Review: Astonishing Swordsmen & Sorcerers of Hyperborea 2E

This one has been a long time in coming.

Astonishing Swordsmen & Sorcerers of Hyperborea (Compleat Second Edition)

This is the newest version of the AS&SH game and there are few notable differences between it and the first edition, but it is still the same fun game from Jeffrey Talanian and the sorcerers over at North Wind Adventures.

I will be reviewing both the PDF and the physical copy. I purchased these via the Kickstarter a while back so no review was expected or asked for.

Where to begin with this massive tome?  Well, let's talk about the book itself.  The book is massive at 622 pages.  The covers are full color and the interior art is a combination of mostly black & white with some new full-color pages; most to designate larger sections of the book.

Some of the art and text is held over from the First Edition, but since this book is designed as a replacement that's fine with me really.  It is more than that too.

AS&SH2e is a complete game. Everything you need except for dice is here.  There are player's sections and a game master section.  I will work through them all.

Volume I: Swordsmen & Sorcerers covers character creation. We have the same basic material we see in all games, what is an RPG, how to play, dice, how to generate stats and so on.  I gloss over it here because I know my readers know all of this but to a newcomer to the game these sections are written with a lot of clarity.  I do think that most people coming to this game will be coming from other RPGs, but this is still good material.  The bulk of this volume (over 120 pages) is devoted to classes.  We still have our Basic Four; Fighter, Magician, Cleric, and Thief.  Each also gets a number of subclasses.  Fighters get  Barbarian, Berserker, Cataphract, Paladin, Ranger, and Warlock with the addition of a new to this edition Huntsman.  The Magician has an Illusionist, Necromancer, Pyromancer, and Witch. with the new to this edition Cyromancer (a new favorite of mine).  The Cleric has the Druid, Monk, Priest,  and Shaman and the new Runegraver.  Finally, the Thief has the Assassin, Bard, Legerdemainist, Scout and the new Purloiner.  Each subclass is very much like it's parent classes with some changes.  The classes look pretty well balanced. The new classes also feel right with the Cryomancer, Huntsman, and Runegraver falling into the "why didn't think of these in 1st ed, they are so obvious!" category.
Each class has a "Fighting Ability" and a "Magic Ability" which relates to attacks. So yes, even magicians can get a little better in combat as they go up in level.  It's a great little shorthand and works great.  So a 4th level Fighter has a fighting ability of 4. A 4th level magician still only has a fighting ability of 1 and a cleric 3 and thief 3.  Subclasses can and do vary.
AC is descending (like old school games), BUT with the Fighting Ability stat it could be converted to an ascending AC easily.
Races are dealt with next. They include Amazons, Atlanteans, Esquimaux, Hyperboreans, Ixians, Kelts, Kimmerians, Lemurians, Picts, and Vikings along with the catch-all "Common" race of man.  No elves or dwarves here. Alignment is a simpler affair of Lawful Good, Lawful Evil, Chaotic Good, Chaotic Evil and Neutral.
There are background skills and weapon skills. Also listed are some gods and plenty of equipment.

Volume II: Sorcery deals with all the spells of the various spellcasting classes. At a little over 80 pages, there are a lot of spells here.  Even more impressive when you consider that the highest level spell is only Sixth level.

Volume III: Adventure & Combat covers the next 60 or so pages of what is essentially the Player's section. It deals with combat in all its forms. So combat, mass combat, saves and conditions.  Siege combat, strongholds, waterborne adventures, and combat. A great collection really of some of the "Best of" ideas I have seen in many games, but it all works really nice here. It has been expanded on from the 1st edition.
Now there are some differences here between AS&SH and say "Normal" or "Standard" D&D.  There are things like group intitative, the Fighting Ability figures more in than actually level and others.  Please be sure to read this section carefully when running your first game.

Volume IV: Bestiary kicks off what is the Referee's section. Now it is no secret I love monster books so for the next 130 pages we get all sorts of monsters. The format is most similar to Basic or Labyrinth Lord, and it is full of the usual suspects with some Lovecraftian Horrors, and even remnants of alien and bygone ages. "Demons" are here, but no devils. I know NorthWind has a Player's book out now, but a Monster book would also be fantastic.  Thankfully nearly every Clone or OSR monster book can be used with this with minor tweaks.

Volume V: Treasure covers the next 50 or so pages. Among the magic items are things like Radium Pistols and other sc-fi artifacts. Very pulpy. It also includes some rules on scribing spell and protection scrolls. There is even a small section on Alchemy in Hyperborea. Very useful to have really.

Volume VI: Hyperborea Gazetteer is our last volume. It is a great bit that I can easily drop into my game. The lands are a pastiche of Howard, Vance, Lovecraft, and Smith.  If these names mean anything to you then you know, or have an idea, of what you are going to get here.  This section has been greatly expanded from the previous edition. Included here are the gods again and a little more on religion.  Basically you get the idea that gods are either something you swear by (or to) or get sacrificed to by crazy cultists.  So yeah, you know I am a fan.

Appendix A: Referee Advice is just that.  One page and straight to the point.
Appendix B: Weather in Hyperborea. You mean it does more than snow? Charts that help you figure out the temperature and conditions at any given time.  Also useful for other games.
Appendix C: Rogues Gallery. Some NPCs, or what I guess we could call the Iconics of AS&SH.  All are easily recognizable from the art in the book.  No iconic witch though...hmmm. All are listed at 1st, 5th and 9th levels.
Appendix D: Introductory Setting. This gives us the Town of Swampgate. It's a pretty robust setting with some adventure keyed in.

I have said it once, but I will repeat it here.  Astonishing Swordsmen & Sorcerers of Hyperborea is hands down one of my most favorite retro-clone/OSR/Old-School games.

For me, it is another example of striking the perfect balance between B/X D&D and AD&D1.  This one leans more towards the AD&D side of the spectrum, but the power level, the grit, the overall vibe is far more B/X.  THEN you add in material from Lovecraft, Howard and Clark Ashton Smith? Well, that is the perfect icing on the cake really.

Of course, it is nearly perfect out of the box, but it can also lend itself to so much more than what is given us to use between the covers.  I have run Zothique games and Pellucidar style ones as well where all of Hyperborea was either one continent in the far future or underground, inside hollow earth (respectively).

The book is as attractive as it is huge.
I really can't recommend this book and game enough. The new book is great and it will sit next my 1st Ed box rather nicely.

Review: Dark Places & Demogorgons The UFO Investigator's Handbook

I am sitting here now trying to figure out why my DVR didn't record Project Blue Book on the History channel and it got me thinking about another book about UFOs. 
If you were a kid in the 70s and 80s like me and most of my readership then it likely you watched the late 70s show about UFOs and Project Blue Book called "Project U.F.O.".  Oddly enough a lot of people remember the show as being called "Project Blue Book" too.  More Mandella effect I am thinking.  I am also thinking that Josh Palmer was a huge fan of the show then.

Dark Places & Demogorgons The UFO Investigator's Handbook
This book is the latest (for now) book in the Survive This! Dark Places & Demogorgons line.  A couple of things jump right out at me.
First, the cover has dropped the "Survive This!" label.  It is still mentioned on the cover page, but I am thinking that the Dark Places & Demogorgons name has more visual recognition.
Second, that cover is fantastic.  It's a step up from the covers of past books (which are still great, this one is just better) and it invokes EXACTLY the feelings they wanted.  Is that a Whitley Strieber inspired cover? Fire in the Sky?  X-Files?  Yes. To all the above.

