The Dragon and the Phoenix: Episode 4

Episode 4: Identity Crisis

Willow: So you are saying that whole season of ‘Facts of Life’ was nothing more than unrequited lesbian love between Blair and Jo?
Tara: Absolutely, they were totally into each other, that’s why they fought so much.
Willow: Now you’re just playing with my emotions.
- Willow and Tara: The Dragon and the Phoenix, Episode 4 “Identity Crisis”

Episode 4: Identity Crisis by ~WebWarlock on deviantART

January 8, 2003 Sunday

Willow’s first big dive back into magic is to recreate Tara’s identity and remove all references of her death. A magical surge created by Yoln, the Shadowreaper, causes the magic to go awry and creates a duplicate of Tara who believes she is Kara, Tara’s twin sister. A magic ID provided by Anya also goes awry and the personality of a dead stripper is imprinted on Tara. In addition, the cast have to deal with hungry snake demons, a small gang of mobsters and a 7ft tall, one handed killing machine.
Story Arc elements: Establishes Tara’s “twin” sister Kara and Murl the demonic identity merchant. Introduces Yoln.

Notes and Comments:This is the adventure that made me forget that the show was even still on TV. Once we got to this episode things were moving great. The ideas flowed much faster. This was also our most comical episode despite the fact that it began with a dead stripper. We have "two" Taras running around, demonic identity merchants, would be gangsters, and a 7 foot tall man in armor with one arm. Plus there is the whole Tara-as-a-stripper scene.

The identity merchant was a great idea.  These are demons that make a living integrating other demons into human society.  They do it by having the demon assume the identity of someone that had died and they get all their effects, basically becoming that person.   Anya gets the id of a recently killed japanese stripper.  We also wanted to do one "Willow's magic screws up" episode and ehen never do it again.  She is supposed to be the most powerful witch on the planet afterall.  In truth her magic didn't screw up it was the combination of her magic, the dead stripper's id and the magic of Yoln.

Special note: Because of this episode Tara can still speak fluent Japanese, Amber Benson made a remark at a con a while back along the lines of "well I guess I can speak Japanese" when talking about the afterlife of fan fic. Wish I could find the link for you all.

Yoln of course is the proxy for our big bad.  We find out more about him next episode, but we learn he is the "Hand of Leviathan" whom he calls "The Whispering God".  Yoln was also an old D&D NPC that plagued my characters.

Kara, Tara's "straight" sister was an inside joke that began on the Kitten describing the soap oprea like plotting we were seeing in the show up to Season 6. We decided in the alternate past that Kara had a hugh crush on Giles. The ophidians were an old AD&D monster of mine.

The author of this adventure, Sass, has a better grasp on Willow than anyother author I have ever met. She gets her on such a fundamental level that her fiction should be required reading for anyone wanting to play Willow in a game.

Kara was not just a proxy for dead Tara, but Dawn as well. We established that she was as real to everyone, including memories, as Dawn, and a spell took her away. This was part of the alienation plot for Buffy and Dawn. Both were feeling like they were less and less human than the people around them, though for different reasons. I disliked the Slayer-as-demon (the episode where the girl was raped by a demon to make her a Slayer had not happened yet) and wanted to go a different direction, so we began by having Buffy become stronger and faster than before, becoming something other than human, or so she thought. For Dawn it was the start of her psychic powers.  I wanted both characters (via the players) to struggle with what it means to be human, or maybe no longer human.

And true to our cause here  "Candy", the dead stripper, gets avenged in the end and her killers are met with justice at the hands of the Yakuza.  Tara also gets a marker from the Yakuza boss.  The boss was named Tatsou which means "Dragon".  There is no connection, just a pun on my part to keep some element of the overall plot in every episode.

The quote above is an in-play quote between Willow and Tara.  All this terrible stuff is going around them and they are having a discussion about the lesbian sub-text of the Facts of Life.

In this episode we also established that Willow & Tara's favorite indie band is Lipkandy. They were playing the night after Tara's birthday.

At this point we began to insert a lot more crunchy stuff to our games.  Previously we had been content to use the playtest material of Buffy, but now we were moving along at good pace.  Episodes 4 and 5 were our playtests of the new Magic Box book, but we wanted to add more.

New Monster


Ophidians
Motivation: Eat humans
Critter Type: Demon
Attributes: Str 7 Dex 6 Con 6 Int 2 Per 2 Will 5
Ability Scores: Muscle 20 Combat 14 Brains 15
Life Points: 70
Drama Points: 1
Special Abilities: Armor Value 10 (scales) Qualities: Hard to Kill 3
Dodge: 14
Claw: 16 18 dam Str x 3
Bite: 15 21 dam (Str + 1) x3,
Poison
Tail slap: 15 14 dam

Ophidians are said to be a young race by demon standards, thought to exist only for the last 3 or 4 thousand years, since early Egyptian times. They are an isolationistic race, known to spend time only with their own kind, and have little regard for other demons. While most demons are decidedly carnivorous, the Ophidians are one of a few whose diet is thought to consist solely of the flesh of human beings. It is known that almost all Ophidians worship some sort of a serpent deity, but whether this is Set or Leviathan is unclear.
These Ophidians worship leviathan, but it can’t be a coincidence that many also worship Set and the cast just dealt with Set.

New Spells

Magic Missile
Quick Cast: Yes
Power Level: 2
Requirements: Witches and Warlocks need only shout “dissolvo.” Other magicians also need to meditate for one minute.
Effect: A ball of light shoots from the caster’s hand and shoves the target one foot per Success Level rolled. This spell could knock someone down or push them free from someone who was holding them. It normally does no damage, but if the target is shoved into a wall or some other hard surface, she takes double the casting roll’s Success Levels in Bash damage.
Note: This is the spell Tara used in “Bargaining”. It is assumed that Kara has it as well.

Sleep
Quick Cast: Yes
Power Level: 1
Requirements: Command word calling on the gods of sleep (Hypnos, Morpheus, or ‘the Sandman’) and a bit of sand.
Effect: Target must make a Will check. If failed the target falls into a deep sleep for one hour per level of sorcery skill.
Note: This spell is know to both Tara and Kara.

Undo Spell
Quick Cast: Yes
Power Level: 5
Requirements: Witches and Warlocks need only to command that the spell be ended. Others need to concentrate on the spell for 1 minute per power level of the original spell. If the caster does not have the sorcery levels required she can bring in other casters.
Effect: Undoes one spell or magical effect.
Since the magical effect in not natural, the magic is easy. But the witch needs to be able to overcome the level of the original spell as a resisted check.

Next Week:  Tara and Willow are targeted by assassins and they learn more of their mission here.

The Dragon and the Phoenix: Episode 3

Episode 3: The Serpent of Destiny 

Episode 2: Dead of Night by ~WebWarlock on deviantART

December 13, 2002 Friday

The cast are transported to the legendary Thebes of the Gods. Here they learn that the god Set has been corrupting Willow with magic for his own nefarious needs. The God Osiris also has issues with Willow. The Goddess Isis intercedes when they learn that Willow and Tara’s battle with Leviathan was foretold on millennia old cartouches. Isis gives Willow an amulet to protect her from dark magic.

Story Arc and Game Design elements: Willow receives The Ankh to protect her from “dark magic”. Try to make some sense out of “dark magic addiction” to a group that has a collective 90+ years on writing about magic and witches. Do away with magic addiction rules.
Soundtrack: Santana “Black Magic Woman”.

