Monstrous Mondays: The Wendigo for NIGHT SHIFT, BX RPG and AS&SH

Modern Wendigo by skeletoninadress

The Wendigo has always been a favorite monster of mine.  

The Algonquin (and Illiniwek) people had great mythology and SO underutilized in games or novels.  One creature that I always was fascinated with was the Wendigo. The Wendigo has been seen a lot in horror fiction, especially with the rise in popularity of werewolves and zombies.  But they are still very interesting.  The most famous one of course is The Wendigo by Algernon Blackwood, followed by August Derleth's Ithaqua.

This is a creature that possesses humans under conditions of extreme cold and hunger and gets them to become cannibals.  Also, people that engaged in cannibalism were also at greater risk of possession.

The Wendigo is a spirit most times, unable to physically manifest in the world or interact with it.  That is until someone in a cold part of the world begins to despair and go hungry.  There are plenty of places in the world that are cold and these have hungry people, the Wendigo though chooses someone though that has or will resort to cannibalism to stay alive. Once this is done the Wendigo has access to the victim's heart. 

With their heart frozen the victim becomes the physical Wendigo.  They appear lean and gaunt, but taller; as if stretched out.  Their hands become claws with vile blue talons.  Their entire appearance becomes more feral.  They appear to be something akin to a ghoul or even a starving were-wolf mid-transformation.  They are constantly hungry, eating all the flesh they can, though they never eat their fill.  Eventually, the wendigo strains the host body too much and they die completely in a number of weeks.  Though there are rumors of giant wendigo, whose heads reach the clouds that are thousands of years old.

I included the Wendigo and the more powerful Wendigo Matron in my The Winter Witch for Swords & Wizardry.  Here it is for other games. 

Wendigo

NIGHT SHIFT

No. Appearing: 1-2

AC: 3

Move: 45ft.

Hit Dice: 8

Special: 3 attacks (2 claws, bite) + Breath weapon, Enhanced Senses, Immunity to Cold, Immunity to Normal Weapons, Requires Blessed weapon to hit.

XP VALUE: 1,280

This creature shares a number of characteristics with were-creatures and undead. Ancient people believed that only a tribal shaman could bless a weapon that would kill both the host body and the wendigo spirit. 

The wendigo is completely immune to all cold-based attacks.  It attacks with its claws and bite and can emit a blast of freezing cold air up 3 times per day for 1d6+5 hp of damage (save for half).

Ordinary World: Wendigos are known to exist in the Ordinary World, but few even among the supernatural community have encountered them.  They are generally feared to be unpredictable and very, very dangerous.

Valhalla, AK:  Everyone in Valhalla "knows" that there are "wendigos" north of the town.  The locals though will point out that the creature everyone thinks is a wendigo is actually the wechuge ("way-chu-gay"). Someone can become a wechuge by breaking a tribal taboo or becoming too prideful. 

Some of the indigenous locals still remember tales from their grandparents and great-grandparents of the horrible winters of long ago where you could hear the howls of the wechuge/wendigo. 

Wendigo

BX RPG

Armor Class: 2     

No. Appearing: 0 / 1d3

Hit Dice: 8

Save As: F8

Movement: 150/50 

Attacks: 3 claw/claw/bite 

Damage: 1d6/1d6/1d8

Special Attacks: Breath weapon (cold) 1d8+5

Special Defense: Immune to cold-based attacks, immune to normal weapons, requires a blessed weapon to hit

Intelligence: 4 (devious cunning)

Morale: 11

Treasure Type: None

Alignment: Chaos

THACO: 12

Experience: 1,750

This creature shares a number of characteristics with were-creatures and undead. Ancient people believed that only a tribal shaman/cleric could bless a weapon that would kill both the host body and the wendigo spirit. A cleric can turn one as a Special Undead. Once a person is infected with a wendigo they can not be cured.

The wendigo is completely immune to all cold-based attacks.  It attacks with its claws and bite and can emit a blast of freezing cold air up 3 times per day for 1d6+5 hp of damage (save for half).

Wendigo

Astonishing Swordsmen & Sorcerers of Hyperborea

No. Encountered: 0 (1d4)

Alignment: Chaotic Evil

Size: L

Movement: 50 

Dexterity: 12

Armour Class: 2

Hit Dice: 8

Attack Rate: 3/1 (claw / claw / bite) + breath weapon (cold) x3

Damage: 1d6 / 1d6 / 1d8 + 1d8+5

Special: Immune to cold-based attacks, immune to normal weapons, requires a blessed weapon to hit

Saving Throw: 12

Morale: 11

Experience Points: 1,000

Treasure Class: None

The wendigo are believed to have been first created by Ythaqqa.

They can be turned as undead type 13.

Monstrous Mondays: Wendigo Matron

A while back I featured a Wendigo as part of my A to Z.  Well, my son has been running some games on his own with a group of his friends and he has been using Wendigoes as well.  This monster is one of his original creations.

Section 15: "Wendigo Matron" Copyright 2016 Liam W. Brannan.

Wendigo Matron
Armor Class:  2 [17]
Hit Dice: 10d8+5* (50 hp)
No. of Attacks: 2 claws / 1 bite / breath weapon / spell use
Damage: 1d6 / 1d6 / 1d6+3 / 1d8+5 (cold)
Special: breath weapon, fear, low-light vision (240’), scent, immunity to cold
Movement: 90’/180' (fly)
No. Appearing: 1
Saves As: Witch 10
Morale: 9
Treasure: None
Alignment: Evil (Chaos)
XP: 3,000

A windigo matron is if anything, more evil than the common wendigo.  This creature is te defacto leader of a any band of wendigo and she has powers above and beyond the already formidable powers of these foul creatures.
In addition to the physical attacks, breath weapons, and fear of a normal wendigo, the wendigo matron can also use the following spell-like powers 3 times per day:

Wind Walk
Fly
Invisibility 
Shape change

A common tactic of a wendigo matron is to shape change into a normal human woman and lead victims to the lairs of the wendigo. She will often pose as a rescued victim, or as a someone seeking vengeance against the wendigo that killed her "family".   There may be truth in both guises as the wendigo may in fact, have been her family.
The wendigo matron is also different in her origin.  While humans can become wendigo when confronted with the prospect of starvation and freezing to death, a wendigo matron chooses to become what she now is.
It is believed that there is a dark ritual where prospective wendigo matron cuts out her own heart with a flint dagger.  What is known that a wendigo matron can not be truly destroyed till she is reduced to 0 hp and her heart is burned.  Otherwise, she will rise again when the next snowfall occurs.
Like the lich and his phylactery, the wendigo matron keeps her heart in a safe place.

Don't forget to include the hashtag #MonsterMonday on Twitter or #MonsterMonday on Google+ when you post your own monsters!

W is for Wendigo

I grew up in Illinois.  At that time it was still possible for me to go to places like Dixon Mounds and see Indian/Native American burial sites and learn a lot about the people who lived here before I did.
I get that these were people and we were walking through their graves, but we were learning about them at the same time and that in my mind was much better.  Whatever the case it left me with a life long fascination with the native people of this area.

The Algonquin (and Illiniwek) people had a great mythology and SOOO under utilized in games or novels.  One creature that I always was fascinated with was the Wendigo. Yes. The Wendigo has been seen a lot in horror fiction, especially with the rise in popularity of werewolves and zombies.  But they are still very interesting.  The most famous one of course is The Wendigo by Algernon Blackwood, followed by August Derleth's Ithaqua.

