Plays Well With Others: Blue Rose + White Box S&W

Well, I am back at today with another "Plays Well With Others".  I want to spend some quality time with Blue Rose still so today I want to talk about one that jumped out at me right away.
Blue Rose works great with Swords & Wizardry White Box rules.

Yes. In fact, there is very, very little you need to do to make Blue Rose more like White Box.

Let's start with what I am wanting to accomplish here.  White Box is OSR/D&D stripped down to the bare bones. It leaves a lot more to the imagination and the guidance of the Game Master/Referee.  There is a lot of narrative control in refs hands.   The AGE version of Blue Rose has similar DNA (more on that) but places more narrative control in the hands of the players. NOT ALL, but a little more.

Blue Rose, in its AGE or True20 editions has DNA and elements that go back to the 3rd Edition D&D rules and the OGL.  The genesis of the Swords & Wizardry rules from the OGL is more than obvious.  This gives us a common thread to look at these games, a common ancestry to compare and contrast.   It also informs us on how we can bring them together.

One of the big surprises in Blue Rose for me as that the ability scores are all rolled on a 3d6 in order.  This is closer to "Old School" than some OSR games.  But that is only one thing, not enough to build a larger set of connections on.

White Box is not just a fun set of rules (we have thousands of those now) it is also a philosophy of gaming where less is more and the people playing need to decide what to do.  That last part is 100% Blue Rose.  But how do we make Blue Rose more like White Box?

White Rose

Well for starters let's cap the levels at 10.  This is just like White Box and has the effect of negating some of the later Specializations and higher level focuses of the game. With this done the core character classes, Warrior, Expert, and Adept need to focus on the things central to their class.  Fighters and Experts should not be able to take arcane training of any sort really. Adepts should be focused on either an arcane path (magic-users) or a divine on (clerics). Want a REAL restricted game? Don't have a cleric analog. Though you will need to consider what to do about healing.

Ending the levels at 10 restricts the classes to only one specialization. This is perfect for a White Box-inspired Blue Rose.
I would limit Experts to specializations like Assassin or even Pirate. For a real White Box feel I would create a "Thief" Specialization.
For a Cleric,  have the Adept take the Healer Specialization.
Warriors have the most flexibility. They can take the Champion, Guardian, Knight, Outrider, or Slayer.
For true White Box feeling, drop the thieves completely, and let Experts take the Healer Specialization.  Then you have three class to three classes.

For your races, you can crib the races from Fantasy AGE.

The big question is, "Why even do this?".

Simple. I can use White Rose as a "gateway drug" to Blue Rose for people that play White Box or another OSR clone.   I would run it as more or less a straight up D&D-like game with only some "Blue Rose" materials until later on.

I would try this out with some well-known Swords & Wizardry adventures. I am thinking something like Frog God Games' Razor Coast or any Swords & Wizardry adventure by Creation's Edge Games.
I have to admit, their Blue Crystal Mine has appeal to me as a gateway S&W/Blue Rose adventure, and how can I say no to an adventure called Curse of the Web Witch?  I might replace his monster with my own Web Witch.  I should convert it to AGE.

Looking forward to trying this out.

Red, White and Blue Rose

June may have been "Blue Rose month" but I have so much more to say and do!

I am going to have a couple of upcoming "Plays Well With Others" coming up.  More details later, but here are some teasers.

First, something that was inspired by my old "Black Rose" game (Blue Rose + Ravenloft) and something that came to me in a flash on a recent run.  Something I am calling "Blood Red Rose".

Blue Rose + Vampire the Masquerade (2nd Edition).

Next is less of a Plays Well With Others and more of a "Campaign Model".
I give you my "White Rose"

Blue Rose + Swords & Wizardry White Box.

This is going to be great.

Monstrous Monday: The Drumpf

EDITED TO ADD: I forgot to attribute Scott Woodard for his original version of Drumpf for D&D 5e.  He had the art below commissioned.  Scott, please accept my sincere apologies for this oversite.
The Drumpf below is not a conversion, but it would not be here without Scott's original post.

Have not done one of these in a while.  Been saving this one for a special occasion too.

I just wrapped up my big review of Blue Rose and will be moving over to Fantasy AGE as well., figure I can try my hand as a nasty little beastie.

