Review: Masque of the Red Death and Other Tales

Very few games or game products have had *lasting* profound effects on my gaming. Oh sure there have been a LOT of great games that I have played or used over the years, but only a handful that have been a sea change for me. 

They are: 

1. The AD&D 1st Ed Monster Manual
2. D&D Basic Moldvay Edition
3. 1st Edition Chill
4. CJ Carella's WitchCraft RPG
5. Masque of the Red Death and Other Tales

This last game combined everything I wanted into one game. Horror? Check. AD&D? Check? Gothic Victorian Earth? Double check.

For the longest time, it was the perfect game for me. I had to write an entire other game, Ghosts of Albion, just to get what I wanted, and then again with NIGHT SHIFT.

But before I go there, let's go back—not to the 1890s, but rather to the 1990s, when this game came out.

In the theaters, we saw Lost Boys, Near Dark, The Crow (okay, not a vampire movie, but still. And the 1994 version, not the 2024 one), and most of all, a big-screen adaptation of Dracula that was the most faithful to the book yet. In the game stores, Vampire: the Masquerade reigned supreme. AD&D had started the decade doing well but had begun to flounder by the middle. Soon, it would be all but dead; we didn't know it then.  Amidst all of this, we were given the gift of Gothic Earth. 

Masque of the Red Death and Other Tales 

by William W. Connors, D. J. Heinrich, Shane Lacy Hensley, Colin McComb.

Art by Ned Dameron, Stephen Fabian, Robh Ruppel, David C. Sutherland, III.

Masque of the Red Death and Other Tales is nominally released under the Ravenloft line and you will need one of the Ravenloft core books to be able to play this along with the AD&D 2nd Edition rules.  However if you know the AD&D rules well enough you might be able to get by.  The premise of the game it rather a simple one. What if the Dark Powers from Ravenloft found their way to Earth?  Well...I should state out and out that they never actually say that, but imply it rather heavily.  The is a dark, malignant force controlling things on Earth, known here as The Red Death, and this Earth of the 1890s certainly has a lot more in common with Ravenloft.

Pretty much from the time it was published to the onset of the new 3rd Edition rules, Masque of the Red Death was my campaign world of choice.  I still played AD&D2 in Ravenloft, or rather, I ran AD&D2 in Ravenloft, but the lines between Ravenloft proper and "Gothic Earth" became very, very blurry.

For this review, I am considering my original boxed set from the 1990s and the PDFs from DriveThruRPG.

This package from DriveThruRPG includes five PDFs, which correspond to the four books and the DM's screen found in the Boxed Set.

Book I is the main Masque of the Red Death book.  It is 130 pages of a high quality, OCR scan.  Some the images are fuzzy, but I feel that is more due to the source images rather than the scan itself.  The scan comes in at just over 35 meg.

We begin with an overview of what this campaign guide is about.  I might be mistaken, but this is the first official AD&D product to take place on Earth.   This followed up with a history of Gothic Earth.  Things began to go downhill for everything around 2700 BC when Imhoptep (yes, same as the Mummy movies) began experimenting with darker magics.  The next dozen or so pages bring us to the present day (1890s).  The history is a fast read and I would not ignore it. It sets the tone for the entire game.

Chapter II details character creation.  There are different methods used than the PHB to reflect that characters are not your sword wielding barbarians of a bygone age.  So characters are more average.
There are rough parallels to all the classic AD&D classes, Soldiers, Adepts, Mystics, and Tradesmen.  The AD&D Proficiency system is used here as well.  Interestingly the system seems make more sense here (since skills are really what sets characters apart) but also shows its wear and tear.

Chapter IV also details money and Equipment. Interestingly, this is one of the few Victorian-era games in which the default currency is American Dollars rather than Pounds Sterling.
It should be of note that this is also the book that adds guns to AD&D2.  Quite a number of guns are detailed here as well.

Chapter V covers magic, and you need the Player's Handbook for this section.

Chapter VI covers the changes to combat.
Getting back to what really makes this special is Chapter VII, An Atlas of Gothic Earth. I should point out at this point that the large poster-sized map that came with the boxed set is not included here. It gives a brief overview of the world. This section is done much better in the full-fledged product that shares its name.

