Review: Van Richten's Guide to Vampires

 The 1990s brought something of an existential crisis to AD&D and TSR. For the first time ever, there was a real competitor for RPG sales, and that was White Wolf's Vampire The Masquerade.  I know a lot of AD&D gamers dismissed WW and Vampire at the time, but we all know that was a mistake. Vampire:TM was a phenomenon that still has an impact today. It was felt in the halls of TSR as well. Granted, doing a book on Vampires for Ravenloft was a no-brainer; their premier inhabitant was a vampire. But there is a little more going on here. 

Van Richten's Guide to Vampires

Nigel D. Findley, 1992
PDF. 96 pages, color cover by Den Beauvais, Black & White interior art by Stephen Fabian.

For this I am considering the PDF and Print on Demand versions.

One of the best Vampire supplements ever for a game was the Chill 1st Edition Vampires book. This book is for the AD&D 2nd Edition game, and it has the same utility to me.

First, a bit about these Van Richten's Guides. Rudolph Van Richten is Ravenloft's resident Vampire hunter and expert on the supernatural. He was Ravenloft's answer to Van Helsing, and he was not really all that different. If you read about him and picture Peter Cushing, you will be excused.  The conceit is that they were all written by Van Righten himself and left for other hunters to find. There were several of these Guides, and all had quite a lot of utility for me. They were a good mix of "crunch" (game mechanics) and "fluff" (narrative material). I would LOVE to say I used them outside of Ravenloft when I was playing AD&D 2nd Ed, but in truth my AD&D 2nd experience was all about Ravenloft. I will point out that a lot of the "innovations" of these books would later find a home in D&D proper post AD&D 2nd Ed. But I am getting ahead of myself.

Chapter 1 is the Introduction and sets the tone for the book. This is all from the point of view of Van Richten himself. Game applications appear in text boxes throughout.

Chapter 2 covers the background of vampirism, including how it is spread and how vampires think. Here we learn that a vampire's blood can cause damage to the living much like holy water does to the undead. 

Chapter 3. Here, I want to point out that none of the chapters use "1, 2, 3," but rather just the titles. The feel is that of a journal or a quasi-academic treatise.  Chapter 3, Vampiric Powers, is a good one. It covers all the powers normally associated with the AD&D 2nd Edition Vampire and adds more.  Most importantly is the idea that vampires get more powerful as they age. This was not a new idea; it was sort of implicit in all the retellings of Dracula and other popular media. It had also made it's way into other games before this, but for AD&D this was new stuff. Less revolutionary and more evolutionary; that is, it was going to happen sooner or later. It is an idea that has been adopted for D&D ever since for all vampires, in one form or another. I certainly used it in all my AD&D games going forward, even applying it to my 1st Ed and Basic-era games. Vampires also gain control over lesser undead.

Chapter 4. Covers the way new vampires can be created. Here, Van Richten moves away from Van Helsing and more into Professor Hieronymus Grost from "Captain Kronos - Vampire Hunter." Detailing all the then known ways the vampiric curse can be passed on. Throughout the book, this information is presented as Van Richten's personal experiences and those of trusted colleagues, with the caveat that there may be other means and ways they do not know yet.

Chapter 5. This covers the various weaknesses of the Vampire. This includes all the classic ones and how they are altered by Ravenloft's unique environment.  

Chapter 6. This covers all the means to destroy a vampire, including the classics: Stakes, running water, blessed items, and sunlight.

Chapter 7. Magic and Vampires is the most "D&D" of all the chapters really. It not only covers how vampires are affected by magic but also how they can use magic items. Want to polymorph a vampire? Great, if it gets past their magic resistance, and they fail their saving throw, they will be come what ever it was you wanted. For one round. Then, they can shift to one of their alternate forms. 

Chapter 8. This chapter is called "Life-Blood: Vampiric Feeding Habits" and is the one that takes the vampire further away from the AD&D model of the vampire. In particular the vampires of Ravenloft drain blood, not really levels, though there is an option for that. This was great because frankly I never liked level drain as a mechanic. We have seen blood drain in the Core Rules and Feast of Goblyns introduced us to a vampire that drains spinal fluid. Again the parallels to "Captain Kronos - Vampire Hunter" are there. 

Chapter 9. Covers the "Sleep of the Dead" and how vampires sleep. We learn through other sources (and put into game terms here) that Strahd sleeps the sleep of the dead during the daylight hours and can't be woken. Other vampires like Jander Sunstar are very light sleepers. Note: Neither of these vampires are mentioned here as examples. They are detailed in other contemporaneous products. 

Chapter 10. Akin to sleep in Hibernation, something all vampires do after a certain number of years. Hibernation is an extended sleep all vampires go through and as a means to keep 1,000+ year old vampires out of the game. OR at least out of Ravenloft.  The previously mentioned Jander Sunstar is thought to be 700+ years old (as a vampire) and Cazador Szarr is also believed to be very old. Both are elves. I bring these two up in particular because rules laid down in this book continue to effect their 5th Edition versions.

Chapter 11. Relationships between vampires is our next chapter. As (mostly) Chaotic-evil creatures vampires rarely work together, save for a master-thrall relationship. There are also vampire "brides" and "grooms" (see Dracula) and they are little more than elevated thralls, albeit ones with more free-will. One wonders how this book might have been different if a movie like "The Only Lovers Left Alive" had been out then.  

Chapter 12. This covers vampire psychology. How a vampire thinks and how they deal (or not) with immortality.

Chapter 13. Related to the previous chapter is this chapter on "The Facade." As the most human and living looking of all the undead (odd exceptions aside) the vampire has the best chance of blending in. But their immortality and their altered psychology often prevent a full integration into any society. 

Chapter 14. In a largely mechanical chapter, this deals with the vampires of certain classes and the powers and skills they can retain. Honestly, I think this one would have been a better Appendix since this chapter lacks a lot of the Van Richten notes and would have given us a nice 13 chapters. 

At 96 pages this is a wealth of information about vampires. Just as I extended it from Ravenloft to all my AD&D 2nd Edition games, you can also use ideas (and even some mechanics) to extend this form AD&D 2nd edition to other editions of D&D. Indeed, some of that was already getting baked into post AD&D rules. I have also used ideas from this in other games outside of D&D.

