Dracula, The Hunters' Journals: 18 September, Multiple Entries

More entries from a lot of sources, but our focus is Lucy.

“The Pall Mall Gazette,” 18 September.

THE ESCAPED WOLF.

PERILOUS ADVENTURE OF OUR INTERVIEWER.

Interview with the Keeper in the Zoölogical Gardens.

After many inquiries and almost as many refusals, and perpetually using the words “Pall Mall Gazette” as a sort of talisman, I managed to find the keeper of the section of the Zoölogical Gardens in which the wolf department is included. Thomas Bilder lives in one of the cottages in the enclosure behind the elephant-house, and was just sitting down to his tea when I found him. Thomas and his wife are hospitable folk, elderly, and without children, and if the specimen I enjoyed of their hospitality be of the average kind, their lives must be pretty comfortable. The keeper would not enter on what he called “business” until the supper was over, and we were all satisfied. Then when the table was cleared, and he had lit his pipe, he said:—

“Now, sir, you can go on and arsk me what you want. You’ll excoose me refoosin’ to talk of perfeshunal subjects afore meals. I gives the wolves and the jackals and the hyenas in all our section their tea afore I begins to arsk them questions.”

“How do you mean, ask them questions?” I queried, wishful to get him into a talkative humour.

“’Ittin’ of them over the ’ead with a pole is one way; scratchin’ of their hears is another, when gents as is flush wants a bit of a show-orf to their gals. I don’t so much mind the fust—the ’ittin’ with a pole afore I chucks in their dinner; but I waits till they’ve ’ad their sherry and kawffee, so to speak, afore I tries on with the ear-scratchin’. Mind you,” he added philosophically, “there’s a deal of the same nature in us as in them theer animiles. Here’s you a-comin’ and arskin’ of me questions about my business, and I that grumpy-like that only for your bloomin’ ’arf-quid I’d ’a’ seen you blowed fust ’fore I’d answer. Not even when you arsked me sarcastic-like if I’d like you to arsk the Superintendent if you might arsk me questions. Without offence did I tell yer to go to ’ell?”

“You did.”

“An’ when you said you’d report me for usin’ of obscene language that was ’ittin’ me over the ’ead; but the ’arf-quid made that all right. I weren’t a-goin’ to fight, so I waited for the food, and did with my ’owl as the wolves, and lions, and tigers does. But, Lor’ love yer ’art, now that the old ’ooman has stuck a chunk of her tea-cake in me, an’ rinsed me out with her bloomin’ old teapot, and I’ve lit hup, you may scratch my ears for all you’re worth, and won’t git even a growl out of me. Drive along with your questions. I know what yer a-comin’ at, that ’ere escaped wolf.”

“Exactly. I want you to give me your view of it. Just tell me how it happened; and when I know the facts I’ll get you to say what you consider was the cause of it, and how you think the whole affair will end.”

“All right, guv’nor. This ’ere is about the ’ole story. That ’ere wolf what we called Bersicker was one of three grey ones that came from Norway to Jamrach’s, which we bought off him four years ago. He was a nice well-behaved wolf, that never gave no trouble to talk of. I’m more surprised at ’im for wantin’ to get out nor any other animile in the place. But, there, you can’t trust wolves no more nor women.”

“Don’t you mind him, sir!” broke in Mrs. Tom, with a cheery laugh. “’E’s got mindin’ the animiles so long that blest if he ain’t like a old wolf ’isself! But there ain’t no ’arm in ’im.”

“Well, sir, it was about two hours after feedin’ yesterday when I first hear my disturbance. I was makin’ up a litter in the monkey-house for a young puma which is ill; but when I heard the yelpin’ and ’owlin’ I kem away straight. There was Bersicker a-tearin’ like a mad thing at the bars as if he wanted to get out. There wasn’t much people about that day, and close at hand was only one man, a tall, thin chap, with a ’ook nose and a pointed beard, with a few white hairs runnin’ through it. He had a ’ard, cold look and red eyes, and I took a sort of mislike to him, for it seemed as if it was ’im as they was hirritated at. He ’ad white kid gloves on ’is ’ands, and he pointed out the animiles to me and says: ‘Keeper, these wolves seem upset at something.’

“‘Maybe it’s you,’ says I, for I did not like the airs as he give ’isself. He didn’t git angry, as I ’oped he would, but he smiled a kind of insolent smile, with a mouth full of white, sharp teeth. ‘Oh no, they wouldn’t like me,’ ’e says.

“‘Ow yes, they would,’ says I, a-imitatin’ of him. ‘They always likes a bone or two to clean their teeth on about tea-time, which you ’as a bagful.’

“Well, it was a odd thing, but when the animiles see us a-talkin’ they lay down, and when I went over to Bersicker he let me stroke his ears same as ever. That there man kem over, and blessed but if he didn’t put in his hand and stroke the old wolf’s ears too!

“‘Tyke care,’ says I. ‘Bersicker is quick.’

“‘Never mind,’ he says. ‘I’m used to ’em!’

“‘Are you in the business yourself?’ I says, tyking off my ’at, for a man what trades in wolves, anceterer, is a good friend to keepers.

“‘No,’ says he, ‘not exactly in the business, but I ’ave made pets of several.’ And with that he lifts his ’at as perlite as a lord, and walks away. Old Bersicker kep’ a-lookin’ arter ’im till ’e was out of sight, and then went and lay down in a corner and wouldn’t come hout the ’ole hevening. Well, larst night, so soon as the moon was hup, the wolves here all began a-’owling. There warn’t nothing for them to ’owl at. There warn’t no one near, except some one that was evidently a-callin’ a dog somewheres out back of the gardings in the Park road. Once or twice I went out to see that all was right, and it was, and then the ’owling stopped. Just before twelve o’clock I just took a look round afore turnin’ in, an’, bust me, but when I kem opposite to old Bersicker’s cage I see the rails broken and twisted about and the cage empty. And that’s all I know for certing.”

“Did any one else see anything?”

“One of our gard’ners was a-comin’ ’ome about that time from a ’armony, when he sees a big grey dog comin’ out through the garding ’edges. At least, so he says, but I don’t give much for it myself, for if he did ’e never said a word about it to his missis when ’e got ’ome, and it was only after the escape of the wolf was made known, and we had been up all night-a-huntin’ of the Park for Bersicker, that he remembered seein’ anything. My own belief was that the ’armony ’ad got into his ’ead.”

“Now, Mr. Bilder, can you account in any way for the escape of the wolf?”

“Well, sir,” he said, with a suspicious sort of modesty, “I think I can; but I don’t know as ’ow you’d be satisfied with the theory.”

“Certainly I shall. If a man like you, who knows the animals from experience, can’t hazard a good guess at any rate, who is even to try?”

“Well then, sir, I accounts for it this way; it seems to me that ’ere wolf escaped—simply because he wanted to get out.”

