Reviews: Castles & Crusades Adventures

My son is doing some gaming with his own group, so he has been spending a lot of time working on his own stuff.  So I have been reading a lot of Castles & Crusades.

I have to admit, and this is not really an admission since you all know this, but I love this game.
For me, it really hits a nice blend of 1st, 3rd and yes even 5th Edition.  Plus there is lot of material that I have not even been through yet.  The more I read it the more I REALLY want to use this for my War of the Witch Queens  adventures.

But before I do that I want to look at some of these adventures on their own merits.
Review Disclaimer:  I purchased these adventures as part of a Kickstarter add-on some time ago.

The Fantastic Adventure
This is a short adventure, 16 pages, for 4 to 8 characters of 1st to 3rd level. Actually, it is three very short adventures in a general area.  One flows to the next easily and can be run in a couple of sessions. The starting adventure revolves around finding a missing gem and this leads to the PCs saving a deranged golem.  There is also a host of really weird and interesting NPCs that could, if needed, be used as characters.  I know that C&C typically takes its cues from AD&D1, but this adventure felt like something right out of D&D Basic to me.  I mean that in the best way possible; I love D&D Basic.  This would make for a good first adventure to anyone new to C&C, but familiar with other FRPGs.
I often gush at the nostalgia fuel that Castles & Crusades often is for me, but this adventure really does capture a lot of the fun of playing in the late 70s and early 80s. Particularly the early 80s.  It is set in their larger, and somewhat more dangerous, World of Aihrde and can lead up to their other adventures.  Or it can stand alone for a couple nights of rolling dice and having fun.

I1 Into the Unknown: Vakhund
26 pages, for 4-6 characters levels 1 to 2.
Vakhund, Into the Unkown is a short adventure that builds up to some epic events in the later I series from Troll Lords for Castles & Crusades.  It starts out simple enough really. The party has been hired as guards for a caravan. Soon the wealthy merchant is dead and his daughter kidnapped.
Vakhund is interesting since for an adventure that has it's DNA in a game known as "Dungeons & Dragons" there are neither dragons nor dungeons (for the most part) in this adventure.  Typically for low level adventures there is a dungeon to explore. In this one the PCs are thrown right to a plot and it is rather interesting to be honest.

I2 Under Dark & Mistry Ground: Dzeebagd
34 pages, for 4-8 characters levels 2 to 4.
Following up on the events of I1 Vakhund the party finds the missing girl but uncovers a larger plot involving many local factions.  The conceit of the adventure is the party will be drawn in, but as far things go this is not a bad one.
This one is a bit longer than the last adventure and a bit more involved with all the factions.  This adventure can stand alone, but it works best as part of the I trilogy.  Interaction with the NPCs is really what makes this adventure so the game master should read up on all of them and their motivations ahead of time.

I3 Dogs of War: Felsentheim
22 pages, for 4-8 characters levels 3 to 5.
Felsentheim is the epic conclusion to the I series of adventures.   As with the last adventure the GM should be knowledgeable on all the NPCs and factions in this adventure.  Again it can be played on it's own, but works best as the conclusion to the I series.  While the adventure is shorter there is quite a lot of combat in this one.

All together these three books are greater than their parts and make for an interesting set of adventures.

Interestingly enough the entire time I was reading these I kept thinking how well they would work with Astonishing Swordsmen & Sorcerers of Hyperborea.  Not that there is anything here that screams AS&SH to me, but just a feeling that it would work well.  I'll have to try it someday.

Reviews: Back into the Blue

Today I want to look at two products for the Alpha Blue line by Kort'thalis Publishing and +Venger Satanis; Girls Gone Rogue and Universal Exploits.

Full Disclosure: I received both of these PDFs in trade for a fair review. Fuller Disclosure: I had already bought Girls Gone Rogue and had it in my review queue anyway. Full Frontal Disclaimer: These products sit behind an Adult verification wall on OneBookShelf. By clicking, you are giving tacit, if not implicit, consent to see such things.  Don't whine if you see something you don't like.  These are not for the easily offended.

Ok. So Alpha Blue is Venger's infamous "brothel in Space" source book that also includes a brief system for play.  I reviewed Alpha Blue a while back and I really enjoyed it.  I opted at the time to use this book along with some other Old-School inspired Sci-Fi books including White Star. Keep in mind that Alpha Blue nor these books are overtly compatible with any of those other games, but Venger's system is simple enough and these books are written in such a way that they are easily adapted for use.

Girls Gone Rogue 
Girls Gone Rogue (GGR hereafter) is an 80-page supplement for Alpha Blue.  The book expands on the options and tables found in Alpha Blue. There are additional character options and lots of tables but really sets this book apart, and makes it a must have for AB fans, are the adventures.
If you are a fan of Venger's style of mixing and matching various pop cultural references then these adventures are a real treat. In particular, the mixing of Galaxina and Ilsa She Devil of the S.S. is quite fun really.  Venger obviously grew up on a steady late night Cinemax. Actually, that explains a lot of GGR to be honest.
This one is a bit harder to judge in terms of a game book.  I will say that if you enjoy Alpha Blue, then this is a good buy and will be very useful.  If you don't like Alpha Blue then GGR will be more of the same really.  Though there are a some that would enjoy the adventure seeds for use with other games.

Universal Exploits
Universal Exploits is a 110 page book for Alpha Blue. UE tackles the universe beyond the space station Alpha Blue.  Like Girls Gone Rogue it is an expansion, but it also setting material.  The universe is a big and dangerous place.  Well, dangerous in the same universe that has a space brothel/space station orgy happening.  Or maybe that is just a result of some the horrors going on around them.  There are also some short adventures/scenarios you can use. Again, these are presented system-neutral/system-lite so they can be used for just about anything.
In truth this reads a bit like a collection of Traveller articles, that is if Traveller went really gonzo.  Or, chances are, like many used to run Traveller anyway.
The real treat comes in the form of the special Alpha Blue Character sheets.  Honestly every game should have great looking Character sheets and these are among my favorites.

So. Who should buy these books?
Well it's pretty simple. If you have Alpha Blue or like playing it then these are "must buys".
If you play some other Sci-Fi game and want to add a little "Sleaze" to your "Scum and Villainy" then these are must buys only behind Alpha Blue itself.
If you like lots of pop-culture references, especially ones that are more R or even NC rated, then this is also for you.  But if that is the case you already know this.

Who should avoid this?
Well normally when reviewing a product I stay away from these sorts of discussions.  But in this case, I will say those who are easily offended should not bother.
More to the point with me though is don't go into these books expecting to find a lot of material you can use for other, non-sci-fi, games.  Can I use it with say a Modern game? Sure, but there are a lot of conversions I'd have to do.  Not game mechanics, but style.

Both books are a lot of fun and I am certain I can still find a lot to use here even in my PG and PG-13 rated games.

I do want to mention the cover art.  Both are fantastic and really, really shows what you can do when you put your heart and soul into your games.

Now. If you are like me reading through all of this and referencing back to Alpha Blue and some of Venger's other products you might be wondering "when is Venger going to focus his eldritch eye on 'Heavy Metal'?".

Well while reviewing this Venger sent me a link to his newest Kickstarter.

Trinity of Awesome!

https://www.kickstarter.com/projects/1575519826/trinity-of-awesome

Looks like a lot of fun.  If it goes the way that Universal Exploits did it will grow into 5-6 adventures.

