Character Creation Challenge: Nigel Blade for Wasted Lands

 Back in the mid-80s, I discovered psychology. I thought it was a great topic and it really fascinated me. I started, of course, with the classics where most people start, Freud and Jung. Well, really, Jung and then Freud , I wanted to read Jung and, in particular, Synchronicity in the original German. It was not easy let me tell you. While both Freud and Jung are psychoanalysts, but Jung always more like philosophy to me.  One of his concepts was that of the Anima and the Animus side of your personality. Like a Ying and Yang. Similarly, Freud had his view of the Id, Ego, and Super-ego (das Es, Ich, and Über-Ich), which I think a lot of people at least have a passing knowledge of. 

You might be asking, great, but what does this arm-chair psychology have to do with characters? Well for this weekend, a lot. 

My exploration of psychology (which also led to my eventual career as a Psychologist) was going on at the same time as some of my most prolific character creations.  It is no shock, then, that I have characters that represent these psychoanalytic concepts. 

On the Jungian side (because I am still Jung at heart! Yes, I use that joke often) we have my obvious Anima in Larina. In fact, I may have identified her as an anima before she was a character. My Animus is Phygora. I have not explored him much because what is there to say? He is an academic, he has magic. Swap magic for science, and you have me.     

On the Freudian side, Johan I is very much my Super-ego. So, who are my Id and Ego characters?  

Ego represents you, who you are to the outside world. My Ego character is "Retsam Elddir" (yeah, I will explain that later).

Id represents all your unchecked desires and dark impulses. My Id is Nigel "Death Blade" Delamort.

Who is Nigel "Death Blade" Delamort?

Nigel was a 1st Ed AD&D character and I had a lot of fun with him. He is/was a Neutral Evil assassin that used to adventure in the same party as Johan II. I fudged it and said that both heard a prophecy that they would both be needed in a great war and they could not harm each other.  All BS of course, I wanted to have a LG Paladin and a NE Assassin at the same time. 

Nigel began life through a dirt-poor second son in Specularum, he tried to steal a dagger from a local blacksmith. Instead of turning the boy in the blacksmith trained him, until the blacksmith was killed by assassins.  I won't get into the details here, but suffice to say that he was a fun character who allowed me to live out a lot of violence (it is what my Id would do).  

He mellowed out over the years. Which is good because he was a bit of an asshole.

Through a series of events that are too long and complicated to get into here, Nigel was transported to the future so I could use him Star Frontiers. He would come back to help Johan in my big war at the end of High School with his spaceship, the Lucifer.  Along the way, he became immortal, or at least very long-lived, and he has been a galactic bounty hunter for hire. 

Nigel "Death Blade" Delamort

Class: Renegade
Level: 20
Species: Human
Alignment: Twilight Evil
Background: Craft (Blacksmith)

Abilities
Strength: 18 (+3) N
Agility: 20 (+4) A
Toughness: 17 (+2) N
Intelligence: 13 (+1) 
Wits: 12 (+1) 
Persona: 8 (-1) 

Fate Points: 1d12
Defense Value: 2
Vitality: 119
Degeneracy: 1
Corruption: 0

Check Bonus (A/N/D): +8/+6/+4
Melee Bonus: +6 (base) +3 +2 (touchstones) 
Ranged Bonus: +6 (base) +4 +1 (touchstone)
Spell Attack: NA
Saves: +7 vs Death effects (Renegade), +2 to Toughness-based saves related to stamina and endurance (Craft). +1 to all (touchstone)

Renegade Abilities
Improved Defence, Ranged Combat, Stealth Skills, Climbing, Danger Sense (1-7 d8), Perception, Vital Strike x7, Read Languages, Stealth Skills

Warrior Abilities
Combat Expertise, Improved Defence, Melee Combat, Master of Battle, Supernatural Attacks, Spell Resistance, Tracking, Masters of Weapons, Extra Attacks (x2), Extra Damage

Stealth Skills
Open Locks: 95%
Bypass Traps: 95%
Sleight of Hand: 95%
Sneak: 95%
Climbing: 95%
Perception: 95%

Heroic/Divine Touchstones 
1st Level:  +1 to melee attacks
2nd Level: Favored Weapon: Sword (+1 to hit, +2 Damage)
3rd Level: Level 1 of Warrior
4th Level: Level 2 of Warrior
5th Level: +1 to all checks, attacks, and saves
6th Level: Level 3 of Warrior
7th Level: Character ceases to age
8th Level: Level 4 of Warrior
9th Level: Down but not Out
10th Level: Level 5 of Warrior

Heroic (Divine) Archetype: War

Gear
Sword, Leather Armor, thieves tools, (later plasma rifle).