The first Appendix covers various character kits.  If you remember 2e at all, you remember kits. Quite a few interesting ideas are detailed, but you could also do these with the base four classes and good roleplaying.

 
Appendix II covers some villains of Gothic Earth. There are plenty of old favorites here and some new takes on old characters.  Though I will admit the one thing that still gets on my nerves is Moriarty re-done as a Rakshasa.  In my games, he was human. And yes, Dracula is there as well.

Finally, Appendix III covers the adventuring of Gothic Earth.

Book II is an adventure in three parts by future Pinnacle Entertainment head honcho Shane Hensley and features the rock star of Gothic fiction, Dracula. What is the advantage of this PDF over my boxed set copy? I can print it out and make changes to it. Yeah, it is a good adventure, but it is a pastiche of Hammer and Stoker's original work.

Book III is a Jack the Ripper adventure, Red Jack. Unlike Moriarty's change into a supernatural creature, this adventure makes "Jack" into something more mundane.  Normally, I would be fine with this, but the name of the adventure itself and some of the elements BEGS it to be tied to the old Star Trek episode The Wolf in The Fold and Redjac.

Book IV is The Red Death, an adventure based on elements of the Edgar Allen Poe story.  Some details have been changed and added, but the spirit is the same.  Again, I am tempted to make the main antagonist, Prospero, the Prospero.

Book V is the DM's screen.

Part of me wants to get the Print on Demand version, just to see how it is, but I know it will not live up to my boxed set. 

In any case, boxed set, PDF, Print on Demand, this is still one of my all-time favorite Ravenloft products and changed how I wanted to play my games. I spent a lot of time talking to the late Johnathan Thompson and we both agreed had it not been for MotRD there would not have been his Gaslight nor my Ghosts of Albion games. 

Advent-ure Dice: Day 14

  Day 14

Orange spider d%, but no spiders on it.

October Horror Movie Challenge: Dracula Night

 Decided that a Dracula night was in order. I wanted to watch "Last Voyage of the Demeter" and "Renfield" and thought I'd throw "Bram Sotker's Dracula" in as well. 

The Last Voyage of the Demeter (2023)

This movie takes the log of the ill-fated Demeter and turns it into a full-length movie. Not a bad concept really, and certainly enough here for a movie. There are some good bits here. Liam Cunningham (Davos Seaworth in Game of Thrones) is the captain of the Demeter with David Dastmalchian as the first mate. New characters include Anna (Aisling Franciosi) as Dracula's "road trip snack," and Corey Hawkins as Cambridge-schooled doctor Clemens. 

We know the story here. Dracula charters The Demeter to London with 50 boxes of earth. He kills everyone on board, and the boat runs ashore.

In this one, Anna and Clemens survive, only for Anna to die when sunlight hits her. Clemens vows to hunt Dracula down, but we know he is not successful. 

Dracula is played by Spanish actor Javier Botet under a lot of make-up. 

A couple of points. The movie takes place in 1897, the same year Dracula was published, but you know my issue with that. 

Also, the main character is named Clemens, and the dog on the boat is named Huck, short for Huckleberry.  This is a neat little nod given what I have said about Samuel Clemens/Mark Twain's relationship with Bram Stoker. 

Bram Stoker's Dracula (1992)

Honestly, I have lost track how many times I have seen this movie. A couple of notes on this viewing.

One. It also takes place in 1897. I guess that can't be helped. Two. Honestly, we gave Keanu Reeves too much grief when this came out. He is nowhere near as bad as I thought he was or remembered. The same is true for Winona Ryder. Time has been better for them both. I mean who doesn't love Keanu Reeves and where would "Stranger Things" be without Joyce Byers?

Three. I am still not a fan of the "Immortal Beloved" subplot. Why can't Dracula just be the evil asshole he is in the book? It worked so well for other Draculas. 

Four. Some of the script dialog is a bit cringey. 

Still, this is one of the best Dracula movies. It could also be better.

The scene with Dracula as a bat-creature (after he feeds on Mina) is very much like the bat-creature in "Last Voyage of the Demeter."

I kinda wonder what Mina would have been like had she joined Dracula. I think more interesting that what we saw in "League of Extraordinary Gentlemen."

