenn Rhostshyl and Corson brenn Torisk.  Our leading ladies are still on the run from...pretty much everyone when they discover a thief with treasure riddle.  Not a map, but a riddle leading to the treasure of the ancient Cymvelan Circle.  This order of monks and mystics were destroyed when the locals believed they were practicing black magic.   Nyctasia wants to learn what secrets they had, Corson wants gold.
The book unfolds at a much slower pace than did the "running for their lives" tale of Silverglass.
In fact the pace slows WAY down. The heroes spend the vast majority of their time at the Edonaris estate and vineyard. These are distant cousins of Nyctasia, so they are not as haughty as their urban relatives and most importantly they are not trying to have Nyc or Corson killed.
Here the pieces of the riddle are unwound and their secrets found.
The treasure is not a secret cache of gold and treasure, but rather a collection of ancient books.  Nyc though notices one of the dusty, web covered books is recently missing and maybe the extinct Cymvelan Circle is not so extinct after all.

The book is a fun read and the mystery, even if slow, was a compelling one.

The "author", J.F. Rivkin, is actually two different people. One wrote the first two books and the other wrote the last two.  I am not sure who J.F. Rivkin is and I have still not found out any information about a real identity either.

The book is out of print and there are no digital or audio versions I have found.  They pop up every so often at Half-Price books.

2017 Witch & Witchcraft Reading Challenge
Books Read so far: 18
Level: Crone
Witches in this book: Nyctasia is very much a witch
Are they Good Witches or Bad Witches: Nyc does a better job at being good in this book.
Best RPG to Emulate it: For this book I have been trying the characters out in the AGE version of Blue Rose.  Despite the Sword and Sorcerery tropes, there is a strong vibe of  Romantic Fantasy here as both Corson and Nyc look for a place to belong.
Use in WotWQ: Likely, but since I am using them as characters in the Blue Rose game I am currently playing their involvement might only be as a cameo.

I have the sheets for the characters but need to get to work.  So here is a cheat.

I made Corson a warrior. Easy call.  Given her propensity to be an adventurer and never settling down I thought "Swashbuckler" was a good choice.  She also has Arcane Potential, and in particular The Sight.  This covers her feeling of unease around magic.  She doesn't see it as much as feel it.

Nyctasia is an adept, but what kind?  I gave her Bard to cover a wide a variety of her skills but she doesn't have the Performance pre-req.  I am using her Cultural Lore in place of that.  I could have gone with a sage as well, but this fits concept wise a little better.

I might give them a try in D&D 5 or Basic D&D next.

Monstrous Monday: The Olitiau

The Olitiau are giant bats. Large enough and strong enough to serve as a steed for those that know how to summon them. Most often witches, fey, and goblinoids.
Orcs will sometimes use the larger and more monstrous varieties as steeds in battle. These are often called "Orc War bats".

Olitiau (Monstrous Riding Bat) 
Basic-era stats
No. Enc.: 1d12 (4d6)
Alignment: Neutral (Chaos)
Movement: 180' (60')
            Fly: 360' (120')
Armor Class: 5
Hit Dice: 5
Attacks: 1 (bite) or Sonic shriek
Damage: 1d8 or see below
Save: F4
Morale: 10
Hoard Class: None
XP: 135

Olitiau are giant bats. Found in deep, dark caves these creatures can be used as steeds for those that know the secrets of summoning them or for subterranean races that speak their language.
Like Giant Bats (qv) these creatures can also be vampiric, though the percentage is much higher, 45%.  The bite of an Olitiau will not cause a living creature to rise as a vampire though.
The Olitiau have a bite attack and sonic shriek.  They can use one or the other once per round.  The sonic shriek is a cone 5' at it's base (mouth) and extends 120' long and 40' wide.  Creatures caught in this area take 1d6 points of damage and must save vs. Paralyzation or be stunned (unable to attack) for 1 round.  The Olitiau can extend this range to 360' long and 120' wide, but only creatures of less than 1 HD are affected then.
Olitiau do not fare well in sunlight and are at a -2 on all attacks.  They are unaffected by darkness of any sort including magical darkness.

