Showing posts sorted by relevance for query dark druid. Sort by date Show all posts
Showing posts sorted by relevance for query dark druid. Sort by date Show all posts

Wednesday, September 9, 2015

Class Struggles: The Dark Druid

I am have a great time here planning out my "War of the Witch Queens" adventures.  My 5th Ed game is running like a well oiled machine and there is nothing I need to plan for it for many more months (I need a high level adventure to cap it off).

This week I finally got a copy of an adventure I have been wanting forever; Dark Druids by Robert J. Kuntz.  It is a real treat and worth the wait and money I paid for it.

I had been researching Irish myths and legends and read about how Liath, Bodhmall, and Finn defeated an enemy known as the Dark Druid. It was quite a fascinating tale and I loved the idea of an evil druid.
I want to talk today about the Dark Druid class, but first a little background.
Many years ago I wrote an adventure for the Buffy RPG called The Dark Druid. Actually it was the first ever published Buffy adventure.   The adventure was a Willow and Tara focused adventure dealing with their past lives, Liath and Bodhmall, Finn MacCool and the Dark Druid "Fer Dorich".

The idea was compelling enough that Irish author Brian O'Sullivan took the same characters and same myths and put his own spin on them in his books the Fionn MacCumhail series.   Like I did he has Liath and Bodhmall as lovers and he even has a Dark Druid, a "Tainted One".  I bring this up because HIS Dark Druid is much cooler than mine.  Mine is simply evil.  His is a perversion of nature.  In gamer circles we might want to describe this in terms of undeath or even Cthulhoid like nastiness.   O'Sullivan is better than that.  His Tainted One radiates a level of "wrongness" that it is noticed my Ban-drui Bodhmall from miles away and even puts fear into the legendarily fearless Liath.
(BTW get his books. They are great!)

Back to my Dark Druid for a bit. The adventure was designed to be a modern tale (thus the Buffy) system.  Part 2 took place in Victorian times as Ghosts of Albion: Blight.  The main enemy was an unnamed necromancer that is imprisoned in a faerie ring.  In publishing it was the necromancer, Lord of Dragons from Ghosts of Albion: Embers.  In my personal games it was the same Dark Druid.
Part 3 was supposed to take place back in Mythic Éire and deal with Liath, Bodhmall, and Finn defeating the Dark Druid for the first time.  Three parts separated by time.   Part 3 was going to be called "All Souls Night" (after the Loreena McKennitt song).   It would have been for *D&D-ish and included the new classes the Dark Druid and the Green Knight.  I did write bits of of it for 3.0 and the Dark Druid and Green Knight live on as Prestige Classes (but I am not going to talk about those today).
I was going to release it, but now I don't have too.
Brian Young gave us the wonderful Codex Celtarum and the adventure Night of the Spirits for Castles & Crusades.  Night of the Spirits does pretty EVERYTHING I wanted to do with All Souls Night.  It even has a Dark Druid.

Dark Druids is a similar adventure. I am not reviewing the adventure yet, but I do want to talk about the class it offers; The Dark Druid.

The class is like the Druid of AD&D source; only this time OSRIC.  It can be any evil alignment or Chaotic Neutral.  This has some logic to it.  The book includes the Dark Druid class and two different sects of Dark Druids.  Dark Druids eschew hierarchies  so there are no "high priests" but many that might claim that title. There are "Dread Hierophants", but that really can be more about power than actual religious hierarchies.   Advancement wise they are like Druids. The only thing I didn't care for was that the Dark Druids are controlled by a demon.  I would think that they are controlled by something older and more evil.  An Eodemon or Urdemon or even some other horror from beyond; something outside of reality.  The book also comes with 42 new spells.  I did not see an OGL statement with any of this.
Given all this The Dark Druid would also make for a great class in Astonishing Swordsmen & Sorcerers of Hyperborea.

I would avoid giving the Dark Druid too many necromantic spells. Sure he can have some, but that is not their role.  Some of the vivimancer spells from the Complete Vivimancer are a good choice.  Obviously there are some good witch spells as well.

There is a lot of potential for a class concept like this.

Thursday, January 18, 2024

Character Creation Challenge: Fear Dorich for Wasted Lands

 I got to thinking about these experiments, and I realized that I had yet to try converting a druid. I am a huge fan of druids, both as a concept and as a character class, with the 1st Ed AD&D one near the top of my list. I have done more than a few Bards, but no druid yet.

This also got me thinking about which Druid to use. I have plenty, including a few that have never seen "print" on these pages. But in the end, I am opting for an atypical druid. I am going to build Fear Dorich, the Dark Druid. 

Dark Druid Sheets

Fear Dorich has a history in my games. I stated him up once for Castles & Crusades for a previous Character Creation Challenge, and he was the main antagonist of the Buffy adventure The Dark Druid. He is a great character with quite a lot of history with me. 

Fear Dorich, and that is not his name, It means "Dark Man," is or was a normal Druid. But in my games he is fighting the rising tide of Christianity. So he has taken it upon himself to keep the worship of the new God to a minimum by killing all the new worshipers. It is a losing battle, we all know, but that is the character I am playing here.  So he is not about grabbing what power he can to achieve those ends.

Fear Dorich, the Dark Druid
Fear Dorich, the Dark Druid

Class: Sorcerer
Level: 5
Species: Human
Alignment: Dark
Background: Animistic

Abilities
Strength: 12 (+0) 
Agility: 16 (+2) 
Toughness: 14 (+1) N
Intelligence: 18 (+3) N
Wits: 17 (+2) A
Persona: 18 (+3) 

Fate Points: 1d8
Defense Value: 8
Vitality: 25
Degeneracy: 0
Corruption: 1

Check Bonus (A/N/D): +3/+2/+1
Melee Bonus: +1 (base) 
Ranged Bonus: +1 (base)
Spell Attack: +3
Saves: +4 (+2) to Spells and Magical effects (Sorcerer), +2 to Persona saves, -2 to magic saves if far from a source of Radiance

Sorcerer Abilities
Arcana, Arcane Powers (2): Wild Form, Shadow Walk

Sorcerer Spells
First Level: Armor of Earth, Bless, Restore Food and Water
Second Level: Beguile Person, Invoke Fear
Third Level: Dark Lightning

Heroic/Divine Touchstones 
1st Level: +1 to combat, Scimitar
2nd Level: Precognition Power

Animistic Background
Animal Summoning 1
Speak with Plants and Animals


Heroic (Divine) Archetype: Death

Gear
Scimitar

Wasted Lands Druids

This is Fear Dorich early into his career of killing members of the new faith. He already has a 1 point of corruption, and I am expecting a lot more.

Wasted Lands does an excellent job with druids; to be honest, you just have to choose your arcane powers and divine touchstones well.