Renfield (2023)

Ok. This one. First off, Nicolas Cage as Dracula? Oh HELL YES. This movie is crafted as sequel to the 1931 Dracula starring Bela Lugosi.  Nicholas Hoult, who is pretty much brilliant in everything he does (see "The Great" where he played Peter III of Russia), and Awkwafina playing...well Awkwafina (but that is fine it works here). 

This movie has Renfield still serving Dracula into the 2000s. It is silly and maybe one of the bloodiest movies I have ever seen, but it is just so much fun.

Dishonorable Mention: Dracula's Guest (2008)

Thought I'd make a night of it and watch this one as well. But wow, is it really bad. I mean terrible. It is late and frankly I just can't sit through this one. So not finishing it, but not counting it either. 

Featured Monster: Vampire

None of these movies contributed to the 1977 Monster Manual, obviously. But Dracula, the novel, and earlier movies did. The truth is that while there are plenty of pulp-era vampires, you can go wrong with Dracula as your model.

October Horror Movie Challenge 2024
Viewed: 20
First Time Views: 10

Advent-ure Dice: Day 13

  Day 13

A green d4. I don't have a complete set yet of all one color, but I am getting there.

October Horror Movie Challenge: The Day of the Triffids (1963)

 I was looking back at some of the movies I have watched and it dawned on me that I have never reviewed Day of the Triffids. My wife mentioned it to me the other day and I told her yes, I have seen many times, but I checked and I have never reviewed it. Odd. I did a monster write-up for it years ago, but never an October Horror Movie Challenge.  Let's change that.

The Day of the Triffids (1963)

A meteor shower blinds most of the population of Earth and spreads the spores of the deadly Triffids.

Our hero, Bill Masen played by Howard Keel had been in a hospital with his eyes bandaged, so he was unaffected. 

The Triffids quickly overrun everything, firing their spores and killing humans. They seem to be unkillable and constantly regenerate and grow new Triffids. 

The movie is a bit slow, and while I enjoy it, I am not ...ehm...blind to it's shortcomings.

The Triffids are all eventually defeated when Masen discovers they can be dissolved in salt water.

The movie takes a few liberties with the source novel. That's all I can recall, I read the novel back in the 1980s, and I am getting it; this movie and the 1981 BBC serial are all confused. Partly because I never got a chance to finish the 1981 version.

This movie is notable for being one of the first appearances on screen of Carol Ann Ford, who would later go on to play Susan Foreman in Doctor Who.

Featured Monster: Shambling Mound (and maybe Shrieker)

There are not a lot of plant monsters in the Monster Manual. Treants have a very obvious genesis, but the Shambling Mound was at least partially influenced by the Triffids, either book or movie. Though the art is more reminiscent of Dc's Swamp Thing and Marvel's Man Thing.  The noise the Triffids make is what I always suspected a Shrieker sounds like, only much louder and constant.

October Horror Movie Challenge 2024
Viewed: 17
First Time Views: 8

October Horror Movie Challenge: Cry of the Banshee (1970)

You can't go wrong with an American International Pictures film or Vincent Price. I am touch surprised I had never seen this one, I was very sure I had but I have no memory of it.

The title sequences were created by Terry Gilliam of Monty Python fame. It was a little jarring at first, I was expecting a Monty Python sketch.

Set in England at the time of the Witch trials (16th Century) we have corrupt magistrate Lord Edward Whitman (Vincent Price) determined to seek out and punish witches. It just happens that he and his men only find pretty witches to torment. 

He encounters a true coven of witches and has many of their members killed, leaving the old witch Oona (Elisabeth Bergner). She pleads to Satan to send her an avenger to kill Whitman and his family.  Which is weird because I thought they were supposed to be worshiping "The Old Religion?"

The first to die is the son, Sean, and then the Lady Patricia.

Oona is discovered by the Priest and Harry Whitman, but not before Maureen is attacked.  Oona is killed but she admits that Roderrick (Patrick Mower) is really a Sidhe sent to kill the Whitmans.

Roderrick convinces Maureen he won't harm her until he sees Lord Edward, then he transforms to some sort of beast creature. Maureen grabs a blunderbus and kills Roderick. Lord Edward says with Roderick dead their family curse is lifted and they can leave their home. 

Lord Edward goes to visit Roderrick's grave only to discover he isn't in his coffin. He goes back to his carriage to find Harry and Maureen dead and Roderick now driving the carriage.

