Showing posts with label rpg. Show all posts
Showing posts with label rpg. Show all posts

Monday, April 15, 2019

April TTRPG Maker, Day 15

Day 15: Favorite Tropes to Subvert?

Halfway there!

Favorite Tropes to Subvert?  ALL OF THEM!

But seriously, a few come to mind.

You will never, ever see a "Women in Refrigerators" situation in one of my games.  No woman will ever be killed to forward a male character's arc. Never. 

You will never, ever see rape as a means of helping to build up a character as via a Rape-and-Revenge arc. As in when you take a character down to their lowest levels so they can be built back up into something more powerful.  I guess the trope could be called the "I Spit on Your Grave" trope.

Most of all you will never, ever see a "Bury Your Gays" or a "Dead/Evil Lesbian cliché" in anything I publish. Ever.

"But", you may ask "what if the story calls for it?"
Sorry, but no. Time to write a new fucking story then.

"But aren't you giving 'special treatment' to a certain group?"
No. And also fuck you, go write your own fucking games and don't buy mine if that is what you think.

These are my lines in the sand.

Sunday, April 14, 2019

April TTRPG Maker, Day 14

Day 14: Are Your Game Mechanics and Characters Intersectional?

My mechanics are math which is about as non-intersectional as you can be. Math is math.

Again, not to sounds like a broken record, I go back to my key philosophic design foundation; Is it fun?  Everything else flows from that.

Now to be fair.  I DID write The Witch: Aiséiligh Tradition AS I thought a radical feminist witch group would look like in a D&D/Fantasy world. 

Here I did play with concepts of power and gender as they related to the archetype of the witch.  I based it on the "Reclaiming Tradition" in modern Wicca who have decided that they need to reclaim the name "witch" and make it their own positive label.

The Aiséiligh are in a very real sense my Social Justice Witch class.  Lawful, Good, and sick your patriarchal shit.

Saturday, April 13, 2019

April TTRPG Maker, Day 13

Day 13: Participate in Streamed Games?

No. I really don't.

I am of an age where I don't get a lot of time for my games, so I like to run them when I can.  Since my regular group consists of my family there is not a lot of interest in me streaming the game.

Plus streaming games have a certain flow to them that my home games do not.  Plus there is a ton of inside humor. What's the point in streaming content that really only the people at the table will get.

I have not against streaming games and think they are kind of cool really.  The ones I have watched have been a lot of fun.  But you likely will not see me doing it anytime soon.

Would I play in one that someone else was running? Yeah, I might do that.

Friday, April 12, 2019

April TTRPG Maker, Day 12

Day 12: How to Make Work more Inclusive?

I hope that my work is fairly inclusive as is. 

With my two primary philosophies "Is it fun?" and "Can I play what I want?" I hope that I have not left any room for anything exclusionary.

Since I also feel that once the book leaves my hands and it is in yours that you can make as inclusive as you like/want/need.

I just have to make sure there is nothing in the rules that say you can't.

I'll be interested in seeing what others have to say about this.

Thursday, April 11, 2019

April TTRPG Maker, Day 11

Day 11: Shoutout to an Underloved Creator

I know of a lot of creators that are doing great work.  But underloved?

Justin Issac is doing some cool stuff under his labels Halls of the Nephilim and The Lone Bards.

Gavin Norman has been putting out some great stuff for his Necrotic Gnome label.

Any others I mention I think are pretty well known.  Liz Chaipraditkul at Angry Hamster Publishing I think is well known now. At least I hope she is!

I am sure there are more.

How about this.  Here is your excuse, permission, invitation to post YOUR favorites below.  Post yourself if you wish!

Wednesday, April 10, 2019

April TTRPG Maker, Day 10

Day 10: How are my games dismantling colonialism?

Uh...They are not?

My games really don't have that kind of effect.

My design principles start with "Is it fun?" and end with "Is it fun to write?"

I mean sure there are some subversive messages explicitly about Colonialism (and in particular about the British Empire in India) in Ghosts of Albion.  But the message is not one of action it is more directed to people who already understand what a bad thing it can be.

So yeah.  I guess the scope of my writing is just not that large.

Tuesday, April 9, 2019

April TTRPG Maker, Day 9

Day 9: How Do Your Games Distribute Power Among the Players?

Well, I would have to say I try to focus on mechanical balance as much as I can within the scope of the rules.