Review: Chill Quickstart - Good Fences Make Good Neighbors

Chill Quickstart: Good Fences Make Good Neighbors

I am woefully behind on all my reviews.  None am I more late on than reviewing what should have been something I jumped on right away, Chill 3rd Edition.

I was very disapointed when I saw that Chill was not up for a ENnie for Best Game this year.  The consolation though is that the rather excellent Quickstart for Chill is up for Best Free Product.

This is good since you can experience Chill for the price of a couple of clicks.

Now my love for Chill is WELL documented here on this blog. When everyone else was playing Call of Cthulhu (and watching their characters go mad or die) I was playing Chill (and watching my characters die).  Or more to the point I was creating elaborate scenarios involving SAVE.   I loved Pacesetter Chill and even drove out to the old Mayfair Games warehouse to score a brandnew hardcover a few years back.  I own pretty much everything for Chill and even Rotworld/Cryptworld/Majus.

On to the product as hand.
Chill: Good Fences Make Good Neighbors is a 46 page "Quickstart".  It has everything you need to play the game now except for people, dice and some tokens.  Don't have 10-sided dice?  Fine, get a deck of cards, remove the royals, put all the black suits in one deck and all the red in another.  Shuffle them.  When you need to roll choose a black card and a red card.  Count tens as "0" and aces as "1".   Save the face cards, the royals, for your tokens.

With this Quickstart author +Matthew McFarland has distilled Chill down to it's essence. It's a game about fighting the Unknown.  There are a couple of pages devoted to the mechanics of the game; find a target number, roll that or under. Avoid botches (doubles over) but hope for a Colossal Success (roll doubles and under).  Tokens are also covered.

An overview of the character sheet comes next breaking down the Attributes, Skills, Edges, Drawbacks and where you record damage.  There is also a spot for The Art, or some magical/psychic abilities.  This edition seems to focus a bit more on this than the previous, normal-human-centric point of view of the previous, but that will wait for a full reveiw.

This makes up the first half-dozen or so pages.  The next dozen covers Combat and The Art. Combat is just another type of test/roll and The Art are "fancy" skills.  The nice thing is when one system is learned the rest are easily picked up.

The rest of the book is the adventure.  I don't want to give out any spoilers for potential players, but the adventure is a classic one for Chill.  What kind of adventures are good for Chill? Well anything you might see on "Supernatural", "Grimm", "Kolchak" or "The X-Files" would make for a great Chill game, but also the stories you told as kids about the haunted house, or the mean old neighbor lady or the monster in the sewers.

The quickstart includes some characters to get you up and running fast. There are maps, artifacts and investigation sheet to make this feel like a real investigation into the paranormal, or what Chill calls The Unknown.  Enough background is given on SAVE to make it interesting and to make you want to know more.

For the price you can't beat it. If you ever told a scary story to others with a flashlight under your chin, dared a friend to go into a "haunted house" or watched a Hammer Horror film then this is a great game for you.   An ENnie win for it would let others know that too.



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I am up for an ENnie this year for Best Blog!
Please click on the link and vote "1" under "The Other Side".

Review: Maze of the Blue Medusa

Notice: I am not taking down this post because I feel it is more important to leave it up, but also update everyone on what is happeing now as February 11, 2019. Please see this newer post first. http://theotherside.timsbrannan.com/2019/02/i-am-going-to-talk-about-zak-today-and.html

Maze of the Blue Medusa is the latest book from +Patrick Stuart (of Deep Carbon Observatory) and +Zak Sabbath ("Red and Pleasant Land" among others) and published by Satyr Press.

All of that is relevant to the review that follows. First, you can see the DNA of both DCO and RaPL in Maze of the Blue Medusa (MoBM hereafter). Not to say this is the child of the other two, unless it is a child the same way a medusa is the child of an arch-devil, but there are fingerprints all over it.

Satyr Press is important too. Not because you have heard of it (I hadn't) but because they are not known for their RPG books. In fact this is their first and only one to date.  You won't find MotBM on DriveThruRPG or RPGNow. I have no idea if my favorite local game store carries it (though they did have RaPL).  So already we should know from all of this we have something different. And we do.

I have had MotBM now for a little while but I have been purposefully holding off on reviewing it till know for a very specific reason.  I want to review it now so you can vote for it at the ENnies.  Yes, I know that calls my bias into question and my intentions.  But there is the Product (which I am reviewing here) and there is the Philosophy (which is why I want you to vote).  I am going to review the Product, but I want to talk about the Philosophy.

Ok brass tacks.  What is Maze of the Blue Medusa?
Extremely simply put MotBM is an adventure.  It is a huge dungeon in the very, very classical sense that for what ever reasons your characters will investigate.  The PDF is 296 pages. This contains a map of the "Maze" (spoiler: it's not really a maze), both Zak's lavishly painted version and a utilitarian numbered one that is also hyperlinked (Philosophy vs. Product right there).  The PDF is massive, hyperlinks everywhere and the art is, as expected, top notch material from Zak.   I can't help compare it to Red and Pleasant Land, and favorably so.  The art is central to the map. OR the map is central to the art. They are one and the same really. So don't come to this product if you want grids or blue borders on your maps.  I love all that stuff, I do, but that is not this product, nor would it ever be.
The maps remind me also of the board game Dungeon! a little bit.  Same sort of color, same sort of "flat yet, multi-dimensional" feel to it.  I will be honest that was what attracted me most from the start.
The Maze is both explicitly and implicitly multidimensional.
The only thing I can relate it too was this multivariate regression course I took back in grad school where we tried to replicate 4, 5 and more dimensional multivariate axes on two-dimensional paper.
For me, at least, not only is the PDF hyper-linked, the Maze itself is hyperlinked.

We are given a brief history and a timeline involving an immortal medusa and three perfect sisters.
There is insanity all around them, thus the Maze.

Or whatever.

I like the background and it pulls me into this world, but it happened (game wise) so long ago how can any of the PCs be sure?  Implicit in the design is that you can do what you like here.  This is evident in the coding of the monster stats in some Ur-D&D. Designed to be flexible and compatible with a wide variety of editions and games.

Which gets me to my first big point on Philosophy.
The Maze has no meaning save what the reader/player puts on it.
I am not trying to discount what Zak and Patrick wrote in the book. Not at all, quite the opposite. They worked very hard to provide a copious amount text and background.  But like the medusa who changes people with her gaze, the Blue Medusa is changed by the gaze of others.   The details are enough to get you going but how it works in your world with your players and your style of gaming (not to mention the ruleset you choose) will change it.  The language used here is less "I am telling you what is happening" to "I am inspiring you to tell what is happening".  The difference is profound.  It made the work Zak and Patrick had to do harder, but more rewarding.  It is not their domain (or dare I say even their right) to tell me why the Medusa or Chronia don't age, it is enough that they don't and the world moves on.  Do you need to know for your game? Maybe, that is up to you.