The Drumpf

Art by Trash Mobs

Abilities (Focuses)
1 Accuracy (Brawling)
1 Communication (Deception, Persuasion)
1 Constitution
3 Dexterity
1 Fighting
-2 Intelligence
1 Perception (Touching)
1 Strength
1 Willpower

Speed 14
Health 14
Defense 10
Armor Rating 0 (Thin skin)

Weapon Attack Roll Damage
Club +2 1d6+2

Special Qualities
Favored Stunts: Skirmish
Pack Tactics: If a drumpf is attacking with at least three other drumpf, they may perform stunts for 1 less SP than normal.
Equipment: club, red hat

Threat: Minor

Drumpfs are related to goblins but claim they are a new and superior race.  They are often loud and very obnoxious, but not much of a threat when encountered alone.  In groups, they bolster each other's morale and can be a threat.  Many warriors have underestimated them to their cost.  The battle cry of the Drumpf, "Maga! Maga!" can be heard for miles.

Drumpfs have a difficult time telling lies from facts. This is most evident when you hear them talk about their own conquests, homes and/or accomplishments.   Their homes are always "the best, the hugest", their accomplishments are "the greatest, no one is better".  Many even claim to have the most beautiful nymphs as wives.   As a consequence drumpfs are far more susceptible to illusion arcana.  They receive a -2 on all tests.  Any failed test will cause the drumpf to claim the illusion they are seeing is not only real, but evidence to the contrary is itself an illusion.

As with many goblins, drumpfs are obsessed with gold. When possible drumpfs will cover any surface they can with gold.  They are also fond of self-portraits that feature themselves as great warriors and leaders.

Fundraiser for Mona Dowie

I met Mona Dowie online, via Facebook.  We bonded over our shared love of witches, Stevie Nicks, and coffee.

We were paired up on Petty Gods and she produced the art for my characters Nox and Syla.

I loved these so much I HAD to have her do some art for my then upcoming Swords & Wizardry projects.  I sent her some basic ideas and she sent me some art of my iconic witch Larina.

She was sick then and things have only gotten worse.

+R.J. Thompson let me know of a GoFundMe going for her.  You can find that here:
https://www.gofundme.com/Mona-Shaffer-Dowie

Please donate what you can.
+Erik Tenkar over at the Tavern is going to match the first $250 donated by the OSR crowd.
http://www.tenkarstavern.com/2017/06/follow-up-osr-artist-mona-dowie-has.html

So until further notice, I am donating ALL profits from my Green Witch for Swords & Wizardry (which features the Larina art) will be donated to her GoFundMe page.
It's not much, but it is something I hope.

Whether you buy my book or donate directly please help her out.
The OSR is full of some great, generous people.

This Old Dragon: Issue #141

I have had some really great issues lately for This Old Dragon. Issues I remember fondly or issues that had a huge impact on my games and/or game writing.

This is not one of those issues.

Oh, don't get me wrong, Issue #141 is fine, but there isn't anything in it I remember using. So it is next in my box of mildewy memories, so let's head back to the beginning of the end of the 80s, January 1989 to be exact, for This Old Dragon!

Ok, so I remember the cover even if my magazine doesn't have one. I think that might be all I remember of this one.  A few pages in, or the first page of my copy, we get an ad for Curse of the Azure Bonds. It seemed like to me that this book was advertised ALL the time.    We get the great Clyde Caldwell art, but the add is different than the book cover.

I have to admit that, for reasons I can wholly articulate, it bugged me.  Yes...yes I know that covers are mocked up all the time and this is no different. I even know now some of the issues going on behind the scenes of TSR at this time. So my feelings here are more of a memory of feeling and not the feeling itself.  Plus in either version, that sword the Lizardman has is stupid looking.

Plus I still have never read this book.  Maybe I should. Might exorcise the ghost of this feeling.

Another ad. This time TSR trying to get into the party-game market. One of the hotter games at this time was Scruples.  It was pretty popular and due to a combination of this game and drinking it was banned from our circle of friends back when we all lived in the dorms.  This is not that game and I can see why it failed.  Scruples was simple, much like how Cards Against Humanity is, and there is a lot of social interaction. This game "I Think You Think I Think" looks so over designed.  It might work well in today's board game market, but I somehow doubt it.  The name is also too cumbersome.

Forum covers some debate on Illusionists and their spells.

