October Horror Movie Challenge: Little Witches (1996)

I was going to watch this one last night, but I got distracted by a giant shark.

Little Witches came out the same year as the Craft (1996) and in the video releases of it have tried to tie it more closely to the Craft (a vaguely Fairuza Balk looking actress on the cover, the Morpheus font, the back cover of the DVD claiming they "mastered their craft").

While watching this I realized I had seen it a few years back.

School girls, underground evil temple, ancient evil cult.  Though there are a couple of highlights.
First it is the acting debut of Clea Duvall.  Zelda Rubinstein is in it.  Sheeri Rappaport is not bad in it. And it was only filmed in two weeks.

There is a kernel of a good movie here, buried under cliches and mediocre acting, again Clea Duvall and Sheeri Rappaport are the exceptions here.   The demon at the end was neat, kinda like a poor man's Demogorgon.

It did not get any better in time really.


Watched: 9
New: 5

October Horror Movie Challenge: The Craft (1996)

I figure since I am running the Craft girls for this week's Other Side Rewind it might be fun to rewatch the movie tonight.  Also, there are some great ideas here for my Pumpkin Spice Witch book.

So there is a lot that this movie gets "wrong" but I am less concerned with all that now and instead enjoy it for what it is and not what I think it should be.  This is the epitome of 90s movies. In the 80s the teens were the victims, in the 90s they were just as likely to be the "monsters".

The real gem of this movie, of course, is Fairuza Balk as Nancy.  Despite being "crazy" and the evil witch, she is the true star of the movie.

There has been talk over the years of a sequel, but it never quite happened.  Now I hear talk of a reboot.  So who knows.  I am not sure a reboot is a good idea, but there have been plenty of movies and TV shows that have been influenced by this movie; Charmed being the most obvious.

I have one queued up for tomorrow that has been described as "The Craft, but sluttier".  We will see.

Watched: 7
New: 4

Monstrous Mondays: Scarecrows for Basic era Games

There is one Halloween monster that I always look back on in fondness.  The Scarecrow.
Maybe it was because I grew up in the Mid-west.  Or maybe because it was because of the Scarecrow in the Wizard of Oz. But I think it was more due to this cardboard Scarecrow Halloween decoration we had hanging in my bedroom.  The thing scared me at first, but soon it came to mean Halloween for me.  This would have been in the years 1974 to 1976.

Since then scarecrows have been as much as a part of Halloween as witches, black cats, and vampires.

So it is natural in my mind that witches are the ones to animate scarecrows to do their bidding.

Razzle dazzle drazzle drone. 
Time for this one to come home.

Razzle dazzle drazzle die. 
Time for this one to come alive!

- Parchment found near a risen scarecrow

Scarecrows are basic guardians similar to druthers, but not nearly as powerful. Like mundane scarecrows, their bodies are made of straw and cloth. They stumble clumsily about their assigned area and attack most anything that wanders through it. Some scarecrows are bound to a post and use their paralyzing (fear) gaze to imprison any trespassers.

Scarecrows are assigned to protect a particular area. They never leave the area, even when chasing an intruder. They will attack anything humanoid or animal-like in appearance that walks into its territory unless otherwise instructed by their creator.

Paralyzing Gaze: Anyone that meets the gaze of a scarecrow must make a saving throw vs. Paralysis or be paralyzed for 1d4+1 rounds.

Construct: Immune to mind-influencing effects, poison, disease, and similar effects. Not subject to critical hits, subdual damage, ability damage, energy drain, or death from massive damage.

Fire Vulnerability: Because of their straw bodies, Scarecrow Guardians are extremely vulnerable to attacks from fire. They take double damage from all fire attacks.

In addition, a scarecrow guardian will catch fire easily after any attack that would normally ignite mundane items. A scarecrow on fire receives 2d6 damage each round (do not double this damage).