The monsters, or really NPCs, are unique and tailored to this. Same with the magic items.  Sure there are some liches, but that seems to be expected given the rules of the Maze to be honest.  Hell I might throw in a couple more and have them be former adventures from my gaming groups of the neolithic days of D&D just amuse myself.   But in truth no-one is there without a reason.
One could, based on the surface features, call this a dungeon crawl but that is nowhere close to what it really is.  Yeah you can use it as that, but that is a waste of material.
Plus, unlike the great adventures of yesteryear (which I am still inordinately fond of) there are good reasons why these monsters/npcs/characters are hanging around here.  There is no sphinx guarding the corridors as in White Plume Mountain. There is no monster here because it fit the challenge rating of the rest of the dungeons.  Things are here because they serve a purpose in the Maze itself independent of whether or not the PCs are there.

There are also enough things going on in this dungeon/book that I could not help but be amused by knowing the histories and interactions of the designers.  I nearly spit out my coffee at the Canibal Critics.   I also have to admit I adore the Glyph Witch.

Now personally I am huge fan of the PDF. It is hyperlinked and I can jump all over the Maze in a way that is both utilitarian (Gods...I just called a Zak Sabbath book "utilitarian")  but also aesthetically pleasing.   I want to say though that the pictures of the hardcover are absolutely gorgeous.  It's the type of book you leave out and hope your non-gaming friends find a leaf through.

Sometimes They Get Lost
With so many characters (both senses of the word) wandering the halls of the Maze I can't help but have two thoughts. 1. Is this the authors' idea of what hell is? It has all the features of the Greek Hades or even Dante's Inferno. I am quite certain that all the NPCs represent real people in the lives of the authors. I have not identified them all and I am not likely too, but it is a fun exercise.  Also 2. Is this where all the lost characters go?  Sometimes when you play with a group, players come and go, what happens to their characters?  I am not talking about inbetween major adventures, but in the middle of one.  One session there are there and the next...gone.  Maybe...just maybe some of them end up here. They are lost in the truest sense of the word. Not evil, not good, but lost.  Maybe they have wandered the halls for a thousand years but still think that it was only minutes ago they got here.  Maybe they are all too painfully aware of what is going on but are powerless to do anything about it.

Why Should I Buy Maze of the Blue Medusa?
Buy this if you are the type of gamer that loves a new and unique challenge. Buy this if you are the kind of gamer that is bored of the typical dungeon crawl where you kick in a door, kill the giant rat and collect your 2,000 coppers.  After 36+ years of gaming, precious little seems "new" to me.  This feels new.  The ideas are old, but the presentation and the execution are new.
Buy this for the jaded gamer who thinks they have seen it all.
I am going to pick up the hard cover because I also think this adventure makes for good reading.  There is an implicit story here I would love to tease out for my own world.

Why Should I Vote For Maze of the Blue Medusa?
Obviously, I think the product is worthy of such consideration. This why I am posting now as opposed to last week or after I get my hardcover.  This is my next big point on Philosophy.  You buy MotBM for the Product, but vote for the Philosophy.  Zak's writing, work and much of his blog is about how games can and should be better.  MotBM is the tangible artifact of that ideal.  Now my "better" and your "better" and his "better" might not all be the same thing, but the effort to do something different needs to be rewarded.  The effort to try out adventure design where one designer paints and the other writes and they go back and forth should be rewarded and acknowledged.  There is also the fact that this is essentially a D&D product. If this were (gods I am going to catch shit for this) FATE adventure or something from the Indie Press Revolution, the style would be heralded and pedalstooled by that faction of gamers. This is the Indie RPG aesthetic applied to DIY D&D.

Maze is up for the following ENnies:
Best Adventure
Best Cartography
Best Electronic Book
Best Writing
and Product of the Year

Personally, I think it is worthy of all of these. Foremost Best Adventure and Best Electronic Book.
Buying sends the message to the authors that you appreciate their work. Voting sends the message to other authors that this is the sort of thing you like and you want to see more.  So please, vote for this.

We need more adventures and supplements like this.

I have no idea where I am going to use this, but I will use it.

Good job +Zak Sabbath and +Patrick Stuart.  Looking forward to seeing what is next.
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I am up for an Ennie this year for Best Blog!
Please click on the link and vote "1" under "The Other Side".

Monstrous Monday: Beasties from Night Owl Workshop

I like my Monstrous Mondays to be flexible.  Sometimes a monster, other times something monster related or in this case a review.

Now I have gone on the record, many, many times, talking about how much I love monster books. My first glimpse into D&D was way back in 1978-79 when I first saw and read the Monster Manual.  Very few books have come close to that feeling of unlimited potential.  So when a new monster book comes out, I have to take a look and usually grab it.

Beasties from Night Owl Workshop has something of a pedigree in my mind.  The art and text are from none other than +Thomas Denmark.  He is responsible for some of my favorite art during the d20 boom, in particular Citizen Games "Way of the Witch".

Beasties is an 84 page, digest sized, black and white interior book of new monsters.  According to the sales text on DriveThru the book contains:
27 Monsters
6 NPC's
37 Drawings!
5 Maps
1 "Megadungeon" sample.

It certainly punches above its weight class in terms of monsters and content.  All the art is by Denmark himself, as is the text with additional text by Terry Olsen.

The book is designed for "Original Fantasy Rules" but plenty of conversion notes are given for OSRIC and Basic Fantasy.  There are also some conversion notes for Nite Owl Workshop's other games Colonial Troopers, Guardians and Warriors of the Red Planet.

Monsters are typically presents with stats and description on one page and the art on the next.
Many of the monsters have a distinct "old school" or even pulpy feel about them.  Indeed, I certainly can see many of these working great with WotRP above.
There are a lot of new undead monsters to add some interesting challenges to your players too.

I love the "Flying Locust Citadel" to be honest. There are just not enough flying mega-dungeons in D&D as far as I am concerned.

Plus the entire work is released as "Open" under the OGL so that is a nice touch.

Bookmarks in the PDF would have been nice as well as a table of contents. All in all a good book for the price.

Sinderan Witches
Of course, these two caught my attention right away.  I'd love to hear more about "Sinder's ancient past" and how these two groups of witches came to be.  I'd also love to hear how the "Sinderan Light Witch" became the evil, youth stealing witch and the "Sinderean Shadow Witch" became the good protectors of the innocent.    I could build an entire tradition out of these two.

Don't forget to include the hashtag #MonsterMonday on Twitter or #MonsterMonday on Google+ when you post your own monsters!

Review: Ravenloft 3.0

The 3.0 era was on us.  I had just come back to D&D from a long hiatus and to my surprise we were getting a new Ravenloft setting and it was going to be penned by Swords & Sorcery Studios/Arthaus/White Wolf.  Say what you like about WW, they do know vampires.

Ravenloft 3.0 was one of those books I bought in the new 3.x era and I loved how it looked.  I splurged and grabbed the limited edition version from my favorite local game store.

I thought the art was fantastic and loved how well it adapted itself to the 3.0 rules.  But I had already had some experiences with 3.0 and even had pictured up some Swords & Sorcery Studios books and enjoyed those as well. The races were a nice treat to be honest. For the first time I really felt like I could run a Ravenloft game with the likes of gnomes, halflings and especially half-orcs, now rebranded as Calibans and the new Giogoto.

I think though I was expecting more at the time.  SSS was part of White Wolf like I mentioned and I was hoping for some of what made Vampire: The Masquerade so good to be here.  In re-reading it now, so many years later, I find I had unrealistic expectations.  In truth this book is a much better organized and updated version of the 2e Domains of Dread book. The nice thing about Ravenloft (and many of the D&D worlds) is that the plot kept moving along despite edition changes.  Though there is also a nice timeline included so DMs can do what they want.