Some games, say for example many old-school games, balance is not really a consideration.  But you also don't play those games for balance, you play them for the game-play-experience you get (not XP in this sense).

So I create witch classes that are, for the most part, pretty weak at love levels.  This in on purpose since it fits in with the design constraints of the games I am working with.  The payoff is once you get to higher levels you are pretty damn powerful.  Like scary powerful really.

In other games, I also look a lot into the balance of the character types.  For example in Ghosts of Albion Tamara and William, the "stars" of the show are also some of the weaker characters power wise.  They are not the great powerful warrior Queen like Boadicea or the magic using vampire or the poet whose words can shape reality.  This balanced with their ability to affect the plots and course of the game via their greater Drama points.

After that, it becomes the realm of the individual game masters to do their job.

Monday, April 8, 2019

April TTRPG Maker, Day 8

Day 8: Favorite Collaborators

Oh wow. With this, I am afraid I'll miss someone.

At the top of my list, I will say is Jason Vey.  We worked on Buffy together and a bunch of other projects.

We agree on all the "big stuff" and respect each other's backgrounds and areas of expertise.  But we are also not afraid to go at it when defending something we both want.

A collaborator should bring out the best in you and you for them. 

I also would not hesitate for a chance to work with Christopher Golden and Amber Benson again like we did on Ghosts of Albion.

Lots of people I would love to work with too.

Sunday, April 7, 2019

April TTRPG Maker, Day 7

Day 7: How to Increase Accessibility

Good question, wish I knew how!

For the games I write I try to make things as flexible as I can within the guidelines of the rules so people can do anything they want.

I don't want to be the one to say "No. You can do that."  I would rather write my material so I can say "Yes, you can do that, let's figure out how."

Want to play a Winter Witch that is just like Elsa?  Yeah, you can do that.  Want to play a White Witch, but make him psychic instead?  Yeah, ok do that thing!

Whatever else beyond that is up to whoever is running the game.

At the same time, I try to market my games and books to appeal to all sorts of crowds. 

Looking forward to seeing what everyone posts for this!

Saturday, April 6, 2019

April TTRPG Maker, Day 6

Day 6: Long or Short ttrpg texts?

Not 100% sure I know what this one is asking.

So I am going to repeat what my Ph.D. advisor told me when I was writing my dissertation.

"Make it as long as you need it to be, but no longer."

Another bit of advice he gave was to quote an anecdote from Napoleon.

"Dear Josephine, I am writing you a long letter because I don't have the time to write you a short one."

Brevity is key. Keep things concise and simple for everyone to read. Avoid a page of text where a paragraph will suffice.

Good advice for academic writing and good advice for game writing as well.

Friday, April 5, 2019

April TTRPG Maker, Day 5

Day 5: Character or Worldbuilding?

Hmm...

As a gamemaster I enjoy both, as a player I enjoy characters.

I have often said I am a bit of an oddity in my OSR crowd. I have said in the past that I explore characters and not dungeons.

To me, I love character development.  Don't get me wrong, I love worldbuilding, but only insofar as it provides a stage for the characters to grow in. 

Do I care about weather patterns or the price of grain on the local markets? No. I really don't.  If it needs to rain, it is raining.  If there is no grain then there is no grain.  The only reason I need is how does it affect the characters in their situation right now.

Thursday, April 4, 2019

April TTRPG Maker, Day 4

Day 4: Favorite Type of Game Scenario?

I think, and this has a lot to do with the media and books I was raised on, is the Haunted House.

Haunted house scenarios, especially ones with long and tragic backstories are my favorites of any game.

This all goes back to this reoccurring nightmare I used to have that I called "The Very Haunted House".  The house was an old Victorian manor complete with spooky attic and sub-basements.

It was haunted by the ghost of an evil old woman that used to torture kids.

This house was based on a few things in real life.  The biggest was "Maplecrest Apartments" in my old home town.  It used to be an old tuberculosis hospital turned into low-income housing. I delivered newspapers back then and that was on my route.  Scary place.  The house took more form when I went with my dad to see the Dana Thomas house in Springfield, IL.   These nightmares plagued me forever to be honest, and they were not the "whew that was a weird dream" nightmares these were the "oh my god I am going to die in this dream" sort where you wake up afraid and still full of terror.  I added details to dream with every movie I saw or book I read including a bathtub full of black water with a rotting corpse that I am sure I got from "Silence of the Lambs".

