The Witches of Appendix N: Jack Williamson

“The trouble began when the first witch was hounded and stoned to death by the first savage man. It will go on till the last witch is dead. Always, everywhere, men must follow that old Biblical law: Thou shalt not suffer a witch to live.”

- April Bell, Darker Than You Think

Today is the birthday of Jack Williamson. Born on this day 118 years ago. He appears near the end of Gygax's Appendix N, and he is responsible for a couple of books extremely relevant to my exploration of the Witches of Appendix N.

This is also the second of what I think of as the three big "witch-centric" authors of the Appendix N. Last time it was Margaret St. Clair and her quasi-Wicca witches and keepers of Occult Knowledge. Third is Andre Norton. Today, with Williamson, I am looking at two other witches, also keepers of Occult Knowledge, but also different. Different from St. Clair's and different even from each other.

If you go back and look at the AD&D Dungeon Masters Guide, something rather odd becomes apparent. When Gygax lists his authors in Appendix N, for the most part, you can find at least a couple of works listed for any given author. It was direct, straight from the book into the game (more or less). But Williamson is different. He is (and just a few others are) listed, but no works are mentioned. This was no accident, and it says a great deal about the man and his work. Williamson's contribution to early D&D was not because of any given work, but because of the ideas that are present in all of his work. Ideas of hidden worlds beneath the surface of reality, of old things wearing human faces, and of the disturbing notion that magic isn't learned, but remembered, at least for some.

There are two books of his that I think are crucial to any exploration of Witchcraft from the Appendix N starting point.

Darker Than You Think

This novel began as a novelette in the pages of Unknown back in 1940. Williamson expanded it and its themes to encompass post-War science-fiction rationalism. Occult themes are translated into science fiction, but I'll get to all of these. As a quick aside, this is a really good read. Part science fiction, part occult, and part mystery. Our protagonist, Will Barbee a rough around the edges newspaper man, gives us an almost proto-Kolchak. 

I won't go too deep into the plot of this one because it is a good read, and you look up the details yourself if you really want to (and spoil the big reveal).  Though I will talk about the bewitching (in all senses of the word) April Bell. We meet April Bell, a new reporter, very early in our tale. She is beautiful, with bright red hair (there we go again!), big green eyes, and (dare I say it) a healthy dose of animal magnetism. Our protagonist is smitten right away and, unlike some other heroes I have discussed in this series, is practically dragged around by her. Though that is the point, I think, he has no agency, he is under her spell from the moment he (we) see her.

April Bell admits to being a "witch" and a "witch child." She began her life as a witch when she was only 7. Again, I wonder how my own witches would have been different had I read this first.

April does have some magical abilities like spells, even if there is a "scientific explanation." But mostly their magic involves shape-shifting. I won't spoil the surprise for you, but it is a fairly obvious one. 

The Homo lycanthropus vs. Homo sapiens battle is a parallel to the pagan vs. monotheism/Christian battle I find so compelling.  Casting witches as another species of human is not uncommon, it is something we see in DC Comics, Anne Rice's "Mayfair Witches," and Kim Harrison's "The Hollows" series, just to name a few. And these are also related species to vampires, werewolves, and/or demons in many of these tales as well. This could be related to the psychological phenomena of "the Uncanny Valley," or the human fear of near human, but not quite human, looking beings. Granted, there is no fear of April Bell when we first meet her.  

Witches and Weretigers

While this book did not inspire Gygax to add a witch to AD&D, it very likely contributed to the weretiger we see in the Monster Manual. While many of the lycanthropic creatures are of indeterminate gender, two stand out. The werebear is male and has a rather obvious relation to Beorn of the Hobbit (and both to the berserkers of Norse myth), and the weretiger who is quite obviously female. Indeed almost all art of the weretiger from the Monster Manual on features a female weretiger. I am making the claim that this is directly related to this book and to April Bell. The image of her riding the sabre-tooth tiger must have really resonated.

Including the cover (another witch on the cover of an Appendix N book. Yes I am keeping track) there have been other depictions of April Bell with a tiger.

And then early depections of the AD&D weretiger.

Our "Exhibit A" is the weretiger from David Trampier in the AD&D Monster Manual. I mentioned back when I was exploring the origins of the various Monster Manual monsters that the Weretiger likely had an origin from 1942's "Cat People," just as I speculated that the Cat Lord was influenced by the 1982 remake. 

The original Cat People came out in 1942. The novelette of Darker than you Think came out in the pages of Unknown in 1940. So, there was enough time for the film's producer, Val Lewton, writer DeWitt Bodeen, or director Jacques Tourneur to have encountered the story, but not enough to prove they did. Though there is a more important fact.

The genesis of Cat People was Lewton's own short story, "The Bagheeta," published in Weird Tales magazine (July 1930), about a legendary panther, a "half leopard and half woman ... were-beast." This predates Williamson's tale by 10 years. Digging into this there are many tales equating shape-shifting cat people to witches. The movie Cat People, though, is closer in tone to Williamson's take than to Lewton's original tale.

This doesn't weaken Williamson's claim to the weretiger, but it does show a lineage.  Lewton's "The Bagheeta" only alludes to witchcraft via occult Satanism (or at least an enemy of the Church), Williamson's tale, and Lewton's own "Cat People" make this more explicit. Though this is lost again in the 1982 version. 

In many ways, the "witches" of Darker Than You Think are really closer to shamans than witches. They could have even been part of the mix (along with other sources) of the Druid's ability to change shape.

The Green Girl

Taking place in the far future time of May 4, 1999 (I know I shouldn't be snarky about it) we have a tale of interplanetary travel and alien life. Not really a dungeon crawl, or even magical (almost), but there are still things here to make note of. 

The titular Green Girl, Xenora, has many features of a classical witch, even if Williamson never uses that word here. For starters, there is her green skin, often associated with witches, but that is only superficial. Her best claim to the lineage of witchcraft is her ability to communicate with our protagonist, Melvin "Mel" Dane, via telepathy across great distances. Even more so is her ability to charm or bewitch our hero. 

There is also the Lord of Flame, who is very much like a demoniac figure in this tale. Especially when he responds to anyone speaking his name. 

A lot of this story reads like a tale of a witch and a demon told through the lens of science fiction rather than magic. Though the tech here is so fantastical, it appears like magic. 

Plus I *get* Mel. Much like his Xenora, I have been haunted by Larina. 

Williamson delves into other tales in which strange women act as oracles or seeresses, such as in "After World's End," but that one is weaker. Or even the legacy of occultism and witchcraft, as in "The Mark of the Monster." Here, witchcraft is used as a backdrop. 

Science Fiction Witches

Through both of these works, a pattern emerges that is uniquely Williamson's own. Unlike the other Appendix N authors, who situate their witches in folklore and fantasy, Williamson dresses his in science fiction. 

They are not supernatural, exactly, for they are natural, though natural in a way that ordinary humanity seems to have forgotten or suppressed. "Not supernatural, but superhuman," as quoted from Darker Than You Think. 

They are not taught from books or granted by demons. They are innate, biological, and tied to blood and bone. Telepathy, charm, and hidden sight are not spells, but evolutionary features, the inheritance of something older than civilization itself. This is the way in which Williamson views witchcraft, and this is the way in which he views it in Darker Than You Think, which stands as his definitive work on the subject.