Nigel in the Wasted Lands

This is the starting point for Nigel, my D&D stand-in. When I had him move between systems I always had to restat him. Here he can move between the epochs with ease.

Nigel in NIGHT SHIFT

In modern times Nigel is something of a supernatural hunter. From his personal timeline this occurred after he spent his time in literal Hell. After coming back from the future he went back to Glantri. Here he followed his daughter's (Raven) killer into hell. Again like said above it is long and complicated. But after Hell, Nigel was a WitchCraft/Armageddon character.

Nigel in Thirteen Parsecs

This was right after "D&D" and here I used Star Frontiers for his stats. It was an interesting translation.  Then we tried a little Gamma World, then a little (tiny little) bit of Traveller. Each translation I felt something in the character was lost even if my knowledge of the games increased. Thirteen Parsecs hopefully will fix that for me. Nigel will be one of my first 13P characters.

ALL allow me to use the same character across different times, different places and right on up to the Solar Frontier.

You can get the Wasted Lands RPG and the NIGHT SHIFT RPG at Elf Lair Games. Thirteen Parsecs is coming soon.

Character Creation Challenge: Raven Ebonflame for Wasted Lands

While I am done with the various versions of Johan Werper, I am still working on his family. Today, the girl that Johan Werper III fell in love with and their adventures in "Ravenloft."

Bit of a background first. The period between 1986 and 1989 or so was a transition period for me and for my games. I was leaving High School and headed to University so I wanted to wrap up a lot of different loose ends in my game world. This was one of the reasons why I wanted to merge my world with my DM's world in what would become our Proto-Mystoerth. This was also a time I wanted to do a new world, one that was more horror-focused. Eventually, I would find this with the AD&D Ravenloft campaign setting, but for the time before that we were just calling it "ShadowEarth."  This is where Johan III would end up.

Part of the problem was the girl he was in love with. A girl known as Raven.

Now I will be truthful here, my Raven (full name Morgan "Raven" Ebonflame) began as little more than a copy of the infamous Richard Kirk's "Raven Swordmistress of Chaos," a book I had seen but had never read (yet). So my mind was already primed for this character idea.

Back in 1986, my DM Michael Grenda wrote up a new class he was calling "The Riddle Master," which was essentially a Psychic-powered class that looked like a combination of a fighter and wizard. They were more than that, but that is the overall gist. It was an experiment in class creation. This was the same time I was making my first witch class. While I had made one Riddlemaster already, I wanted another one. Someone that fought undead (sorta my thing then) and in particular, vampires (very much my thing then). Combine all of these together, and 1987 Raven Ebonflame was born.  She was the daughter of my assassin character and, what I said then, an angel. Though he did not know the woman he was with was an angel. Raven then was a supernaturally strong girl with blond hair, who's task was to destroy vampires.

Look. I am not going to sit here and tell you I invented the idea of the Vampire Slayer. 

I am going to sit here and tell you the idea was not as original as some Vampire Slayer creators might want you to believe. Hey, maybe if my father and grandfather had been big-name Hollywood writers, I could make this claim. Plus, I also know at least two other creatives who did similar things and, in one case, had published their work before the Buffy movie and series.

So Raven was a slayer hmm hunter of vampires. I used the Riddle Master class for her as a test bed for what would later become the Shadow Master class. NOTE: Don't expect to see the Riddle Master, Shadow Master, or Beast Master classes anytime soon. They were grossly overpowered even if the XP per Level were excessive. 

Fast forward to the early 2000s. I would revisit my Raven using the Buffy the Vampire Slayer RPG. She would even be a part of my Buffy "Season" The Dragon and the Phoenix. 

I did a version of the Richard Kirk Raven (her "Godmother") for Wasted Lands last year, I figure I should do my Raven now.  There is no Riddle Master analog in the Wasted Lands, so what is she? I thought maybe I could build her out XP for abilities like I did her namesake. It would be fitting given how the Riddle Master class came to be. But the more I thought about it the more I kept coming back to the same conclusion.

Morgan "Raven" Ebonflame is a Chosen One from NIGHT SHIFT.