Oddly enough they stopped about 15 years ago. I had the dream and in it, my wife was standing in the dark attic only now it was bright. She held a mop and had her hair tied up, she looked at me and said "What? I cleaned it."  Cheesy as it sounds I think she helped get over whatever fears it represented.

I have since used this house in other adventures I have written.  I first used "Cotton Crest" in my Buffy RPG adventure "Under a Cajun Moon".  Years later "Oak Crest" made it's debut in "The Haunting of Oakcrest Manor" in the Guidebook to the Duchy of Valnwall Special Edition.
I am considering also doing it again, only this time Willow Crest.  Cotton Crest was haunted by demons, Oak Crest by ghosts and other undead.  Willow Crest?  Extra-dimensional aliens.

So yeah, give me a good haunted house and I can have a blast with it.

Wednesday, April 3, 2019

April TTRPG Maker, Days 1-3

I have to admit I miss participating in the April A to Z blog marathon. 
Not the work, of course, it is a lot of work, but the feeling of participation and focus it brings to post something every day on a particular topic and theme.
Plus I feel that when I do it I am ignoring my primary audience in favor of another audience that time has shown don't stick around. 

There is however a new April social media that is more RPG focused, so I thought what the hell, let's give it a try. It is focused on RPG "makers" (I prefer the word "creator" myself, or "author")

It is called #AprilTTRPGMaker and it is mostly on Twitter, but open to all social media platforms.  With the demise of G+ I feel the need to branch out more.

Here are the topics for the month.  Unlike the A to Z's 26 posts, this one has 30 for every day.


Since today is April 3, I'll do the first three here.

1. Introduce Yourself
Hello, my name is Tim Brannan and I write RPGs.  I have been playing RPGs now for nearly 40 years (started in 1979) and writing my own material nearly as long.  I am most famous for the Ghosts of Albion RPG for Eden Studios and my various books for the Witch class for all sorts of variations of the D&D game.  I worked on the Buffy the Vampire Slayer RPG, did some minor work for the Doctor Who Adventures in Time Space, Angel and Army of Darkness.  Did some other work for the All Flesh Must Be Eaten line at Eden and playtested a few score other RPGs over the last 20 years.  I also have some work coming out Gaslight and Blue Rose.

2. Describe Your Work
I consider myself very, very fortunate. I can write the kinds of books I want to play and use.  So my primary focus is typically, "what do I think is fun?" and then I make it.  I mostly like to write about magic and horror themes. If it has a witch or a vampire in it, chances are good I have tried it.  If a game doesn't have a witch in it chances are also good I tried to fit one in somehow. ;)

3. Key to Your Making Process
Like I mentioned above I usually start with "What do I think is fun?" and go from there.  I also look for what others would enjoy in my game material.  I do try to make things that people will use and enjoy.  I also work from the philosophy of once it leaves my mind and hands and it is in yours it is no longer just "my" game. It is what others make of it.  So I love hearing about what others do with my materials even if, or especially if, it is not something I would have done on my own.

I am going to try and not let this interfere with my normal posting. I still have things I want to talk about this month other than just what is above.

Participate if you like or just post your responses below.  Yes, please link to your creations! My dad always says no one will toot your horn for you.  So use my venue to talk about YOUR creations as well.


Friday, November 30, 2018

Kickstart Your Weekend: Final Call!

I have a bunch of Kickstarters making their ways in the RPG/Geeky world and a lot of them are ending soon.  So here's your chance to get a last look in.

HYPERBOREA: Players' Manual, Referee's Screen, and more!


I love AS&SH. It's a great game.  But look at this beast:


That is a lot of book.  And not all of it is good for the players to have (or need).  This Kickstarter gets you a slimmer version of just information for the player.  You can also get a GM's screen and Players folder.

Never Going Home: World War Occult Role Playing



Described as "Eldritch Horror Role Playing in the Trenches of World War One" it looks like a great game.

I also have a couple from the comics world.

Legend of the Shaders - Harp Twins Comic!


Nordic harp-bard twins and their enigmatic cat discover that the Shader creatures of legend might not be myth after all.

Created by local girls Camille and Kennerly Kitt, aka the Harp Twins.  Normally known for their harp versions of Heavy Metal songs the girls are in their own comic adventure.  I have to admit, I am curious to see what this is all about.