This is a creature that possess humans under conditions of extreme cold and hunger and gets them to become cannibals.  Also people that engaged in cannibalism were also at greater risk of possession.
The Wendigo is a spirit most times, unable to physically manifest in the world or interact with it.  That is until someone in a cold part of the world begins to despair and go hungry.  There are plenty of places in the world that are cold and these have hungry people, the Wendigo though chooses someone though that has or will resort to cannibalism to stay alive. Once this is done the Wendigo has access to the victim's heart.
With their heart frozen the victim becomes the physical Wendigo.  They appear lean and gaunt, but taller; as if stretched out.  Their hands become claws with vile blue talons.  Their entire appearance becomes more feral.  They appear to be something akin to a ghoul or even a starving were-wold mid transformation.  Their are constantly hungry, eating all the flesh they can though they never eat their fill.  Eventually the wendigo strains the host body too much and they die completely in a number of weeks.  Though there are rumors of giant wendigo, whose head reach the clouds that are thousands of years old.

Wendigo

Armor Class:  3 [16]
Hit Dice: 8d8+4* (40 hp)
No. of Attacks: 2 claws / 1 bite / breath weapon
Damage: 1d6 / 1d6 / 1d6+3 / 1d8+5 (cold)
Special: breath weapon, fear, low-light vision (120’), scent, immunity to cold
Movement: 90’
No. Appearing: 1
Saves As: Fighter 9
Morale: 9
Treasure: None
Alignment: Evil (Chaos)
XP: 1,000


The wendigo is completely immune to all cold based attacks.  It attacks with it's claws and bite and can emit a blast of freezing cold air up 4 times per day (save for half).
This demon shares a number of characteristics with were-creatures and undead.  A cleric can turn one as a Special Undead. Once a person is infected with a wendigo they can not be cured.

Monstrous Mondays: Pathfinder Bestiaries 2 and 3

Continuing my overviews/reviews of the various D&D-related monster books, I am coming up on a few I bought in PDF form only.  I'll talk about that and what these books have to offer that is different from other, similar, books.

Pathfinder Bestiary 2 

PDF. 336 pages. Full-color covers and interior art. 285 monsters.

This book is also available in a Letter hardcover version (first published) and a smaller softcover Pocket-Edition (6.4" x 8.3").

This is the second of the Pathfinder Bestiaries and it was published first in December 2010, just a little over a year after the first Bestiary in October of 2009. My expectation here was to get all the monsters "left over" from Bestiary 1, or at the very least, monsters from various Paizo products published in the last year.  We did get a little of each, but not as much as I expected and instead got a lot of new and even many original monsters. A few that I had not seen in print before. 

There were quite a few monsters here I was a little surprised and happy to see. Among them were the Chupacabra, Dhampir, the Jabberwock (our cover model), Neh-thalggu (more on that one in a bit), and the Wendigo.  I wanted it most for the wendigo, but the others were a nice touch. The big surprise was the Neh-thalggu or the Brain Collector that originally appeared in module X2 Castle Amber. I used this as my base to convert to 5e when I ran Castle Amber and of course, my players never encountered it. 

There are a few other "mythos" monsters here too. Denizen of Leng, Gug, Hound of Tindalos, and Leng spiders. We will see even more in future Bestiaries.

The nice innovations that Pathfinder brought to these monster entries are the nice single page, or most often 2-page spread for every monster. Stat blocks are better organized to find what you need when you need them.

I can print out a bunch of monsters for an adventure and stick them into my folder with the adventure and notes and not need to cart around a bunch of different books; just the material I need.

Pathfinder Bestiary 3 

PDF. 320 pages. Full-color covers and interior art. 268 monsters.

This book is also available in a Letter hardcover version (first published) and a smaller softcover Pocket-Edition (6.4" x 8.3").

This one was released a year after the Pathfinder Bestiary 2 in December of 2011. Like the previous book this one surprised me with the new of new to print creatures it has.

We do get some classics like the Axe beak and Lammasu from the original Monster Manual. The Adherer, Dire Corby, and Huecuva from the Fiend Folio. The Bandersnatch and Jubjub bird to go along with our Jabberwock. And one of my favorites, the Dimetrodon (always have a soft spot for these guys).

We get another new Cat Lord (originally from Monster Manual II).

So this one certainly feels like an expansion to the first two. One could make a good argument that all three are really part on one whole given the mix of new and classic monsters.

Like the first two this book also has monsters 1 to a page or across 2 pages. Making printing easy (well, not so much on your printer) but allows you to mix and match monsters as you need. Doing a "Lewis Carol" themed adventure? Print out the Jabberwock from Pathfinder Bestiary 2 and the Bandersnatch and Jubjub bird from Pathfinder Bestiary 3 along with whatever else you might need. 

Both books make good use of the OGL and have some previously published OGC here. They also release all but a tiny bit of IP as Open to the OGL for any and all to remix and reuse. 

They are quite a treasure trove of creatures.

True Detective: Night Country and Valhalla, AK

I am a fan of the HBO series True Detective. I had a bit to say about the first season here and here, so I am a fan. The new season, Season 4, is out now, and so far, it is excellent, too.  I am not going to get into any spoilers here, but Jodie Foster is fantastic in this. Maybe some of the best acting of her career, and I have been a fan of hers forever. And Kali Reis is amazing so far.

This season, subtitled "Night Country," is a fantastic idea. It takes place in the fictional town of Ennis, Alaska just north of the Arctic Circle. It is a detective drama, but there appear to be elements of the supernatural in it as well. Plus, it ties directly back to the first season of True Detective.

It also sounds a lot like what I wanted to do with my Valhalla, AK. 

Now, let's be honest here. The idea is a good one. Plus, I know there is really no way Issa López (showrunner, writer, and director) has read anything I have ever written here. It is just a great idea. Mine might have been a little closer to "Northern Exposure," though my Valhalla would be somewhere south of Ennis and a bit north of Cicely. 

While it is a great idea and one I have some fun with, I am not sure I could get away with building anything for it now for publication. Sure, I have the benefit of having my Valhalla predate Night Country and the first season of True Detective, but I am not sure I could really do it justice.

So, I am thinking of going back to my original idea and doing it as something for free here online. Something people can use in their NIGHT SHIFT games. Hell, if I throw in more alien abductions, then I can add in bits of Thirteen Parsecs, or other games from Elf Lair Games.  

Something I have been working on for Thirteen Parsecs is the fact that the barriers between the multi-verses are very thin here. People wander and get lost and end up in a different universe. One of those Earths is a planet called Gaia where history is like our own, but due to disease and runaway climate change, the population is only a 10th of Earth's, and the global temperatures have risen an average of 7-10 degrees Celius. Valhalla, AK, on Gaia, is much warmer and wetter than it is here. I mentioned some of this in the Night Companion book for NIGHT SHIFT.

I hope to develop more ideas and ways to use this weird little town in NIGHT SHIFT. 

Starting Adventure Seeds

The Last of 97s

In this seed there is a local gold mine. The mine has been shut down since the turn of the last century. Then, one night, a stranger comes to town with handfuls of gold he claims he has taken from the mine. His paperwork is all in order and legal for his purchase of the mine. He begins paying the locals in this gold. Soon he, his miners, and anyone he gave gold too end up dead by mysterious and brutal ways.