Ok, let's jump right in.
I am reviewing both the book and the PDF.  These were not sent to me, I bought them on my own dime.  Noticeable differences: The PDF cover is blueish on my screen (nod to Blue Book?) but the physical copy is more green (Little Green Books?) anyway.  Not important...moving on.
The book is 48 pages with an interior cover page and two pages of OGL.  The font is larger than say your average Swords & Wizardry book at the same digest size.  Color covers, black and white interior art.

The first section covers new classes. We get a good selection of the usual suspects; UFO Investigator (a class I resemble a little too closely at that age), Conspiracy Theorist, Alien Hunter, and Alien in Disguise (for your Starman types).  The UFO Investigator covers your basic Fox Mulder, Carl Kolchak, Scooby Gang, and others.  The Alien in Disguise is the most detailed with various forms and powers. 

Up next are a couple pages of new equipment including the UFO Investigator's kits.  Some adventure hooks, UFO terms, and some misrepresented UFOs.  Enough in a couple of pages to get you going really.

The really fun stuff is next Alien Encounters/Seeds.  Included are the Hexpost Monster, Alien Probers (we know what these guys are all about),  K.U.F.O.O. (an organization), Green Men Attack Gaslight, and the G-Men Come to Town (basically the Project Blue Book).   So if the hooks couldn't get you going these will.

We end with what is one of my favorite parts of all the DP&D books, the Recommended Reading and Viewing lists.  Interestingly enough "Project U.F.O." is not on this list.  Ok, Josh Palmer, this needs to be added to your watch list.

The book is excellent really. Great addition to the Dark Places & Demogorgons game.

Review: Dark Places & Demogorgons Cryptid Manual

If I have said it once I have said it a hundred times. I LOVE Monster books.  Any and all monster books. I even grab monster books for games I don't play.  So when Eric Bloat they head monster hunter at Bloat Games asked if I would be interested in looking over his new monster book (Kickstarting today) for his FANTASTIC Dark Places & Demogorgons I screamed HELL YES at my computer.

Now I promise to be fair here but a couple of words of full disclaimer.  First I was sent this book as part of an agreement for a review.  That is no big, I get a lot of books this way and I always try to be fair.   Secondly. Well, look above. I am predisposed to like Monster books and I already love DP&P and cryptids are a TON of fun.  So please keep all this in mind.

Dark Places & Demogorgons: Cryptid Manual is a digest-sized book weighing in at 90 or so pages.  Some bits look like redacted Governmental documents and blood splattered hunter's notebooks.  It's actually pretty cool looking if not 100% original (see Chill, Supernatural and Conspiracy X).  That being said though it is also 100% EXPECTED.  That's HOW I want my 80s monster hunting guide to look like.

The interior and the cover features two-color art (blacks and reds) on glossy pages. Now the gloss might just be my pre-copy version, or not. In any case the color, the art, and the layout are all a leap ahead in terms of style and look than all the previous DP&D books.  If this is the future of their books then the future looks good.

A little over 50 monsters fill this book.  They use the same stat block as DP&D so that also means they are roughly compatible with Swords & Wizardry (I'd say about 99%) and most other OSR-flavored games.  Given the size of the book it fits in nicely with my Swords & Wizardry Whitebox games, so I have another monster book now for that! Each monster gets a page. Some exceptions occur with the Bigfoots and the E.T.s, but still, it's a good bit for each one. 

There are also templates in the back of the book that work like the monster templates from 3.x.  So you can apply the Vampire, Werewolf or my favorite Radioactive, template (among others) to any monster.  Radioactive Bigfoots?  Hell yes!  There is also a table of enhancements and how they change your monster. So now it's Agile Radioactive Bigfoots!
There are some conditions ported over from 3.x (more or less) but very, very useful and I am happy to see them here.

Ok what are some of my favorites?  There is the Almasti, which I also used in Ghosts of Albion. They have a special place in my heart.  I'll likely include Almasti Shamen in my DP&D games like I did with Ghosts.   Old faves like the Bunyip and Chupacabra.  Holy crap there is a Crocoduck!

I have to admit I nearly shot coffee out of my nose when I first saw that.  Worth the price of the book alone in my mind.  Flatwoods Monster, all the various extraterrestrials (Nordics, Reptilians, LGMs, Greys), Hellhounds, the Hodag! (love those things!), Jersey Devils, Skin Walkers, and the Wendigo.  So plenty really and many more.  The monsters mostly come from modern cyptids, but there some classics from myths and local monsters.

This book is great really. While I may have been pre-disposed to like it, it really delivered and then some with me.  The art is great and fun. The layout top notch and the monsters are just too much fun. 

While reading it I could not help but think how well this would also work with White Star or other White Box derived game.   So even if you don't play DP&D (and you should really, it's just too much fun) you can still get a lot of enjoyment out of this book.

This book is currently in Kickstarter and you can get in for as little as 10 bucks.  Not too shabby of a deal really.

https://www.kickstarter.com/projects/ericfrombloatgames/dark-places-and-demogorgons-the-cryptid-manual-tab

There is a lot more information on the KS page, but trust me. You want this.

Dark Places & Demogorgons: The Ghost Hunter's Handbook

Nothing beats a good ghost story and the early 80s was full of them.  From the old school hauntings of 1981's Ghost Story to 1982's Poltergeist to the old guard in House of the Long Shadows (1983) and even to 1984's Ghostbusters. And this is now where near all. If you loved ghost stories it was a great time.

Thankfully Bloat Games hears you and has what you need.

DARK PLACES & DEMOGORGONS - The Ghost Hunter's Handbook is 60 pages (digest sized) with color covers and black and white interior.  It has the same feel as the other books in this series.  The art is good and I recognize a lot of the names inside. 

With this book, like the others, we start out with new classes.
The Clairvoyant can see things the others can't (we have a couple "I see dead people" classes already, but this is a good one).
The Parapsychologist is great, but I think it is stretching what it means for a "Kid" class like the core book is filled with.  Though, I guess reading the starting equipment this is also the class that best fit me in High School! Yes, I did write a program to emulate a PKE meter on my TRS-80 Color Computer.
The Mystical Ghost Hunter covers your basic exorcists/cleanser type.
But the class I was happiest to see was the Nullifier!  This is the guy who walks in the room and all paranormal activity stops.  The class might have limited growth, save that they are the ones that will survive any magical attack, but I like them all the same.  In college one of my "hippie" friends claimed I was a "Null" because his Ouija board never worked when I was around! 

Pages 14-24 cover different kinds of ghosts, spectres, and haunts and their reasons for haunting.   This is one of the parts that make this book "and use w/other OSR games".  You can drop these spookies into any OSR game (some will require tweaks) and you are good to go.  They can all be run as-is really; especially if you are playing Swords & Wizardry.    In fact, there is a lot here in the DP&D that the S&W game master can use.

A few pages on what you can find on The Other Side! (uh...Thanks! but I didn't get you anything.  OH! THAT Other Side.)

There are a couple pages on equipment including Ghost Hunter kits to fit your price range.

