#RPGaDAY2021 Day 26 Origin

I had some ideas for Theory, but none of them really took shape.  So instead I want to talk about Origin. In particular the Origin of NIGHT SHIFT.

Day 26 Origin

Come back with me if you will all the way to 1995-1997.  I had just gotten married, moved into a new house, and was working on my first Ph.D.  Life was pretty good.

That is except on the RPG front.  I was so burned out of AD&D and D&D, approaching my 20th year of gaming with something akin to apathy really.  I had been enjoying all the things the Internet had to offer me in terms of connecting with other gamers, but the games themselves had left me a bit less than thrilled.  TSR was busy at the time going after any website or group that even mentioned "D&D" so my tastes were beginning to sour.

By 1999 I was more or less ready to give up on D&D, plus I had a kid on the way and thought that I would never get the chance to play much (hahahaha!).  Then along came C.J. Carella's WitchCraft RPG.  I have recounted that tale before, but something in that book reignited the spark that had been dying. WotC and the OGL would further fan those flames, but that is still a bit off from here.

WitchCraft was the perfect game for me.  It did everything I wanted and it did them perfectly.  That is except for the things that D&D did perfectly.  I hung out on the Eden Boards and there I met Jason Vey.  He was coming from a similar background as me; we both loved WitchCraft and old-style D&D.  But we also enjoyed a lot of new games too.   From here we worked on Buffy the Vampire Slayer together.  Jason would go on to do a bunch fan-created works for both Unisystem and D&D and later d20 and then go on to work on All Flesh Must Be Eaten and Castles & Crusades.  I'd go on to do my various witch books, a lot of Unisystem conversions, and move on to working on Ghosts of Albion. 

A look over our fan-made and published works it would seem that NIGHT SHIFT was fairly inevitable. 

I recall working on a "Monster Manual" that I still have on my hard drive where I took all the creatures from the AD&D 1 Monster Manual and converted them to Unisystem.  Both Classic and Cinematic.  If you are thinking that the seeds of my current "Basic Bestiaries" also began here you would be correct.

NIGHT SHIFT began as a conversation. One according to Jason, but I recall a few different threads that came together.   The first was Jason pointing out that Level/Class builds, like in D&D, can be every bit as flexible as point-buy ones, like in Unisystem.  He was mostly talking about his own Amazing Adventures, but I was also thinking about in terms of the various OSR games.  BTW, you can do both now in NIGHT SHIFT thanks to the Night Companion.

The next conversation was the two of us talking about all these ideas we still had for various games, regardless of, or divorced from, their systems.  Eventually, we decided that we should be making this game with these ideas.

For me, the origin was one of pragmatism.  I wanted something to fit the "Buffy-shaped" hole in my life.  Not just in terms of fandom, but yes that, but also in terms of system.  The same can be said of "Ghosts of Albion."  I LOVE the work I did on both of those games and I am proud of it.  But neither game is completely "mine."  Buffy has also sorts of baggage attached to it now that people are finally seeing what a douchebag Whedon was and is.  "Ghosts" for as much as I love it will never see another printing, no supplements, no new material.

NIGHT SHIFT is my game. It is Jason's too. And as I always say, once YOU buy it then it is YOUR game too.  But it is a game I can love unconditionally and support without worry or feel like I am investing in a sunk cost. I have D&D 4th Edition for that.

If you go through NIGHT SHIFT and have been reading this blog then you will see where things in the game got their origins.  Read Jason's blogs and you will see where other things in the game got their origins as well. 

NIGHT SHIFT is a new game, but its origins go all the way back to the turn of the Millenium and before.

Don't forget NIGHT SHIFT The Night Companion is nearing its last few days.  Give us some support. If we hit the stretch goal I will give a new Night World and this will keep me out of trouble for a while.

#RPGaDAY2021 Day 25 Welcome

I thought it might be nice to Welcome new readers to the NIGHT SHIFT.

Day 25 Welcome

I have picked up a few new readers so I thought it might be nice to welcome them to my blog and to my game NIGHT SHIFT.