From the hearty way that both Thomas and his wife laughed at the joke I could see that it had done service before, and that the whole explanation was simply an elaborate sell. I couldn’t cope in badinage with the worthy Thomas, but I thought I knew a surer way to his heart, so I said:—

“Now, Mr. Bilder, we’ll consider that first half-sovereign worked off, and this brother of his is waiting to be claimed when you’ve told me what you think will happen.”

“Right y’are, sir,” he said briskly. “Ye’ll excoose me, I know, for a-chaffin’ of ye, but the old woman here winked at me, which was as much as telling me to go on.”

“Well, I never!” said the old lady.

“My opinion is this: that ’ere wolf is a-’idin’ of, somewheres. The gard’ner wot didn’t remember said he was a-gallopin’ northward faster than a horse could go; but I don’t believe him, for, yer see, sir, wolves don’t gallop no more nor dogs does, they not bein’ built that way. Wolves is fine things in a storybook, and I dessay when they gets in packs and does be chivyin’ somethin’ that’s more afeared than they is they can make a devil of a noise and chop it up, whatever it is. But, Lor’ bless you, in real life a wolf is only a low creature, not half so clever or bold as a good dog; and not half a quarter so much fight in ’im. This one ain’t been used to fightin’ or even to providin’ for hisself, and more like he’s somewhere round the Park a-’idin’ an’ a-shiverin’ of, and, if he thinks at all, wonderin’ where he is to get his breakfast from; or maybe he’s got down some area and is in a coal-cellar. My eye, won’t some cook get a rum start when she sees his green eyes a-shining at her out of the dark! If he can’t get food he’s bound to look for it, and mayhap he may chance to light on a butcher’s shop in time. If he doesn’t, and some nursemaid goes a-walkin’ orf with a soldier, leavin’ of the hinfant in the perambulator—well, then I shouldn’t be surprised if the census is one babby the less. That’s all.”

I was handing him the half-sovereign, when something came bobbing up against the window, and Mr. Bilder’s face doubled its natural length with surprise.

“God bless me!” he said. “If there ain’t old Bersicker come back by ’isself!”

He went to the door and opened it; a most unnecessary proceeding it seemed to me. I have always thought that a wild animal never looks so well as when some obstacle of pronounced durability is between us; a personal experience has intensified rather than diminished that idea.

After all, however, there is nothing like custom, for neither Bilder nor his wife thought any more of the wolf than I should of a dog. The animal itself was as peaceful and well-behaved as that father of all picture-wolves—Red Riding Hood’s quondam friend, whilst moving her confidence in masquerade.

The whole scene was an unutterable mixture of comedy and pathos. The wicked wolf that for half a day had paralysed London and set all the children in the town shivering in their shoes, was there in a sort of penitent mood, and was received and petted like a sort of vulpine prodigal son. Old Bilder examined him all over with most tender solicitude, and when he had finished with his penitent said:—

“There, I knew the poor old chap would get into some kind of trouble; didn’t I say it all along? Here’s his head all cut and full of broken glass. ’E’s been a-gettin’ over some bloomin’ wall or other. It’s a shyme that people are allowed to top their walls with broken bottles. This ’ere’s what comes of it. Come along, Bersicker.”

He took the wolf and locked him up in a cage, with a piece of meat that satisfied, in quantity at any rate, the elementary conditions of the fatted calf, and went off to report.

I came off, too, to report the only exclusive information that is given to-day regarding the strange escapade at the Zoo.

Dr. Seward’s Diary.

18 September.—Just off for train to London. The arrival of Van Helsing’s telegram filled me with dismay. A whole night lost, and I know by bitter experience what may happen in a night. Of course it is possible that all may be well, but what may have happened? Surely there is some horrible doom hanging over us that every possible accident should thwart us in all we try to do. I shall take this cylinder with me, and then I can complete my entry on Lucy’s phonograph.

CHAPTER XII
DR. SEWARD’S DIARY

18 September.—I drove at once to Hillingham and arrived early. Keeping my cab at the gate, I went up the avenue alone. I knocked gently and rang as quietly as possible, for I feared to disturb Lucy or her mother, and hoped to only bring a servant to the door. After a while, finding no response, I knocked and rang again; still no answer. I cursed the laziness of the servants that they should lie abed at such an hour—for it was now ten o’clock—and so rang and knocked again, but more impatiently, but still without response. Hitherto I had blamed only the servants, but now a terrible fear began to assail me. Was this desolation but another link in the chain of doom which seemed drawing tight around us? Was it indeed a house of death to which I had come, too late? I knew that minutes, even seconds of delay, might mean hours of danger to Lucy, if she had had again one of those frightful relapses; and I went round the house to try if I could find by chance an entry anywhere.

I could find no means of ingress. Every window and door was fastened and locked, and I returned baffled to the porch. As I did so, I heard the rapid pit-pat of a swiftly driven horse’s feet. They stopped at the gate, and a few seconds later I met Van Helsing running up the avenue. When he saw me, he gasped out:—

“Then it was you, and just arrived. How is she? Are we too late? Did you not get my telegram?”

I answered as quickly and coherently as I could that I had only got his telegram early in the morning, and had not lost a minute in coming here, and that I could not make any one in the house hear me. He paused and raised his hat as he said solemnly:—

“Then I fear we are too late. God’s will be done!” With his usual recuperative energy, he went on: “Come. If there be no way open to get in, we must make one. Time is all in all to us now.”

We went round to the back of the house, where there was a kitchen window. The Professor took a small surgical saw from his case, and handing it to me, pointed to the iron bars which guarded the window. I attacked them at once and had very soon cut through three of them. Then with a long, thin knife we pushed back the fastening of the sashes and opened the window. I helped the Professor in, and followed him. There was no one in the kitchen or in the servants’ rooms, which were close at hand. We tried all the rooms as we went along, and in the dining-room, dimly lit by rays of light through the shutters, found four servant-women lying on the floor. There was no need to think them dead, for their stertorous breathing and the acrid smell of laudanum in the room left no doubt as to their condition. Van Helsing and I looked at each other, and as we moved away he said: “We can attend to them later.” Then we ascended to Lucy’s room. For an instant or two we paused at the door to listen, but there was no sound that we could hear. With white faces and trembling hands, we opened the door gently, and entered the room.

How shall I describe what we saw? On the bed lay two women, Lucy and her mother. The latter lay farthest in, and she was covered with a white sheet, the edge of which had been blown back by the draught through the broken window, showing the drawn, white face, with a look of terror fixed upon it. By her side lay Lucy, with face white and still more drawn. The flowers which had been round her neck we found upon her mother’s bosom, and her throat was bare, showing the two little wounds which we had noticed before, but looking horribly white and mangled. Without a word the Professor bent over the bed, his head almost touching poor Lucy’s breast; then he gave a quick turn of his head, as of one who listens, and leaping to his feet, he cried out to me:—

“It is not yet too late! Quick! quick! Bring the brandy!”