The interior art is all by Stephen Fabian and gives us a great visual connection to the core rules. There is some repeated art here from the core and other products, but only someone who has all the books and read them all over and over would notice.

A word about the PDF and PoD

I had this book when it was first published, but I unloaded it from the time I was in grad school to when I bought my first house. I kinda regret that. The PDF, though is easy to read and bookmarked. 

The POD version is also nice, but the interior text is a bit faded, and the red text is more pinkish. It is 100% serviceable for gameplay and reading. It just reminds me I wish I still had all my originals. 

Review: I10 Ravenloft II: The House on Gryphon Hill

Can you imagine a world where Christopher Lee only made one Dracula movie? No. Neither can I. Thanks to the movie magic of Hammer Horror, we got to see Lee's Dracula (who I believe played Dracula more time than any other actor) return time and time again from Victorian England to the Swinging Satanic 70s. Each time, he is confronted by his nemeses, the Van Helsing family, often in the guise of Peter Cushing.  So if Ravenloft is Hammer Horror, then it should come as no surprise that we would get a sequel adventure. 

We did. Strahd is back in Ravenloft II: The House on Gryphon Hill.

This adventure, while not as well received as the first, ground-breaking, Ravenloft it did have a lot going for it. For starters, it was much more classically Gothic in nature. An old family, an ancient curse, ghosts, a strange and charming young Alchemist by the name of Strahd von Zarovich.

I10 Ravenloft II: The House on Gryphon Hill

by Tracy and Laura Hickman*. Cover art by Clyde Caldwell, interior art by Jeff Easley. (1986). Color covers, black-white interior art. Cartography by Dave Sutherland. 48 Pages.

I should point out here that this adventure, while having the Hickmans in the by line, was really just an outline and some notes. Tracy Hickman had left TSR in 1985. The adventure was given over to David Cook, Jeff Grubb, Harold Johnson, and Douglas Niles. Now personally, I can see the sections that were created by Grubb and Niles. I had become very familiar with their works by this point. I honestly believe that if they had started from scratch, this would have been a different sort of adventure. 

Not that I am complaining. I rather enjoy this adventure, significant warts and all. It is more Gothic than Ravenloft I6 was, complete with an epic battle on lightning-streaked moors. 

This adventure introduces many elements that will become central to the Ravenloft campaign setting. The Weathermays, the lich Azalin, the d’Honaires, the Timothys, will all appear again in the Realms of Terror boxed set. 

One thing that won't make that much of a splash though is the big surprise of this adventure; the Alchemist Strahd. Is he the distilled goodness of the Vampire Strahd? Is the Vampire the distilled evil of the Alchemist? Or is there something else?  Like the first adventure, this one has a random plot device. Instead of fortune-telling cards, we get a mesmerist's session. The nature of the two Strahds can be found here.

Or not.

Again, the Alchemist doesn't make a significant impact in the later AD&D 2nd Edition. The Ravenloft campaign setting is all but forgotten in future treatments.  This is not a bad thing, really; the whole Alchemist deal felt like a bit of a retcon in some respects.  Though I can imagine running this adventure now for, say, the 5e players who know who Strahd is would be a lot of fun.

At 48 pages, with more isometric maps, it is larger than the original Ravenloft adventure. There is also a lot more going on. Though fans of "hack n slash" style D&D are going to be disappointed. Oh there are monsters here and they are deadly as hell, but that is not what the adventure is about. Those are just obstacles to the real adventure.

Dreams of Barovia

There is a small section of this adventure titled "The Dreams of Barovia" which is rather fun. The idea is that you play I6: Ravenloft and I10: Ravenloft II concurrently. The character move back and forth between one reality to the other. Playing the same characters but at different times and places. For example, the characters fall asleep in Barovia (I6) and wake up in Mordentshire (I10) wearing different clothing. 

I ran it this way back in college. My old High School DM, Bob Grenda and I ran it together for his normal group. We took turns DMing, with me taking I10 while he ran I6. We did it in a marathon session from a Thursday night to Sunday. It was fun but I forgot to tell my roommates and girlfriend at the time I was doing this and they had no idea where I was. This was the early 90s, so before everyone had cell phones. I found my notes, it was 10/26/1991. 

It worked well, but it was really deadly. HP loss and wounds carried over from reality to reality, which really upped the fear.  I'd love to try it again sometime, but I'd make some tweaks.

If you didn't like Ravenloft I then this one will feel like more of the same. But I enjoyed it and there is still a lot of untapped potential in this adventure for me. 

Rereading it now, so many years later there is a lot I would like to do with it still. A lot I would change, but all in all it was a great time. 

Review: I6 Ravenloft

 For this October, I am going to focus on Dungeons & Dragons' own horror setting, Ravenloft. I am not going to review every Ravenloft product, nor am I planning on a review of every Ravenloft product I own, but I am going to focus on some select items. To that end I am starting with where it all started, the classic Ravenloft module, I6. 

I6 Ravenloft

by Tracy and Laura Hickman. Art by Clyde Caldwell. (1983). Color covers, black-white interior art. Cartography by Dave Sutherland. 32 Pages.

I have talked about this adventure a lot. It is one of my all-time favorite adventures. Maybe less for what it is and more for what it meant to me.

Ravenloft was originally an adventure for First Edition AD&D, released in 1983, and written by Tracy and Laura Hickman's husband-and-wife team. It was part of the "I" or intermediate series of adventures. Most of these were not linked and only shared that they were higher levels than beginning adventures. Ravenloft, given the code I6, was for character levels 5 to 7. 

Ravenloft is not your typical dungeon crawl, and it is very atypical of the time's adventures. There is less of the typical Howard, Moorcock, and Tolkien here, and it is pure Bram Stoker. 

Ravenloft is Gothic Horror—or, more to the point, it is the Hammer Horror flavor of Gothic Horror laid over the top of Dungeons & Dragons. Harker was a milder-mannered English solicitor. The heroes here have fought dragons, goblins, and other real monsters. How can the Lord of Castle Ravenloft measure up to that?

Quite well, really.

I  picked up this adventure when it was first released and essentially threw it at my DM and told him he had to run me through it. It was everything I had hoped it would have been. Remember, my Appendix N is filled with Hammer Horror, Dracula, and Universal monsters. This was perfect for me. 