Morgan "Raven" Ebonflame

Class: Chosen One (NIGHT SHIFT)
Level: 8
Species: Human*
Alignment: Light 
Background: Warrior (Wasted Lands p. 185)

Abilities
Strength: 17 (+2) A
Agility: 18 (+3) N
Toughness: 18 (+3) N
Intelligence: 16 (+2) 
Wits: 16 (+2) 
Persona: 18 (+3) 

Fate Points: 1d8
Defense Value: 1
Vitality: 87
Degeneracy: 0
Corruption: 0

Check Bonus (A/N/D): +4/+3/+1
Melee Bonus: +5 (base), +2 (STR)
Ranged Bonus: +5 (base), +3
Saves: +3 to all Saves, +2 to Toughness (Warrior background)

Chosen One Abilities
Brutal Warrior, Melle Combat, Stunning Blow, Killing Blow, Supernatural Attack, Difficult to Surprise, Improved Defence, Ranged Combat, Survivor Skills (Level 2), Mental Resistance, Regeneration

Heroic/Divine Touchstones
1st Level: Sense Evil
2nd Level: Favored Weapon: Sword
3rd Level: 
4th Level: Smite
5th Level: 
6th Level:  Great Smite
7th Level: 
8th Level: Destroy Undead
9th Level: 

Heroic (Divine) Archetype: Protection

Gear
Longsword, leather armor, vampire hunting kit

Wasted Lands as D&D and Buffy the Vampire Slayer

Ok. THIS is Raven. At least this is the Raven I imagined she was when I made the character so long ago. Wasted Lands + NIGHT SHIFT gives my the perfect combination of Fantasy plus Horror that I really enjoy in my games.  Here stats are high because her mother was a freaking angel after all. 

Of course, now I am a little sad I don't get to share this one with Grenda. He would have loved it. In fact I can hear him now saying "Oh shit! That IS her!"

I am going to have to go through my various folders of characters and see who else I have in this Dark Fantasy Horror theme and see if they are as equally improved by this conversion. 

You can get the Wasted Lands RPG and the NIGHT SHIFT RPG at Elf Lair Games.

#RPGaDAY2022 Day 25 - Where has the character been?

I suppose for the purposes of this #RPGaDay I should have started out with just one character.  But where is the fun in that?

So the Werper family began in Mystara, Glantri to be exact. I know clerics in Glantri. But when I moved over to AD&D 1st Ed my DM and I merged our worlds (me Mystara, him Oerth) Glantri changed a bit.  Since then Johan the III was trapped in Ravenloft and thought to be lost. Johan the IV was the first ever to travel to the Forgotten Realms. All of them have been to Abyss to fight demons, their sworn enemies and Johan II even ended up in London in the 1980s.

Likewise, Larina has been EVERYWHERE.

But I love a good plane-hopping adventure.

War of the Witch Queens will introduce my kids to my favorite playground, the Multi-verse. They have already been Krynn, but didn't know it yet.

#RPGaDay2023 Favourite CHARACTER

 I do have a few. There is the whole Werper family with Johan I as the first character I ever created and played for longer than one session. Every version of *D&D gets a new version of Johan as either a Paladin or Cleric. A (mostly) unbroken line of father and son dedicated to fighting evil, particularly the undead.

But I have to say my favorite character has to be my little witch Larina Nix/Larina Nichols.  Johan gets a new version (a son of the previous) in every version of D&D. Larina gets a version for every game I ever play.  I don't play her in every game, but I at least give her a try in the character creation rules.

I also like to get custom art of her and support artists.

I might be a little obsessed. 

Baldur's Gate III

 I picked up Baldur's Gate 3 yesterday and spent most of the night/early morning playing it with my oldest. We did a LAN connect between our two computers and it was an absolute blast.

The game plays just like D&D 5th Edition. So combat is easy and intuitive and honestly a lot of fun. Characters are just like 5e as well.

I did a version of my witch Larina for solo play.  Here she is as a Warlock.

And for the game I started with my son, I am playing a version of my paladin Johan.  He is playing his typical character, a blue dragonborn wizard. But tonight was not about exploring new things. It was about Dad and Son time with characters we both know well.

I guess there are something like 1,700 alternate endings to this game and several hundred hours of cinematics. Plus, according to my son who has been playing it since it was in Early Access, it is very mod-able.

This is good, because once you design your character that is what you have. Want something new/different? Make a new character. So it is like D&D! ;)

The game is gorgeous and the game play is easy. Actually playing the game is typical of computer RPGS. In my first go I missed saving a cleric that could have helped me (found her later) and a wizard.