Final Analysis

I think what we have here are two somewhat different interpretations of the witch idea using the lens of science fiction.  Both, though, are good. While I would normally spend this section lamenting that, despite all these examples, we never got a witch, I think I can see what came out of Gygax's reading of these. The weretiger and the druid ability to change shape.  

And neither of those is bad, they are just not witches.

Monstrous Mondays: MoChem the Morgan Chemical Monster

 Going back today to Jackson, IL, my current NIGHT SHIFT^® campaign and my all-consuming obsession. 

Today I have a monster that I have been trying to bring into a game for the better part of 47 years. Not that this guy is a hard monster to figure out, it's just that his history is so tied up in my hometown that he didn't really fit into any other game I have done before.

This particular monster was created by me one afternoon in the summer of 1979 when I was 10. I had been reading a lot of Daniel Cohen's "monster books" thanks to our town's well-stocked Carnegie grant library. 

I lamented that our town didn't have their own local monster (the word "cryptid" was not in my vocabulary yet) though this was way before the internet and before I discovered microfiche to discover my hometown did indeed have it's own history of monsters, ghosts, and other things. 

I figured my creation was as "real" as anything I had been reading (age 10 was the start of my real exploration into skepticism, which led me to the conclusion that the supernatural was all bullshit). While I still enjoyed reading it all, I thought it was as real as, say, "Star Wars."

So in a fit of childhood bravado and creativity that I subject you all too every day, I made a monster.

Outside of town was a chemical plant. Now, I am not sharing the name because my blog gets hit by bots I have found material I have written here for games passed off as "truth."  Details about the Hex Girls and Astral Spiders, just to name two. So there is no reason to drag a real company with real employees into something invented by a 10-year-old. But I am keeping the monster's name.

So let's switch over to the fictional Jackson, IL and it's resident mutant.

The Story of MoChem and the MoChem Monster

Just east of town, the Mauvaisterre splits into various creeks and smaller bodies of water. One of these runs by the now-closed Morgan Chemical plant. Morgan Chemical came to Jackson in the late 1800s, and was founded by Jacobi Morgan and Sons. Morgan Chemical produced fertilizer, pesticides, and other agricultural chemicals needed by the growing farming boom in Central Illinois post-Civil War economy. The plant was well-run, provided hundreds of jobs for locals, and brought money into the local economy. So successful was the plant that the road on which the plant was located was renamed Morgan Ave, and businesses began to pop up all along the east-west corridor. So much so that it eventually took businesses away from the North-South Main Street. 

Jacobi Mogan was very typical of many of the entrepreneurs who had settled in the area at the time. "Work Hard. Tend to Family. Fear God" was his motto. In all fairness, he was, for the time, a good boss. His employees did work hard, and he paid them a fair wage. The company grew on his solid Presbyterian-Protestant work ethic and the belief that anything is possible with faith and hard work. He was an early benefactor to MacAlister College and helped build one of Jackson's famous Gothic-revival style churches.

His sons, however, were not so charitably minded. When the sons took control of the company in the early 1900s, they saw ways to increase profits by cutting some safety standards. They also got involved in the Great War, providing "fuel additives," but it was well known they had taken a side contract in weapons research. When World War II came around, Morgan Chemical provided gas masks, and rumor says the chemicals the gas masks protected against. 

With each generation, the Morgan family motto (metaphorically speaking) lost another word until, in practice, only “Work Hard” remained. By the 1960s, under the fourth generation of Morgans, the plant had become notorious among workers for failing safety standards, careless disposal practices, and toxic leaks. Waste seeped into the groundwater and into the channels that fed the Mauvaisterre. Cattle downstream sickened or died. Children born to workers were whispered about in hushed voices. Whatever prosperity the company had once brought to Jackson now came at a terrible cost.

It was in this poisoned environment that MoChem first came to be known.

No one agrees on what MoChem truly is. Some claim it was born in the tainted water itself, shaped by chemical waste and bad earth. Others whisper that it was once a deformed child, discarded by frightened parents after the plant poisoned too many families. Another tale says it had been a worker who fell into a vat and came back wrong. The most popular story holds that MoChem was an undercover reporter from St. Louis or Chicago who came to expose Morgan Chemical, got too close to the truth, and was murdered and dumped in the waste.

What is known for certain is that in 1973 Morgan Chemical was fined, shuttered, and abandoned. Cleanup was promised. Very little was ever done.

Soon after that, sightings began.

MoChem (AD&D 1st Edition)

Frequency: Very rare
No. Appearing: 1 (Unique)
Armor Class: 5
Move: 9”
Hit Dice: 4+4
% in Lair: 55%
Treasure Type: Nil
No. of Attacks: 2 or 1
Damage/Attack: 1-6/1-6 or special
Special Attacks: Blood drain, engulf small prey
Special Defenses: Semi-liquid form, surprise
Magic Resistance: Standard
Intelligence: Low to Semi-
Alignment: Neutral (Evil)
Size: M
Psionic Ability: Nil
Attack/Defense Modes: Nil
Level/X.P. Value: IV / 240 + 5 per hit point

MoChem (NIGHT SHIFT)

No. Appearing: 1 (Unique)
DV: 6
Move: 45 ft.; may flow through narrow gaps at 30 ft.
Vitality Dice: 4
Attacks: 2 slams/claws
Damage: 1d6/1d6
Special: Semi-liquid form, blood drain, engulf, surprise, light sensitivity, sunlight damage, double damage from fire
XP Value: 140

MoChem is a malformed humanoid horror spawned from decades of illegal chemical dumping. Roughly man-sized but squat and thick-bodied, it has overlong arms, short, powerful legs, a single milky eye in its upper torso, and a flexible feeding maw below. Its body is coated in a red oily secretion often mistaken for blood.

Combat: MoChem attacks with two heavy slams or claws for 1-6 points of damage each. It may instead attempt to batter, grapple with, or press itself against prey to feed. It is cunning only in an animal way, preferring darkness, ambush, narrow spaces, and prey that are alone or already frightened.

Special Abilities

Blood Drain: Whenever MoChem scores a critical hit, it opens feeding pores or its maw against exposed flesh, draining 1-4 additional hit points of blood and vital fluids. This is in addition to normal damage. A drained victim may appear pale, weak, and chemically burned around the wound. This is not a vampiric or magical effect.

Semi-Liquid Form: MoChem may compress itself into a half-fluid shape, allowing it to pass through bars, storm drains, culverts, wide cracks, broken windows, pipe openings, or any aperture large enough for a cat or small dog. In this form, it cannot attack normally, but it may move through spaces inaccessible to most man-sized creatures. It may resume its full shape in the following round. Because of this ability, it cannot be held by ordinary ropes or manacles, and non-magical grappling attacks against it suffer a -2 penalty.

Engulf Small Prey: Creatures of small build, as well as animals the size of dogs or smaller, may be engulfed if MoChem successfully hits with both attacks in a single round. The victim must save vs. petrification or be pinned within its semi-fluid mass. Thereafter, the victim suffers 1-4 hit points of damage per round until freed or dead. Small animals may simply be swallowed whole at the DM’s discretion.