I flew downstairs and returned with it, taking care to smell and taste it, lest it, too, were drugged like the decanter of sherry which I found on the table. The maids were still breathing, but more restlessly, and I fancied that the narcotic was wearing off. I did not stay to make sure, but returned to Van Helsing. He rubbed the brandy, as on another occasion, on her lips and gums and on her wrists and the palms of her hands. He said to me:—

“I can do this, all that can be at the present. You go wake those maids. Flick them in the face with a wet towel, and flick them hard. Make them get heat and fire and a warm bath. This poor soul is nearly as cold as that beside her. She will need be heated before we can do anything more.”

I went at once, and found little difficulty in waking three of the women. The fourth was only a young girl, and the drug had evidently affected her more strongly, so I lifted her on the sofa and let her sleep. The others were dazed at first, but as remembrance came back to them they cried and sobbed in a hysterical manner. I was stern with them, however, and would not let them talk. I told them that one life was bad enough to lose, and that if they delayed they would sacrifice Miss Lucy. So, sobbing and crying, they went about their way, half clad as they were, and prepared fire and water. Fortunately, the kitchen and boiler fires were still alive, and there was no lack of hot water. We got a bath and carried Lucy out as she was and placed her in it. Whilst we were busy chafing her limbs there was a knock at the hall door. One of the maids ran off, hurried on some more clothes, and opened it. Then she returned and whispered to us that there was a gentleman who had come with a message from Mr. Holmwood. I bade her simply tell him that he must wait, for we could see no one now. She went away with the message, and, engrossed with our work, I clean forgot all about him.

I never saw in all my experience the Professor work in such deadly earnest. I knew—as he knew—that it was a stand-up fight with death, and in a pause told him so. He answered me in a way that I did not understand, but with the sternest look that his face could wear:—

“If that were all, I would stop here where we are now, and let her fade away into peace, for I see no light in life over her horizon.” He went on with his work with, if possible, renewed and more frenzied vigour.

Presently we both began to be conscious that the heat was beginning to be of some effect. Lucy’s heart beat a trifle more audibly to the stethoscope, and her lungs had a perceptible movement. Van Helsing’s face almost beamed, and as we lifted her from the bath and rolled her in a hot sheet to dry her he said to me:—

“The first gain is ours! Check to the King!”

We took Lucy into another room, which had by now been prepared, and laid her in bed and forced a few drops of brandy down her throat. I noticed that Van Helsing tied a soft silk handkerchief round her throat. She was still unconscious, and was quite as bad as, if not worse than, we had ever seen her.

Van Helsing called in one of the women, and told her to stay with her and not to take her eyes off her till we returned, and then beckoned me out of the room.

“We must consult as to what is to be done,” he said as we descended the stairs. In the hall he opened the dining-room door, and we passed in, he closing the door carefully behind him. The shutters had been opened, but the blinds were already down, with that obedience to the etiquette of death which the British woman of the lower classes always rigidly observes. The room was, therefore, dimly dark. It was, however, light enough for our purposes. Van Helsing’s sternness was somewhat relieved by a look of perplexity. He was evidently torturing his mind about something, so I waited for an instant, and he spoke:—

“What are we to do now? Where are we to turn for help? We must have another transfusion of blood, and that soon, or that poor girl’s life won’t be worth an hour’s purchase. You are exhausted already; I am exhausted too. I fear to trust those women, even if they would have courage to submit. What are we to do for some one who will open his veins for her?”

“What’s the matter with me, anyhow?”

The voice came from the sofa across the room, and its tones brought relief and joy to my heart, for they were those of Quincey Morris. Van Helsing started angrily at the first sound, but his face softened and a glad look came into his eyes as I cried out: “Quincey Morris!” and rushed towards him with outstretched hands.

“What brought you here?” I cried as our hands met.

“I guess Art is the cause.”

He handed me a telegram:—

“Have not heard from Seward for three days, and am terribly anxious. Cannot leave. Father still in same condition. Send me word how Lucy is. Do not delay.—Holmwood.”

“I think I came just in the nick of time. You know you have only to tell me what to do.”

Van Helsing strode forward, and took his hand, looking him straight in the eyes as he said:—

“A brave man’s blood is the best thing on this earth when a woman is in trouble. You’re a man and no mistake. Well, the devil may work against us for all he’s worth, but God sends us men when we want them.”

Once again we went through that ghastly operation. I have not the heart to go through with the details. Lucy had got a terrible shock and it told on her more than before, for though plenty of blood went into her veins, her body did not respond to the treatment as well as on the other occasions. Her struggle back into life was something frightful to see and hear. However, the action of both heart and lungs improved, and Van Helsing made a subcutaneous injection of morphia, as before, and with good effect. Her faint became a profound slumber. The Professor watched whilst I went downstairs with Quincey Morris, and sent one of the maids to pay off one of the cabmen who were waiting. I left Quincey lying down after having a glass of wine, and told the cook to get ready a good breakfast. Then a thought struck me, and I went back to the room where Lucy now was. When I came softly in, I found Van Helsing with a sheet or two of note-paper in his hand. He had evidently read it, and was thinking it over as he sat with his hand to his brow. There was a look of grim satisfaction in his face, as of one who has had a doubt solved. He handed me the paper saying only: “It dropped from Lucy’s breast when we carried her to the bath.”

When I had read it, I stood looking at the Professor, and after a pause asked him: “In God’s name, what does it all mean? Was she, or is she, mad; or what sort of horrible danger is it?” I was so bewildered that I did not know what to say more. Van Helsing put out his hand and took the paper, saying:—

“Do not trouble about it now. Forget it for the present. You shall know and understand it all in good time; but it will be later. And now what is it that you came to me to say?” This brought me back to fact, and I was all myself again.

“I came to speak about the certificate of death. If we do not act properly and wisely, there may be an inquest, and that paper would have to be produced. I am in hopes that we need have no inquest, for if we had it would surely kill poor Lucy, if nothing else did. I know, and you know, and the other doctor who attended her knows, that Mrs. Westenra had disease of the heart, and we can certify that she died of it. Let us fill up the certificate at once, and I shall take it myself to the registrar and go on to the undertaker.”

“Good, oh my friend John! Well thought of! Truly Miss Lucy, if she be sad in the foes that beset her, is at least happy in the friends that love her. One, two, three, all open their veins for her, besides one old man. Ah yes, I know, friend John; I am not blind! I love you all the more for it! Now go.”

In the hall I met Quincey Morris, with a telegram for Arthur telling him that Mrs. Westenra was dead; that Lucy also had been ill, but was now going on better; and that Van Helsing and I were with her. I told him where I was going, and he hurried me out, but as I was going said:—

“When you come back, Jack, may I have two words with you all to ourselves?” I nodded in reply and went out. I found no difficulty about the registration, and arranged with the local undertaker to come up in the evening to measure for the coffin and to make arrangements.

