Sword & Sorcery & Cinema: Belladonna of Sadness (1973)

Green is the color of the devil.

Looking over my plans for a new Darklord and some other ideas I went search for a very specific sort of movie. I wanted something set in the Dark Ages, I wanted it to involve a witch, and a normally innocent person turning to evil, or at least revenge.

I got a few hits, but the one that keep coming up in various permutations of my searches was the Japanese Animated feature, Kanashimi no Beradonna, also known as La Sorcière, Tragedy of Belladonna, and Belladonna of Sadness.

The movie takes place in an undisclosed time and place, but it is obviously some sort of feudal time.  Though we later learn it was medieval France, it could be anywhere.  Jeanne and her husband Jean have just gotten married and the Lord of the land demands jus primae noctis since Jean can't pay all his taxes.  That night Jeanne is brutalized and she returns home bloodied and bruised. While her husband wants her to forget Jeanne has visions of a phallic-shaped devil that promises her power in return for just small things.   She hesitates at first but soon succumbs to the little monster.

Soon Jeanne has power. Her husband is elevated to tax collector, though when he can't collect all the taxes the Lord chops off his hand.  As she grows in power her devil grows in size. Soon Jeanne is the true power in her village.  When the Lord returns from a war he seeks to arrest Jeanne, but she flees into the forest where she lives for a while.  The villagers start to die from the Bubonic plague and it is Jeanne that saves them with her magic.  They celebrate by throwing a huge orgy.

Jeanne runs afoul of the Lord and his wife again. She manages to get the wife killed when a young page comes to her for a love potion for the Lord's wife. The Lord offers to marry Jeanne but she refuses, claiming she wants everything he has.

She burned at the stake but as she looks out at the onlookers she sees their faces turn into hers. Knowing they sympathize with her.  The narration tells us that Jeanne's spirit lives on in the women of France and they will rise up to eventually overthrow the monarchy in the French Revolution.  It is implied that she is reborn as Liberty in La Liberté guidant le peuple. 

This was not like any anime movie I have ever seen before.  Check out the trailer for it.

The artistic style is not what many consider "anime" and there is almost a Ralph Bashski psychedelic about it.  The story is of course quite sad. Jeanne never has a choice in her actions, but at least she makes the best of them and she is defiant even to the point she is burning on the stake. 

Articles keep calling it "X" Rated. But that really is sensationalism.  Yes, there is a rape in the beginning, but it is all done in metaphor. Ok. Graphic metaphor.  The trailer has a lot of nudity in it, but that might be every cut in movie.  No, where this movie is the most disturbing is the violence perpetrated on Jeanne (and some to Jean) and how she reacts to it all. 

There is a lot to process in this movie, to be honest. I am severely disappointed I never saw it before this.  

Gaming Content

Would Jeanne be a Darklord? I am not sure, she doesn't seem to live up to the evil witch she is described as or thought of by others.  Instead, she becomes something else. Liberty if the movie is followed.  But there are moments when she could have turned a lot more evil.  I would have a very difficult time blaming her to be honest. 

I do like the subtle seduction the little devil does. As she grows in power, so does he.  This would be a good Warlock Patron.   

There is more I would love to do with this. I think I am going to need the BluRay. 

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Tim Knight of Hero Press and Pun Isaac of Halls of the Nephilim along with myself are getting together at the Facebook Group I'd Rather Be Killing Monsters to discuss these movies.  Follow along with the hashtag #IdRatherBeWatchingMonsters.

Kickstart Your Weekend: Knock-Down Drag-Out: Country Noir RPG

I do love Kickstarter. I love it when it is used for a smaller company that has an idea and wants to get it off the ground.  Not companies that are using it as a "pre-order" system, but rather a real venture capital like solution.

Case in point.

Knock-Down Drag-Out: Country Noir RPG

https://www.kickstarter.com/projects/kddo/knock-down-drag-out-1?ref=theotherside

Country Noir is best described as Americana Folk Horror.  Here are what the authors have to say.

Dark country roads, darker forest lands. Crumbling factories and dying towns. Bare-knuckle brawls and gunfights. Mystery and danger. These are just a few of the elements common to “country noir” (sometimes also called hillbilly noir, grit-lit, or southern noir), a category of crime fiction and film where secrets are everywhere and the restoration of order and justice are by no means a sure thing. Winter's Bone, Justified, Ozark, Hap & Leonard, and the Slim in Little Egypt series. Knock-Down Drag-Out is a way for you and your friends to bring these kinds of stories to life.

I mean it sounds really great. 

Now full disclosure. I know of the authors, but they might not remember me. Jason & Ian Miller both worked with my brother at a movie theatre in the heart of Little Egypt.  They had even been to my house at a Halloween Party where they drank some mead my roommates and I had made the year before.  We thought one of them was going to go blind from it.

The game looks like a lot of fun and one I would really enjoy.

So it would be great if it got funded!

Check it out and throw some coin in their direction.

Sword & Sorcery & Cinema: Frankenstein

May has been split between two themes for me.  We started off with Sci-Fi month with a bunch of reviews on sci-fi games and movies and I ended with a week-long journey back to Ravenloft with the new 5e Ravenloft book.

What movie could I watch that would cover both halves of this theme?

Well really there is only one that could do it proper justice and I have a LOT of choices of that one.

The story is Mary Shelley's Frankenstein.  The movie is...well there are a lot of them.

While Frankenstein, or as it properly titled, Frankenstein; or, The Modern Prometheus, was written by Mary Shelley and published in 1818 when she was only 20 years old.  

While it is a horror novel and a Gothic and Romantic Horror novel at that, it really is more properly one of the very first Science Fiction novels published. Jules Verne and H.G. Welles were not even alive at this point.  They might be known as the fathers of Science Fiction, but the mother of Science Fiction was a teenage girl and one of the most prominent feminist icons of her day.

So suck it up. Science Fiction was created by a teenaged feminist.

Currently, there are over 70 movies featuring Frankenstein and/or his monster. And those are just the ones I have access to on the Internet, there are likely even more.

No way am I going to watch them all tonight!  That would be a good October Movie Marathon month. But here are some I have seen in the past.

• House of Dracula (1945)
• Frankenstein Conquers the World (1965)
• War of the Gargantuas (1966)
• Frankenstein Created Woman (1967)
• Frankenstein: The True Story (1973) One of my favorites.
• Young Frankenstein (1974)
• Gothic (1986) The story behind the story
• The Rocky Horror Picture Show (1975)
• May (2002)
• Splice (2009)
• Vampire Girl vs. Frankenstein Girl (2009)
• Victor Frankenstein (2015)

I am surprised by what is not on my list.  Mary Shelley's Frankenstein (1994) directed by and starring Kenneth Branagh is one of my favorites and the closest we have seen to Shelley's book.