Scarecrow
(Labyrinth Lord, Pumpkin Spice Editon)
No. Enc.: 1 (1)
Alignment: Neutral
Movement: 60’ (20’)
Armor Class: 9
Hit Dice: 3d8 (13 hp)
Attacks: 1 (slam) + Paralyzing Gaze
Damage: 1d6
Save: F3
Morale: 12
Hoard Class: None
XP: 65

Scarecrow
(Blueholme Journeymanne Rules)
AC: 9
HD: 3d8
Move: 60
Attacks: 1 slam (1d6) + Paralyzing Gaze
Alignment: N
Treasure: None
XP: 50

Scarecrow
(Old-School Essentials)
A patchwork collection of old clothes, straw and a pumpkin for a head.
AC 9 [10], HD 3 (13hp), Att 1 slam  (1d6)  + Paralyzing Gaze, THAC0 17 [+3], MV 60’ (20’), SV SV D12 W13 P14 B15 S16 (3), ML 12, AL Neutral, XP 50, NA 1 (1), TT None
▶ Paralyzing Gaze: Save
▶ Fire Vulnerability: Because of their straw bodies, Scarecrow Guardians are extremely vulnerable to attacks from fire. They take double damage from all fire attacks.
▶ Construct: Immune to mind-influencing effects, poison, disease, and similar effects. Not subject to critical hits, subdual damage, ability damage, energy drain, or death from massive damage.

Animate Scarecrow (Ritual)
Level: Witch Ritual 3
Ritual Requirements: The witch and an hour-long ritual. Additional witches may be included.
Range: One scarecrow
Duration: One year plus one day per combined witch levels.
The witch must prepare the scarecrow's body out of hay, straw and old clothes. This should take at least an hour or two to gather materials and make the body. Longer times are needed for more complex scarecrows, but never more than three hours. Successful casting means the scarecrow is animated and will respond to the witch's commands.
Material Components: The creation of a scarecrow's body and an hour-long ritual. The witch includes three strands of her own hair to link the scarecrow to her. If more than one witch contributes to the construction of the scarecrow then each has to contribute a strand of hair.

October Horror Movie Challenge: Inferno (1980)

Now here is one that has been on my list for some time.  It did not disapoint.

Inferno (1980)

This Dario Argento film is the second of his "Mothers" trilogy which began with Suspiria (1977).  This one lacks some of the visual power as Suspiria, but the horror and suspense are still there.

Without giving the plot away from the story deals with two siblings searching for more information on the book "The Three Mothers".  The book tells that like the three Fates, there three Sorrows. Mater Suspiriorum, Matter Tenebraum, and Matter Lachymarum.
The Mothers, appear as witches to many and as Death to others.
As they investigate the book and it's origin they, and others, begin to get killed in fairly horrible ways.

It has been years since I have seen Suspiria, so maybe I need to watch the 2018 remake. I'll also need to check out the often forgotten third film, Mother of Tears (2007).

The score is great and gives a very surreal vibe to the movie. Again, not up to the level of Suspiria, but very fun all the same.

I love the idea of a book, so dangerous, that everyone around it meets a grizzly fate. Yeah I know, that is like 80% of Lovecraft, but this has a different feel about.  In Lovecraft the horrors are uncaring. These horrors HATE us.

Plus I really like that poster.  It often starred back at me from the horror shelves of the local video store.


Watched: 3
New: 3

What IS the Pumpkin Spice Witch really?

So in between getting my courses done for the second half of Fall term and the start of Spring Term I am working like crazy to get my "silly little project" done.

What is that?  Well, that would be my Pumpkin Spice Witch book.

Like I mentioned before, it started out as a bit of a joke, but it has quickly grown into something more.  Yes, I am going to have some good-natured jabs at "pumpkin spice culture" and fall. 
But you know what?

I love fall! I love pumpkin spice. I love cool weather, Halloween, picking apples, and getting pumpkins and everything that goes with it.  I am also still enough of an academic to always feel that my year starts in the Fall.

So this book is also a celebration of all things Fall, Halloween and witchy.  I am going to embrace the stereotypes and show why I love them.

Plus there are some wicked cool spells in here.  So yeah, spells like Oh my God, Becky!, You Can’t Sit With Us, and Live, Laugh, Love may sound a little silly, but they are spells that no witch is going to want to be without.

I am so enjoying this book in fact that I have some Jeff Dee art that I commissioned that I think I want to use for this.  That's how highly I think of it.

It will work perfectly with my other Basic Era Witch class books and the new Pumpkin Spice Edition Labyrinth Lord.

Children of the Gods The Classical Witch Tradition POD is Live!

This one took WAY longer than it should have, but now I finally worked out all the issues and can announce that the Print on Demand version of  The Children of the Gods The Classical Witch Tradition book for Basic Era Games is now live!

Designed for the BLUEHOLME™ Journeymanne Rules this new book explores:

• The witch class and four new combination classes
• Guidelines for playing any species of witch
• Six witch covens of the Classical Tradition
• 120 Spells and Rituals for witch characters
• 24 Monsters to challenge or be allies
• 29 magic items and six artifacts
•  Three Non-player character witches from pages of mythology

It is a companion to my Cult of Diana: The Amazon Witch for Basic Era Games.  Designed to be used with the BLUEHOLME™ Prentice Rules.