Surprise: In darkness, sewers, culverts, abandoned industrial works, or wet ground near polluted runoff, MoChem surprises on 1-4 on 1d6.

Light Aversion: Bright light causes MoChem pain and disorientation. A strong lantern beam, continual light spell, or similar bright illumination forces it to attack at -2. If trapped in such light for more than 3 consecutive rounds, it will retreat if possible. A light spell cast directly upon or very near it inflicts 1-4 hit points of damage.

Sunlight: Direct natural sunlight inflicts 1-6 hit points of damage per round and prevents use of its semi-liquid form. MoChem avoids daylit areas whenever possible.

Vulnerability to Fire: All fire-based attacks inflict double damage.

MoChem is not undead, nor is it a true elemental or demon. It is a pollution-born predator, a toxic life form awakened in bad ground and abandoned waste. It lairs in culverts, runoff tunnels, chemical pits, and flooded industrial ruins.

MoChem possesses a rudimentary intelligence. Enough to know it despises its own existence, but not enough to know how to end it. It fears light and the sun and avoids both at all costs. According to scholars on local BBS sites, if you could lure it into direct sunlight, it would dry up and die. Others speculate that such a death would not be permanent unless the creature was also burned.

--

I kinda wish 10-year-old me could see this!

Night Shift^® is a registered trademark of Elf Lair, LLC.

Monstrous Mondays: Old Annie, the Mauvaisterre Hag

 Everyone in Jackson, IL knows about "Old Annie" though not everyone agrees on what or who she is. The most popular story is that "years ago," Annie was a local woman who lived near the river. She had three (maybe four, maybe two) children. Her husband left her, and she drowned her children. Then, in a fit of grief, she drowned herself. At least that is the most common story. Everyone has a story about seeing her, or someone who has seen her, or heard her wails at night when she is supposedly out looking for her drowned children.

Others include an escaped patient from the Illinois State Hospital who fell into the river and drowned, and now her ghost is trying to find her way out.  Others claim the whole thing is a hoax and point to a 1967 Jackson Gazette story of faternity pranks at MacAlister College where pledges were forced to dress up as Old Annie to scare people.

“Don’t go near Mauvaisterre River, Old Annie will snatch you.”

Everyone has a theory of who Annie was, including a woman named Anne Sullivan from the 1870s.  

The trouble is, everyone is wrong. Not about Old Annie as such, just who she is and what she is. Annie is not the ghost of a guilty mother. Old Annie is really the Mauvaisterre Hag.

The Mauvaisterre Hag

The land that was settled and later became Jackson, IL originally had a different name. When Jacques Marquette and Louis Jolliet first came through this area in the late 1600s, they went to places of local importance. Like the Dixon and Cahokia Mounds, the bluffs over the Mississippi River are where the Piasa was said to have lived. And north of that was a land that all the locals avoided. A place they called "The Bad Land."  This translated into "Mauvaise Terre" and eventually became "Mauvaisterre".  Today it is the name of the county where Jackson sits, a lake, and a river that runs through the town.

Even then, legends of a hag-like creature haunting the waterways were old.

The Mauvaisterre Hag is a corrupt spirit of the land, a water spirit similar in many ways to a nymph or nixie, but something evil happened, and this balanced nature spirit became twisted and evil. 

If the members of the Peoria tribes had a name for this creature, they never told anyone, least of all the white explorers to their lands.

THE MAUVAISTERRE HAG, "OLD ANNIE" (AD&D 1st Edition)

Frequency: Very rare (Unique ?)
No. Appearing: 1
Armor Class: 5
Move: 9” / 12” in mud, swamp, or shallow water
Hit Dice: 3+3
% in Lair: 60%
Treasure Type: None
No. of Attacks: 2 or 1
Damage/Attack: 1-6/1-6 or by weapon
Special Attacks: Horrific appearance, drown
Special Defenses: Camouflage, surprise, half damage from cold
Magic Resistance: Standard
Intelligence: High
Alignment: Chaotic Evil
Size: M
Psionic Ability: Nil
Attack/Defense Modes: Nil
Level/X.P. Value: IV / 165 + 4 per hit point

Mauvaisterre Hag (NIGHT SHIFT)

No. Appearing: 1
DV: 5
Move: 45 ft. / 60 ft. in mud, swamp, or shallow water
Vitality Dice: 3
Special: 2 claw attacks or by weapon; horrific appearance, drown, camouflage, surprise, half damage from cold
XP Value: 

The Mauvaisterre Hag, also known as "Old Annie," appears as a bent and sodden crone with long trailing hair like river weeds, pale eyes, and skin the color of wet clay. Her garments are formed of rotted cloth, moss, mud, and reeds. She is most often encountered near creeks, riverbanks, marshes, drowned groves, or low ground where the earth has become soft and treacherous. Though related to the sea hag in nature and malignancy, Old Annie is a thing of bad earth and black water rather than salt sea and storm tide.

It is said by those who can read these signs that Annie used to be something more akin to a nymph or a nixie, a water creature of nature and balance, but something happened. Something that changed the land and corrupted it and the spirits that lived there. Some of these spirits have gone to darker, deeper places in the earth, but Old Annie remains. She is ancient beyond reckoning, and her age has done nothing but deepen her malignancy. 

Old Annie attacks with filthy claws, striking twice per round for 1-6 hit points each. She may also wield a crude knife, broken oar, driftwood club, or similar object if it suits the encounter. She prefers ambush, isolation, and terror to open battle.

Special Abilities

Horrific Appearance: Any creature beholding Old Annie for the first time must save vs. paralysis/petrification (Wits based for NIGHT SHIFT). Those failing suffer a -2 penalty on attack rolls against her for 1-4 rounds due to revulsion and dread. If the victim fails the saving throw by 5 or more, they must also flee in panic for 1-3 rounds. This is less potent than the deadly gaze of a true sea hag, but no less hideous in its own fashion. Creatures accustomed to hags, swamp spirits, or similar horrors may receive a +2 bonus to the saving throw at the GM’s discretion.

Drown: If Old Annie successfully strikes the same man-sized or smaller victim with both claws in one round while in shallow water, mud, or slime, she may, on the following round, attempt to drag the victim beneath the surface. The victim must save vs. death magic or be pinned and begin drowning. On subsequent rounds, the victim may attempt to break free with a successful bend bars/lift gates roll or by Old Annie being driven off, slain, or taking 6 or more points of damage in a single round.

Camouflage: When standing motionless in reeds, mud, shallow water, or against a creek bank, Old Annie is 75% likely to be mistaken for driftwood, roots, a patch of reeds, or some other natural feature unless closely examined. She surprises opponents on 1-4 on 1d6 in such terrain.

Half Damage from Cold: As a creature of chill muck and black water, Old Annie suffers only half damage from cold-based attacks, with fractions rounded down.

Old Annie is not a true hag, but a corrupted nature spirit. As such, she does not have access to witch magic or form a covey with other hags. Though she shares no love for hags either and will avoid the Urban Hags of Jackson. 

--

"Mauvaisterre" is a real place name in Central Illinois. The rough translation does mean "bad earth" or "bad land." It is the real name of a creek and a lake, but not a river or county. I also thought it was appropriate for a place I have been calling "a sinkhole of evil."