The Culprit: The ghosts of the dead miners from the failed rescue of the 1897 Mine Collapse do not want their gold taken away. Getting to bodies is difficult. The only way to quiet the dead miners is to return all the gold taken out.

Prophecy in the Petroglyphs

A cave with petroglyphs from the last Ice Age seems to be depicting scenes in the nearby town. Are these a warning from the past about the future or is history repeating itself?

The Culprit: Unknown as of yet. But it's likely something I can add to another adventure.

The Fur Trapper's Curse

An old abandoned fur trapper's hut is discovered along with the frozen remains of two Russian Fur trappers from the late 1700s. They walked over the frozen sea during one of the coldest winters of the last 400 years. They froze, and their faces were frozen in terror. But what else is there? A nearby cave, now uncovered due to warming temperatures, has the answer. 

The Culprit: A giant frozen bear that is a throwback to prehistoric times. It is bigger than any grizzly or polar bear recorded. Maybe it is an Amphicyon. 

The Wrath of the Wendigo

This one is obvious.

The Culprit: The wendigo!

The Strange Auroras

The Aurora Borealis are a common sight this far north. But not these. These auroras have strange colors and patterns; if you listen closely enough, you can hear them whisper to you. It is a strange language that worms into your mind, and you can't get it out of your head, no matter how hard you try.

The Culprit: Unknown as of yet!

Utopia

A reclusive tech billionaire builds a self-sufficient town in the Alaskan wilderness, promising a new age of peace and progress. But beneath the sleek surface lurks a sinister secret, fueled by technology and dark bargains.

The Culprit: You think it is the billionaire, and yeah, he is to blame, but it has more to do with the creature he has made a pact with.

These are just a few of the ideas I have. There are more where this came from.

Dinosauria! Characters

I have been promising to get some characters up for Dinosauria.  Here is the first.  John is not just the first one to be posted but he was the first character to be created for Dinosauria proper.  He is actually the idea of my good friend Steven Todd and this character is actually registered with the Screen Writers Guild in Hollywood since he was to appear in one of the movies Steven worked on.  So it is a really treat that I am getting to work on him here and use him in my adventure.

John Mulgrew
Frmr. U.S. Marshall
Drama Points: 10
Life Points: 47

Attributes (20)
Strength: 3
Dexterity: 5
Constitution: 4
Intelligence: 3
Perception: 3
Willpower: 2

Qualities (20)
Acute Sense (Vision) (2)
Hard to Kill 3 (3)
Ex-Soldier (5) (Ex-Marshall)
Nerves of Steel (3)
Renown/Reputation (Known/Good) (3)
Resources Moderate (2)
Special: Magical Sight (2)

Drawbacks (up to 10)
Addiction (minor, smoking, drinking) (1)
Honourable (1)
Mental Problems (Severe Obsession – Avenge Dead Family) (2)
Obligation (1)
Recurring Nightmares (1)
Secret (deals with supernatural) (2)

Skills (25) (+8 from Drawbacks)
Armed Mayhem 4
Art 1
Athletics 2
Crime 2
Drive / Ride 3
Engineering 0
Fisticuffs 4
Influence 1
Knowledge 2
Languages 1
Marksmanship 5
Notice 5
Occultism 2
Physician
Science 1
Wild Card

Useful Information
Observation: 1d10 +8
Initiative: +5
Armor: +1 (leather duster)
Fear: +5
Actions: 1 Mental /2 Physical

Combat
Name Bonus Damage Notes
Punch +9 6 Bash
Rifle +10 20 Bullet
Pistols +10 12 Bullet* John has two Colts, one with regular rounds, the other with his special gold rounds. Once empty a Pistol needs 1 round to reload.

John Mulgrew is a former U.S. Marshall. Back in the days when was a Marshall he and his family lived in the new state of Texas where his job was to make sure that the local population was “controlled”. This meant he hunted down American Indians that had broken the law.

After a particularly long a bloody battle, John came home to find his wife and two children killed. Not just murdered, but ripped apart. Insane with grief he ran off to find out who did this. He was discharged from the Marshalls, but he didn’t care he only wanted to find who killed his family. He was convinced it was an Indian and had tracked the culprit to the Dakotas.

One night he made his camp near a cross roads only to be awoken by a strange man dressed as a gentleman cooking a foul smelling diner over his campfire. John raised his gun to the man, but the man only asked John to give him his gun. John, without thinking, handed it him. The man unloaded John’s revolver, a .44 Colt Dragoon, and reloaded it with cartridges made of pure gold. He loaded in six and handed John a seventh. He then told John that he knew what he was hunting and this gun will give him the ability to kill it. If he didn’t want the gun, just leave on the ground, but if he took it up then he only had seven shots to kill seven monsters and then John’s soul would be his.

John woke up the next morning with no sight that the man had been there, but his gun was still loaded with the gold bullets. Tucking it deep in his saddle bag, John rode on.

John had followed a trail of destruction all the way to the Dakotas. There he found an Indian. The two men tried to kill each other till they were stopped by a beast with long claws and blood stained white fur. It stood as a man, but thin and nearly 9 feet tall. The creature attacked them both. The Indian seemed to be using some sort of magic to attack the creature which harmed it, even while John’s shots from his normal gun were ignored. John recalled the gun with the gold bullets and he shot the creature which killed it instantly.

John and Indian, who he learned was named Husun, tended their wounds. Husun told John that the creature was a Wendigo and it had killed everyone in his camp. It was also the creature that had killed John’s family and all the families between here and Texas. He told John his gun was an evil thing, but now that he had used it he could not be rid of it.

John and Husun, whom the locals called “Blackfoot”, traveled together for a while investigating the paranormal. John tends to drink a little too much, but it is the only way he can sleep at night without the nightmares of the Wendigo killing his family.

John and Husun have come to England as Guests of the wealthy Lord Dyus Paton. Lord Paton has been unable to attend tonight’s diner at the Crystal Palace due to illness, but has sent along John and Husun in his stead, knowing the august crowd would enjoy seeing a real live American Cowboy and Indian.

Current Works In Progress: Basic Bestiary & High Witchcraft

Work has me really busy right now, so I have been slow on getting new material out.  Either in book form or for this blog (except for Halloween).  But I wanted to give an update on what I am working on now.

I recently went through all my research notes, books, and files.  This has been a good thing and something I like to do every so often to keep me grounded in what sort of game I want.  It is far, far too easy in game design to drift away from your core principles into something else.  One example of this power-creep in games, though there are other reasons for power-creep too.  The other is scope-creep and that is when a project gets too unwieldy and becomes much larger than intended. 

Both types have hit my latest two works in progress, so I have been taking a step back to see what I really have.

Basic Bestiary

This is the "Big" project that has my focus now.  The project began with collecting all the monsters from all my witch books, plus all the monsters for Monstrous Mondays, and additional ones I have but have not published.  Once I pull them all together I had over 220 pages with 300 or so monsters with no art (yet).  For me that felt like a "good size" but I got to thinking.  Even if I edit them all and standardize them all, which is no small amount of work, these are all essentially "re-runs" material people have already seen and in some cases paid for.   That didn't feel right to me.  So I started adding more (power and scope creep!) and that is where the issues began.