Ravenloft was a huge change from many of the adventures TSR had published to that date. For starters, the adventure featured an antagonist, Count Strahd von Zarovich, who was no mere monster. Yes, he was an AD&D Vampire, but he was meant to be run as an intelligent Non-player Character.  Before this, the vampires have been the unnamed Vampire Queen of the Palace of the Vampire Queen, Drelnza, the vampire daughter of Iggwilv in The Lost Caverns of Tsojcanth, and Belgos, the Drow Vampire in Vault of the Drow. By 1983, the amount written on all three of these vampires would not even be as long as this post will be. Strahd was different.

Strahd had a backstory, motivation, and intelligence, and he was ruthless. The goal was to destroy him, and that was not an easy feat by any stretch of the imagination.

The adventure also introduced some new elements. The dungeon crawl was gone, replaced by a huge gothic castle and a nearby village. The adventure could be replayed and unique given the "Fortunes of Ravenloft" mechanic, which allows key items, people, and motives to change based on a fortune card reading.

Finally, there were the isomorphic, 3D-looking maps from Dave Sutherland, which helped give perspective to many levels of Castle Ravenloft. 

The adventure was an immediate and resounding hit. This adventure, along with the Dragonlance Adventures, also by Tracy Hickman (and Margaret Weis), led to something many old-school gamers call "The Hickman Revolution." They claim it marks the time between the Golden Age and Silver Age of AD&D, with the Silver Age coming after 1983. While yes there was change, a lot of it was for the better.

For me, it was a dream come true. Vampires had always been my favorite creatures to fight in D&D, and I was an avid Dracula fan. I bought this adventure and then threw it at my DM, saying, "Run this!" 

I grew up on a steady stream of Universal Monsters, Hammer Horror, and Dark Shadows. That's my Appendix N. So, an adventure set in pretty much the Hammer Hamlet where I get strange locals and have to fight a vampire? Yeah, that is what D&D was to me. You can almost hear Toccata and Fugue in D minor while running it. 

I find that the people who don't like this adventure don't see what makes it great. This is not Lord of the Rings, Conan, or some other Appendix N pulp fantasy. This is Hammer Horror. Strahd has to be played with a combination of charisma, scene-chewing villainy, and absolute brutality. In other words, it is exactly like Christopher Lee playing Dracula.  Even the nearby village is filled with terrified but pitchforks in the ready villagers. 

That is not to say the adventure doesn't have its problems. At times, the Gothic elements are shoved into the Swords & Sorcery fantasy of D&D. And...let's be honest, some of the puns on the headstones in the lowest level are more than cringe-worthy.  If played properly, a vampire like Strahd could wipe out a party, and that is not counting all the other monsters (gargoyles, really strong zombies, werewolves) in the castle. Though Strahd suffers from the same issues that Christopher Lee's Dracula did, completely obsessive that blind him to some obvious blunders. But that is the nature of vampires, really. 

Original, 25th Anniversary Edition, Print on Demand Edition

I have played through this once, and I have run it four or five times. I would love to try it sometime under the Ghosts of Albion or WitchCraftRPG rules. I took my D&D 5e group through it when they completed Castle Amber to make for a "Mists" series. It was fantastic.

I even got my original module from 1983 signed by Tracy Hickman the year I ran my family through it.

Much like Dracula, Count Strahd and Ravenloft keep coming back for more and more. 

All versions of Castle Ravenloft, so far.

I am sure there will be even another version of this adventure out for D&D 5.5/5r. And I am just as likely to buy it.

Review: Vampyre

 I am celebrating 50 years of Dungeons & Dragons this October by reviewing some select Ravenloft products. But before I get into that, I want to review a Pre-Ravenloft product from TSR that fits the same feel. The mini-game Vampyre.

Vampyre (1981)

I covered many of the TSR mini-games a while back. This one is for 2-6 players. Players hunt the minions of Dracula in an attempt to find and destroy his coffins.  There is a "wilderness" map and a map of Castle Dracula. Designed by Philip A. Shreffler. Art by Erol Otus.

I'll avoid calling this a "bite-sized" game, but it is a game you can set up and play in an afternoon. Preferably a dark rainy afternoon in October.

Up to six players can embody most  of the iconic characters from Dracula. This injects some narrative flair right from the start. There are plenty of antagonists like Dracula, his brides, rats, bats and more. There are even demons and werewolves who were not from the books.

Players can even be converted into werewolves or nosferatu.

There is a Basic game, where you go around Castle Dracula trying to destroy all of Dracula's coffins. 

The Enhanced game takes you outside to Transylvania where you hunt down the count in his secret lair. 

So, essentially just like Basic and Expert D&D!

As a B/X Adventure

There is a lot to love about these little games.  The Souvenir font really hits that nostalgia button hard for fans of the Moldvay/Cook Basic and Expert sets. Not to mention some of the best-looking Erol Otus art.   Maybe it is the font, maybe it is the art but when I got these games the first thing I wanted to do was play them as part of my D&D games.  Of course, back then that meant Basic and Expert D&D.  Some of it also came from the desire to get the most out of my purchase with my limited paper route money.

Now, I am a HUGE Dracula and vampire fan, so when I got the Cook/Marsh Expert Set and saw that there were vampires in it, my first thoughts went to vampire hunts.  My first character was a cleric for this very reason.  The game Vampyre is set during the events of the novel Dracula with the same (or rather similar) characters.  So set in the 1890s. Since Ravenloft Masque of the Red Death was still a decade and a half away, I converted this to a simple Expert D&D monster hunt.   If I were to redo it I'd up the threat of Dracula.  In Expert, I made him a Greater Vampire. 

Vampire chic, circa 1981

The dual map, a "wilderness" and a "dungeon" again BEG to be used in the Expert game. The parallels between this game and the Ravenloft adventure. No surprise since both draw from the exact same source materials.  The trick the next time I use this is to make it less like Ravenloft.

Vampires in Space for Thirteen Parsecs

 June is the month I usually dedicate to Basic-era (B/X, BECMI) D&D, but not always. I have D&D-related plans for June, but I am not entirely done with science fiction yet. 

I have been doing a feature most nights, largely without pomp or circumstance, called Dracula, The Hunters' Journals, where I post the entries from the novel Dracula on the day they were recorded.  It has been a odd thing to post all this Dracula and Victorian content in the midst of all the sci-fi material I have been talking about all month.  But it is not unprecedented. 