Featured Monster: Groaning Spirit (Banshee)

Banshees are a creature out of folklore, but there have been some modern, pre-1977, interpretations. This is one, and "Darby O'Gill and the Little People (1959)" is another. Which was likely as much of a source for leprechauns how they are used in the Monster Manual in addition to folklore.  I can make this claim easy enough since they were the only two movies I could find prior to 1977 to feature a banshee.

 The Banshee here is not the folkloric one, but it is a spirit of sorts. The Banshee in Darby O'Gill was actually much more terrifying.

 

But it is not much of a horror movie really. Darby O'Gill that is. Cry of the Banshee is quite the classic, even if it doesn't have a "real" Banshee in it.

The Banshee in the Monster Manual is the spirit of an elf woman. This comes from the idea that Ban Sidhe or Ban Sith means "Faerie Woman" in Gaelic. It works as far as AD&D goes. But this film makes a good case that the Banshee could also be the spirit of a dead witch. 

Maybe that is where I need to take this for D&D and related games.

October Horror Movie Challenge 2024
Viewed: 16
First Time Views: 8

Advent-ure Dice: Day 12

  Day 12

Another d6!

Advent-ure Dice: Day 11

  Day 11

Nice green d8!

October Horror Movie Challenge: Equinox (1970)

 I was supposed to watch this one last night for a night of devils, but honestly I am run down with a cold and couldn't stay awake. 

Equinox (1970)

This one starts with David Fielding (Edward Connell) running away from something. He is then hit by a car with no driver. A year later he is still in a psychiatric ward. In flashback David tells us about his trip to visit his old professor along with his friends Jim (Frank Bonner, Herb from WKRP), Susan and Vicki. 

The movie is essentially the same plot as "Evil Dead." Group of young people go into the woods, encounters an evil tome, and all hell breaks loose. Literally.  Soon they encounter a park ranger named Asmodeus, as in THE Asmodeus.

The find Dr. Waterman's cabin in the woods, but it is destroyed. Then of all things they find a medieval castle in the distance. 

Much like "The Sentinel," this film deals with a gateway to Hell.  This time, the portal is opened when Dr. Watermann's book is read, and the demons are summoned. So yeah, like Evil Dead done by Ray Harryhausen instead of Sam Rami. 

The plot is thin, and the special effects look more like those of the 1960s than those of the 1970s (no surprise), but they are pretty much on par with what I'd expect for early 1970s pre-Exorcist.

Featured Monster: Devil

This one is obviously a devil in both form and deed and quite possibly even a good Asmodeus. This film was very popular in the midnight Drive-Inn circuit, so it is possible this flick was a possible influence on the Monster Manual, but it is more likely that both Gygax and the film's writers were drawing on the same sources popular at the time. 

October Horror Movie Challenge 2024
Viewed: 13
First Time Views: 6

Review: Forbidden Lore (2e)

By 1992, Ravenloft was going full speed, though we would later learn that all of the settings were contributing to the eventual demise of TSR. I am not even sure if Ravenloft was ever profitable. I made my best efforts to make it profitable, even on a Graduate student budget. I bought a lot Ravenloft material. The Forbidden Lore boxed set was one I purchased back then. I loved the idea of my own Tarokka Cards and Dikesha dice sets. The material included was a mixed bag of course.

I sold off my boxed set many years ago, likely in my big move in 1997 or maybe in 2001-2002. Do I regret it? Hard to say. The material is not not needed to play in Ravenloft, and while having those cards would be nice, I have since acquired other Tarokka decks and even other tarot decks that work great.

Forbidden Lore (2e)

1992. Design by Bruce Nesmith and William W. Connors. Box cover art by Clyde Caldwell, Booklet cover art by Stephen Fabian, interior art by Stephen Fabian and Bob Klanish.

The boxed set originally came with five booklets, each covering a different aspect of the game. Reading these you can see that it is a collection of errata, material that didn't quite make it to the Ravenloft boxed set, and updates to cover the evolution of the AD&D 2nd Ed game and other game worlds; for example psionics. 

While the books could be used in any order. I am going with the order used in my Print on Demand copy. 

Dark Recesses. Psionics.