Maybe a Frankenstein Movie Marathon is in order after all!

Sword & Sorcery & Cinema: Forbidden World (1982)

More Roger Corman fun! This one is a repeat from an October Horror Movie Marathon from 2018.

If I had thought about it I should have done this as a double feature with last week's Galaxy of Terror.  I think a lot of the starship interiors were reused. The movie starts with some starships attacking another ship. A robot (straight out of Star Frontiers by the look of him) wakes up the commander out of cryosleep to deal with them.   After the battle, we learn that the captain, Mike Colby played by Jesse Vint, has been asleep so long his son is older than he is now.  Also, he has been re-routed to the planet Xarbia which Colby thinks is a joke.  It is an experimental research station and something got loose. Something they call Subject 20. June Chadwick stars as Dr. Barbara Glaser, who is best known from V and This is Spinal Tap. Dawn Dunlap also stars as Tracy Baxter.  Dunlap is better known as "Laura" from the quasi-erotic film of the same name when she was only 16 and from Corman's Barbarian Queen. 

Another Corman recycle are the two suns rising on the planet. Same shot is used in The Warrior and the Sorceress.  Wonder if it is the same planet? What happened to it I wonder. I was already running low on water in David Cardine's time.  Maybe it died out leaving only the Proto B bacteria the scientists are studying. 

So we have a mutant monster in a lab out in space.  What can go wrong?  Well, I sure you can guess.  The movie is not great, but it is also not really terrible. Like a lot of Corman's stuff, there is a core here, a kernel of a really good idea here.  This movie very, very effectively combines "Alien" and "The Thing" into one movie and puts the whole thing on a station in space.   It is Corman, so yeah the women take off their clothes at the drop of a hat. They also run around in high heels and shower together. The future is weird. 

The movie is fairly uneven, going from the tension of the escaped mutant in one scene to everyone turning in for the night in the next. 

The monster picks people off one by one, you know like a monster will. Until we are just left with just Tracy and Mike.  Though the idea of feeding the monster a cancerous tumor to kill it is a novel one. 

It was a fun flick, but I got really tired of Tracy's screaming in the last half of the flick. 

Gaming Content

Same as you get from Alien or The Thing.  Hunt the monster before it hunts you. I suppose that I will have to do a "monster is loose in a research facility" adventure at some point.  But I would need to make it different than either "Ghost Ship" or the "Ghost Station of Inverness V." This would have to be a flesh and blood abomination. NOT just an alien, but a creature of humankind's hubris.

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Tim Knight of Hero Press and Pun Isaac of Halls of the Nephilim along with myself are getting together at the Facebook Group I'd Rather Be Killing Monsters to discuss these movies.  Follow along with the hashtag #IdRatherBeWatchingMonsters.

Sword & Sorcery & Cinema: Galaxy of Terror (1981)

Something a little different tonight, an 80s sci-fi horror movie with a solid Sword & Sorcery feel to it. It's from Roger Corman, so I guess that is not a huge surprise.

Galaxy of Terror (1981)

This movie has everything! My favorite Martian Ray Walston, Erin "Joanie" Moran, Grace Zabriskie, Sid Haig, pre-Freddie (and really young looking!) Robert Englund, a space witch, tentacle rape monsters! Wait. What was that last bit again? Another Roger Corman offering. I have to admit the cast is something else really. 

The movie starts with the crew of our spaceship, the Quest, headed to planet Morganthus by the order of some mysterious dude called "The Planet Master." We never see his face due to the glowy red energy around it. He is playing some game with our Space Witch. Our pilot, Captain Trantor (Zabriskie) was the only survivor of some famous disaster that has left her a little worse for the wear.  We learn Alluma (Moran) is a psychic sensitive and she detects no life on the planet they all but crash land on.

The Quest crew investigates a crashed ship, the Remus, where all the crew seems to be dead. Soon the first crew member, Cos, is killed by some sort of monster with claws.  The crew looks for more survivors and finds a really creepy ass pyramid.  The mission Commander, Ivar, is lowered into the pyramid but he gets attacked by some blood-sucking tentacles.  Quuhod (Haig) is killed by one of his own crystal throwing stars.  Dameia (played by Taaffe O'Connell), in one of the most controversial bits in the movie, is attacked by a giant maggot/worm/tentacle beast who manages to get all her clothes off before it rapes/eats her.  

We find out that Core, the cook (Walston) is some sort of spy. He had been in the disaster the Captain had been in.  She seems to be hallucinating an attack.  We next see her trying to leave the ship but she bursts into flames.   The remaining crew regroup and head back to the pyramid.  They get separated, of course, and picked off one by one until only Kore and Cabren remain. We learn that Kore is really the Planet Master and this pyramid is part of a game. Cabren manages to kill Kore, but becomes the Planet Master in his place.

I'll give the writers credit, there is some background going on here.  I am not sure that it all translates well on the screen though. I like the idea of the pyramid causing fear, but there is no reason why The Master/Kore would actually be interested in it. 

The movie has a solid Alien (1979) and Aliens (1986) feel to it. No surprise really, James Cameron served as Production Designer and Second Unit Director on the film would five years later direct Aliens. 

But, and let's be honest here, the movie is not good. I am not sure why we never saw it then but Erin Moran is terrible in this. Taaffe O'Connell is in it only so she can take off her clothes.  Even mainstays like Robert Englund and Sid Haig are wasted here.  Ray Walston and Grace Zabriskie were obviously here for the paycheck.

Gaming Content

The idea of entering an ancient and abandoned pyramid is as old as...well, the Pyramids.  This one just happens to have a sci-fi horror feel to it.  There are a lot of ideas I could steal for BlackStar. Watching this after reviewing Stars Without Number I am more convinced now that my BlackStar game must have psionics. 

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Tim Knight of Hero Press and Pun Isaac of Halls of the Nephilim along with myself are getting together at the Facebook Group I'd Rather Be Killing Monsters to discuss these movies.  Follow along with the hashtag #IdRatherBeWatchingMonsters.

Ravenloft Returns to 5e D&D (Again!)

The word is out that next D&D book/campaign setting is going to be Ravenloft and I could not be more pleased!  

What do we know so far?

It will be released on May 18th, 2021 and it has both the normal and game store exclusive covers.  I have already preordered both.