And of course my most recent Featured Artist,

WILLOWBROOK #1



I think this one will be great too!

Friday, October 27, 2017

Seven Best Horror RPGs

I wanted to get this out in time for Halloween weekend gaming.

This is based on a conversation I was having on Facebook where we all discussing the "Seven Best".  I had a number of people ask me what I felt were the Seven Best Horror RPGs.

For this I immediately thought I am not going to include any horror RPG I have either written or worked on, but as it turns out that is a non-issue since my top seven are all ones done by others.  If this was a Top 10 then we might have other problems!


So without further ado, here they are my Seven Top Horror RPGs, arranged by year and one honorable mention.

Seven Horror RPGs
There is a chill in the air, gloomy clouds in the sky and leaves are all turning.  It is October and it's the time of the season for horror games.  I have been playing horror games for as long I have been playing RPGs.  Even my fantasy and sci-fi RPGs take on a slightly darker tinge to them.  So with Halloween just around the corner I wanted to talk about my Seven Favorite Horror RPGs.

Call of Cthulhu (1981)
Call of Cthulhu might not be the exact first horror RPG, but it was one of the first and the most influential. It was certainly the first horror game that most of us have played or knew about.  It perfectly blended the mythos stories of H.P. Lovecraft with RPG mechanics. Out of the gate the game did exactly what it was supposed to do, which is why the changes in the first six editions are relatively minor.
Call of Cthulhu was monster hunting, but it was so much more than that.  “Monster hunting” covers D&D pretty well but there the similarities end.  In CoC you had to investigate, you had to research and then maybe, just maybe, you found the clue you needed.  If there was magic you used it only in the direst of circumstances and even then your victory or your sanity was never assured.  For many in the 80s, CoC was their first introduction to the weird and alien worlds of the Cthulhu Mythos. Stories from 30-50 years prior were now in vogue again and influenced a generation of gamers and game designers.
The Basic Roleplay System from CoC also powered other games namely Stormbringer (1981), Superworld (1983) and RuneQuest (1978, 1980).

Chill (1984, 1992, 2015)
Chill has the distinction of being the second RPG I ever played (Dungeons & Dragons was first).  Chill is a horror game in the vein of the Saturday night creature feature monster movies, or monster hunting TV shows of the 80s to today.  Here our heroes are brave (mostly) but are expected to push back the dark for just another day.  Chill First Edition came out of Wisconsin and Chill Second Edition came from the Chicago suburbs, so it had a strong Midwest flavor to it that drew me in immediately.
Like Call of Cthulhu’s investigators the characters of Chill are normal humans caught up in an abnormal world.  There are monsters and they need to stop them.  Not always because they are the best at what they do, but because they are the only ones that can. Unlike CoC, the characters of Chill are expected to survive, more or less.  Call of Cthulhu has investigators, Chill has heroes. The definition is subtle in play, but you can feel it.
Chill introduced me to the idea of a meta-plot in RPGs. That there was more going on than just what your characters did. There was this worldwide organization, S.A.V.E., and they helped with the beasties and things that went bump in the night. As the books came out the S.A.V.E. plot expanded.   But we ignored this for the most part with 1st Ed.  In 2nd ed and later 3rd Edition, this became more of a central feature of the game.

Vampire: The Masquerade (1991)
Very, very few games have changed the business as much as Vampire.  Up to this point, you fought the monsters.  With Vampire you became the monster and the battle was with yourself.
Vampire asks the question, what would you do to stay alive? What price is your humanity to just exist for one more long night?  There is personal horror here along with existential horror.    There are also other horrors. Things worse than you, things less human than you are.
The mechanics of the Vampire game, later the Storyteller System, were nothing new; a dice pool with successes and botches, but combined with the story and the effects it became the system of choice for many in the 1990s.  In fact it captured the fear and horror of the 90s so well that it can be better compared to the fear and horror seen in Dracula at the turn of the prior century (1890s).  Though Vampire owes its largest debt to Anne Rice and embraced (pardon the pun) by those who grew up on “Interview with a Vampire” and “The Vampire Lestat”.
For better or for worse Vampire changed not only how we view games but how they were also marketed and sold.