He also fits in well to something else I am working on, but maybe more on that next week or even later down the line.

You can get the Wasted Lands RPG and the NIGHT SHIFT RPG at Elf Lair Games.

Character Creation Challenge

Wednesday, January 13, 2021

Character Creation Challenge: Castles & Crusades

Castles & Crusades Players Handbook
I continue with the D&D descendants with what might be one of my favorite RPGs.  Castles & Crusades. It has the feel of the best of 1st Ed. AD&D and the best mechanics of 3rd Ed.D&D.  It is is no surprise really that some of the ideas from this game made their way to D&D 5.

The Game: Castles & Crusades

Moreso than Pathfinder or any other retro-clone, Castles & Crusades feels like classic D&D.  If you ever played any version of D&D then you can pick up C&C with ease.  So much so that I have converted games back forth from C&C to AD&D and back with ease. D&D5 might be the successor to AD&D, but C&C is the spiritual successor. 

For whatever reason this happened there is a strong Celtic vibe to many of the C&C books I buy. The Codex Celtarum (1st and 2nd Printings), the Haunted Highlands, and more might give me this impression, but it is one I gladly stick with. So naturally, the character for today has to fit this.

I have written so much over the years on Castles & Crusades it is hard to put anything new here.  So check out all my C&C posts.

The Character: Fear Dorich

Fear Dorich is "The Dark Druid" of my campaign worlds.  He is a notorious bad guy and evil druid. He wants to become truly immortal and not this half-life he has now.  

Long time readers might recognize this guy as the enemy of Fion MacCumhail.  I featured him in a Buffy the Vampire Slayer adventure naturally titled "The Dark Druid."  Later he made another appearance in the "prequel" adventure "Blight" for Ghosts of Albion.  Here he was known as "The Necromancer" so I could make it either part of my Dark Druid Cycle or as part of the official Ghosts of Albion line.  Eventually, I wanted to make yet another prequel to all of those set in Celtic Ireland where Fionn and his band of heroes first fight the Dark Druid. I was calling it "All Souls Night" but I never quite got it into the shape I wanted. There have been a couple of good adventures to give me ideas like Robert J. Kuntz's Dark Druids and Night of the Sprits for Castles & Crusades.  It was these two adventures along with my two Dark Druid ones that gave me the idea for War of the Witch Queens.

If I ever finish All Souls Night I might redo the Dark Druid Cycle to use Castles & Crusades.  Replace Ghosts of Albion with Victorious and Buffy with Amazing Adventures.

Fear Dorich
Fear Dorich
Fear Dorich
Human 1st level Druid, Neutral (Evil)

STR: 10 (0)
DEX: 11 (0)
CON: 14 (+1) P
INT: 14 (+1) P
WIS: 18 (+3) P
CHA: 11 (0) 

AC: 13, Leather Armor
HP: 7 (d8)
BtH: +0

Staff +0, 1d6
Scimitar +0, 1d6

Druidic Language, Nature Lore
Druid Spells
0 (3): Create Water, First Aid, Know Direction
1st (1+1): Entangle, Magic Stones

This is Fear Dorich at the start of his career. He is already showing signs of being evil too.

For this character, I would let him take spells from the Codex Celtarum and also the Black Libram of Naratus.

Castles & Crusades books


Wednesday, August 4, 2010

The Dragon and the Phoenix: The Dark Druid

A Gen Con treat for those of you who can't make it to the "Best Four Days in Gaming".

The Dark Druid: The Director's Cut




A bit of history.  Back in 2002 Eden was getting ready to release their newest game, The Buffy the Vampire Slayer game.  As you know, I had already been playing a Willow/Tara focused WitchCraft game for about a year, so I was pretty excited by this.  Well I got asked by Eden to write the first Buffy adventure that would appear in "Games Unplugged" along with an interview with C.J. Carella talking about the game.
I took an idea I had been working on for my other game (tentatively called "All Soul's Night") and thus the Dark Druid was born.

The original featured, rather prominently, Willow and Tara, as to be expected.  I had to make some changes to make it playable for others and to make it an "intro" or season opener type episode.  The plot dealt with an enemy from the Cast's past as a portent to greater evil in the future.  It was designed to be a opening episode of the season, but one that may or may not be directly related to the seasonal arc.  We were going to use this i n part of the great "Djinn" story, but that never happened.

Fast forward a few years and I was finishing up work on Ghosts of Albion and another adventure that sprang from "All Soul's Night" called "Blight" (which I have played at Gen Con before).  I felt it was time to bring back the Dark Druid and restore it to the mythology that I had created in my games.  Now you can have it too.

I updated it not only to fit better with my world-myths, and with some of the work I did on Ghosts of Albion and the adventure Blight.  In fact you can run Blight and The Dark Druid as co-adventures, separated by time.

The story is rather direct and linear.  This was partly due to the nature of the story and what is was supposed to do (introduce new players to the game) and part of just me writing for the Buffy game for the first time.  I have opted not to change that here, despite nearly 8 years of Cinematic Unisystem adventure writing since then.  It is supposed to be a quick, fun little adventure dealing with past lives.

Enjoy!

Wednesday, June 13, 2012

The Dark Druid

Something different today for the YAM Magazine LBGT Blogathon.  Today, not a character so much as characters  and an adventure.  I wanted to repost a link to the first ever Buffy adventure I ever wrote; updated to feature Willow & Tara more prominently.  Also updated with a new download link.
Originally posted here in 2010.


The Dark Druid: The Director's Cut



A bit of history.  Back in 2002 Eden was getting ready to release their newest game, The Buffy the Vampire Slayer game.  As you may know, I had already been playing a Willow/Tara focused WitchCraft game for about a year, so I was pretty excited by this.  Well I got asked by Eden to write the first Buffy adventure that would appear in "Games Unplugged" along with an interview with C.J. Carella talking about the game.

I took an idea I had been working on for my other game (tentatively called "All Soul's Night") and thus the Dark Druid was born.

I had been reading a ton of Irish myths then.  Among those were the stories of Fionn MacCumhaill ("Finn MacCool") and his foster mothers Bodhmal and Liath.  It occurred to me that Liath and Bodhmal were lovers, and to tie it more directly to my work in Buffy, they were reincarnated later on into the form of Willow and Tara.   Since that time anytime I read a story about Fionn MacCumhaill I can't help but read Bodhmal and Liath as lovers.

The original featured, rather prominently, Willow and Tara, as to be expected.  I had to make some changes to make it playable for others and to make it an "intro" or season opener type episode.  The plot dealt with an enemy from the Cast's past as a portent to greater evil in the future.  It was designed to be a opening episode of the season, but one that may or may not be directly related to the seasonal arc.  We were going to use this i n part of the great "Djinn" story, but that never happened.