Much like magic, this section deals with how psionics are changed. The psionics used here are the same as featured in the The Complete Psionics Handbook. If you are not using that book, or don't have it, then you can ignore this book. Well...sort of. Even if you are not using "AD&D Psionics" this is a good resource on any sort of psychic powers or visions when used in Ravenloft. Psychic ability has been a horror staple forever, even if the psychic ability is "magic" there is still great advice here.

This includes an appendix for Dark Sun characters coming to Ravenloft.

Nova Aracanum. Magic.

This covers new magic spells and items. The conceit here is that some of this new knowledge comes from Strahd himself. I liked the idea that Strahd, the former warrior, was turning to necromancy and wizardry to find ways out of his prison. It certainly helped separate him from his origins as a "Dracula-clone."  Had there been rules for it I would have given him Alchemy instead, but hey, it works. 

This book covers more altered spells and gifts from the Realms, Wild Magic, Elemental Magic and Meta Magic. 

There are 14 new wizard spells, 7 new priest spells, and 5 new magic items.

Oaths of Evil. Curses.

This book is based on feedback from Ravenloft players it seems. This covers curses and dark powers checks. Giving clarifications and some edits on material presented in the Ravenloft core boxed set. 

Of note, the Apparatus of the Alchemist from module I10 makes an appearance here, though only in art, not in text.

We also get three very cursed and very evil objects that have found their way to the Demiplane of Dread.  

Cryptic Allegiances. Secret Societies.

What is horror without some secret societies? Here, Ravenloft takes a page from the Forgotten Realms. We get guidance on how to create and use secret societies in Ravenloft. We are given the examples of six secret societies. Of these, the Kargatane would spin off into a real-world group I was active in to develop new Ravenloft material. 

The Waking Dream. Fortune Telling.

This final book covers fortune telling and Vistani. This gives us the description of the Tarokka deck and how to use it. There are 54 cards in a Tarokka deck, so a standard deck with two jokers works in a pinch. 

The next section covers the Dikesha dice. A bit on how to use and read the portents of the dice. They are standard d6s, so they can also be replicated. You need five d6s, one each of red, yellow, orange, green and black. The PDF of the dice can be used and numbers added. OR if you feel particularly crafty you can get get some d6s of the correct colors and print out the PDF and glue these faces on the dice. 

Of the two, I, and I assume most people now, used the Tarokka decks over the dice. The fact that you can still find and buy Tarokka decks from various editions of Ravenloft lends some weight to my claim. 

There was also a large poster map included in the Boxed set. It was not printed with the Print on Demand version, but it is available as a PDF along with a PDF of the Tarokka deck and the Dikesha dice.

The Print on Demand version of this set is nice. It is clear to read and is a better scan than most. 

Do I miss my boxed set? Well, I have to say no. The boxed set was great yes, but this makes for a good substitute. It is also only $5 more than the list price, so not bad after 32 years of inflation.

Advent-ure Dice: Day 10

 Day 10

Another orange spider one. This time a d12.

October Horror Movie Challenge: The Sentinel (1977)

 This movie very likely did not influence anything in the AD&D Monster Manual, but it certainly has the right vibe of the movies I would have been watching at the time and altering the printed monsters to fit my needs. Plus, this one has a solid cast. More to the point, I can't believe I have never seen this one despite my desire to watch it back then. 

The Sentinel (1977)

Alison Parker (Cristina Raines, who was a model in real life) is a model in love with her lawyer boyfriend, Michael Lerman (Chris Sarandon). He wants to get married, but she wants to live on her own for a bit. She finds a new apartment and moves in. She meets her neighbors, Charles Chazen (Burgess Meredith), Gerde (Sylvia Miles) and Sandra (Beverly D'Angelo who barely speaks in this), and encounters the blind priest Father Francis Matthew Halliran (John Carradine).  Alison has serious migraines and a history of suicide attempts, once after she caught her father in bed with two other women. 

The movie is slow to start, building up by showing us the collection of odd inhabitants living in the building. Alison has all sorts of weird visions and nightmares. We also learn from the landlady that aside from the Priest and Alison, no one else actually lives in the building. When the landlady takes her to each apartment, she learns that none of them has been lived in for years.  We later learn that all of the people in the apartment are, or were, all murderers who were killed years ago. 