Notes and Comments:I can't tell you how much I hated the magic addiction rules. Well, not the rules themselves, but the concept from the show. Stupid. Stupid. Stupid! It was everything I felt went wrong with the show. Playtesting rules for them was like polishing a turd.  We opted for a different metaphor.  We originally wanted to go with Taint from WitchCraft.  But for various reasons we didn't.  I think if I were to do this again I might go with Taint and the Ankh would still draw off the Taint from Willow.  The Ankh plays a greater role in the Willow-centric episode "Shadows in the Rain" later in the season.

We also wanted to add more mythos for other cultures to our game, this is the Egyptian one. Dealt with the whole Osiris nonsense. We began more myth building here and establish that Willow and Tara had been through other lives before and were together then too. Their connection to Leviathan via Set is also established.

Author Kirk Baldridge was one of the people that helped me with the Road Stories ideas and this was his second adventure.  His first was second season episode, Deep in the Heart. 
The cover was designed by Kitten artist Shinnen, whose work I have always liked.  The interior art was done by me and featured some Egyptian cartouches that detailed the events coming up in the series. These disparate events and prophecies became part of the larger Elder Prophecies which has appeared off and on throughout all my games.  Again basically saying that if a world does not have a living Willow and a living Tara it is doomed to be consumed by Leviathan.  Sorry for your world if this not the case. ;)

The plot kicks up next week in Episode 4 where we meet our enemy and Tara becomes a stripper.

The Dragon and the Phoenix: Episode 2

Episode 2: The Dead of Night

Episode 2: Dead of Night by ~WebWarlock on deviantART

November 13, 2002 Wednesday 
A group of necromancers (the Order of Six) is using zombies of people killed by the cast, including Ben/Glory, and a shape shifting spirit to try and unlock a portal to Leviathan’s plane.
Story Arc and Game Design elements: Monster of the week (mostly). Necromancy rules for Cinematic Unisystem. Establishes that Tara keeps a Journal that she writes in religiously. Also introduces the Codex Albius and the first of many cults.

Notes and Comments: This adventure was written by Garner Johnson based on a draft he was doing for a story. It was designed as our playtests of "Monster Smackdown".
We featured a weak shape shifter as our first among many jabs at “The First”, but mostly we wanted to deal with some glaring issues, such as why some people get do all the killing of normal humans they like and never be held accountable for it (Spike, Buffy), while others are treated like pariahs (Faith, Willow).
We also wanted to do a “zombie” episode since we were all getting into AFMBE by this time and really just wanted a monster of the week one. The title was my idea and Garner objected, but he saw it my way after spending a week trying to come up with something better.
The episode itself doesn't advance the arc much save for the fact that we established that others are going to be interested in what is going on here.  This was part of my "your characters do not live in a vacuum" philosophy.  This was stage building.
The idea was to have the characters have to deal with the deaths, accidental or otherwise, that they have caused, but it didn't quite work out like that.  The players saw zombies and zombies had to be destroyed.

Tara's journal writing was one of those things that seem to come out of several different places at once. Lisa (our Tara) and Sass (our Willow) both talked about it. Later on it was reinforced when we began work on Ghosts of Albion and Tamara Swift also kept a journal. In fact the Journals of Tamara Swift became magical tomes in their own right, as did the Journal of Megan Maclay would in the next season.

Yes. I know there is a typo in the cover. I have been meaning to fix it for years.

The Dragon and the Phoenix: Episode 1

So my Fridays are likely to be very busy so I am thinking of going through my big CineUnisystem adventure season The Dragon and the Phoenix.  These will be mostly plot summaries and some actual play reports.  Keep in mind that these games are now almost 10 years old.  I wrote and ran these a long time ago.  They were the playtest bed for Buffy, Angel and Ghosts of Albion.  Plus I have talked about these for so long I assume everyone already knows everything about them and that is really not the case.  So sit back a enjoy.

Episode 1: Will We Burn In Heaven?


Willow (crying): I thought…I thought I had lost you!
Tara (kissing her face): I’ll find you. I will always find you. 
- Willow and Tara: The Dragon and the Phoenix, Episode 1 “Will We Burn in Heaven?”

Episode 1: Will We Burn in Heaven? by ~WebWarlock on deviantART

November 7, 2002 Thursday
(Ran this during Summer 2002, right after the Dark Druid)

Willow and Buffy have just been visiting Tara’s grave when they get two unexpected visitors, Cordelia and Tara. Tara comes back from Heaven to help the cast defeat a group of fallen angels bent on finding the Enochian Tablets and destroying all of creation with the Word of Unmaking. Tara helps, but is torn between her duty to the Creator and Creatrix and her love for Willow.  Te tablet is found, in the hands of a magical merchant named E'rif E'nur.  He is found dead and his local contact, Spike is horribly burned.  Anya is later found also burned.  Tara is able to heal her by touch, but both Spike and Anya tell her that they are "afraid" of her now. The fallen angels are found and there is a great battle.  An angel tries to burn Willow, but Tara gets in the way and engulfed in flames.  She walks out of the flame, unharmed, and in full angelic form to fight back.  The fallen angels are defeated with daggers given to them by Anya.  The tablet is destroyed and Tara must choose whether to return to heaven or remain. In the end Tara chooses Exile; she gives up her powers and angelic life force to be human again.
Giles discovers that the dead god Leviathan will be entering our reality.


Story Arc and Game Design elements: Introduce the new Ascension, Other Worldly and Geas quality/drawbacks.
Soundtrack: Foo Fighters “Learning to Fly”, Enya “Exile”

Notes and Comments: This is the first adventure and it is fairly linear, but also fairly combat heavy. What is new here is the first time we have seen angels in the game or universe, and they are evil ones. We also see the return of Tara and her exile. One thing quickly became obvious to us that a demonic Anya is not a playable character. She can't die, she is totally beholden to her demonic master D'Hoffryn and really she should be out to kill the Cast. Finding things to do with Anya was a problem. Another problem was Dawn. We had big plans for her, but no one wanted to play her. Spike gets burned pretty badly in this episode by the angels so we could have an excuse not to have him. The focus of this of course is the return of Tara and how Willow could deal with it. In the begining I wanted Willow to be completely de-magicked; unable to cast any spells. It would have been great for a story, but for a game people want Willow to have spells. So we comprimised and had Willow's magic reduced. Throughout the series she begins to gain it back. Tara shows off some of her new powers too here, the ability to heal and her "otherworldlieness". We liked the idea that every demon and vampire in town was now terrified of Tara. Later in Episode 4 Spike describes her as appearing as if she was on fire.
Some elements from my old AD&;D game appear here. Luna is a former character and E'fir E'nur was an NPC. E'Fir E'nur was also going to be part of the D'jinn arc as a summoneer and binder of Iffrits.

Like the D'jinn series, this also had a tie to the Dark Druid episode that was published in July of 2002. The Dark Druid, with your cast, acts a prelude to the D'jinn or with the original cast as a prelude to this.

Tara Maclay
Keribum (Ascended Human Witch)

Life Points 71
Drama Points 20

Strength 5 Dexterity 4 Constitution 5
Intelligence 4 Perception 3 Willpower 5

Qualities Ascended
Attractiveness +3
Empathy
Fast Reaction Time
Hard to Kill +7
Nerves of Steel
Sorcerery 5

Drawbacks Adversaries (lots) 5
Honorable (Serious)
Geas
Minority (Gay Wicca)
Obligation (Major)
Otherworldly

Skills
Acrobatics 2
Art 2
Computers 1
Crime 0
Doctor 2
Driving 2
Getting Medieval 3
Gun Fu 0
Influence 2
Knowledge 3
Kung fu 3
Languages 1
Mr. Fix it 0
Occultism 5
Science 1
Sports 0
Wild Card (riding horses) 3

Combat Dodge +7 -
Magic +15 varies
TK +10 2xSL

This is Tara at the beginning of the first episode of the Dragon and the Phoenix. She has returned as a Keribum (or not exactly a Kerubim from WitchCraft) to stop the Knights of Elohim from the Unmaking. Or at least she (and we) think so at first. She allowed to go into exile but keeps the healing touch power of the Keribum and demons and vampires still fear her.