Next, we have some new ghost-related magic items.
A couple pages of minor and major spells.

And what book on ghosts would be complete without a haunted house? Well, this one taped into that 80s feeling well and gives us a haunted asylum! It's like you guys read my Christmas lists or something!

Information of the J'town Paranormal Society (which feels like it is somewhere between Supernatural's "Ghost Chasers" and Doctor Who's LINDA).

We end with a great, but incomplete, list books, movies, and television shows.

Author Josh Palmer did a hell of a job here and this is a worthy addition to the DP&D line. The book is worth every penny. In truth, at just $5 and 60 pages you are getting a hell of a deal.
Print on demand is coming soon.

It's Halloween. Get out there and bust some ghosts!

Witch & Witchcraft Reading Challenge: Crash Override

"Sometimes you need to burn a bridge while you are still standing on so they know you mean business. ... All us witches, past present and future, need to do better...Suffer us witches to live." 
 - Zoë Quinn

This might seem like a stretch here but stay with me on this.  I finished reading Zoë Quinn's Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate, and I am going to make the case this is a book about a modern witch and the witchhunt that came from it.

I want to get into the meat of the book, but let me address the parallels first.

Zoë Quinn began, like many historical witches, as a woman a bit marginalized from the world but found solace, comfort and even expertise in a traditionally "man's space".  For the witches of old this was often medical knowledge in a world of male doctors or religious knowledge in a world of male clergy.  In any case, she was a  woman (or a girl really, she was not much older than my son when this all went down) against a patriarchy.  Does that sound like a feminist theory to you?  It is ONLY if never actually studied feminist theory or have ever used the word "feminazi" in anything other than a derisive tone.  She was attacked and all but pilloried and burned at the stake.  Though virtually speaking she was. She even describes the mob after her as a group of "inquisitors".  The appropriate name really.

Actions speak louder than words and while I had heard and read the words of these internet inquisitors and gatekeepers of their "culture" I don't for a second believe them.  Their claims can be easily dismissed and discarded.  There were no witches on Pendle Hill in 1612. No devil in Loudun, France (1634). There was no devil in Salem (1692), no Satanic ritual abuse in the 1980s and no conspiracy in August 2014 to censor video games*.  (yes there is more than this, but the trouble is sorting through a metric ton of shit to get to it. This is not the place to detail my last couple of years of "ritual filth" reading about this and going to where they "live".)

But like those times, facts do not matter once the mob smells blood in the water, or online.  Quinn is a bit more understanding of her inquisitors, the ones that would see her dead for the audacity of being a woman.  I do not extend to them the same benefit of the doubt; I have seen this play out too many times in the exact same way with nearly textbook results.

Zoë Quinn is a witch, an unburnt witch in fact (her nom de' net in fact), and like the best witches of old, her name and exploits will outlive her inquisitors and tormentors.

She spends the first half of her book recounting her love of video games, finding solace online with like-minded people and discovering that she too could build something or make something.  There were many times I smiled or laughed out loud because I could relate to exactly to what she was doing and feeling.  Then we get to that day in August of 2014 where the mob, spurred on by an abusive ex-boyfriend and some easily dismissed internet rumors decides to act.
I have seen online abuse first hand, I have also stood on the sidelines and watched it unfold like a spectator sport.  So it was not without some personal horror that I listened to what she went through.
Honestly, you have to have zero empathy not be moved here.  Even IF (in all caps) she did the things she was accused of, it doesn't justify the violent outburst here.  (seriously, what the fuck is wrong with you people?)

There is some repetition, but this is a memoir, not a research paper. It is told like a memoir, with the unedited bits of a person's messy life left in. And the author is quite upfront about that.  In fact listening to it you get the feeling it could have been a "LiveJournal" post AND that is perfectly fine because that is the vibe the author wants.  Listen to her words and what she wants, the book is the ultimate expression of that. It is also almost, but not quite, a requiem for a life lost.  I can tell you, as a former QMHP, she sounds EXACTLY like people I used to counsel after they had dealt with something traumatic or after a significant period of depression.  I do not doubt that these are the words from someone who has in my professional opinion "seen some shit".

The first half had me depressed and sad for this girl. But the second half made happy for the woman she has become and what she has been able to do.  Sure, she can never get back that old life.  In many ways, her tale is the same of that as someone that has suffered a traumatic disease or accident.  In others, it is worse, because she knows if it were not for the actions of others she could go back to that old life and do the things she loved.

The last half of the book's title is "How We Can Win the Fight Against Online Hate" and she talks about what she has done and what she has been doing and freely admits that she is neither equipped or qualified to do the job that needs to be done.  I hope she will excuse the Batman allusion here (she has a section "You are not Batman"), but she is the hero we need.

She is open about needing more non-CIS, non-white, non-male voices in this fight. Not that we don't need CIS hetro white males, it's just that people like that, like me, are a dime a dozen.  We are.  She is open and even empathizes with the mobs of inquisitors that were after her; not wanting them to be subject to same actions she faced.  She is very cognizant (maybe painfully so) of the limitations of the tech companies and law enforcement.

To top it all off she built the Crash Override Network to help other victims of online abuse.
This alone is worthy of praise.

In the end, her advice is simple, be better to each other online and try to empathize with the human on the other side of the screen.   She knows there is a lot of work to do and this only the start.

Final note. I listened to the audiobook version of this with Zoë Quinn reading it herself.  I think that was a great choice for me, to hear her own words in her own voice, but also to get her to do it.  She knew when to be funny and when to be sad more than some other narrator.

You can find Zoë Quinn on the web here: http://www.crashoverridenetwork.com

2018 Witch & Witchcraft Reading Challenge

Books Read so far: 2
Level: Initiate
Witches in this book: 1. Keep in mind that "Witch" has never, EVER been an insult in my mind.
Are they Good Witches or Bad Witches: Good, but in her own words, flawed.
Best RPG to Emulate it: NA. But the snarky part of me does want to build a ShadowRun game around this with real trolls and real witches.
Use in WotWQ:  Maybe not appropriate, but this was one of many real-life events that got me to write the Aiséiligh Tradition Witch.

Review: Tomorrow Dies Today!

I have not done any reviews in a while and my pile is getting tall, metaphorically speaking.
The first one on my pile is a different sort of game for my blog, but not something I am unfamiliar with.  Back when I first got married and before we would do those old "How to Host a Murder" games with our friends.  We would have everyone over a meal and a murder.  It was fun.  This new game reminds me a little of that.

Tomorrow Dies Today
Tomorrow Dies Today is a 10+ player one-shot LARP (Live Action Role Play) by Sean Mooney designed to be played in two to fours hours.  So perfect for a dinner party with some friends who all want to be super-villains.  For your $20.00 you get a 135-page book with 11 character profiles.
Don't worry, this is not 135 pages of rules to memorize. 

The rules of the game are covered in the first 20 pages.  What follows next are the 15 or so pages for the Narrator of the game (doesn't have to be the host of the party).  Then each character gets 8 pages of descriptions and details. These details also include various props and mannerisms.

Print out the characters and review the rules with the group and go!

The basic plot is General Goodman has built a doomsday weapon and he has brought all his most loyal henchmen (the players) to witness his greatest glory! Except. One of you is a traitor!  You now spend the rest of your evening figuring out who that person is, or hiding it if it is you.