Fast forward a few years and I was finishing up work on Ghosts of Albion and another adventure that sprang from "All Soul's Night" called "Blight" (which I have played at Gen Con before).  I felt it was time to bring back the Dark Druid and restore it to the mythology that I had created in my games.  Now you can have it too.  So it became a Prequel or an Episode 0 for my huge Willow & Tara series, The Dragon and the Phoenix.  This adventure and the Dragon adventures were designed to feature Willow and Tara.  My players were extremely pissed off at Tara being killed, so this was our way of getting our own way.

I updated it not only to fit better with my world-myths, and with some of the work I did on Ghosts of Albion and the adventure Blight.  In fact you can run Blight and The Dark Druid as co-adventures, separated by time.

The story is rather direct and linear.  This was partly due to the nature of the story and what is was supposed to do (introduce new players to the game) and part of just me writing for the Buffy game for the first time.  I have opted not to change that here, despite nearly 10 years of Cinematic Unisystem adventure writing since then.  It is supposed to be a quick, fun little adventure dealing with past lives.

The episode was well received and even has a bit on Wikipedia, http://en.wikipedia.org/wiki/Buffyverse_role-playing_games#Adventures

It was the first. The start of a series of adventures that led me personally down a crazy path.  It's hard to gauge the effect it has had, it was so fundamental.  From this point my writing increased maybe a 100 or 500 fold.  Hard to say really.

Wednesday, June 7, 2023

Tales from the Other Side

Growing up the shows I really loved (in addition to Doctor Who and Star Trek) were the various horror anthologies that came and went during the 80s, 90s, and before. "The Twilight Zone (all versions)" was chief among these, but so were shows like "Night Gallery," "Monsters," "The Outer Limits (both versions)," "Amazing Stories," and two of my favorites, "Tales from the Crypt" and "Tales from the Darkside."  It was "Tales from the Darkside" that influenced me the most. I wanted my games (at the time largely AD&D) to be more horror-like.  Even in sci-fi, I could not help but notice how many of the elements in The Outer Limits would also appear in Star Trek, or more to the point the other way around since I watched Star Trek first.

In the end, I got my wish. NIGHT SHIFT is the perfect distillation of both Horror and old-school adventure rules. A rule system I have been doing in one form or another along with a horror-filled background that is perfect to model the horror and dark sci-fi I grew up loving.

The only thing missing is the anthologies. 

I spent my weekend (like every weekend in late spring early summer) out in the garden helping my wife. I was doing some weeding and thought I needed to do a set of themed adventures I could publish. They are unrelated to each other, but all have a common thread of horror.

Then I realized something. I had already started this.

Tales from the Other Side

I have written a lot of adventures for many different games. All of them (for the most part) have a horror feel to them.

So to get the ideas rolling for Tales from the Other Side, I figure I will talk about the adventures I have already done and how they can be used with NIGHT SHIFT. I am just going to focus on ones that are readily available. I am looking back at some of my old docs and seeing which ones I own outright and can re-do and which ones never saw the light of day.

The Dark Druid
The Dark Druid
The Buffy the Vampire Slayer RPG
Published in Games Unplugged, July 2002

This adventure was a prequel adventure to what was called "The Djinn Arc" that never got going. It's purpose was to introduce new players to the game, and it featured the original cast of "Buffy the Vampire Slayer." It focused on Willow and Tara as the reincarnations of Bohdmal and Liath (respectively) as the foster mothers of the great Irish hero Fionn MacCumhail (Finn McCool). It features the return of an ancient evil and two new kinds of vampires. The biggest issue with it is that it is an introductory adventure for what should be a "season" of related adventures, not an anthology.

So much of my writing from that time is baked into the DNA of NIGHT SHIFT that converting the game's tone is minimal at worst.

Mechanics changes:

  • Use the vampire and vampire spawn from the NIGHT SHIFT core. Give them the unique kill listed in the Dark Druid adventure.  
  • The Dark Druid himself is a weak (CON = 6) warlock of only 3 or 4 levels. 

This adventure gives some argument of while the stories are anthologies, the characters remain the same throughout.

Guidebook to the Duchy of Valnwall Special Edition
The Haunting of Oakcrest Manor
Labyrinth Lord
Published in Guidebook to the Duchy of Valnwall Special Edition, 2017

This adventure has been successfully converted to NIGHT SHIFT many times. Since it uses Labyrinth Lord rules, conversion is trivial. I ran this both at Gary Con 2021 and Gen Con 2021 as a NIGHT SHIFT adventure where I changed the name to Willow Crest Manor. Both manors are based on a real-life place from my old hometown known as Maplecrest.

The biggest change here is to update when and where you put it. Personally, any small town will do. It just needs to have about 100 years worth of history. Dark woods are good too, so somewhere above the 40º North Latitude line is good in my mind. When I did it for Gary Con I set it near Rockford, IL. 

Six of Cups
Witching Weather
Blue Rose AGE Edition
Published in the Six of Cups, July 2022

I do adore Blue Rose, I love the optimism and the feel of the game. So of course I bring horror to it. I must be damaged. This adventure requires that you find and rescue five psychic children. Trouble is there is a monster that wants to eat them (thinking they will make it more powerful) and a demon lord of storms that thinks they are his children. In Blue Rose this is all set in the town of Garnet, but in my running of this using NIGHT SHIFT, I set it in Alton, IL. It features another member of the unpleasant Meacham family and my homage to the Piasa Bird.

For changes, there is the tone and location.  Use the demon stats from NIGHT SHIFT and one of the many versions of the Piasa Bird I have posted here. 

The Nightmare
The Nightmare
Chill 1st Edition
Published by Yeti Spaghetti and Friends, April 2023

My most recent adventure is horror through and through. A night hag, or in this case a dab tsog, has been attacking members of the local Hmong community. There is also a Will-o-the-Wisp feeding off of the dying energies. Tone wise this is perfect for NIGHT SHIFT.

Chill's skill checks are little different than that of NIGHT SHIFT, but as a rule of thumb, and roll pf +1 above what a character makes in NIGHT SHIFT is 5%.  The Nightmare, in addition to being written for Chill, is fairly self-explanatory and can be used as is with a variety of systems.

For the Will-o-the-Wisp you can use my stats for them here. For the Night Hag you can use the hags in the core rules of NIGHT SHIFT.

The next two are total cheats since I did not write them but I did do the D&D 5e conversions for them.

The Shrine of St. Aleena
The Shrine of St. Aleena
Labyrinth Lord and D&D 5e
Published by Peter C. Spahn on DMsGuild

This adventure is a conversion of the Labyrinth Lord adventure created by Peter C. Spahn. The horror elements here are light, but as St. Aleena is the patron Saint of adventurers she is still a good choice. The characters come here and then the horror ensues. There is still an evil cult and still unnamable evil spawn here. 