About a dozen pages in we get to the main feature of the magazine, near-human like creatures.  The cover features a Jeff Easley ogre or giant squaring off against a little blonde magic-user.

The Dragon's Bestiary features all sort of humanoid creatures. Most with names we have since seen elsewhere.

Randal Doering provides us with something new in Orcs Throw Spells, Too! or humanoid spellcasters.  This is for the AD&D 1st Edition game.  The article is good and has a lot of meat, but it also is a good example of the schizophrenia that was rampant in the late 80s and early 90s TSR design.  Yes this is great stuff, but the BECMI rules covered this material. Granted, we would not get the Rules Cyclopedia for another couple of years.   Spell casters among these races are considered to be more "primitive" (why? just because) so they get Shamans and Witch-Doctors or Clerics and Magic-Users respectively.  Personally, I like to think of Shamans as a different sort of magical tradition altogether.  I like to see my friend +Rich Howard get his Shaman book live, I think there is a lot of potential for such a class.  Me, I just cheat and make humanoids into a type of witch or warlock.

Arthur Collins is next with an article on giants and combat techniques in Boulder-Throwers and Humanoid Hordes.  This would have been good to read when I started running the Giants series.

Now we have something useful for today.  In Hey, Wanna Be a Kobold from Joseph Clay we get rules for humanoid PCs such as Orcs, Goblins, Kobolds and Xvarts.  This also includes Shaman and Witch Doctor class write-ups.  Re-re-reading this again I am struck with the question of why didn't we do this sort of thing more back then?  I know we were still a decade away from Meepo, but this could have worked well in many games.

Jumping over the fiction we get another timely feeling article.  Reviews of MegaTraveller and GURPS Space.  With Starfinder on the horizon, this is a good time to go back and look at what had come before.

Big four-page, full-color Warhammer 4k ad from Games Workshop.

The TSR Previews is dominated with Dragonlance and Forgotten Realms.

The Role of Books covers a bunch of new fantasy books.  At this time I had moved deep into horror and was just discovering Clark Ashton Smith. So I don't really recognize these books.
Following up on that The Game Wizards details a bunch of novels coming out of TSR.  Dragonlance, Forgotten Realms and Buck Rodgers take the center stage.

The Role of Computers features a bunch of games. That's obvious, but my take-away here is not what games they are reviewing but the systems the games are on. There are still a wide variety of computers the games are available on, but that number is going down.  Eventually, there will be only two, IBM/PC-Compatible and Mac.

Marvel-Phile is missing.

Lots of ads in the back. The only comics my copy has is Snarf Quest.

I checked my CD-Rom and I am missing the big announcement on the back cover of AD&D 2nd ed coming next month.

Ok. So not a great issue. Not a horrible one, but not a lot I can use today.

Review: Blue Rose 2nd Edition, Part 3

Wrapping up my review on the AGE version of Blue Rose.
Part 1 covered Character Creation and Part 2 covered the World of Aldea. Today I am going to discuss the Narrator's Section.

Chapter 8, The Narrator's Art is the GM’s section.  Again, I much prefer the term “Chronicler” to “Narrator”. “Chronicler” also implies that the characters are doing something worthy of Chronicling.

The chapter covers some very pragmatic issues of Adjudicating the Rules and Running the Game to the creative Creating Adventures and Planning the Series.  The space in between this is the "Art".
What is particularly useful is the very old-school like table of 100 Adventure ideas.  Need an idea? Roll a d100. Each one of these can be expanded into an adventure. This flies in the face of any notion that Blue Rose is a limited game.   There are guides for roleplaying situations like Romance and Intrigue. Again, while situated in the Blue Rose and AGE systems, they could be used for any game.  There is a section on how to run Intrigue (great for me!) and how to do it when the Characters have the potential to read minds or have access to other Psychic Arcana.

There is also a bit on the physical location where you play. Given as a means to manage all the information coming at you the Narrator, and also as a means of setting the mood.  Blue Rose is a "well lit" game as opposed to horror games which need a dark tone.   The book also has some forms here and in the back for Narrators to print out and use to track all the goings on.  So bonus point to the PDF for this one.

There is advice on knowing who your group is too. I think this is more important for a game like Blue Rose that is very Character focused.  Using these group dynamics in the real world can also inform the group dynamics in the World of Aldea.   The chapter as a whole has some pretty good GM advice. Some we have seen before and others we have seen, but applied new to this game.