Kult (1993)
Kult asks the question “What is reality?” and the answers are not ones that normal people want to hear.  Characters can come from all walks of life and persuasion and the background can be any large modern city.  But that is where most games stay, Kult goes beyond that and characters (and players) discover that reality is an illusion and the real reality is a battleground of supernatural forces vying for control.
If WitchCraft posits that “All Things are True”, Kult’s point of view is “Nothing is true”.  In many ways, it presaged the ideas from the movies “That Dark City” and “The Matrix”.  There are supernatural creatures that control various areas of human action and interaction behind the scene and some humans know about these creatures, Archons and Death Angels, and follow them in cults. The characters do what they can to discover these forces or keep them at bay.
The game had a great concept in Mental Balance that was the first real challenger I felt to Call of Cthulhu's Sanity score in terms of gauging the mental health of the characters involved. More out of balance you are the stranger you become even to the point of not being altogether human yourself anymore.
With Kult, the horror is also of an existentialist variety, but in that way, only the Scandinavian seem to do well. If Call of Cthulhu is Lovecraft and Chill a Saturday Night Monster Movie then Kult is Søren Kierkegaard.

CJ Carella's WitchCraft (1999)
WitchCraft is, hands down, my favorite game.  Period.  Picking up a copy of this book back in 1999 was just like picking up a copy of the Monster Manual in 1979.  Everything I ever wanted in a game was right there. Everything.
WitchCraft had such a profound effect on my gaming that I can draw a rather clean line between what came before and what came after it.
The central idea behind WitchCraft is the same as most other Modern Supernatural Horror games.  The world is like ours, but there are dark secrets, magic is real, monsters are real. You know the drill.  But WitchCraft is different.  There is a Reckoning coming, everyone feels it, but no one knows what it is.  Characters then take on the roles of various magic using humans, supernaturals or even mundane humans and they fight the threats.  Another conceit of the game (and one I use a lot) is that supernatural occurrences are greater now than ever before.  Something's coming.
You can play the same sort of games you played in Call of Cthulhu or Chill as well as Vampire.  WitchCraft assumed that all supernatural views of the world were equally likely. So vampires could rub elbows, metaphysically speaking, with elder horrors from beyond. Your characters can be there to stop them, study them or join them as the case may be.

Little Fears (2001)
When was the last time you were really, really afraid? Most people would say childhood.  Little Fears is exactly about that.  Little Fears is a game of childhood fears.  The monsters are real, they hide in your closet and under your bed. The scary old lady down the street really is a hag. But don’t worry. You are protected by Belief and items that seem mundane or meaningless to grownups can help you.   Little Fears is based on a simple system, as befitting its nature of school children fighting monsters adults can’t see. 
Little Fears also has the notoriety of being one of three RPGs one of my FLGS will not sell in the open.  You can order it, but they don’t stock it.  I don’t agree, but I respect their choice.
While it is a game about children, it is not a game for children.  The subject matter of abuse and death can be a bit much for some adults, let alone kids.  It is also one of the most effective horror RPGs I own.

Sorcerer (2002)
If Vampire is all about what will you do to remain human, Ron Edward’s Sorcerer is all about what price will you do for power?  Created at the height of the creative output of The Forge, indeed the first RPG from and starting the independent RPG movement from The Forge. 
Like Vampire your character struggles with their Humanity. But where Vampire can be described as the Beast Within, Sorcerer is the Beast Without or in this case a personal Demon.  You make a pact with a Demon for power and the more power you need, use or take causes you to lose your humanity and become more and more enthralled to the demon.  The game can do a lot of different types of play, but it is all centered around this central idea.

And one more.

Special Mention: WITCH Fated Souls (2016)
I know I am only doing Seven games, but WITCH Fated Souls by Elizabeth Chaipraditkul combines a lot of what made all these other games so much fun.  You have the struggle with power vs. humanity vs. damnation you see in Vampire and Sorcerer. The hidden world of Little Fears, Chill, and Kult and the power struggle between faction you can see in WitchCraft and again in Vampire.   All against a background that is as unique as Call of Cthulhu and Kult.
I picked up this game last year and have not done enough with it yet.

All these games are great and many have won numerous awards over the years.  They have been enough that they cover most aspects of horror.

Wednesday, October 25, 2017

We could live forever, and suffer: Laura and Carmilla for Monsterhearts

Carmilla week continues.  The movie is out tonight or tomorrow (depending on where you are) and I wanted to save this system for today.