After Episode 1 her stats return to what appears in the Magic Box or revised Core (which were based on the above stats in the first place).

I also made a print quality pdf of her character sheet.

Willow & Tara: FUDGE

FUDGE

Fudge is a “Universal” RPG, designed to emulate any world, any genre and put the focus back onto characters and story rather than rules or rolls of the dice.

To me Fudge, and it’s younger sibling Fate, were just another one of those “games without a soul”. By that I don’t mean it is a soulless monster, but rather if you held it up to a mirror it wouldn’t reflect anything. At least not to me.
This puts it, in my opinion with GURPS, Action! and Fuzion.  They all do what they do well, and a lot of things good, but maybe not "great".  All these games have some similarities, and even similarities to d20 and Unisystem, but what I feel they all lack is a cohesive theme or look and feel. Tri-Stat in BESM is very much “Anime” flavored, as Unisystem is modern horror. Action! is a little bit better, but True 20, GURPS, Fudge, and Fuzion seem to lack a theme element. 

Because of this I never cared much for these games. That is until I looked into a Fudge based game called “Now Playing”.

I liked it.
I then looked into other Fudge/Fate games and I’ll detail what I found in them later.
In particular I'll talk about Fate when I do a big long review on The Dresden Files RPG.

About Fudge
Fudge used to be known as FUDGE, the Freeform, Universal, Do-it-yourself Gaming Engine. Created by Steffan O'Sullivan, back in 1992 it is notable as being one of the first game systems to be released for free on the internet. It even had an open licensing agreement (though not as open as the current OGL which Fudge now uses) which is interesting since it was released in a climate when most game companies were still trying to figure how to use the internet and control their IP.

Reading the basic (and free) Fudge rules is better than reading the d20 SRD. It is reminiscent of another “universal” game, GURPS. While the SRD is not d20 nor is it D&D, Basic Fudge is a fully playable (if soulless) game. This is where games like Now Playing and Heart Quest can shine. Like Unisystem (there’s that Universal thing again…) what really makes it work are the settings. While I am fan of most Unisystem games, I do have my favorites (namely WitchCraft, Ghosts of Albion), Fudge is the same way. I should note that there is a Fudge SRD as well, it reads like Basic Fudge but is twice as long.

Heart Quest
I mentioned Heart Quest when I discussed Anime RPGs a while back. It is still a good choice and it's different tenor plays off well with Now Playing to create the series I want.  More on that in a bit.

Now Playing
Now Playing is a Fudge based RPG that claims it can emulate any TV show or style with their simple ruleset and guidelines. They might be right. While the Buffy RPG is the Gold Standard when emulating a supernatural drama television show, Now Playing handles everything else rather well. Action shows, Sitcoms, Reality TV, cops shows, lawyer shows, Sci-Fi, and yes Supernatural Drama are all covered in this book.  There is a newer version out now called "The Unexplained" and it looks very similar, but maybe a touch darker.  I don't have it and I have spent all I can on my RPG budget. I would love to have a look at it in detail, until then I'll stick with Now Playing.

Since I want to focus on this game as my premier Fudge game, I’ll turn back to mechanics.

Attributes
This one is so simple that it barely is worth mentioning, but I will just to illustrate the point.

Now Playing/ The Unexplained/          (Fudge)	Unisystem
Brawn	Strength
Agility	Dexterity
Stamina	Constitution
Reasoning	Intelligence
Perception	Perception
Will	Willpower

Follow these up with the level conversions above and a Brawn of Fair is Strength 3. You almost don’t even need a new sheet. This illustrates Fudge conversion abilities well and Now Playing’s ability to emulate most TV shows and TV show games.

Luck Points vs. Drama Points
The mechanic differs slightly, but the intent is the same, allow the player a chance to “re-write” the scene. In general for conversions sake, 5 Drama Points = 1 Luck Point. Of course there is a higher level of danger in a Horror Drama than a Situational Comedy, so it might be about the same realy.

Skills
As mentioned before Fudge is flexible when it comes to Skill lists. Now Playing offers something that looks like a cross between Cinematic and Realistic skills. Now Playing has 91 some odd skills to chose from compared to Buffy’s 18. Yikes! Skills can be bought the exact same way, though some start out as Poor or Non-Existent. Anyone can try a skill with a level of Poor, but you need training to use a Non-Existent skill. Training is reflected in the 30 points given to characters to improve skills. Without getting too deep into the math this about equal between the games, with the edge going to Now Playing characters. Skills though can be grouped together.

Skill Conversions
For a truly cinematic game my advice to Now Playing characters is to take the 91 Now Playing Skills and group them into Buffy’s 18 skills as Skill Groups per the Fudge rules.
Buffy skills are listed first, with Now Playing Skills in parentheses. For example, does anyone really care which type of Kung-Fu Kim Possible or Batman uses (they both know many kinds), no, just that they can kick some butt.
Buffy players can use these groups to specialize in one or more areas.

Acrobatics (Acrobatics, Balance, Jump)
Art (Perform, Photography)
Computers (Computer Use)
Crime (Breaking & Entering, Escape Artist, Forgery, Gamble, Haggle, Hide Traces, Pick Lock, Pick Pocket, Shadow, Sleight of Hand, Stealth, Streetsmarts, Surveillance)
Doctor (Autopsy, Diagnose, First Aid, Surgery)
Driving (Drive , Pilot , Ride Animal )
Getting Medieval (Weapon )
Gun Fu (Weapon )
Influence (Bluff, Hypnosis, Interrogate, Intimidate, Oratory, Pantomime, Persuade, Seduce, Tall Tales, Uplift Spirits)
Knowledge (Area Knowledge, Business Sense, Culture , Etiquette, Gather Information, Knowledge , Nature Lore, Primitive Tools, Profile, Psychology, Religion , Research)
Kung Fu (Brawl, Martial Art )
Languages (Decipher Script, Innuendo, Interpret Language, Language , Read Lips, Write)
Mr. Fix-It (Craft , Demolitions, Disable Device , Engineering , Repair Device )
Notice (Direction Sense, Navigate, Notice, Sense Motive)
Occultism (Cryptozoology, Occult Knowledge, Parapsychology, Ritual , UFOlogy)
Science (Science )
Sports (Climb, Fish, Run, Sail, Swim, Throw )
Wild Card - anything

There are others that didn’t quite fit. Some are dependent on the situation used. For example Appraise in NP would part of Art if it is used to appraise a piece of art, but part of Occultism if used to appraise an ancient occult artifact. Animal Care could be a Wild Card, or part of Influence. There is a whole “animal” axis of skills as well as some social skills that could be covered by Unisystem qualities.

Directors of either game will have to re-parse out Skill points to accommodate for the reduced or increased number of skills.
When converting characters have a Now Playing character take the max or average of the skills in a skill group to represent their Buffy skill and for Buffy characters they should record their Buffy skill level in each of the Now Playing subskills, re-distributed based on character concept. No Now Playing skill should be higher than its Buffy skill counterpart.

Skills in Fudge work differently than Unisystem. In Unisystem a “Skill roll” is the skill + an attribute. In Fudge it is just the skill. All Unisystem skills start at 0. Fudge skills have different starting levels, some can’t be used untrained others can, but at the lowest possible level.