I don't have a Print on Demand version of The Cult of Diana yet.  Similar issues.  If you want one those, let me know!

All of these books are part of my "Back to Basic" series I have been doing all year.

Each one is designed to cover a particular Witchcraft Tradition and to also take advantage of the rules presented in each of the respective Basic Era retro-clone.

Here are the books so far.

• The Daughters of Darkness: The Mara Witch Tradition for Labyrinth Lord
• The Children of the Gods: The Classical Witch Tradition for Blueholme, Journeymanne Rules
• The Cult of Diana: The Amazon Witch Tradition for Blueholme, Prentice Rules

and coming soon

• The Craft of the Wise: The Pagan Tradition for Old School Essentials
• The Basic White Witch: The Pumpkin Spice Witch Tradition for Labyrinth Lord 2019 Pumpkin Spice Edition.
• And one more! (or maybe two).

Update on The Classical Witch

Yesterday I got my 2nd round of proofs back from DriveThruRPG on the Classical Witch POD.

So far the cover looks fantastic!

But some of the interior art doesn't.

I have an idea about what is going on.  I fixed it, but now I still need to wait for another proof to arrive.

Such is the glamorous life of an independent game publisher.

I hope that third time is the charm on this one and the next proof will be fine.

Monstrous Monday: Pumpkin Golem

Often times the witch needs someone or something other than their coven for aid.  In addition to summoning a familiar or an Unseen Servant, the witch will often create a servant or helper from the material she has at hand.  The druther and scarecrow are two such examples. The Pumpkin Golem, or Gourd Golem, is another.

The Pumpkin Golem is usually a bit more powerful than a scarecrow but not as powerful as the golems created by priests or mages.  Typically, like a scarecrow, these creatures are used to guard the witch's home or garden.  If a scarecrow is left in a field to guard there, the pumpkin golem will be closer to the witch's home.  Likewise, the druther will be guarding inside the home.

Pumpkin golems are immune to any spell that affects the weather. Any spell that has water as an attack (ie. "Flood of Tears") will heal the golem of all damage.  Pumpkin golems only take half damage from fire or fire-based attacks.  They take double damage from cold-based attacks.

The ritual to create a pumpkin golem follows.

Golem, Pumpkin
(Blueholme Journeymanne Rules)
AC: 6
HD: 5d8
Move: 30
Attacks: 2 vine whips (1d6x2),  1 fireball (once per day) 3d6
Alignment: N
Treasure: None
XP: 300

Golem, Pumpkin
(Old-School Essentials)
A collection of pumpkins and vines in a vaguely humanoid shape. The pumpkin used for it's head is carved like a Jack-o-lantern and glows with an inner fire.
AC 6 [17], HD 5 (24hp), Att 2 and 1, vine whip and fireball, THAC0 16 [+4], MV 60’ (20’), SV D11 W11 P12 B13 S15, ML 12, AL Neutral, XP 300, NA 1 (1), TT none
▶ Attacks twice per round with vine whips, 1d6 per attack.
▶ Can cast a fireball once per day for 3d6 hp of damage; save for half
▶ Construct: Not affected by sleep, charm or hold spells.  Silvered or magical weapons required to hit.

Create Pumpkin Golem
Level: Witch 5
Range: One pumpkin patch with at least five ripe pumpkins
Duration: 1 week per witch level or until the Winter Solstice
With this spell, the witch can animate a pumpkin golem.  The raw components of the spell must include a pumpkin patch of no less than five ripe pumpkins, a specially blessed candle, and one pumpkin carved into a face.  The witch casts this spell and over the pumpkin patch. She then selects one of the pumpkins and carves it into a Jack-o-lantern.  The witch burns herbs gathered from her own garden (50gp value) and then she lights the candle. 
Once lit the golem is animated and will obey the witch's commands.
Material Components: The pumpkin patch, jack-o-lantern, blessed candle, herbs.

Announcement: The Pagan Witch Tradition

And now the project I was working on all summer.  For Old-School Essentials.

The Craft of the Wise: The Pagan Witch Tradition

From the Foreword:

It was 40 years ago.  1979.

The 70s were ending and I was excited for the coming of the new decade of the 80s.  It promised to be a great decade of home computers, new music and for me, looking forward to Junior High and High School.

It was also a watershed year for my involvement in D&D and witches.