+Avery Alder's Monsterhearts has been one of those games I that I have wanted to review and play some more ever since I first encountered the First Edition all the way back when I was introduced to it at Gen Con.

The system is an easy one, based on the Apocalypse World Engine, something else I have wanted to delve into further.   The base mechanic is simple; 2d6 + whatever mods (depending on the game), get higher than 10 for a success, or a 7-9 for something weird.

Monsterhearts is a game on what it like to play teenage monsters.  Monsters as metaphors for teenage life and feeling a little outside the norm.  I think it is something everyone can relate too I think.
While I'll get a proper review up soon the game is tailor-made for Carmilla really.

Even the game's lack of a combat mechanic works well with the very combat free scenes of the Carmilla web series.  In fact, nearly everything in this game is perfect for a Carmilla-like game. Just need a skin for the downloaded consciousness of JP 3.0 (though a Ghost might work well).

Laura and Carmilla for Monsterhearts
For these builds I used Monsterhearts 2.  I have a book of Monsterhearts 1 (and PDFs of both).  The system differences are minor. There some differences. Most of these are detailed here.  Both versions of the game are on sale now.

Given the rules where Mortals develop their characters last, I'll switch it up and do Carmilla first.

Carmilla Karnstein

Skin: Vampire
Look: Drop dead sexy.
Backstory: Mysterious stranger (Gain a Sting on Everyone)

Stats
Hot 2, Cold 1, Volatile -1, Dark -1

Darkest Self
People are your playthings.
No one messes with my Creampuff Laura!

Sex Move
Lost all Strings on Laura

Vampire Moves
Cold as Ice
Marked for the Hunt
Inescapable

Laura Hollis
Skin: The Mortal
Look: Tiny and mighty
Backstory:  Intrepid Journalism Student

Stats
Hot 2, Cold -1, Volatile -1, Dark 1

Darkest Self
Only I can figure this out, no one else can help and only I can defeat the monsters.
(borrowed from the Chosen)

Sex Move
You bring out the Darkest Self in Carmilla when you are not around.

Mortal Moves
True Love (Carmilla)
Down the Rabbit Hole
Mess With Me, Mess With Her

Oh this will be fun!
I gave them both one more move as an advancement.  I think that is fine.  In fact I could have given them more.  I think these should work well for Season 2.

Given all the skins I want to play a game where the cast is made up of characters from Carmilla, Buffy, and HƎX.  I can get some vamps, some witches, a chosen, a ghost, an infernal, and who knows what else.

Links

Tuesday, October 25, 2016

Witches Trine and Witch: Fated Souls

Witches Trine #2 is out!



I have been following this comic since I first saw it at Gen Con and I am really enjoying the story and where it might be going.  It is the tale of three immortal (or at least long lived) witches.  Though that is being tested since one of the witches was killed in the preview (that's not a spoiler).

Now things seem to be moving against them and the plot is really kicking into high gear.
Kris Lippert and all the folks at +Movierockets Entertainment is really building an interesting world here and one I am having a lot of fun with.

I can't but help to think how well I could model this world with +Elizabeth Chaipraditkul's WITCH: Fated Souls RPG.   Given what I have read so far I think Olivia would make a good Lich (though she doesn't look like one); Eva would make for a great Druid with healing ability; and Victoria is practically a "textbook" (or core book) Djinn.



I need to spend some more time with both worlds and truly appreciate them for what they are.  Both are so much fun.

Witches Trine #2 is out now. Witches Trine #1 and Preview Edition are also still available.
WITCH: Fated Souls is out AND on sale now thanks to DriveThruRPG's Halloween Sale.

For less than 10 bucks you can have a new RPG and three comics full of ideas. Not a bad Halloween gift for yourself I say!

Tuesday, May 10, 2016

What are RPGs Worth?

Been a lot of talk about this on the old internet lately.

http://www.enworld.org/forum/content.php?3410-Why-We-Need-To-Pay-What-Games-Are-Worth-Not-What-We-Think-They-Should-Cost#.VzH7TnErKVM
http://www.tenkarstavern.com/2016/05/what-are-games-worth-follow-up-to-chris.html
https://plus.google.com/+GregChristopher /posts/4ScbaXYPFnv
http://trollsmyth.blogspot.com/2016/05/whats-it-worth-to-ya.html (edited to add)
http://therpgpundit.blogspot.com/2016/05/incompetent-game-writers-demanding-we.html

Some advocating more expensive books and/or better pay for the work they do.  Others saying let the market decide what something needs to be charged and/or paid.