Chapter 9 details the Blue Rose Series.  If chapter 8 is general GM advice, then this chapter is very Blue Rose specific.  This chapter starts out with a note about consulting the players. I think this is good advice in general, but certainly more so for the Character focused Blue Rose. That is not to say you can't have an Adversarial GM (it is one of the options discussed in fact in the last chapter) but if that is what you are doing make sure that is what people want.  If so, great!
We get into various Series Styles next.  While the game is Romantic Fantasy, there is a lot of room in that broad term.  Discussed are Dark Fantasy, High Fantasy, Horror, Low Fantasy, Swashbuckling Adventure, and High Romance.   All of which work well within the Blue Rose frame.
Taking this advice we get some Series Frameworks of potential campaigns/series.

The default, and the one that most people associate with Blue Rose, is called "For Aldis and the Queen!".  This is what you would have if a young Mercedes Lackey was your Narrator. It does pretty much what it says on the tin. "On the Road" is more of the style of the later Romantic Fantasy authors. It is also closer to the type of adventures you find in a D&D game.  Put them on a boat and suddenly it is "7th Sea".  "Coming of Age" are your Harry Potter or Narina stories. OR as the book points out, even the Dungeons & Dragons cartoon.   "Game of Thorns" (bad, bad Green Ronin!) are your darker court intrigue tales. The nobles that don't trust the queen or her new husband.   I could make something of that easy.

There are more. The Quiet Knights, the Wedding Planners. But reading through these all should give you your ideas.  A special shout out though to "Blue Rose on the Red Planet".  That's not what it is called, but the art and the description support that.  I'd play that in a heartbeat.

Chapter 10 is the actual Running the Game.  The first bit we get to is Mastering Ability Tests.  If you have any familiarity at all with d20, True20 or a host of other "Target Number" style games then you know what to expect here.   Basic tests and Opposed tests are covered again.
Considerations are given for Minor and Major NPCs, handling different sorts of combat situations, Roleplaying vs. The Rules, and Hazards.

One thing that is quite interesting is advice on how to deal with divinations and how to work them into games.  This time the authors DO mention the Shaowscapes Tarot by Stephanie Pui-Mun Law as the perfect resource for your Blue Rose games. I have a set and it is great.

I am going to spend some more time on the Tarot, Callings, Fates, and Destinies.

Chapter 11 covers Rewards.  The beauty of Blue Rose is that there are many ways to grant rewards to characters beyond just level advancement. Though that is not understated here.
We start with Honorifics. Which I am TOTTALY going to steal for D&D 5.  These are accolades and acknowledgments.  Titles like "Lady Aerin, Dragonkiller" (if you have read that book you can smile with me), or "Champion of Justice" and others.  These confer a small in-game bonus as well.  The criminal types all have to make Willpower tests at -5 around our Champion of Justice for example.  Given these examples, I can come up with a lot more.   The next section mentions who can give out these honorifics in each country and under what circumstances.

Next follows Memberships and then Companions. After this are Special Items and Equipment.  Often these are heirlooms, not necessarily magical.  In fact, Arcane items are next and even then Arcane Weapons are listed last.   Listed very last, and even very least, is wealth.  So the things that motivate the average D&D character are the least motivating for the average Blue Rose character.  In fact, Wealth only gets 3-4 paragraphs total.

Chapter 12 gives us Adversaries.  We lead off with NPCs.  Blue Rose characters are more likely to run into other people (Rhydan are "people"; just ask them).
For monsters, "Beasts", there are some familiar names here but don’t automatically assume you know what these creatures are about.  Griffons, for example, are given more emphasis and intelligence here than in their D&D counterparts.  This is completely due to how they are treated in the Romantic Fiction novels, in particular, the novels of Mercedes Lackey.
Also, unlike the novels, there are a lot more creatures here than what I recall reading.  So there are plenty of creatures that can either guide, beguile or challenge the characters.  There are about 70 or so creatures here. They are grouped by type, so all Rhydan, all Darkfiends, all Unliving, and so on.
Adding more would be easy, really TOO easy to be honest.   Most creatures need have a good reason to be in the game/world. For example, there are no Manticores here. You could make a very good reason for them to be there as something like anti-griffon or even a magical race the bred true to fight griffons.  Maybe they were created during the Shadow Wars or even before in the Empire of Thorns. They are rare now since most were killed.