The Shrine of St. Aleena has thematic connections with my own Dark Druid, or at least, it did when I ran it for my group here

To update this adventure change it over to some modern location, I would say on the outskirts of some town, but it has to be old. So East of the Mississippi River.  Otherwise you are good to go.

Death's Ride
Classic Modules Today: CM2 Death's Ride
Basic D&D and D&D 5e
Published by TSR and Classic Modules Today

This is even a bigger cheat than the Shrine of St. Aleena above. But it is solid horror. Death's Ride is an old-school TSR adventure for Basic (Companion) D&D for characters 15th level and above. It has all sort of nasty things going on and really tough monsters.

My D&D 5e conversion scales them down a bit (but not much). It fits with the whole "weird shit going on in far off places" horror. I mean in this respect it is not much different than "The Children of the Corn."

--

Almost enough for a mini-campaign.

I'll have to work on some more and see what I have that I can resurrect. 

Hopefully there will be more Tales from the Other Side.


Wednesday, March 17, 2010

Protectors of Éire for the Ghosts of Albion RPG

Tá an chumhacht agaibh. Cosnaímis mé, a Chosantóirí na hÉireann!


The Protectors of Éire
Like it's neighbor, Albion, Éire (the mystical name for Ireland) has also had her Protectors.

At the time of Swifts (1839 on) the Protector of Éire is Tadgh O’Braohain and he is detailed in the upcoming adventure "Ghosts of Albion: Blight", which can be played this 2010 Gen Con.

Though until then here are some of the more famous Protectors of Ireland's shores.

Fionn Mac Cumhail (Finn Mac Cool)
Protector of Éire

Fionn Mac Cumhail was believed to have lived sometime around the Fifth to Second Century BCE. Fionn lost his father, Cumhail, when he was killed by a rival clan. Muirne, his mother, called her son Fionn which means fair-haired. Knowing that the Clan Morna would seek him out as well she took him to be raised by the wise Ban-drui Bodhmal and her anamchara the warrior woman Liath. They taught Finn to be both a warrior and a druid. He was taught magic, poetry, and the arts of survival.

Fionn learned also from druid Finegas. Finegas captured the Salmon of Knowledge and Fionn cooked it. He burned his thumb on the fish and sucked on it, giving him the gift of wisdom. When Fionn wanted to gain insight to a problem he would put his thumb into his mouth, behind his molars and contemplate.

Fionn later went on to become captain of the Finana, an army of men loyal to the High King Fiachadh (fee-a-kuh). Fionn implemented a code of honor among them, changing the Fianna from an unruly band to a group of champions of the people. The Fianna became models of chivalry and justice. Some claim that the tales of the Fianna formed the basis of the legends of the Knights of the Round Table.

Fionn is also the ancient Protector of Éire, the mystical name of Ireland. Fionn was the father of the Irish hero Oisín, by the goddess Sadb. Fionn battled many mundane and supernatural foes including a Scottish giant and his greatest enemy of all, the Dark Druid. Details of his death are sketchy and many contradict each other. Some say he is not dead at all but merely waits for Ireland to need him. When Éire is in its greatest need he will return.

Special Notes: Fionn generally avoids overt magical use. He knows some spells (as needed by the Director) and performs them when he must through the use of poem or song, though he is not as powerful in this respect as his son Oisín, considered to be one of Ireland’s greatest Occult Poets. Fionn prefers to use his magic in a more passive role, for healing or discovery. This however does not make him a pacifist, far from it, Fionn enjoys to defeat his enemies in combat either by weapon or hand to hand.

As a protector Fionn is allowed to use Magical Flourishes and may use any Magical Defence maneuver.

Name: Fionn Mac Cumhail
Protector of Éire
Character Type: Hero
Attributes: Strength 4, Dexterity 4, Constitution 5, Intelligence 3, Perception 3, Willpower 4
Ability Scores: Muscle 14, Combat 17, Brains 12
Life Points: 64
Drama Points: 5
Qualities: Attractiveness +1, Fast Reaction Time, Hard to Kill 6, Honorable (Rigid), Magic 6, Nerves of Steel, Occult Poet, Protector of Éire (Ireland)
Drawbacks: Adversary (Dark Druid and others) 5, Archaic (in 20th Century)
Skills: Use Brains Score for Occultism and Wild Card (Herbal Remedies)
Maneuvers
Name Score Damage Notes
Dodge 17 Defense action
Grapple 19 Resisted by Dodge
Kick 16 14 Bash
Punch 17 13 Bash
Big Sword 17 29 Stab/slash; two-handed

Notes: Fionn appeared in the first published Buffy RPG Adventure, the Dark Druid. He has been updated to the Ghosts of Albion RPG here.

Link: http://en.wikipedia.org/wiki/Fionn_mac_Cumhaill

Cú Chulainn
Hero of the Ulster Cycle (The Red Branch, The Cattle Raid of Cooley), the Hound of Chulainn
Protector of Éire, Manx and Alba

Known as in his early childhood as Sétanta, the boy who would be Cú Chulainn was already the fairest and strongest in the land. Even at the age of seven Sétanta would enter into battle and invoke his ríastrad to defeat enemies three times his age and twice his size. Tutored by the bard and occult poet Amerigan as well as the druid Cathbad, it was predicted that he would be Ulsters greatest warrior. It was also foretold that his life would be a short one and that its beginning and ending would be marked by the death of a dog.
The first dog was one of the great hounds of the blacksmith Chulainn. Stanta was visiting the smith on the invite of his fosterer King Conchobar MacNessa. Conchobar though forgot to let Chulainn know and he released his guard hounds. Stanta was attacked, but he managed to kill it with a hurley ball. Devestated at the loss of his prized hounds, Chulainn demanded retribution. Sétanta, already honorable beyond his years offered to rear a new hound for him and until such time the hound was ready he himself would be his guard dog. From that point on he was known as Cú Chulainn, the Hound of Chulainn.

Worried that Cú Chulainn will steal their wives and daughters now that he is of marring age, the elders of Ulster decide that he should be sent to train with the fierce warrior woman of Alba, Scáthach, the Shadowy-one. In Alba Cú Chulainn learns not only the skills to become a master warrior, he also impregnates Scáthach, her daughter and Alfie, Scáthach’s mortal enemy and sister. Each bare him a son in due course.

Cú Chulainn returns to Ulster and has many more battles and adventures (and sons).
For more see http://en.wikipedia.org/wiki/C%C3%BAchulainn

Cú Chulainn first was called by Éire at age seven to become her Protector. Though mostly associated with Ulster (Northern Ireland) his adventures took him all over. His training by, and his command over, Scáthach earned him the Protector of Alba (Scotland) as well. His defeat of Alfie gained him the Protectorship of Manx.
Like Fionn, Cú Chulainn learned his magic from bards, ovates and druids. He often sings his spells when going into battle. Again, like Fionn, Cú Chulainn prefers to be more physical.