Night Shift^® is a registered trademark of Elf Lair, LLC.

Monstrous Mondays: The Crimson Cougar

 My latest obsession is my Jackson, IL campaign for NIGHT SHIFT^®. I have been doing a lot of research, and many creatures keep coming up, but none more fun than the giant cats of the area where I grew up. 

Opinions vary. Are there cougars in the middle of the state of Illinois? Large bobcats? Panthers? Well, there is a "Panther Creek" conservation area nearby, but no actual panthers. But were there? Well, in Jackson, there certainly was. Maybe there still is. 

The Crimson Cougar

Every school has a mascot. Some have teeth.

In Jackson, Illinois, the teams of Jackson Public High are the Crimson Cougars. The name is on jackets, painted across gym walls, and shouted from the bleachers every fall. Officially, it is a solid school mascot. Strong animal. Local color. Nothing more.

Ask around long enough, and the older stories surface.

Long before the school took the name, farmers and hunters spoke of a great red cat seen along fence rows, creek beds, and field edges at dusk. Some said it was a cougar caught in strange light. Others swore it was too large, too lean, and too quiet to be natural. A few claimed it appeared before storms, accidents, sudden deaths, and other runs of bad luck. When Holmwood Hall on MacAlister campus burned down in the 1940s, some students claimed to have seen it roaming around. It was seen prior to the great train crash of the 1860s that killed dozens. And when the Cholera epidemic killed scores, it was seen roaming outside the city limits.

The stories never matched in every detail. They agreed on one point. Seeing it meant something.

Years passed. Then the town did what small towns often do. It took something feared and turned it into a symbol. It painted the monster on helmets and pennants. It gave it school colors and a grin.

Some people in Jackson still say it is out there, waiting to foretell another disaster. 

CRIMSON COUGAR (AD&D 1st)

Frequency: Very rare/Unique
No. Appearing: 1
Armor Class: 4
Move: 18
Hit Dice: 7+2
% in Lair: 0%* (no lair has been found)
Treasure Type: Nil
No. of Attacks: 3
Damage/Attack: 1-4/1-4/2-6
Special Attacks: Surprise, pounce, fear gaze
Special Defenses: Hit only by silver or magical weapons at night or in darkness
Magic Resistance: Standard
Intelligence: Low to Semi-
Alignment: Neutral
Size: L
Psionic Ability: Nil
Attack/Defense Modes: Nil
Level/X.P. Value: VI / 825 + 10 per hit point

Crimson Cougar (NIGHT SHIFT)

No. Appearing: 1 
DV: 4
Move: 45 ft.
Vitality Dice: 7
Special: 3 attacks (2 claws and bite), move silently, silver or magical weapons to hit, cause fear.
XP Value: 1,400

Crimson Cougar is a large, mountain-lion-like creature with fur in a dark reddish, even blood-like, color. Some people think it is only an illusion formed by the sunset, but others have claimed to have seen it at night. The eyes are said to be gold, although scared eyewitnesses claim they glow red.

This being is extremely quiet and catches other creatures off guard on a roll of 1-4 on a d6 when found in forests, cornfields, creeks, or at twilight. If Crimson Cougar attacks by jumping out of hiding, it gains a +2 bonus to hit with both claw attacks in the first round. If both claw attacks hit one target, the being can bite the creature for 2-6 points of damage.

When looking at the creature in the eye within 30 feet, a creature must make a saving throw vs spells or flee for 1-4 rounds. If retreat is possible, creatures with at least 5 Hit Dice get +2 to their saving throw, as they find it harder to be intimidated by an unnatural creature such as the Crimson Cougar. A successful save grants immunity to this cougar's gaze attack for 24 hours.

If it is twilight, storm-dark, or nighttime, only silver or magic weapons will hurt this being; however, normal weapons may harm it in full daylight, although they offer little relief to someone under attack by the being's claw strikes. 

Although the creature is known to be fearsome, it is not normally malevolent to humans. It does not hunt them for pleasure and does not kill livestock without cause. The crimson cougar usually appears where the ancient boundaries have been violated, where blood is about to be spilled, or when the land has become angry. It can be an omen, a protective spirit, a ghost, or any supernatural animal.

Despite many hunts over the last two centuries, no lair of the Crimson Cougar has even been discovered. No cubs or mated pairs have ever been seen, leading many to speculate that there is only one Crimson Cougar, if it is a living creature, or a manifestation of the land. 

Night Shift^® is a registered trademark of Elf Lair, LLC.

This Old Dragon: Issue #124

Let's go back to a transitional time for me personally. August 1987. I was starting my first year at university, and pretty much everything in my life was changing. I had moved to a town that would be my home for the next 7 years and 2.5 degrees. I was about to meet the woman I was going to marry, though we never actually dated in college. Just hung around each other like 24 hours a day for five years. And in gaming, I was getting ready to move over to the "new" 2nd edition of the game that had been part of my life for 10 years or so. Stakeout was the number one movie. U2 and Madonna filled the airwaves, and on tables and shelves everywhere was This Old Dragon #124.

I will admit, I don't recall this one very well. I don't think I actually owned it.

The cover by Teanna Byerts is good, but I am not sure I recognize her name at all. Like many of the Dragon of this time frame, it is a themed issue, this time on "Aerial Adventuring."

Also, my copy is in pretty terrible shape. There are a lot of pages falling out, and it is missing the Forgotten Realms map, much to my disappointment. Though given that it is nearly 40 years old, this is hardly a shock.

Letters cover some of the changes in Dragon and some of the ones coming up. 1986-88 was a big transitional time at TSR as we all know now and there is evidence everywhere. 

Roger E. Moore asks in the Editorial what other changes do people want, including a dedicated BBS (bulletin board system). Kudos for the forward thinking. I got onto a lot of BBS back in the day and TSR one would have been fun. 

Checking my PDF it looks like I am missing the Forum page.

Ken Rolston is up first with Role-playing Reviews. He covers two books from the Warhammer Fantasy line, though he spends a lot of time talking about the merits of various other Fantasy RPGs including AD&D/D&D, GURPS Fantasy, RuneQuest and Harnmaster among others. When we get to warhammer he likes the character creation and combat, but doesn't seem to care for the magic system. Though he loves the races and monsters. The review is long, but not so long as to be overpowering. Given the impact that Warhammer will soon have on the hobby, it is likely the right size. 

Sage Advice covers the Frank Mentzer-edited D&D Expert set. 

Ah, page 17, we get into our feature articles. 

Ed Greenwood is up first with Sailors on the Sea of Air, detailing the skyships of the Forgotten Realms. Since these pages were already falling out, I just took them and stuck them into my 1987 "Gray" Forgotten Realms boxed set.  These are not Spelljammer ships, at least not yet, but they are a nice fantastical piece that separates what makes the Realms the Realms and not Greyhawk. Does Greyhawk have flying ships? Maybe, but they seem to work well here. Ed, of course, is dropping names here that will soon become minor D&D celebrities in their own right.

On a Wing and a Prayer is next from L. Gregory Smith and covers gliders for AD&D. Not quite as fantastical as flying ships. It seems to be complete. When were gliders first used? 1880s it seems. 