Now I do have a copy of the Fantasy Age Bestiary and there are a lot of great new monsters that can be added to Blue Rose.  I just want to be careful on how I do it and where I do it.  Same would be true for any monsters I'd add from DragonAge.

There are slight differences in the stats between creatures of the same name in the various books, but not enough to make you think they are different creatures.

The last chapter is an adventure, Shadows of Tanglewood.

There are pages with Stunt References, Actions, and Quick Reference Cards. We also get a nice full-color character sheet.  Points again to the PDF.  You can get these as part of the Blue Rose Narrator's Kit.

The index is fully hyperlinked.

What can I honestly say at this point? This is a great game. Well designed with beautiful art and an absolute joy to play.  The AGE system is the first system I have picked up in a long time that I really like.

This is the best game of 2017.

Review: Blue Rose 2nd Edition, Part 2

Yesterday I spent some quality time with the Blue Rose Character Creation rules. Today I want to move to the next section of this huge book and cover The World of Aldea section.

Now when it comes to game-changing events I can make due with changes in power or in the way certain rules have been handled.  It is the events in the next few chapters that will have me scrambling for the pencils to re-do my campaign!  Well, Green Ronin never asked me what I was doing in my game and I never reached out to them to make sure they were not invalidating several sessions worth of my games ( +Chris Pramas, we will just have to talk in future! ;) ).

Chapter 5, What Has Gone Before, is still roughly the same as what we saw in the True20 version. If anything things are clearer now.  The art, of course, is better and some things, like the rise of the Darkfiends, are clearer.
As before we get a history of the World of Aldea, from the Mythic Age (when the Gods were created) to the Old Kingdom (the “Golden Age” of the world), the Empire of Thrones (or the rise of the evil Sorcerer Kings) to the present age in The Rebirth of Aldis.  The history of the world is given from the creation of the world by the four greater gods and then into the creation of the lesser gods, demons, and mortal races.

I think it is the goal of every RPG writer, either professional or just sitting at home, to create a mythology for their world.   These myths feel more like The Silmarillion than it does say the Bible or Greek Myth.  Though there is a fair appreciation for Greek Myths and Pagan beliefs in this.  In makes for an interesting world to say the least.  It has been asked more than once in my groups what gods do they believe in in the other parts of Aldea. Are they same with different names (likely) or they different ones altogether (a tantalizing idea)?  We see bits of how this could work in Chapter 7 where the different lands worship different aspects of these same gods.

The biggest changes do not come till much later in the chapter.  At some point between the True20 timeline and the AGE timeline. Queen Jaellin decided that she was "officially done with Jarek's shit" and invaded Kern via the hidden ShadowGate under the palace. The present day of the True20 version was 310 (Aldin calendar) to the new current day of the AGE version of 320.   A lot has happened in ten years.
I read this and was like "whoa" what happened here?  Personally, I'd love to have some scenarios where the PCs/Cast are part of that battle and raid.I think that would be a blast.
Also this was the last time anyone has seen the Golden Hart.  The mystery here, of course, is whether or not it used up all it's magic in this last battle.  We come to the "present day" in the game with political factions in an uproar, relations within and without in question and a Queen that has made some choices that many of her own court and people do not agree with.
Basically, it is like Valdemar at the end of the Winds of Fury.
Expanded from the True20 book this new chapter also talks more about the Great Rebellion that started Aldis in the first place.  I mean wouldn't that also be a great time to play?  The years leading up to Queen Seltha's reign.  Heck, the art of the Undead armies is enough to make me want to give it a try.

Chapter 6, Kingdom of the Blue Rose then picks up with Aldis proper and discusses what is going on.  We get background on the various races living in Aldis; human, sea-folk, vata, night people, and Rhydan.  Why do all these people get along? Well... they try to. The Rhydan wanted a land that all were equal and free and queen Seltha ran with that.
We get a section on the Royal Court of Aldis.  I REALLY wish I was good at running Court Intrigue. This would be the game for that.  A carefully balanced dual of wit, manners and subtle backstabbing.  This game makes me want to be better at it.  There is just too much potential here and frankly it is not my strong suit.