His greatest weapon is the Gáe Bolg, or great spear. The skill to use this devastating weapon is only know to Scáthach. She at first refused to teach it, but was overcome with Cú Chulainns resolve to learn it. He had also by this time impregnated her daughter so she demanded he stay. The Gáe Bolg is a heavy spear that can be used as a melee weapon (min STR 4) or a throwing weapon (min STR 5). What makes this weapon so awful is the spear blade is formed with many barbs so that removing the spear causes even more damage, represented by the number of Success Levels from the attack.

Name: Cú Chulainn
Protector of Éire, Manx and Alba
Character Type: Master
Attributes: Strength 6/9*, Dexterity 4, Constitution 3/6*, Intelligence 4, Perception 3, Willpower 5
Life Points: 64/94
Drama Points: 5
Qualities: Attractiveness +4, Fast Reaction Time, Gáe Sidhe, Hard to Kill 6/8*, Honorable (Rigid), Magic 7, Nerves of Steel, Protector of Éire (Ireland), Manx and Alba (Scotland), Ríastrad*
Drawbacks: Adversary 5, Geas (the death of a dog will end his life, 5), Geas (must accept any dinner invitation offered to him, 5)
Skills: Armed Mayhem 9
Maneuvers
Name Score Damage Notes
Gáe Bolg 13 28/40* Removing spear causes an extra 12+SL points
Damage
(thrown) 12 21/30
Dodge 13 - Defense action
Grapple 15 - Resisted by Dodge

New Quality

Ríastrad
5 Point Quality
Ríastrad, or Warp Spasm, is a type of supernatural attack in which the attack can go into a berserk sort of rage. During a ríastrad the attackers Strength and Constitution are increased by 3 each, with an additional 2 levels of Hard to Kill (with corresponding increase in Life Points). Attractiveness though drops to -3 regardless of what the previous level was. In addition the ríastrad will cause the attacker to attack everyone, friend and foe alike.
To enter ríastrad the attacker must be excited, that is to see blood or an army massing. A failed fear check might be enough to push someone into a ríastrad against their will.
Once in the throws of the ríastrad the attacker’s body twists and bloats. Arms and legs become huge with tendons and veins visible under the skin. Their hair sticks out in chaotic directions, eyes bulge an pop out while their tongues look engorged with blood. The scene is frightful enough that friends and foes alike must make a fear check.
The attacker then my attack, usually running into the direction they were facing and randomly attacking all. Only a difficult Will test can calm the attacker down.
http://en.wikipedia.org/wiki/Warp_spasm

Gáe Sidhe is detailed in the Ghosts of Albion corebook.

New Drawback

Geas
1-5 point Drawback
A Geas (Gesa) is a magical taboo that has it roots in the Celtic tradition. A cast member must always follow his Geas or a calamity will occur. The nature of this calamity should be up to the Director, but it should never personally be life threatening. Unlike a curse the Geased person can violate the taboo by force of will, but must pay the price.
A Geas of 1 point is something the character is never likely to break or has minor consequences, such as never owning a black cat or violate it to be overcome with a fit of coughing. A 5 point should be something that the cast member cannot avoid, such as always accepting any invitation to dinner offered, or something life threatening.
The player and the director can work out the details of the Geas. How did the cast member become Geased? Is it magical taint? Karmic debt? They must also figure out how the Geas needs to be paid off. The director should not allow the player to buy off the Geas with points, they must actually do something; like lay the bones of a long dead relative to rest, or travel to some distant land and bring back some water from a sacred stream. Or maybe there is a time limit, such as when they reach their 30th birthday.
In the case of C Chulainn he could not avoid his Geas and it did end up killing him in the end. He is offered dinner by his enemy Lugaid who feeds him dog meat. This breaking of his Gesa manifests by removing the power of the Protector from him. He is then defeated in battle by Lugaid.


Brigit of Kildare
Protector of Éire

"A Bhrigid, scar os mo chionn, do bhrat fionn dom anacal."
- Traditional prayer to Brighid

The Goddess Brighid is one of the most beloved by the Celtic people. Every year they celebrated her feast day, Imbolc, to celebrate the return of spring.

Brighid, also known as Brigit, Brigantia, Bridget, or Bride, is the Celtic Goddess of the rivers and rural life. She is also the Goddess of Healing, Midwifery and Wisdom. She was the daughter of the Dagda and one of the Tuatha Dé Danann. She was the wife of Bres of the Fomorians, with whom she had a son, Ruadn (the Red).

Brighid is one of the great Triple Goddesses of the Celtic people, with some saying that there are three Brigits: one sister in charge of poetry and inspiration who invented the Ogham alphabet, one in charge of healing and midwifery, and the third in charge of the hearth fire, smithies and other crafts.

Once the Christians came to Ireland the Goddess Brighid was not forgotten, but her worshippers favored the new Christian God.

Later in the very center of Brighid's worship center, Cill Dara ("Kildare"), a woman of God was born. Her name became Brigid.

Here, as a nun Brigid of Kildare performed miracles, healed and taught. All the things that pagan Brighid had done. When she had done enough in this world she left and was made one of the Patron Saints of Ireland.

Brighid as a Protector
Not all Patron Saint were Protectors and visa versa, but in Ireland there was a great sense of pride and of belonging with the land. This was land of the Goddess and she choose her own Protectors. Like Patrick, Brigid was very much a part of Ireland. It is natural then that Ireland Protector, a land that never fought against the Christian conversion, would choose to exemplars of it's faith to lead it into the next age.

Brighid as the Protector embraces both halves of the heart of Ireland, the Christian and the Pagan.

Name: Brighid of Kildare
Motivation: Protect her worshippers, Christian and Pagan
Creature Type: Protector, Goddess or an Irish Saint, hard to say really
Attributes: Strength 6, Dexterity 9, Constitution 9, Intelligence 6, Perception 8, Willpower 9
Ability Scores: Muscle 18, Combat 18, Brains 22
Life Points: 88
Drama Points: 5
Special Abilities: Aspects (Fire, Healing, Water, Wisdom), Age (Ancient), Immortal(?), Iron Mind, Hard to Kill 6, Magic 9, Regeneration (2 Lifepoints per turn), Supernatural Senses (Empathy, Insight, the Sight)
Maneuvers
Name;Score;Damage;Notes
Dodge;18;;Defense Action
Grapple;21;;Resisted by Dodge
Kick;17;19;Bash
Punch;18;18;Bash
Sword;18;24;Slash/stab
Spell;22;by spell type

http://en.wikipedia.org/wiki/Brighid
http://en.wikipedia.org/wiki/Saint_Brigid

New Quality
Blessed of Brighid
1 Point Quality
Prerequisites: Must have red hair; taken only during character creation (or by special Director permission).
In Ireland is said that those marked by Brighid lead charmed lives.  They can usually be spotted by their firey red hair.
The Blessed of Brighid can do one of the following once per day.
1. Aspect of Three.  The player may roll three (3) dice (d10) for any one roll made and choose the more favorable of the outcomes.
2. Add 3 to any one roll. The player may add 3 points to any one roll made in a day.  The choice can be made after the roll is done.