Thirty Domains of Dread will be detailed. These include Lamordia, Dementlieu (both from the original 2nd Ed set), Kalakeri (new), and Falkovnia (revised).

Likewise, we are getting old, new, and revised Darklords. One that seems to be causing a stir is  Dr. Viktra Mordenheim and her creation Alyss. Not sure if she is a genderswapped Viktor, a daughter or something else.  I mean, lets be honest, even Hammer did the wives and daughters of all their great movies. Ravenloft can too.

Gothic Horror will be covered as well as more traditional "ghost" stories, psychological horror, dark fantasy, and D&D's own brand of cosmic horror.  Which is good, I love all that Far Realm stuff.

While the book is called "Van Richten's Guide" the eponymous Van Righten disappeared before he could complete his last volume "Van Richten's Guide to Witches."  So I am expecting, and am promised, new monster hunters to carry on his legacy.   Our cover girl appears to be Ezmerelda d’Avenir, one of the newer vampire hunters in Barovia.

There are two new sub-classes, College of Spirits Bard and the Undead Pact Warlock.

For lineages, there are dhampir, hexblood, or reborn characters, which offer vampire, hag, and undead lineages, respectively. 

Characters can also get "dark gifts" to aid them in their fights...or to help them become the monster they truly want to be.

There will be 40 pages on monsters; some new and some familiar ones.  I am expecting to see a Brain in the Jar myself. 

And a new adventure. A new take on the House of Lament.  

It also sounds like they have a wide variety of voices and inputs on this which is great; horror is a universal concept. Many are horror authors.  I while I do love my Gothic Horror, I also love all horror.  I am looking forward to seeing the Vistani become something more than an uncomfortable stereotype. 

So folks are complaining about the "loss" of Falkovnia, but's let's be honest here. Falkovnia and Vlad Drakov were nothing more than the "leftovers" after Barovia and Strahd mined all the Dracula lore. I never even used it much back in the 2e days and I am certainly not missing it now. Falkovnia is now a zombie apocalypse land and I think that works better to be honest.  We didn't really have one of those.  

Sithicus may or may not show up, but Lord Soth certainly won't.  Also not a surprise really. Those rights were a tangled mess anyway.

I am rather looking forward to this book.  Ravenloft was MY game for all of 2nd Ed AD&D and college. I bought every campaign book, adventure, and yes even novel I could get my hands on.  I was contributing to the Kargatane official netbooks of Ravenloft material.  My 2nd Ed AD&D is Ravenloft; I don't separate the two.

My only question is do I put this on my D&D5 shelf, my horror shelf, or my Ravenloft shelf?

Links

• D&D Beyond
• ENWorld
• The Piazza
• Gizmodo
• INverse

October Horror Movie Challenge: The Craft Legacy (2020)

Managed to get one last one in for October 2020.  And this one is rather perfect for this week.

The Craft: Legacy (2020)

This one was released to much fanfare online on Wednesday.

The movie begins with three witches, Lourdes (Zoey Luna), Franky (Gideon Adlon), and Tabby (Lovie Simone) trying to get their magic to work.  They lament the lack of their "fourth."

Enter Lily (newcomer Cailee Spaeny) and her mother Helen (the always wonderful Michelle Monaghan) moving to a new town and home to live with Helen's new boyfriend Adam (David Duchovny) and his three sons.   

From here the movie follows the same trajectory as the first Craft movie.  This is not an accident, nor is it sloppy writing.  There are a lot callbacks to the previous movie and a lot of nods.  When this movie comes to the point of climax of the previous movie it takes a turn. 

Spoilers follow.

The coven turns against Lily, not because they are abusing their power, but because she is.  They blame her for the death of Timmy. So the other members of the coven bind her and all of their powers.  

Before Timmy's funeral, Lily learns that she was adopted and she begins to suspect that Adam is not what he says he is.  We learn that Adam is some sort of warlock himself. He takes on Helen's form to get Lily to give him her powers.  When she refuses he decides to kill her.  While fighting she manages to freeze him revealing her powers were back and the other members of her coven were there.  Together they all manage to subdue and then eliminate Adam. 

The coven reconstituted Lily is taken to an institute to meet her biological mother, Nancy Downs from the first movie.  Yes, Fairuza Balk makes a cameo as Nancy. 

So. Yeah not quite as scary as the first, but it also keeps it open for future sequels.  There is the question of Adam and what he was doing all over the world.  There was certainly a vibe of "Warlocks vs. Witches" implied here.  I was expecting more horror given this is a Blumehouse flick. 

In truth, I rather enjoyed it even with its lack of real horror.  Nice nod to the first while moving ahead on its own path.

NIGHT SHIFT Content:  My NIGHT SHIFT co-author Jason Vey also watched this movie a couple of days ago and agrees it would make for a very fun NIGHT SHIFT setting. So expect to see some more from either or both of us on this. 

Watched: 60
New: 41

And that is it. Another October Horror Challenge in the bag. 60 total movies, 41 new. I am already looking at the movies for next year.

October Horror Movie Challenge: Witchcraft of the 70s

I want to get in some Witchcraft documentaries from the 70s.  These really cover what formed some of my earliest thoughts on witchcraft and the occult.

These movies are not really horror, but they good supporting movies for all the horror movies I typically watch. All these titles received an X rating when they were released but are really all pretty tame.  

An interesting note that all these films feature Alex Sanders and Maxine Sanders.

Legend of the Witches (1970)

This is a nice weird one and It is part of a larger DVD/Blu-Collection I grabbed from Amazon.  The first part is a slow narration over scenes of the moon and sun rising and setting in glorious black & white.  It reminds me a little of the start of Aradia, Gospel of the Witches.  We get to the creation of man and we see a number of neolithic shamanistic cave paintings. 
We get to the part about witches with prerequisite naked dancing under the moon.

We get to see a witchcraft initiation, which looks a bit Gardenarian or Alexandrian (checked it is Alex Sanders, so Alexandrian). We get some history of England including the notion that William the Conqueror was the son of a Witch, and Robin Hood had a coven. This leads to a bunch of material about witches including the witch hunts. 

Different witch rituals are shown from wicca to Luciferian with copious amounts of nudity (likely the source for the X ratings) but nothing even remotely shocking really.

Secret Rites (1971)

This one starts off with a "witches orgy" and a woman being dragged to "unspeakable obscenities" but fear not! Her lover "John Goodfellow" has come to rescue her brandishing a cross and rebuke witches as if they were vampires.  The scene freezes and our narrator continues in saying that this has been the perception of witches for years.  We cut to Alex Sanders who tells us it is complete rubbish. 