When I got back Quincey was waiting for me. I told him I would see him as soon as I knew about Lucy, and went up to her room. She was still sleeping, and the Professor seemingly had not moved from his seat at her side. From his putting his finger to his lips, I gathered that he expected her to wake before long and was afraid of forestalling nature. So I went down to Quincey and took him into the breakfast-room, where the blinds were not drawn down, and which was a little more cheerful, or rather less cheerless, than the other rooms. When we were alone, he said to me:—

“Jack Seward, I don’t want to shove myself in anywhere where I’ve no right to be; but this is no ordinary case. You know I loved that girl and wanted to marry her; but, although that’s all past and gone, I can’t help feeling anxious about her all the same. What is it that’s wrong with her? The Dutchman—and a fine old fellow he is; I can see that—said, that time you two came into the room, that you must have another transfusion of blood, and that both you and he were exhausted. Now I know well that you medical men speak in camera, and that a man must not expect to know what they consult about in private. But this is no common matter, and, whatever it is, I have done my part. Is not that so?”

“That’s so,” I said, and he went on:—

“I take it that both you and Van Helsing had done already what I did to-day. Is not that so?”

“That’s so.”

“And I guess Art was in it too. When I saw him four days ago down at his own place he looked queer. I have not seen anything pulled down so quick since I was on the Pampas and had a mare that I was fond of go to grass all in a night. One of those big bats that they call vampires had got at her in the night, and what with his gorge and the vein left open, there wasn’t enough blood in her to let her stand up, and I had to put a bullet through her as she lay. Jack, if you may tell me without betraying confidence, Arthur was the first, is not that so?” As he spoke the poor fellow looked terribly anxious. He was in a torture of suspense regarding the woman he loved, and his utter ignorance of the terrible mystery which seemed to surround her intensified his pain. His very heart was bleeding, and it took all the manhood of him—and there was a royal lot of it, too—to keep him from breaking down. I paused before answering, for I felt that I must not betray anything which the Professor wished kept secret; but already he knew so much, and guessed so much, that there could be no reason for not answering, so I answered in the same phrase: “That’s so.”

“And how long has this been going on?”

“About ten days.”

“Ten days! Then I guess, Jack Seward, that that poor pretty creature that we all love has had put into her veins within that time the blood of four strong men. Man alive, her whole body wouldn’t hold it.” Then, coming close to me, he spoke in a fierce half-whisper: “What took it out?”

I shook my head. “That,” I said, “is the crux. Van Helsing is simply frantic about it, and I am at my wits’ end. I can’t even hazard a guess. There has been a series of little circumstances which have thrown out all our calculations as to Lucy being properly watched. But these shall not occur again. Here we stay until all be well—or ill.” Quincey held out his hand. “Count me in,” he said. “You and the Dutchman will tell me what to do, and I’ll do it.”

When she woke late in the afternoon, Lucy’s first movement was to feel in her breast, and, to my surprise, produced the paper which Van Helsing had given me to read. The careful Professor had replaced it where it had come from, lest on waking she should be alarmed. Her eye then lit on Van Helsing and on me too, and gladdened. Then she looked around the room, and seeing where she was, shuddered; she gave a loud cry, and put her poor thin hands before her pale face. We both understood what that meant—that she had realised to the full her mother’s death; so we tried what we could to comfort her. Doubtless sympathy eased her somewhat, but she was very low in thought and spirit, and wept silently and weakly for a long time. We told her that either or both of us would now remain with her all the time, and that seemed to comfort her. Towards dusk she fell into a doze. Here a very odd thing occurred. Whilst still asleep she took the paper from her breast and tore it in two. Van Helsing stepped over and took the pieces from her. All the same, however, she went on with the action of tearing, as though the material were still in her hands; finally she lifted her hands and opened them as though scattering the fragments. Van Helsing seemed surprised, and his brows gathered as if in thought, but he said nothing.

Letter, Mina Harker to Lucy Westenra.
(Unopened by her.)

“18 September.

“My dearest Lucy,—

“Such a sad blow has befallen us. Mr. Hawkins has died very suddenly. Some may not think it so sad for us, but we had both come to so love him that it really seems as though we had lost a father. I never knew either father or mother, so that the dear old man’s death is a real blow to me. Jonathan is greatly distressed. It is not only that he feels sorrow, deep sorrow, for the dear, good man who has befriended him all his life, and now at the end has treated him like his own son and left him a fortune which to people of our modest bringing up is wealth beyond the dream of avarice, but Jonathan feels it on another account. He says the amount of responsibility which it puts upon him makes him nervous. He begins to doubt himself. I try to cheer him up, and my belief in him helps him to have a belief in himself. But it is here that the grave shock that he experienced tells upon him the most. Oh, it is too hard that a sweet, simple, noble, strong nature such as his—a nature which enabled him by our dear, good friend’s aid to rise from clerk to master in a few years—should be so injured that the very essence of its strength is gone. Forgive me, dear, if I worry you with my troubles in the midst of your own happiness; but, Lucy dear, I must tell some one, for the strain of keeping up a brave and cheerful appearance to Jonathan tries me, and I have no one here that I can confide in. I dread coming up to London, as we must do the day after to-morrow; for poor Mr. Hawkins left in his will that he was to be buried in the grave with his father. As there are no relations at all, Jonathan will have to be chief mourner. I shall try to run over to see you, dearest, if only for a few minutes. Forgive me for troubling you. With all blessings,

“Your loving
“Mina Harker.”

Notes: Moon Phase: Waning Crescent

Up first is an article dated 18 September about the escaped wolf we encountered last night in Lucy's rooms. Stoker uses a lot of colloquiums here for our zoo keeper. Reading it was fun, but listening to it on an audio book years later was really eye ear-opening. Stoker has a tendency here to almost romanticize the working classes. They are all just down-to-earth, no-thrills sort of folk who do their work and live their lives as comfortably as they can. Nothing wrong with that really. It does make his fascination with America make more sense. This is a long section on what essentially establishes a wolf escaped from the zoo. 

Dr. Seward hastens to London (20 miles) by train in his first entry. He plans to complete his diary on Lucy's phonograph. Other than it being a novelty and she is rich, why does she have one? Not a playing phonograph, but one that can record? 

Seward's second entry we see him and Van Helsing locked out of the house. I'll handwave Seward sawing through a steel lock with a surgical saw so quickly. They head to Lucy's rooms on the second floor. So, how did the wolf crash through the window?

Here they find Lucy and her dead mother along with the drugged servants.  Now we have a majority of the players assembled with Morris, Holmwood, Seward and Van Helsing racing to save Lucy. 

While all of this is going on, Mina sends word to Lucy that Hawkins has died. This is tragically convenient for a number of reasons. First, it keeps Mina away from the action a little longer. Second, it raises Jonathan from a "lowly clerk" to the head of the firm and all the money and power that implies.  He is now on more equal footing to the three young suitors currently striving to save Lucy.