Tuesday, July 14, 2026

Mail Call Tuesday: Endless Quest and Joseph Campbell

 Last week, my brother shared a Facebook Marketplace find with me: some Joseph Campbell books, the Historical Atlas of World Mythology. I wnted to grab them but have been burned on Facebook Marketplace in the past. So I did what one does: I went to eBay. I saw several good candidates, but I didn't pull the trigger on any of them. 

Then I was at Half-Price Books this weekend, and they had copies. A combined Vol. 1 (Parts 1 and 2) and the softcover Vol. 2 (Parts 1, 2, and 3). The price was good and I figured, what the hell.

Historical Atlas of World Mythology by Joseph Campbell

It is rather amazing, to be honest. Heavily researched, illustrated, and tons of pictures. 

Here are just two examples.

Historical Atlas of World Mythology by Joseph Campbell

Historical Atlas of World Mythology by Joseph Campbell

If I ever wrote a book about shamans, then this is the source I would start with. But I am not going to do that. Still, it is a fascinating read, and I can't wait to get into it.

The issue is these are huge books, like 14" tall. Larger even than my Time-LIFE Enchanted World books. They are not going to fit well in my shelves.

A little smaller is a classic Endless Quest book. 

Endless Quest: Song of the Dark DruidEndless Quest: Song of the Dark Druid

The book is in worse shape than I expected, but I am such a sucker for anything "Dark Druid" that it is still worth it for me. 

I'll read it and see how it goes. I have wanted to do a prequel to my own Dark Druid called All Souls Night for a long time. Maybe this will give me some inspiration. 

Updates From Jackson, IL

A couple of cool things from my all-too-brief Jackson game over the weekend. The characters met more Blackthorn Hags and their rivals, the Cricklow Hags. We also learned about a supposed occultist, Arthur Voss, and his wife Mai. Mai and her daughter are assumed to be dead. Some deal gone south with the Blackthorns. The PCs learn of a mansion in downstate Cheny, IL

Mai and Baby, 1970

Mai and Baby, 1970 back



Friday, August 27, 2010

The Dragon and the Phoenix: Episode 1

So my Fridays are likely to be very busy so I am thinking of going through my big CineUnisystem adventure season The Dragon and the Phoenix.  These will be mostly plot summaries and some actual play reports.  Keep in mind that these games are now almost 10 years old.  I wrote and ran these a long time ago.  They were the playtest bed for Buffy, Angel and Ghosts of Albion.  Plus I have talked about these for so long I assume everyone already knows everything about them and that is really not the case.  So sit back a enjoy.

Episode 1: Will We Burn In Heaven?


Willow (crying): I thought…I thought I had lost you!
Tara (kissing her face): I’ll find you. I will always find you. 

- Willow and Tara: The Dragon and the Phoenix, Episode 1 “Will We Burn in Heaven?”



November 7, 2002 Thursday
(Ran this during Summer 2002, right after the Dark Druid)

Willow and Buffy have just been visiting Tara’s grave when they get two unexpected visitors, Cordelia and Tara. Tara comes back from Heaven to help the cast defeat a group of fallen angels bent on finding the Enochian Tablets and destroying all of creation with the Word of Unmaking. Tara helps, but is torn between her duty to the Creator and Creatrix and her love for Willow.  Te tablet is found, in the hands of a magical merchant named E'rif E'nur.  He is found dead and his local contact, Spike is horribly burned.  Anya is later found also burned.  Tara is able to heal her by touch, but both Spike and Anya tell her that they are "afraid" of her now. The fallen angels are found and there is a great battle.  An angel tries to burn Willow, but Tara gets in the way and engulfed in flames.  She walks out of the flame, unharmed, and in full angelic form to fight back.  The fallen angels are defeated with daggers given to them by Anya.  The tablet is destroyed and Tara must choose whether to return to heaven or remain. In the end Tara chooses Exile; she gives up her powers and angelic life force to be human again.
Giles discovers that the dead god Leviathan will be entering our reality.


Story Arc and Game Design elements: Introduce the new Ascension, Other Worldly and Geas quality/drawbacks.
Soundtrack: Foo Fighters “Learning to Fly”, Enya “Exile”

Notes and Comments: This is the first adventure and it is fairly linear, but also fairly combat heavy. What is new here is the first time we have seen angels in the game or universe, and they are evil ones. We also see the return of Tara and her exile. One thing quickly became obvious to us that a demonic Anya is not a playable character. She can't die, she is totally beholden to her demonic master D'Hoffryn and really she should be out to kill the Cast. Finding things to do with Anya was a problem. Another problem was Dawn. We had big plans for her, but no one wanted to play her. Spike gets burned pretty badly in this episode by the angels so we could have an excuse not to have him. The focus of this of course is the return of Tara and how Willow could deal with it. In the begining I wanted Willow to be completely de-magicked; unable to cast any spells. It would have been great for a story, but for a game people want Willow to have spells. So we comprimised and had Willow's magic reduced. Throughout the series she begins to gain it back. Tara shows off some of her new powers too here, the ability to heal and her "otherworldlieness". We liked the idea that every demon and vampire in town was now terrified of Tara. Later in Episode 4 Spike describes her as appearing as if she was on fire.
Some elements from my old AD&;D game appear here. Luna is a former character and E'fir E'nur was an NPC. E'Fir E'nur was also going to be part of the D'jinn arc as a summoneer and binder of Iffrits.

Like the D'jinn series, this also had a tie to the Dark Druid episode that was published in July of 2002. The Dark Druid, with your cast, acts a prelude to the D'jinn or with the original cast as a prelude to this.

Tara Maclay
Keribum (Ascended Human Witch)


Life Points 71
Drama Points 20

Strength 5 Dexterity 4 Constitution 5
Intelligence 4 Perception 3 Willpower 5

Qualities Ascended
Attractiveness +3
Empathy
Fast Reaction Time
Hard to Kill +7
Nerves of Steel
Sorcerery 5

Drawbacks Adversaries (lots) 5
Honorable (Serious)
Geas
Minority (Gay Wicca)
Obligation (Major)
Otherworldly

Skills
Acrobatics 2
Art 2
Computers 1
Crime 0
Doctor 2
Driving 2
Getting Medieval 3
Gun Fu 0
Influence 2
Knowledge 3
Kung fu 3
Languages 1
Mr. Fix it 0
Occultism 5
Science 1
Sports 0
Wild Card (riding horses) 3

Combat Dodge +7 -
Magic +15 varies
TK +10 2xSL

This is Tara at the beginning of the first episode of the Dragon and the Phoenix. She has returned as a Keribum (or not exactly a Kerubim from WitchCraft) to stop the Knights of Elohim from the Unmaking. Or at least she (and we) think so at first. She allowed to go into exile but keeps the healing touch power of the Keribum and demons and vampires still fear her.