This covers the initiation of a new witch into Alex's coven. As well as a very brief look at his discussion group (likely brief since there is no nudity), a Wiccan handfasting, and even a Great Rite.

The following were included on the same DVD. 

The Witch's Fiddle (1924)
A man gets a fiddle from a witch that can make anyone dance. 

Out of Step (1957)
A documentary series that covers witchcraft in this episode.  Interviewed are Margaret Murry, Gerald Gardner, and Alastair Crowley's friend, Louis Wilkinson. 

The Judgement of Albion (1968)
From Robert Wynne-Simmons, the director of Blood on Satan's Claw.  Based on the poems of William Blake. It is a trippy little flick where faeries, in the guise of young college students, still roam "A Green and Pleasant Land" amid modern troubles.  Completely experimental and yet so utterly British. 

All of these movies and shorts reveal an interesting look at Britain at the end of the 60's.  While in the US we were moving headlong into the excess of the 70s and "left-over hippie shit", England seemed to be two different places at the same time. A country aware that it is slowing down even as new prospects are on the horizon and a country whose Pagan past was just a little bit below the surface. These two are likely related to each other.

Witchcraft '70 (1970)

This Italian "documentary" follows the lives of various real witches in England. I say "documentary" because it only details the most salacious elements of the neo-pagan movement in England.  It also conflates all witchcraft with satanism.  Now a few of the people they profile like Alex Sanders dabbled in "the Left-Hand Path" decades before and Anton LeVey who was a Satanist, others like Eleanor Bone and Maxine Sanders were Wiccans.  The Sanders in fact developed the Alexandrian Tradition of Wicca.  In fact, there are many times that what is depicted on screen and what the narrator is telling us is happening are complete conflict.   There is a hand-fasting between Alex and Maxine Sanders which is described as Maxine marrying the Devil in the guise of Alex.  They imply that in all of these "Satanic Weddings" that Alex, as the Devil, gets to have sex with the women first.  A lot of criticism has been laid at the feet of Alex Sanders and Alexandrian Wicca, but this is not one of them. 

Oh there is the implication too that Brazilian witches engage in incest.  If that feels like it came out of nowhere then yeah, I thought so too. In the middle of talking about proper British witchcraft we get this side trip to Brazil. 

Another unforgivable sin (if that word can be used) is that the Narrator (Alberto Bevilacqua) quotes Jacob Sprenger of the Malleus Maleficarum as an authority. 

Finnish witchcraft is shown to have a nubile nude witch submit to a cult leader as her future husband, chosen by the high priestess. 

It is all very Mondo with plenty of blood sacrifices.  There is a bit on Ted Serios and his psychic photography.  Mediums. Krishna Consciousness (which is entrapping all of America's youth!) and some more on Brazil.  Oh. and they spend some time on LaVey.  Plenty of nude women hanging around including LaVey's own daughter and future high priestess of her own sect. There are a few scenes in the LaVey piece that I am sure got in front of some of the artists of White Dwarf. 

And it ends with Cryonics, or the freezing your body after death.  Cause why not.  Even the start of the 70s was weird.  I guess their issue was the artificial extension of life. 
It feels like some Christian scare tract/documentary.  Better watch out those English witches will get you!

It has an X rating, but there is nothing here that I have not seen in a "TV-MA" series on Amazon or Netflix. 

Reading other reviews online I just watched the Italian version "Angeli Bianchi... Angeli Neri" (White Angel ...Black Angel), not the redubbed, re-edited "American" version. 

NIGHT SHIFT and Old-school Content:  A few notes.

I have had this game idea for a while now, Spirit of '76, that takes place in the summer of 1976.  It has a solid Americana feel to it and it is inspired as much by movies like "Smokey and the Bandit" and "Convoy" as it is "The Omen" and "It's Alive".  But this got me thinking of a similar idea, only maybe set in England during the end of the 60s, 1968 to 1972 in particular.  Something very Mod but with horror and supernatural elements.   I'd love to set it in London. 

Watched: 55
New: 39

October Horror Movie Challenge: Demon Witch Child (1975)

Demon Witch Child (1975)

Another one that has been on my list for a while now.  I had it on tap for 2018, but for some reason, I never got around to it.  I think I just forgot about it. Actually, it is perfect for this year and right now.

Before I get into the plot, such that it is, I want to talk about what this movie represents.  All month long I have been focused on the time period in Europe, and mostly Italian and Spanish cinema, just right before the Exorcist hit.  The sweet spot for me has been 1971 to 1973.  Now maybe someday I'll do a post Exorcist run of movies, but until then this is the film that I will hold up as Exhibit A as to the effect the Exorcist had on filmmaking. 

Demon Witch Child, aka The Possessed and La Endemoniada, has a pedigree of sorts.  Marián Salgado who plays Susan, the titular "Demon Witch Child," was the Spanish voice actress for Linda Blair's Regan in the Exorcist.  So she was handpicked by director Amando de Ossorio for his Exorcist rip-off, er, homage.   The fact that she also bears some similar facial features to the old witch played by Tota Alba helps.

The Exorcist influences are all over this movie.  Susan crawls around, her body (not just head) spins around 180 degrees. She swears, she makes rude sexual comments all the time, she speaks in different languages (though we never hear them).  And it is all a little weird. I honestly got the feeling that the movie was written one way, but when the Exorcist hit more was added. 

An old witch desecrates a church and is arrested.  She is suspected of kidnapping a baby, but instead of talking she throws herself out of a window.  Her daughter (played by Kali Hansa who also spent some of time working with Jess Franco, including one of his hardcore outings, Weiße Haut und schwarze Schenkel, 1976) witnesses this and decides to curse the daughter of a local politician, Susan. 

Susan it seems is now possessed by the spirit of the dead old witch. The make-up effects are pretty good and do a good job of making Marián Salgado look like Tota Alba.  

Sadly the movie goes nowhere really.  Susan sacrifices babies, eats them,  gets people killed, murders a reporter, and comments on how well hung he is before castrating him. But there is also a surprising lack of gore or nudity for the time.  There is a subplot with a priest, our would-be exorcist, how before he became a priest he was engaged.  It is all very random in places. 

This is not the only movie I have seen from the time that suffers a lot from comparisons to The Exorcist, but this one of the most glaring ones. 

Watched: 52
New: 36

NIGHT SHIFT and Old-School Content

Possession is always fun in a game. Unless you happen to be the one possessed.  While this movie was obviously about demonic possession they can be other types.  Based on similar tales, I posted about the Eretica Vampire a few years back.  I even used a still from this movie.