For starters, I publish most for Basic-era (B/X, BECMI, OSE, LL) and Swords & Wizardry games.  Add in all the other games I post about here I have monsters in six to seven different but still largely compatible systems.  I needed to standardize my monster stat block.  You have seen it's evolution here on my blog. The current and most stable version can be seen in yesterday's Fenodyree.  Essentially a Labyrinth Lord stat block with some other information thrown in that I like to use in my games.   If you go back and look at something like the Wendigo then you can see that there are three different, similar but not the same, stat blocks.   So there is that process now going on.  Some stat blocks like S&W and OSE are great, but far too minimal for me. 

Also since the hardcover of The Craft of the Wise went over so well I decided that the Basic Bestiary needed softcover (Basic) and hardcover (Advanced) options.  Here are the covers as they sit now.  These very likely will change again.

For these covers, I made two changes.  First I switched to Goya's "The Witches' Sabbath" to reflect the feel that this book is mostly witch related monsters.  It also fits better with the quote I use in the Preface, "El sueño de la razón produce monstruos." or "The sleep of reason produces monsters."

I am also going with my own compatibility logos on these since they really have gone beyond one system or the other.  They are still largely "Basic" in nature, but as you can see from my stat blocks they have a little bit of everything in the OGC. 

Switching from Fuseli to Goya also was an outward sign of another issue.   I had WAY too many demons.  Not just demons, but devils and all sorts of fiends.  I also had my own demonic families of Baalserph, Lilim, Eodemons, Calabim, and Shedim.  I mean you can't do as much reading, researching, and writing about witches like I do and not collect some demons.    There really was only one solution.

Split them into two books. 

This actually works well since in my discussions with people there are decidedly two camps. The ones that use demons in basic-era games and those who don't.   This gives both groups buying options.

Regardless of whether you buy the "Basic" softcover or the "Advanced" hardcover, the material inside will be the same.  The Basic Bestiary I will be heavy on undead, vampires, fey, hags, and other witch-related monsters.   The Basic Bestiary II will cover demons, devils, and all sorts of fiends.

Right now there is no projected publication dates.  BUT I want to get BBI out and follow up with BBII maybe three or six months later.

Between those two I will also publish my "Last Witch Book,"  The High Secret Order Witchcraft book.

Going back to Rosetti for this one, a perennial favorite of mine.  The piece is "Astarte Syriaca" which harkens back to the first witch coven I ever wrote, the Coven of Astártē Queen of Heaven.

All three books (five covers) will be under my "Basic-Era Compatible" banner to indicate greater compatibility with each other and my desire to use what I consider the best or best of all the systems along with my own additions. Compatibility is key, but innovation is the driving goal here. 

The weakest link right now is The Secret Order book.  I have a ton of material and none of it put together the way I want yet.

Personally, I am really excited about all of these. 

X is for Xing-tian

Let's go to the other side of the world from the Wendigo to China, home of the Xing-tian.

The Xing-tian appears as an ogre with no head. Inspection reveals that if it had a head it had been cut off and healed; where the neck would be is a mass a scar tissue.  It has “eyes” where it’s nipple would be and a “mouth” over it’s navel, but these appear only to be markings.  The xing-tian can’t see, hear, eat, breathe, call out or communicate.  It is typically armed with a shield in one hand and an a large axe in the other.  It can feel the vibrations of people nearby.  They attack everything, including other xing-tian, and they always fight to the death.  When not fighting it can be found destroying anything in its path.

Xing-tian are literally about mindless destruction.  They attack anyone in their path and if no one is around they attack trees, rocks and animals.  They also represent a never-say-die spirit.

Xing-tian

Armor Class:  6 [13]
Hit Dice: 5d8+8* (30 hp)
No. of Attacks: 1 by weapon
Damage: 1d8
Special: immune to any spell that relies on senses, immune to gaze attacks, immune to fear
Movement: 75’
No. Appearing: 1
Saves As: Fighter 6
Morale: 12 (will never, ever give up)
Treasure: None
Alignment: Evil (Chaos)
XP: 750


EDITED TO ADD: Jolie Du Pre' is doing Xing-tian too!
http://www.preciousmonsters.com/2013/04/blogging-from-to-z-accurate-xing-tian.html

White Dwarf Wednesday #76

White Dwarf #76 takes us back to April 1986.  The magazine feels a bit larger than past issues (68 pages now) and there is more color.  The cover features a could of eagle riders in a tie in with the AD&D adventure.The cover artist is Peter Andrew Jones, who I do not recognize.

The editorial covers the demise of such columns as Fiend Factory, Star Base, Crawling Chaos, Rune Rites and Heroes & villains.   But we knew this.  Also, and maybe they are taking a page from Dragon, they planning more "theme" issues.  This one is all about the AD&D thief with two articles and and an adventure.

Open Box opens up big this issue with 3 pages and 7 reviews.  Iron Crown Enterprises has some MERP offerings. The Riddle of the Ring board game (6/10) and Erech & The Paths of the Dead Scenario (9/10).  Alone Against the Wendigo is a CoC solo adventure. Surprising there are not more of these to be honest.  (8/10).   Send in the Clones is also reviewed. This is the only Paranoia adventure I have ever played myself, so I have nothing to compare it too.  Marcus Rowland gives it 6/10 and that matches my memory of it.  Graeme Davis LOVES Lankhmar, City of Adventure for AD&D (10/10), I'll admit it has made me want to read the Fafhrd and Grey Mouser books more than once.  Two Doctor Who RPG adventures are covered The Iytean Menace and the Lords of Destiny. I loved the Doctor Who RPG from FASA but I never played these. They get a collective 8/10. Finally Hero games gives Fantasy Hero, it gets an 8/10.

The first article on AD&D Thieves is up.  How to Make Crime Pay is for players in the form of a lecture from a guild master.  Once upon a time I would have eaten this up. In fact in 86 my favorite character was a thief turned assassin.  There is nothing in this article that screams "D&D only", it could be used with pretty much any fantasy game.

Accounting (no joke) is covered for Judge Dredd.
A scenario for Warhammer is up next.

The second article on thieves is up, this time for the DMs/Referees.   Again, useful, game-agnostic advice.  This one is more in the form of tips and tricks and advice rather than a narrative. Actually this would have been a good article to have back in 86 when I was working up the details of the various guilds in my game world.  Today I just hand wave that sort of thing away.

An article on running Golden Heroes is next.  There is also a lot of good advice here too for any supers game.  I think the next supers game I run there will be a tabloid, ala The Sun, involved.

Castle in the Wind is the next article on thieves and takes the form of an adventure.  This one in pure AD&D and the thief connection is a touch thin.  It's long and detailed and with a dash of Hayao Miyazaki it could be really, really awesome.  I might have to xerox this one for later use.  Plus I love floating castles in my D&D.

Treasure chest is still around, at least for now.  It has half-a-dozen new spells. Never can have too many of those.

There is this interesting ad for "Labyrinthe" LARP (it's not called a LARP but that is what it is) taking place in the London Underground.  At first I had to double-take cause it looked like an ad for Labyrinth Lord!

Not exactly, but you can see what I mean.  Granted EVERYONE used that Old Style font back then.  It was the Morpheus of it's day.