Thomas Kane is back with Flying the Friendly (?) Skies, or a guide to aerial adventuring in the AD&D game. This covers mounts of various types and spells. He also gives us weather effects and altitude adjustments. 

The Wings of Eagles by J. E. Keeping details the aarakocra as a PC and NPC race choice. I don't recall ever seeing anyone ever play one back then, so not sure if this article had much traction. Of course, today they are ubiquitous enough to be a character and a plot point in the last Dungeons & Dragons movie.  Again my copy was falling out, so I just punched some holes into it and stuck it into my Monstrous Compendium for AD&D 2nd ed. There is even a god of aarakocra, Krocaa, listed. 

This ends the feature.

Buy quirk of layout, Sage advice continues here on the same page with the updated Beastmaster XP tables. Now I kinda want to make an aarakocra beastmaster. 

Joseph R. Ravitts is next with Kicks and Sticks, Introducing escrima to Oriental Adventures. A system of escrima martial arts as well as a class to use it, the Escrimador. It *seems* fine, but feels like a solution in search of a problem. Honestly, I never used Oriental Adventures much and got into their martial arts sections even less. 

Rich Stump is up with Front-End Alignments about "Quasi-alignments" of gamers like "Chaotic Everywhere" and "Lawful Bored."  Not really my thing, but I'm sure someone was amused. Feels like filler to me. 

Far more useful is Rich Baldwin's Arcane Lore: The Secrets of Odeen the Arch-Mage. This details the known background of the Arch-Mage Odeen and, more importantly, the discovered spells of the Arch-Mage. There are five new spells here, nothing earth-breaking, but fun ones. Perfect for a quest to uncover this lost book. 

Stuck in the middle of this issue is this AD&D Game 2d Edition Questionnaire. It is pretty comprehensive. The mail in reply card is still attached, but sadly I think I missed the window to send in my responses.

What is most interesting to me is what is here that made it into the game and what didn't. 

Packing It All Away by Ian Chapman offers tips on what to pack for a wilderness adventure. Most of the people I gamed with were at the time or had been Boy Scouts, present company included (yes, I was a Boy Scout, no, I didn't stick with it because they didn't like Atheists then, still don't I think.).  So this material was a bit of a repeat. We all had access to various Boy Scout manuals. Still this is a useful list of items and advice. Not sure if the GP values translate to other systems, though. 

Ah, now here is a fun one. Ed Greenwood is back with The Ecology of the Gelatinous Cube. A monster that, by all accounts, was created just so Gary could mess with his players gets the full Ecology treatment. Here the deadliest of the all the Jello-O flavors gets situated into the dungeons of the Undermountain. Ed even manages to make these things make sense. They even get a proper name, Athcoids. Since this was already falling out, I punched holes in this one too and put it in my Monstrous Compendium binder. Blasphemy? Eh. The magazine is falling apart anyway, and this at least allows me to keep the best parts. 

Michael Dobson give us some sneak peaks of AD&D 2nd Edition in The Game Wizards. I know that at the time I was excited to get this new AD&D. Despite starting in 1979 I always felt I was on my back foot when it came to AD&D 1st ed. I began with Holmes Basic and then on to Moldvay Basic before getting into AD&D proper. This of course is silly for me to think, since the Holmes Basic I was playing then was a combination of that and the AD&D Monster Manual. So I was only two years late for the start of AD&D. But still, I felt AD&D 2nd Ed would be "mine" the one I could invest into. This article covers the new AD&D, but also other offerings from TSR. I didn't fully comprehend then what was happening with TSR and Gygax even if I new the broad strokes. Still, it felt like a change, and I was already in the middle of my own changes that this felt custom-made for me. College and AD&D, 2nd ed., would be forever linked in my mind.

Peter R. Jahn has some rules for guns for various systems in Blasters & Blunderbusses. Really, I should say it is more system-agnostic.

Following on that is A Shot in the Arm, or a new damage system for Star Frontiers by Jason Pamental and David Packard. I enjoyed SF back in the day, but by 1987 I had moved on to other sci-fi games in my search to find the perfect sch-fi game for me. Eventually, I just had to write my own. 

Thomas Kane is up again with The Most Secret of Secrets, real world secret tech for Top Secret and Top Secret/SI games. This includes such things as the Stealth Bomber and Stealth Fighter. I had a high-school buddy who became an engineer and was WAY into stealth tech. Then later on in college I had a roomate that bought all the flight simulators for the stealth fighters when they came out in the early 1990s. I liked this article for the coverage of the nearly forgotten Soviet "space plane," their answer to our space Shuttle. 

Friend of the Other Side, Jeff Grubb is up with his Marvel-Phile discussing The Hulk and the Hulkbusters. 

The Lessers are back with The Role of Computers, detailing what was high tech in the Summer of 1987. They cover the games Black Magic and Realms of Darkness as well some clues for other games. The DNA that all computer games share with D&D is always a little more obvious in these early games. 

Small ads are next with the Gamer's Guide. Always a ton of great stuff here. Avil Enterprises still has its ad for illustrating your character. An ad for "Christian Adventure Novels," "Discipleship Games," and a few more. 

Order form for back issues of Dragon. You can get issues as far back as #80 and all five volumes of "Best of Dragon." Minimum $15 for credit card orders, please. 

The Convention Calendar covers all the best cons for late summer/early fall 1987, including Gen Con 20 in Milwaukee, WI, on August 20-23. I see the Midwest still dominates the Con scene, followed by the West Coast. 

Dragonmirth, Snarf Quest, and Wormy provide us with our comics this issue. 

All said and told, not a bad issue at all. Part of the transitional time of Dragon, D&D, and TSR. Some of those transitions were pretty obvious, others we only see in retrospect.

While some people claim that the best days of Dragon were behind it, as part of the Golden Age of TSR/D&D, I would argue that Dragon gained more focus and direction in these years, between the height of AD&D 1st edition and the beginning of AD&D 2nd edition. We are seeing the direction AD&D is about to go (again, this is retrospective), and honestly, I thought and still think it looked pretty good. I was not so creator-focused back then that the news of Gygax's, Mohan's, and then later Mentzer's departure affected me much. I suspected then that AD&D/D&D would go on. It did in fact. 

Had I been more "creator-focused" I should have noticed more the rise of Ed Greenwood. It was not a meteroic rise, but a gradual one built up over years of steady and reliable output. Maybe I would have given the Realms more of a chance back then. But it would not be until the 2000s that I really looked into it all and not till much later that I would be playing in the Realms. 

Still. One of the big reasons to keep doing these "This Old Dragons" is to appreciate what we had, how it has shaped the game and the gamers, and what we can still learn from it all today. 

Speaking of which. I have been periodically buying large collections of Dragon magazines. I am now just about out. I'll have to check, but I might not have many of these left. 

Elowen Hale: Advanced Dungeons & Dragons

“Elowen walks like she knows where the puddles are going to be before the rain even starts. She never yells when things go wrong. She just smiles and says we’ll fix it. And then we do. I like going on adventures with her. The ghosts don’t bother her, and she always remembers to pack snacks.” - Doireann, Goblin witch

In many ways, this is the core Elowen, the one I think of when I talk about her.