Eretica (Vampire)

No. Appearing: 1

AC: 6

Move: 40ft.

Hit Dice: 7

Special: 2 attacks (claws, bite), Mind control, Strong and Fast, Witch spells, blood drain.

XP VALUE: 750 

Eretica are the spirits of dead witches who possess the living, turning them into a sort of living vampire.

Unlike the typical Vampire, these creatures cannot Polymorph and cannot create new vampires.  In their host form, they can also move about during the day and are immune to holy items.  In their "possessed" form they have all the standard weaknesses of vampires. 

They can witch spells at the 4th level of experience.

October Horror Movie Challenge: Baba Yaga (1973, 1975)

Baba Yaga (1975)

I started watching this one a couple of years ago, but for some reason, I never finished it.  I kept meaning to come back to it but never did.  Next thing I knew Amazon Prime no longer listed it.  So I picked up the Blue Underground BluRay of it.  I always enjoy Blue Underground's DVDs and BluRays, so when I saw they had this one I knew I better jump on it.  

So glad I did.  Blue Underground is now listing it as Out of Print.  If the years of doing this October Challenge has taught me anything it is to jump on the movie when you can, I have lost track of all the ones that have gone out of print or have become unavailable over the years. 

Carroll Baker plays a very haunting version of Baba Yaga, one is immediately reminded of Delphine Seyrig's Elizabeth Báthory from "Daughters of Darkness".  Isabelle De Funès plays Valentina, a photographer in Milan. They meet when Baba Yaga's car nearly hits Valentina while she is petting a stray dog.

After Baba Yaga takes a clip from Valentina's garter belt some strange things start to happen.   

Valentina goes to Baba Yaga's home and it is wonderfully creepy. Full of strange antiques, seemingly bottomless wholes, and a doll wearing S&M gear. Though when photographed it is wearing a normal doll's dress.   There are times too when the doll seems to come to life (played by Ely Galleani).  

There is also a clear plastic phone that I am sure was the coolest thing ever in 1975.

When Valentina's models start to get hurt or die she begins to suspect that Baba Yaga might be a witch. 

The movie is slow. No doubt. And it tries to be experimental in places, various hallucinations or visions of fascism or even silent German horror films. But it does have a nice creepy vibe and you never really know what is real or not. 

The story is based on the Italian comic, or fumetti, Valentina by Guido Crepax.  The movie even features some of the art from the comics in the credits and the actors can be seen paging through some of the comics.  Isabelle De Funès certainly has the look of Valentina down.  She looks like she walked right off the page, to be honest. 

The movie is listed as 91 minutes on IMDB, but my BluRay is 83 minutes.  There are some cut scenes on the BluRay that add up to the missing time.  But I am not sure if they are the same missing minutes or not.   They don't really add anything to the movie really. 

Watched: 51
New: 35

NIGHT SHIFT and Old-School Content

Movies about Baba Yaga in English are so rare. This one was dubbed into English from Italian, so rarer still.  This is not your Russian Grandmother's Baba Yaga. This Baba Yaga drives Rolls-Royce Silver Cloud not a mortar and pestle.  The ancient myths of Baba Yaga were about an old witch that devoured or sometimes protected young girls.  The Swinging 70s Baba Yaga is an older woman that preys on younger women in a carnal way. What would a 21st Century Baba Yaga be like?  Maybe a powerful businesswoman, who employs a number of young beautiful women. Likely models or maybe webcam girls.  In the modern retelling, she is not a predator that eats or seduces the young women, but rather uses them up in other ways. Maybe something like I did with Willow & Tara: Web of Lies.

October Horror Movie Challenge: Blood Sabbath (1972)

Staying in the 70s tonight. In fact, I seem to be stuck in 1971-1973, but that is fine really.  I had seen this one before but I realized I had never reviewed it for my October Horror Movie marathon. 

Well, there is not a lot to recommend here. A very young Anthony Geary stars as a Vietnam Vet and a bunch of women run around completely naked.   How much of the movie is that? I have an edited for TV version that is only about an hour-long, so at least 20 mins were cut.  He meets up with a woman, Yyala, but he can't find her later. 

It does have Dyanne Thorne as Alotta, Queen of Witches.  So there is that I guess. The biggest issue is that the movie is so slow. 

I remember first wanting to see this for the overt association with hippie culture and witchcraft and it certainly has that.  Alotta makes for a good if somewhat stereotypical 70s-era witch. But that doesn't make her less fun.  Susan Damante as the water nymph/witch Yyala is less entertaining, but I think it is because her lines are so bad.  

So to love Yyala, David has to get rid of his soul. A bargain the Witch Queen is happy to oblige him with. Then of course the horror ensues. 

It is pretty typical of the Occult 70s right before the Exorcist hit the theatres. Lots of jumbled up occult ideas, lots of weird filming, and plenty of soft-core nudity.  It also pretty much typifies what I call the "leftover hippie shit" of the 60 going into the 70s.

There is a pretty good review of it (with plenty of screencaps) at the Grind House Database.

Watched: 50
New: 34

NIGHT SHIFT and Old-School Content

So one idea I had based on this one and The Boy Who Cried Werewolf last night is the PCs find a group of hippies, yes in 2020, but these hippies seem a bit stranger than most. That is because they are all Fey or nymphs and satyrs. Maybe even Dionysis is still with them but instead of wine he the god of drugs. 

The characters run into problems when these fey want them to "Tune in, Turn on, and Drop Out" with them for the rest of eternity.

October Horror Movie Challenge: Blair Witch 2 Book of Shadows (2000)

So this one has been on my list for some time now.  I have hesitated because of all the really negative reviews I have read about it.  But I figure I need to get to it sooner or later and today is that day.

Truth be told I loved the original Blair Witch Project. Such a fun film really. This one had some promise; well...at least promise in my mind.  Mix a goth girl and a Wiccan in the Blair Witch mix? That should have been a hit for me.  And there is the seed of a good movie here, but it got lost somewhere.

Many of the actors are not great, but thankfully many of them got better. Jeffrey Donovan for example moved on to much bigger and better things. 

The beginning starts promisingly enough and then the middle drags a bit.  Again, there are all the elements of a good movie here, just not put together well.  Like getting some furniture from Ikea, but not having the instructions. 

I kinda like the mystery, reminds me of the first movie in that respect, but none of the claustrophobia. 

While it didn't live up to its predecessor it was not as bad as I was lead to believe. Oh it was bad, just not awful. 

NIGHT SHIFT and Old-school Content:  So the Blair Witch Project, in any form, is great for a Modern Supernatural game. An ancient witch coming back to haunt people? That is great stuff.