Vampires in Space

What do Buck Rogers, Doctor Who, Vampirella, and Colin Wilson all have in common? They are all different science fiction media properties that have featured stories of vampires in space.

One of the strong selling points I think of our new Thirteen Parsecs RPG is it's 100% compatibility with NIGHT SHIFT.  Creatures, characters, classes, and more can be lifted whole from NIGHT SHIT and dropped right into Thirteen Parsecs.  You just need to figure out why they are there.

The vampire in NIGHT SHIFT is based on the Gothic vampire of old, which, of course, has roots in mythology, but mostly in Dracula, Ruthven, and Carmilla. It is also flexible enough to allow for various modern re-interpretations against the Gothic archetype. There is no reason why this can't be extended beyond that to space.  And like I said before, I kinda owe it to my 10-year-old self to at least try a Space Vampire. 

So, how have Space Vampires been done already?

Buck Rogers TV Series: "The Space Vampire"

In this episode from the 1979 TV series "Buck Rogers in the 25th Century," Buck Rogers faces a creature known as a Vorvon, a space vampire that drains the life energy from its victims. The episode blends science fiction with classic vampire mythology and powers, as the Vorvon can possess and control other beings. Buck must find a way to stop this menace before it can spread its evil influence throughout the space station. As expected, the Vorvon goes after Col. Wilma Dearing (though it does give Erin Gray a bit more to do). The vampire here can only be destroyed by flying it into a sun.

Doctor Who: "State of Decay"

This 1980 serial from "Doctor Who" features the Fourth Doctor, played by Tom Baker. The Doctor and Romana II and unknown to them, Adric, land on a planet where a trio of ancient vampire lords. These human explorers encountered the last of a race known as the Great Vampires, and have enslaved the local population. The story explores the conflict between the advanced Time Lords and the primitive yet powerful vampires, mixing gothic horror with futuristic elements.  Here the Great Vampires are depicted as an ancient race, as old as the Time Lords themselves, and their wars with the Time Lords. Again, like the Buck Rogers episode, many Vampire mythological elements are re-translated here.

Of note, well at least to me, is a line dropped by the Doctor that every inhabited planet has myths about vampires. We will later see other types of vampires in future episodes. The Haemovores in the 7th Doctor's "The Curse of Fenric," the Plasmavore in the 10th Doctor's "Smith and Jones," and the Saturnyn, another type of vampire (sexy fish vampires, according to the 11th Doctor) in "Vampires of Venice."

I discuss both of these episodes here and more about vampires in Doctor Who specifically here. 

Lifeforce (1985)

"Lifeforce" is a fairly notorious sci-fi horror film directed by Tobe Hooper. The plot centers on a space mission that discovers an alien spacecraft hidden in the tail of Halley's Comet. Inside, the crew finds three humanoid creatures in suspended animation. When brought back to Earth, these beings awaken and reveal themselves to be energy vampires, draining life force from humans to survive. 

The film was a minor hit in 1985, maybe not so much for the plot or story, but because it featured then-newcomer Mathilda May, who appeared completely nude throughout most of the film. It also included Steve Railsback, who would later give a strong and memorable performance as the abductee Duane Barry in the "X-Files" and Patrick Stewart who would the following year go on to star in "Star Trek the Next Generation."

This movie is, in theory anyway, based on the 1976 book by Colin Wilson, "The Space Vampires." I read the book after seeing the movie, and they have a few connections, like some vampires and character names. They are so different. I'll talk about the book separately.

Vampirella

Ah, Vampy. Vampirella is a character from the eponymous comic book series created by Forrest J. Ackerman and artist Trina Robbins, first appearing in 1969. She is an alien vampire from the planet Drakulon, where blood flows like water. After her planet is doomed, she travels to Earth. Blending science fiction and horror, Vampirella fights evil supernatural beings while struggling with her vampiric nature. The character has become iconic, appearing in various comic series, novels, and a 1996 film adaptation. of late she is often paired with Red Sonja in a number of reality spanning adventures. The strangest, and oddly the most fun one? "Red Sonja & Vampirella meet Betty & Veronica." On paper it should never work, yet it does.  Part of this, I think, also is due to the amazing art of Maria Sanapo.

Clark Ashton Smith's Works

Clark Ashton Smith, a long-time favorite here at The Other Side, incorporated vampiric themes into his science fiction and fantasy stories. In "The Vaults of Yoh-Vombis" (1932), explorers on Mars encounter a parasitic creature that drains their life force, functioning similarly to a vampire. His works often feature otherworldly landscapes and cosmic horrors, blending the supernatural with speculative elements.

The Space Vampires by Colin Wilson

This 1976 novel is the basis for the movie "Lifeforce." It follows the story of alien vampires who travel to Earth and attempt to drain the life energy of humans. The novel delves into themes of sexuality, existentialism, and the survival instinct, blending sci-fi with classic vampire lore. 

The vampires, the almost Lovecraftian "Ubbo-Sathla," here, are more like Sex-Vampires. So that much tracks with the movie. The novel takes place in the late 21st century, not the 20th, and the discovery of the alien ship is in the Asteroid belt. 

Shambleau by C.L. Moore

"Shambleau" is a science fiction short story written by C.L. Moore, first published in the November 1933 issue of "Weird Tales" magazine. It is the debut story of her character Northwest Smith, a space-faring adventurer often compared to figures like Han Solo or Conan the Barbarian. "Shambleau" is noted for its innovative blend of science fiction and horror, as well as for its exploration of erotic and psychological themes.

The creature, Shambleau, is an exotic alien beauty with snakes for hair like Medusa. She has a hypnotic effect on those around her and, like Wilson's vampires, drains life energy. In many ways, she is a vampire, much in the same way that the Leanan sídhe is. There is also a scene in the Lifeforce movie where the female vampire (Mathilda May) is created out of the blood of two victims and she bears a passing resemblance to the description of Shambleau. 

Vampires in Thirteen Parsecs

How you do vampires will largely be up to your Thirteen Parsecs campaign. For example, I will likely not have them in my "Space Truckers" games except as a gag. But "Darker Stars" is a different story. 