I guess to me the issue is really what is an RPG worth to me.

I am very fortunate. I get to write RPGs, the stuff I want and I get to be choosy about it.  I have a day job that I am really good at and pays me well.  I can afford to buy the things I want and even get the occasional luxury item.  So my personal calculus for what I will pay is different than yours or someone doing much better than me.

The questions are "What should RPGs cost?" and "What are RPGs worth?".  The logical extension of these questions are what should a professional game designer be paid?

These are two VERY different questions.

Let's look at the breakdown of price (money), cost (money and time among other things) and value or worth.

I bought the AD&D 1st edition hardcovers back in the 1980s.  Money was tight for me then. Even a $15 or $20 book represented a significant number of hours of me working at the time.  So their value started out as higher than their price might indicate.  The worth of those books to me is incalculable. Not just the time I spent with friends playing, or reading them over and over, but the things I do now with my own kids.

I bought the 3rd Edition hardcovers when they first came out.  I keep the receipts as bookmarks so I know when I got them and how much I paid;  9/11/2000 (interesting date) and I spent $18.00 plus tax (in Cook County Ill that is about 9%).  These books cost far more to produce. The cost was a bout the same to me, but the amount of work this total represented 20 years later to buy them was far less.  Also, their worth to me is still great since this was the system I taught my kids how to play.

So value and worth is not something I can easily quantify.  Does Skip Williams deserve to be paid more or less than Gary Gygax did?

I have had the pleasure to work on some truly wonderful games.  I spent hundreds of hours doing research for Ghosts of Albion. Not just on the primary material, but on the Victorian time, names, economics, how long it took to load a gun, world leaders, countries, disputes. Hell I spent an entire day doing nothing but looking up the most popular names of 1838 and 1839!  Should it have been more expensive to make than say Army of Darkness? A game with the same rule system?

I am going to say no.

Why?  Well lots of reasons really. Army of Darkness, the movie, is more popular than the Ghosts of Albion books. There is a certain gamer-cool vibe to Army of Darkness too.  Plus Victorian games, as popular as they are, are still a small niche inside the RPG community.
I spent that time in research because it was what I chose to do. I wanted to give you a better game.  I wanted to give you the best Victorian game I make and the best Cinematic Unisystem game I could make.  In both cases I feel like I did my best.  Hey it's 8+ years since publication and I still get people telling me how much they love Ghosts.

To someone else the value of Ghosts vs. Army is the same.  The cost certainly is for the consumer.  I am privy to many of the behind the scenes costs for both books, so I am not going to get into the issue of which one was more expensive to make.

I also spent hundreds of hours working on The Witch. The typing, the layout and the research alone goes back decades. I also bought a bunch of art for it and bought advertising on my own dime. I sell it for $5.00.  I bet I could have charged $10, but 5 felt better to me.  If I were to be paid let's say minimum wage on the work I did, well...I'd likely never see that money based on sales alone.

But that is not why I do it.

There is a quote that is often attributed to Kevin Siembieda's ex-wife Maryann, "If you want to make a small fortune in the gaming industry you need to start with a large fortune and work your way down."

There is a sad truth in that.

I am not saying we couldn't or even shouldn't pay game designers more.
But they will be paid what the market allows for.

There is a price that a book will sell at, but my knowledge of micro- and macro-economics is not MBA level so I have no idea what that is.  We have thousands of games, hundreds of professional and amateur designers out there, and unfettered access to all.  This new golden age of access to RPGs has a price.

We just don't know what that price should be.

Tuesday, January 26, 2016

The Greatest Pen and Paper RPGs

I know it's silly, not at all accurate, not really an indication of anything really.
But it is fun.

Rank your favorite RPG!

The Greatest Pen and Paper RPGs

Vote for your favorites. Add something that isn't on the list.
Oh and if possible, spare a vote for Ghosts of Albion! ;) Thanks.

Tuesday, June 30, 2015

Winding your way down on Baker Street

Mail Call today!

Look what I got.



+Bryce Whitacre's Victorian RPG Baker Street is out to backers of the Kickstarter.
It looks great and I can't wait to try it out.

Hope to have a review up soon!