The memory blackout is a good plot point and easy to do in a game, even if it can be a bit cliched. 

Watched: 49
New: 33

October Horror Movie Challenge: Satanic Sunday

We are in the last week of October. I am sad to see it go.  But we still have the whole week and I am going to watch as much as I can.  I had some movies still on BluRay so I thought I'd make a theme weekend of it. 

Inquisition (1976)

Another Mondo Macabro purchase.  This is Paul Naschy's first directorial effort. The Blu Ray is quite nice, you could almost believe it was originally filmed in HD. The transfer is very good. Naschy is his best leering self and chews up scenery like no one's business. 

It's the 16th century and witches, warlocks and the devil is everywhere.  At least that is what Benard de Fossey thinks.  One by one all the beautiful women in the village are accused of witchcraft and find themselves at the mercy of de Fossey. 

It is largely an excuse to have a bunch of naked women getting tortured. Even so a lot of effort went into this one. There is the witchhunter's manual that is as nicely illustrated as any Monster Manual.  I'd love to get some art like that for a monster book. 

There is a witch, of sorts, and she recruits our star, Catherine (Daniela Giordano).  The scenes of the witches' sabbat are trippy and Naschy pulls double duty as Satan.  Triple duty really since he also plays the Grim Reaper. 

The ending is not entirely unexpected but still, there is a nice twist ar the end. 

The Demons (1973)

Jess Franco is as notorious as Paul Naschy.  But in some ways I like Franco better. It's nothing I can put my finger on, I have just seemed to like his movies a little more. This movie though is a touch sleazier than his others.  This one also reunites Britt Nichols and Anne Libert with Jess Franco. Their last outing together was La fille de Dracula in 1972. Though this time Brit Nichols and Anne Libert play sisters and not cousins. 

This one begins with the trial and burning of a suspected witch.  She curses all who are there, by saying her daughters will avenge her. 

We switch to a convent where two orphans have been raise. One Margaret (Carmen Yazalde appearing as Britt Nichols) is good and pure, but Kathleen (Anne Libert) daydreams (a sure sign of sin) and moans and writhes in her sleep at night.  So she is obviously possessed by the devil.  Sure enough, these two girls are the daughters of the witch.  We are treated with not one, but two scenes of Katheleen being "seduced" by the devil.  

Lady de Winter (Karin Field), an eyewitness to the execution of the witch arrives at the convent. We discover that Kathleen, unlike her good sister, is no longer a virgin.   She is taken, strung up on a wrack, and tortured.  Lady De Winter seems to get off on the torture. While Lord De Winter pities the poor girl.  She is found guilty of witchcraft, of course, and sentenced to be burned.  But Lord De Winter sets her free in the night.  She finds the home of a painter where she stays. 

While that is happening Margaret is back at the coven praying when she is visited by the ghost of her mother and then by a servant of Satan to "initiate" her.  And no Margaret, putting your cross between your legs won't help.  Now a full bride of Satan Margaret starts in on the convent. First by seducing another nun and then getting her to commit suicide.  She soon finds Kiru "Satan's Favorite Wife."

Kathleen is recaptured, but her captor falls in love with her and wants to escape to England with her. But she manages to escape again and is recaptured.

Margaret finds her way to Lady De Winter's home where she seduces her.  But now she has the cool power of being able to kill anyone she has sex with.  I guess we see that again in American Horror Story Coven. 

Margaret and Kathleen escape, but when Margaret uses her sex magic on Kathleen's lover (who had hunted their mother) she turns Margaret in.

On the pyre, Margret requests a last kiss from the Lord Justice and she kills him.  She laughs while she burns.  In the end, Kathleen finds Kiru.

Not a bad flick, but a little all over the place. The BluRay has a couple of nice features, but not a lot. 

Britt Nichols and Anne Lipert would also later go on to be in A Virgin Among the Living Dead (1973), another Franco movie.  Between 1972 and 1973 they would appear in six movies together. They stopped filming with Franco also at the same time that Lina Romay started.  I am going to try not to read too much into that.

Mark of the Devil (1970)

Also known as "Hexen bis aufs Blut gequält", or "Witches Tortured till They Bleed."

Bleed is appropriate here since this movie is overflowing with blood.   

This features a young Udo Kier as a magistrate over the European Witch Trials in Austria. Naturally, he falls in love with a woman accused of witchcraft.   There is some goings on with the local witch-finder and his gang and church appointed witchfinder.  But honestly, it is just an excuse to make a torture-porn movie. 

The torture is vivid and done well with the effects of the time, but after an hour or so it gets routine.  Starting off the movie with the rape of some nuns sets the desensitizing dial pretty high, everything after is just more brutality.  Or maybe since this is the third movie of roughly the same subject I am getting burned out.

I guess the film was fairly notorious back in the day. I have seen copies of this go for really ridiculous amounts. Not as much "sexploitation" in this as "tortureploitation" as some of the other movies about this time. 

The highlight of this one is Udo Kier, who even then, showed a great talent for acting. 

I looked for "Mark of the Devil Part II" since it featured Erika Blanc, but all I found was a really terrible copy on YouTube.

NIGHT SHIFT and Old-school Content:  A few notes.

A tortured innocent will say many names, but a real witch will never reveal who her sisters are. 
I also need more prophetic dreams for my witches.

Lady De Winter looks like she could be part of the Winters family of witches. She enjoys the torture of the other witches a little too much. But the deviousness with the blonde hair and blue eyes almost makes her a family member by defualt.

Margaret's death by sex is a cool Occult power (for one of my Old-School witches) but it has limited utility in a game.

Nuns and witch covens have a lot in common. 

I also need more witch hunts in my games.  Something for my witches to act against. Especially skeezy ones like from Mark of the Devil.

Watched: 48
New: 32

October Horror Movie Challenge: La Fille de Dracula (1972)

While watching Vampire Ecstacy I recalled there were a lot of similarities to this movie.  I ordered it then and thanks to Prime got it this morning.   

I watched this one back in 2013 but the copy I had was a really terrible VHS to DVD transfer.  

There is no comparison between the two.  After watching the BluRay I might pop in my DVD just to see if there are a lot of differences.   This one is in French with English subtitles. 

One thing I didn't cover with my last watching was the Karlstein/Karnstein issue.  The castle is called Castle Karlstein but given the time when it was filmed, I can't imagine they didn't mean Karnstien as in Carmilla. 

The story fits the Karnsteins better than the Draculas any way.