We learn that Michael's previous wife killed herself. We also learn that Michael hired private detective Brenner to kill his first wife and now scare Alison, only he ends up dead in the exact same way Alison hallucinates that she killed her dead father. The film has a real "Gaslighting" feel to it, both the movie and the term, with actual supernatural overtones. 

Michael breaks into the priest's office and learns about all these priests and nuns who, in life, attempted suicide and then were given a new name. There is a list going back hundreds of years and Alison's name is next on the list, to become Sister Theresa. These names are all Sentinels, the guardians of Gates of Hell tasked by the Archangel Uriel. The only time a Sentinel can be stopped is if they kill themselves before taking over their post. So Micheal (now dead), Charles and the other lost soulstry to drive Alison to suicide. 

Father Halliran shows up at the end to help Alison and gives us a great demonstration of cleric turning.

The building is demolished and new one is put up. In Apartment 5a we see a now blind and older Alison, now Sister Theresa, standing her vigil. 

Additionally, this movie features Christopher Walken, Jeff Goldblum, Jerry Orbach, with Tom Berenger, and a young Nana Visitor as the couple at the end.

David Caradine is barely in this, but he still shows us why he was one of the big names in horror. 

The 1970s were a great time for demonic and satanic themed horror and this one is still good example. Not the best example, but a very good one all the same. 

Featured Monster: Devil

While there are no overt devils per se in this film, I would argue that Burgess Meredith's Charles Chazen was not so much a damned soul as a devil. Not an Archduke, but certainly a higher-ranking one. I ran his name through an anagram program and created Charnazel Sech or Sharcazel Chen as possible diabolic names. 

Game Content: Sentinel

A Sentinel is a Theosophist (in NIGHT SHIFT) that has somehow lost their way. Their holy task is to keep demons and devils from escaping hell. They no longer advance as a Theosophist and now advance as either a Survivor or as a Veteran. Their task, much like the Paladins of old, is to guard one of the many gates of hell.  They position themselves near the gate to fight the demons, devils, and other lost and evil souls who might escape. 

A Sentinel works best as an NPC or PC, if they don't mind not traveling too far from the Gate of Hell they are supposed to guard.

Does this sound like Buffy the Vampire Slayer? Yeah, it does, but this movie predates that movie by 15 years, and the book even more than that (1974).  It is also similar to the idea of the Wynonna Earp. 

This shows that there are not any new ideas. 

October Horror Movie Challenge 2024
Viewed: 12
First Time Views: 5

Review: Darklords and Book of Crypts

 The great thing about the AD&D 2nd Edition version of Ravenloft's demi-plane was that the borders were completely malleable.  Lands came in and out, even darklords would come and go. So the first two accessories for the Ravenloft setting capitalized on this. The first was RR1 Darklords and the next was RR2 Book of Crypts and both gave us more expansions to the Demiplane of Dread.

RR1 Darklords (2e)

1991. By Andria Hayday (with some additional design by William W. Connors, Bruce Nesmith, and James Lowder). 96-pages, color covers (Tim Hildebrandt), black & white interior art (Stephen Fabian).

This soft-cover tome gave 16 new darklords and their domains for use with Ravenloft. There is a mixed bag here, but I tried I to use all of them at one point or another. These new lords felt less "gothic" in their presentation and more "AD&D" in their origins. For  example, Tristessa, the Banshee Darklord, is a Drow mourning over the loss of her son, who turned into a Drider. The Hags of Tempest certainly have a William Shakespeare veneer over them, but they are pure AD&D hags. 

There are some very interesting ones here too. Merilee, the Child Vampire, brings "Interview with a Vampire's" Claudia to mind. Von Kharkou is twice cursed. He was panther transformed into a man killing machine, then cursed again to vampirism. Zolnik is a different sort of ice-age Werewolf. Anhktepot and Tyet give us two very different takes on the Mummy.

Among all of these, The House of Lament (a haunted house as a darklord) would go on to see new life in future editions of the game, and the intelligent sword, Ebonbane, would get a full adventure in the pages of Dungeon magazine. 

RR2 Book of Crypts (2e)

1991. by Dale "Slade" Henson with J. Robert King.  96-pages, color covers (David Dorman), black & white interior art (Laura and Kelly Freas, Stephen Fabian).

