Thursday, August 22, 2024

#RPGaDAY2024 Notable Non-player Character

 I have a lot of characters. Often times, the difference between a PC and an NPC is only "Am I running this game."

One of my favorite NPCs is my unquestionably evil necromancer / warlock Magnus

Magnus in Baldur's Gate 3

I have had this guy for a few decades now really. He began as a Death Master from Dragon Magazine #76, expanded on him a bit more when Quagmire came out, and he got a big boost in college when he became my big bad for my "Atlantean" campaign. 

I created my Death Pact Warlock to make sure I could use him in my Basic-era games, too. 

One thing I've never done is play Magnus as a PC. However, I'm now experimenting by using the Dread Lord mod for Warlocks in Baldur's Gate 3. He's currently a 2nd level warlock, but I plan to give him some levels in Wizard (Necromancer). I'm playing him as a 'Dark Urge', which is a change from my usual preference for good characters fighting evil. 

Maybe I'll even hire some NPCs and mod them to be Runu and Urnu. I have a witch mod (naturally) for BG3, so that actually might be fun. I'll have to see if I can manage that.

I'll have to keep you all posted. 

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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024



Wednesday, August 21, 2024

Dracula, The Hunters' Journals: 21 August Letter, Messrs. Carter, Paterson & Co., London

 Letter detailing the delivery of Dracula's boxes of Earth.

Dracula - The Hunters' Journals


Letter, Messrs. Carter, Paterson & Co., London, to Messrs. Billington & Son, Whitby.

21 August.

“Dear Sirs,—

“We beg to acknowledge £10 received and to return cheque £1 17s. 9d, amount of overplus, as shown in receipted account herewith. Goods are delivered in exact accordance with instructions, and keys left in parcel in main hall, as directed.

“We are, dear Sirs,
“Yours respectfully.
Pro Carter, Paterson & Co.



Notes: Moon Phase: Waning Crescent

The biggest question here is, how do we know about this letter? All correspondences are assumed to have been collected by Mina and organized.  But how did she obtain these letters?

Were they discovered by our hunters when they went and searched for clues? I mean I am sure Holmwood could demand to see them, he was a Lord afterall.

In any case they got them and it helped to track down the boxes.

#RPGaDAY2024 Classic Campaign

 For today I have to talk about my Order of the Platinum Dragon campaign of my massive Come Endless Darkness romp through all the Classic D&D adventures. 

The Classic Adventures

Since D&D 5 came out I have been running my family through the "Gygaxian Classics." while we technically started with B1 In Search of the Unknown with AD&D 1st ed, we quickly moved to D&D 5.  From here we did B2 Keep on the Borderlands and moved through the Great Greyhawk Campaign.

Our order of games has been:

  • T1 Village of Hommlet (forgotten by the characters, played as a flashback after I6)
  • B1 In Search of the Unknown (Gen Con Game)
  • B2 Keep on the Borderlands
  • L1 The Secret of Bone Hill  (Gen Con Game)
  • X2 Castle Amber
  • I6 Ravenloft (Gen Con Game)
  • C2 Ghost Tower of Inverness
  • A1-5 Slave Lords
  • C1 The Hidden Shrine of Tamoachan
  • G123, G4 Against the Giants  (Gen Con Game)
  • D12, 3 Descent into the Depths of the Earth, Vault of the Drow
  • Q1 Queen of the Demonweb Pits (Gen Con Game)

I wanted my family to have the "Classic D&D Experience) with this.  Communities are often defined by the stories they share. These are the stories we all share.  How did you defeat Strahd? Did you shout 'Bree Yark'? What did you do in the Hill Giant's dining room?   Did you survive the Demonweb?

For various reasons we have not finished the last part of the Demonweb. Maybe we will one day.  I would like to hope so.


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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

Tuesday, August 20, 2024

Dracula, The Hunters' Journals: 20 August Dr. Seward's Diary (Cont.)

Dr. Seward continues to monitor Renfield.

Dracula - The Hunters' Journals


20 August.—The case of Renfield grows even more interesting. He has now so far quieted that there are spells of cessation from his passion. For the first week after his attack he was perpetually violent. Then one night, just as the moon rose, he grew quiet, and kept murmuring to himself: “Now I can wait; now I can wait.” The attendant came to tell me, so I ran down at once to have a look at him. He was still in the strait-waistcoat and in the padded room, but the suffused look had gone from his face, and his eyes had something of their old pleading—I might almost say, “cringing”—softness. I was satisfied with his present condition, and directed him to be relieved. The attendants hesitated, but finally carried out my wishes without protest. It was a strange thing that the patient had humour enough to see their distrust, for, coming close to me, he said in a whisper, all the while looking furtively at them:—

“They think I could hurt you! Fancy me hurting you! The fools!”