Qualities and Gifts
Qualities convert to Gifts and Drawbacks to Faults like outlined above. I am happy to note that Resources converts to Income very nicely. In fact Buffy players should look into Now Playing’s income ticket mechanic for purchasing items based on income/resource level as opposed to actual money. A good model of “TV Economics”.

Magic
Now Playing adopts, mostly, Fudge’s magic system. To me this is where it falls flat. There is a Magical Aptitude Power (roughly equal to The Gift, Sorcery or Magic Qualities) and a skill roll (again, roughly equal to Occultism). Already I see two separate checks to see if the magical power can be gathered and then used. This doesn’t really work for me. Let’s look at some magical TV shows. I don’t recall Piper, Phoebe or Paige needing to go through all of this. A “Power of Three” spell (their most powerful) does require a ritual (grasping hands and reciting the spell) and sometimes it does not work (Cole was able to break free at one point), but no gathering of mana. And I don’t believe that Samantha or Sabrina even did that much. So a simpler mechanic is really needed to mimic the Cinematic Unisystem magic system better.

Now I’ll be honest. The magic system in WitchCraft is the best I have ever used or read. The magic system in Buffy and Ghosts of Albion runs a very close second. So in my mind anything else is going to need work. Hell, I think the Buffy RPG does a FAR better job of explaining magic and how it works than the Buffy TV show. That being said here is a way to convert Buffy magic to Now Playing.

Magical Aptitude is a Power with the default level of Terrible. It effectively combines the old Magical Aptitude and Handle Mana Skill. It can be taken in levels (Terrible to Legendary) just like a skill or attribute. In order to cast a spell the character needs to match the level of the spell cast (also Terrible to Legendary). Some things can adversely effect this, such as concentration during combat (usually -1 to -4), stress, fatigue, or other factors. Other things can help such times and places of power (as described in either book).
So to cast a Legendary spell or a simple spell with Legendary effects, one must have Legendary Magical Aptitude, or at least be able to roll up to that. The same rules apply to critical failures and success. To convert a Buffy Spell take it’s Power Level and use the conversion matrix above. So a starting character with MA of Terrible (0 in Unisystem terms) only has the appitude, they can’t cast a Poor level spell (1 in Unisystem terms) unless they roll at least 1 +.

Putting it all Together

I used the Now Playing rules, with some cues from Heart Quest, Shoujo Anime and other Fudge games to create a new Series than can be run under Fudge or Unisystem. As usual I will stick with something I know well.

Using the Now Playing guidelines on spin-offs I created a Buffy-spin-off, or actually a spin-off of my spin-off. “Willow and Tara: Generation HEX” is a spin off set around 2006 or 2018 with the two lead characters Willow and Tara.  I did this with "The Dragon and the Phoenix" and "Season of the Witch", but this one has a bunch of new rules. 


I have often wondered what a supernatural/horror series would be like in the hands of Television master David E. Kelley (“Boston Legal”, “The Practice”, “Ally McBeal”, “Picket Fences”…). So in DEK tradition, I moved the Series to Boston (something I was doing anyway for a variety of reasons, but this works well) and  made it less about two witches fighting the supernatural and more about two women, who happen to witches, trying to lead a normal life while also dealing with the supernatural.  Also, given the events of "Season of the Witch", Tara was pregnant.   I did say it was going to be a new series.  I debated on whether to do it right after Season of the Witch or later when the kids were teens.  I ran part of it using Mutants & Masterminds and it was right after.  The Now Playing stuff was written with 2018 in mind.  Still don't know where to go on that yet.  

Demons have been over-done, so I focused instead on other types of supernatural creatures: ghosts, spirits, faeries and the like. Heart Quest has quite a bit of guidelines for dealing with these types, Now Playing deals with your typical Cryptozoological beasties (much like Conspiracy X or Dark Matter) as well as faeries and spirits. Between the two there are plenty of creatures, threats and distractions so I never have to use a vampire or a demon. After all the point of a spin-off is to establish it’s own identity. 

Let’s borrow another page (or two) from Heart Quest and set the series in school, maybe a school of girls, but certainly a school where magical things are happening. This would work well with the Magical Girl and Teen Romance options. Tara has been offered a job as a teacher and youth councilor (Girls Councilor if the school is co-ed). We can extend the DEK metaphor more and use “Boston Public” as a guide. 

This type of setting allows more play than just a “girls fighting monsters”. My players tend to like social issues, so I’ll take a dramatic turn then. Dealing with the supernatural has become easy, almost cliché really. If it’s evil  then kill it or send it back where it came from. What do you do if your character is sued by parent because their daughter claims the Cast Member made unwanted sexual advances at her? It’s not true, but it still a problem and you can’t just kill the student or parent. Now let’s say your character is a lesbian. How does that play out? How do you fight that battle? Certainly a courtroom showdown will be in order, complete with an impassioned monologue from the cast and their defense attorney. 

Life though is not just drama, sometimes it is mundane. Sure we can do episodes of Willow recalculating her mortgage or Tara working in the garden, just like real life, but that would not make a fun game. Though the other moments in life are equally important and worthy of games. Life is funny, sad, calm, hectic, reflective, sedate, often loving, sometimes pornographic, but all in all much richer than what is on TV (or even should be shown on TV) but a game can reflect all of those facets.

Willow Rosenberg

Leading Character
Brawn: Mediocre Reasoning: Superb
Agility: Mediocre Perception: Great
Stamina: Fair Will: Superb

Luck: 3 Income: Great* (Willow sold her security firm for 7 figures).

Skills: Acrobatics (Fair), Brawling (Poor), Business Knowledge (Good), Computer Use (Legendary), Craft, electronics (Great), Crime, general (Poor), Cryptozoology (Great), Dechipher Script (Good), Engineering, electrical (Great), Engineering, mechanical (Good), First Aid (Mediocre), Handle Mana (Legendary), Influence (Fair), Knowledge, general (Legendary), Languages (English, French, Latin, Greek), Magical Rituals, most (Legendary), Melee Combat (Mediocre), Notice (Good), Occult Knowledge (Legendary), Parapsychology (Legendary), Religion, Jewish (Good), Science, general (Great)

Gifts: Ambidexterity, Attractive, Wealthy

Faults: Ambitious, Enemy, Minority (Lesbian, Jewish, Wicca)

Powers: Awakened, Anamchara, Magical Aptitude

Props: Brownstone House, Bike, Computers (servers and laptops), Subaru Outback (special hybrid converted model), Doll’s Eye Crystal.

Real Name: Willow D. Rosenberg
DOB: August 1, 1981 (Age 24 in 2006)
Identity: Public, but unknown as a witch
Occupation: Part time computer instructor; Private Computer Security Systems Analyst; Witch
Height 5’3”, Weight 110lbs, Eyes Green, Hair Red


Tara A. Maclay

Leading Character
Brawn: Mediocre Reasoning: Great
Agility:Mediocre Perception: Superb
Stamina: Fair Will: Superb

Luck: 3 Income: Great

Skills: Acrobatics (Fair), Art, creative writing (Good), Art, painting (Good), Art History (Great), Brawling (Poor), Computer Use (Good), Crime, general (Poor), Cryptozoology (Good), Dechipher Script (Fair), Diplomancy (Mediocre), Driving (Fair), Handle Mana (Legendary), Influence (Good), Knowledge, general (Great), Languages (English, Japanese, Latin, Greek), Magical Rituals, most (Legendary), Melee Combat (Poor), Notice (Good), Occult Knowledge (Legendary), Parapsychology (Legendary), Perform, dance (good), Perform, singing (Good), Profile (Good), Psychology (Great), Religion, Wicca (Good), Science, general (Great)

Gifts: Attractive, Wealthy

Faults: Code of Behavior, Enemy, Minority (Lesbian, Wicca), Soft Hearted

Powers: Awakened, Anamchara, Healing Touch, Magical Aptitude, Sense of Empathy

Props: Brownstone house, Bike, Occult Library (includes the White Codex, Journal of Tamara Swift and The Journal of Megan Maclay).