Britt Nichols plays Luisa Karlstein and Anne Libert plays Karine, Luisa's cousin, and lover.  And of course, Franco appears playing a creepy dude.  I mean if you are going to cast yourself in a role you should get your choice right?  

Throughout the movie women are attacked and drained of blood.

Luisa returns home to her dying mother and learns the family secret. Their ancestor, Count Karlstein, was a vampire and mom has been keeping him in the crypt.  Luisa goes to the crypt wakes up great-granddad.  Next time we see her she has fangs and begins to seduce her cousin Karine.  Though from the looks of it, Karine is a willing convert. 

There are some issues with this movie.  Luisa and Karine in their first scene act like they have just met, but later on, Karine tells Luisa about how she always loved her and they were "best friends" growing up.  They even relate a scene where Luisa plucked the eyes out of a bird and Karine cried in her arms. 

And the movie goes downhill, or rather, nowhere from there.  In fact the Luisa/Karine story seems completely disconnected from the Vampire killing plot.  If you assume that it was Luisa doing it then she was a vampire before she encountered the count (and it was the actress, if not the character). If it is the count doing the killings then what exactly is Luisa doing in the movie? Other than to lay in bed with Karine all day.

I learned while doing some preliminary research on this before tonight that this movie is part of a loose trilogy from Franco.  Dracula, Prisoner of Frankenstein (1972) features Howard Vernon as Dracula, the same role he is playing in Daughter of Dracula.   It occurs before this movie.  Daughter is followed by The Erotic Rites of Frankenstein (1973).  This movie also has  Britt Nichols and Anne Libert, though in different roles than in this one. The Erotic Rites of Frankenstein is also the film debut of frequent Franco star Lina Romay. She would go on to appear in 100 of his movies and they eventually married in 2008, four years before her death. They had been a couple though for 40 years. I forget which DVD commentary it was on, but Franco, in his 80s, still spoke of her very warmly and lovingly.  He would later go on to die a year after.

I think at this point I am a little burned out on Franco. I have another one for the weekend, also with Britt Nichols and Anne Libert, playing sisters this time instead of cousins.  I might save them for another year, but likely not. 

My original, bad VHS to DVD edit, ran 78 mins, the BluRay is 82 mins. The BluRay also has an edited "clean" version.

Watched: 39
New: 26

NIGHT SHIFT and Old-School Content

How about this. I have seen a few movies about Dracula's family and a few more about the Karnsteins and their family.  I have done some work on witch families. What about two warring families who patriarch/matriarchs are both ancient and powerful vampires. The descendants can be living, but living under a curse that when they die they become the undead.  The two family leaders have some sort of relation; say like cousins or half-siblings.  A good example would be the historical Dracula and Bathory clans. They shared a relationship by blood and other ties. Or the literary one of Dracula and the Karnsteins; we know that Stoker was a fan of Le Fanu's work and in the Hammer Karnsteins, Dracula is often in the background.

The war between rival families of vampires might sound a little World of Darkness, but it is something that could work well for both an Old-School game and Night Shift. 

October Horror Movie Challenge: The Boy Who Cried Werewolf (1973)

After watching the "Werewolf Vs. the Vampire Woman" I remembered an old flick from the 70s called "The Boy Who Cried Werewolf (1973)."  The werewolf reminded a bit of this flick so I thought I'd dig it up. I had not seen it in years.  

The movie feels like a "Hardy Boys" episode to be honest. Maybe it is how it is filmed.  The acting is not great.  At least Kerwin Mathews ("Robert") is good, but the kid Richie, played by Scott Sealey, isn't.  He has not been in anything else.  George Gaynes makes a cameo as a psychiatrist but is still a decade away from his role in Police Academy.

The movie is a bit slow really.  The only interesting thing about it is some of the werewolf bits (the extended forefinger was very memorable) and the hippie commune.  Now I had memories of these groups. They are obviously Christian of some sort, but they also have some odd things about them, belief in reincarnation and five-pointed stars (not exactly a pentagram, though that is what they call it) on their cross.  I distinctly recall them being more pagan than they are here.  It was the 70s and all sorts of freaky weird shit happened then.  Bob Homel, looking like a hippie John Goodman, delivers a memorable performance as Brother Christopher is what was going to be one of his last roles.   Actually, Brother Christopher is my favorite character. 

The werewolf transformations are pretty good for 1973, we are still a decade away from the genre-defining "American Werewolf in London."

Oh, and since it was the 70s cars explode the second they go off the road.

So the father is bit by a werewolf and now is one.  The only one that knows is the kid. 

What follows is fairly typical werewolf mayhem.

This one makes the connection between werewolf and Satanism more explicit. The scene where the hippies create a circle and Robert can't enter is an interesting one. I am not sure if it is interesting because it keeps the werewolf out or because of the combination of Christian and New Age beliefs.  

The movie is not exactly as I remember it, but it was better than I had hoped for.

Watched: 35
New: 24

NIGHT SHIFT and Old-School Content

Werewolves are easy enough, it's the group of Christian Pagans that has me the most intrigued.  I'd likely give Druids the same chance to turn lycanthropes like Clerics do undead.  Though I would make them a little more effective than Brother Christopher was.

Maybe include a sect of Theosophists that are Christopagan. 

So it's nearly 50 years later, Brother Christopher has passed, but he trained an elite force of Christo-pagan-hippies that travel the remote areas of the West Coast to the Rockies protecting the unwary from monsters like werewolves and sasquatches.  They seem like a group of burnouts, but really they are an effective group.  

Richie though has passed the curse on...

October Horror Movie Challenge: Patty Shepard Night

I have this disc with a bunch of movies on it. The first one The Witches Mountain I started and stopped a couple of times. I noticed the other movie on the disc, The Werewolf Versus the Vampire Woman, also featured Patty Shepard in it. So let's make it a movie marathon.  I might have asked for too much in one night!

The Witches Mountain (1972)

Ok. I can certainly be excused for falling asleep during this one. I had to rewind it to rewatch it a bit and I still had no idea what was going on.  I looked it up, turns out, nope. The movie just doesn't make any sense.

This movie starts with a scene of a woman, a little girl, a dead cat, a snake, and a gasoline fire. That in of itself makes no sense but it has nothing to do with the rest of the movie.  

In the next scene a photographer, Mario (John Caffari), breaks up with his girlfriend by canceling his vacation and taking the next job his publisher gives him.  Was the girlfriend the same woman in the first scene? I thought so, but now I am not sure.  The photographer goes to the Pyrenees mountains to take pictures.  He takes some of a woman undressing (Delia played by Patty Shepard) and decides to talk to her.  Sure. Why not. It's 1973 Italy. They decide to travel together, stay at an inn (with the creepiest innkeeper played by the ubiquitous Víctor Israel, who had been in a ton of Spanish horror films) and they hear about a witch's coven in the mountains.  