The rules exist somewhere between the free-form, if slightly scripted, play of How to Host a Murder and the "points and dice" play of an RPG.  Characters do have a character sheet/book and they do have points.   The Betrayer can be a different character each time you play, so that gives it more flexibility than others I have read and played like this.

While the setting can be "Mid 2000s" frankly I think it would be a crime not to set it in the 1960s.

For me, I'd invite my friends over for dinner, give them their characters ahead of time and let them do some free-form role-play, improv about their characters over for dinner and then get right into it.

I can also see this working well at a Con. 

So for 20 bucks you get a game for 10 people for 2 to 4 (or more) hours.  That really is a steal.

The art is great and the writing is very clear.

You can see some of the art on their Facebook Page.

Review: Mighty Protectors

"We believe in heroes because, ultimately, we believe in ourselves." - Jack "King" Kirby

I am spending some quality time with +Jeff Dee and Jack Herman's Supers RPG Mighty Protectors, aka Villains & Vigilantes 3.0.

Mighty Protectors (MP) is the update to the venerable supers RPG Villains & Vigilantes (V&V). In fact it is billed as the version 3.0 of the game.

V&V was the first supers game I ever encountered.   Jeff Dee got his start on D&D doing some of the classic module art and book art for the 1st edition game.   So the game has some obvious D&D roots.
V&V was unique at the time (and still somewhat in MP) in that in the game you play yourself.  You work out with the other players what your strength, endurance, intelligence and the rest are and then you roll randomly on a table of super powers.  It's a very interesting and fun concept that we completely ignored.  Back in the day we liked playing a "multi-verse" so our V&V characters were our D&D characters in a supers universe.  The stats were the mostly the same and both games had levels.  Plus it gave us excuses to have strengths of 50 or more (human max is 18).  I remember it being a very good time.

As typical of many old school games there are lots of random rolls, charts and a fair amount of math involved. I went back recently to make a character and was thrilled to see that Monkey House Games had an Excel character sheet pack.  The math isn't hard really, but Excel is still faster.

Even though we got a V&V 2.1 a couple of years back, V&V was itself in a state of limbo with a long, ugly legal battle between creators Dee and Herman vs. former publisher Fantasy Games Unlimited.  Last year everything got sorted out and Mighty Protectors was Kickstarted.

If you have played V&V in the past then there is a lot here that is familiar, but also a lot that is new, updated or revised.  Levels are gone, replaced with Power Levels that work like Power Levels in Mutants & Masterminds.  This is actually a big leap forward in my mind and gives you more flexibility. While you should start out with a "Standard" game (150 total CPs) you could do a "Low" powered game (100 total CPs) or even a "Normal" or "No Powers" game of 50 CPs. Or take it the other direction with "High" at 200 CPs.  There are mechanics in game, such as ability and power caps that make it so each character in each Power Level is roughly the same power.  Sure you can mix "Low" with "High" or even higher.  Also gone are the six attributes cribbed right from D&D.  Now you have four Basic Characteristics (BC) that you can randomly determine, point buy or assign.  These are Strength, Endurance, Agility, Intelligence, and Cool.  If you are translating these from V&V then the numbers have slight differences.  But more on that later.

Instead of talking about MP isn't in relation to V&V, I'd rather talk about what it is in relation to itself.

The book is 164 pages, softcover, with black & white art and color covers all from Jeff Dee himself.  I am reviewing both the softcover book and the PDF.  It is a nice mix of some classic V&V art, newer V&V art and even newer still MP art.  If you are a fan of V&V then it feels like V&V from the very start.

The book is set up to look like "legal code" rather than chapters.  So there is section "1.1 What is a Superhero" and section "2.1.16.1 Character Concept".  That makes it sound like it is very dry, but it isn't.  It reads more like a continuous document.

Section 1.0 starts us off with an introduction to the Mighty Protectors game and a brief overview of what is a Superhero.  I thin this bit is important because it sets the stage for what this game is about.  This is comicbook superhero emulation.  Not necessarily movies or TV Supers, but comic books in particular.  This goes back to the origin of V&V when Jeff Dee and Jack Herman were sitting around trying to decide who would win in a fight.  This late 70s/early 80s comic vibe is played out till today in this game.  My takeaway?  This is a game that predates the "Bronze Age" or even "Modern Age" of comics.  It was built with Pre-Bronze, late Silver Age tools.  Can it do Modern Age? Yes, easy. Can it do TV? Of course! I think back to the time when V&V was new and imagine what would it have been like to have these comicbook-based TV shows we have now.  But the game will work the best when the heroes are good, the villains are evil and superhero teams get along and fight for a common cause.  There can be (and are) shades of gray here. Heck even the original Bowhunter (from V&V and MP) a good guy had a villainess as a love interest.
We round out Section 1 with materials you (aka Dice) and support online.

Section 2.0 Character is huge. In fact, it covers the next 100 pages.
Here we cover Character Generation (2.1) which also covers randomly determining stats, point buys and the V&V classic, Playing as Yourself.
I am not going to lie to you. There are charts and there is math to do here. The math is not complicated, but it is part and parcel of the game.  For me this is part of the old-school charm of this game and I would not want it any other way.  If this is an issue for you there is the Excel Character Sheet pack. It does all the heavy lifting, but you do need Excel. Note: I got it and uploaded it to my Google Drive and it works just as fine with Google Sheets.

Section 2 is really the heart and soul of this game.
However you go about your character creation you are given (or implied to have on Random generation) a number of Character Points (CP).  I also have called these "Creation Points" since they are mostly used in Character Creation.  You can get them, later on, to improve abilities, powers and gain new ones.  But for now, we have a budget of points (described later 2.1.16.2 Ability CPs) to spend or use randomly.

Now here you can go the Point buy route and buy BCs (2.1.7) and Powers (2.1.15). OR you can go completely random.  If random then you roll six abilities, two for offense and two for defense and Miscellaneous Abilities and keeping four. Also taking two random weaknesses.
There are a number of derived stats (Hits, Power, Base Damage) and ones that deal with origin (Gender, Age, Weight) and background (where are you from, your legal status, superhero license).  In general, this is easier than V&V.

The Abilities are covered under Section 2.2 Abilities.  In truth, this could have been its own chapter/section.   Abilities cover what your hero can do.  The abilities are described in terms of effects.  So there is a Power Blast ability, this can be any sort of blast that say in not covered elsewhere.  There is an Ice Blast, a Laser blast, a Fire blast, a Sonic blast...and so on.  The granularity of the system allows you to fine tune these abilities to a large degree.  While the default is 10 CPs per power you can break it down into increments of 5 CP or even 2.5 CP.  Each Ability is scaled with the others so a sonic blast at 10 CP should be the same a Power Blast at 10 CP.   Working with your Game Master and other players you can really fine tune a hero any number of ways. This also means that any given concept of a character can also be created multiple ways.  You can spend (and I have spent) hours creating all sorts of characters.

One thing the rules mentions is that if you are new to V&V/MP you might want to read over Sections 3.0 to 5.0 to get a feel for the rules and task resolution.  It's pretty good advice really.