Elowen died, but she returned changed. Animals respond to her in uncanny ways. Certain undead recoil. Divination spells sometimes yield contradictory results when cast upon her. Detect Evil finds nothing. Detect Magic sometimes flickers.

Among her coven sisters, she is treated with reverence and caution. The Old Religion teaches that death is a doorway. Elowen has stepped through it, and then turned around and stepped back. That doesn't happen, not without a good reason. 

Elowen has a Witch Mark. In this case, the Witch Mark of Sight. Her sight allows her to see ghosts, spirits, and any incorporeal undead, even when they are invisible.  The downside is that they can also always see her. 

Elowen Hale
1st-level Human Witch (High Order), Neutral Good

Secondary Skill: Initiate

S: 10
I: 16
W: 15
D: 12
C: 14
Ch: 17

Paralysis/Poison: 13
Petrify/Polymorph: 13
Rod, Staff, or Wand: 14
Breath Weapon: 16
Spells: 15

AC: 10
HP: 6
THAC0: 20

Weapon
Dagger 1d4/1d3

Familiar: Cat, "Mirepoix"

Spells
Cantrips: Detect Curse, Ghost Sound, Chill, Mend Minor Wounds
First level: Ghostly Slashing, Detect Spirits, Minor Curse

Witch Mark: Witch Sight (see spirits)

Theme song: Home (Prospertine)

This is Elowen at the very start of her adventures. She is currently traveling the world with Doireann and Aisling as they travel with the Free Elves. 

--

Witch Marks are something new I am working on. Elowen has the Witch Mark of Sight, and it allows her to see ghosts, spirits, and any incorporeal or invisible undead. It means they can also see her and know she has seen them. Aisling also has the Witch Mark of Sight, but hers allows her to see auras. The side effect is that Aislign is looking at someone with her witch sight, they know they are being watched, and it makes them uncomfortable. 

Elowen speaks Common, her Alignment Language, Elven, and Draconic. She still has three more languages she can learn. I am fairly sure that if she continues to hang out with Dori, she will learn Goblin. I am saving the other two to figure out later on.

I am also finally detailing where she is from. She is from one of the richer sections of East Haven, or maybe just outside of it. Her family is well off; I figure her father is some sort of import/export merchant. Not someone who sells things himself, but manages a lot of merchandise for others to sell. It would also explain why they knew of Larina, or at least the witches of West Haven. It also goes to show how much the people of East Haven try to avoid thinking about anything that might remind them of West Haven, given how little Elowen first knew about things. 

She wears a witch hat that looks like Larina's. Makes sense since it was a gift from her mentor for her adventures. 

Other Stats

• Tales of the Valiant
• Pathfinder 2nd Edition

Witchcraft Wednesday: Character Challenge Wrap-up

 Another Character Creation Challenge is in the history books.  Thanks again to Carl Stark, The TARDIS Captain, from TardisCaptain's Blog of Holding.  

Some of the playtest characters

In all, I made 41 characters (with 14 more unfinished), all witches for AD&D 1st Edition and all playtests for my new Advanced Witches & Warlocks: Occult Adventures. All witches from level 1 to level 31.

It has been a lot of fun. Here are all the character sheets (and linked):

Follow Timothy's board 31 Day Character Creation Challenge on Pinterest.

And all of the "Theme Songs" in a playlist:

I hope you enjoyed this as much as I did!

Advanced Witches & Warlocks: Occult Adventures

 It's Imbolc. A time for renewal and new beginnings. And a great time to announce my newest project!

The art is from the great Eugene Jaworski. You can find his art here and on his Instagram account. 

Here is his fantastic art with my text messing it up. 

And yes, that is my cover girl, Larina, and her lazy familiar, Cotton Ball. 

This should not really be a surprise to any regular readers here. I have been going on about AD&D games and Occult D&D for a bit now. But that is not all this is.

This project began many years ago as my High Secret Order Witch Book. I am also pulling in material I had begun working on for an unannounced Sea Witch book and something I was calling "The Compleat Witch."  None of these ideas jelled the way I wanted, but there was still a lot of good material. Some of this material also comes from my exploration of the Witches of Appendix N.

I also have 500+ new spells. Some are going back to my original netbook, and others I have written along the way. Not sure how many will end up in this new book, other than to say "a lot."

There is also a lot of material I wrote that will not be included in this book. Once I started my editing, I saw that a) I had too much material and b) some of it was not really related to witches. So there will be a second "Occult Adventures" book out next year, and I have already approached Eugene Jaworski to do the cover as well.

There will not be a Kickstarter for this. I plan to get this all to you via DriveThruRPG. I have everything written, we have been playtesting in our Wednesday and Sunday games, I have art. I just need to edit and trim the fat. Though recent playtests have made me go back and forth on a couple of things. I am excited to see where it all ends up.

Looking forward to getting this out to you all.

Character Creation Challenge: Day 31, The Simbul Witch Queen of the High Witchcraft Tradition

There are only a few characters created by others in this game that I can say I absolutely adore. Feiya is one, so is Iggwilv. And The Simbul, aka Alassra Shentrantra Silverhand, is another. As I said before, Ed Greenwood's obvious love for this character in his writing pulled me into this character, and I love her. I love her power, her madness, and her obvious tragedy. She is great, and I could not wait to add her to my games. Of course, I had to put my own spin on her.

The Simbul is often misunderstood because people take her madness at face value. They see chaos, volatility, and emotional extremity and assume a lack of control. That is a mistake. The Simbul is not mad because she is weak. She is mad because she is too strong for the structures that attempt to contain her.

Unlike Iggwilv, who burns down identities and walks away, Alassra remains. She stays. She binds herself to place, to people, to purpose. Aglarond is not merely her realm; it is her anchor, her sanctuary. Her madness is the pressure of power that refuses to dissipate. Where other archmages retreat into towers, demiplanes, or abstraction, The Simbul holds the line in the world itself.

This is the essential difference between High Witchcraft and the more solitary or liminal traditions. High Witchcraft is not about secrecy or withdrawal. It is about standing openly in the storm of magic and daring the world to endure you. The Simbul does not hide her power, nor does she soften it for the comfort of others. She bleeds magic. She leaks prophecy. She burns bridges even as she protects them.

"Do NOT presume to lecture me, Larina Nix, envoy of Baba Yaga or not."

- Alassra Silverhand, The Simbul

Her relationship to the Seven Sisters is equally telling. They are reflections of Mystra’s will, but Alassra is the one who most visibly suffers for it. She is not the most restrained, nor the most diplomatic, nor the most serene. She is the one who feels everything. That emotional intensity is not incidental. It is the price she pays for channeling magic on a scale that would unmake lesser beings.

If Iggwilv represents the witch who refuses all masters, then The Simbul represents the witch who accepts a burden no one else can carry and survives it anyway.

