Sunday, October 8, 2023

October Horror Movie Challenge: Abbott and Costello Meet Frankenstein (1948)

Abbott and Costello Meet Frankenstein (1948)
 I was talking to my wife about tonight's theme, Horror Comedy, and how I wasn't quite in the mood for that. I wanted to watch Pet Sematary again before the new Paramount channel series. Talking with my wife she asked if I had ever reviewed Abbott and Costello Meet Frankenstein, a movie she knew I loved. As it turns out, Amazon Prime has it.

Abbott and Costello Meet Frankenstein (1948)

This movie is an old one. So instead of going over it detail (I mean, everyone has seen this one right?) let's talk about what it has going on.

Béla Lugosi is back as Dracula, a role he has been playing at this point for 20 years. This was one of his last major roles before his alcohol and drug addiction made getting roles more difficult. He also was very typecast at this point. I always liked him in this role and I think this is one of the first depictions of Dracula as a mad scientist. Something that would become more prevalent later on.

Lon Chaney Jr. is also back as Lawrence Talbot / The Wolf Man. This role I think really was the first time it sold me on the idea of lycanthropy as a curse. This movie was also one of the many of the Frankenstein-Dracula-Wolfman crossovers of the last four or so years. Were these the origin of the Vampires vs. Werewolves in the movies? Maybe.  This was also the last appearance of the Wolf Man in the Universal Studios movies.

Lenore Aubert plays Sandra Mornay, our mad scientist. She is the one bringing Frankenstein's monster back to left and just needs Lou Costello's brain to do it. Fairly progressive for 1948.

This movie also has a special guest at the end, Vincent Price as the voice of the Invisible Man. A nice start to his career in horror.

The movie is fun. It was one of the first "monster movies" I can remember watching with my dad.


October Horror Movie Challenge 2023
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2 comments:

  1. If I ever saw this it was a long time ago.

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  2. I think this one works so well because it does actually do exactly what a good horror-comedy does: if you were to remove the comedy it's still got a solid horror plot, while at the same time it is also genuinely funny. For as much as it approaches the genre with a wink and a nudge, it feels like it was made by people who genuinely loved the older Universal Horrors.

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