It was soothing, somehow, to the feelings to find myself dissociated even in the mind of this poor madman from the others; but all the same I do not follow his thought. Am I to take it that I have anything in common with him, so that we are, as it were, to stand together; or has he to gain from me some good so stupendous that my well-being is needful to him? I must find out later on. To-night he will not speak. Even the offer of a kitten or even a full-grown cat will not tempt him. He will only say: “I don’t take any stock in cats. I have more to think of now, and I can wait; I can wait.”

After a while I left him. The attendant tells me that he was quiet until just before dawn, and that then he began to get uneasy, and at length violent, until at last he fell into a paroxysm which exhausted him so that he swooned into a sort of coma.

 

... Three nights has the same thing happened—violent all day then quiet from moonrise to sunrise. I wish I could get some clue to the cause. It would almost seem as if there was some influence which came and went. Happy thought! We shall to-night play sane wits against mad ones. He escaped before without our help; to-night he shall escape with it. We shall give him a chance, and have the men ready to follow in case they are required....

Notes: Moon Phase: Waning Crescent

Renfield has made some significant changes here. First is his behavior switches between the daylit and night time hours. 

He also seem less interested in his collection of lives to consume, even refusing Seward's offer of a cat.

#RPGaDAY2024 Amazing Adventure

 Again, I seem to cheat on these more often than not. I know what this one is supposed to be about, but I am still going to do this. Today I want to feature Amazing Adventures!

Amazing Adventures

Amazing Adventures is overtly a pulp-style modern game from Jason Vey (long time writing partner) and Troll Lords Games using the same SIEGE game engine that powers Castles & Crusades.

Here are some reveiws I have done in the past.

Some characters for this world
And for free
I don't play AA as much as I used too, and I never got to play it as much as I wanted. NIGHT SHIFT has taken over that niche for me. 

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I am participating in Dave Chapman's #RPGaDAY2024 for August. 

#RPGaDay2024

Monday, August 19, 2024

Dracula, The Hunters' Journals: 19 August Mina Murry's Journal, Siser Agatha's Letter, Dr. Seward's Diary

Busy day. Mina hears about Jonathan, Dr. Seward notices a change in Renfield.

Dracula - The Hunters' Journals


19 August.—Joy, joy, joy! although not all joy. At last, news of Jonathan. The dear fellow has been ill; that is why he did not write. I am not afraid to think it or say it, now that I know. Mr. Hawkins sent me on the letter, and wrote himself, oh, so kindly. I am to leave in the morning and go over to Jonathan, and to help to nurse him if necessary, and to bring him home. Mr. Hawkins says it would not be a bad thing if we were to be married out there. I have cried over the good Sister’s letter till I can feel it wet against my bosom, where it lies. It is of Jonathan, and must be next my heart, for he is in my heart. My journey is all mapped out, and my luggage ready. I am only taking one change of dress; Lucy will bring my trunk to London and keep it till I send for it, for it may be that ... I must write no more; I must keep it to say to Jonathan, my husband. The letter that he has seen and touched must comfort me till we meet.

Letter, Sister Agatha, Hospital of St. Joseph and Ste. Mary, Buda-Pesth, to Miss Wilhelmina Murray.

12 August.

“Dear Madam,—

“I write by desire of Mr. Jonathan Harker, who is himself not strong enough to write, though progressing well, thanks to God and St. Joseph and Ste. Mary. He has been under our care for nearly six weeks, suffering from a violent brain fever. He wishes me to convey his love, and to say that by this post I write for him to Mr. Peter Hawkins, Exeter, to say, with his dutiful respects, that he is sorry for his delay, and that all of his work is completed. He will require some few weeks’ rest in our sanatorium in the hills, but will then return. He wishes me to say that he has not sufficient money with him, and that he would like to pay for his staying here, so that others who need shall not be wanting for help.

“Believe me,
“Yours, with sympathy and all blessings,
Sister Agatha.

“P. S.—My patient being asleep, I open this to let you know something more. He has told me all about you, and that you are shortly to be his wife. All blessings to you both! He has had some fearful shock—so says our doctor—and in his delirium his ravings have been dreadful; of wolves and poison and blood; of ghosts and demons; and I fear to say of what. Be careful with him always that there may be nothing to excite him of this kind for a long time to come; the traces of such an illness as his do not lightly die away. We should have written long ago, but we knew nothing of his friends, and there was on him nothing that any one could understand. He came in the train from Klausenburg, and the guard was told by the station-master there that he rushed into the station shouting for a ticket for home. Seeing from his violent demeanour that he was English, they gave him a ticket for the furthest station on the way thither that the train reached.