Woo hoo! I have 18 hp and an ally!

Since the main plot involves Mind Flayers (that's not a spoiler, that is the first 3 mins of the game), you can even ally yourself with the enemy of my enemy, a githyanki.

And the nicest cleric of Shar you will ever meet.

I am not sure how much I am going to get to play it. But looking forward to it!

Character: Magnus Ulslime, the Chaotic. Death Pact Warlock (BECMI Special)

Last week I talked about the adventure Quagmire for the Expert set.  Earlier I talked about the adventure Death's Ride for the Companion set.  What do these both have in common?  They were the genesis points of a reoccurring bad guy in my games, Magnus Ulslime, the Chaotic.

Magnus, as he was most often known in my games, is not just an awesome reoccurring bad guy, he was my testbed for all sorts of evil, death-priest, warlock style characters.

Anytime a new version of D&D would come around I would roll up a new Johan Werper as the son of the previous one, either as a LG Cleric or Paladin.  I'd attempt to make a version of Larina.  And I would make a version of Magnus.  But unlike Johan, who is a different character each time but always a LG holy warrior, or Larina who was a reincarnation of her previous version and always a witch, Magnus was always something different.  I would always go with the class that would give me the best evil traits.  In Basic he was a evil Cleric. In AD&D1 a Death Master, in 2nd Ed he started out as a Druid and then became a Necromancer.  When I switch over to 100% Ravenloft in my college years the cover of Ship of Horror and the evil necromancer Meredoth also had a huge influence on me.  As it turns out Meredoth would be revealed as an expatriate of the Mystaran country of Alphatia.
In 3rd Ed...well there were some many choices that I eventually made 6 different versions.  You can see some of that in my Buffy adventures The Dark Druid and The Dead of Night.  In 4e I used him as a test of the Death Pact Warlock that never saw the light of day under 4e.  It did, however, affect the writing I did for my warlock books.

Magnus Ulslime became my poster boy for warlocks soon after I got a copy of 4e.
I tried him out in several different ways mixing in bits of cleric, wizard, and especially necromancer.
In my Strange Brew: Warlock book for Pathfinder I introduce both Cthonic and Death Pact warlocks.  I expand on those ideas from a different point of view in my more recent book, The Warlock for Old-School Essentials.  In both cases, I made Magnus a Death Pact warlock.  It was a much better representation of how I saw the character.  He made a trade to Death for more power in the mortal world.

Magnus for BECMI
If I rerun Death's Ride again for any version of the game I'd like to replace Ulslime the Cleric with Magnus Ulslime the Warlock.  For 3rd to 5th Edition of D&D this is not a big deal.  But BECMI does not have a warlock.

No. But Old-School Essentials and Swords & Wizardry do.

My warlock for Old-School Essentials is a B/X style warlock with Death Pacts.  But it only goes to 14th level.  My warlock for Swords & Wizardry goes to 20th level (the level I want Magnus at) but it doesn't have Death pacts.  No problem. I designed the books to work together like this.  By combining them I can get the exact warlock I want.  If I need more death or necromancy themed spells

Magnus Ulslime, the Chaotic
20th level Death Pact Warlock
Lodge: Sixth Circle, Masters of the Undying

Str: 10
Int: 18
Wis: 16
Dex: 10
Con: 15
Cha: 18

HP: 66
AC: 2 (mage armor, phantom shield, ring +2)

Invocations (10)
Arcane Blast, Agonizing Blast, Armor of Shadows, Aura of Fear, Claws of the Ghoul, Eldritch Sight, Form of the Undead Horror, Mask of Many Faces, The Wasting, Whispers of the Grave

Spells
Cantrips (6): Aura Reading, Daze, Detect Curse, Mend, Message, Object Reading
1st level (7): Arcane Dart, Corpse Servent, Häxen Talons, Feel My Pain, Mage Armor, Phantom Shield, Taint
2nd level (7): Augury, Aura of Chaos, Corpse Walking, Death Knell, Grasp of the Endless War, Speak with the Dead, Ward of Harm
3rd level (6): Bestow Curse, Black Lightning, Cackling Skull, Corpse Candle, Lifesteal, Rage
4th level (6): Animate Dead, Crystal Visions, Extend Spell (Lesser), Fear, Spell Storing, Undead Compulsion
5th level (6): Bad Luck (Run of Bad Luck), Death Candle, Death Curse, Dreadful Bloodletting, Song of the Night, Winds of Limbo

Magic items: Amulet of Chaos, Pentacle Rod, Ring of Protection +2, Staff of the Warlock,

Not too bad really.  I might have to go more "BECMI" and raise him to 25th or 36th level!