Summon Olitiau
Level: Druid 2, Wizard 2, Witch /Warlock 2
Duration: 24 hours
Range: 60 miles
By means of this spell, the caster can summon one* Olitiau to serve it for 24 hours.  The olitiau must be treated well and given its body weight in fresh meat to eat.  The olitiau will operate as the steed for the caster and even attack whomever the caster directs it to attack.   Most often the olitiau are summoned as steeds and can carry 300lbs of weight.
The olitiau can only be summoned at night or underground where it is dark.
At higher levels the caster can summon more Olitiau.
At 7th level the caster may summon two, at 9th 3 may be summoned and so on for every other level to a maximum of 8 olitiau at level 19.

Witch & Witchcraft Reading Challenge: A Storm of Witchcraft

"All ministers and learned people knew that witches were real and that they had the power to harm."

A Storm of Witchcraft: The Salem Trials and the American Experience by Emerson W. Baker

This book has been sitting on my must read shelf since the year began. I have read the history of Salem and the Witch trails many times over the years and I still learn something new.  This book is filled to brim with new information.
Many books like to focus on victims, and some even focus on "the afflicted"; those that accused their neighbors of witchcraft.  Professor Baker though goes much farther than that and talks about the judges, the people in power and in particular the two Mathers, Cotton and Increase, the learned ministers at the center of this storm.

The term "A Perfect Storm" gets thrown around a lot, but here it is appropriate.  There was so much going on here that made the witch craze happen here when it was dying out everywhere else.  It really was the last gasp of a dying movement of the Old World in the New World.
It was the start of the end of Pre-American Puritanism.
In this book Salem and 1692 take on a level of cultural impact that the Gunpowder Plot of 1605 did in the United Kingdom.

The book is long, 400+ pages, and full of names. But those names belonged to people and those people left others behind.  So Prof. Baker also delves into the impact these witch trials had on the new experiment that would become America.
This is easily one of those books you can read, do a little more research or reading on the subject elsewhere, and then come back to and learn something new still.
If I have one complaint, and that is way too strong of a word, it is that the last chapter was not long enough.  I would have loved to have learned more about the cultural impact of 1692 on modern culture and how it shaped America.  But that would be a complete other book.

Prof. Baker gives us not only a well researched and well-detailed book, he gives us a book that is easy to read and relate to.  There was so much going on back in 1692 that we can relate to today.

The history of Salem is the history of America. The witch trials of 1692 are also part of America; our darker past that some (like the town of Danvers to a degree) would like to forget.

I also listened to the audio book. After listening to interviews with Prof. Baker I kinda wish he had narrated it himself.

You can find Prof. Emerson W. Baker on the web at his faculty page: http://w3.salemstate.edu/~ebaker/ and on Twitter: https://twitter.com/emersonwbaker

You can also read what he says about last year's "The Witch".
He also did an interview at Ben Franklin's World.

2017 Witch & Witchcraft Reading Challenge
Books Read so far: 17
Level: Crone
Witches in this book: None or dozens.
Are they Good Witches or Bad Witches: 25 innocent people lost their lives in the errors of 1692.
Best RPG to Emulate it: This is the sort of setting one can easily use in Colonial Gothic.  In fact, I would call this book must reading for any CG player.
Use in WotWQ: Salem Villiage, or at least the popular notions of it, is the model I am basing the town of West Haven on.  The relationship between Salem Villiage and Salem Town will be used as a basis for West Haven and East Haven.  Though where Salem Town embraces their past today (and Salem Villiage is now Danvers, MA), it is West Haven that embraces their past.

Back From Vacation

Last week I took the week off.  We were supposed to travel but a variety of circumstances killed that idea, chief among them we thought one of our bunnies, Amy, was pregnant.