Section 3.0 covers Saving & Task Rolls.  This is everything that is not combat related.
Every BC, except Strength, has a save roll.  These are noted as some number X-, meaning you need to roll X or less on a d20.  While I am not a fan of roll under mechanics (just my own prejudice) it works here.
Background (3.0.2.1) is a broad category of skills. So no one really cares how well Superman can drive a car or even if he knows what is going on in the Stock Market, save how it relates to his background as a Reporter or even growing up on a farm.  Clark will know the major crime families in Metropolis and maybe what is a good growing climate for a particular grain.  So we do not have the granularity of skills that we would in say Mutants & Masterminds or even Silver Age Sentinels.
Other interesting rules are include Opposition tasks and Inventing (3.1.3), or using your Inventing Points (IPs) to customize powers on the fly.  Something that is not really a new ability but the different use of an existing ability.  It's pretty clever and again fits with the comic book origins.  Think about how many times Superman used his heat vision for something other than setting things on fire. Rearranging the ink on a page comes to mind.

Section 4.0 is Combat.  This section is obviously quite important. I HIGHLY suggest using minis here. The rules imply this and recommend it, I am saying it is a must.  Here HeroClix or HeroForge is your new best friend.  Of course Legos, D&D minis or even pawns are fine too.  This is particularly helpful when dealing Knockback rolls in case you or a target are blown back by an attack.

The combat, once you get the hang of it, moves rather quickly.  Yes, there are a lot of options such as multiple attacks and two-handed attacks, sneaking and other things that can modify the rolls.  It's my experience though that most players will emulate a superhero and have a couple of signature moves.  These will then become second nature for both the player and the GM to roll.  Again we are rolling low on d20 where a "1" is a potential critical hit and a "20" is a potential critical fumble.  Another roll is required after that.  Even items that require a lot of charts say improvised weapons, become faster with use and a GM's screen.

Section 5.0 Physics handles all the ways you can break things or things can break you.  It's actually more than that, but that is a start.  It ends with an example of play.

Section 6.0 Being a Superhero covers the roleplaying aspects of playing a costumed superhero. This is a little more "in-Universe" than the other sections.  If you are using MP to play in another world you can modify this to fit your own needs, though the rules were written with these realities in mind.

Section 7.0 The Mighty Protectors Multiverse. Is very much In-Universe.   Jeff Dee has commented elsewhere online that early versions of V&V were fairly universe agnostic.  This setting described here has developed over the last nearly 40 years of gameplay.  Indeed, reading this book and see names like Maxima and Bowhunter made me happy.  I knew these characters back in the day and seeing them again is like seeing old friends again. What follows are 15 pages of groups, people, places and things in the MP Universe.

Section 8.0 Gamemaster Section covers Gamemastering advice and rules which includes creating your own adventures to creating your own world. If you don't want to convert your favorite comic book story (Hollywood has been doing it for years!) there are tables for random adventure creation.  This section also covers Experience and Wealth Rewards.  Finally, we get to section 8.6 Converting V&V 2.1 Characters. Good guidelines, but I have preferred to just rebuild them from the ground up

The game is a lot of fun, but it is not without it's own issues.
For starters there is no index in the book.  Minor thing in the days of PDFs with full-text searching, but it's not there on my softcover while sitting on my couch trying to figure out the stats of Arrow's Oliver Queen.
The game also took me a bit to figure out properly before it clicked.  Once it clicked everything else was easy.
The game is wonderfully old-school, but that can also be a bug (not a feature) for anyone coming from Mutants & Masterminds or other games with full-color interiors.

All in all it is a really great game that has all the old school charm of V&V.

If you are a fan of the original Villains & Vigilantes then I would check this out.  If you want a supremely flexible and easily modifiable game then I would also check this out. OR if you are like me and a fan of supers games it is worth a look.

Love Will Be Cruel: Carmilla for Die For You

All week I am doing RPG conversions of the Web series Carmila. Today I am going to shift my focus slightly and look at a Role-Playing Game that was directly inspired by Carmilla.

Growing Up is Weird

Die For You by Rose Bailey lists Carmilla as it's primary inspiration.  Though given the name I can't imagine that HEX was also not an inspiration.
Die For You is a slim book, only 13 pages. Character creation and rules are all, understandably really simple.  Designed for 2 to 5 people, one game master and four players, I think it could be expanded.  It also has that feel of a game that could also work with rotating GMs.

This game would classify as a "Story Game" I believe, it has that feel, but I really don't know much about its genesis.

To play you start by Picking a Setting.  Since I am going to go with Carmilla as my example (and I think it sells the game best) I'll give examples from the start of Season 1.   The setting can be random (roll a 1d6) or the group's choice.   We are going for "College" here.

Next comes Creating a Character. Again this is an easier process than most games, but one that should involve everyone playing.  First thing you need to come up with is your Concept.  The examples given are good for us, with some tweaks; “Nosey Journalism Major” or “Disaffected Vampire.”  You can decide if you are some sort of monster or a normal human.
Now define your Want. This is something your characters wants.  Let's go with "Find the Missing Girls from Silas University" as an example.  When pursuing your wants you have a better chance of succeeding, but also you open yourself up more to creating complications.  Looking for the missing girls gets the attention of the Evil Dean that wants to sacrifice them to an ancient demon.   Having conflicting Wants in the group is also a good thing.
Now determine your Traits.  You have three: Feels, Weird and Real Life.  Feels and Weird are ranked 2 to 4 and combined they must equal 6.  Real Life is the same as your lowest score.
Finally, you have Trust.  Trust is another character you trust and this can change from scene to scene if needed.

While this is going on the GM comes up with the Big Bad. This is who they need to defeat to move the story to its end.  Simpler is better. "Vampire", "Nephilim" or "Evil Dean".
Then figure where the game begins and what happens.  "At the big party, a girl disappears".   "In the middle of class, you set fire to all the paper with your mind".  And so on.

Roll the Bones
Rolls come in two types, Challenges (your character is trying to do something or opposed by an NPC) and Conflicts (opposed by another PC).   In Challenges, you roll against the Trait that the GM is most affected.  Each die that is one lower than your trait is a Success.   There are ways to get more dice. You can get help from another character, pursuing your Wants, making a sacrifice, or using your Trust.

A few minutes of set up, getting characters made and you are set to go!

Playing Carmilla
The Setting: Silas University, Freshman dorms. Laura Hollis' room.
Big Bad: The Dean (revealed later)

The Cast

Left to Right: Danny, Laura, LaFontaine, Carmilla, Perry

Carmilla
Concept: Disaffected Vampire
Want: To not do the horrible things her mother makes her do anymore. (Later) I want Laura to be safe.  (Later) I want Laura.
Traits
Feels: 2
Weird: 4
Real Life: 2
Trust: No one, Laura

Laura Hollis
Concept: Nosey Journalism Student
Want: To find the missing girls and maybe date Danny. (Later) I want Carmilla to be safe. (Later) I want Carmilla.
Traits
Feels: 4
Weird: 2
Real Life: 2
Trust: Dany, Carmilla

Danny
Concept: Really tall English Lit TA
Want: I want to go out with Laura. (Later) I want Laura to be safe.
Traits
Feels: 4
Weird: 2
Real Life: 2
Trust: Laura

LaFontaine
Concept: Would-be mad scientist; brainy
Want: To get into med school and figure out all the weirdness on campus. (Later) I want to party with the Demon of Light.
Traits
Feels: 2
Weird: 4
Real Life: 2
Trust: Perry

Perry
Concept: Dorm mom, German major and neat freak.
Want: I want everyone to be normal! Just be normal!
Traits
Feels: 4
Weird: 2
Real Life: 2
Trust: LaFontaine

There. Five characters as quickly as I could write them down.  Take them and throw them into the weirdness.  The game is a lot of fun and could be a really fun experiment to try with some exsisting characters.  Plus they would all work great on a notecard.