While I am playing around, here is a 5th Edition version to use in my 5e Converted Death's Ride.

Mail Call! Minis, Blue Rose and Old Dragons

I got a bunch in the mail this past weekend so let's have a look!

HeroForge

Up first,  Some new minis from HeroForge.

Graz'zt and my paladin Johan.  His sword, Demonbane, is on fire because it is a demon-hunting sword and Graz'zt is near.

You can get a better look at Graz'zt below.

If you click on the HeroForge link here you can even see he has six fingers on each hand!

I forgot who made this, the post on Facebook is gone, but she did a great job.

He compares well to the official mini that was made for him.

And he looks good next to my HeroForge Iggwilv.

Blue Rose Adventure's Guide

The Blue Rose Adventure's Guide is out as a DriveThruRPG POD and it looks great!

This allows you to play a Blue Rose game using the D&D 5th Edition rules. It is surprisingly complete.

You do not need the Blue Rose core rules to play this, but you do need the D&D 5th Edition rules.

A full review coming soon.

Dragon #20

And last, but not at all least, I finally got a copy of Dragon #20 with the Witch class and demonology guide.

Expect a "This Old Dragon" post on this one soon!

Fate Spins Along as it Should

 Thanks to the magic of Withers (and a mere pittance of 100gp), my warlock Larina from my first run can now join my paladin Johan on his current run.

The game is still rather fantastic and 300+ hours later, I am still discovering more. With some of the mods I added I don't think I'll be able to get Sinéad in there as well. The "half-elf" hireling is gone, replaced by Alfria.

D&D40 Bloghop: Day 5

Day 5: First character to go from 1st level to 20th level (or highest possible level in a given edition).

Going back to my first character I have to say Johan Werper.  Since I was playing (mostly) Basic/Expert with bits of Advanced thrown in we decided the maximum level for playable characters was 36.  After that characters became immortal.  We had heard about the immortal rules, but never saw them.  I think at that point they were more rumor than reality.

Johan made it level 30 before my DM decided he was too powerful.  He was "retired" and became an NPC, St. Werper, Patron Saint of those who battle Undead in my games later on.

He had lost levels over the course of his adventure career, can't battle undead and not loose some levels sometimes.

I was quite amused when D&D 4e came out and the level max was back to 30.

Ginny Di: Backstories don't have to be tragic to be interesting

Let's take a quick break from Ravenloft to talk about something that will send many DM's screaming for the hills in horror.

Character backstories

Now, most old-school players will argue that 1st level characters don't need a backstory.  That would be fine and all, but I remember playing in the 80s. I have lost count of how many "disgraced princes," "lost royalty," or "tragic orphans" I ran into in games.  I get it, it was fantasy and a way to play out various ideas, concepts, whatever.  D&D was cheaper than therapy. I get it. I do.  And it is fine you don't want to do them now.

But don't pretend it didn't happen.

I have no issues with backstories.  In most of the RPGs I play a backstory is an excuse for the GM (me) to torture your character some more.  Have the Love quality/drawback in the Buffy RPG?  Yeah. Might want to rethink that one.  But I don't always have to do that.   

Our two primary modern examples of "The Hero with a Thousand Faces" by Joesph Campbell are Luke Skywalker and Harry Potter. By all accounts, they are 1st level characters.  Luke is a farm kid. Harry is an abused 11-year-old.  BOTH have great backstories.  "Yer a wizard Harry!" "My name is Luke." "Yer a Jedi Luke!"  But, yes, both are tragic backstories.  Take Campbell's own example of the Monomyth, Gilgamesh.  Gilgamesh is already the King when the story starts.  That's a backstory no one would accept!

Let's just say that there is going to be some sort of backstory.  How should you do it?

Well once again let's turn to Ginny Di.  

She might be new at D&D but her enthusiasm is greater and more infectious than a room full of Grogs blogging about it. Your humble author included.

Her recent video is overtly about one topic, but she actually makes two very good points here that pretty much everyone should agree with.

So her two major points are:

1. Backstories don't need to be tragic or even dark
2. Leave it open enough for your DM to work it into the campaign

That's solid advice. One I would like to hope that most Old-Schoolers follow already.