Instead, we did a bunch of mini-vacations mostly up to Wisconsin.

I hit up Noble Knight Games and FINALLY re-bought a World of Greyhawk Boxed set.  I now have completely restored my original collection of *D&D books.   

I also picked up that cool looking "The Witchcraft Reader".  Full of classic tales of witches and witchcraft. Yes, that is a naked witch riding a giant bat monster and holding a snake.

We played a lot of Blue Rose and Blue Rose/DragonAge.  It is becoming my oldest son's favorite game and he has even run a few more sessions.

We went to The House on the Rock and Steampunk Invasion at the Bristol Renaissance Faire.

The biggest thing we did though was...Nothing. That's right I took a complete mental vacation. No reading. No writing. Just enjoyed not doing anything for the first time in a very, very long time.

Though my wife and I gave Game of Throne another chance and we binged all 6 and half seasons.
As of this morning, I am all caught up with the rest of you!  I don't think I'll add much to my games because of this, some things are just best to enjoy as-is rather than what they can offer me elsewhere.  Though I would not count out a possible Basic Witch write up for Melisandre.

Monstrous Monday: The Umbral

Regardless of alignment or patron followed there is one philosophical belief that unites all witches. All witches believe in the cycle of life, death, and rebirth. Witches, all witches, are born, live, die and are reborn anew.  The most horrible thing to a witch then is to come back as an undead creature. Forever removed from the cycle of life, death, and rebirth an undead witch is a pitiable creature like no other.

A witch returning as an undead creature is known as an Umbral.

Umbral**
No. Appearing: 1 (1)
Move: 90' (30')
  Flying: 180' (60')
Armor Class: 7 [12]
Hit Dice: 4d8+2 (20hp)
Attack: Wail of Lament
Damage: CHA drain
Save: Witch 4
Morale: 12
Treasure Type: nil
Alignment: Chaotic (some Neutral)
XP: 300 (450 xp if fully destroyed)

An Umbral is a witch that has died and come back to unlife. Typically this is due to some great sadness or sorrow that prevents her from moving on.  The umbral is incorporeal and can only be hit by +1 or better weapons. A weapon of cold iron blessed by a cleric can also be used.
The umbral is locked to the area of their death or some other significant area.  Sages once tell of a Umbral that haunted the grounds her coven stood even though she had been killed many miles away.
The only attack of the umbral is a wail of lament.  All within 120' (240') that hear it must make a save vs. Death or loose 1 point of Cha.  The trauma of such an attack leaves a noticeable mark on the on the physical and emotional well being of the victim.   The Charisma damage can be restored by any magic that restores lost levels.
An umbral that is "killed" returns on the next new moon.  To fully destroy an umbral her mortal remains must be burned. This is why, sages say, so many witches are burned. To prevent their umbrals from haunting them.

Scholars also mention a greater umbral creature, a Shade.
In the same tomes that describe these creatures also describe a ritual to return an undead to life.

The umbral is turned as a spectre.  A turned umbral returns in three days. Destroying an umbral, even by dispelling/disruption still requires the burning of it's mortal remains.

Kickstart Your Weekend: Cauldrons and Gaslight

Two projects that strike at the sweet spots in my heart.  Witches and Victorian Fantasy!

First up is one I should have told you all about weeks ago.

Gaslight Victorian Fantasy 3e for Savage Worlds

Savage Worlds is not my jam, but it is a really good fit for the Gaslight World.  If I were to play Savage Worlds again it would be in the Gaslight World.

https://www.kickstarter.com/projects/battlefieldpress/gaslight-victorian-fantasy-3e-for-savage-worlds

Next up is a board game about witches, so you know I am in!

Cauldron: Bubble and Boil Board Game

https://www.kickstarter.com/projects/magic-circle-games/cauldron-bubble-and-boil-board-game

I have to admit it looks ridiculously fun.  Check out the game play videos and reviews on the KS page.

I hope to have more about both projects in future posts.