1979 was the year I was introduced to D&D. I have told the story before; I learned from a poorly Xeroxed copy of Holmes Basic and an AD&D Monster Manual.  That formed what became my D&D incubator. I would later move on to the Moldvay Basic rules.   What *IS* D&D to me was formulated at this time.

1979 was also the year that two books that would become central to what people considered witches to be were released.  Drawing Down the Moon by Margot Adler and The Spiral Dance by Starhawk.  Both books were released on October 31, 1979, and became best sellers.  Both authors were very influenced by the works of Margaret Murray (The Witch-Cult in Western Europe) and Gerald Gardner (Witchcraft Today).  While the archeological and historical scholarship of Murray and Gardner has been rightfully dismissed, the mythology of all these works is captivating.

The witches I started playing back then, Luna, Cara, Marissa and soon Larina, were based on these and other sources. I gathered notes, began my own classes; The Witch became the front runner and my favorite.

October 31, 1999. 20 years after my start and the publication of Adler’s and Starhawk’s books I released the Complete Netbook of Witches & Warlocks. My very first book on witches for the D&D (then AD&D 2nd ed) game. In the grand occult publishing tradition, I went under the pseudonym “Web Warlock”.  I clicked “OK” on the upload while sitting in the hospital three days after my first son was born.

October 31, 2019. Twenty years later again I present you this book.  It is something of a milestone for me.  It is the penultimate release of my “Back to Basics” series of Old-School Witch books. It is also the one that cleaves the closest to how I was playing in those long lost days.  And as a special treat; my son who was only three days old when I released my first book is now 20 and contributed some spells to this book.

I am looking forward to seeing where I go in the next 20 years.

I am really happy this is the book that will celebrate the anniversary of my Complete Netbook of Witches & Warlocks.

Out on October 31st 2019, Halloween.

Here are the Back to Basics series books so far.

File Under: You should have seen this one coming...

This started as a joke, but I am actually beginning to love this project.   It is Fall after all.

The next, and totally unplanned, book in my Back to Basics series of witches.

The Pumpkin Spice Tradition gives us the Basic White Witch.

Join Becky and Karen and learn such spells as:

• Blessed
• Create Wine
• Live, Laugh, Love
• Does This Bring Joy?
• Oh my God, Becky!
• You Can’t Sit With Us
• Summon Higher Power

Gain Occult Powers such as:

• Resting Witch Face
• I Want to See your Boss

No idea how many pages this one will be, but all I can say is I am having a great time writing it!

The Children of the Gods: The Classical Witch for Basic Era Games

The next book in my Back to Basics series is now out!

The Children of the Gods: The Classical Witch for Basic Era Games

Old Gods Rise! 
“Who knows not Circe, The daughter of the Sun, whose charmed cup Whoever tasted, lost his upright shape, And downward fell into a groveling swine?”  - John Milton

Sumer. Egypt. Greece. Rome.
These are the foundations of civilization. Where mythology, religion, and magic collide in a fertile land.

It is a time of Gods and Witches!

This book introduces the Classical Witch Tradition. Witches from the ancient time of myths and legends.

• The witch class and four new combination classes
• Guidelines for playing any species of witch
• Six witch covens of the Classical Tradition
• 120 Spells and Rituals for witch characters
• 24 Monsters to challenge or be allies
• 29 magic items and six artifacts
• Three Non-player character witches from pages of mythology

Fully compatible with BLUEHOLME^TM and other Basic-Era games.

Fully compatible with other witch books from The Other Side.

Print on Demand copy available soon! 
Just waiting on my proofs.

Also, check out my other Back to Basics witch books, The Daughters of Darkness for Basic Era Games and The Cult of Diana: The Amazon Witch for Basic Era Games.

Cult of Diana: The Amazon Witch for Basic Era Games

The first of TWO related releases for Lughnasadh and Mabon and continuing my Back to Basics series.

Cult of Diana: The Amazon Witch for Basic Era Games

https://www.drivethrurpg.com/product/286580/Cult-of-Diana-The-Amazon-Witch-for-Basic-Era-Games?affiliate_id=10748

Diana, Queen of the Hunt!
“Let us be Diana's foresters, minions of the moon”  - William Shakespeare

Artemis and Diana, Forever Young. Forever Wild.
Time out of mind the symbol of Diana meant freedom. And in freedom there is Power.

This book introduces the Amazon Witch Tradition. Witches from the ancient time of myths and legends.

 - The witch class and two new witch covens

 - 40 Spells and 8 Rituals for witch characters

Fully compatible with BLUEHOLME^TM and other Basic-Era games.