This book has a black and white interior when most others were going full color.  To me this is a feature, not a bug.  Ravenloft is world of shades of grey and the art here is helps convey this.   The book is a basic campaign guide including the people, the lands and most important for Ravenloft, the horrors of the lands.  There are some new feats and skills. No new spells, but suggestions on how magic will be altered by the Mists.  There is even a section on the Gods of  Ravenloft.

Since most of this book covers the lands, their inhabitants and the Cultural Level of each, there is not a lot of crunch.  Translation: You can use this with any other version of D&D you like.  Even the feats look like they would work well with 5e still.  Even the section on "Fear, Horror and Madness" would work well.

It lacks large foldout maps of the 2e days, but it is a surprisingly good resource to me these days.
Well worth picking up.

Review: Curse of Strahd (D&D 5e)

Quick question. Who played Dracula?

Your answer might depend on a lot of thing from when you first saw Dracula in a movie to your age to what your cultural background is.  I also bet that the choice of actor might also say something about your gaming choices, but I am not getting into that today.
Like Dracula, who keeps coming back from the grave to scare or charm a new generation, Strahd the Vampire and his home in Ravenloft keep coming back for each version of the D&D game.

You can easily buy a Ravenloft product to fit any version of D&D you like.  There have been subtle changes with each round of designers and editors.  To extend the Dracula movie metaphor more, I6 Ravenloft is "Hammer Horror" (Christopher Lee).  2e Ravenloft Domains of Dread (boxed sets and books) were "Bram Stoker's Dracula" (Gary Oldman).  3rd Edition was split between Wizards own Expedition to Castle Ravenloft ("Dracula 2000," Gerard Butler) and the Ravenloft setting from White Wolf/Arthaus (Lestat movies).  4e's board game, Undead books and Shadowfell books were different enough that these are more like the NBC TV series Dracula (Jonathan Rhys Meyers).
This new book is "Dracula Untold" (Luke Evans).

I have converted Strahd to a couple of different systems myself.  I have been playing in Ravenloft, the castle and the land, since the original module came out in 1983.  I played it when it first came out and it is one of maybe three adventures I have run under every version of D&D I have ever played.  Ravenloft has history both in game and in the real world.  It was my world of choice in the AD&D 2e years and the effect it has had on adventure design can't be overstated.   To call it a sea change is not hyperbole.

So the new 5e Ravenloft has a lot to live up too.

I mentioned here back in the Summer that I was going to run the original I6 Ravenloft adventure for my family at Gen Con 2015.  I spent most of July prepping for that, working out Strahd's 5e stats, converting the major magic items, filling in some details.  None of it was hard work really. Again I *know* this adventure like few others.  The hardest part was balancing out what has become the de rigueur method of handling a D&D 5 encounter with the more plot-driven nature of the Ravenloft adventure.   Having this new Curse of Strahd book then would have helped me out a lot.

The new book is a retelling of the same I6 Ravenloft adventure from 1983. On the down side there is not much about the "Demi-Plane of Dread" as we knew it back in 2e.  This is more 4e Shadowfell.  Including it as part of the Shadowfell actually gives the DM more flexibility to be honest.   So that is good.  I did not notice much from the disappointing 3e Expedition to Castle Ravenloft here. So that is also a plus.

The book itself is hardcover, full color, 256 pages. Suitable for levels 1 to 10 for D&D 5.  The "Castle Ravenloft" adventure itself has been upgraded to level 9.

The first 90 pages or so are some introductions, some background and the updates Castle Ravenloft adventure.   There is an introduction and forward here too. The subtle snark directed at the likes of Twilight in Tracy Hickman's forward can't be missed.  There is a page on how to run a horror-themed game. It's nice, but nothing new and by no means complete.   If you really want to run a horror game find a copy of +Kenneth Hite's "Nightmares of Mine" or Spooky: The Definitive Guide To Horror Gaming.

The book is basically a sandbox, with Castle Ravenloft (the place and the adventure) in the "middle".  It is designed for adventurers from 1st to 10th level.  There are a few really interesting "side treks" including the low level "Death House", the medium level "Argynostholt" and the high level "The Amber Temple".  Death House is available for free from WotC.  So I would grab that first if you are on the fence about this.

Souls vs. Shells
One of the new "features" of this book is the idea that not everyone in Barovia has a soul.  Now if you were playing this as a horror game then this would be a truly frightening concept. The scenarios that are implicit in this are numerous.  Hapless villagers moving through their lives in drudgery, unfeeling save for a pervasive dread.  Or worse yet the same said villagers coming to the PCs begging them to find their lost souls.  Or PCs born in Barovia discovering they are among the "Soulless Shells".   Sadly though as a D&D game I see this only working as an excuse for PCs to murder bystanders.

There are some interesting character options, like the new Haunted One character background.  The iconic magic items like the Sunsword and the Holy Symbol of Ravenkind are here too.  As well as the Tome of Strahd.   The Gothic Trinkets are a really nice touch to be honest.
There are some new monsters too.  The is a fantastic full color tear out map of Castle Ravenloft (roughly 32" by 24") on one side and Barovia on the next.

I think in the end I was hoping for more.  Maybe not so much as a repeat of the 2e Ravenloft Domains of Dread campaign world, but something...more.

There will be a Tarokka deck you can buy later.
http://dnd.wizards.com/products/tabletop-games/rpg-products/tarokka-deck
I think I still have my 2e one around somewhere, but I prefer to use Tarot cards myself.

You can read the table of contents here.
http://tribality.com/wp-content/uploads/2016/03/01_CoS_TableofContents_4s09.pdf
I got excited when I saw that "Barovian Witch" listed under NPCs and had hoped to see an update to the 2nd Ed "Witches of Hala" but sadly this was not the case.  But it has given me some ideas.

I know. This is Pathfinder, but this is what a witch in Ravenloft could look like.

Ok bottom line time.  Who should buy this and who should avoid it?

Buy this if...
You are a fan of Ravenloft and want to have a complete collection.
You are a fan D&D 5e and want to have a complete collection.
A fan of adventure design and want to see how a 1st ed to 5th ed conversion can be done.
If you are planning to ever run Ravenloft under 5e.
Like the idea of playing in the Barovian sandbox.  This is actually a big one to be honest.

Avoid if...
You are not planning on running the classic Ravenloft adventure.
You are not playing D&D 5e.
Want to do your own conversion of one of the many options out there for taking on Strahd in his castle.

There are no new classes or races.  Not even rules for playing a Vistani.
There are no new spells or rituals either.  This seems like a bigger miss to me.

In the end you have to decide for yourself.  I am certainly not someone that needs tips on playing horror game, nor am I going to run Ravenloft (the adventure) under 5e (already did it) and don't need help converting.  There isn't anything here I could not have done on my or haven;t already done on my own.  But I got it anyway.  Hopefully there will be a sequel for levels 11-20.

Just like Dracula, Strahd can (and will) come back.  There are even details in the book about how it happens.  So maybe a sequel is already in the works?

Now that would be fun!