This book has nine short and loosely connected mini-adventures taking place in the core realms of Ravenloft. Of these, the "Bride of Mordenheim" was my favorite. 

This was (is) actually a fun book. Horror lends itself well to the short story format and by extension horror RPG also does these smaller adventures well. They help remind us that not every adventure is going to part of some Grand Conjunction or even dealing directly with a Darklord.

Re-reading them now there are many that I would like re-run for newer versions of the game.

And to round off the pages nicely we get three new monsters in AD&D Monstrous Compendium format. 

The PDF is a scanned document and it is a little washed out compared to my original from the 1990s. But still perfectly readable.  At present, there is no Print on Demand option for either titles.

Advent-ure Dice: Day 9

  Day 9

A purple sparkly d20.

Advent-ure Dice: Day 8

  Day 8

A purple witch hat d6!

October Horror Movie Challenge: Night of the Demon (1957)

Another crossover of movies from The Classics of the Horror Film and the Monster Manual. Again, I have no proof other than supposition, but I am sure this movie had some influence on the demons of the Monster Manual. 

Night of the Demon (1957)

There is something quintessentially British about this one. Black magic, witchcraft, even a meddling American.

Despite being almost 70 years old this movie is still rather effective. The special effects, ie the demon, are a bit dated, but still looked good and great for the time. Heck, they are not really terrible for now.

It mixes up a lot of demonology and witchcraft myths, but that is also fine really. 

We get demon summoning, spells, storm-raising, a seance, and even an Indian spirit guide. A little bit of everything here.

It would have been interesting if they had embraced some of the new ideas from Gerald Gardner and the growing Wicca movement, but that connection would not be featured in movies until the 1970s.

Oh. The plot. The scientific community denounces witchcraft and black magic, so a pissed off occultist demonstrates his power by summoning a giant demon to kill key members. I suppose if it were redone today there would have been more deaths, but it still works.

Featured Monster: Demon

Again, while I can't say for certain this movie had any effect what so ever on the demons (and devils) in the Monster Manual, they are drawing from all the same sources.  The demon here looks a bit like the Nalfeshnee or Type IV demon. The demon in this movie is much larger than I expected, making close to the same size as the Nalfeshnee.  

When I was reading The Classics of the Horror Film, I saw this picture and thought it would make a great "Cat Demon." It was the ears and the nose. There was a cat demon in this movie, but it looked like a regular cat.

The movie is also a good example of a wizard in his castle with his magic books and our virtuous rogue (or, in this case, psychologist) investigating. 

Night of the Nalfeshnee

The more I think about it, the more and more I think that this movie demon was the inspiration for the Nalfeshnee's look.

October Horror Movie Challenge 2024
Viewed: 10
First Time Views: 3

Advent-ure Dice: Day 7

  Day 7

Nice a witch's brew d12. It looks rather cool too. 

October Horror Movie Challenge: Mummy Marathon

Pretty much any Hammer Horror movie has a Universal Horror predecessor.  Dracula, Frankenstein, Werewolves, and of course, the Mummy.  And all of these movies have led us to the mummy as we encounter them in fantasy RPGs.

I lined a bunch of these up so I figure tonight is as good of a night as any!

The Mummy (1932)

I have often said that I knew the names Boris Karloff, Bela Lugosi, and Lon Chaney long before I knew who the president was (Ford at the time). This movie is one of those reasons. 

Boris Karloff gave us some fantastic performances during the era of the Universal Monsters, but few were as good as his turn as Ardath Bey / Imhotep the Mummy. So good that this movie was the blueprint for every Mummy movie to follow.

It falls under the horror sub-trope of "The Immortal Beloved." Something they are always trying to shoehorn Dracula into (see "Bram Stoker's Dracula" as a prime example) but actually works best here. In this case Imhotep finds the reincarnated Ankh-es-en-Amon and tries to make her into his immortal bride. It's a formula that is repeated in the 1959 version and the 1999 versions. 

The Mummy (1959)

Not to be outdone, Hammer did their own version. Like the Universal 1932 version, this one also has a former Van Helsing in the cast. Edward van Sloan in 1932 and  Peter Cushing for the 1959 version.

This one follows the Universal one in general plot, it is actually much closer to the Universal The Mummy's Hand, The Mummy's Tomb, and The Mummy's Ghost.  The notion of the resurrected love is still there. 