My oldest son has already instituted a "maximum" limit on what a backstory in his games are.  Right now I think it is a page, but he has talked about a paragraph.  Me? I don't care, make as long as you like just keep it in reason.

Ginny points out that characters, and this is true for every version of the game, are not normal people. A level 1 character is still better than a 0 level Normal Human.  They have more hp, are better at fighting or even have magic.  Even in Van Righten's Guide to Ravenloft, the Survivors are slightly better than normal humans.  Luke already was Force-sensitive, Harry could still do some minor magic and talk to snakes.  

Also, no normal person is going to live a life to go out adventuring.  So find those reasons.  Even if that reason is "I just want a pile of treasure." 

Taking Ginny's Advice

At the end of the video, she asks us two questions.  

Have you ever had a character with a happy backstory?
What kind of problems do you run into when writing character backstories?

These are good questions to ask.  

Happy Backstory?

Yes. My wizard Phygora, like his namesake and idol Phygor, came from a well to do, happy prosperous family in Glantri.  He was well-liked, no issues with school, loves, or friends. Just one day he decided, like Phygor before, him to travel the world to learn all the magic he could.  While this could have been tragic, it was symbolic of my own desires to learn all sorts of things.

I have had fighters and thieves that have "only it for the money" or as the kids say "the lolz."

Backstory Problems?

Sadly I do find the tragic backstory easier to write.  Larina's family died in their apothecary shop while she was away studying.  Though I recently brought her mother and father back. Johan's twin brother was killed by ghouls, then he died to become another's character's back story.  I have the usual suspects of orphans, outcasts and other murder hobos.  They far outweigh the happy stories.

Over the years though I have been looking at other ways to generate characters and backstories.

It occurred to me years (ok. decades) ago when sitting in my History of Psychology course.  We were going over Freud's theories of self and were contrasting them with later theorists. Now I have always preferred Jung over Freud.  I guess I am just Jung at heart! (sorry. That joke is mandated by my university, if I don't use it they take away my degrees.)

I am planning to expand on this, but I came to see many of my characters as representations of various Freudian and Jungian concepts.

The easiest one to show is Larina, she is a manifestation of my Jungian Anima/Shadow Self.  Phygora is my Freudian Super-Ego, Johan is my Ego and my assassin character represents my Id.  

I have always been curious if others have done this.

You can find Ginny Di online at:

• http://ginnydi.com
• http://patreon.com/ginnydi
• http://facebook.com/itsginnydi
• http://instagram.com/itsginnydi
• http://twitter.com/itsginnydi

D&D40 Bloghop: Day 4

Day 4: First dragon you slew (or some other powerful monster)

I will be honest with you. I can't remember the first dragon I killed.
I am pretty sure it was a blue one, but outside of that I can't recall.

Now I do remember what was one of the most powerful monsters I killed.

It was Jr. High and I was in a game with my friend Jon Cook, from posting #1.
His older sister was running us through a dungeon crawl one summer night and I remember we ran into a Lich.  
This was big deal because I had been mostly playing this odd collection of AD&D and D&D (B/X) and had not run into a Lich yet.  Plus Mary was your typical Chaotic Evil DM. So this Lich kept jumping in and out of the Ethereal plane and she ruled I couldn't turn it since it wasn't on my sheet.

We, that is Johan and Sneaker the thief, managed to kill it with best weapon we had.  We burned down the building it was in.

Still love throwing Liches at players.  It brings out the CE DM in me as well.

D&D Edition Wars: Why CAN'T I Play a B/X Paladin?

It's June and I have mentioned that it is D&D month around here. 

The natural question then is, "Which D&D?" All of them! "Even that one?" Yes. Even that one.

I was going through a bunch of material I need to review and Review (reading for my own benefit vs. a full review) and it got me thinking about a bunch of topics.  Should I play more Castles & Crusades? What should I do with all this Pathfinder stuff? Where did my copies of Dungeoneer's and Wilderness Survival Guides go? (seriously. where are they??).

This got me thinking about the various editions and edition wars.  I want to share the story of my first skirmish in the never-ending edition wars, but first I want to talk about the latest side battle in it and my point of view on this in general.

D&D Edition Wars

I am not sure if this will be a regular feature or not.  Typically I avoid edition wars and find them remarkably pedantic to be of any actual use. Don't like a particular edition? Fine. Don't play it.   BUT every so often something bubbles up that takes my notice and I want to comment on it.  The latest one comes to us courtesy of Stranger Things.