The game is Pay What You Want, so if you want to try it, throw the author a buck or two and if you like then toss in a couple more.
You can see more about this game at http://www.fantasyheartbreaker.com.

Review: Module G123 Against the Giants

Want to get some more reviews in.  I figure since we just finished this one it was a great choice.

G123 Against the Giants

Getting to play AD&D at the height of its popularity was one of the best things about growing up in the 80s.  Even living in a small town in Central Illinois there were multiple, independent D&D groups going on everywhere.  It was not uncommon to hear talk of an adventure, or a rules debate or anything else.  One of the adventures that everyone seemed to be playing was the Against the Giants series.

Talk of Ombi, King Snurre Ironbelly, and Eclavdra were not daily topics of conversation, but they were common enough that there was a shared set of experiences. It was something we all could relate too and talk about even when we knew those other groups were playing it all "wrong"!  It is no surprise then that G1-3 have been ranked as some of the greatest *D&D adventures of all time and have been updated for every version of the D&D rules since it was published back in 1978 (and combined in 1981).

The Giants series began as three individual adventures. They were run as part of the AD&D Tournament at Origins '78.  When later released they became the first ever published adventures for the then new Advanced Dungeons & Dragons (AD&D) game.  Each adventure dealt with raids from a different race of giants; Hill, Frost and Fire respectively. They were aided by other giants and giant type creatures including ogres, stone giants and even a couple of white dragons in G2.  But what really grabbed the attention of many players, and certainly this player, was the big reveal that the masterminds behind these giant raids were none other than the Drow; evil, dark elves that lived underground.  This elevated the adventure from mere dungeon crawl and searching in giant's bags to a conspiracy.  The giant-Drow alliance became Evil with a capital E.

The giants themselves were new-ish monsters then.  Giants had appeared in the Original D&D rules, but all six races were "detailed" in a paragraph.  In the (then new) Monster Manual for AD&D 1st Edition giants were given significantly more space and more details.  It would be difficult to say which really came first, but we do know that Gygax worked on and published the Monster Manual before the Giants series came out.  Notes from one certainly could have influenced the other.
What of the adventures themselves?  I had the chance to play this as a player way back in the early 80s.  So my memories of it are quite fond. So fond in fact that I also ran this adventure with my sons as the players and using the newest edition of the D&D rules.  My experiences playing under 1st Edition AD&D compare very favorably to my experiences running it under 5th Edition D&D nearly 40 years later.

The 32-page combined adventure splits into three easy parts that represent the three original modules.

G1 Steading of the Hill Giant Chief
Here the characters and the players are introduced to the World of Greyhawk, or at least this small section of it.  They learn that giants of various types have been raiding the local villages and the character have been pressed into doing something about it.  Now the original modules put a threat into the characters to investigate, I find that by appealing to their higher moral codes and motives (and the ability to keep all the treasure) works so much better.

Soon the Steading of Hill Giant Chief Nostra is discovered and even a party of 9th+ level adventurers will soon discover that bigger often does mean better.  Giants, even Hill Giants, are not dumb monsters. They are not bigger orcs or ogres with more hit points.  This is their home and they will defend it.  I am quite impressed anytime I think about how this was run as a tournament.   It took me many sessions to get through all three and when I reran for my kids at Gen Con I had wanted to do each one a different night.  Didn't happen that way.  This adventure requires the players to plan, to hit hard and then run away.  Many times they would send in the assassin to take out a giant and then follow it up with a barrage of magic from a distance.  Combat can honestly be a slog here.  But the action is often very fast paced.  There is a lot going on.

This adventure shares a lot in common with its sibling B1 Keep on the Borderlands. While designed for two different versions of the D&D game, there are similarities that should not be ignored. In fact, I would like to think that they are there on purpose.  Each represents a "beginner" view of dungeon crawling, but the Giants adventures, if you pardon the pun, get more advanced.
This adventure gives only our first clues to the larger conspiracy, namely that the Hill Giants are taking direction from Giants, quite literally further up.  Completing this adventure only leads the characters to the Frost Giants.

G2 Glacial Rift of the Frost Giant Jarl
Going further up the mountains we get the first hints of how the AD&D game is different than the D&D one.  We now have rules for cold and the wind and most importantly getting lost in the snow.  Like the Hill Giants before, some sections are left to the Dungeon Master to detail.  This is partly due to the desire for a sandbox style play and largely due to the tournament origins of these adventures.

Again in this adventure planning is required. The characters cannot just rush in blindly and hope to overwhelm these creatures.  In fact, assuming they are mere "monsters" is a good way to get killed fast.  The  Dungeon Master is encouraged to play these giants as the personages they are. Sure, Guard #4 in area 19 might not have a name, but he does have a purpose.  Even the white dragon has a purpose.  I could not help but think that the white dragon cloak worn by Snurre had not been one of the Frost Giant Jarl's dragons.  In fact I hope it was. Their haltered of each other is overridden by the fear they feel at the hands of the drow. How powerful are these dark elves?

In this adventure, it should become obvious that much more is going on than raids and attacks of opportunity. There is a force uniting these giant clans and directing to grim purpose.

G3 Hall of the Fire Giant King
Here the conspiracy is laid bare and the character will discover what and who is directing the Giants. But first they must survive a live and active volcano.  The walls, for example, are hot to the touch. How hot? Try 2d6 hp damage per touch hot.  The giants here are smart and coordinated by a strong King. They will lay traps and ambushes for the party. They will try to stop them at every turn.  This adventure is not only significantly deadlier than the other two, it is also about 50% longer.  Not only do the players have coordinated giant attacks to deal with, burning walls and King Snurre himself but also hiding out on level 3 are the drow.   For many players back in the day this was their first introduction to the dark elves.  I liken it to the big reveal that Romulans were related to the Vulcans in the original series of Star Trek's The Balance of Terror.  It is something in our post-Drizzt world that we have lost.
Here the Drow are discovered to be pulling the strings, but we don't yet know why.  We do that they are lead by a High Priestess, an unearthly beautiful drow by the name of Eclavdra. She is no monster, but an NPC worthy of her own motives, desires and schemes.
In the last time I ran this adventure my kids figured out right away that they needed to take out the King in order to not die right away. So they hunted Snurre down.  With him out of the way the other fire giants lost their direction and were much easier to defeat.   The red dragon and the drow though were still a problem.  They managed to kill all but two; Eclavdra and her enchanter.   The characters were last seen chasing the drow down to the Depths of the Earth to complete the next series of adventures.

While the books are small, the adventures take a while to run.  The combats can be long and the characters really should take the time to explore every inch of the three giant strongholds.  There is more treasure here than any group of characters need but also there are plenty of prisoners to free and some have information on what is going on.

There had been D&D adventures before this, but this was the first epic.

Legacy
There are good reasons why we are still talking about these adventures today nearly 40 years later.