Green Witch in Print

I mentioned it yesterday, but today I wanted to give the Green Witch its own due.  It is out in print now at DriveThruRPG and RPGNow.

The book follows the same format as does The Warlock and they are 100% compatible with each other with very, very little repeated content (some spells like Bestow Curse are repeated).

In fact the goal for all my witch books is to give you a complete playable class where you don't need any other book I publish.  If do buy one of the other books then you get something that both classes can use.  Witches can use Warlock spells and visa-versa.

Each book features either a different class (Witch, Warlock, Huntsman and Green Knight) or a different witch tradition.  So each book gives you something new.

Not only can you now get the Green Witch in print, you can get it on sale!
OneBookShelf's Christmas in July sale is still going on and I have a lot of books up for sale from various publishers (and various levels of contribution on my part).

The next witch book I have due is the White Witch.  It is going to be Swords & Wizardry White Box focused.

After that, I think it will be The Mara Tradition and then The Winter Witch.

Should be great!

New in Print: Mail-call Edition

When I get games or game books together; either via a con, or an auction, 2nd hand sale, or whatever I tend to think of them as "linked" products whether they are or not.  This is doubly true when I get a bunch books at the same time in the mail.  Like I did over the last couple of days.

Here is what the UPS man left on my door in three different boxes.

That is +Mark Taormino's latest Maximum Mayhem Dungeon #4 Vault of the Dwarven King, fresh from the Kickstarter.  The print proof of my own The Green Witch, which you can now buy in print AND while it is on sale at RPGNow's Christmas in July.   With +Gavin Norman's print copy of Theorems & Thaumaturgy Revised Edition. His PDF is also on sale.

Let's jump in!

First up is the fourth installment of Mark Taormino's Maximum Mayhem Dungeon series.  This time for characters level 4 to 7 it involves investigating a Dwarven mine.  But you know that is not all.

The mine cars and tracks look more like roller coasters and there are monsters breeding down in the mines.  I would say they are unimaginable, but in truth, they are EXACTLY the sort thing we probably imagined at age 13-14 when making our own dungeons.  Mark just has better production values.  Like the others in this series, this is pure nostalgia fueled gonzo fun.   Crazy mines, insane monsters, goblins with chain saws. Yup.  This module has it all, and what it doesn't one of the others in the series does.

OR order them this way to have The Maximum Mayhem Campaign^TM for levels 1 to 14!

Makes me want to pull out my Basic and Expert books and do that!

If so then you can bet that I will be including one of Gavin Norman's Vivimancers in the mix.

Theorems & Thaumaturgy Revised Edition has been out for about 7 months and it looks like it is doing well.  That's great because this is completely kick ass little book.

Inside we have three new classes, The Elementalist (specialist in the volatile energies of nature), The Necromancer (master of death and restless spirits), and The Vivimancer (expert of cloning, vat-growth, and bio-sorcery).  All for you Labyrinth Lord or Basic-era game.
If you have the older T&T then Gavin has put up a blog post to explain the differences.

And of course, I will have to include a Witch in the mix.

The Green Witch for Swords & Wizardry follows up my Warlock class.  These are witches that protect the wood.  Are they protecting it from humankind, or are they protecting humankind from it? Maybe both.

Like my other witch books, this presents a new witch Tradition which includes new Occult Powers and Spells.  It also has some new associated classes, the Green Knight (a paladin for witches) and the Huntsman (a pagan-inspired Ranger).

All my recent witch books are for Swords & Wizardry and written not only to be compatible, but also to have very little in the way of overlap.  Obviously, the Experience tables are the same (they are all witches) and some spells are shared by all witches (Bestow Curse is a good example).  I try to make each one worth your while and moeny to buy.

And right now it is on sale. In fact nearly everything for the witch is on sale now.

Witch & Witchcraft Reading Challenge: Under Her Spell

"When a witch has a feeling it must be listened to, and promptly." - Isabella Fox, Mediocre Witch.