This followed by a lot of ads.
Tabletop Heroes covers painting with oils, part 2.
Large ads continue with some Doctor Who minis, the D&D Master Rule Set and the Tunnels and Trolls paperback fantasy/rule books.

The theme is nice for issue but it makes it feel like there is less content than there really is.  I used to think the same about Dragon when they did themes as well.  Though to be fair, when they did themes I enjoyed then the issue seemed much more full.
More than any other issue before it, WD#76 is the dividing line between the new and old White Dwarf.  

Retrospective on Blue Rose

Cover for the new AGE version of Blue Rose

Blue Rose was always one of those games I felt people talked more about than played.  I remember running into it at Gen Con in 2007. I had wanted to go over to the Green Ronin booth since I was already enamoured with Mutants & Masterminds and thought Green Ronin seemed like one of those “cool companies”. Like Eden was in in the early 2000s and Cubicle Seven is today.  Green Ronin is still cool, but they are no longer the scrappy little upstart, they are elder statesmen and stateswomen now.

Blue Rose attracted me from the start. The Stephanie Pui-Mun Law art, whom I had known from her days at the Elfwood art website so long ago, was so eye catching and so different than anything else I had ever seen.  The game inside lived up to that art.
I picked up the book and saw the names. Of course I knew who Steve Kenson was (and he was standing just right over there too), I had played M&M and of course had his Witch’s Handbook from GR.  There was also John Snead, who only the most uncouth plebeians didn’t know.  I had worked with John on the Magic Box for the Buffy game and he was a great guy and great writer.  I saw other names that were unknown to me then (not now), but picked it up on the (substantial) merits of the first two authors.   Jeremy Crawford is now one of the people behind 5th edition D&D and he did quite a bit of work on 4th edition D&D as well.

Now I had an idea what “Romantic Fantasy” was.  I had read Diane Duane, Mercedes Lackey and Marion Zimmer Bradley, but years ago.  Reading through the rules then I was struck by how much was here that I wanted to work into my own worlds.  By 2007 I was weary of d20 and the True20 of Blue Rose seemed like such a breath of fresh air.  It was almost a Cinematic d20 to me.

I played a few games of Blue Rose.  I ran a few others.  I found that converting some of my old WitchCraft RPG plots to Blue Rose was actually quite easy. For example my “Vacation in Vancouver” under Unisystem became “Vacation beyond the Veil” under True 20/Blue Rose.  The story was essentially the same; gifted individuals were being kidnapped for a demonic sex trade. The problem in both cases was that some of the victims didn’t want to be “rescued”.  It looked into issues of slavery and sentience and what people do for pleasure.  In “WitchCraft” there is a serious horror over tone, but in Blue Rose the horror shifts away from the demon to the victim.  What if a victim is sentient and a slave, but in return lives in a lap of luxury and pleasure. Are they different than the “Companions” of Valdemar or the Blue Rose analogues, the Rhy-Creatures? It became an interesting story to unfold.  When I took a turn as player (because that is something you can do in touchy-feely story telling game) I want to explore this and have my witch (hey...gotta be me) “go native” and go from would be rescuer to something needing rescued.  Sadly like many games and most online chat games we never finished the story arc.

I went back to Blue Rose in 2009/2010 to try again with my “Black Rose” idea.  This was a merging of the Blue Rose and Ravenloft games I detailed a while back.  Now there was a fun game.  Also one that did not see a terminus, but that is fine.   In Blue Rose I felt there were a lot of the same things I liked about Ravenloft.  Emphasis on character development and storytelling, less on combat.  One by nature the other by choice.  In BlueRose/True 20 I saw the answer to a lot of the problems I had with Ravenloft.  Ravenloft as an idea was Gothic Horror stapled onto a fantasy action adventure game.  True 20 at it’s core was systemless.  It was much easier to represent more people with combinations of the Expert, Warrior and Adept classes than the standard D&D ones; or worse the 36 some odd classes we had in the d20 Masque of the Red Death.  For me the match was so good that I have considered to see what bits of both True 20 and Ravenloft are OGC to try it on my own.  I never went that direction, other games have since done it.  Some of the ideas from this game lived on in my current D&D 5 “Come Endless Darkness” game.

Some binders of notes for my various Blue Rose games.

“Kingdom of Rain” was game I ran inspired by Lovecraft.  My attempt to bring a little Innsmouth to the World of Aldea.  It was an intentionally short lived arc dealing with the Sea Folk and how some of them were becoming more like Deep Ones.  I will openly admit I based it more on the 2001 movie Dagon than the story “Shadows of Innsmouth”.  I wanted to continue the game dealing with some winter-related ideas, but I only got one session in.  This was also the first time I used a Wendigo as inspired by August Derleth.

I later went back to Blue Rose after reading the works of Barb and J.C. Hendee and came up with a “prequel” to Black Rose that I called “The Guardians of the White Rose”.  I went back to fertile ground and converted some ideas from a 2001 WitchCraft/Buffy game I was running at the time called “Coming Up Roses”.  The Guardians of the White Rose was the Queen’s special cadre of adepts used to fight the many supernatural threats to Adlis.  Their motif was a White Rose intertwined with a Blue Rose.  There were two characters, Helyg and Bryn, two new adepts.  Helyg had been a scholar in Jarzon and Bryn was raised with the Roamers.  They both were also caria daunen, just to add to the in universe feel.  Only got a little bit into that one, but played it out over a long course.  The lessons learned here? There is a LOT to do in Adlis that doesn’t require any form of “Murder-hoboing”.

More recently I have been going through the newer books of Mercedes Lackey. I picked up a bunch at a local library book sale and managed to Half-Price Book find the ones I was missing.  It has put me in the mood to try out some more Blue Rose.  This time I would feature the Guardians of the White Rose, but they are background.  This would be my monster hunter game.  The non-lethal damage track in BR/T20 makes this mechanically easier.  The idea is that the great Magerium is opening in Adlis. Rare and nearly extinct creatures are going to be brought in for study and give them a place to live.  Ah now if you are at all savvy to the Blue Rose world or many of the books that it is based on you will see a problem with this.  I want to see if my players do too.

I am now coming up on 9 and half years of personally playing Blue Rose. Nearly 10 years and four (or five) different and nearly unrelated campaigns.  I have read the background material and other books that would fit the definition of “Romantic Fantasy”. I think I am in a good place to provide a nice comprehensive review of the game.

Now I am going to be looking at the True20 version of the game, which I am sure is going to be sunsetted in favor of the new AGE version.  Well. When the AGE version comes out I'll have to review that one as well.

So until the new one is out, let's get to it.

Monstrous Tuesdays: The Chenoo

 Little delay today. Had internet issues off and on AND the first measurable snowfall here in Chicago. I am sure these are not related. 

My wife and I have been watching the AMC series "Dark Winds." It is based on the books by Tony Hillerman about Navajo Tribal police. It is a police procedural, but but set in the 1970s and has unique issues of its own due to the interactions between the various law enforcement entities (tribal police, sheriff, border patrol, FBI) and the Navajo culture. It also features quite a bit of dialogue in Diné, the language of the Diné/Navajo people. It is really good, and maybe just a little depressing at times. 

I have mentioned before that I have always had a fascination with Dickson Mounds and Cahokia Mounds, as well as the Kaskaskia peoples. Many of the indigenous names, or their French or English derivatives, still name many places here that I am familiar with.