I would have them as an ancient but dying race. Their homeworld orbits a "Black Sun," a Brown Dwarf star. Their planet would be the last dying remains of a great feudal empire where Vampires were all the nobility. They took to the stars to find new planets to drain, but encountering humanity from Earth, they met their first real resistance in their 10,000-year reign. Part of the Darker Stars camping mode would be this first contact.

I once saw a meme that said you can turn a Gothic cathedral on its side to make a gothic-looking spaceship. That's what the ships of the vampires look like. Something that should look ancient and like it was built as an act of worship to their Vampire masters. 

To give you an idea of what I am doing in Darker Stars, I don't even consider the Vampires to be the biggest threat. 

I can't wait to get this all to you.

#AtoZChallenge2024: V is for Vampire

Dracula by Edgar Alfred Holloway

Long before I was ever known as the "witch guy" I was the "vampire guy." A lot of my peers came to Dungeons & Dragons via the tales of Conan, Elric, and John Carter. Not me. I came to it from Hammer Horror, Dracula, and Dark Shadows. Many players wanted to play mighty thewed barbarians or fighting men. I wanted to play Van Helsing.

This is not my first time doing vampires for the A to Z challenge either.

• 2011: V is for Vampire
• 2013: V is for Vampires vs. Demons
• 2015: The A to Z of Vampires (all month long!)
• 2016: A to Z of Adventure! V is for Vampire Adventures
• 2021: V is for Vampire (Year of Monsters)
• 2023: Doctor Who Vampires

Not to mention all the posts I have with the Vampire label.  In this A to Z, I also briefly discussed the various Vampire Queens in my game. 

I guess the question becomes. Why Vampires?

Why Vampires?

Dungeons & Dragons is filled with plenty of monsters to fight and defeat. Everything from the lowest Kobold to Dragons and even more dangerous creatures. Vampires are not as powerful as Liches, or Demon Lords, or the Lords of Faerie. So why do I keep coming back to them?

There is the allure of the vampire. It is so close to being human and yet isn't. It is dangerous, but not like, say, Godzilla is dangerous. It can get into your homes, your psyche. It can destroy you from the inside and make you want more of it. 

Vampires are a staple of horror fiction, in particular Gothic Horror. They are also a feature of the Swords & Sorcery genre, where Conan famously battles the vampire Akivasha in an underground maze. That scene from "The Hour of the Dragon" is as much a part of D&D's DNA as anything from The Hobbit or Lord of the Rings.

My family of Paladins, the Werpers, are all Vampire Hunters. I even had a character was a pretty blonde girl with a supernatural background who was a hunter of vampires. Yes, my Raven, was doing her thing long before anyone knew of "Buffy."

If you follow my annual October Horror Movie Marathon you know I have pretty much seen every vampire movie ever made. 

Vampires are Everywhere

The Doctor: Do you know, it just occurs to me there are vampire legends on almost every inhabited planet.
Romana: Really?
The Doctor: Yes.
    - The Fourth Doctor and Romana II, "State of Decay"

Nearly every culture on the planet has some form of vampire myth. Pottery dating back to ancient Babylon has vampires on it. The Greeks had several different types, as did the Romans and so on. Sure these all could come from a shared human fear of the dead returning to take from us what they miss; life. It also could be the inheritor of a tradition dating back to the Pre-Indo-European peoples where so many of us get our current languages.  In any case, vampires are all over, and they are not going anywhere.

Vampires are also one of the few monsters that move effortlessly between RPG genres. Fantasy and Horror are a given, but they also appear in Steampunk, Superheroes, Pulp, Modern, and even some Sci-fi. Each takes a different approach as to why they are around. 

Darlessa

Strahd, Dracula, & Darlessa

There is an old saying, "A Hero is only as good as the villain." 

If  I want the characters in my games to be heroes, then I need to make sure their villains are up to the challenge. This is another great place for the Vampire to shine. 

In books or movies the bad guy can get away to fight another day. In games? Well, a great set of rolls by the players and some bad ones from the GM, and suddenly your Big Bad Evil Guy is no more! But death is not always the end for vampires.  They can keep coming back for more. Christopher Lee made a career out of this.

I have used Dracula in games in the past, but not as much as I could have. He is like David Bowie. He can turn up, but it needs to be memorable. 

Count Strahd von Zarovich is the star of Ravenloft. All things considered, I like to keep him there.

That leaves me with Darlessa and my other Vampire Queens. I should come up with some more, to be honest. Never can have too many vampires around. 

I honestly should be writing more vampire-themed adventures. Especially ones that I can use cross-genres. 

I do have a Basic Bestiary on just Vampires and Undead, but that is a long way away right now.

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Tomorrow is W day, and I think you know what I am going to talk about.

#AtoZChallenge2024: Q is for Queens

 I have an inordinate amount of Queens in my games. I am going to talk about two groups in particular, the Vampire Queens and the Witch Queens.

Tea with the Witch Queens by Brian Brinlee

Both groups are near and dear to my heart and make up a lot of my game worlds' backgrounds.

The Vampire Queens

The vampire queens have a special connection to my early days of gaming. They are:

• There is the (unnamed) Vampire Queen of "Palace of the Vampire Queen," one of the earliest published D&D adventures.
• Lady Neeblack of "The Hanging Coffins of the Vampire Queen." 
• Queen Xaltana of The Lost Caverns of Acheron.
• Darlessa, the vampire Queen who killed my first character and antagonist of my #Dungeon23 adventure.
• Human witch stats
• Vampire stats (Labyrinth Lord)
• Vampire stats (Old-school Essentials)
• Vampire stats (Wasted Lands)
  
• As a Ravenloft Darklord

I have been using vampire queens in my adventures for as long as I can remember. I recall reading lurid tales of Erzsébet Báthory and watching movies like "Daughters of Darkness" and "Countess Dracula." I had worked on a very early vampire queen, who was going to be called "Miriam" thanks to "The Hunger" for my Ravenloft games (see tomorrow), but I kept coming up with so many ideas. Miriam is still out there, even if many of her aspects are now part of Darlessa. The non-vampire parts of Miriam survived as my Witch Queen Miriam. 

In truth I kind of use them all interchangeably, with some emphasis on Darlessa. As they have all evolved in my games, I am slowly sifting out which traits belong to which queen. 

Interestingly enough, both Darlessa and Xaltana are also both Witch Queens. Xaltana combines Iggwilv (a witch queen) and Drelzna her vampire daughter.  