Under Her Spell by Bridget Essex came to me from a variety of different means.  One, which I'll mention in detail below, was because she was the author of another book I had read.  The second, though I didn't know it at the time, was because it was an update to a book I had read a while back.

First though to the book proper.  Under Her Spell (and let's be honest here. How was I NOT going to grab this book?) deals with Isabella Fox (a very mediocre witch) and her talking familiar Alice.  Isabella has just been run out of her last town and she needs a new job.  As a witch for hire, especially one that is only so-so, she doesn’t have a lot of options.   She spots an ad for a town that needs a witch to cast one spell a year. How could she possibly screw this one up? So she ends up with the town of Benevolence.  Benevolence is quiet on the verge of boring. The town is full of "Shifters", people that can take animal form and have their own type of magic.  She only has one spell to cast every year (and she is not even convinced it’s needed) and it would be the perfect gig.  Except for the Outcast.  The outcast is Emily Deer. Her ancestor betrayed the town to the Wolf of Winter and now her whole family is outcast.  Since Isabella doesn't even believe the Wolf is real (and whom she is supposed to cast the spell to ward off) she seeks out this strange, and beautiful outcast.

And that is where it hit me that I had read this book already...sort of.  I had read "One Solstice Night" by Elora Bishop some years back.  Well, Elora Bishop is Bridget Essex.  One Solstice Night is just a section in Under Her Spell.  The remaining sections cover Imbolc (a ghost story) and the Equinox (dealing with an ancient god).

The common theme though is love. Love of friends, family and of course romantic love. Though to use a quote, "there was plenty of magic."  Isabella and Emily are a great romantic couple. Emily is so down to earth and Isabella is such an air head (but in the best ways possible) that you can't help but root for them.  The only couple that is better is Virago and Holly (they are below).

There are a lot of cool locales that I hope we get to see in Essex's other books (again, see below).  The Hag Bar in the World’s Largest Swamp was a really cool idea. It was very easy to see all these witches, holding brooms and their drinks walking around, drinking, chatting.  I wish I had thought of it.     Benevolence is an interesting town.  I enjoyed the casual magic people were using and Essex did a great job of detailing the inhabitants.  The Rose Temple is a fantastic setting for any D&D game (ghosts and all) and I can't wait to read more about Arktos City from her other books.

Now I came to Bridget Essex via another book.  I had been searching for a book where a Knight falls in love with a Witch.  Spend any time here and you know I love witches but I am also fond of Paladins.  I was looking for a book then where a knight in shining armor finds a witch and falls in love with her.  What I ended up finding in my search was A Knight to Remember by Essex.  It had everything I was looking for, a dragon, a knight, a witch and even librarian (my current witch character is also a sage).  It just didn't have them in the order I was looking for!  The knight (Virago) and the librarian (Holly) fall in love, and the witch is the librarian's brother!  Still. This was also a really, really great read. It introduced me to Essex (or re-introduced me) and to her creation of Arktos City.  I will say that Virago is one of my favorite charcters ever.  She is so pure and focused on her task, duty and mission that she could have come off as a complete jerk, but instead, she was noble and just.  She really was the epitome of a paladin in my mind.
From this book and her website, I found so many other books including Under Her Spell.

A Knight to Remember is another fun read, but not much in the way of witches in it.  Though I have to admit I was cheering at the end during the Ren-Faire Jousting scene.

I am going to be reading more of Essex's books. She has a gift for writing and for making characters you really want to cheer on.  Plus I have a guess on what is going to happen next for Emily and Isabella and I need her to write the next book so I can find out if I am correct!