Anyone who ever thought that a Kingdom that was accepting of all peoples lacks intrigue has never really read or played this game.  Aldis is not just the idyllic land that some have depicted it.  It is “enlightened” but there are still internal strife, crime, the odd sorcerer or even a leftover gates from the time before the Sovereigns, and the ever-present threats from inside and outside. A number of threats to Aldis and Aldea are detailed. Various unscrupulous merchants, a very effective criminal organization known as “The Silence”, fallen nobles, bandits, defective shadow gates,  and the remains of various shadow cults.   In a handful of pages we get plenty of ideas for characters to do.  Plus we now have a Queen that may or may not be trusted by all her people. And the Golden Hart? Gone. Hasn't been seen since the raid on Kern.  Something new is happening here.
There is a section on gender, sexuality, and marriage. Much less that you have been lead to believe mind you. Frankly, it could do with a bit more in my mind. This is Romantic Fantasy after all.
Religion gets expanded a bit as well.  I like the new art for the Gods of Light, but I had to number them on my print out to keep track of them. I still rather like the Exarchs of Shadow. It helps solves the age old philosophical question of "From whence comes evil?" It gives a good explanation of how good gods such as these would have created evil beings. Plus in this version, they are more detailed with each exarch equated to a deadly sin.   I might not be able to do court intrigue, but I can do horror like nobody's business.
The real expansion though comes in the form of the City of Aldis. Note if you are used to the map in the True20 World of Aldea book (page 18), this one (page 161) is rotated 90 degrees clockwise. It also looks like the city has grown some more in the last 10 years.
Other areas of Aldis are detailed as well. These include the Pavin Weald (Magical Forest) and refugees from Kern that have not quite integrated into Adlean society known as The Trebutane.  If you want your spot to create Aldea-as-Valdemar and need a place for Holderkin Talia to be from, this is it.

Chapter 7, Lands Beyond deals with the lands and countries surrounding Aldis.  This includes the Theocracy of Jarzon, the Khanate of Rezea (the Kaled'a'in/Tayledras from the Valedmar books, or the Kingdom of Damar from The Blue Sword), the Roamers (also Kaled'a'in Shin'a'in), the Shadow Barrens (just a bad place), The Forest Kingdom of Wyss (a new place, not in the True20 version), the Pirate Isles (more information here, can Freeport Blue Rose be far behind?), Kern (the really, really bad place. Mordor to Aldis' Gondor) and the Matriarchy of Lar'tya (basically Themyscira.)

Each section of the nation/land deals with the history of the lands, their rulers, religion, and people. Larger cities are discussed but never in the detail we got with Aldis.  Some important NPCs have sidebars and their history, but no stats, are given.  The lands also all have rough equivalents to the organizations found in Aldis.  For example, the counterpart to the Rose Knights in Jarzon are the Knights of Purity and in Kern are the Knights of the Skull.

Of the lands, Jarzon and Kern are the most interesting.  Jarzon is an interesting place where it could have been just like Aldis save for the intolerance of the Theocracy.  I suppose then it is no surprise then that it lies south of Aldis.  I could see a Jarzonni based game dealing with various heretics.  Heck a fun game would be to play part of the Jarzonni Inquisition to discover a new threat to the whole world!
Kern is Ravenloft. Or maybe it is Thay. or Iuz. Or "The North" for the "Blue Sword" fans.  I KNOW I can't be the only one to have thought in reading this new version of the game that when Jaelin killed the Lich King that the "Shadowed Seven" would be an even bigger threat.

Think of Thay without SzassTam or Apokolips without Darkseid. There is a lot of adventure ideas here. Play these evil regents off on each other. Or imagine their machinations if they ever decided to team up.   I'd love a game where characters need to face off against these foes.  That might be too "D&D" or even too "Buffy" but it would still be a lot of fun.

So advancing the timeline and story by 10 years is cool but it completely WRECKED my older Blue Rose game I was calling Black Rose. Eh. No worries. I can come up with some new ideas and maybe even resurrect some of the Black Rose ideas.   Plus it will give me a good chance to pull out one of my old NPCs, Zenaida a Rezean Witch.

If you had the old True20 World of Aldea book then a lot in this section will feel familiar.  There is a lot more material in the current AGE book and of course moved up 10 years.

Next up is the Narrator's Section.