Review: Reimagined: Fanfic Role-Playing Game

Ok, now this is a fun one. At least it made me smile.

Reimagined: Fanfic Role-Playing Game

Reimagined is a "fanfic RPG" in which you take some other world and run with it.
If you have ever read (or written) fanfic or have a personal "head-canon" (or even know what that is) then this might be the game for you.

The author, Katarzyna Kuczyńska, comes in with some solid street cred, just different than what I have seen in the past.  This is a good thing.

The game is for two players using the X-Card system (a system I was not very familiar with).
You decide on the fandom, what level of romance you want (Gen, Lime, Lemon and Smut), what sort of story you want (lots listed) and who the charaters are and what the themes are.

Now you and the other player work out your do's and don't (or yeses and noes) and move on the storyline.
You have some tables you can roll on with a d6 (which makes it a game and not a series of collaborative storytelling).  The tables will depend on the tone of your game and type of story.

The players go back and forth being the "actor" and the "director".   I think with some tweaking it could be modified to accommodate more people and thus more characters.  This is one of those games where people that really know each other is where it would work the best.

There is also an example of play given and some examples of the worksheets filled out.   I love the example card shown of "Captain Carol and the God of Thunder" a Superhero story with Lemon (aka steamy) levels of Romance and tension.  On the Noes are "Children being hurt", "torture" and "alcohol" ok, fine and on the "yeses" are Dragons!

Images for illustrative purposes only...

Among our themes are "Superheroes Showing off", "Passionate Foreplay" and "Space Battles" you know...I am enjoying this one more and more.
The main storyline, "Heroes team up to save an alien planet using their powers and spaceship."

Seriously, how does that not sound like fun?

Seriously off the top of my head, I came up with about 30 fandoms this would work with.  Even some I wish I hadn't (gives the Mallfoy-Granger shippers some side eye).

I'd have to try it out. You need the right group to do this game with, but I think it would be fun. This is a very different sort of game for me and I want to try it out.

The PDF is full-color at 39 pages.  There are also extra sheets included.

All for $3.00. That's pretty good really.

Plays Well With Others: BlackStar

Of course, this got me thinking.  If this works well like this, maybe I could use the Story generation functions of this game in my other games.  Sit down as a Session 0 to determine what we all want to do out of a series.  IF that series is media-tie in, say like Star Trek, Star Wars, Doctor Who, or anything, then it might be a good starting point.

So.  Let me try it with BlackStar.

BlackStar is part of the Star Trek Fandom, but it also has heavy doses of Cthulhu.
It's going to be Dark, but Gen.  Sorry, there won't be time for romance among the stars for this crew, I'll save all of that for the Captain and the Thunder God above.

It is an Alternate Universe and partial crossover. 
The only character I know right now is Captain Valerie Beaumont.  BUT she is not in charge of the ship.  She was supposed to be, but it has been taken over by NPC Commodore Taggart.  He is the project leader and a complete dick.  So that will make up some of the interpersonal dynamics.

I want to cover the themes of "Horror in/of Space", "We are not alone", "Science as a Candle in the Dark" and "Adventure! ...but don't go insane."

I am saying yes to Monsters, Insanity, Death, and Visions of Hell.
I am saying no to Vampires, Klingons (sorry!) and no to Deltan and Betazeds.  Not because I don't like them, I love them, but empaths will have a really bad time here.

These are the voyages...

Yeah.  This sounds like fun.

Plays Well With Others: B/X Gangbusters

Yesterday I reviewed the new B/X Gangbusters game and talked about its potential due to its Basic-era roots.  I stand behind that and a recent dive into some of my favorite Basic-era games supports this.  So let's see how well Gangbusters, B/X edition Plays Well With Others.

Realms of Crawling Chaos
Both are built on similar B/X designs.  Realms of Crawling Chaos adds Lovecraftian Horrors to your B/X Gangbusters games.  Both also support the same era of play, more or less, and have similar offerings in terms of playing normal humans. In fact, adding Realms of Crawling Chaos can add an edge to your "Educated" characters they might not normally have. 

Of course, at this point, you might ask why not just play Call of Cthulhu or d20 Call of  Cthulhu.  The answer, of course, is to be able to play this as a B/X game.

Amazing Adventures
AA is a Pulp-era game based in and on the 1930s; so about a decade later.  But there is still a lot in this game that would be helpful to the Gangbusters player or Judge. Not to belabor it, but the are equipment lists here that have different items that the GB Basic book.  The Amazing Adventures classes also give the GB Judge some go ideas for playing Powered Characters.

Basic Psionics Handbook
Moving further afield we have Richard LeBlanc's Basic Psionics Handbook.   While psionics have a "complicated" relationship to Fantasy games, they seem to work just fine in semi-modern ones.  In particular, a psionic wild talent would fit well into a GB game.  Let's not forget that the 1920s was also the time of Harry Houdini and his magic shows.  In real life he was a debunker of claims of the supernatural, but who knows what he was doing in YOUR world.

This along with Realms of the Crawling Chaos gives you a Lovecraftian style game that is less "Call of Cthulhu" and more "Cast a Deadly Spell".
I want to try this with a hard-boiled private eye that used to be a boxer and has seen a little too much magic.  I'll have to name him Robert Howard Lovecraft.