Bridget Essex can be found on the web at: https://bridgetessex.wordpress.com/

2017 Witch & Witchcraft Reading Challenge
Books Read so far: 16 (16.5 if you count AKtR)
Level: Crone
Witches in this book: Isabella in Part One and Three, her classmates and various other witches in Part Two.
Are they Good Witches or Bad Witches: Isabella is a mediocre witch.  No, she is all good.
Best RPG to Emulate it: Lots of great choices to be honest. Arktos City feels like it is right out of Blue Rose.  The openness of witches, shifters and same-sex love is also right out of Blue Rose.
Virago, the knight in A Knight to Remember, is a Rose Knight in all but name to be honest.
Use in WotWQ: Hell yes! In fact I would love to have Isabella and Emily make an appearance as guest stars.  Plus her witches drink inordinate amounts of tea just like mine do. How can I say no to that?

In truth, there is so much great stuff here for a game.  Here and there in her books Essex has built a mythology and a history worth exploring. From her knights, to Arktos City, to the Temple of the Rose Goddess and her magical academy. Not to mention all the shifters and witches!

Gamers also already know the knight Virago.

Here she is on the cover of a Knight to Remember.

And again on Q Workshop's Classic RPG Dice Set!

I know, both Essex and Q-Workshop legal purchased the same bit of stock art and it might be a little tacky of me to share this.   But I will admit I bought those dice just because they had "Virago" on them.  I already have some dice for War of the Witch Queens, but I might sneak these in.

Looking forward to reading more.

Fundraiser for Mona Dowie

I met Mona Dowie online, via Facebook.  We bonded over our shared love of witches, Stevie Nicks, and coffee.

We were paired up on Petty Gods and she produced the art for my characters Nox and Syla.

I loved these so much I HAD to have her do some art for my then upcoming Swords & Wizardry projects.  I sent her some basic ideas and she sent me some art of my iconic witch Larina.

She was sick then and things have only gotten worse.

+R.J. Thompson let me know of a GoFundMe going for her.  You can find that here:
https://www.gofundme.com/Mona-Shaffer-Dowie

Please donate what you can.
+Erik Tenkar over at the Tavern is going to match the first $250 donated by the OSR crowd.
http://www.tenkarstavern.com/2017/06/follow-up-osr-artist-mona-dowie-has.html

So until further notice, I am donating ALL profits from my Green Witch for Swords & Wizardry (which features the Larina art) will be donated to her GoFundMe page.
It's not much, but it is something I hope.

Whether you buy my book or donate directly please help her out.
The OSR is full of some great, generous people.

Witches are (Still) the New Vampires!

A quick pop into RPGNow this afternoon and I noticed this.

Not too bad really!

You have my Green Witch for Swords & Wizardry.
My Strange Brew: Magic Items for Pathfinder.
And Zenith Games' Paragon Hags.

Great time to pick up a new witch book!

The Green Witch Now Available

Only running a few hours late on this one!

Now for your Swords & Wizardry pleasure, the next book in my series of witch traditions.

The Green Witch for Swords & Wizardry

A witch never fears the wood. 
Because she knows, deep in her heart, that the most dangerous thing in the wood
Is her.

Secrets.

Only the Green Witch knows the true secrets of the wood and the worlds that lie beyond, under and through it.  But is she protecting us from the wood or the wood from us?

Inside you will find answers to these secrets:

• The Green Witch tradition 
• The Green Knight and Huntsman classes
• New race for S&W Complete: Forest Gnomes 
• 200+ witch spells
• 91 Druid Spells
• 61 Magic-User spells
• 43 Cleric spells - Places of Power for Witches and other Spellcasters 
• Monsters  
• Magic Items
• The Grand Coven of the Earth Mother for Witches and Druids

All for your Swords & Wizardry games!
With a Forward by +Elizabeth Chaipraditkul

On Sale Now!

100% compatible with:

• The Warlock
• The Witch: Aiséiligh Tradition for Swords & Wizardry
• The Witch for Swords & Wizardry Light

and "Clone" compatible with:

• The Witch: Hedgewitch for the Hero's Journey RPG
• The Witch: A sourcebook for Basic Edition fantasy games
• Spellcraft & Swordplay: Eldritch Witchery