When the first snow falls in Chicago, local mainstay WXRT-FM always plays Frank Zappa's "Don't Eat the Yellow Snow."  Well. I wanted to do a snow monster for today AND also do something from Native American lore. I really didn't want to do another Wendigo (as much as I enjoy them), but thankfully I found a monster that fits my needs.

Drawing of a Chenoo

Chenoo

Undead Spirit of Hunger and Greed

FREQUENCY: Very Rare
NO. APPEARING: 1 (unique) or 1–3
ARMOR CLASS: 2
MOVE: 9"/24" (fly)
HIT DICE: 7+7
% IN LAIR: 30%
TREASURE TYPE: D (in life, hoarded)
NO. OF ATTACKS: 1 (touch or bite)
DAMAGE/ATTACK: 2–8 plus special
SPECIAL ATTACKS: Energy drain, cold aura, wail of hunger
SPECIAL DEFENSES: +1 or better weapon to hit, immune to charm, sleep, hold, and cold
MAGIC RESISTANCE: 25%
INTELLIGENCE: Average (8–10)
ALIGNMENT: Chaotic Evil
SIZE: L (9–10' tall)
PSIONIC ABILITY: Nil
LEVEL/XP VALUE: VII / 1,200 + 10/hp

A Chenoo is the cursed spirit of a mortal who refused charity in life. Greedy, proud, and cold-hearted, they hoarded food and wealth while others starved. When they died, their souls were claimed by the cold hunger they had unleashed upon others. Now they appear as towering, frost-covered corpses with sunken features and teeth of ice, eyes glowing pale. Their presence chills the air, and their howls echo the cries of the starving.

A Chenoo attacks living beings out of an insatiable envy of warmth and sustenance. Its icy touch drains one energy level per hit, and any creature slain by this attack becomes a frozen corpse that will rise as a lesser Chenoo (4+4 HD) within a day unless blessed or burned.

Their aura radiates a 10’ cold zone, dealing 1–4 points of cold damage per round to all within range (save vs. spell for half).

Once per night, the Chenoo may utter a Wail of Hunger, a keening cry that forces all living creatures within 60’ to make a saving throw vs. spells or be overcome with magical hunger and weakness, reducing Strength and Constitution by –2 for 1d4 turns. Those who die under this curse are said to have their souls devoured, leaving behind a husk of snow and bone.

Solitary spirits, chenoo are found in frozen forests, desolate mountains, or abandoned villages where famine once struck. They remember their mortal lives dimly, clutching at phantom possessions and muttering about stolen food or ungrateful neighbors. Some witches claim that a chenoo’s curse can be undone if the spirit is offered a feast and genuine forgiveness, but few have survived to confirm it.

These undead creatures do not eat, yet they hunger eternally. They despise the living, especially those who share food or generosity, as such kindness burns them like holy fire. Their presence can blight the land for miles, causing game to vanish and winter to linger unnaturally long.

Chenoo are turned as Spectres. Lesser chenoo are turned as wraiths.

This Old Dragon: Issue #138

October 1988.  I was a sophomore in college, but not just any college. I was at Southern Illinois University and Halloween was a HUGE deal. I debuted my first version of my "Astaroth" devil costume.  A couple of my friends got wasted, damaged part of the football field and got arrested.  I also "invented" the "Bush Whacker"; a double shot of vodka washed down with a Bush beer.  Never been able to drink vodka after that night.  My college roommate had a new girlfriend so I ended up with a dorm room all to myself.  It was pretty sweet really.  I had finished my first draft of the Witch class nearly two years prior and was now into deep playtesting and revising.   It's October 1988 and this is issue #138 of This Old Dragon!

As far as Dragons go I consider this one in my top five.  I remember walking to the bookstore down "The Strip" (Illinois Ave) to pick this up.  The cover could not be more Halloween-themed if it tried.   The material inside completely lives up to this cover.

Roger E. Moore is now the Editor, replacing the departing Kim Mohan.  I am not sure when exactly this took place, but I do know that this was the first issue I really noticed it.   This is post-Gygax TSR and if we didn't know that know we soon will.  Not that I am trying to draw parallels between Moore and the people that took over TSR.  Far from it.  But there was a new direction in art and in in content in Dragon and other TSR works that really began to show about this time.  It is easy to lump it all into 2nd Edition era, but it started before that.

Letters cover the lack of Dragon magazine indexes.

Nice big full ad for Space 1889. I picked up this game used not soon after, but sold it in one my "purging" moods.  I finally got another one at Half-Price books a while back.

The Forum covers a variety of topics, heavy on contributions from IL I notice.  At the time I really had no idea how good I had it.  I have heard of an Original D&D corridor that ran from Chicago and Lake Geneva all the way down to Carbondale, IL (where I was) and hitting nearly every major university along the way down south.  Even in my hometown, there were several independent D&D groups running at same time.   The Egyptian Campaign (in Carbondale, aka "Little Egypt") had been running since it's involvement with fellow Saluki (SIU alum) Tim Kask.   All I knew was I had access to books, games, and people and I thought everyone had this.  Later I learned this was not the case and one of the reasons these other games and supplements began popping up, to fill a gap.

We get some advice on painting undead in Through the Looking Glass.

Ad for Dragonfire computer-aided DM's software.  I know people that swore by this.

I have heard that this software had been released as share-ware, but I could be mistaken.

The unofficial start to our Halloween issue is Sage Advice. Here Skip Williams covers various questions about the undead that I found very useful.  I notice that a lot of what was written here later informed the undead monsters of 2nd Edition.

Page 15 we hit the meat of this issue, all about horror!

Up first a little something for the Call of Cthulhu game. The Black Book and the Hunters by Craig Schaefer introduces The Black Book of Shub-Niggurath and the Hunters of Shub-Niggurath (Greater Servitor Race).  While I am not sure if I ever used these in CoC, I certainly used a lot of ideas from this article in dealing with demons.  In fact, I penciled in "Lesser" and "Greater Servitor Race" on many demon entries.

Double page ad for the SF&F book club.  Some great books here!

Up next is something from none other than Tom Moldvay.  No wonder I love this article so much.
The Ungrateful Dead expands the ranks of the undead with some monsters I STILL use to this very day.  These horrors include The Bloody Bones, Skleros,  Dry Bones ("Dem Bones"), Gem Eyes, Shock Bones (something I had come with independently based on a nightmare I had as a kid), Galley Beggers, the Walking Dead, the Lesser and Greater Colossus, the hungery Dead, Le Grand Zombi, Ghula, Baka, Gelloudes, Spirit Ghouls, a Wendigo (!), Black Annis and her cat, and the vampire like Callicantzaros.  Whew. A ton of undead from myth, legend and popular culture. So many I have used over the others and others I had forgotten!

Up next is an article I have a bit of contention with.  Not this article per se, but ones like it.
Ed Friedlander gives us madness in fantasy RPGS in Methods to Your Madness.
The article itself is not bad and really focuses on the fantasy aspects of the game and the potential effects.  In general, I find many bits on madness, "insanity" and psychological impairment to be hamfisted at best and dangerously wrong at worst.  My background is in Psychology. I have undergraduate and graduate degrees in it. I spent years working as a Qualified Mental Health Professional in a group home setting with schizophrenics. I don't like "sanity" rules in most games.  I like the ones in Call of Cthulhu because they work within the confines of the system and the mythos.
The rules in this article work because they do not try to cleave to close to modern psychology.  Instead of a diagnosis of a disease, we get descriptions of behaviors.