Alassra Shentrantra Silverhand "The Simbul"
31st level Human Arch Witch/Witch Queen (21/10), Neutral
Tradition: High Witchcraft

Secondary Skill: Initiate

S: 14
I: 18
W: 15
D: 18
C: 16
Ch: 19

Paralysis/Poison: 2
Petrify/Polymorph: 2  
Rod, Staff, or Wand: 2
Breath Weapon: 4
Spells: 3

AC:  -2 (Bracers of Protection +3, Cord of Protection +2, Ring of Protection +3, Dex 18 -4)

HP: 78
THAC0: 8

Weapon
Dagger +1 1d4/1d3

Familiar: Familiar Spirit

Occult Powers
1st level: Familiar
7th level: Witch Vision (see magic, invisible) 

Archwitch Powers: Mastery of the Veil (gained at level 7), Arcane Communion (gained at level 9), Unbound by Circles (gained at level 11). 

Witch Queen Powers: Awesome Presence, Occult Eminece (Witch's Blessing), A Thousand Faces, Timeless Body, Ninth Level Spells (5)

Spells
Cantrips: Arcane Mark, Daze, Mote of Light, Object Reading, Open,
First level: Analgesia, Bar the Way, Burning Hands, Charm Person, Comprehend Languages, Eldritch Fire (Silverfire), Glamour, Mend Minor Wounds
Second level: Arcane Disruption, Agony, Alter Self, Continual Flame, Dweomerfire, ESP, Evil Eye, Web 
Third level: Bestow Curse, Clairsentience, Control Winds, Danger Sense, Dispel Magic, Fly, Lightning Bolt
Fourth level: Analyze Magic, Ball Lightning, Divination, Polymorph Others, Polymorph Self, Remove Curse
Fifth level: Break Enchantment, Maelstrom, Sending, Ward of Magic 
Sixth level: Analyze Dweomer, Greater Scry, Mislead, Rain of Fire
Seventh level: Astral Spell, Chain Lightning, Greater Teleport 
Eighth level: Eye of the Storm, I Am The Fire, Storm of Vengeance, 
Ninth level: Foresight, Imprisonment, Seal the Gate, Power Word Kill, Shapechange

Theme Song: Every Little Thing She Does is Magic

The Simbul occupies a rare and precarious position. She is both an Arch Witch and a Witch Queen, but she is not defined by conquest, hierarchy, or cult. Her authority is not derived from dominion over other witches, but from presence. When The Simbul acts, reality pays attention. When she speaks, even the gods listen carefully.

She is best used in a campaign not as a quest-giver or antagonist, but as a force of nature given human form. The Simbul does not maneuver behind the scenes. She erupts. She intervenes. She is not a gentle breeze; she is a storm, she is a hurricane. 

She makes decisions that reshape the magical landscape, then lives with the consequences, in full view of the world. Player characters who encounter her should feel small, not because she belittles them, but because she reminds them of the scale at which magic can truly operate.

Yet, for all her terrifying capability, there is a deep sadness at the heart of Alassra Shentrantra Silverhand. She has given up the possibility of an ordinary life, not for ambition, but for necessity. She endures so that others may not have to. That sacrifice is what elevates her from a powerful spellcaster to a Witch Queen in the truest sense.

I am not sure what I feel about her canonical death. While I do not pretend for a moment that any Witch Queen should live forever, her end feels strangely hollow to me. Yes, she died doing something entirely in character, but the framing feels uncomfortably refrigeratory, reducing a complex, volatile, deeply loved figure to a moment of narrative utility rather than culmination.

In my games, she sacrifices herself, yes, but not in that way. It is her magic and her sanity that are consumed, burned away to seal what could not otherwise be contained. Alassra lives, but she is vastly diminished. The storm has passed, and what remains is the woman who stood at its center.

I like to think that in this state, Elminster keeps her hidden and protected, not as a guardian of the realm, but as a dear and close friend who refuses to let her story end in silence. He works without rest to restore what was lost, knowing full well that success is uncertain. Whether she will ever return as the Simbul the world knew is unclear. But she is alive. 

And for a Witch Queen, that matters.

Where Iggwilv survives by changing, and others by ruling, The Simbul survives by being remembered, even when she can no longer remember herself.

And that's another 31 Day Character Challenge!

Character Creation Challenge: Day 30, Iggwilv Witch Queen of the Demonic Tradition

 I rather love Iggwilv. 

There is a quote attributed to her that I think is spot on. "I can't remember the number of times I have burned everything to the ground and started over." It captures her well I think. From the girl Natasha to Natasha the Dark, to Tasha, to Tashanna, to Hura, Iggwilv, and now? Zyblina. I see no contradictions here. Witches are fluid, liminal creatures, and witch queens more so. 

Iggwilv has never been a creature of stasis, either in her world or ours. She does not cling to names, crowns, or even worlds. She sheds them. Each incarnation is not a disguise so much as a molting, a deliberate abandonment of what no longer serves her. Where other archmages obsess over legacy and continuity, Iggwilv embraces rupture. Reinvention is not a failure state for her, it is a strategy.

This is what separates her from the traditional wizard archetype and places her squarely in the lineage of witch queens. Wizards accumulate. Witches transform. Iggwilv understands that power calcifies if it is not periodically broken down and reforged. When she burns everything to the ground, it is not an act of petulance or nihilism. It is pruning. It is alchemy. 

There is also a deeply witchy pragmatism to her infamous dealings with demons. Iggwilv is not a supplicant, nor is she a true believer. She does not worship, and she does not kneel. Demons are tools, dangers, lovers, rivals, and sometimes mirrors, but never masters. Her greatest victories over fiends were not won through brute force or righteous opposition, but through understanding their nature better than they understood themselves. 

The Demonic Tradition she embodies is not about corruption for its own sake, but about sovereignty. To bind a demon is to assert that no cosmic hierarchy is absolute, that even Hell has rules that can be learned, exploited, and rewritten. She is part of the Demonic Tradition because she knows demons, she can gain power from them, and not let it harm herself. Well. Most times.

If Baba Yaga is the archetypal Witch Mother, eternal and terrible, then Iggwilv is the Witch Daughter who refused to remain in her shadow. She learned everything she could, then walked away.

Iggwilv
30th level Human Arch Witch/Witch Queen (20/10), Chaotic Neutral (Evil)
Tradition: Demonic (formerly Daughters of Baba Yaga)

Secondary Skill: Scribe

S: 10
I: 20
W: 17
D: 21
C: 19
Ch: 22

Paralysis/Poison: 3
Petrify/Polymorph: 3  
Rod, Staff, or Wand: 4
Breath Weapon: 6
Spells: 5

AC: -10 (leather armor +4, Bracers of Defense +3, Ring of Protection +5, Dex 21 -4, Tastchti's Mark -2)
HP: 66
THAC0: 10

Weapon
Dagger +1 1d4/1d3

Familiar: Quasit, "Black Comet"

Occult Powers
1st level: Familiar
7th level: Touch of Evil

Archwitch Powers: Mastery of the Veil (gained at level 7), Arcane Communion (gained at level 9), Unbound by Circles (gained at level 11). 