Death toll of named characters is up by one. Though I do not speculate Dracula had anything to do with that. 

Dracula, The Hunters' Journals: 17 September, Multiple Entries

Multiple entries from multiple sources. A lot is happening over the next few days.

Lucy Westenra’s Diary.

17 September.—Four days and nights of peace. I am getting so strong again that I hardly know myself. It is as if I had passed through some long nightmare, and had just awakened to see the beautiful sunshine and feel the fresh air of the morning around me. I have a dim half-remembrance of long, anxious times of waiting and fearing; darkness in which there was not even the pain of hope to make present distress more poignant: and then long spells of oblivion, and the rising back to life as a diver coming up through a great press of water. Since, however, Dr. Van Helsing has been with me, all this bad dreaming seems to have passed away; the noises that used to frighten me out of my wits—the flapping against the windows, the distant voices which seemed so close to me, the harsh sounds that came from I know not where and commanded me to do I know not what—have all ceased. I go to bed now without any fear of sleep. I do not even try to keep awake. I have grown quite fond of the garlic, and a boxful arrives for me every day from Haarlem. To-night Dr. Van Helsing is going away, as he has to be for a day in Amsterdam. But I need not be watched; I am well enough to be left alone. Thank God for mother’s sake, and dear Arthur’s, and for all our friends who have been so kind! I shall not even feel the change, for last night Dr. Van Helsing slept in his chair a lot of the time. I found him asleep twice when I awoke; but I did not fear to go to sleep again, although the boughs or bats or something napped almost angrily against the window-panes.

Dr. Seward’s Diary.

17 September.—I was engaged after dinner in my study posting up my books, which, through press of other work and the many visits to Lucy, had fallen sadly into arrear. Suddenly the door was burst open, and in rushed my patient, with his face distorted with passion. I was thunderstruck, for such a thing as a patient getting of his own accord into the Superintendent’s study is almost unknown. Without an instant’s pause he made straight at me. He had a dinner-knife in his hand, and, as I saw he was dangerous, I tried to keep the table between us. He was too quick and too strong for me, however; for before I could get my balance he had struck at me and cut my left wrist rather severely. Before he could strike again, however, I got in my right and he was sprawling on his back on the floor. My wrist bled freely, and quite a little pool trickled on to the carpet. I saw that my friend was not intent on further effort, and occupied myself binding up my wrist, keeping a wary eye on the prostrate figure all the time. When the attendants rushed in, and we turned our attention to him, his employment positively sickened me. He was lying on his belly on the floor licking up, like a dog, the blood which had fallen from my wounded wrist. He was easily secured, and, to my surprise, went with the attendants quite placidly, simply repeating over and over again: “The blood is the life! The blood is the life!”

I cannot afford to lose blood just at present; I have lost too much of late for my physical good, and then the prolonged strain of Lucy’s illness and its horrible phases is telling on me. I am over-excited and weary, and I need rest, rest, rest. Happily Van Helsing has not summoned me, so I need not forego my sleep; to-night I could not well do without it.

Telegram, Van Helsing, Antwerp, to Seward, Carfax.

(Sent to Carfax, Sussex, as no county given; delivered late by twenty-two hours.)

“17 September.—Do not fail to be at Hillingham to-night. If not watching all the time frequently, visit and see that flowers are as placed; very important; do not fail. Shall be with you as soon as possible after arrival.”

Memorandum left by Lucy Westenra.

17 September. Night.—I write this and leave it to be seen, so that no one may by any chance get into trouble through me. This is an exact record of what took place to-night. I feel I am dying of weakness, and have barely strength to write, but it must be done if I die in the doing.

I went to bed as usual, taking care that the flowers were placed as Dr. Van Helsing directed, and soon fell asleep.

I was waked by the flapping at the window, which had begun after that sleep-walking on the cliff at Whitby when Mina saved me, and which now I know so well. I was not afraid, but I did wish that Dr. Seward was in the next room—as Dr. Van Helsing said he would be—so that I might have called him. I tried to go to sleep, but could not. Then there came to me the old fear of sleep, and I determined to keep awake. Perversely sleep would try to come then when I did not want it; so, as I feared to be alone, I opened my door and called out: “Is there anybody there?” There was no answer. I was afraid to wake mother, and so closed my door again. Then outside in the shrubbery I heard a sort of howl like a dog’s, but more fierce and deeper. I went to the window and looked out, but could see nothing, except a big bat, which had evidently been buffeting its wings against the window. So I went back to bed again, but determined not to go to sleep. Presently the door opened, and mother looked in; seeing by my moving that I was not asleep, came in, and sat by me. She said to me even more sweetly and softly than her wont:—

“I was uneasy about you, darling, and came in to see that you were all right.”

I feared she might catch cold sitting there, and asked her to come in and sleep with me, so she came into bed, and lay down beside me; she did not take off her dressing gown, for she said she would only stay a while and then go back to her own bed. As she lay there in my arms, and I in hers, the flapping and buffeting came to the window again. She was startled and a little frightened, and cried out: “What is that?” I tried to pacify her, and at last succeeded, and she lay quiet; but I could hear her poor dear heart still beating terribly. After a while there was the low howl again out in the shrubbery, and shortly after there was a crash at the window, and a lot of broken glass was hurled on the floor. The window blind blew back with the wind that rushed in, and in the aperture of the broken panes there was the head of a great, gaunt grey wolf. Mother cried out in a fright, and struggled up into a sitting posture, and clutched wildly at anything that would help her. Amongst other things, she clutched the wreath of flowers that Dr. Van Helsing insisted on my wearing round my neck, and tore it away from me. For a second or two she sat up, pointing at the wolf, and there was a strange and horrible gurgling in her throat; then she fell over—as if struck with lightning, and her head hit my forehead and made me dizzy for a moment or two. The room and all round seemed to spin round. I kept my eyes fixed on the window, but the wolf drew his head back, and a whole myriad of little specks seemed to come blowing in through the broken window, and wheeling and circling round like the pillar of dust that travellers describe when there is a simoon in the desert. I tried to stir, but there was some spell upon me, and dear mother’s poor body, which seemed to grow cold already—for her dear heart had ceased to beat—weighed me down; and I remembered no more for a while.

The time did not seem long, but very, very awful, till I recovered consciousness again. Somewhere near, a passing bell was tolling; the dogs all round the neighbourhood were howling; and in our shrubbery, seemingly just outside, a nightingale was singing. I was dazed and stupid with pain and terror and weakness, but the sound of the nightingale seemed like the voice of my dead mother come back to comfort me. The sounds seemed to have awakened the maids, too, for I could hear their bare feet pattering outside my door. I called to them, and they came in, and when they saw what had happened, and what it was that lay over me on the bed, they screamed out. The wind rushed in through the broken window, and the door slammed to. They lifted off the body of my dear mother, and laid her, covered up with a sheet, on the bed after I had got up. They were all so frightened and nervous that I directed them to go to the dining-room and have each a glass of wine. The door flew open for an instant and closed again. The maids shrieked, and then went in a body to the dining-room; and I laid what flowers I had on my dear mother’s breast. When they were there I remembered what Dr. Van Helsing had told me, but I didn’t like to remove them, and, besides, I would have some of the servants to sit up with me now. I was surprised that the maids did not come back. I called them, but got no answer, so I went to the dining-room to look for them.