Some of it, of course, is just good old-fashioned nostalgia.  People loved these adventures then and now they want to share that love with new players today.  That is exactly what I did and there is no shame in admitting it.  But the reason why people loved them is also the reason why they stand the test of time. The adventures are just plain good.  These adventures combined a lot of things that people loved; great locations and sandbox-like play. Iconic and classic monsters mixed with new ones. Not mention an engaging story with memorable NPCs.  When gamers wax nostalgic over adventures like Tomb of Horrors, they think of things like the traps or character deaths.  In the Giants series they also mention things, like the Hill Giant Chief's dining hall, but also they remember names, like I mentioned above; Ombi, Snurre, Eclavdra.  When I played this back in the 80s Ombi nearly killed my whole party.  I survived all these giants just to be killed by a Dwarf with some potions and magic item. Well that and a DM that knew how to make a character memorable.  Imagine my shock and surprise when my kids plan and take out Ombi in two rounds!

This adventure also shaped much of what would become D&D's own mythology.  Giants of any sort working together soon became shorthand for bad news.  The drow, scantly described here, would go on to become one of the most infamous humanoids in all of the D&D worlds. Their underground city, only hinted at here, would be the template for nearly every Drow-realted product written in the late 80s and beyond to the present day.  G123 is not just the seed, it is also the fertile earth of much of what would become recognizable as "D&D".

TSR and then later Wizards of the Coast would go back to the Giants again and again. In 1987 TSR combined the G series with its sequels the D and Q modules for GDQ Queen of Spiders, one of the first Supermodules.  In 1999 they were reprinted and expanded again for the 2nd Edition of the AD&D game in Against the Giants: The Liberation of Geoff.  In 2009 Wizards of the Coast released Revenge of the Giants for the 4th Edition D&D game.   For the 5th Edition game Wizards of the Coast went back not once, but twice, to giant country with Storm King's Thunder (2016) and Tales from the Yawning Portal (2017). Storm King is more a spiritual successor to the original Giants series, but G123's DNA is all over it.  Tales from the Yawning Portal is a direct reprint of the original Giants adventures but updated to the new D&D 5th Edition rules with new full-color maps and art.  It has lost none of the punch of the original.

Not only have there been official Giant-related products from TSR and Wizards over the years, other publishers got into Giant business.  Notably there is a "missing" set of giants from these adventures; the Cloud Giants. I went to track down a cloud giant based adventure to slot in and easily found 4-5 all based on Cloud Giants. Actually, most of them dealt with a Cloud Giant castle.

Think about it, what was one of the first stories you remember hearing as a child? Jack in the Beanstalk might have been one of the very first.  The giant living in his castle in the clouds with a goose that lays golden eggs and a harp that sings on its own.  Think of the stories from our shared consciousness.  Giants living the mountains, David fighting Goliath, Fionn mac Cumhaill and the Giant's Causeway, the Frost Giants of Norse myth, the Titans of Greek myth, to Attack on Titan, and so many, many more.   These are the tales we tell. Tales from antiquity to last week's Game of Thrones.  It should then be no wonder why these adventures speak to us and call to us to join the battle.

Review: FantasyAGE and FantasyAGE Bestiary

Continuing my massive deep dive into all things Blue Rose and AGE I want to talk about +Green Ronin Publishing's Fantasy AGE RPG and it's supplement the Fantasy AGE Bestiary.

I am reviewing both the PDFs and the Hardcover books.

A note.  These books "feel" right.  They are roughly the size of the original AD&D hardcovers (144 pages each).  All is needed now is a Game Master book that has a bunch of options for various Fantasy campaigns and you would have a nice three-volume set that is only a slip-case away of being 150% more fantastic.

I don't say the following lightly.
Fantasy AGE could give Castles & Crusades a run for my 2nd Favorite set of Fantasy Rules.  (D&D and it's variants are #1).
Yes. It is that much fun.

It is better than Pathfinder, 13th Age and pretty much everything else.

Fantasy AGE
Hardcover, full color, 144 pages. $29.95 for hardcover, $15.95 for PDF.
The book is full color, the PDF is bookmarked with a hyperlinked index.

Fantasy AGE is the "generic" Fantasy game based on the ruled that appear in both Blue Rose and DragonAge.  While there are some repetitions, the tones of all three games are sufficiently different enough to make each book worthwhile.

Chapter 1 gives us the basics of Character creation. The Usual Suspects are here; Elf, Dwarf, Human, Halfling, and Orcs.   You get your Backgrounds with some basic ideas. And our three AGE classes; Mage, Rogue,  and Warrior.  Too bad the classes are not Adept, Guardian, and Expert.
Also included here is the experience for level advancement table.

Chapter 2 discusses the AGE system.  I am not sure if the AGE system will ever "fall into the background" the same way d20 or Unisystem do for me, but it could get really, really close.  The system itself is very easy to grasp.  In AGE you really only need three six-sided dice.  Two of which should be the same color.  The off one is called the Drama Die.  We will get to all those in a bit.  The rolls of 3d6 + Ability +/- mods vs. Test Difficulty are simple enough.  Test Difficulties start at 7 (Routine) and increase by 2 for each level. So 9 is Easy.  The feel is the same as d20's Target Numbers or even Unisystem's Success Levels.  Like most systems, an "opposed" test will be one set of rolls vs another set of rolls.

Chapter 3 details Focuses, Talents and Specializations.  Every Ability has multiple focuses. The Fighting Ability has a focus on Axes and another, Polearms for example.  You can gain a new focus for everytime you go up a level.  Talents are something else. These are only granted under special circumstances.  They might be restricted by class and many have prereqs.  These include abilities like Animal Training, Dual Weapon Fighting, or Psychic.
Specializations can almost be thought of as "Sub Classes", these include Assassin, Elementalist, and the like.

Chapter 4 gives us basic equipment. Pretty self-explanatory.

Chapter 5 covers Magic and the magical arts.  While anyone can have arcane ability, only Mages can master them.   There are 12 Arcana here with various magical powers.

Chapter 6 details Stunts. These are the life, and soul of the AGE system really.
If you get doubles on any roll of the dice you may perform a Stunt on that roll.  So if the roll was a combat situation then you can perform a Combat Stunt.  The roll you get on your Drama Die (the off color one) is a number of Stunt Points you get.  You have to use them right away.  So if you get a 4 you have 4 SP and can buy any of the stunts listed for 4 or under.  These are things like "Knock Prone" or "Lethal Blow". As characters go up in level they gain access to more stunts and can buy others for less SP.  There are also non-combat Exploration and Role-playing Stunts as well. There are even Arcane Stunts that can be used in either.

Chapter 7 is the GM's Section. This covers running adventures and adjudicating the rules. There is a good section on adventure planning that is good for most games.

Chapter 8 is about Mastering the Rules and dealing with ability tests and combat.

Chapter 9 covers Adversaries and Monsters.  All the regulars are here.

Chapter 10 is all about rewards. Which includes, but is not limited to, treasure. 

Chapter 11 gives us our hook to Freeport, GR long-running setting and Chapter 12 is an adventure.

Fantasy AGE is a solid fantasy game that keeps from being a Heartbreaker and carves out new territory of it's own.

Fantasy AGE Bestiary

I have said it hundreds of time, but you can never have too many monster books.