Fully compatible with other witch books from The Other Side.

All for the low, low price of FREE.

Overtly this is designed to go with the Blueholme Prentice Rules. This gets you going using my Holmes inspired witch class for the price of a couple of clicks.

Also, check out the first of my Back to Basics witch books, The Daughters of Darkness for Basic Era Games.

AND Coming soon...

Children of the Gods: The Classical Witch Tradition also for BLUEHOLME!

#RPGaDAY2019: Calamity

Today's topic is Calamity.

In many ways, this post is a continuation of my post on Lost.

One of the things all my Lost Lands have in common is they are lost due to some calamity.

Atlantis, Doggerland and East Beleriand were taken back by the sea.  Their secrets hidden by the waves.

For the Suel Empire, it was the Rain of Colorless Fire.  And that makes it interesting.

I think flooding is something we can get.  We see it. Some have experienced it.  I  grew up near the Illinois River Valley.  My wife grew up near the Fox River Valley (it was her backyard).  We have both seen several "once in a lifetime" floods.   Flooding I get. I know what happens, even when it is terrible.

Fire from the sky?  That is some apocalypse-level shit.

I think that is also one of the reasons that attracted me so much to the whole Suel Empire.  Their world was just under a sea, in this case the Sea of Dust, but they were wiped out by fire.  Like Pompei.

A good calamity can add some gravitas to your world.  Plus it helps explain all those lost treasure hordes dragons seem to have.

Rain of Fire 

Level: Witch Ritual 6

Ritual Requirements: Minimum 3 witches, see text

Range: See text

Duration: See text

"It is said that only those that give life know the price of taking a life.  This is why originally only witches were given the power to destroy." 

- From the Journal of Larina Nix

The witches of old had powerful rituals both of creating life and creating death. This ritual is very much the latter.

Three or more witches are needed for the most basic version of this horrible ritual, more witches added the more devastating the effects.  Each witch must know this ritual.

The witches take a prepared focus item, an effigy made from the same materials of their target.  Usually a town or a locale. Each witch contributes a bit of blood (1hp worth) to item's creation since life must be given to take life

Once the ritual has begun the witches make a plea and summons to dark gods of vengeance, destruction, and fire.   The pleas, once heard, will be answered in kind, with vengeance, destruction, and fire.   

The witches then burn the effigy, each providing the flame via magic.  Once that is done the fire rains down on the actual location destroying it and anyone in it.  Victims can run from the location if they make it out of the area, they will be safe, but a save vs. Spells must be made or take 1d6 hp of damage per all the level of the witches involved, or half on a save.

Witches Participating	Minimum Damage	Area Sq. Miles
3	36d6	5
4	48d6	10
5	60d6	25
6	72d6	50
7	84d6	100
8	96d6	250
9	108d6	500
10	120d6	1,000
12	144d6	2,500
13	156d6	5,000

Material Components: The effigy of the place targeted, made with materials from the target. Each witch also uses a rod of ash that she uses to focus her energy on the effigy then they raise their rods to sky to direct the energy out to the target.  Each witch also contributes 1hp worth of blood in the casting.

This ritual is rare and all witches must know the ritual in order to cast it.

I wonder what lies in the Suel Cities of Dust?  Treasures? The Suel people preserved only as ashen shells?  One day I should find out.

Water was running; children were running 
You were running out of time 
Under the mountain, a golden fountain 
Were you praying at the Lares shrine? 

But oh your city lies in dust, my friend 

We found you hiding we found you lying
Choking on the dirt and sand
Your former glories and all the stories
Dragged and washed with eager hands 

But oh your city lies in dust, my friend 

Water was running; children were running
We found you hiding we found you lying 

But oh your city lies in dust, my friend 
Hot and burning in your nostrils
Pouring down your gaping mouth
Your molten bodies blanket of cinders
Caught in the throes 

And your city lies in dust

Adventures in Hyperborea

Hat tip to Jason Vey for sharing these with me.

So if I know ANYTHING at all about Conan, likely it came from Jason Vey. In addition to being a top rate game designer, he is a Master's level scholar on Robert E. Howard.  So when he shares something related to Conan, or Howard or realted topics, I pay attention.

This week he shared this with me, Adventures of the Hyborian Age. This is an older site with adventures for the Mongoose d20 Conan game.  Jason is using this material for his OD&D-based Conan game which sounds fantastic.