My heart sank when I saw what had happened. They all four lay helpless on the floor, breathing heavily. The decanter of sherry was on the table half full, but there was a queer, acrid smell about. I was suspicious, and examined the decanter. It smelt of laudanum, and looking on the sideboard, I found that the bottle which mother’s doctor uses for her—oh! did use—was empty. What am I to do? what am I to do? I am back in the room with mother. I cannot leave her, and I am alone, save for the sleeping servants, whom some one has drugged. Alone with the dead! I dare not go out, for I can hear the low howl of the wolf through the broken window.

The air seems full of specks, floating and circling in the draught from the window, and the lights burn blue and dim. What am I to do? God shield me from harm this night! I shall hide this paper in my breast, where they shall find it when they come to lay me out. My dear mother gone! It is time that I go too. Good-bye, dear Arthur, if I should not survive this night. God keep you, dear, and God help me!

Letter, Mina Harker to Lucy Westenra.
(Unopened by her.)

“17 September.

“My dearest Lucy,—

“It seems an age since I heard from you, or indeed since I wrote. You will pardon me, I know, for all my faults when you have read all my budget of news. Well, I got my husband back all right; when we arrived at Exeter there was a carriage waiting for us, and in it, though he had an attack of gout, Mr. Hawkins. He took us to his house, where there were rooms for us all nice and comfortable, and we dined together. After dinner Mr. Hawkins said:—

“‘My dears, I want to drink your health and prosperity; and may every blessing attend you both. I know you both from children, and have, with love and pride, seen you grow up. Now I want you to make your home here with me. I have left to me neither chick nor child; all are gone, and in my will I have left you everything.’ I cried, Lucy dear, as Jonathan and the old man clasped hands. Our evening was a very, very happy one.

“So here we are, installed in this beautiful old house, and from both my bedroom and the drawing-room I can see the great elms of the cathedral close, with their great black stems standing out against the old yellow stone of the cathedral and I can hear the rooks overhead cawing and cawing and chattering and gossiping all day, after the manner of rooks—and humans. I am busy, I need not tell you, arranging things and housekeeping. Jonathan and Mr. Hawkins are busy all day; for, now that Jonathan is a partner, Mr. Hawkins wants to tell him all about the clients.

“How is your dear mother getting on? I wish I could run up to town for a day or two to see you, dear, but I dare not go yet, with so much on my shoulders; and Jonathan wants looking after still. He is beginning to put some flesh on his bones again, but he was terribly weakened by the long illness; even now he sometimes starts out of his sleep in a sudden way and awakes all trembling until I can coax him back to his usual placidity. However, thank God, these occasions grow less frequent as the days go on, and they will in time pass away altogether, I trust. And now I have told you my news, let me ask yours. When are you to be married, and where, and who is to perform the ceremony, and what are you to wear, and is it to be a public or a private wedding? Tell me all about it, dear; tell me all about everything, for there is nothing which interests you which will not be dear to me. Jonathan asks me to send his ‘respectful duty,’ but I do not think that is good enough from the junior partner of the important firm Hawkins & Harker; and so, as you love me, and he loves me, and I love you with all the moods and tenses of the verb, I send you simply his ‘love’ instead. Good-bye, my dearest Lucy, and all blessings on you.

“Yours,
“Mina Harker.”

Notes: Moon Phase: Waning Crescent

Ok. A lot going on here. While it might be a coincidence, the moon phase is following Lucy's life.  

Lucy's first entry marks Dracula's return from London. In bat form, Dracula is hitting against her window, and surely, thanks to the garlic, Dracula knows that someone suspects what he is.

Seward, meanwhile, is going over his accounts ("book") when Renfield renews his attack. This is also a sign that Dracula is back. It is also the first time he utters the near-biblical phrase, "The blood is the life!" 

Van Helsing is urgently reminding Seward not to fail to be at Hillingham to be at Lucy's side. It was however delayed, and instead of being at Lucy's side, Seward was doing his accounts. We will deal with this tomorrow.

Lucy's final entry (though she is not out of the story yet) is the culmination of all the suspense built up to this point. Reading between the lines, this is Dracula's first attack on her once he returns to Carfax, and it likely would have killed Lucy outright had it not been for Van Helsing and the transfusions. 

Here we get an example of Dracula's powers over beasts. The grey wolf, which will be detailed tomorrow, "escaped" from a local zoo and Dracula used it to break the glass in Lucy's room, something he could not do on his own. Lucy's mother, in her fright, grabs the garlic flowers Lucy was wearing. 

We see Dracula enter Lucy's room as a "simoom" or akin to a dust-devil. This whole affair is what ends up killing Lucy's mother. Whether Dracula had been feeding on her or not, this was the final blow.  This is also the time when Dracula taints the wine with laudanum so he can feed on Lucy without the servants interfering. The specks in the air that burn blue are reminiscent of the blue flames seen by Jonathan. 

Mina's letter of wedded bliss to Lucy contrasts and makes this horror worse. A letter that Lucy never gets to read. Mina, again in an almost school-girl-like fashion, refers to Jonathan as "my husband." I am willing to cut her some slack on that. It is something she had been looking forward to for some time, and if she wants to parade this in front of her richer friend, who is still unmarried, then she can be excused. Of course, had Mina known what was happening, she would have dispensed with the letter and returned it to Lucy right away. The story would have taken a different turn, to be sure.

Does Lucy Have to Die?

I hate to say it, but Lucy's biggest contribution to this tale is to bring all the players together in one place and then die...and then come back.  This is a Gothic Horror tale, after all, and for a horror novel with a vampire, the death toll so far has been low on named characters. Yes, there was the baby and mother Dracula fed to his brides and all the sailors on the Demeter, but Lucy is the first named victim we can pin squarely on Dracula. I also say her mother was, but that is not a sure thing.  Lucy's death is the catalyst for everything that happens next.

But we need to get to that death first.

Do It (Yourself) in the Dark

 I am continuing my exploration of the Shadowdark RPG.  I grabbed the PDF a while back and have balked on getting the hardcover. Well, after spending so much time with it on my iPad (BTW it works great on an iPad) I decided to grab the hardcover.  While I am waiting on my FLGS to get it back into stock (and I need to go pick it up) I wanted a copy I could use and abuse. 

So I made a spiral bound copy.

This works out really well since the layout of Shadowdark really favors laying it flat.  I also picked up some super cheap dice to go with it.