Right now NIGHT SHIFT has a Kickstarter for the first supplement, The Night Companion.  This book adds new classes, monsters, magic, species, point-buy characters, and more.  

But what is NIGHT SHIFT?

NIGHT SHIFT is a modern supernatural/horror RPG.  The system running the game is called O.G.R.E.S., or the Oldschool Generic Roleplaying Engine System.  It is a system that should be familiar to many since it is derived from the d20 SRD in an old-school, or even OSR, fashion.  So if you played D&D in the 70s or 80s you will find a lot here that feels familiar.  But the system is only half the picture.

The genre of NIGHT SHIFT is modern supernatural horror.  Written by myself and Jason Vey, this RPG combines everything we know and have worked on over the 30+ years we each have in the RPG writing industry and 20+ each writing professionally. Games on our collective CVs include, All Flesh Must Be Eaten, Buffy the Vampire Slayer, Angel, Army of Darkness, Night Bane, Ghosts of Albion, Amazing Adventures, Spellcraft & Swordplay, the Witch, Castles & Crusades, Ravenloft, and more. NIGHT SHIFT takes all these experiences and distills them down to what we hope is the most enjoyable RPG we have ever worked on. 

NIGHT SHIFT has a genre but no default setting. This way you can create your own world to play in.  We DO however provide you with four different "Night Worlds."  These are places to set your game in an move on from there.  These include Jason's "Veterans of the Supernatural Wars" (the closest we get to a default setting) and "The Nocturnumverse" based on his campaign of something like 20 years or more. I also provide my "Generation HEX" a world where magic has come back and it only rests in the hands of tweens and teenagers, to "Ordinary World" where everyone is some sort of supernatural creature trying to get by in a world full of humans that would rather seem them all dead.

So give our game a try.  We think you will enjoy it. 

#RPGaDAY2021 Day 24 Translate

Heading into the back end of the challenge. What do we have for today and how does it relate to NIGHT SHIFT?

Day 24 Translate

Continuing on the ideas in Simplicity and Substitute, I often try to Translate material from one game system to another for different sorts of experiences. 

In many ways, the ultimate representation of this is NIGHT SHIFT.

NIGHT SHIFT began as a way to take something my co-author Jason and I loved; the games we worked on and played back in the 1990s and early 2000s and translate it to a rule system we also loved.

The simplest way to describe NIGHT SHIFT is "Buffy the Vampire Slayer with Basic D&D rules" but that doesn't really capture all of it.

In the 1990s my game world of choice for AD&D 2nd Ed was Ravenloft. I loved the horror elements, I loved the trappings of Gothic Horror, and I loved that I could bring in characters I have been playing for years over to it.  The Masque of the Red Death Gothic Earth supplement was a dream come true since it also brought in my beloved Victorian era.   It was perfect...almost.

Near the end of the 90s I was getting really burned out on D&D.  Thankfully I had discovered C.J. Carella's WitchCraft RPG.  Here was yet another "Gothic Earth" only this time coming at from a different angle.  I loved it.  Of course, as the supplements for WitchCraft were released I thought of many ways to "translate" Ravenloft over to WitchCraft.   In a way, I got my wish and wrote Ghosts of Albion.  A horror-soaked Earth, in a Victorian setting.

Still as perfect as I think WitchCraft and Ghosts of Albion are, they still didn't give me something.  Sure it was a minor thing, but there was still something I was looking for. 

Jason did something similar.  While I went for the themes I wanted, he took the Unisystem rules found in WitchCraft and went a different direction with Dungeons & Zombies; a way to translate D&D experiences and adventures into Unisystem.  Like myself, he also had a few "fan" based products.

We really have been dancing around NIGHT SHIFT for decades.

I wanted a game where I could translate anything I have done over the last 30+ years to a single game system.  I feel NIGHT SHIFT does this.

Don't forget our Kickstarter going on right now for The Night Companion.

#RPGaDAY2021 Day 23 Memory

The natural choice here is to talk about a great RPG memory.

Day 23 Memory

I will admit I have a lot of really great RPG memories.  Here are a couple of highlights.