Real Name: Tara A. Maclay
DOB: 11/07/1980 (25 in 2006)
Identity: Public, but unknown as a witch
Occupation: Youth Counselor and Art instructor; Witch
Height 5’5”, Weight 125lbs, Eyes Blue, Hair Blond

Depending on when this is set they also have their daughter Brianna who is either 1 or almost 13 (depending when I decide to set this; gotta find some new players first).

Notes: As usual, I am going with “The Dragon and the Phoenix” versions of these characters.
Briefly: Tara is back from the dead, Season 7 never happened, they defeated the mad god Leviathan. This would be the start of my Series 3 with Willow and Tara.  I used the Now Playing rules as the dominant feature in these conversions, but converting to Heart Quest (or any other Fudge game) should be easy.

Willow & Tara: Chill

Willow and Tara in Chill

The world the girls live in is not exactly the same as the world described in Chill. A lot of what is “Unknown” in Chill is common knowledge to our girls. Let’s be honest even Tara has seen more vampires than the average 1st Edition Chill character would see in a lifetime.

So how do we explain the differences? I see the worlds as being the same, the different rules are just different ways at looking at it. Let’s steal a page from the WitchCraft RPG core book. Chill and S.A.V.E. were most active in the 80’s and early 90’s before their Dublin HQ was destroyed. So we only have records up till then. In WitchCraft it has been documented that as we approach the Reckoning supernatural occurrences have become more and more frequent. By the time the girls start their “career” in battling the supernatural in the late 90’s early 2000’s supernatural occurrences are far more common than 10 or 20 years ago.

This is even supported by the move from 1st to 2nd Eds of Chill. 1st Ed was lighter, a little campy, but emphasis was on things that go bump in the night. It was more Ghostbusters than Ghost Story. 2nd Ed was a child of the paranoid late 80’s and 90’s. Elements of X-Files were abundant and the same zeitgeist that gave us the World of Darkness, Kult and yes WitchCraft was at work in Chill as well. To further the “world is much darker than you think” idea, 2nd Edition Chill makes the (somewhat silly, somewhat crafty) claim that the Pacesetter version was propaganda by S.A.V.E. sent out as disinformation. And let’s be honest, a lot of people played Chill as “monster of the week” adventures anyway. Maybe it was years of “Dark Shadows” and “Night Stalker” or more likely years of AD&D, but that’s how we did it in my house.

Chill 3rd Edition looked darker still, but it did not come out so I can’t say.

Relations with S.A.V.E.

Willow and Tara’s relationship with S.A.V.E. (Societas Argenti Viae Eternitata, Society of the Eternal Silver Way) begins before either girl was born. In the “Dragon and the Phoenix” canon Robert Maclay had been an envoy of S.A.V.E. working in the southern part of the United States. They had discovered an area of reported spiritual activity during the Summer of ’76 and were ordered to investigate. They came to an old plantation that later been converted to a brothel after the Civil War and was rumored to be haunted by the ghost of the former owner. Realizing that Maclay’s team would need magical aid, S.A.V.E. assigned a “craft worker” to the team. This infuriated the young Robert Maclay. He was a devout Christian and the idea of working with a witch was as unacceptable to him as working with a vampire. The young witch, Megan Rose O’Kelley, was however more than a match for Robert’s head strong attitude. The mission would have been a complete failure had it not been for Megan’s magic, though it was not with out complications. The reported “ghosts” turned out to be demonic ethereal spirits. Megan had been possessed by one of the demons in the course of the fight, she fought off the demonic thrall (with Maclay’s aid), but she suffered reoccurring ill health and nightmares. These persisted into her courtship and marriage to Robert till the end of her life in 1997. The demons were banished, and Robert and Megan left S.A.V.E. soon after.

S.A.V.E. knew that any offspring of Robert and Megan Maclay would be a formidable witch in her own right, so they watched Donald and Tara for years. It was soon obvious that while Donny lacked the ability to even do a card trick, Tara was a different story. She began to manifest her powers very early in life. They even observed her display feats of power that would have been difficult for a witch three-times her age, though she was always very careful to not show her power anytime she felt her father or older brother were watching. When Tara was murdered, the remaining members of the fractionalized S.A.V.E. prepared to close the book on what would have been a promising recruit and recorded it as a profound loss for humanity. To their shock and surprise S.A.V.E. found themselves “re-opening” that book when Tara was discovered to be alive and well due to a rare occurrence of divine magics (S.A.V.E. was later made aware of the miscast Art that substituted Tara’s death record for a previously unmentioned or unrecorded twin sister, Kara).

In late 2005 S.A.V.E. operations in Washington DC approached Willow and Tara (after observing what they refer to as the ‘Leviathan / Pan-dimensional Incident’). S.A.V.E. had learned of the supposed recent activity of Erszébet Báthory (Elizabeth Bathory) near the girls’ new Boston home and hoped to make use of the girls unique understanding of vampires and witchcraft. That it was reported that Willow had encountered Dracula was only another bonus in their favor. The details of that encounter will be dealt with at a later date. Willow and Tara are not members of S.A.V.E. at this time, but their contact is Dr. Robert Samuels, Deputy Director of S.A.V.E.’s American Operations. (Geek Note: Dr. Robert Samuels was one of the pre-generated characters from the 1st Ed. Chill rule book.)

These stats represent Willow and Tara after the Dragon and the Phoenix, during the Season of the Witch, series but sometime before the Mid-Semester's Nightmare mini-series.  So about 2005.

Willow Danielle Rosenberg

BASIC ABILITIES

Strength 30

Perception 67

Dexterity 33

Willpower 81

Agility 42

Luck 50

Personality 67

Stamina 50

Unskilled Melee 36 (1st Ed)* / 18 (2nd Ed)**

Sense Unknown 13%

Movement 34

Sprinting 92

Initiative 4

EDGES & DRAWBACKS**

Name CIPs Notes

Ambidexterity 1

Attractive 2

Curiosity -1

Improved STA Rec 1

Improved Will Rec 1

Phobia (Frogs) 1

Psychological flaw 1 Addictive personality

SKILLS

Name Rank Score Calc

Armed Melee S 51 (STR+AGL)/2 +15

Crossbow S 48 DEX +15

Anthropology T 101 (PCN+WPR+PER)/3 +30

Biology T 104 (PCN+WPR)/2 +30

Computers M 129 (PCN+WPR)/2 +55

Investigation M 121 (PCN+WPR+LUCK)/3 +55

Language, Latin T 104 (PCN+WPR)/2 +30

Legend/Lore T 104 (PCN+WPR)/2 +30

Mathematics T 104 (PCN+WPR)/2+30

Mechanics T 80 (PCN+DEX)/2 +30

Occult Lore** M 116

Ritual Magic** M 116

PERSONAL DATA

Age: 23 (in 2004)

Ht: 5’3”

Wt: 115#

Hair: Red

Eyes: Green

Gender: Female

Nationality: American

Profession: Software Engineer

Education: B.S. in Computer Science, 2003 University of California, Magna Cum Laude

THE ART

Name Score* Calc Base** Rank**Score

Telepathic Sending 67 (PCN+PER)/2 44 M 94

Telepathic Empathy 67 (PCN+PER)/2 44 M 94

Sphere of Protection 61 (PCN+LUCK)/2 39 T 69

* Indicates a 1st Edition Rule.