Review: The Winter Witch by Paula Brackston

I have been researching a bunch of witch books and winter witches in particular.  I found bunch of books so here is the first.  Paula Brackston was recomended to me as a fan of Harry Potter. In this book, The Winter Witch, I didn't quite see it, but I think other books of hers might be a closer fit.

There was a lot about this book that attracted me. Set in the early 19th Century, set in Wales and it dealt with a witch from a line of witches.  Interestingly enough her parent that was a witch was her father.

The story revolves around Morgana and her new husband Cai.  The characters are both likable and you really root for them throughout the book.  Morgana has a quiet...sorry no pun meant; she is a mute...sort of witchcraft.  She can move things with her mind, see far away places and other subtle powers.  I really like how her powers were protrayed and how they grew throughout the story.

The story of course is not without conflict. This arrives in both mundane issues such as the villiage getting used to Cai's strange new wife, a priest who is accusing her of witchcraft and a rival witch that wants Cai and his land.
The story built rather slowly and honestly I felt it dropped a bit in the middle, but near the end Brackston turns it all the way up and it becomes a magical adventure and battle worthy of it being mentioned in the same reviews as Harry Potter.

I listend to this book as an audiobook from Audible.  Marisa Calin was fantastic as all the characters and really did do a good job of giving Morgana a voice.  I am happy to see tht she has read other books from Paula Brackston, so that also makes her books more attractive to me.

In the end I am giving the book 3.5 out of 5 stars.

For gamers this is a good set piece to show how well you can involve low level character in epic battles.  I will have more to say about Winter Witches when I am done with the other "Winter Witch" book in my TBR pile.

This book qualifies for the following reading challenges.

No surprise it fit so many, I was joining all these while I was reading it!

Witches & Witchcraft Reading Challenge: The Last Apprentice/The Spook series

I have been terrible at posting in the Witches & Witchcraft Reading Challenge since June.
Well...no time like the present I guess.

Instead of doing everything I have read since July I'll focus on the "Spook Series" also known as the Wardstone Chronicles or The Last Apprentice books by Joseph Delaney.   I reviewed the first book, The Last Apprentice, back in January.

Yes these are children's books or Young Adult. But my youngest son was reading them so I thought I would read along with him.  Sometime around book four I passed him up.
I remember seeing the first book, The Last Apprentice, when it first came out.  I flipped through it and got the idea then that Spooks were something like rangers, only focused on get rid of ghosts.
The inevitable comparison though is to Harry Potter.  Like Harry, Tom Ward starts out as a young boy and grows into his destiny.  Tom's backstory is not as tragic, but he has plenty of secrets about himself to learn.  I will be honest. These books are not as good as Harry Potter, but that is hardly a slight. Hardly anything is as good as Harry Potter.  But these books do have some charm and they are a really quick read. So here are my reviews, game information will follow.

The Spook's Curse (Published in the USA as The Last Apprentice: Curse of the Bane) - 2005
The second book in the series deals with the death of the Spook's brother and their journey to Priestown. Here Tom are the Spook reunited with Alice, but she is in the hands of the Quisitor.  To make matters worse, the monster imprisoned in the catacombs under Priestown is waking up and exerting more control over the priests to turn them evil.  The Spook, Tom and Alice have to work together to defeat the Bane.
What I liked the most about this one was the development of Alice as a character.  You get the idea that she will be or already is a very powerful witch in her own right.
Number of Witches: Only 1 confirmed

The Spook's Secret (Published in the USA as The Last Apprentice: Night of the Soul Stealer) - 2006
Winter has come to the County and the Spook, Tom and Alice travel to the Spook's winter home.  We learn a lot more about the Spook's background and he is not as "pure" as he claims to be.  We learn he has kept his "wife" and her sister locked up in his cellar because they are Lamia Witches.  We also meet Morgan, a failed apprentice Spook turned Necromancer and now an enemy of John Gregory the Spook.
This book sets up the formula that will appear in other books, Tom and Alice fighting multiple enemies at the same time.  In this case Lamia Witches and Morgan/Golgoth.  The tone in this book is also a bit darker than the first two.  Tom's dad dies and Morgan keeps the soul imprisoned.  Fairly dark. I liked that in his youth the Spook was not so principled.
Number of Witches: 3, plus 1 Necromancer

The Spook's Battle (Published in the USA as The Last Apprentice: Attack of the Fiend) - 2007
Ah, now we are getting into the meat of the series (so far).  Tom's mother "Mam" (I'll admit, I hate that name. She really should have had a proper name) has gone home to Greece to fight the Dark there.  But in the meantime Tom's brother Jack, with Jack's wife and daughter are all captured by Pendle Witches and his mother's trunks are taken.  Alice goes ahead to Pendle, where she still has witch relatives of her own, to find out what is going on.  When she does not return Tom and Spook go into the heart of town populate by three powerful clans of witches.
In addition to learning more about Tom's mother (she was likely a domestic Lamia witch) we learn more about Alice. She is the daughter of two witch clans for example and still has plenty of relatives left.  We also meet one of the coolest characters in the series, Grimalkin the Witch-Assassin.  But the Big Bad of the series is finally revealed; the Fiend or The actual honest to goodness Devil himself.  And he wants Tom.
Number of Witches: 100s

The Spook's Mistake (Published in the USA as The Last Apprentice: Wrath of the Bloodeye) - 2008
Tom has entered next phase of his apprenticeship where he will go train with a different Spook for 6 months.  This time with former apprentice Bill Arkwright.  Here Tom learns more about Water Witches and learns more about the plans the Fiend has in store for him.  He is afraid that Alice is getting closer and closer to the Dark.  He also makes an unlikely ally in the form of Grimalkin.  Here also Tom learns that Alice was not the daughter of two benign witches but the daughter of Bony Lizzy and the Fiend himself.  The Spook wants to put her in a pit but Tom and Bill intervene.  *Note to be fair we learn that Alice is Bony Lizzy's daughter in the "Seventh Son" Movie, I just thought at the time they were being lazy.
Number of Witches: half a dozen or so

The Spook's Sacrifice (Published in the USA as The Last Apprentice: Clash of the Demons) - 2009

Tom, Alice, his mother, Bill Arkwright and a reluctant Spook join forces with the Pendle Witches to travel to Greece to battle one of the Fiend's greatest allies, the Ordeen. We learn a lot more in this book.  Tom's mother is not just a lamia witch, she is Lamia herself and all Lamia witches are her offspring.  She has been fighting the Dark now for centuries.  We meet some Greek Spooks who have different ways of fighting the Dark and Grimalkin continues to be a bad ass.  Tom has to make a very choice between two equally bad options and ends up under the power of the Fiend.  Alice then uses more Dark magic to keep him out.
Number of Witches: 100s

The Spook's Nightmare (Published in the USA as The Last Apprentice: Rise of the Huntress) - 2010
Tom, Alice and the Spook return home to find the County ravaged by war and the Spook's home destroyed.  Tom and Alice have to step up and do more of the work as the Spook is in a funk.  They end up on the Ilse of Mona where they encounter fear and resistance from the people.  They also discover a shaman, a cache of black magic energy, a half-demon, a demonic monster and Alice's mother Bony Lizzy.  One of the things I liked about this one was how witches become more powerful when they turn 40.  As someone in my 40s I think that is a great idea! We are also introduced to a Bird Witch which can summon birds to do her bidding.
Number of Witches: 4 or 5

The Spook's Destiny (Published in the USA as The Last Apprentice: Rage of the Fallen) - 2011
"Never go to Ireland" is the warning given to Tom by the Morrigan.  But Tom has no choice and he follows Alice and the Spook to Ireland where they have to deal with a group of "Goat Mages" attempting to summon the old god Pan.  Here Tom spends a lot of time tied up, unconscious or away from the Spook.  Alice is actually captured by the Fiend at one point and taken to Hell.  Tom must battle The Morrigan and the twin sister of a witch he and Bill Arkwright once dealt with.
He meets the god Pan (who is not as bad as everyone makes him out to be) and he even has a chance to visit Cú Chulainn in a sidhe mound.
This one started out slow for me, but I was excited they were in Ireland.  The meeting of Cú Chulainn was great and gaining the Sword of Destiny was cool too.  But the best part was more interaction with Grimalkin.  I won't spoil the end for you, but it is cool.
<spoiler>Tom defeats the Fiend and gets Alice back from hell.</spoiler>

It has been a fun series to say the least.