After Episode 1 her stats return to what appears in the Magic Box or revised Core (which were based on the above stats in the first place).

I also made a print quality pdf of her character sheet.

Saturday, January 20, 2024

Character Creation Challenge: Bodhmal for Wasted Lands

 As Casey Kasem used to say, "The hits keep coming."  Though when I say it, I usually mean something bad. And I do today as well. Lost another friend this past week, Rebecca Joanne Ashling. She had some health problems, but her death is still a bit of a shock.  Rebecca and I had known each other for about 22+ years. We talked a lot online and she was a huge fan of my witches and modern horror stuff. In particular, she loved my takes on Willow and Tara. She often provided me some critiques on various builds and let me know about new games that she thought I would like. It still feels a bit unreal since I still half expect to get a text from her when this post goes live.  So today's and tomorrow's characters are for her.

Today, I want to start with the druidess Bodhmal.

I am choosing her for all the reasons Rebecca would have liked. Bodhmal has a long history in my games, and her character helped drive my vision of NIGHT SHIFT and thus influenced The Wasted Lands. This version is a "conversion" of sorts of D&D 4th Edition, a game we both enjoyed and continue to enjoy. Plus, and maybe most importantly, Bodhmal, while a mythological figure from Irish myth, was also my "Willow" stand-in. Since I did her main antagonist (and grandfather), the Dark Druid, yesterday, she would be good for today. 

Bodhmal character sheets

Bodhmal for the Wasted Lands

Bodhmal is not a goddess. Nor will become one. She is, though, a very important figure of the Fenian Cycle of Irish myth and legend. Because of this she fits rather well with the central conceits of the Wasted Lands.  I also wanted to try out another Druid, but one with a bit more mysticism about them. Or to be blunt, a druid that is becoming something akin to a witch.  She is the "last common ancestor" of Druids and Witches.

Like Fear Dorich, Bodhmal has been worked up for the Buffy the Vampire Slayer RPG, D&D 5e, Castles & Crusades, Blue Rose 2nd Edition, my Pagan Witch class, and today's experiment, D&D 4e.

D&D 4e had some nice quirks that allowed me to get to the version of Bodhmal I liked. I have to admit, Wasted Lands works even better.

The Druidess Bodhmal nic Tadgh
Bodhmal nic Tadgh

Class: Sorceress (Druid, Witch or Ban Drui)
Level: 10
Species: Human
Alignment: Light
Background: Scholar

Abilities
Strength: 10 (+0) 
Agility: 10 (+0) 
Toughness: 14 (+1) 
Intelligence: 14 (+1) N
Wits: 18 (+3) A
Persona: 11 (+0) N

Fate Points: 1d10
Defense Value: 8
Vitality: 42
Degeneracy: 0
Corruption: 0

Check Bonus (A/N/D): +5/+3/+2
Melee Bonus: +2 (base) 
Ranged Bonus: +2 (base)
Spell Attack: +5
Saves: +7 to Spells and Magical effects (Sorcerer & Scholar)

Sorceress Abilities
Arcana, Arcane Powers (4): Enhanced Senses, Arcane Bond (Liath), Wild Form, Telepathic Transmission

Sorceress Spells
First Level: Armor of Earth, Glamour, Mystical Senses, Sleep
Second Level: Animal Summoning, Conjure Flame, Invisibility, Subtle Influence
Third Level: Cure Disease, Dark Lightning, Staves to Snakes
Fourth Level: Befuddlement, Forest Walk, Plant Speech
Fifth Level: Miasma of Creeping Death, Telekinesis

Heroic/Divine Touchstones 
1st Level: Psychic Power: Supernatural Senses 
2nd Level: Additional Spell: Bless
3rd Level: Spirit Guide: Cait Sith
4th Level: Magical Recovery
5th Level: Grant Spellcasting

Scholar Abilities
1st Level Spell: Create Light

Heroic (Divine) Archetype: Knowledge

Gear
Staff, Dagger

Wasted Lands Druids & Witches

I like this version of Bodhmal. She has her druid side and can take on a wild shape, but that is not the most important part of her character. She also sees everything. Mystical, Supernatural, and more. She can talk to animals and plants. She even has some offensive spells when she needs them.

More to the point, her connection to Liath is there via the Arcane Bond. 

I can see this Bodhmal as a druid who began a line of pagan witches. Liath is even there as her Cowan or witch guardian. This is perfect in my mind. I wish you all could feel this; how perfect of a fit she is for my concept of her. This is much better than any other system I have done. 

You can get the Wasted Lands RPG and the NIGHT SHIFT RPG at Elf Lair Games.

Character Creation Challenge


Friday, May 24, 2013

Castles and Crusades: Liath and Bodhmall

I want to wrap-up my week on Castles & Crusades with a post of two of my favorite characters of Irish Myth.  Liath Luachra & Bodhmall the Druidess.

One of my favorite stories is that of Fionn mac Cumhail.  I used him as character in the very first Buffy RPG adventure The Dark Druid. The back ground of the adventure had Fionn coming to the 21st century and that the characters in the game were the new incarnations of people from his past.  My conceit was that his foster mothers Bodhmall and Liath were Willow and Tara respectively.   I expanded on this in my Willow and Tara based Buffy/Ghosts of Albion games. Episode 5 of The Dragon and the Phoenix expands on this and makes the connection well known to the characters.  Episode 11 of Season of the Witch establishes that in the game world Liath and Bodhmall were also the founders of the Daughters of the Flame coven.   So these are some characters with game history for me.

So whenever I need a "D&D Version" of Willow and Tara I turn to Liath and Bodhmall.  This way I can direct their fates in new and different directions and not mess with my "modern age" versions.
I have stated them up for D&D4 here before. In fact I spent a lot of time on it since the D&D4 druid couldn't do what I wanted till Essentials.

Bodhmall as expected makes a better druid under the Castles & Crusades rules than she did under D&D4.
Liath though needs some tweaking. Ranger in C&C is a little different and not really what my mental image of what she is.  It is very, very close, but missing the key ingredient.  I have this mental image of the first time Bodhmall meets Liath.  Bodhmall needs a protector/body guard while she is taking a babe to be fostered to the north.  She sees Liath standing on a raised log. On either side of her on the log are her brothers. They are fighting with long staves and the men are trying to knock her off the log.  She is more than holding her own. Her hair is long and braided and despite her young age is already graying; thus her name "The Gray of Luachair".