** Indicates a 2nd Edition Rule.

Tara A. Maclay

BASIC ABILITIES

Strength 38

Perception 70

Dexterity 32

Willpower 65

Agility 36

Luck 40

Personality 65

Stamina 40

Unskilled Melee 37 (1st Ed)* / 19 (2nd Ed)**

Sense Unknown 14%

Movement 32

Sprinting 86

Initiative 4

EDGES & DRAWBACKS**

Name CIPs Notes

Animal Empathy 1

Attractive 1

Destiny 1

Improved Will Rec 1

Pet (MKF) 1

Psionic Ability 1 Empathy

SKILLS

Name Rank Score Calc (1st Ed)

Armed Melee S 52 (STR+AGL)/2 +15

- Axe S 52 (STR+AGL)/2 +15 SR 2/4

- Sword S 52 (STR+AGL)/2 +15 SR 5

Crossbow S 47 DEX +15

Animal Training** T 87

Art T 98 (PCN+WPR)/2 +30

Calligraphy** T 81 (AGL+WPR)/2 +30

Horseback riding T 81 (AGL+WPR)/2 +30

Investigation M 113 (PCN+WPR+LUCK)/3 +55

Language, Japanese T 98 (PCN+WPR)/2 +30

Legend/Lore T 98 (PCN+WPR)/2 +30

Occult Lore** M 108

Painting** T 81 (AGL+WPR)/2 +30

Ritual Magic** M 108

Psychology M 123 (PCN+WPR)/2 +55

PERSONAL DATA

Age: 24 (in 2004)

Ht: 5’4”

Wt: 125#

Hair: Blonde

Eyes: Blue

Gender: Female

Nationality: American

Profession: Graduate Student in Counselling Psychology, working as part time QMHP.

Education: B.A. in Art History, 2003 University of Southern California, Cum Laude,

M.A. in Psychology, Counseling emphasis, 2005 University of Southern California. Thesis: “Daughters without Mothers: Long Term Depression and Survivor’s Guilt in Adolescent Girls and Young Women” ERIC Abstracts Online

THE ART

Name Score* Calc Base** Rank**Score

Telepathic Sending 68 (PCN+PER)/2 45 M 95

Telepathic Empathy 68 (PCN+PER)/2 45 T 75

Sphere of Protection 61 (PCN+LUCK)/2 36 T 66

* Indicates a 1st Edition Rule.

** Indicates a 2nd Edition Rule.

Notes:  I advanced the characters to 2005 and have Willow and Tara graduated. Education level was a big deal in Chill; I am thinking this is because it was a big deal in Call of Cthulhu, so I detailed that here.  This is right before (game world here folks) Willow created a small company that wrote security programs for industries.  Her stock split many times and she sold off most of it and was retained as executive consultant to Red Witch Software.  This gave her a lot of freedom and a few million dollars.  That though is a detail for another time and game system.

The biggest issue with Chill and witches like Willow and Tara is one of power.  Chill simply does not handle PCs with a lot of power well.  Chill was designed as "normal people fighting the monsters" game, a role that is serves well.  Call of Cthulhu has the same issues, but again at least in Chill the PCs are expected to make a difference.  Willow and Tara are beyond what most humans can do.  Chill is great for "Supernatural" or even some episodes of "The X Files", but not the likes of "Charmed" or "Willow & Tara: The Series".

What I did do during "Season of the Witch" was have a flashbacks with Tara's parents, Robert and Megan, and they were perfect for Chill since it was the late 70's and the power levels are much less than they are today.  Like Harry Dresden said in "Storm Front" the world is getting weirder and darker all the time.  This is something I have used in my games quite a bit.

Chill was great to look back on, but it is not s substitute for a more modern game for me.  If I ever run another 70s-80s flashback game though I will pull it out.

Another note.  While the stats above reflect the girls in or around 2004, the Chill timeline above is 2005.  So there is one crucial element missing from Tara's stats.  In 2005 she gave birth to a baby girl.  That is also for another day and system.

Willow & Tara: The Dragon and the Phoenix

Note: Work still keeping me busy.  Here is one I have been meaning to post for a while. Enjoy!

A lot of what I put up here is based on my playtest of Buffy and Ghosts of Albion.  Those playtests were part of a larger series I ran featuring the characters Willow & Tara.  I started them out in a WitchCraft game back in 2001 which led to Buffy and then to Ghosts.  But I thought I'd post the game summaries, playtest notes and actual play reports here to give context to the crunch I have posted and for the crunch I'll continue to post.

These games ran between 2001 and 2006 and reflect a lot of what was going on in my life and in my own RPG freelance career.   I hope you enjoy.

Willow and Tara: The Dragon and the Phoenix

The Dragon and the Phoenix originally began as the means for my Buffy playtest group to tell a Willow & Tara centric story in a new way. Originally titled "Road Stories", it began with the death of Tara's father and then followed Willow and Tara in their cross-country trip across the Southern US in Robert Maclay's (Tara's father) old 67' Thunderbird.

There would be some strangeness along the way. That is of course till March 2002 came around and we heard that Tara was going to be murdered. Now I was (and still am) a huge Willow and Tara fan, but most of my playtesters were even bigger fans than I was. We were angry as all hell, so we changed course rather quickly. Road Stories was scrapped, and we worked to come up with a new idea. In our talks (and we were less concerned now with playtesting and more with providing ourselves with something we had lost) The Dragon and the Phoenix was born. We were going to bring Tara back. We decided rather early that there were not going to be any of the issues that plagued Buffy herself the season before. As Lisa, one of my playtesters and the brain behind the episode Heaven Bleeds, stated "without Willow even Heaven would have seemed like Hell to Tara".

The ideas flowed in pretty quickly. The name of the series, the "past episodes" of the demonic army and Yoln came from an AD&D game I had played in the 80s just before going off to college. One of my characters, Morgan, had been a character that I had set up to die and have regretted it nearly the instant it happened and ever since. So to bring her into this and make her death parallel to Tara's (and to some extent Buffy's) was poignant on a personal level but also because I felt I could do a much better job of it. In AD&D Morgan had been a Bard (1st Edition) with a particular hatred for vampires. In The Buffy game I retconned her into a Slayer.  The death Morgan was something that had bugged me forever.  I can even recall a time walking to class in 1994 thinking I had done her wrong and that had been 7 years ago at that point.

The choice of Leviathan as the big bad was also pretty easy. I loved old Godzilla movies and had this vision in my head of the Cast standing, looking up and facing a giant monster like that. I was also using the Armageddon Playtest docs in my game, so it seemed an obvious choice. Adding that Willow and Tara are the only ones to stop it was also my snarky remark that anyone playing in a world without a resurrected Tara was doomed to be consumed by the Mad God.

My playtest group was also watching a lot of Charmed, so quite a bit of those mythos entered into our games as well. The Demonic Wasteland influenced Leviathan's plane. Warlocks became more Charmed like with their quasi-demon heritage (and thus ok to kill by characters taking a Geas never to take a human life) and witches were given other choices as a secondary power other than just TK. As development in the Buffy game progressed, so did the Dragon and the Phoenix. Each adventure was designed to take advantage of the new rules in the books. Want to play the next adventure, well you'll need to pick up the next book. But we moved from that when Buffy development slowed down. Eventually we moved all moved on to Ghosts of Albion where we were joined by the kindred spirits of Amber Benson and Chris Golden. There are a number of new rules and things we wrote for Willow and Tara that later were tweaked for William and Tamara. Given the parallels, we all felt that this was very appropriate. Did we make Willow and Tara Protectors? No, that was never considered, plus given the Anamchara casting rules there was no need. Once Ghosts got into full swing The Dragon and the Phoenix had to take a back seat but when the core of the rules were laid out we went back to it. We dropped Willow and Tara into the Ghosts of Albion world and used their current stats with the magic-richer world of Ghosts. To quote my co-author of Ghosts and Dragon Garner Johnson the amount of power they could summon up was "just sick". We knew we had done good.