He shared with me something he knew I would love. A Conan-flavored conversion of one of my favorite adventures of all time, S4 The Lost Caverns of Tsojcanth.

The new adventure has a more Hyborian feel to it and draws heavily from Conan lore, in particular, Red Nails.

HS4 The Lost Caverns of Acheron

The adventure is, at it's heart, the same as S4.  Save now it has been reskinned for the Hyborian Age and all the background has been changed.

Now maybe I have been reading a lot of Eric Fabiaschi of late (or always really) but this sounds like a PERFECT adventure for  Astonishing Swordsmen & Sorcerers of Hyperborea!

Eric has had a LOT to say about AS&SH (most of his blog) and S4 The Lost Caverns of Tsojcanth.  In fact he pulls in a lot of Jason Vey's own game, Amazing Adventures into the conversations too.

In fact, I am very curious to hear what Eric has to say about this adventure. (EDITED: I talked to Eric before this post went up. He has played it using AS&SH. He also pointed out my next point.)

Now AS&SH only takes us to level 12.  This adventure is right up against that level limit and might even be a bit more than a party can deal with. I would alter this by having a larger party to be honest or carefully scaling the encounters.

Outside of the Hyborian skin the biggest change is the Witch-Queen Xaltana.  She essentially combines the characters of Iggwilv and Drelzna into one.

So instead of this:

We get this:

It actually works out quite well. In fact, Xaltana is much more interesting than Drelzna ever was. (Sorry D!)

Appropriately the adventure takes on a more Clark Ashton Smith feel to it.  This plays so well into the sequel WG4 The Forgotten Temple of Tharizdun. Which could in like fashion be reskinned as The Forgotten Temple of Thasaidon. Hmm. Maybe that is something to try; borrowing heavily from The Tomb-Spawn.

She would make a great Witch Queen!  More on that later.

In a time of Ancient Gods...

There were the ones that beseeched these gods for power and it was granted!

These are the witches of the Classical Traditions and their closely allied sisters the Amazon Tradition.

Coming soon for the BLUEHOLME Journeymanne and Prentice Rules.

Sumer. Egypt. Greece. Rome.

These are the foundations of civilization. Where mythology, religion and magic collide in a fertile land.

It is a time of Gods and Witches!

This book introduces the Classical Witch Tradition. Witches from the ancient time of myths and legends.

•         The witch class and four new combination classes
•         Guidelines for playing any species of witch
•         Six witch covens of the Classical Tradition
•         120 Spells and Rituals for witch characters
•         24 Monsters to challenge or be allies
•         29 magic items and six artifacts
•         Three Non-player character witches from pages of mythology

Also fully compatible with Daughters of Darkness: Lilith and the Mara Tradition.

#RPGaDAY2019: One

Today's topic is One.

Every so often the topic comes up of what RPG would you choose if you could only choose one.

If I over-think it, it becomes hard. There are so many great RPGs out there.  So many that I love and have loved playing.  But if I could only choose one, forever, then the choice becomes clear and easy.

CJ Carella's WitchCraft RPG.

WitchCraft is, hands down, my favorite game.  Period.  Picking up a copy of this book back in 1999 was just like picking up a copy of the Monster Manual in 1979.  Everything I ever wanted in a game was right there.
Everything.

WitchCraft had such a profound effect on my gaming that I can draw a rather clean line between what came before and what came after it.  Granted a lot was going on in 1999/2000 both gaming-wise and personal that may have added to this effect, it was an effect all the same.

Back in 1999, I was really burned out on D&D.   I was working on my own Witch netbook and reading a bunch of different games when someone, I forget where, must have been the old RAVENLOFT-L that TSR/WotC used to run, told me I really need to check out WitchCraft.  At first, I balked.  I had tried Vampire a couple years ago and found I didn't like it (and I was very much out of my vampire phase then), but I was coming home from work and my FLGS was on the way, so I popped in and picked up a copy.  This must have been the early spring of 2000.

I can recall sitting in my office reading this book over and over. Everything was so new again, so different.  This was the world I had been trying, in vain, to create for D&D but never could.  The characters in this book were also all witches, something that pleased me to no end, it was more than just that.  Plus look at that fantastic cover art by George Vasilakos. That is one of my most favorite, is not my favorite, cover for a gamebook. I have it hanging in my game room now.

WitchCraft uses what is now called the "Classic" Unisystem system.  So there are 6 basic attributes, some secondary attributes (derived), skills and qualities and drawbacks.  Skills and attributes can be mixed and matched to suit a particular need.