The Witch Queens

While the Vampire Queens are here to challenge the characters as adversaries, the Witch Queens play a much different and far more wide-reaching role. 

This began as an idea of me finding and then stating up every witch ever mentioned in the pages of a D&D or related game. The premise here was that every 13 years the witches of these worlds would meet in one place to discuss what they are up to in their worlds and plan to generally stay out of each other's way. The gathering, known as the Tredecim, became a big part of my games. At the Tredecim, the 13 ruling witches then choose a new High Witch Queen to serve over the next 13 years.  In my campaign, War of the Witch Queens, the then-current High Witch Queen is murdered before a new one can be chosen. This sends the witches into war against each other, but due to their pacts with Baba Yaga, they can't outright fight each other. So, all their worlds get dragged into the conflict.  This includes the characters.

The characters learn first that a once-in-a-century storm has destroyed their home, and they are refugees helping move their fellow town folk to a new home in East Haven. While their first obvious goal is to stop all the weird happenings going on in their own world, they discover these events are playing out across the worlds. To stop it, they need to stop the all-powerful Witch Queens, but to do that, they will need to discover who murdered the High Queen, how, and why.

Since I started working on this and developing it more and more, I have gone over 13 Witch Queens and my planned 13 Adventures. I am using Basic B/X D&D as my rules of choice here, which limits the levels characters can achieve to 14. 

I am running it with my family now, but I'd also like to run it for a dedicated group someday.  I think for that I would take all the adventures I am using for it and edit them all a bit. 

If I keep the levels 1-14 then the obvious choice is D&D Basic B/X.  If I expand it all to level 20 then my choice will be Castles & Crusades.

Either way, I have a lot to look forward to!

Tomorrow is R Day, and I am going with the campaign setting I ran for all of the AD&D 2nd Edition era, Ravenloft.

OH? Like the art of my Witch Queens up there? The artist is Brian Brinlee and he has a Kickstarter of his new art book going on now! Check it out.

Character Creation Challenge: Darlessa for Wasted Lands

I meant to do this character earlier and kinda forgot. Well, today is the day I fix that. When it comes right down to it, no character really represents my shift from D&D to Wasted Lands quite as well as Darlessa the Vampire Queen.

Of course, everyone here knows Darlessa. She has been featured here many times and I already did her witch stats for Swords & Wizardry and her vampire stats for Basic-era D&D. She is also the central antagonist of my Dungeon23 Tomb of the Vampire Queen. She is responsible for the death of my first character, Johan, and ultimately, the cause for him to be elevated to a Saint. She even has (or had) her own Dark Domain, Arevenir.

I am using the Night Companion again for her so I can get the rules for making her a vampire. She has always been a witch, but a good case could be made for her to be a Spirit Rider, too. Maybe I'll give her a level in that later on, but today, I wanted to compare apples to apples: my OSR witches vs a NIGHT SHIFT witch.

Darlessa, the Vampire Queen

Class: Witch (Persona)
Level: 13
Species: Human Vampire
Alignment: Dark Evil
Background: Sorcerous

Abilities
Strength: 18 (+3) (+2 from Vampire)
Agility: 18 (+3) (+2 from Vampire)
Toughness: 18 (+3) 
Intelligence: 15 (+1) N
Wits: 14 (+1) N
Persona: 22 (+5) A

Fate Points: 1d10
Defense Value: -5
Vitality: 75
Degeneracy: 0
Corruption: 0

Check Bonus (A/N/D): +6/+4/+2
Melee Bonus: +2 (base) +2 (touchstones) 
Ranged Bonus: +2 (base) +1 (touchstones)
Spell Attack: +7 (witch) +1 (touchstones)
Saves: +7 to Spells and Magical effects (Sorcerer & Scholar), +3 to Wits (vampire) +1 to All (touchstones)

Witch Abilities
Arcana, Arcane Powers (5): Succubus (6d6), Shadow Walking, Telekinesis, Beguile, Subtle Influence

Sorceress Spells
First Level: Arcane Darts, Black Flames, Chill Ray, Glamour, Object Reading, Armor of Earth
Second Level: Conjure Flame, ESP, Invoke Fear, See Invisible
Third Level: Clairvoyance, Create Zombies & Skeletons, Curse, Fly
Fourth Level: All-Seeing Invisible Eye, Black Tentacles, Improved Invisibility, Kiss of the Succubus
Fifth Level: Commune with Deeper Dark, Create Undead, Shadow Armor
Sixth Level: Instant Death, Zone of Death
Seventh Level: Wave of Mutilation

Heroic/Divine Touchstones 
1st Level: Additional Spell: Armor of Earth
2nd Level: +1 to Melee attacks
3rd Level: Spirit Guide: Undead Raven, "Lucifer"
4th Level: Favored Enemy: Lawful (Light) Good Clerics
5th Level: +1 to all attack rolls, defense rolls, spells, and saves
6th Level: Glamour at Will

Heroic (Divine) Archetype: Power

Gear
Dagger

Wasted Lands Vampires

Ok! This Darlessa is much more powerful than previous versions. This is due largely to proper rules on how to make a character a vampire and how that adds to the character's power. But also Witches in NIGHT SHIFT and the Wasted Lands are a bit more powerful. Lets not forget those divine/heroic touchstones. Those add a LOT of power to the character. This is a version of Darlessa that should properly terrify a group of characters. 

Vampires in the Wasted Lands are also more akin to Akivasha of Robert E. Howard's tale The Hour of the Dragon than they are of Stoker's Dracula. Indeed, Darlessa is cut from the same cloth as Akivasha. Well same cloth, but dyed in the same dyes as various Hammer Horror vampires. 

But in native Wasted Lands, the world envisioned by Elf Lair Games' Jason Vey, vampires are more dangerous and closely tied to the powers of the Deeper Dark. This works fine for me since I have always seen Darlessa as shedding bits of her soul for power to whatever demon would grant it to her. Now, for a pure Wasted Lands game and for the publication of the Tomb of the Vampire Queen, I might go with a different name and slightly changed background. But it will be Darlessa all the same really. 

You can get the Wasted Lands RPG and the NIGHT SHIFT RPG at Elf Lair Games.