“Be assured that he is well cared for. He has won all hearts by his sweetness and gentleness. He is truly getting on well, and I have no doubt will in a few weeks be all himself. But be careful of him for safety’s sake. There are, I pray God and St. Joseph and Ste. Mary, many, many, happy years for you both.”

Dr. Seward’s Diary.

19 August.—Strange and sudden change in Renfield last night. About eight o’clock he began to get excited and sniff about as a dog does when setting. The attendant was struck by his manner, and knowing my interest in him, encouraged him to talk. He is usually respectful to the attendant and at times servile; but to-night, the man tells me, he was quite haughty. Would not condescend to talk with him at all. All he would say was:—

“I don’t want to talk to you: you don’t count now; the Master is at hand.”

The attendant thinks it is some sudden form of religious mania which has seized him. If so, we must look out for squalls, for a strong man with homicidal and religious mania at once might be dangerous. The combination is a dreadful one. At nine o’clock I visited him myself. His attitude to me was the same as that to the attendant; in his sublime self-feeling the difference between myself and attendant seemed to him as nothing. It looks like religious mania, and he will soon think that he himself is God. These infinitesimal distinctions between man and man are too paltry for an Omnipotent Being. How these madmen give themselves away! The real God taketh heed lest a sparrow fall; but the God created from human vanity sees no difference between an eagle and a sparrow. Oh, if men only knew!

For half an hour or more Renfield kept getting excited in greater and greater degree. I did not pretend to be watching him, but I kept strict observation all the same. All at once that shifty look came into his eyes which we always see when a madman has seized an idea, and with it the shifty movement of the head and back which asylum attendants come to know so well. He became quite quiet, and went and sat on the edge of his bed resignedly, and looked into space with lack-lustre eyes. I thought I would find out if his apathy were real or only assumed, and tried to lead him to talk of his pets, a theme which had never failed to excite his attention. At first he made no reply, but at length said testily:—

“Bother them all! I don’t care a pin about them.”

“What?” I said. “You don’t mean to tell me you don’t care about spiders?” (Spiders at present are his hobby and the note-book is filling up with columns of small figures.) To this he answered enigmatically:—

“The bride-maidens rejoice the eyes that wait the coming of the bride; but when the bride draweth nigh, then the maidens shine not to the eyes that are filled.”

He would not explain himself, but remained obstinately seated on his bed all the time I remained with him.

I am weary to-night and low in spirits. I cannot but think of Lucy, and how different things might have been. If I don’t sleep at once, chloral, the modern Morpheus—C2HCl3O•H2O! I must be careful not to let it grow into a habit. No, I shall take none to-night! I have thought of Lucy, and I shall not dishonour her by mixing the two. If need be, to-night shall be sleepless....

 

Later.—Glad I made the resolution; gladder that I kept to it. I had lain tossing about, and had heard the clock strike only twice, when the night-watchman came to me, sent up from the ward, to say that Renfield had escaped. I threw on my clothes and ran down at once; my patient is too dangerous a person to be roaming about. Those ideas of his might work out dangerously with strangers. The attendant was waiting for me. He said he had seen him not ten minutes before, seemingly asleep in his bed, when he had looked through the observation-trap in the door. His attention was called by the sound of the window being wrenched out. He ran back and saw his feet disappear through the window, and had at once sent up for me. He was only in his night-gear, and cannot be far off. The attendant thought it would be more useful to watch where he should go than to follow him, as he might lose sight of him whilst getting out of the building by the door. He is a bulky man, and couldn’t get through the window. I am thin, so, with his aid, I got out, but feet foremost, and, as we were only a few feet above ground, landed unhurt. The attendant told me the patient had gone to the left, and had taken a straight line, so I ran as quickly as I could. As I got through the belt of trees I saw a white figure scale the high wall which separates our grounds from those of the deserted house.

I ran back at once, told the watchman to get three or four men immediately and follow me into the grounds of Carfax, in case our friend might be dangerous. I got a ladder myself, and crossing the wall, dropped down on the other side. I could see Renfield’s figure just disappearing behind the angle of the house, so I ran after him. On the far side of the house I found him pressed close against the old ironbound oak door of the chapel. He was talking, apparently to some one, but I was afraid to go near enough to hear what he was saying, lest I might frighten him, and he should run off. Chasing an errant swarm of bees is nothing to following a naked lunatic, when the fit of escaping is upon him! After a few minutes, however, I could see that he did not take note of anything around him, and so ventured to draw nearer to him—the more so as my men had now crossed the wall and were closing him in. I heard him say:—

“I am here to do Your bidding, Master. I am Your slave, and You will reward me, for I shall be faithful. I have worshipped You long and afar off. Now that You are near, I await Your commands, and You will not pass me by, will You, dear Master, in Your distribution of good things?”