Need to pick up the last few books...for my son of course.

Books read: 25
Current Level: Crone,  Read 16 – 20 Witchy Books

Review: Crimson Dragon Slayer

Purple, now Crimson. +Venger Satanis could have had a whole color theme going here.

Continuing with my reviews of the products of Kortthalis Publishing. Today I want to look at Crimson Dragon Slayer.

I had pretty high hopes for this one. I am part of his target audience, I enjoyed the 80s, enjoy a gonzo edge to my games, and I don't mind mixing my genres a bit.  I also don't mind doses of humor in my games.   But....well maybe I just didn't "get it" in this one.

I want to start off with the things I liked. The book is gorgeous and I am happy to see that VS is spending his money on art than say orgies dedicated to Cthulhu.  No idea though he might be doing both.  But the art is great looking in this book.  It is basically three varieties, the "Lovecraftian" art found in earlier products (ex. on p. 23), the sword & sorcery (p. 11) and the humorous (p. 14).  My favorite though is on page 4. The layout is fantastic and the character sheet on page 41 is a gem.  Plus that cover art. Really, really excellent.  If the arrt was a problem for you in his other products then take heart here.  There is nothing here that isn't PG, and dare I even say it, G rated.  Even the scantily clad barbarian and maiden on page 11 are still covered more than a swimsuit issue.

While reading this I am struck with how this is the RPG version of the Heavy Metal story "Den". In the movie a kid from earth is transported to a sci-fi/S&S world where he become a might thewed (and bald) barbarian.  Not a bad idea really, and something I could do more with than say Carcossa. But it is also riff on the Dungeons & Dragons cartoon.

The book itself is a bunch of house rules.  Again, this is what was advertised.  Many were hinted at in previous books. Some are good, many I have seen in one form or another elsewhere over the last 35 years.  A couple things jump out at me.
Infernal Elf: I have to admit I rather like this idea and it is something I have been toying with myself since listening to Kim Harrison's Hallows series.  In that book Elves and Demons are ancient enemies, but are a little closer than they would like.  This works right in with that.
Robots: Hmm. No. Not really my thing, but I get why it is here.

The chapter on magic is interesting and something I might adopt.  At this point I am imagining Thule as not some distant planet, but as a mystical island just south of Hyperborea.

There are some magic items, some notes on converting monsters and even a small cavern crawl.

All in all the book is fine, but nothing really extra special. Maybe I was expecting more or something different. I don't know.  I am not quite sure it lived up to my expectations of it.

Review: The Islands of Purple-Haunted Putrescence

Continuing my week of +Venger Satanis posts here is his next big one.

The Islands of Purple-Haunted Putrescence
Described as weird fantasy/sci-fi/gonzo, I also wondered if it was a subtle jab at "The Big Purple".
Let's start of with the easy stuff.  Yeah, some people are likely to get offended by this adventure.  That's not a bug, but a feature, as we say.  Typically anything done either to purely offend or go out of it's way to push an agenda is going to suck.  I get the feeling here that this is the sort of game he plays all the time.  The art is still more "Heavy Metal" than it is "Hustler" and there is a solid 80s vibe to reading it all.  Please keep in mind this aesthetic when reading; it is a guiding principle that fits the art and the game design.   I think in someone else's hand it would have come off as crass or even as complete shit, but VS owns this. There is an honesty here that can be respected.

This book is a campaign book/hexcrawl/sandbox.  The PDF is 110 pages and packed.  It would make for a gorgeous looking book and it would sit nicely on my shelf with my other books circa 1983.

VSd6: This is a new mechanic introduced for skill checks/ability checks.  He mentioned it has been influenced by 100s of other d6 based mechanics and you can see that here.   It is an interesting system and provides some nice dramatic elements to the game, but not something I am planning on using myself.

Darker Secrets: This book also brings over the "Dark Secrets" idea/tables from Demon Slayer.  So in some respects you can use this book as a means to "beef up" the Demon Slayer adventure, although you don't really need too.   Though adding in the changes to magic that this book does might be fun.

The Monk: This campaign guide also features a Monk class.  It is not too far from the AD&D1 standard, though not as much detail is given.

We get into the islands proper and are given some background; 20,000 years of background to be precise, but only in a couple of pages.  The interesting bits happened in the more recent past including turning the "Purple Islands" into a penal colony.  Yeah, no jabs here at all...

There is a lot going on with these islands and the worship of the Great Old ones is just a small part of it.  The wording of the monsters, settings and even location is basic or even vague enough to allow you to put this anywhere.  It feels kitchen-sinky enough to fit into places like Mystara (which has a little bit of everything anyway) but focused enough to give you hints that is part of a much larger world.   Though I do like the appearance of the Shiny Demon and a preview of "Alpha Blue".

There are pop-culture references galore here, and it is very obvious that VS pulled out every bit of fantasy, sci-fi, euro-sleaze horror and 70s metal he had at his disposal and threw it into a blender with plenty of purple dye.  It could have turned out to be a horrible mess, but it doesn't.  Instead we get a ton of options spread over three islands.

I have to point out, don't play this as a single adventure.  The purpose here really is not to clean out the island, but to explore it.  It's a great place to strand some PCs after an ocean-going adventure.

At the end of the book we are given new spells and new magic items.

In the Afterword VS mentions that this product should not be used in isolation.  I agree, again I think that this would make for a great semi-tropical island in Astonishing Swordsmen & Sorcerers of Hyperborea. The mythos are similar enough, or at least enough to fit together.  The only thing that would make it more perfect is if this book could be printed in 7.0" x 8.5" format to fit in my AS&SH box.

Not sure where or how I want to use this yet, but I know I really want to.

Fantastic Heroes & Witchery Week!

This week I want to spend some quality time with Fantastic Heroes & Witchery and Dark Albion: The Rose War.

I have talked about Fantastic Heroes & Witchery a little in the past, but I have not put up a proper review.  With Dark Albion now out I figure it is a good time to look at both in detail.

I am rather looking forward to it.

Review: Leagues of Adventure

Leagues of Adventure is a Victorian Steampunk/Weird Science game from Triple Ace Games.  Though calling is "Steampunk/Weird Science" is selling it really short.  I actually have a lot to say about this game because I really, really like it.