Mail Call: ¡Anuncio por correo! Spanish BECMI and Pacesetter Adventures

Or at least the BE part of BECMI.  So many of you know I have been learning Spanish. I mainly use Duolingo, but I also print books and audiobooks from Audible. My progress is quite slow I will admit, but the journey is half the fun really. 

Back in 2023, I got copies of the Spanish Language D&D 5th edition books for my birthday and Father's Day.  But something I have wanted since 2020 are copies of BECMI in another language. I thought I might grab one in German (a language I can still -somewhat- speak) but they are always quite expensive.

So imagine my surprise when, after posting my search for Spanish language ones, actually came through!

They look great, even if I can only sort of read them at the moment. But I know what is in these quite well, so that helps.

It is also fun to compare them to the Spanish D&D 5e books I got last year.

I am NO WHERE near ready to run a game in Spanish D&D. But maybe I could play one later this year.

I might just stick with Basic and Expert. I have not seen a Companion edition out for a very long time. If the price of the German one I was looking at is any indication then it is way outside of my price range.

I also got copies of some adventures (in English) from Pacesetter Games.

I gave Venger's Final Wish to my oldest. He is working on taking his group through all the editions of D&D.  More on that later.

Of course, I am a sucker for anything about the Vampire Queen. So this is a nice addition to my collection.  Since the Vampire Queen adventure is for B/X then maybe a "Castillo de la Reina Vampiro" is in order. 

Monstrous Mondays: D&DGII Draugr

I am surprised I have not tried to stat these guys up before this. But this seems the perfect time to do it.  

Draugr

Draugr are powerful undead creatures of former warriors under a powerful curse. Typically, they are cursed to guard a large treasure or powerful tomb of a lord or king. However, it is said that the curse would not take hold if there was not already some evil in their hearts. 

The process of creating a draugr involves dark necromancy and the ritual sacrifice of warriors of at least 7th level of experience. 

They are sacrificed and their corpses are dumped into whatever burial pit or hole they are set to guard.

DRAUGR
FREQUENCY: Very Rare
NO. APPEARING: 1-3
ARMOR CLASS: 2
MOVE: 24" 
HIT DICE: 8+16 (52 hp)
% IN LAIR: 100%
TREASURE TYPE: B
NO. OF ATTACKS: 2 weapons or touch
DAMAGE/ATTACK: 1d8+3, 1d8+3
SPECIAL ATTACKS: Constitution Drain
SPECIAL DEFENSES: +2 or better weapon to hit
MAGIC RESISTANCE: Standard
INTELLIGENCE: Average
ALIGNMENT: Chaotic Evil
SIZE: M (6' at shoulder)
PSIONIC ABILITY: Nil

Draugr are undead warriors of exceptional ability and strength placed under a curse. They are set to guard some larger treasure of a powerful lord or chieftain.  Typically 1 to 3 draugr are found per tomb along with the treasures of their lord.  Disturbing the tomb will cause the draugr to attack. 

The creatures attack with a sword twice per round. They add +3 to each attack due to high strength. They can as an option, touch an opponent and drain one (1) point of Constitution per successful touch attack. Victims drained to 0 Constitution become wights under the control of the draugr that drained them. Lost Constitution points can be restored at the rate of 1 point per week of bed rest or via any magic that can restore lost levels. 

Draugr can only be hit by magic, +2 weapons, or better weapons. They turn as Vampires. They are harmed by holy water and cannot enter sanctified or holy ground save for where they were buried. They are not harmed 

If the draugr's treasure is taken and the draugr is not completely destroyed it will hunt down every piece of it down to the last copper piece. The only way to completely destroy a draugr is to burn its remains to ash.  

Links

• One Man's God Special: Syncretism Part 3, the Roman-Norse Pantheon
• The Monsters
• My overview and rules for these postings
• Dökkálfar and Ljósálfar
• Alp
• Die Hüne
• Jötunar
• Hautveränderer
• Heuler
• The Gods
• Unser Vater, Father of the Gods
• Sisters of the Dawn, Liebhaberin and Ôstara
• The Mother Goddesses Herde Oberin, Mutter Natur, and Großmutter
• The Divine Twins
• Hüne Vater, Großvater, and Großmutter
• Ides, Demi-Goddess of Protection and War
• Helga, Goddess of Magic, Ghosts, and Witchcraft

This is another post for my RPG Blog Carnival Horrors, Gods, and Monsters.

#Dungeon23 Tomb of the Vampire Queen, Level 10, Room 30

 Past the mummies this tomb continues on. There is a double door ahead made of iron. A thief can unlock it but will require three separate open locks rolls. The locks can also be opened with a knock spell on each one.

If a thief does open all three locks there is a spring trap. If it is not discovered it will trip and cause a 1d4+2 hp of damage. No poison though, that it not the danger of this trap.

Beyond the doors lie in wait the Vampire Queen's honor guard.

There are five total vampires but the number ready to attack will depend on the amount of hp lost by the trap. One vampire will awaken for each point of hp lost. So a minimum of 3 and maximum of 5.  Any not awake the first round will awaken the second round.

These vampires have been in slumber since the Vampire Queen constructed this tomb from the former dwarven kingdom. They are fiercely loyal and ravenously hungry.

Two have 7 HD, two have 8 HD, and their leader has 9 HD.  All have plate mail +2 and carry long swords +2. They have standard vampire abilities. Due to their hunger, they attack at an additional +1, and their AC has a penalty of -1 to AC. Total mods are +3 bonus to hit and +1 bonus to AC. 

They are not spellcasters and even if they were they are far too hungry here to use spells.

These vampires will not talk to the characters but they will communicate with each other in their own language (not a "vampire" language, but what they spoke before turned).

The vampires have twice the normal amount of treasure. 

The leader has a large iron key for a door at the end of this tomb.

October Horror Movie Challenge: Lost Boys (1987)

I talked about this one a bit back when I reviewed Near Dark.  I have to admit that this is the movie I first thought of when I saw that Best Soundtrack was a category.

Lost Boys (1987)

Ok. So I did do this one back in 2014. A lot, if not all, of what I said then still hold true. The movie holds well. Yeah there is some fast and loose play with the rules of vampirism here, but honestly it is still a great film.

Let's talk about that soundtrack.

There are so many great hits here. Many are covers, but for some reason it works fine. 