WitchCraft uses a Point-Buy Metaphysics magic system, unlike Ghosts of Albion's levels of magic and spells system.  Think of each magical effect as a skill that must be learned and you have to learn easier skills before the harder ones first.    In D&D, for example, it is possible to learn Fireball and never have learned Produce Flame.  In WitchCraft you could not do that.  WitchCraft though is not about throwing around "vulgar magics".  WitchCraft is a survival game where the Gifted protect humanity from all sorts of nasty things, from forgotten Pagan gods, to demons, fallen angels and the Mad Gods; Cthulhoid like horrors from beyond.  WitchCraft takes nearly everything from horror and puts all together and makes it work.

The Eden Studios version was the Second Edition, I was later to find out.  The first one was from Myrmidon Press. I managed to find a copy of that one too and it was like reading the same book, from an alternate universe.  I prefer the Eden Edition far more for a number of reasons, but I am still happy to have both editions.

The central idea behind WitchCraft is the same as most other Modern Supernatural Horror games.  The world is like ours, but there are dark secrets, magic is real, monsters are real. You know the drill.  But WitchCraft is different.  There is a Reckoning coming, everyone feels it, but no one knows what it is.  Characters then take on the roles of various magic-using humans, supernaturals or even mundane humans and they fight the threats.  Another conceit of the game (and one I use a lot) is that supernatural occurrences are greater now than ever before.  Something's coming.  (dogs and cats living together, mass hysteria).

It is most often compared to World of Darkness, but there are things WitchCraft does that I just like better.  Unlike (old) Mage there is no war between the (good) Mages and the (evil) Technocracy.  There is a war certainly, but nothing so cut and dry.  Unlike new Mage, there are rarely clean divisions between the factions.  Yes, yes Mage players, I am being overly simple, but that is the point, on the simple levels new Mage dives everything into 5 because that is how the designers want it.  There are factions (Associations) and there are different metaphysics for each, but also overlap, and sometimes no clear and defined lines are to be found or given.  It feels very organic.

In my opinion, C. J. Carella may be one of the best game designers out there.  WitchCraft is a magnum opus that few achieve.  I took that game and I ran with it.  For 2000 - 2003 it was my game of choice above and beyond anything.  The Buffy RPG, built on the Cinematic Unisystem took over until I wrote Ghosts of Albion, which also use the Cinematic Unisystem.  I mix and match the systems as I need, but WitchCraft is still my favorite.

WitchCraft, in fact, is what got me into professional game design.

Back in the Spring/Summer of 2001, I started up a new game.  I had just purchased the WitchCraft RPG book about 16 months prior and I was looking for something new.  That something came to me in the guise of Willow and Tara.  I had been watching Buffy for a bit and I really enjoyed the character of Willow.  When she got together with fellow witch Tara I thought they were perfect.  I had become very involved in the online Willow/Tara fandom so I created a game, focusing on just them.

The game would focus on just these two, no one else from the show (which I would soon become an ex-fan of, but that is a different story).  Plus it gave me something to try out in a modern setting, something I have not done since my days with the Chill RPG.

The trickiest part of developing game stats of any fictional character that belongs to someone else is knowing how to strike a balance between the game's rules and the fictional portrayal. A lot of "artistic" license needs to be used in order to get a good fit. For example, how do you determine what some one's strength is when there is little to no on-screen evidence? What spells would the girls have?

In the end, I decided to play it a little loose, but I love where their stats ended up.  In many ways, this is who Willow and Tara are to me, not the characters on TV or comics, but the ones that were my characters since that day back in May 2001 that I decided they needed their own chance to shine.

After this, I went on to work on the Buffy the Vampire Slayer RPG.  It should be no surprise then that the Willow and Tara stats that appear there are not that much different than my own.  I can be quite vocal in playtests.  That got me the chance to write the Ghosts of Albion RPG. This also allowed me to meet, work with and remain friends with Christopher Golden and Amber Benson.

WitchCraft paved the way for so many other games for me, not just in terms of playing but in writing.  If it were not for WitchCraft then we would not have had Buffy, Angel or Army of Darkness.  Conspiracy X would have remained in its original system. There would be no Terra Primate or All Flesh Must Be Eaten and certainly, there would be no Ghosts of Albion.  The game means that much to me.

But you don't have to take my word for it, Eden Studios will let you have it, sans some art, for free.
http://www.drivethrurpg.com/product_info.php?products_id=692&it=1&affiliate_id=10748

Download it.  If you have never played anything else other than D&D then you OWE it yourself to try this game out.