In this movie the Mummy, aka Kharis, played by Christopher Lee is in love with Princess Ananka. Lee is always great, and his Dracula is still one of horror's best, but he is under-utilized here as a mummy.

The Curse of the Mummy's Tomb (1964)

Here is good drinking game. Every time someone tells Annette Dubois (Jeanne Roland) to "stay put" or keep her from seeing something take a drink. You'll be dead by the end of the movie. 

The plot here is familiar. British Egyptologists dig up a mummy against the protests of the locals. There is a curse, and the mummy walks again. 

While my love for Hammer is never-ending, this one is rather predictable, to be honest.

Featured Monster: Mummy

The mummy of the Monster Manual is beyond a doubt influenced by these movies. Granted, the pulpy fantasy the creators of D&D were fond of and had plenty of tombs and dungeons to rob, so a mummy seems like a no-brainer.

Couple this with the Ravenloft: Masque of the Red Death which actually has Imhotep as a mummy, then the influences are are even more apparent.

Are You my Mummy?

There are a few items in these movies that resemble the AD&D Lich phylactery. The Scroll of Thoth/Life, the amulet of life. These are central to these movies, but not so much the AD&D monster mummy. They are central to the Lich though. 

I had considered doing the 1999 Brendan Fraser Mummy, but I am getting tired. 

October Horror Movie Challenge 2024

Viewed: 9

First Time Views: 3

Advent-ure Dice: Day 6

  Day 6

Another witch's brew!

October Horror Movie Challenge: Eyes of the Beholder

Tonight is a little bit of a stretch, but whatever, I can make it fit. And while I am doing it, lets make it a Drive-In Double Feature! It is a Saturday after all. 

The Trollenberg Terror / The Crawling Eye (1958)

Another older one, and one I have seen in the past, but as the MST3k version.

This one takes place on a Swiss mountain, Trollenberg, and, well, let's be honest, it's not good. It's slow and the monster is not very good.

It starts out with a mountain climber getting killed by something. We switch over to two sisters, Anne (Janet Munro) and Sarah (Jennifer Jayne) Pilgrim. Anne is psychic, which is convenient. They meet Alan Brooks (F-Troop's Forrest Tucker). Anne knows about the accident and who was killed. 

Two more climbers go up and go missing. Our psychic girl sees them in the cabin, and our heroes look for them. 

Soon they discover a group of horrid "crawling" eye creatures living in the radioactive mists.  They have psychic abilities and can detect humans with ESP.

While it is never explicitly stated they are aliens, I think there is implication that they are.

It Came from Outer Space (1953)

It has been years since I have seen this one. Decades really. But what does it have? Yes, you know it, giant eye monsters. 

The monsters here are a little benevolent, but still alien.  They look more like giant jellyfish with one central eye; so not totally dissimilar to beholders.

They are able to assume human shape, or at least the appearance of a human, and can act like someone they have encountered. 

This is more sci-fi with some horror elements, as were many of the sci-fi movies from the 1950s. 

The movie proceeds to deal with the aliens, who are more benign than most, with them leaving Earth saying that they will be back one day.

Featured Monster: Beholder

Ok. We know that the Beholder began as a bit of joke; as in "Eye of the Beholder" and was the creation of Terry Kuntz. The Eye monsters here make for a passible, if weak, Beholders. Or as the kids say, "When you order your Beholders off of Wish.com" 

But what can we get from these movies to help our games?

A bit, to be honest. There was an obvious need or at least a want for eye monsters and alien ones at that. In both movies, the eye monsters have some advanced psychic abilities and are clearly "alien."

Game Ideas

Beholders are woefully under utalized in D&D in my mind. They are a "boss monster" but rarely are they given much more to do. Beholders should be at the center of a vast network of lackeys, spies, assassins and other disposable mooks for their own, often alien, ends.

Xanathar is a good example of this, but even Xanathar is relatable. I mean REALLY alien. 

I also think beholders should have psionic powers as opposed to magic. I have always liked the idea that beholders and mind flayers are two great alien species who have been at war with each for millennia. 

These movies might not be great, but they are full of ideas. 

October Horror Movie Challenge 2024
Viewed: 6
First Time Views: 3