They find the witches of course and they induct Delia into their coven.  Oh, there is a little more than that, but not by much. In the end, Delia runs off a cliff.

The original title was El monte de las brujas. It was advertised in some of the other reviews I read as a "lost classic of Italian horror" or as an "occult thriller", well it had a solid 70s vibe to it, but that is about it. 

The Werewolf Versus the Vampire Woman (1971)

Also known as "La noche de Walpurgis" or "the night of Walpurgis." 

This one opens with a bit more promise. Two doctors are performing an autopsy on a supposed werewolf and mocking the "stupid superstitions" the whole time.  They remove the silver bullets and the full moon comes out.  The man (none other than Paul Naschy himself) gets up off the table, turns into a werewolf. He kills the doctors and the first woman he sees.

Next, we switch over to Elvira (Gaby Fuchs) and Genevieve (Barbara Capell) driving through the countryside. They are looking for the tomb of Countess Wandessa (Patty Shepard), a Medieval witch, a murderess, and a suspected Vampire.  Instead, they find Waldemar Daninsky (our werewolf Naschy).

We encounter his sister Elizabeth (Yelena Samarina) who seems really weird. Elvira takes an interest in Waldemar after initially not wanting to stay.  But Genevieve wants to leave after being attacked by Elizabeth. 

They do find the tomb, but Elvira doesn't want to open the coffin. Genevieve cuts herself and gets her blood on the corpse of the countess (of course).  Elvira is attacked by a zombie/revenant in the church and this doesn't seem to raise much of an alarm.  Night comes and the Countess rises and starts preying on Genevieve. She is killed and the countess turns her attention to Elvira. 

Waldemar keeps doing his werewolfing, but keeping away from Elvira while he does it. 

Patty Shepard is really channeling Barbara Steele in this as the vampire Duchess.  This was the point.

The movie has it's climactic battle between the werewolf and vampire. With both dying in the end and Elvira walking out into the sunrise with her otherwise useless boyfriend from the second scene. 

This one was a fun romp and really woke me back up from the earlier snooze fest.

Glad I started early, I also found this one.

Crypt of the Living Dead (1973)

Also known as Hannah, Queen of the Vampires and La tumba de la isla maldita.  The set up of this movie sounded so much like the setup of the Palace of the Vampire Queen that I HAD to check it out. 

This one has Andrew Prine (Chris) a couple of years after his bit in Simon King of Witches.  So a Witch King vs. a Vampire Queen.  I can do something with that!  

Chris is here on the island to retrieve the body of his father.  In the process, he manages to set Hannah free. The natives begin to tell tales of how this island used to be known as Vampire Island it will be again.  Hannah tries to spread terror, but she is a rather slow-moving vampire to be honest. She has a helper who appears to be some sort of primitive man; I decided he was some sort of half-turned werewolf.  She is also getting help from Peter (Mark Damon), Chris' father's friend and brother to Mary (Patty Shepard).  

Hannah is played by Teresa Gimpera, though she has no lines.  Between Pine, Damon and Shepard there is an impressive list of movies and TV shows.  Soon after this Mark Damon would go on to become one of the biggest producers in Hollywood.  So the cast is no lacking.  

Sadly the story is slow and Hannah the Vampire never really lives up to her reputation.

Watched: 34
New: 24

NIGHT SHIFT Content

I love the idea of a coven of witches meeting on a mountain top. Maybe to combine the first two movies here, cause they are going to blur anyway, the witches meet over the tomb of their founding coven member, a witch who had been suspected of vampirism.  They are threatened, and this how the PCs learn of them, from the outside by a small pack of werewolves.  To add in elements of the third movie I would set it all on a remote island. Maybe in the Aegean sea.

October Horror Movie Challenge: Frankenstein Night

Frankenstein Conquers the World (1965)

I talked about this movie back in 2015 when I watched War of the Gargantuas. I mentioned then I need to see this movie. Finally got around to it.  

The premise is cool. In 1945 Nazi doctors find the heart of Frankenstein's Monster.  The SS comes and takes the heart and sends it to Japan. They are about ready to study it when the atomic bomb is dropped.

Fast forward 20 years and there are strange things going on. Stranger than the radiation sickness still affecting people.  An odd boy is running through the streets eating dogs and other animals.   The boy seems to be impervious to pain and can heal.  After a bit of back and forth with capturing the child he is discovered not only to be European, but Frankenstein's monster regenerated whole from just the heart.  
Ok, that is cool enough on its own.  Also, the boy is growing bigger all the time.

The movie soon becomes a standard Toho Kaiju movie with giant Frankenstein battling Baragon. Oh yeah, Baragon is in this too, because Japan is just overrun with monsters. This gives us the English title, Frankenstein vs. Baragon.

Lady Frankenstein (1971)

Some more Italian fare tonight.  This one was a total stab in the dark. I wanted another Frankenstein film and this one meets all my other criteria in a movie, especially since I have been on an Italian horror kick this year.  So let's see how it is. It is described as Hammer Films meets Italian Giallo horror.

This is a surprisingly forward-thinking movie for 1971.  Tania Frankenstein wants to be treated as an equal Doctor and Surgeon in her father's eyes.  Sadly though the movie is about as predictable as you think.  The Hammer parts come in with sketchy looking assistants to get the body parts, a monster on the loose, an angry mob,  and lots of death.  The Italian Giallo parts are random nudity and the monster always seeming to catch people having sex.

Tania manages to up her father one by creating a creature that is both strong and intelligent. So both monsters have to fight it out. 

The angry mob comes to burn down the castle (Hammer) while Tania Frankenstein and her monster have sex while it burns (Giallo).  Well. That is not something you see in every Frankenstein movie that is for sure.

Watched: 29
New: 18

NIGHT SHIFT content

Frankenstein's story is a fantastic one and one that we can go back too time and again.  I think if I ever were to use the Frankenstein story in a game it would have to borrow elements from "Young Frankenstein" and the bits on Frankenstein from Supernatural.  The current heir of the family name has found his ancestor's old notes and has begun his own experiments.   Meanwhile the original creature, still "alive" is out there and is drawn to this new Frankenstein to destroy him and his works. 

OR better yet make this Dr. Frankenstein a young woman to honor Frankenstein's original author Mary Shelly.  Yeah. "Lady Frankenstein Conquers the World."