My thing is I wish it was more popular than it is.  I love the game. If I was told I could only play one game for the rest of my life then WitchCraft would be it.

#RPGaDAY2019: Familiar

Today's topic is Familiar.

Again, I think I'll make a hard turn here and talk about Familiars; as in animal familiars, not something that is familiar.

I have talked a lot about familiars here. Books on familiars, spells for familiars, and what familiars could do for witches and wizards.

Sometimes I have pondered doing a book on just familiars. An OSR books for both witches and magic-users/wizards.  I'd include animal companions for druids as well.

But there are already good books out there for that and most of what I have wanted to add have been already added to my various witch books.  So maybe there is no need.

Still. It could be fun.

What do you all think?  Would this be something anyone is interested in?  I wouldn't do it if I didn't add a bunch of new material.

Christmas in July Sale!

I have a lot of books on sale in DriveThruRPG's Christmas in July sale.
Yes, it is 100+ degrees heat indices outside, but DTRPGs thoughts are to Christmas.

You can even get my newest book, The Daughters of Darkness, on sale.

If you have grabbed one of my books here is a great time to finish up your collection.

Coming soon, "Children of the Gods. The Classical Witch Tradition".

Mystic Locales: The Library

This one is for all my librarian friends out there and for all the libraries I have loved.

Mystic Locales: The Library

There is a rumor. 

Naturally, it is whispered since talking aloud is not permitted and many find that they can no longer say the rumor in anything above a whisper.  The rumor is ignored by sages. It is conjectured as a flight of fancy among occult scholars. It is whispered among students, who find the idea terrifying at some level. But the librarians know it is real and true. Moreover, they have all taken a sacred vow to protect the secret and keep it from those who would use this power for evil ends.

Librarians all know that all libraries, everywhere, are connected.

From the first construction of the Library of Alexandria to the Carnegie Libraries of the 20th Century to the largest University Libraries to the small Little Libraries of a local neighborhood to the planet-sized Library of the 51st Century, all are connected. Not just spiritually, but physically as well.  One can wander the stacks of a library and end up in the stacks of another library hundreds of miles away and even dozens of years different.

When people go missing like this often a librarian will find them. A quick check in their own "inter-library loan" memos will discover who the person is and where they belong. The librarian will escort them back to where they need to go under the guise of 'helping them find their book' and send them along the way.  Most often the person in question will have no recollection of this other than the very pleasant and helpful staff.

There are those rare individuals who know how to navigate "The Stacks". The entrance is never the same for each library, and sometimes it can change in the same library.  These special people usually have some things in common. They spend a lot of time at libraries, often just reading or roaming the stacks and shelves looking for interesting and rare books.  They often have a love for books in general; not just in learning, but in the simple joy of reading or holding a book.
The rare ones even know how to move from one library to another as easily as others walk into a room of choice and back.   These special few are usually discovered and offered a job as a librarian where they can learn more ways to other libraries.

New Witch Ritual

Access the Library
Level: Witch Ritual 5
Ritual Requirements: 1 witch, 1 cleric, and 1 magic-user. see text
Range: 10-foot radius centered around a thaumaturgic triangle
Duration: See text
Legends claim that there is a library, The Library, that can be accessed if the intention is one of pure learning.  This library exists in its own extra-dimensional space and it contains the works of all sages, scholars, researchers, and authors as well as works of magic divine, arcane and occult.
To open the door the witch must gather together a magic-user (wizard) and a cleric, all of whom can cast 5th level spells.  It is believed that only by working together in ritual can all access the library.  Once the ritual is cast, usually taking an hour, all three may enter.  Their time spent in the Library is equal to a number of hours equal to their combined levels.  Time outside the library passes normally, but nothing else from the outside world affects them. Only the three that have cast the ritual may enter.
Once inside the ritual participants may look up any information they wish.  This can be used to research any magical question such as new spell creation, magic item creation or learning a new spell.  For every level the participant has they gain a +1 or a +5% where appropriate.
While in the Library the participants will see ghostly figures moving about. These are other patrons who have entered the Library via their own means or by means of a similar ritual.  Patrons cannot interact with each other; no talking or physical contact.  Patrons can only interact with those they entered with. 
Once the spell duration is complete the ritual participants will find themselves back in their thaumaturgic triangle.  A patron may leave at any time, but it will end the ritual.
Material Components: Each participant must bring and leave behind a book, scroll or other forms of printed work to give to the Library.  It need not be original, but an original work will grant the patrons an extra hour of reading/research time.