Getting My Hands on the First Monser Manual

It seems only fair to start with my first D&D memory, and indeed my first any RPG ever memory.  The first time I held the AD&D Monster Manual was a defining moment. Here I became introduced to the game that so many of us love.  I can remember afterward riding my bike around the neighborhood thinking about it and what the game was. I had no rules yet, the copy of Holmes Basic had not made it its way to me just yet, so I could only imagine what this game could be like. 

Summers Playing D&D/AD&D

As much as I would have LOVED the connection to the world via the Internet we have today (and believe me I tried with my little TRS-80 Color Computer) I am also glad I got to spend all my summers in the 80s playing D&D.  First D&D with a group of kids from Jr. High and then and another, semi-related group, in High School with AD&D.  The cut off there was not perfect, I remember we mixed a lot of Holmes and Moldvay Basic with AD&D, but these are the broad strokes.  I can still remember fighting Liches, getting trapped in the A Series, and battling the "Queen of the Succubi" in Jr. High. Later moving on to bigger things in AD&D in High School.  Oh, there was my short live Atlantis campaign in College before moving on to Ravenloft/2nd Ed but none of those lasted as long as my misspent youth in the 80s. 

Teaching My Kids to Play

One of my greatest joys and successes in life is getting to be a dad.  Honestly every other achievement I have made and am proud of takes a back seat to this one.  So teaching my kids to play was one of my greatest joys and memories.   The look on my oldest son's face when he would hit a monster, or better yet, roll a "20" and proudly proclaim "DOUBLE DAMAGE!" or just the wacky character my youngest would come up with was pure joy.  I taught them both using D&D 3rd edition and now we all play 5e.

It has truly been fantastic. 

I also have some great memories of various Cons I have played at over the years.  The time the guy playing an Occult Poet composed an epic poem on the spot, the time my son's character plunged the Sun Sword into the Forge of Moradin to re-ignite the Sun,  the time I got to play Piper in a Charmed game.  All great memories. 

#RPGaDAY2021 Day 22 Substitute

Related to yesterday, in my desire for systems that "get out of the way" I often substitute a rule from one game for another.

Day 22 Substitute

When I write a supplement or a core rule book I assume that people are going to play it more or less as written.  At least that is, one time.  After that I make no assumptions of how someone is going to play something.  Generally speaking, I also don't play things rules as written.  I am always substituting one set of rules for another.

In Post-2000 D&D skills are much better defined than they are in previous versions.  So I find when running an older version of D&D (say AD&D or Basic-era D&D) then I find myself often asking my players for a skill check.  To make life easier for all of us I will typically use 5e style names and tell them what they need to roll.  It moves the game along faster in most respects.

I am not limited to substituting one form of D&D for another. I will also grab ideas from other games.  I will for example allow a character to use a skill that is not tied to a particular ability.  For example, in Unisystem the skills are independent of Abilities.   So the Art skill can be tied to Intelligence for knowledge of a particular bit of art. Or use it with Perception to determine if a piece of art is a fake. Or with Dexterity to create a piece of art.  In D&D 3, Knowledge is always tied to Intelligence. But sometimes I let characters tie it to Wisdom if they came upon their knowledge via practical experience instead.  

And these are just for skills.  I use the Bloodied condition from 4e for some monsters in combat.  I use the conditions from 5e in old school games, and more publically I use the 5e size modifiers in almost all my D&D games now.

In some ways, though I still prefer AD&D 2nd ed, d10 initiative roll, but 3e-5e's d20 works roughly the same way.

What rules do you like to substitute?

Sword & Sorcery & Cinema: The Throne of Fire (1983)

Doing a bit more research on my next Witch Queen adventure when I turned up this little Italian gem.  So. What do you get when you mix Italian actors, Norse myth, a witch, the son of the Devil, and a magical throne?  Well, you get Il trono di fuoco or 1983's The Throne of Fire.

The Throne of Fire (1983)

Azria the witch is impregnated by the Devil to give birth to a mutant baby.  The baby grows up to become the less mutated Morak played to great scene-chewing effect by Harrison Muller. Born at the same time is Siegfried played by Italian stuntman Pietro Torrisi in his last role.  I can't really find much on him.  