Note: I am reviewing the hardcover and PDF versions of this game.  The hardcover is nice with a nice sturdy binding, full color cover with b&w pages and color inserts.  The PDF is the same and weighs in at 262 pages.

Leagues of Adventure (LoA hereafter) is the first Ubiquity game I ever purchased. I think what drew me to it was that it was very much a "Steampunk/Weird Science" game which was something new for me.  All my Victorian games tend to be Victorian/Magic/Gothic Horror games.  Ghosts of Albion, Cthulhu by Gaslight and even Victoriana are ones that spring to mind the quickest.  So this is a period I am intimately familiar with; one I really love and enjoy.

Maybe it is my read on it, or by design, but this game is more pulpy, two-fisted action than other Victorian games.  Sure it is not pulp to the level that Hollow Earth Expedition is, but the shared DNA is obvious.  Even a couple of the archetypes felt similar.  So if your idea of Victorian era fun is dark, smog soaked streets at night hunting a lone killer...well this game can do that, but it is also better suited to hunting down a rampaging elephant in the heart of the city let loose by a society with aim opposed to yours.   Or hunting down a secret cult planning on releasing a virus in the city.

Certainly one of the many inspirations for LoA is another League, the League of Extraordinary Gentlemen.   Indeed, the cover even invokes the movie a bit.  Hey. I know the movie sucked compared to the comic, but it was still big stupid fun and I enjoyed it.

If you are familiar with the Hollow Earth books then this is one is set up along a similar idea.  Though the chapter titles wonderfully worded and sound "Victorian".  A huge plus in my book.

The Introduction is the typical what is this game, what is roleplaying, what is that house, where does that highway lead to?  Sorry. That was the Talking Heads.  Not really needed by anyone reading my words here, but still nice to have.

Chapter the First: What Has Been & What is to Come, covers a history of events from 1890 to 1899.  Dates are listed, wars are discussed and various rulers of nations are listed.  Good background information for any Victorian game.  The best bit might be the "Who's Who" it includes a mix of real and fictional people of the Victorian age.  If you play any Victorian game or have a passing interest in this period then this list has a lot of familiar names.   Still, great to have.  My ONLY complaint about this chapter is that it would have been better served as an appendix.  It is just a collection of lists with no narrative or context.

Chapter the Second: Concerning the Nature of Character & Inherent Qualities.   I want to pause to really soak that title in.  I am a Victoriana geek. I love that, sounds like a scientific paper that would dabble into meta-physics.  But all that aside this is the chapter on character creation.  Moreso than HEX this game is focused on Nationality because, well surprise, the Victorians were.
Since LoA is a complete and contained game, the full character creation rules are present here. This is good since the archetypes and motivations are slightly different.  Primary and Secondary Attributes are the same with the same point spread. Skills are given the same point spread as HEX but the skills themselves are slightly altered. Talents are also present with more of a Victorian flair.  The focus here is very much the "everyman" adventurer.  Sure having money or connections help, but these are slef-made men and women. So no supernatural talents just yet.  Under Resources we get to real meat of this game.
Characters are expected to be part of a League.  It is a great way to get dissperate and often unimaginable types to real Victorians of people together to adventure.  Each League can even have a wealthy Patron to provide the gear and expenses.   There are a number of clubs and leagues presented.  All with different hooks, skills and motivations.  It really is a cool way to get beyond the "you meet in a pub/bar/inn".  My faves are the Fenian Society, The Hollow Earth Society and the Temporal Society.  There are lots more, but making a new one is a breeze.  Hellfire Club anyone?  Actually this looks like a good way to introduce one I have played around with in the past, The Order of Lincoln's Ghost.
What follows are the color insert pages of the stated archetypes.  We got another Big Game Hunter here too, but it is interesting to see the differences between the LoA and HEX versions.
One minor nitpick...There is a pioneering Aviatrix. Yeah I know in a Victorian game a woman would never be around a plane, well that doesn't concern me (watch the Hayao Miyazaki movie "Porco Rosso" and then we can all stat up spunky girl airplane pilots).  No my issue that the first plane flew two years after Victoria was dead.  Ok, Ok this game also has a "Temporal Scientist" in it.  So my nitpick will fall on deaf ears.  I fix this by just setting my game in 1901.

Chapter the Third: The Mechanisms of the Known & the Unknown.  AKA Game Rules.   Here are introduced (or reintroduced) to the Ubiquity game system and dice.   I appreciate simple mechanics in my games and Ubiquity really is about as simple as you can get it.  Check your dice pool, roll the number of dice and add up the successes.  This works great with the pulpy-style of HEX. In LoA you get a more action-adventure orientated Victorian game.

Chapter the Fourth: Fisticuffs, Firearms & Falling With Grace.  or Combat.  Again. Love these chapter titles.  This is our combat chapter.  Truthfully if you have read and understand Chapter 3, then this is the logical extension of that.  There are other issues, but really it reads smooth and easy to follow.

Chapter the Fifth: Trappings, Necessities, Weapons & Conveyances.  Equipment.  Like it's older cousin this chapter has huge list of equipment.   I am pleased to see that the prices are given in British Pounds, schillings and pence (as any proper Victorian age game should) but also there is a listing for cab fare.  Read Sherlock Holmes sometime; the many kept several cabbies in business all by himself.

Chapter the Sixth: Of Physics & Metaphysics.  Ah. The chapter on steam punk weird science.  We start with what is the most important for this game; Inventions.  The Victorian time is often seen as a time of wild inventors, well you can do that with this game. The invention creation rules are really fun and simple. We follow with gadgets (smaller items), weapons, vehicles and moving on to the "living creations" aka your Frankenstein's Monster.  There are plenty of sample inventions to give you ideas or at least an end goal.  I say as a GM don't make an Ornithopter available to characters just because you have the stats for it.  Make them invent it.

Chapter the Seventh: A Guide to Navigating the World of Adventure. or the setting.  We start by talking about the style of the game.  Will it be gritty, adventurous, pulpy or cinematic.  There are tips on how to do all of these.  Personally for this game I prefer the pulpy action.   This chapter also covers adventure ideas, goals and hooks. All of this against the backdrop of a world during the turn of the 19th Century to the 20th.  The "modern" world is coming.
This also includes guideline on creating a "Villainous" league.  Every Justice League needs a Legion of Doom.  A few detailed examples are given.

Chapter the Eighth: Of Travel & the Unseen Marvels of the World.  The is the world overview for LoA.  It is a pretty healthy chapter too.  Lots of places are covered from around the world, both known and mysterious.  As well as factual and fanciful. I found this to be fascinating reading to be honest and really it makes this book worth the price to any GM running any sort of Victorian game.  It may or may not be compatible with what other game you are using but the ideas are a gold mine.

Chapter the Ninth: Stalwart Friends & Fiendish Adversaries.  The chapter of Mooks, NPCs and some creatures.  We get some generic mooks, "Thug", "Cultist" and so on as well as some named NPCs. Notable, Col. Sebastian Moran and James Moriarty of the Holmesian Canon.  Lo Peng, Dr. Moreau, and The Mad Monk.   For monsters we get a nice collection; Intelligent Apes, Gill men, and some dinosaurs.  We round it off with some normal animals.

There is a list of Recommended Reference Materials.  A Character sheet and a good index.