If you have not seen the new Season 4 of Stranger Things, please do. It is back to form and good drama.  Sure there are a LOT of characters now and no one is getting the spotlight for very long, but the last episode of Part 1 did a great job of tying together many of the seasonal arcs to set us up for the epic finale.  

They also get to play some D&D.  There is a bit where they deal with the Satanic Panic of the 80s.  I would talk about that now, but I have done that already and most recently back in April. So no real need for me to do that. But in the same milieu of edition wars we are getting some nagging from older gamers like myself complaining that Erica Sinclair's character should have been a Thief and not a Rogue. Well. That is technically correct yes. It was supposed to 1986 and the Rogue does not come into play until 1989. Lots of people are claiming this is a mistake.  Here is my point of view on that.

The Duffer Brothers did not make a mistake. 

Look in the very next scene of their game Dustin (played by the wonderful Gaten Matarazzo; seriously this kid is going to be a hell of an actor someday) drops lines about Vecna (the focus of their game and the season) having been destroyed by Kas. They already mentioned the lack of an eye and hand.  This is not deep lore to us, but to the causal viewer, it is.  And that's the thing. This show has to appeal to all viewers. Those that know D&D but mostly the vast majority that do not.  Here is her line.

"My name is Lady Applejack, and I'm a chaotic good, half-elf rogue, Level 14. And I will sneak behind any monster you throw my way, and stab them in the back with my poison-soaked kukri."

Remember the character is Chaotic Good (which we all understand) and supposed to be a heroic character.  IF she had said "Thief" it would not have the same level of understanding to the causal viewer as "Rogue" does.  Han Solo was a rogue. Robin Hood was a rogue. The normies get what a rogue is. A thief is someone who steals. Yes, yes, it has a different connotation in D&D but that is not the majority of the audience.  I posit that the Duffers knew exactly what they were doing. 

It reminds me of when my main character at the time was a Paladin.  I'd explain to others, who I was trying to get into the game, that my character was a Lawful Good Paladin. Which would ALWAYS be followed by "what's a Paladin?"  Eventually, I gave up and just started saying "Knight."  This is the same thing.  Also it is a nice segue into my next section.

Why CAN'T I Play a B/X Paladin?

The 80s were an amazing time for a lot of reasons. Even in my small home town there were multiple independent D&D groups and clubs happening all the time.  I got invited to a game by a friend one evening. This had to have been either very late in Jr. High I am guessing summer of 82 or 83.  In any case, I was going with my regular DM, he got to play for a change, and a bunch of people I never met. The DM called me ahead of time and asked if I would be willing to play a Lawful Good Paladin. I said sure! I was already playing a Lawful Cleric in my other game so this seemed like a good fit (and it was, but more on this).  Now is the time to be pedantic.  See I was playing a "Lawful Cleric" as in B/X D&D. My regular DM played AD&D and we ran our games as an unholy mix of the two. Not uncommon from what I know now and we had a lot of fun. My first experience with D&D was Holmes Basic and the AD&D Monster Manual.  My new DM just told me to bring my Expert book.

Well...that was a mistake. I brought my Expert D&D book to an Advanced D&D game and you would have thought I had brought a D&D Coloring book instead with the reactions I got.  Thankfully my DM was still cool about it, even if the other players held their noses in disgust.  

Nowadays of course people talk about their B/X days with pride and fond memories. Especially me.  But that was a contributing factor to me not picking up the BECMI sets when they came out soon after.  I was all in on AD&D from that point on.  No "kiddie" D&D for me! 

That was the first salvo in what I would later come to know as "The Edition Wars." There were many skirmishes between the Basic and Advanced folks back then. Nothing major, I can recall though.  The next battle was fought over the fields of "Unearthed Arcana" and then the "Proficiency Battles" connected with Dungeoneer's and Wilderness Survival Guides (seriously, where the hell are mine??) 

I still have my Paladin from that game. He went on to great glory in the Bloodstone series. I would also roll up my own paladin later, he was the son of my B/X Cleric. 

Now thanks to the OSR scene I have a lot of options to play a B/X Paladin.

If Johan II was my Advanced D&D Paladin and son of D&D Cleric Johan I. Then maybe I need to make a Kara Foke II as an OSE Paladin, son of Kara Foke that AD&D Paladin I played so long ago.