In order to gain the Throne of Fire Malak has to marry Princess Valkari, played by Sabrina Siani.  Now, obviously, this is an allusion to Valkerie, but they keep pronouncing it "Val-Kar-EE."  Hmm. I can live with it.  Malak captures the Princess, but not before she can show off her own Xena moves.  

Siegfried comes to the court of the former King Agon, and now belonging to Valkari, to fight Morak.  He stabs Morak, which only causes him to laugh and reveal his "devil face" ala Lucifer.   Defeated he is tossed into the Well of Madness, which admitted was fun.  Here, for reasons, he finds his father, Well it is revealed in a long flashback that he was in the court when Morak first attacked.  He makes Siegfried invisible and invulnerable to everything but fire. 

Siegfried teams up with the Princess and helps her escape, but not before Morak can shot him with a flaming arrow. 

Recaptured Princess Valkari shows she is more than capable of getting herself out of jams and if that means sacrificing Seigfried, well she only just met the guy after all.  She doesn't wear much more than what is show in the poster above in this, but that is still a lot more than she wore in the Blue Lagoon rip-off, the Blue Island.  But I'll give the writer and director credit, for a bit of 80s, Z-Grade Sword and Sorcerery romp Princess Valkari is quite capable. She manages to escape on her own and kill a few guards in the process while Siegfried is still tied up.  

Malak lets Siegfried go to lead him right the Princess, which of course works. And they are recaptured again.  This is getting monotonous. 

Malak charms the Princess to get her to marry him and the solar eclipse happens, "The Night in a Day," so he can sit on the Throne of Fire.  But I guess the timing was not quite right, because when Siegfried throws Malak onto the Throne he burns up.  

Valkari becomes the new Queen and the people want Seigfried to be King.  Really???  He didn't really do a damn thing.

Game Content

The Well of Madness is nice, and a real Queen would have given Seigfried a title and then told him to pound sand.   A Witch Queen would have turned him into a newt for his impertinence. 

Not much here though that can't be found in other, better movies.

--

Tim Knight of Hero Press and Pun Isaac of Halls of the Nephilim along with myself are getting together at the Facebook Group I'd Rather Be Killing Monsters to discuss these movies.  Follow along with the hashtag #IdRatherBeWatchingMonsters.

#RPGaDAY2021 Day 21 Simplicity

When I first started in RPGs I was all about complexity and systems that mirrored everything, these days, I am more about simplicity.

Day 21 Simplicity

There used to be big debates in RPG circles, narrativist vs. simulationist.  Gamist was thrown in there as well. You don't see that as much anymore. Well.  You do, but now the focus has shifted a bit. 

This debate has waged on in various formats, various permutations, over the decades. But in the end, the one that wins out for me is Simplicity.

I like a lot of games. I like to read and play a lot of games.  I don't like needing huge volumes of pages to explain to me how to play a game.  Sure I understand the value and the place of supplements and "Splat" books, but the core needs to be simple and complexity for complexity's sake is not a value. 

AD&D is a great game, but let's be honest. The rules are a hodge-podge of systems that are largely unrelated to each other save in a post hoc fashion. The layout of the rules is equally poor. We learned it then because it was what we had and we didn't know any better.  AD&D 2nd Ed is better organized (sort of its purpose) but there are still bolted on systems.  Honestly look no further than skills and psionics.   Also, AD&D 2nd ed loses some of the charms of AD&D 1st ed.  Is the charm in the complexity or is the charm in our memory via "Nostalgia Goggles?"  Hard to say. 

D&D 3rd Edition did a bit of a better job of this. 5th Edition does a better job still.  Still neither are at the level of say WitchCraft, Ghosts of Albion, or even Doctor Who Adventures in Time and Space.

I am not trying to imply that simpler is always better.  For example, many of the Powered by the Apocalypse games are quite simple and none of them have ever really grabbed me.  In fact, I usually find them too simple.  

But for me, I desire to remove unneeded complexity for complexity sake and keep my games and my designs a little more simple.