We tried out the other adventures with a mix of unpublished Buffy books and Ghosts rules. In "Enemy Within" we compared Thom Marion's revised Werewolves with the Ferals of Ghosts of Albion. We used Army of Darkness' mass combat rules to detail how an army of demons and angels could fight an army of tainted demonic dragonmen. Magics were mixed and matched. The episode Silent Lucidity added cinematic Bast, but while they were nice the rules for them never gelled for us.  A lot of things worked and they ended up in the Ghosts of Albion book and some I have posted here.  Other things didn't.

We decided to "release" the adventures for people to play since there was quite a bit of controversy over Tara's death and most of the people we knew gave up watching the show at this point (myself included), so this was our replacement. Outside of Garner and myself none of playtesters had ever gamed before, but all had written fan-fiction. I grabbed them for a few reasons, first if the Buffy game was going to work it had to appeal to non-gaming fans. The fact that they learned to play the game and even get to a point to where they were working on adventures is a testament to the game. Secondly I wanted fan-fic authors, and good ones at that, because they understood dialog and plot. Most RPG adventures make good dungeon crawls but terrible "books". I wanted people to feel like they were IN the show that the adventure and drama was now indeed their own. How well did this work? I was driving home one day after going to the store and I had just been given the first draft of "Identity Crisis". The main author, Sass, had pitched to me as an excuse for Tara to do a strip tease for Willow and the two of them get caught. I had read it and of course I was amused, the dialog was great the B-plot was snappy as hell and I was building up the A-Plot (the Buffy part) and then it dawned on me. Tara was alive and well and I soon could care less what was going on in the "canon", the Dragon and the Phoenix was the only thing that was "real", anything else was just a rumor.

We also had some surprising help. Amber Benson  remarked that Garner and I now knew Tara better than anyone (except maybe for Chris). We even had a writer on the show that was sending us scripts long before the shows would film. So we worked spoilers for the other Season 7 into the narrative and mocked them. The writer has asked to remain anonymous and that is the way it will stay. This person agreed with us but was powerless to do anything. We were also hearing about how toxic the set had become and how most people were counting down the days till the show was over.

Similar to the authors I got Willow & Tara fans (collectively known as "Kittens") to do the covers for the adventures, you can see them all here.

There are a lot references to music and songs in the episodes. I do my best work to music. I wrote my dissertation while listening to the Ramones and "Ghosts of Albion" was written on a steady diet of Black Sabbath and Iron Maiden when I needed horror elements and Sinéad O'Connor, Enya and Máire Ní Bhraonáin (I guess we are distantly related), and Lorrena McKinnett for when I needed to write about the fae or ancient history. Dragon had a lot of influences, but mostly I listened to a lot of Linkin Park.

The Dragon and the Phoenix was a great success in my mind. Of the adventures we released, 1 through 5, it has been translated into German, French and Spanish. There are two "unauthorized" fan-fics by authors not related to the project set in the same universe not to mention the works of the authors involved from the dramatic ("Unexpected Consequences") to the silly (Willow and Tara's drunken adventures in a adult book store by Sass) to Lovecraftian inspired horror (Garner's "Those that Feed"). Plus two more series and a mini-series that comprise what we call "Willow & Tara the Series". "Road Stories" was later revived as "Season of the Witch" and the ghost of Robert Maclay is added to the cast. "Mid Semester's Night Dream" was a mini-series featuring a semi-retired (from monster hunting) Willow & Tara being asked to investigate a suspected vampire at a private boarding school. This lead to "Generation Hex" where Tara is still teaching at the school and they have help the next generation of hunters of the supernatural.

Series Details
The Dragon and the Phoenix - Buffy game with original cast set in an alternate season 7. Tara comes back to help the Cast defeat Leviathan. A mix of "Buffy" and "Armageddon". (2002 to 2003).

This Season is designed with the idea of bringing back the character of Tara Maclay who was murdered near the end of Season 6. This Season takes place in a different Sunnydale, though the history is the same, the future is new. The Cast must deal with the notion of what love is and what it means to be a family. Other issues are of course, working together and the handling or mishandling of power.

The following information is for all the episodes.

Special Guest Stars
Though the character of Cordelia Chase should be played as an NPC. Notes will also be given for playing Giles and/or Anya as NPCs.
Tony Foster. A rookie officer on the SD Police force who stumbles into the Slayer's world. Knows a little bit about what goes on in Sunnydale (ie not a dumb cop). Is attracted to Buffy.
Luna. A Seraphim that may be aiding the cast.
Kara Maclay. Tara's "twin sister".

Little Bads
The Knights of Elohim. These three fallen angels provide most of the problems for the cast in the first episode and reoccur in a later one. They seek to return the Earth to the demons so that they may be first in the eyes of God again.

Strawberry Switchblade. She was a friend of Dawns (introduced early) and was killed by the Vampire Chicas. Now she is pissed off at Dawn and Buffy for letting her get killed. Wants to kill or turn Dawn.

Yoln. The Hand of Leviathan. Yoln was a human general in the armies of Hell. He was part demon himself. During the Dark Ages he attempted to seize control of Earth, but during a pivotal able battle in Gaul (France) he met a girl. This girl was the only person who ever bested him in battle. They fought, but Yoln ran her through with his sword, Pillager. Though she knew she was dying, she took his sword from her body and she fought him back to his dimensional portal with his own sword. She even managed to wound him, cutting off his right hand and broke his sword in the process. This girl, Morgan, died after defeating Yoln. She was also a Slayer.

Big Bad Leviathan. Ancient. Colossal. Primordial. Leviathan is a dead god. But dead does not mean the same to gods as it does to mortals. "He" is being drawn into this world. Doing so destroys everything. The world, the cosmos, everything. He has cultists spanning the globe and there is a prophecy that he will reawaken and his birth will be heralded by the death of the Slayers. (Same Leviathan from Armageddon.)

Important Items
The Codex Albius - The White Codex. The spellbook Tara returns from Heaven with. Provides all the new spells in the series. Normally in exile Tara would have had to give this up along with her healing power, but the fact she still has both leads to Cast to believe that Tara's exile may not be exactly what they think it is. This sets up the tension of will Tara need to return when the adventure is over.

The Ankh - Given to Willow by Isis. This prevents her from feeling the effects of the dark magic. Believed to have been influenced by Set, it is learned in time that the "Dark Magic" is in fact Taint and set up by Leviathan centuries ago to use Willow as his portal into this realm. The Ankh can be later used to stop Nox in episode 11 (cast choice).

Pillager - Yoln's Hellforged Sword. His first task in the series is to find the pieces he needs to reforge it. Once he has this he goes on a killing spree, killing every demon (who he feels betrayed him in the 7th Century) and supernatural creature he can find.

The Hand of Yoln - A gauntlet from Yoln's battle with the Slayer Morgan. She had cut off his lower arm with his own sword before knocking him into a portal to the Astral. The gauntlet has been protected by an order of Witch Knights, an order blending both Christian and Pagan beliefs. The gauntlet appears as a clawed hand and may be used to kill Yoln (cast believes), in fact it is the last piece Yoln needs to fully manifest into reality.

The Spear of Destiny - Also known and The Spear of Cúchulainn or the Gáe Bolg. This is the weapon the cast must find to kill Yoln. Buffy, Willow and Tara's first quest for it takes them to 7th Century Gaul were it is being protected by members of the Church and the Ban-Drui. Yoln was leading an army of demons to take it by force but is defeated by the Slayer of that time. She dies, but passes a bit of her soul on to Tara (who tires to heal her).