Eileen Lucas is up with an article I didn't read much then but have since come back too many, many times. The End of the World: Of plagues, player characters, and campaign worlds.  I think I am not the only one.  Remember the old Knight Rider TV show?  Every season it seemed like they had to crash and nearly destroy KITT (and sometime Micheal) to only rebuild it and make it stronger, better.  I see this sometimes in Campagin Worlds.  We saw it in Greyhawk and I am not sure how many times in Krynn and the Forgotten Realms.  The article though is very, very good and has a lot of great ideas on how to end the world and start again.  At this time in my own gaming the "Dragon Wars" had just happened and my world had been largely destroyed.  When I wanted to bring my world back for 3e I went back to this article to read up on the plague and the after effects of wars.

We break from disease and death to talk about lasers.
Martin Landauer is next with Putting Fire into Firepower or lasers for the original Top Secret game.  I always thought of this as the bridge between Top Secret and Star Frontiers.  Maybe they were in the same universe.

The fiction piece is next, Between Lightning & Thunder by Nancy Varian Berberick.

Cool full page ad for DC Heroes with my first introduction to Amanda Waller.

The Role of Computers covers the then cutting edge of computer games. Many with new CGA graphics!  Many games are listed at around the $40-$45 area.  Interesting how the price of games has not changed all that much.

A couple of pages of small ads.

Role-playing Reviews covers a few horror-themed game titles.  Cthulhu Now is a supplement for the Call of Cthulhu changing the setting to modern times.  Future versions of CoC will fold this information into the core book to some degree.  GURPS Horror was at this time considered to be the MUST HAVE horror supplement for any game.  I remember looking for it for years in my local stores; so much for easy access!  Beyond the Supernatural was also considered one of the hot horror games of the late 80s.  It is notable not just for it's content but for also starting the writing career of many horror RPG authors like C.J. Carella who would later go on to write WitchCraft.

A page of TSR Previews. This features (and there is an ad later) the LAST AD&D hardcover to be produced, Greyhawk Adventures. This book was notable for being 1st Edition, but also having 2nd Edition AD&D stat blocks for monsters.

I can't help but notice that the blue background on this is almost the same blue background that will be later used for the AD&D 2nd Edition preview book.

Convention Calendar is next.

DragonMirth has some comics including newbie Yamara.
SnarfQuest hits episode #62.
There is no Wormy.  Little did I (or anyone else) know Tramp had moved and was living about 2 miles from where I was.

Lots of full color, full page ads.

Wow. What a packed issue.  AD&D 1st Ed was in it's twilight years and we all knew it.  What we didn't know was that soon AD&D players would engage in "The Edition Wars".  Yes there had always been the AD&D vs. D&D ones, but that was minor when it came to the 1st vs. 2nd ed or the TSR vs. WotC ones over the next, well, forever.

But until then we have this brief moment of stillness and this really great issue.

What are your memories of October 1988?

This Old Dragon: Issue #119

While today's choice is sort of a cheat, it is a very timely one.  I grabbed it because it features one of my favorite covers of all Dragons.  The recent Doctor Who episode "The Eaters of Light" featured a story about the fate of the Ninth Legion of the Imperial Roman army in Scotland.  My first thought was "well, we know it was Kostchtchie!" from Daniel Horne's fantastic cover.

But once I grabbed it I also noticed how it was a really nice companion to my own Green Witch that was published yesterday.  So nice in fact I put the magazine down until today!  I didn't want anything in it unduly influencing me.  Though in re-re-reading it now I can see there were some things there in 1987 that did stick with me over the years, including some more Doctor Who references.
So set your TARDIS back to March 1987, put on U2's With Or Without You, and get ready for This Old Dragon Issue #119.

Letters cover a guy just discovering the Chainmail rules. Interesting to read, to be honest. We forget that in this day and age nearly every shred of information is literally at our fingertips.  I just got another copy of Chainmail for my birthday from my old Jr. High DM.  It is different than the one I had by a couple of pages. I am going to need to investigate that.

The big feature of this issue is the section on Druids.  I can't help but see the "Spinal Tap" Stonehenge every time I see the standing stones and lintel that works as the header for these articles.

That aside this was one of my favorite series. I had by this time already written my first copy of the witch class. It was though lacking in some historical oomph. This series gave me a lot of inspiration on what can be done with the class AND what not to do.  Not in terms of things being bad in these articles (far from it) but in terms of making my witches different from the druids.  In fact I put these articles as "Must Reads" for anyone wanting to play a druid.

Carl Sargent is up first with Underestimating Druids (is a bad practice). It's a look into the strengths of the class and giving them their due. Several tips and bits of advice are given for using the Druid in and out of the dungeon setting, but most telling (and also the most interesting to me) was a break-down of the XP per level and the amount of spell-power all the AD&D1 spell-casting classes had.  The Druid comes out looking the best. Plus let's be honest, Flame Strike is a MUCH cooler spell than Fireball.

Up next is an article covering the Druid in his role as a healer. We are warned that  John Warren's "Is There a Doctor In the Forest?" is unofficial material.  It is also closer to what we think we know about druids in real life; that they were the healers of their society. There is a ton of great ideas here for herbal and natural healing in AD&D. Unofficial or not there is a lot great rules here.  The crunch is the same level as AD&D, so more than I want for an OSR or even a 5e game, but worth looking into the next time I play AD&D1 proper.

On cue another ad for the Time-Life Enchanted World books!

Next up is an article I had re-read a lot back in the Summer of 1987. From by William Volkart and Robin Jenkins we get On Becoming The Great Druid.  It dealt with that little remembered now artifact of the Druid class that at higher levels you needed to defeat the druid whose level you wanted to take.   I have to admit that at the time I was not fond of the idea, though now I see as a great plot and role-playing device.  I was trying to come up with a way to add this all to my then current game.  I never really did to be honest since I figured I needed to come up with my world-wide Druid religion.  Of course, nothing in the history of the Druids supports the idea that would or even could do this (I was also reading some Margaret Murry, so I am excusing myself) but I got fixated on the idea I needed to figure out their complete religious structure first.  I made some head-way and a lot of that was actually added to my Witch class with the "Court of Witches".  I just replaced Great Druid with Witch Queen.  The Grand Coven of the Earth Mother in The Green Witch also comes from those notes way back then.

Rick Reid is up and has Cantrips for Druids - Naturally. Makes me REALLY glad I kept this to the side while working on the Green Witch and that I didn't put cantrips in that book. They will appear in the "The White Witch" later this summer.

Ah. Now here is an old friend. Ed Greenwood (who's early Dragon writing I am really enjoying again) has the Beastmaster NPC class.  It is such an overkill class.  Hell, I would not be surprised to discover that Drizzt didn't start out as a beastmaster. Though to be 100% fair it is described as an NPC only class...yup. Just like the witch was. ;)
I talked about a lot of Beastmaster classes in an early version of Class Struggles. At that time I had forgotten all about this one though in re-reading it now I see that my DM's homebrew Beastmaster was based on this one.