I got the idea a while back with OSE and it has been a great table copy.

Both games utilize similar layout and design and play quite nicely together. So nice, I might have to do a "Plays Well With Others" post on them.

This fits with my original ideas of what I was going to use Shadowdark for; as a supplement to OSE. I mean yes, it is it's own game, but I have been invested in OSE for a bit now and wanted to keep on going. So I was "Shadowdarking" it, which I now learn might have different connotations to the OSR movement at large. Whatever, they are not in my games.

In my previous post on Shadowdark, I stated, "I have gone from really enjoying it, to being very confused over the hype, to not liking it, to being amused by it, back to enjoying it again." I suppose that merits some details.

When I grabbed the Quick Starts at Gary Con a while back I liked it. Sure there was a witch and it was, ok, but hey it was a start and looked fun. So I played for a bit, not a lot, but a bit. Here I began to get my ideas that it would work better for me as an OSE supplement.

Then the Kickstarter happened, and the game took off. My confusion (then) was due to me not knowing anything about the massive community Kelsey Dionne had worked very hard to build. 

When I got the PDF I honestly didn't care for it. I was still viewing it as an Old-School Game from Old-School roots, and frankly, I was just plain wrong about that. I nearly picked up a copy at Gary Con 2024, but didn't since I was spending money on other things and I knew if I really wanted it my FLGS would have it.

As the summer went on I got very amused at all the Sturm und Drang about it online. I watched and read with amusement all these people lashing out at it getting angry. I knew if they hated it so much that there had to be more to it than my initial read-throughs. Sure enough there was. 

I am back to enjoying it now because now I think I "get it."  This is not an Old-School Game from Old-School roots. It is an Old-School Game from New-School Roots. Though Kelsey Dionne has impressed me with her old-school knowledge and experiences, she cut her publishing teeth on 5e. She brought her experiences back to old-school design principles. 

I am STILL not 100% sure what I am going to do with this game. But I do plan on having some fun.

Weekend "D&D;" Destiny & Dinner

Our weekend game went over well. 

My oldest is running a new game based on the Destiny video game series and we are trying out different things. 

Destiny and 13 Parsecs

Obviously, we are not making a published setting here, but we are trying somethings out. In this case the "Solar Frontier" is just the edge of our Solar System.

The Destiny classes, Hunters (Hunter-Soldier), Titans (Blaster), and Warlocks (Mystic), can be emulated with Thirteen Parsecs rules easily.  No shock, all are based on easy to access archetypes.

Plus with the likelihood of Destiny 3 no not happening, and my own enjoyment of Destiny 2: The Witch Queen, this seems like a good idea to me. 

This is another reason (but the first I have posted) to move my War of the Witch Queens over to OGRES (Wasted Lands).

As always, players here are fed well.

Homemade apple crisp, with homemade caramel sauce and homemade whipped cream.

Hot, cajun, and BBQ chicken wings, right before crisping them on the grill.

I'll keep you posted on how well it works out. 

Dracula, The Hunters' Journals: 13 September Dr. Seward’s Diary

Dr. Seward updates us.

Dr. Seward’s Diary.

13 September.—Called at the Berkeley and found Van Helsing, as usual, up to time. The carriage ordered from the hotel was waiting. The Professor took his bag, which he always brings with him now.

Let all be put down exactly. Van Helsing and I arrived at Hillingham at eight o’clock. It was a lovely morning; the bright sunshine and all the fresh feeling of early autumn seemed like the completion of nature’s annual work. The leaves were turning to all kinds of beautiful colours, but had not yet begun to drop from the trees. When we entered we met Mrs. Westenra coming out of the morning room. She is always an early riser. She greeted us warmly and said:—

“You will be glad to know that Lucy is better. The dear child is still asleep. I looked into her room and saw her, but did not go in, lest I should disturb her.” The Professor smiled, and looked quite jubilant. He rubbed his hands together, and said:—

“Aha! I thought I had diagnosed the case. My treatment is working,” to which she answered:—

“You must not take all the credit to yourself, doctor. Lucy’s state this morning is due in part to me.”

“How you do mean, ma’am?” asked the Professor.

“Well, I was anxious about the dear child in the night, and went into her room. She was sleeping soundly—so soundly that even my coming did not wake her. But the room was awfully stuffy. There were a lot of those horrible, strong-smelling flowers about everywhere, and she had actually a bunch of them round her neck. I feared that the heavy odour would be too much for the dear child in her weak state, so I took them all away and opened a bit of the window to let in a little fresh air. You will be pleased with her, I am sure.”

She moved off into her boudoir, where she usually breakfasted early. As she had spoken, I watched the Professor’s face, and saw it turn ashen grey. He had been able to retain his self-command whilst the poor lady was present, for he knew her state and how mischievous a shock would be; he actually smiled on her as he held open the door for her to pass into her room. But the instant she had disappeared he pulled me, suddenly and forcibly, into the dining-room and closed the door.

Then, for the first time in my life, I saw Van Helsing break down. He raised his hands over his head in a sort of mute despair, and then beat his palms together in a helpless way; finally he sat down on a chair, and putting his hands before his face, began to sob, with loud, dry sobs that seemed to come from the very racking of his heart. Then he raised his arms again, as though appealing to the whole universe. “God! God! God!” he said. “What have we done, what has this poor thing done, that we are so sore beset? Is there fate amongst us still, sent down from the pagan world of old, that such things must be, and in such way? This poor mother, all unknowing, and all for the best as she think, does such thing as lose her daughter body and soul; and we must not tell her, we must not even warn her, or she die, and then both die. Oh, how we are beset! How are all the powers of the devils against us!” Suddenly he jumped to his feet. “Come,” he said, “come, we must see and act. Devils or no devils, or all the devils at once, it matters not; we fight him all the same.” He went to the hall-door for his bag; and together we went up to Lucy’s room.

Once again I drew up the blind, whilst Van Helsing went towards the bed. This time he did not start as he looked on the poor face with the same awful, waxen pallor as before. He wore a look of stern sadness and infinite pity.

“As I expected,” he murmured, with that hissing inspiration of his which meant so much. Without a word he went and locked the door, and then began to set out on the little table the instruments for yet another operation of transfusion of blood. I had long ago recognised the necessity, and begun to take off my coat, but he stopped me with a warning hand. “No!” he said. “To-day you must operate. I shall provide. You are weakened already.” As he spoke he took off his coat and rolled up his shirt-sleeve.

Again the operation; again the narcotic; again some return of colour to the ashy cheeks, and the regular breathing of healthy sleep. This time I watched whilst Van Helsing recruited himself and rested.

Presently he took an opportunity of telling Mrs. Westenra that she must not remove anything from Lucy’s room without consulting him; that the flowers were of medicinal value, and that the breathing of their odour was a part of the system of cure. Then he took over the care of the case himself, saying that he would watch this night and the next and would send me word when to come.