I will give episode summaries and actual play reports in the future.

Willow & Tara: Mutants & Masterminds

Willow and Tara: M&M Conversions

A while back my semi-regular Willow and Tara game was coming to an end.  I had just finished the second season, "Season of the Witch" and wanted to work on a third season.  But for this season I wanted to do something different. I wanted to change to a new system.  Nothing against Cinematic Unisystem, I love it in fact.  But I had been eating and breathing it for years. I also tried out BESM and liked a lot of it and experimented a bit with Fudge, Fate and True 20 (more on all of those in later posts).

I had been toying around with the idea of them teaching at a school for “gifted youngsters” for some time before all of this. I honestly thought though I’d do it in BESM. But since by 2006 the girls were already living in or near Boston (for many reasons that seemed to converge at once) the idea firmed up when I saw that MDSnowman (from the Atomic Thinktank) had put his version of Freedom City in Massachusetts (his is much farther south).

I had just done a conversion of Erzsébet Báthory and had a great idea.  What if Bathory had taken over Claremont and Duncan Summers went to Willow and Tara for help.  My "mini series" "A Mid-Semester's Nightmare" was born.  I kept the school fairly non-descript in-case I later converted back to another system. But M&M just seemed to work very well.

So it was settled, Willow and Tara are teaching or working at Claremont Academy. It’s possible I could still work in my BESM and other ideas with this, but this was my start.  As things progressed though, we switched systems from M&M, to Marvel super Heroes, had a brief flirt with BASH and even Witch Girls Adventures.  None though ever really worked out they way I liked.  You have seen the WGA versions, I might post the others as well.

So here are my witches in their Mutants and Masterminds guises for the short lived mini-series.  These versions of the girls are post "The Dragon and the Phoenix".  So it is many years later and Tara is alive and her and Willow are well and living together.

Willow Rosenberg “The Witch”
Quote: “Wow. And here I thought my high school was weird.”

PL: 11 (165 pp)

Abilities: STR: 9(-1) DEX: 11(0) CON: 11(0) INT: 18(+4) WIS: 16(+3) CHA: 17(+3)

Skills: Acrobatics 8 (+8) , Bluff 4 (+7), Climb 4 (+3), Computers 15 (+19), Concentration 10 (+13), Craft(Chemical) 9 (+13), Craft(Electrical) 6 (+10), Craft(Mechanical) 2 (+6), Diplomacy 1 (+4), Disable Device 4 (+4), Disguise 0 (+3), Drive 2 (+2), Escape Artist 2 (+2), Gather Information 9 (+9), Handle Animal 1 (+4), Intimidate 4 (+7), Investigate 7 (+11), Knowledge (Arcana/Magic) 15 (+19), Knowledge (Chemistry) 8 (+14), Knowledge (Math) 8 (+14), Knowledge (Physical Sciences) 8 (+14), Language (English, French, Greek, Hebrew, Latin) (4), Medicine 4 (+7), Notice 7 (+10), Perform (Ritual) 7 (+10), Pilot 0 (0), Profession (Computer Analyst) 2 (+5), Ride 0 (0), Search 0 (+4), Sense Motive 0 (+3), Sleight of Hand 0 (0), Stealth 0 (0), Survival 0 (3), Swim 0 (-1)
Saves: Toughness +11 Fortitude +5 Reflex +5 Will +6

Feats: Attractive, Ambidexterity, Ritualist

Powers: Magic 16 (Telekinesis 16, Telepathy 11, Astral Projection (dimensional only) 11, Lightning bolt 11, Force Field 32, Magical Sight 32)

Combat: Attack +9 (Meele +9, Ranged +9) Defense +19 (+13 Flat-footed) Init +0

Drawbacks: Minority (Lesbian Jewish Wicca)

Real Name: Willow D. Rosenberg
DOB: August 1, 1981 (Age 23 in Summer 2005 when game takes place)
Identity: Public, but unknown as a witch
Occupation: Part time computer instructor at Claremont Academy; Private Computer Security Systems Analyst.

Height 5’3”, Weight 110lbs, Eyes Green, Hair Red


Tara A. Maclay “The Sorceress”
Quote: “I am not teaching Defense Against the Dark Arts. I know they don’t have it, I am just saying.”

PL: 11 (165 pp)

Abilities: STR: 12(+1) DEX: 9(-1) CON: 12(+1) INT: 16(+3) WIS: 18(+4) CHA: 16(+3)

Skills: Acrobatics 4 (+3), Bluff 4 (+7), Climb 2 (+3), Computers 4 (+7), Concentration 6 (+10), Craft (Alchemical) 4 (+7), Diplomacy 6 (+9), Disable Device 0 (+3), Disguise 0 (+3), Drive 3 (+2), Escape Artist 1 (0), Gather Information 4 (+7), Handle Animal 4 (+7), Intimidate 4 (+7), Investigate 2 (+5), Knowledge (Arcana) 15 (+18) , Knowledge (Theology/Philosophy) 8 (+11), Knowledge (Art) 4 (+7), Language (Greek, Japanese, Latin, Spanish), Medicine 4 (+8) , Notice 6 (+10), Perform (Rituals) 4 (7), Perform (Painting) 4 (7), Perform (Song and Dance) 4 (7), Pilot 0 (-1), Profession (HS Teacher) 5 (+9), Ride (Horses) 6 (+5), Search 6 (+9), Sense Motive 6 (+10), Sleight of Hand 2 (1), Stealth 4 (3), Survival 6 (+10), Swim 0 (+1)
Saves: Toughness +11 Fortitude +5 Reflex +5 Will +6

Feats: Attractive, Fearsome Presence (to Demons and Vampires only), Ritualist

Powers: Magic 14 (Telekinesis 14, Magical Sight 14, Astral Projection 2), Healing 5 (by touch).

Combat: Attack +9 (Meele +8, Ranged +10) Defense +18 (+12 Flat-footed) Init -1

Drawbacks: Minority (Lesbian Wicca)

Real Name: Tara A. Maclay
DOB: 11/07/1980 (24 in Summer 2005 when game takes place)
Identity: Public, but unknown as a witch
Occupation: Youth Counselor and Art instructor at Claremont Academy

Height 5’5”, Weight 125lbs, Eyes Blue, Hair Blond

Notes:
As usual, I am going with “The Dragon and the Phoenix” versions of these characters.
Briefly: Tara is back, Season 7 never happened, they defeated Leviathan. This would be the start of my Series 3 with Willow and Tara.

Neither are strong physical fighters, here or in Unisystem, so that converts well enough.

No dynamic Powers. I opted, for a couple of reasons, not to give Willow and Tara dynamic magic powers. Partially because they start this series as semi-retired but mostly I have something in mind for them later and dynamic magic plays a role in that.
Tara has healing separate from her Magic array same as her Unisystem counterpart. This plus her fearful presence to vampires and demons are the remains of her divine power as a Keribum (Kerubim). Tara also Magical Sight to cover her Empath and Sight qualities from Unisystem, but to better emulate it I might pull it out of her Magic array.

To mimic the Cinematic Unisystem magic better you can add Fade to the magical effects.

Casting together. 
In my games Willow and Tara can cast together to produce phenomenal effects via Anamchara Quality. In M&M this would be a special power or a special feat. In either case the results would be the same, Willow and Tara add their Magic levels together when casting together.


Links
My version at the Atomic Think Tank, http://www.atomicthinktank.com/viewtopic.php?t=14876
Also have a look at Narsil's builds for Willow and Tara on the Atomic Think Tank.

• Willow
• Tara