While not a part of the official Druid feature, Calle Lindstrand has the write up for The Uldra a new character race.  The article is the type of "anything worth doing is worth doing to excess" type that I really love. We get a new race, a monster entry, and some gods. The Uldra themselves seem to be a cross between a gnome and a dwarf.  I really hope that wherever Calle Lindstrand is that Uldras as written here are still part of their game. There is too much, well, love here to ignore.  Uldras would later go on to be upgraded to a full offical D&D race.

It is also one of the reasons while I like to include a new race in a book overtly about a class. The Green Witch, for example, has another take on Gnomes for Swords & Wizardry.

Ed is back with Ecology of the Korred.  Given that it follows right behind the article on the Uldra I often conflated the two into one race. Not really fair to either to be honest.  My then DM really enjoyed this article and it was the inspiration to the only "Dance off in D&D" I have ever done.  I later stole his idea and had another Dance Off in Ghosts of Albion: Blight. Only this time it was against the Sidhe.  This article also gives us a new god.

Dragon's Bestiary features some sylvan monsters for your game. Again, not exactly part of the Druid feature, but close enough that it fits really well.

We get some fairly interesting creatures too. The Wild Halflings are great and I think I detect a bit of what would later develop in Dark Sun.  The Luposphinx is a winged wolf/lion hybrid that doesn't seem out of place at all. The Leshy is based on some older fairy tales. There is another take on the Wendigo (none have every truly been "right" as far as I am concerned). The Wood Giant, which has since been promoted to the ranks of "official D&D monster". There is a Wood Golem here too. A bit about that. This wood golem never really stuck a cord with me. It was neat and all, but wood? Through flaming oil at it.  It was not till I read the Doctor Who story Lungbarrow and their "Drudges" that gave me the idea for something new.  I remember reading a story about an old witch that used to always say "If I'd had my druthers, I have my wooden druthers too."  The Wooden Druther became my new Wood Golem.  Wood Golems have also been promoted, but they will always take a back seat to my Druthers.

Not bad. Half the magazine and all of it quality or really, really fun materials.

In fact, if I had stopped here, 50 some odd pages in (minus ads) I would have considered it money well spent.  I suppose it is also no surprise then that I like to include a lot of these same things in my own books; a class, races, alternate classes, monsters, and spells.  1987 was a turning point year for me really.

Charles Olsen is back with an article about NPCs; Henchmen and Hirelings. Five pages of material that looks liek it should work with any version of the game.

Jeff Grub has Dinner With Elminster.  The article is a bit silly to be honest but I tend to forget that 1987 was the year of the Forgotten Realms. While everyone else was falling in love with that my years-long game was about to hit its final Act.   How long does it take to roleplay a massive war? Two years, give or take.

Let's see what's left here... Some fiction...

Some Sage Advice...

The Gamma World article has some cryptic alliances in Politics Amid the Rubble. Just another reminder to me that I REALLY need to a Gamma World game going again some day.

The Marvel-Phile (actually in this issue!) has Psylocke in her pink outfit.  Just as an FYI Oliva Munn, the future movie Psylocke is only 6-years old at the publication of this issue.

TSR Previews covers the new and hot items of April and May 1987.  Make sure you get your copy of the Lazer Tag^TM rules. I did!

In May we get the first of GAZ series for Mystara and the Known World, GAZ1 The Grand Duchy of Karameikos.

Lots of Cons advertised and some small ads. Finally, we get Snarf Quest and Wormy.
Little did I know that Trampier and I would be heading to the same town to live more or less around the same time.

Really a great issue.

I see the seeds of ideas here that later germinated in games I played then and later in college and now in the stuff, I put up here.

What are your memories of this issue?

Want to know what I was saying about White Dwarf magazine during the same month? Check out my White Dwarf Wednesday for issue #87.

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The Green Witch is now out!

Pick up a copy today for Swords & Wizardry.

Review: Dark Places & Demogorgons Cryptid Manual

If I have said it once I have said it a hundred times. I LOVE Monster books.  Any and all monster books. I even grab monster books for games I don't play.  So when Eric Bloat they head monster hunter at Bloat Games asked if I would be interested in looking over his new monster book (Kickstarting today) for his FANTASTIC Dark Places & Demogorgons I screamed HELL YES at my computer.

Now I promise to be fair here but a couple of words of full disclaimer.  First I was sent this book as part of an agreement for a review.  That is no big, I get a lot of books this way and I always try to be fair.   Secondly. Well, look above. I am predisposed to like Monster books and I already love DP&P and cryptids are a TON of fun.  So please keep all this in mind.

Dark Places & Demogorgons: Cryptid Manual is a digest-sized book weighing in at 90 or so pages.  Some bits look like redacted Governmental documents and blood splattered hunter's notebooks.  It's actually pretty cool looking if not 100% original (see Chill, Supernatural and Conspiracy X).  That being said though it is also 100% EXPECTED.  That's HOW I want my 80s monster hunting guide to look like.

The interior and the cover features two-color art (blacks and reds) on glossy pages. Now the gloss might just be my pre-copy version, or not. In any case the color, the art, and the layout are all a leap ahead in terms of style and look than all the previous DP&D books.  If this is the future of their books then the future looks good.

A little over 50 monsters fill this book.  They use the same stat block as DP&D so that also means they are roughly compatible with Swords & Wizardry (I'd say about 99%) and most other OSR-flavored games.  Given the size of the book it fits in nicely with my Swords & Wizardry Whitebox games, so I have another monster book now for that! Each monster gets a page. Some exceptions occur with the Bigfoots and the E.T.s, but still, it's a good bit for each one. 

There are also templates in the back of the book that work like the monster templates from 3.x.  So you can apply the Vampire, Werewolf or my favorite Radioactive, template (among others) to any monster.  Radioactive Bigfoots?  Hell yes!  There is also a table of enhancements and how they change your monster. So now it's Agile Radioactive Bigfoots!
There are some conditions ported over from 3.x (more or less) but very, very useful and I am happy to see them here.

Ok what are some of my favorites?  There is the Almasti, which I also used in Ghosts of Albion. They have a special place in my heart.  I'll likely include Almasti Shamen in my DP&D games like I did with Ghosts.   Old faves like the Bunyip and Chupacabra.  Holy crap there is a Crocoduck!

I have to admit I nearly shot coffee out of my nose when I first saw that.  Worth the price of the book alone in my mind.  Flatwoods Monster, all the various extraterrestrials (Nordics, Reptilians, LGMs, Greys), Hellhounds, the Hodag! (love those things!), Jersey Devils, Skin Walkers, and the Wendigo.  So plenty really and many more.  The monsters mostly come from modern cyptids, but there some classics from myths and local monsters.

This book is great really. While I may have been pre-disposed to like it, it really delivered and then some with me.  The art is great and fun. The layout top notch and the monsters are just too much fun. 

While reading it I could not help but think how well this would also work with White Star or other White Box derived game.   So even if you don't play DP&D (and you should really, it's just too much fun) you can still get a lot of enjoyment out of this book.

This book is currently in Kickstarter and you can get in for as little as 10 bucks.  Not too shabby of a deal really.

https://www.kickstarter.com/projects/ericfrombloatgames/dark-places-and-demogorgons-the-cryptid-manual-tab

There is a lot more information on the KS page, but trust me. You want this.