Fantasy AGE Bestiary is one of my favorites.  This is not a rehashed monster manual. This 144-page book is stocked full of really cool, really interesting and often unique monsters.  Sure some are familiar, but that is not the point, the point is that this book is full and it will be a long time before I run out of ideas for them all.
The art is fantastic and that is a great thing in a monster book.

Each monster is listed with stats, picture, background information and plot hook ideas.
The book is so good in fact if makes me want Green Ronin to publish it with D&D 5e stats as well.

If you are a fan of Fantasy AGE or Blue Rose or DragonAge then this is a must have book.


Can't wait to do more with these books!

Review: Blue Rose 2nd Edition, Part 3

Wrapping up my review on the AGE version of Blue Rose.
Part 1 covered Character Creation and Part 2 covered the World of Aldea. Today I am going to discuss the Narrator's Section.

Chapter 8, The Narrator's Art is the GM’s section.  Again, I much prefer the term “Chronicler” to “Narrator”. “Chronicler” also implies that the characters are doing something worthy of Chronicling.

The chapter covers some very pragmatic issues of Adjudicating the Rules and Running the Game to the creative Creating Adventures and Planning the Series.  The space in between this is the "Art".
What is particularly useful is the very old-school like table of 100 Adventure ideas.  Need an idea? Roll a d100. Each one of these can be expanded into an adventure. This flies in the face of any notion that Blue Rose is a limited game.   There are guides for roleplaying situations like Romance and Intrigue. Again, while situated in the Blue Rose and AGE systems, they could be used for any game.  There is a section on how to run Intrigue (great for me!) and how to do it when the Characters have the potential to read minds or have access to other Psychic Arcana.

There is also a bit on the physical location where you play. Given as a means to manage all the information coming at you the Narrator, and also as a means of setting the mood.  Blue Rose is a "well lit" game as opposed to horror games which need a dark tone.   The book also has some forms here and in the back for Narrators to print out and use to track all the goings on.  So bonus point to the PDF for this one.

There is advice on knowing who your group is too. I think this is more important for a game like Blue Rose that is very Character focused.  Using these group dynamics in the real world can also inform the group dynamics in the World of Aldea.   The chapter as a whole has some pretty good GM advice. Some we have seen before and others we have seen, but applied new to this game.

Chapter 9 details the Blue Rose Series.  If chapter 8 is general GM advice, then this chapter is very Blue Rose specific.  This chapter starts out with a note about consulting the players. I think this is good advice in general, but certainly more so for the Character focused Blue Rose. That is not to say you can't have an Adversarial GM (it is one of the options discussed in fact in the last chapter) but if that is what you are doing make sure that is what people want.  If so, great!
We get into various Series Styles next.  While the game is Romantic Fantasy, there is a lot of room in that broad term.  Discussed are Dark Fantasy, High Fantasy, Horror, Low Fantasy, Swashbuckling Adventure, and High Romance.   All of which work well within the Blue Rose frame.
Taking this advice we get some Series Frameworks of potential campaigns/series.

The default, and the one that most people associate with Blue Rose, is called "For Aldis and the Queen!".  This is what you would have if a young Mercedes Lackey was your Narrator. It does pretty much what it says on the tin. "On the Road" is more of the style of the later Romantic Fantasy authors. It is also closer to the type of adventures you find in a D&D game.  Put them on a boat and suddenly it is "7th Sea".  "Coming of Age" are your Harry Potter or Narina stories. OR as the book points out, even the Dungeons & Dragons cartoon.   "Game of Thorns" (bad, bad Green Ronin!) are your darker court intrigue tales. The nobles that don't trust the queen or her new husband.   I could make something of that easy.

There are more. The Quiet Knights, the Wedding Planners. But reading through these all should give you your ideas.  A special shout out though to "Blue Rose on the Red Planet".  That's not what it is called, but the art and the description support that.  I'd play that in a heartbeat.

Chapter 10 is the actual Running the Game.  The first bit we get to is Mastering Ability Tests.  If you have any familiarity at all with d20, True20 or a host of other "Target Number" style games then you know what to expect here.   Basic tests and Opposed tests are covered again.
Considerations are given for Minor and Major NPCs, handling different sorts of combat situations, Roleplaying vs. The Rules, and Hazards.

One thing that is quite interesting is advice on how to deal with divinations and how to work them into games.  This time the authors DO mention the Shaowscapes Tarot by Stephanie Pui-Mun Law as the perfect resource for your Blue Rose games. I have a set and it is great.

I am going to spend some more time on the Tarot, Callings, Fates, and Destinies.

Chapter 11 covers Rewards.  The beauty of Blue Rose is that there are many ways to grant rewards to characters beyond just level advancement. Though that is not understated here.
We start with Honorifics. Which I am TOTTALY going to steal for D&D 5.  These are accolades and acknowledgments.  Titles like "Lady Aerin, Dragonkiller" (if you have read that book you can smile with me), or "Champion of Justice" and others.  These confer a small in-game bonus as well.  The criminal types all have to make Willpower tests at -5 around our Champion of Justice for example.  Given these examples, I can come up with a lot more.   The next section mentions who can give out these honorifics in each country and under what circumstances.

Next follows Memberships and then Companions. After this are Special Items and Equipment.  Often these are heirlooms, not necessarily magical.  In fact, Arcane items are next and even then Arcane Weapons are listed last.   Listed very last, and even very least, is wealth.  So the things that motivate the average D&D character are the least motivating for the average Blue Rose character.  In fact, Wealth only gets 3-4 paragraphs total.

Chapter 12 gives us Adversaries.  We lead off with NPCs.  Blue Rose characters are more likely to run into other people (Rhydan are "people"; just ask them).
For monsters, "Beasts", there are some familiar names here but don’t automatically assume you know what these creatures are about.  Griffons, for example, are given more emphasis and intelligence here than in their D&D counterparts.  This is completely due to how they are treated in the Romantic Fiction novels, in particular, the novels of Mercedes Lackey.
Also, unlike the novels, there are a lot more creatures here than what I recall reading.  So there are plenty of creatures that can either guide, beguile or challenge the characters.  There are about 70 or so creatures here. They are grouped by type, so all Rhydan, all Darkfiends, all Unliving, and so on.
Adding more would be easy, really TOO easy to be honest.   Most creatures need have a good reason to be in the game/world. For example, there are no Manticores here. You could make a very good reason for them to be there as something like anti-griffon or even a magical race the bred true to fight griffons.  Maybe they were created during the Shadow Wars or even before in the Empire of Thorns. They are rare now since most were killed.

Now I do have a copy of the Fantasy Age Bestiary and there are a lot of great new monsters that can be added to Blue Rose.  I just want to be careful on how I do it and where I do it.  Same would be true for any monsters I'd add from DragonAge.

There are slight differences in the stats between creatures of the same name in the various books, but not enough to make you think they are different creatures.

The last chapter is an adventure, Shadows of Tanglewood.

There are pages with Stunt References, Actions, and Quick Reference Cards. We also get a nice full-color character sheet.  Points again to the PDF.  You can get these as part of the Blue Rose Narrator's Kit.

The index is fully hyperlinked.

What can I honestly say at this point? This is a great game. Well designed with beautiful art and an absolute joy to play.  The AGE system is the first system I have picked up in a long time that I really like.

This is the best game of 2017.