Witch Queen Powers: Awesome Presence, Occult Eminece (Polymorph Other), A Thousand Faces, Timeless Body, Ninth Level Spells (5)

Spells
Cantrips: Alarm Ward, Arcane Mark, Chill, Daze, Ghost Sound, Summon Vermin
First level: Bad Luck, Cause Fear, Charm Person, Darkness, Fey Sight, Ghostly Slashing, Glamour, Protection from Spirits, Silver Tongue
Second level: Agony, Biting Blade, Discord, Enthrall, Evil Eye, Invisibility, Mind Obscure, Phantasmal Spirit, Tasha's Hideous Laughter (Ritual)
Third level: Astral Sense, Bestow Curse, Dispel Magic, Feral Spirit, Ghost Ward, Toad Mind, Witch Writing
Fourth level: Analyze Magic, Divination, Intangible Cloak of Shadows, Phantom Lacerations, Spiritual Dagger, Tears of the Banshee, Withering Touch
Fifth level:  Break Enchantment, Enslave, Greater Command, Magic Jar, Witch Box
Sixth level: Anchoring Rite, Anti-Magic Shell, Break the Spirit, Dismissal (Ritual)
Seventh level: Banishment, Draw Forth the Soul, Forbidding
Eighth level: Astral Projection, Gate, Trap the Soul
Ninth level: Bind Soul, Foresight, Imprisonment, Seal the Gate, Power Word Kill,

Theme Song: I Hate Myself for Loving You

What makes Iggwilv compelling is not that she is powerful, but that she is unfinished. Or more to the point, ever-changing and ever-growing. Even now, even under yet another name like Zybilna, she is still becoming. A Witch Queen is not a static end-state like lichdom or apotheosis. It is a road, and Iggwilv has walked it forward, backward, and sideways across multiple realities.

For a campaign, Iggwilv should never be a simple antagonist. She is an event. An inflection point. Crossing paths with her should permanently alter the trajectory of a story, even if swords are never drawn and spells are never exchanged. She might teach, betray, ignore, manipulate, or save the party, but she will never do so for their sake alone. There is always a larger calculus at work.

And yet, for all her monstrous reputation, there remains something profoundly mortal at her core. She still loves, still hates, still remembers. Her many names are not masks to hide emptiness, but scars that prove she has survived herself over and over again.

That may be her greatest magic of all.

Character Creation Challenge: Day 29, Kersy Witch Queen of the Atlantean Tradition

Kersy is a wonderful character. Bruce Heard, her creator, admits she is basically a Circe stand-in, but I saw her as something else. I have to admit, when I saw Vanessa Williams in ads for the 1997 TV mini-series "The Odyssey," I thought, "Now that is great casting for Circe!" Sadly, I got it wrong: she was cast as Calypso, and Bernadette Peters as Circe. But it stuck with me. So when I came back to D&D in the 2000s and encountered Kersy, I already knew what she looked like. She looked like 1990s Vanessa Williams. 

Kersy has an interesting character beyond her origins as a Circe stand-in. She is introduced in the D&D Masters-level module M1 Into the Maelstrom. She is using her human guise as a 30th-level Magic-user, and she is the ruler of the Island of Turkeys.  If you are thinking she sounds a lot like Circe and her Island of Pigs then you are correct. Doing some deeper research into Kersy gives me a stranger tale. Over at the Vaults of Pandius, they have expanded on her background a bit more. 

She is described as the distillation of Koryis' own unwanted thoughts, urges, and feelings.  

Koryis is the Immortal Patron of Peace.  While he was on his epic quest, he sought to purge himself of evil in impure thoughts. He was successful, and that "impurity" manifested itself as Kersy. If Kersey looks like Vanessa Williams from The Odyssey, then Koris looks like Armand Assante.

At least that is what his mythology says. 

We learn from M1 that she is a "beautiful maiden" and a "30th-level magic-user." But other details are scant. From the Vaults of Pandius, we learn that she is beautiful, with long raven-black hair and amber-colored eyes.  She is the Patroness of Witchcraft and Charms.  

What can we gather from all of this? Kersy is Koryis' "dark anima" in Jungian psychology.  The description of Koryis' quest to rid himself of these dark, impure impulses sounds exactly like a quest to confront his Anima, who is Kersy. However, Koryis failed to integrate his "shadow self" and is less than he was. 

Now, if this is what happened, then according to Jung, Koyris is now forever incomplete.  Reading over the history of VoP, it would seem that Kersy knows this. If we extend this to other Jungian archetypes, then Kersy fits one perfectly. The Witch.  She is powerful, connected to the Earth, and a source of wisdom.  Koyris, in his quest to rid himself of Kersy, only weakened himself and gave his power away.

Kersy might wish to reunite with the now forever incomplete Koryis, or not. She has grown since then. 

In my Occult D&D, they would forever be circling each other, each seeking what the other has and never feeling quite complete. An Anima and Animus, or a Yin and Yang. 

And given her history, she is also perfect for my Atlantean Tradition.

Kersy
29th level Human Witch/ Witch Queen (20/9), Neutral (Chaoic Neutral)
Tradition: Atlantean 

Secondary Skill: Astrologer

S: 12
I: 18
W: 18
D: 16
C: 14
Ch: 18

Paralysis/Poison: 3
Petrify/Polymorph: 3 
Rod, Staff, or Wand: 4
Breath Weapon: 6
Spells: 5

AC: -2 (leather armor +3, Bracers of Protection +3, Cord of Protection +2, Ring of Protection +3, Dex 16 -1)
HP: 66
THAC0: 12

Weapon
None

Familiar: Rainbow Warbler (Song Bird) "Victoria"

Occult Powers
1st level: Familiar
7th level: Speak to Animals
13th level: Drawing Down the Moon
19th level: Witch's Blessing

Witch Queen Powers:
Awesome Presence, Occult Eminece (Polymorph Other), A Thousand Faces, Timeless Body, Ninth Level Spells (4)

Spells

Cantrips: Daze, Guiding Star*, Mote of Light, Object Reading, Open
First level: Allure, Bar the Way, Bewitch I, Burning Hands, Call Spirits of the Land, Charm Person, Comprehend Languages, Glamour
Second level: Alter Self, Beckon, Blight of Loneliness, Burning Gaze, Detect Charm, ESP, Evil Eye, Mind Obscure
Third level: Astral Sense, Bestow Curse, Calm Animals, Clairsentience, Control Winds, Danger Sense
Fourth level: Ball Lightning, Confusion, Divination, Masque, Polymorph Others, Threshold
Fifth level: Break Enchantment, Commune with Nature, Maelstrom, Song of Night
Sixth level: Bones of Earth, Cloak of Dreams, Greater Scry, Mislead
Seventh level: Astral Spell, Breath of the Goddess, Veneration
Eighth level: Adoration (Overwhelming), Eye of the Storm, Storm of Vengeance
Ninth level: Foresight, Mass Polymorph, Seal the Gate, Sovereign Geas, Time Stop

Theme Song: Veil of Isis

My Kersy has outgrown the original Kersy much as she outgrew the original Circe. She is my witch queen of the Jungian archetype of the Anima. So, in a way, it makes some sense to me to make her an Atlantean Witch. She also brings up something.

Baba Yaga is not a member of the Daughters of Baba Yaga tradition; she is Classical. Aradia is not a member of the Followers of Aradia tradition; she is a Pagan. Likewise, Kersy is the Queen of the Atlantean Tradition and founded the Aquarian Tradition. The Aquarians, in their own way, honor her as their Witch Queen, but they aptly refuse to have a witch queen of their own. 

I have done quite a lot with Kersy over the last five or so years, and she has been great. Truly one of the most powerful Witch Queens I use.