What can I really say about this book.  I am inordinately fond of it.  There is no magic worth a damn in it (normally a deal breaker) but I still enjoy the hell out of it.  There is a feeling in this game I can only describe as the "Thrill of adventuring".  In Ghosts of Albion people adventure because there has been some terrible murder or other crime committed by magic. In Cthulhu by Gaslight it is because of some terrible, unknown horror lurking in the shadows. In Leagues of Adventure the conversation is more like this:
Scientist: I do believe there are dinosaurs in the Amazon.
Big Game Hunter: What's that you say? Geeves, pack my trunks and guns we are going to South America!
Aviatrix: No too much, I am still working the issues out of my airship.  Better just take the guns.
Big Game Hunter: I like the cut of your gib girl! Geeves, just the guns then!
Scientist: There is a chance that the Explorers Club might beat us to it.  Though their scientist was at University with me, he can barely read ancient cuneiform let alone a map.

This is a game about big adventure. Frankly I get excited every time I open the pages.

Later I want to talk about using this game along with other Victorian era games.

Reviews: Hollow Earth Expedition Supplements

Today I want to go through some of the supplements for Hollow Earth Expedition.  Each of these adds something I think necessary and needed to the game.

Secrets of the Surface World

I won't lie. I really, really like this book.  I am reviewing the PDF at 167 pages.
Secrets of the Surface World is the guide for all characters really.  There is a lot going on *on* the Earth without ever having to go *in* to it.
Chapter 1 covers Characters. Here we have a host of new archetypes, motivations and skills for your characters.  The big add here is the inclusion of Martial Arts and Brawling skills. So now you can make your own "Kwai Chang Caine" character.  Though for me the jewels are in the Talents.  Here we have Magical Aptitude and Psychic Ability.  Personally I think these should have been in the core book, BUT I do see why they are here.  HEX is really more about science, or more often SCIENCE!, and magical powers don't really help that.  But I am sorry I just love to see magic in my games.  Don't worry, fans of Weird Science have plenty to look at here as well.   There are more Resources as well.  Flaws are also covered, but so are Severe Flaws.  These are obviously worth much more.   We are also given Mental Flaws.  Plenty of Role-playing fun with these.
Chapter 2: Supernatural Powers is why I got this book to begin with!  Yeah, I like a certain kind of game and this chapter turns HEX into that kind of game for me.  The Supernatural powers are divided up into Psychic Abilities and Magic.  The system is pretty straight forward to be honest.  Psychic abilities are divided into various talents, each one must be purchased separately.   Magic is a single talent, though there are different Traditions, and a skill.   Spells and Rituals must be uncovered or found.  Not a lot of magical traditions and spells are given, but there is enough for me to take it and run with it.
Chapter 3 Secret Societies continues where the HEX core left off.  Everything from the Thule Society to the Mafia are covered here. Like the core some NPCs are also presented here. My favorites are Aleister Crowley and Edgar Cayce. It is a great contrast to see the two different supernatural styles together.
Chapter 4 The Surface World covers more parts of the world not touched on in the core book.
Chapter 5 T. F. Arkington's Lifestyle Emporium covers more gear.  A lot more gear.
Chapter 6 Weird Science.  I said there was going to be more for the fan of Weird Science and I meant it.  Want to send giant Nazi mechs against your characters? Ok. We can do that now.  Really.
Chapter 7 Vehicle Combat continues the material from the Core book. Though more detail is given. In truth you might not ever need this chapter since the core covers it so well, but it is nice to know it is here.
Finally we end with a sample adventure Prisoner of the Reich.
All in all a satisfying book.  I can't help but think that some of this should have gone into the core book, but the magic stuff is so different than the rest thematically I see why it wasn't.   I got this for the magic, so I am pleased with that.

I have so many plans for this book.

Mysteries of the Hollow Earth

Like Secrets of the Surface World is for well, the surface world, this book is all about the Hollow Earth.  Create native characters from all over (under) the Earth.
Chapter 1 again deals with Characters.  At this point you know how this all set up.  New Archetypes include Barbarians, Beastmen, Guardians, Healers, Mystics, Natives, Outcast and Warriors.  One thing should be pretty obvious now, not only can you use this for a Pellucidar-like game, but it sets up a Barsoom game nicely or even a Conan/Hyborean Age game.  A Pulp game in a Pulp setting, how nice is that!  There are some new motivations, and plenty of new talents. There are also some new flaws.  This book feels more like a true supplement rather than a book of "left-overs"; some thought and research went into this.  I was reading through it all and mentally substituting things I had read from Edgar Rice Burroughs or Robert E. Howard.  That's a good sign.  Plus you can mix and match talents to create Panthermen, Hawkmen, Reptile-people (always a plus in my book) and dozens of others.
The pre-gen Archetypes are great.  The Amazon Warrior makes me want to play a Xena like game now.
Chapter 2 takes us back to Supernatural Powers.  We start with more details on sorcery including more modifiers.  We also are given Shamanism and Alchemy which is really cool.   This chapter plus it's twin in Secrets of the Surface World gives me no end of ideas.
Chapter 3 covers Natives. This is a great and fun chapter to be honest.  If anyone asks me why run a game in the Hollow Earth I am directing them to this.  It is an odd mix of Pulp, post-Victorian occultism and fringe science.  I love it.  I have seen other games take the same elements, but the assembly here is fantastic.  Is it the only way to do this? No, the same elements appear in many other games (Amazons, Atlanteans, lost titans...) but here it works rather nice.
Chapter 4 Beastmen covers the others living in the Hollow Earth.  Natives are largely human, beast men are something else.  The usual suspects are here; Apemen, Gillmen, Lizardmen, Molemen (natch), and Panthermen (or at least a cat-like humanoid race) but there are some great newcomers like the not often seen Hawkmen (should be more Egyptian in my tastes but hey, happy to see them) and some insectmen and the new for this genre Green Men which are more plant like.
Chapter 5 covers the Hollow Earth.  It includes some basics (healing, getting out) but mostly devoted to various locations.  Atlantis for example is here, as is El Dorado (the City of Gold), Shangri-La,  and Blood-Bay where the Pirates hang out.  That is enough to keep you going for a while really.
Chapter 6 adds a more monsters to the Bestiary.   There are more dinosaurs here (always welcomed!).  There are prehistoric reptiles that are not dinosaurs, such as the Archelon and the Plesiosaurus among others. The science geek in me appreciates the separation.  We also get a great collection of prehistoric mammals.  Giant insects, giant apes, and other creatures fill this section.  There is even a guide for creating your own creatures. Which is good, because the one monster I wanted wasn't there.  The book has plenty of pictures of Dimetrodon, but no stats.  I might have to make my own now.
We end with a sample adventure, Fate of Atlantis and an Index.
There is so much here that any half-decent GM could find hours and hours worth of game materials for their own Hollow Earth games.

Perils of the Surface World

This is a collection of adventures that takes the characters around the world.  Adventures are harder to review than games in general since the real proof in both is the playing.  Adventures only more so.  This book contains four separate, but loosely connected adventures.
Each one also contains some added crunch or rules to the game.  We get Faith and Miracles, Horror, Infection and Sanity, New Sorcery Rituals, Artifacts and Vehicles and lastly (what might be the most fun) some Martial Arts powers.
No spoilers, but if you need some ready to go adventures then this is the book you want.