We have Roger Daltrey of the Who singing Elton John's "Don't Let the Sun Go Down on Me," and for the longest time, I preferred this version. I was on a big Who kick then.

INXS practically made this one of their unofficial albums and I think added to their success of Kick, also out in 1987. Their song  "Good Times" was a cover of a 1960s song. 

The big covers were Echo and the Bunnymen's cover of The Door's "People are Strange," which gave the Doors some newfound fans in my generation (yes, we knew about them before). And the big one, Tim Capello's cover of The Call's "I Still Beleive."  Tim Capello is still out there touring, too, and I guess he is like one of the chillest guys ever. 

The original songs include the "title song" "Lost in the Shadows (The Lost Boys)" by Lou Gramm, and the real title song, "Cry Little Sister (Theme from The Lost Boys)" by Gerard McMann.  

I have a lot of really fond memories of this album that coincide with my freshman year in college.  It is the soundtrack I'd put to write vampire material. Kinda wish I still had some of that stuff. It might not have been (it wasn't, I am sure), but for nostalgia value.

October Horror Movie Challenge 2023
Viewed: 27
First Time Views: 17

October Horror Movie Challenge: Near Dark (1987)

Tonight is Monstrous Bloodsuckers. They might not be too monstrous, but opted to rewatch 1987's Near Dark.  Now 1987 was a great year for Vampire movies. We first got Lost Boys (which could be a contender for Best Soundtrack) and Near Dark. Lost Boys outshined Near Dark in the press and box office, but horror fans knew what a treat it was.

Near Dark (1987)

Again. This is one of those movies I assume anyone reading this blog has seen.  A group of vampires is terrorizing a town with the B-Team from Aliens (Lance Henriksen, Bill Paxton, and Jenette Goldstein) with new recruit Mae (Jenny Wright). Mae turns Caleb (a very young-looking Adrian Pasdar) and convinces her vampire family not to kill him. Their leader Jesse (Henriksen) agrees to give him a week.

Things seem ok until they expect Caleb to kill, which he won't. Mae feeds him from her own wrists, which isn't helping either of them. Caleb escapes and get back home where his father performs a blood transfusion on him which cures him (I admit, I never liked this part at all). 

The vampire family goes searching for them with Homer, an ancient vampire in a child's body, runs into Caleb's sister Sarah.  A fight ensues between Caleb and vampires with them getting picked off one by one. Their death scenes due to burning and sunlight are still just as gruesome today.

At the end of the movie they give Mae the transfusion and it cures her.

Ok so the transfusion thing still bugs me. A lot. This whole thing was one of the main reasons why I made curing a vampire so difficult in my games. Hell, I only in 2017 relented to allow it to be done via a ritual. In fact, it was a vampire character I made at the very tail end of 1987 that I would later revive as a human in 2017.

Both Lost Boys and Near Dark played with the vampire legend. At the time it was revolutionary feeling, but now it is what is expected. These movies set that ground.

October Horror Movie Challenge 2023
Viewed: 24
First Time Views: 15

October Horror Movie Challenge: We Are the Night (2010) & Bit (2019)

Tonight's movie choices cover both "We Are the Weirdos Mister" and "Pretty Blood Suckers."

Both are vampire movies featuring a group of women vampires in worlds where male vampires are not welcome. 

Both movies had a solid "Lost Boys" meets "The Craft" vibe.

We Are the Night (2010) 

A German flick originally titled "Wir sind die Nacht" focuses on street thief Lena (played by Karoline Herfurth) who pickpockets a Russian pimp being watched by the police, in particular Tom, played by Sense8's Max Riemelt. Lena stumbles onto a rave and is spotted by vampire Louise (who we saw in the opening, killing an entire plane of people) and her vampire friends Charlotte and Nora.  Lena is bitten by Louise and spends the next day transforming into a vampire herself.

Lena seeks them out, angry about what they have done to her, and they drag her to the Russian pimps where he hunger takes over and she kills and feeds on the pimps.  Awash with power Lena begins to enjoy her vampire existence. Shopping, driving fast cars, walking on walls, and learning the rules of being a vampire. The big ones are sunlight can kill them and never turn a man. All the male vampires were killed years ago because of all the trouble they caused. 

Still investigating the pimps, and now their murders, is cop Tom. He met Lena before, and knows she is connected somehow. 

The cops connect the murders of the pimp to the women, not knowing they are vampires.  They go in to arrest them and are of course they are wiped out. Tom sees Lena and keeps following her. Nora is killed. They get to a safe house but Louise locks them in so she can die in the sun. Lena and Charlotte fight it out over Tom. Lena manages to kill Charlotte, but not before she shoots Tom.  The movie ends and we suspect that Lena turned him.

Not a bad flick really. Lots of scenes of Lena and her new vampire family enjoying their new powers and lots of feeding on people. What you want in a vampire movie really. 

Bit (2019)

This one is newer and follows a similar formula. This time we have Laurel played by Supergirl actress Nicole Maines. A girl from Oregon visiting her brother in LA. Her first night in town she gets invited to an after-hours party and is bit by vampire Izzy (Zolee Griggs) a member of Duke's (Diana Hopper) vampire group (Roya and Frog). Again we learn that they are never supposed to turn men into vampires. They spend their time killing various rapists, internet shitlords, and other assholes. 

We do learn there is at least still one male vampire, Vlad Castaneda, known as the Master. We get a flashback of Duke back when she was turned in the 1970s by Vlad. Side note, I love the 70s and 80s sequences. Honestly, by the end of the first half you are rooting for the vampires here.

Laurel feeds on a guy trying to kill Duke's coven, but doesn't feed again. 

This comes to a head when upset her friend from home Andy tries to kill himself, she feeds on her brother. Heading back to Duke she tries to get them to help her which they wont.  So she releases the first bride who then revives the Master. We learn that Duke had been using the Master's power to subtly influence the other girls. The Master then rips out Duke's heart. Laurel comes back and sets the Master on fire and the other girls (Izzy, Rora, and Frog) chip in. They kill the Master and put Duke into the hole. 

I am glad to see Nicole Maines in something other than Supergirl. She is a good actress and I am looking forward to seeing her in more. 

Both movies were fun and it leads me to think there might be more in this genre.

October Horror Movie Challenge 2023
Viewed: 19
First Time Views: 12