He is a selfish old beggar anyhow. He thinks of the loaves and fishes even when he believes he is in a Real Presence. His manias make a startling combination. When we closed in on him he fought like a tiger. He is immensely strong, for he was more like a wild beast than a man. I never saw a lunatic in such a paroxysm of rage before; and I hope I shall not again. It is a mercy that we have found out his strength and his danger in good time. With strength and determination like his, he might have done wild work before he was caged. He is safe now at any rate. Jack Sheppard himself couldn’t get free from the strait-waistcoat that keeps him restrained, and he’s chained to the wall in the padded room. His cries are at times awful, but the silences that follow are more deadly still, for he means murder in every turn and movement.

Just now he spoke coherent words for the first time:—

“I shall be patient, Master. It is coming—coming—coming!”

So I took the hint, and came too. I was too excited to sleep, but this diary has quieted me, and I feel I shall get some sleep to-night.

Notes: Moon Phase: Waning Crescent

So a lot going on here today.

Mina finally gets Sister Agatha's letter. In his delirium, Harker is sharing some good information; wolves, blood, ghosts, demons, but how does "Poison" get into the mix? May he sees Dracula as a poison?

Remembering Jonathan's journey to Budapest, it will take Mina a bit to get to him. 

We get all sorts of religious allegory here. Harker is at the hospital of St. Joseph and Ste. Mary, Jesus' earthly parents. While we also have Renfield acting out the character of an evil John the Baptist to Dracula's evil Christ. Certainly a battle of good and evil. 

Modern interpretations really focused on Seward's addiction to Morphine and/or Coral Hydrate. Yes, it is here, but I would not describe him as a junkie. 

Was Renfield's strength due to his madness, as was often believed at the time, or was it due to some gift from Dracula?

Monstrous Mondays: The Classics of the Horror Film

 Today's Monstrous Monday is a special treat for me. I scored what I consider to be one of the pivotable books of my childhood and one that led to my love of horror movies and my love of monsters in D&D and other RPGs.  William K. Everson's The Classics of the Horror Film.

The Classics of the Horror Film

My dad had a bunch of these classic film books by William K. Everson. They were all black with some gold lettering on the spine. They covered silent movies, westerns, there was one on "The Bad Guys" and think one on the movies about WWII. But this is the one I read over and over and over again.

I was not much more than 4 or 5 and I already knew who Bela Lugosi, Lon Chaney, and Boris Karloff were. I remember making mental lists of movies I wanted to see from this book. It is, among some other influences that lead to love horror movies and vampire movies in particular.

When I got older, and our access (well, everyone's access) to older movies went beyond the occasional re-run on Saturday afternoon classic movies or the Friday or Saturday night Creature Features, my dad and I would watch these movies. We talked about the differences between American, British, European and Japanese horror movies. How the Universal Classics differed from the Hammer Horror era, and how the Exorcist and later Jaws changed everything.

Flipping through this book now is like flipping through a high school yearbook. I am seeing picture of old, almost forgotten friends. 

William K. Everson's The Classics of the Horror Film

William K. Everson's The Classics of the Horror Film

William K. Everson's The Classics of the Horror Film

Elsa Lancaster left a deep mark on my psyche from 1975 on.

William K. Everson's The Classics of the Horror Film

William K. Everson's The Classics of the Horror Film

William K. Everson's The Classics of the Horror Film

Mary Pickford, an unlikely "Final Girl*," but was enough to make me remember her and use bits of her movies in my D&D games. 

Ok she is not a real "Final Girl" here, but if this movie was remade today she would be.

William K. Everson's The Classics of the Horror Film

My dad and I used to rave about this scene in Dracula above. Not just how impressive it was to film and the set to build, but how it conveys Dracula's command over the scene. 


William K. Everson's The Classics of the Horror Film

I always liked that photo of Pamela Franklin in "The Legend of Hell House." You know some scary shit is going on here, even if there is nothing in the photo that is scary on its own. Just her eyes and her bare feet just barely touching the ground. You get the feeling that she is safe, as long as she just doesn't get up and walk away. BTW, she is still alive today.

My fascination with horror movies, giant monster movies, monsters in general, and to no small degree, these posts for Monstrous Mondays, all come from this book.

I already added it to my Appendix O I am planning on using it for my October Horror Movie Marathon.