Some might balk at me taking two established mythological figures (however obscure) and making them same-sex lovers.  In truth I wondered about this too.  But I was doing research and I picked up a copy of Morgan Llywelyn's  Finn MacCool and there was an interesting typo on the character pages.  It listed Liath as being Bodhmal's wife.  That clenched it for me.

Character Creation
If you ever made a character for 1st Ed AD&D then you can make for C&C in about the same time.  If you have familiarity with 3e, then it might go even faster.
(Honestly I am wondering at this point if C&C should just be the AD&D game I play.)

I like the way the powers for the classes work out for the characters.  I made the right choices.
Since I am using this with the Codex Celtarum, the characters both get a Fey power at 1st level, plus something special

Bodhmall
1st level Human Druid, Female, Neutral Good

STR: 10 (0)
DEX: 10 (0)
CON: 14 (+1)
INT: 14 (+1) P
WIS: 18 (+3) P
CHA: 11 (0) P

AC: 13, Leather Armor
HP: 7 (d8)

Staff +0, 1d6
Scimitar +0, 1d6

Nature Lore
Druid Spells
- First Aid, Light, Purify Food & Drink
- Entangle, Magic Stones
Second Sight (1), p. 93 CC
Anamchara*

Liath Luchara
1st level Human Barbarian, Female, Chaotic Good


STR: 13 (+1) P
DEX: 10 (0)
CON: 18 (+3) P
INT: 10 (0)
WIS: 16 (+2) P
CHA: 11 (0)

AC: 12, Leather Armor
HP: 13 (d12)

Spear +1, 1d6
Short Sword +1, 1d6

Combat Sense
Deerstalker
Intimidate
Primeval Instincts
Shapeshifting (Salmon), p. 94 CC (based on Morgan Llywelyn's work)
Anamchara*

All in all I am happy with those write-ups.

Of course I can't introduce Liath and Bodhmal and not have their Anamchara quality.  It is what helps define them.

So here it is for use with the Codex Celtarum.

Anamchara
Level 6 Druid, 6 Witch

CT na D 10 rounds R self + one other
SV none SR none Comp n/a


“The only thing more frightening than meeting a Celt in battle is meeting a Celt in battle with his wife at his side.” 
- Attributed to Pliny the Elder, 1st Century CE

Anamchara (“on-um-kor-ah”), or soul-mate, is the Gaelic term used to describe a deep and powerful bound shared between two people. This goes beyond mere companionship and even beyond love; the souls of the two people are connected at a deep and fundamental level. Some occult scholars even speculate anamchara share one soul between two physical people.

The anamchara (singular and plural) are often aware of each other on a preternatural level. While this not a full blown telepathy or even empathy it is beyond what the normal senses would allow. This manifests itself in mundane ways as two lovers humming the same song at the same time with no outside influence, husband and wife completing each others sentences, separated twins living parallel lives, or even one sibling knowing her other sibling is about to walk into a room before the event happens.

Anamchara can be, and often are, lovers, but they are not limited to that alone. Some anamchara can also be very close siblings or very deeply devoted friends. Sometimes the connection can be forged in battle, giving rise to a “brothers-in-arms” effect. The Anamchara can also have a deep connection resulting from life times of being together.


Extension of the senses (“I Will Always Find You”). This acts like a mild form of Empathy or a lesser Situational Awareness that extends only to their anamchara. This grants +2 to locate their anamchara via mundane, magic or psychic means. This also gives each anamchara a broad sense of the other’s health and well being.

Boost Morale (“I’ll Stand By You”). When anamchara are together even dire situations do not seem as grim. With a soothing word or even a knowing look a character can grant her anamchara +5 on any one test or roll. Best of all, she can do it after the player has already made this test. The granting character spends her round or turn explaining she is doing this to aid her beloved. This can only be done once per game session per character.

Combat Effects 
The benefits detailed above have some application in combat as well. The extension of the senses translate into making the anamchara a particularly effective fighting team. In order to gain this benefit the anamchara actually need to train together in a fighting style. Players should decide which style (martial arts, medieval weapons or even magic) they will train together in. This training offers a +2 bonus to all attacks of that type and damage for each. Both can also effectively fight against one opponent with out penalty due to room. Anamchara naturally avoid each others weapons. 



I am curious to see what the Castles & Crusades players think of this power.

I am also posting this as part of my giveaway for the Bloghop Against Homophobia and Transphobia.
Win a copy of the Witch and help me support the Trevor Project!

Thursday, November 21, 2013

Across The Sea of Years

A dual stated adventure across Time and Space for.... well that is what I don't know yet.

I have always toyed with the idea of running a game at a con, say like Gen Con where I have multiple days, where it is the same group of characters, or their reincarnations or their children, across time and different systems.   My systems of choice would be Unisystem and some flavor of D&D.  Likely Basic.

I have done similar ideas in Season of the Witch, where I took in ideas from different games to get a different feel.  Generation HEX was conceived as using a different system each game, but that never worked out.

This idea though is two plan a game that takes place in the past, present and maybe future.  Each game is seperate unto itself, but builds a bigger story.

One idea I had was a adventure named "Synchronicity" where characters from Ghosts of Albion meet up with their counterparts from Buffy.  But that is only one, albeit long, game. Plus the system for Ghosts and Buffy is the same.

Another game I have played before is Blight for Ghosts of Albion.  It takes place in 1847 and is an unofficial sequel to my Dark Druid for Buffy (that takes place in an alternate 2001). There is a third adventure in the mix, All Souls Night, which was always designed to go with my Eire game.
I would retool Blight just a bit.  But the Dark Druid is designed for new characters, so the big bad introduced is not all that big and bad.  It works though if I run them in something like a past life regression.

The other idea I had was an adventure around the rise and fall of Elizabeth Bathory.
D&D for when she was alive and you have to stop her (though to be 100% fair, an adventure like that screams LotFP), Ghosts of Albion when she is prowling the streets of Victorian London, and something else (Call of Cthulhu maybe) for later.

I have also over the years toyed with the idea of Doctor Who, Star Frontiers, and Alternity (yeah I have been thinking about this one for a while) for the future.  I think the idea came to me when I wanted to run a hunt Jack the Ripper and I thought back to the old Star Trek episode "A Wolf in the Fold" and to the movie "Time After Time".  Jack the Ripper is still an interesting idea. A time traveling serial killer/entity could make a fun opponent.

Lots of ideas really, but nothing has really jelled yet for me.  Once I have the right story idea and roll for the characters then the system will be easier to decide on.

Anyone done anything like this before?  What did you do and what did you use?