After another hour Lucy waked from her sleep, fresh and bright and seemingly not much the worse for her terrible ordeal.

What does it all mean? I am beginning to wonder if my long habit of life amongst the insane is beginning to tell upon my own brain.

Notes: Moon Phase: Last Quarter

We are going to be treated to a few days of rest for poor Lucy here. She gets more blood and more drugs, but I am not sure if those weren't as bad as the vampire attack. 

The symbolism here is that Lucy, the bride to be, is now "intimate" with both Seward and Van Helsing, and soon Arthur and Quincey as well.

Dracula, The Hunters' Journals: 12 September Lucy Westenra’s Diary.

 We get a rare diary entry from Lucy.

Lucy Westenra’s Diary.

12 September.—How good they all are to me. I quite love that dear Dr. Van Helsing. I wonder why he was so anxious about these flowers. He positively frightened me, he was so fierce. And yet he must have been right, for I feel comfort from them already. Somehow, I do not dread being alone to-night, and I can go to sleep without fear. I shall not mind any flapping outside the window. Oh, the terrible struggle that I have had against sleep so often of late; the pain of the sleeplessness, or the pain of the fear of sleep, with such unknown horrors as it has for me! How blessed are some people, whose lives have no fears, no dreads; to whom sleep is a blessing that comes nightly, and brings nothing but sweet dreams. Well, here I am to-night, hoping for sleep, and lying like Ophelia in the play, with “virgin crants and maiden strewments.” I never liked garlic before, but to-night it is delightful! There is peace in its smell; I feel sleep coming already. Good-night, everybody.

Notes: Moon Phase: Waning Gibbous

Compared to Mina, we barely get to know Lucy at all. Her diary entries are infrequent and she soon falls victim to Dracula. In fact in some movie versions her character is folded into that of Mina's and she even portrayed as either Dr. Seward's (John Balderston's play) or Van Helsing's (1979 movie) daughter.

This has given rise to some "headcanon" that Dr. Seward later marries and names his daughter after Lucy. I hope his wife doesn't figure that out. 

I'll spend some time trying to reconcile the novel with the Hamilton Deane (1924) and John L. Balderston (1927) play(s). This play gave us the Bela Lugosi (1931) and Frank Langella (1979) versions of the Dracula movies.  

Of note, in the 1927 production of the play, Quincey Morris was gender-swapped to a woman in Deane's original plan. That might be fun to play around with. An American adventuress in say the 1920s (the setting of the 1979 movie.)  Maybe Quinn? Maybe someone like Bonnie Bedelia who was born in 1948 and would have been 30 for the movie. American and could pull off the role of an adventuress.  She would not be Quincey's daughter, but likely the daughter of his brother or something like that.

Dracula, The Hunters' Journals: 11 September Dr. Seward's Diary, cont.

Dr. Seward updates us on Lucy's failing health. Van Helsing makes some interesting medical choices.

Dr. Seward’s Diary. cont.

11 September.—This afternoon I went over to Hillingham. Found Van Helsing in excellent spirits, and Lucy much better. Shortly after I had arrived, a big parcel from abroad came for the Professor. He opened it with much impressment—assumed, of course—and showed a great bundle of white flowers.

“These are for you, Miss Lucy,” he said.

“For me? Oh, Dr. Van Helsing!”

“Yes, my dear, but not for you to play with. These are medicines.” Here Lucy made a wry face. “Nay, but they are not to take in a decoction or in nauseous form, so you need not snub that so charming nose, or I shall point out to my friend Arthur what woes he may have to endure in seeing so much beauty that he so loves so much distort. Aha, my pretty miss, that bring the so nice nose all straight again. This is medicinal, but you do not know how. I put him in your window, I make pretty wreath, and hang him round your neck, so that you sleep well. Oh yes! they, like the lotus flower, make your trouble forgotten. It smell so like the waters of Lethe, and of that fountain of youth that the Conquistadores sought for in the Floridas, and find him all too late.”

Whilst he was speaking, Lucy had been examining the flowers and smelling them. Now she threw them down, saying, with half-laughter, and half-disgust:—

“Oh, Professor, I believe you are only putting up a joke on me. Why, these flowers are only common garlic.”

To my surprise, Van Helsing rose up and said with all his sternness, his iron jaw set and his bushy eyebrows meeting:—

“No trifling with me! I never jest! There is grim purpose in all I do; and I warn you that you do not thwart me. Take care, for the sake of others if not for your own.” Then seeing poor Lucy scared, as she might well be, he went on more gently: “Oh, little miss, my dear, do not fear me. I only do for your good; but there is much virtue to you in those so common flowers. See, I place them myself in your room. I make myself the wreath that you are to wear. But hush! no telling to others that make so inquisitive questions. We must obey, and silence is a part of obedience; and obedience is to bring you strong and well into loving arms that wait for you. Now sit still awhile. Come with me, friend John, and you shall help me deck the room with my garlic, which is all the way from Haarlem, where my friend Vanderpool raise herb in his glass-houses all the year. I had to telegraph yesterday, or they would not have been here.”

We went into the room, taking the flowers with us. The Professor’s actions were certainly odd and not to be found in any pharmacopœia that I ever heard of. First he fastened up the windows and latched them securely; next, taking a handful of the flowers, he rubbed them all over the sashes, as though to ensure that every whiff of air that might get in would be laden with the garlic smell. Then with the wisp he rubbed all over the jamb of the door, above, below, and at each side, and round the fireplace in the same way. It all seemed grotesque to me, and presently I said:—

“Well, Professor, I know you always have a reason for what you do, but this certainly puzzles me. It is well we have no sceptic here, or he would say that you were working some spell to keep out an evil spirit.”

“Perhaps I am!” he answered quietly as he began to make the wreath which Lucy was to wear round her neck.

We then waited whilst Lucy made her toilet for the night, and when she was in bed he came and himself fixed the wreath of garlic round her neck. The last words he said to her were:—

“Take care you do not disturb it; and even if the room feel close, do not to-night open the window or the door.”

“I promise,” said Lucy, “and thank you both a thousand times for all your kindness to me! Oh, what have I done to be blessed with such friends?”

As we left the house in my fly, which was waiting, Van Helsing said:—

“To-night I can sleep in peace, and sleep I want—two nights of travel, much reading in the day between, and much anxiety on the day to follow, and a night to sit up, without to wink. To-morrow in the morning early you call for me, and we come together to see our pretty miss, so much more strong for my ‘spell’ which I have work. Ho! ho!”

He seemed so confident that I, remembering my own confidence two nights before and with the baneful result, felt awe and vague terror. It must have been my weakness that made me hesitate to tell it to my friend, but I felt it all the more, like unshed tears.

Notes: Moon Phase: Waning Gibbous

Garlic is often held for its healing properties. It was a popular remedy in ancient times for both illness and black magic.

We get another admonishment from Van Helsing that he "never jests." But we know he does. 

This marks the end of Chapter 10.