Starships & Spacemen 2e
Moving even further out from Psionics we have another one from Goblinnoid Games, Starships & Spacemen.  How does this one work?  Glad you asked!  One of my favorite Star Trek Episodes is "A Piece of the Action" where the crew of the Enterprise beam down to Sigma Iota II to investigate the crash of the Horizon from 100 years earlier.  They discover that the Iotians, a very creative and intelligent humanoid race, have recreated Chicago from the 1920s based on the book "Chicago Mobs of the Twenties", which had been published in (their version of) 1992.  The Iotians recreated their entire civilization based on this book.  At the end of the episode, it is revealed that Dr. McCoy misplaced his communicator.  Kirk and Spock state they will analyze the technology and that by the time they come back they could be the Federation.

There was an attempt to do a sequel to this by Michael Piller for TNG and some comics.  For me though, it was a throw-away section in the FASA TNG Officer's Manual that when the Federation came back to Sigma Iota II that they found a fully functional Federation style Space Station waiting for them.  Frankly, I would use that in a heartbeat for my own BlackStar games.  Maybe even adopt Piller's idea that this was a Federation, with the morality of the Chicago gangs.
It sounds like a lot of fun really.  I'd steal more ideas from FASA Trek for this too, including the interim uniforms they were using for the Enterprise-C era.   I will have to come back to this.

There is a lot more you could do with Gangbusters and the vast library of Basic-era B/X compatible material out there.

Review & PWWO: Maximum Mayhem Adventures

Mark Taormino of Maximum Mayhem Dungeons is in the final week of his latest creation, Maximum Mayhem Dungeons #6: Moving Maze of the Mad Master.

I thought today might be a great time to discuss his previous adventures.

#1 Hanging Coffins of the Vampire Queen

This adventure, written by Mark Taormino might be an homage to the first Palace of the Vampire Queen adventure, but it is more likely an homage to those meat-grinder, total-party kill, fun-house dungeons of the late 70s early 80s. There is a basic plot here, enough to get you in the door and moving along, but really this adventure is about killing things and avoiding getting killed. Example, in one of the first encounters you have to run a gauntlet and get past a bunch of fire giants and their hell hound pets. This is "room 1". It is downhill from there. It has demons and other vampires in the wander monster table. Liches, demons, succubi, greater devils, nearly 50 vampires in total, tons of other monsters and of course the Queen herself, Lady Neeblack.

This is not an adventure to challenge the resolve of hardy role-players. This is an adventure to survive and leave a trail of bodies behind you. It is old-school, but old-school through the eyes of 40-somethings looking back on their times as teens.
The adventure itself has a great lead-in to get you interested, but that is just the carrot on a stick, most people buying and playing this module are going to want to jump right in. Another example (this is not a spoiler), you are captured by Lady Neeblack and told you have to run through her crypts for her amusement. The conceit is the characters will feel coerced into doing this, so they slide down a passage to the previously mentioned Fire Giants. In truth, my players wanted to jump in like they were doing a dive at the pool.

Though to claim people will play this for nostalgia reasons is completely unfair. Mark did a great job of this. The rooms are detailed and what detail! There are interesting encounters and Lady Neeblack herself should really move up the ranks as one of the more memorable NPCs ever. In fact I am hoping that she comes back for a sequel sometime soon. Just like a good Hammer villain she should find ways to come back from the dead. Mark Taormino, this needs to happen.
The text of the book is big, easy to read and despite the "old school" claims still has boxed text to read (screw you Grognards! I still like boxed text even when I don't use it.) Each room is unique and feels like it belongs. Plus the "Hanging Coffins" themselves are the coolest idea in vampire graves since the Lost Boys.
The proof of any adventure is not in the reading but in the playing. So I played it. It rocked.

Now the game is designed for OSRIC but can played with 1st or 2nd Ed AD&D. I played it with 5th Edition D&D. I just replaced the monsters and made a character sheet for Lady Neeblack. I ran the same group of people that I had taken through the original Palace of the Vampire Queen and we all treated it as an unofficial sequel. I worked out well enough. We all had fun, but if this module reads as a deathtrap on paper it's a killer in the playing. So make of that what you like.
Personally I would love to run it again using AD&D1

#2 Secret Machines of the Star Spawn

Let's play a game of what if. What if the Expedition to the Barrier Peaks had been written in the 80s instead of the 70s? What if there were influences of Star Wars, Buck Rogers, 50s sci-fi movies and just a little dash of 70s Blaxploitation?
You might get something like The Secret Machines of the Star Spawn, but it would not be as good as the module Mark Taormino wrote. The module follows a similar flow of the other Maximum Mayhem Dungeons; something weird is happening, there are rumors, a long history of strangeness and a thin excuse to go adventuring. What they PCs will uncover is...well I don't want to spoil it. It's no shock that this adventure will feature a downed starship and some lasers. But it doesn't end there. In truth there is a lot to really, really like about this adventure. In a different setting, the monsters would be scary ass deadly and really, really awesome. Also there is so many references to pop culture, espeically sci-fi and 80s pop culture, that it would be pointless to address them all. The rock band KILL was one of my favorites. Designed for OSRIC, I played bits and pieces of this using D&D5. Though it would work just as well with AD&D1, Castles & Crusades or any other OGL based clone game. The one issue I have with it (and very minor) is that players that didn't grow up in the 70s and 80s would not get all the jokes. I ran Hanging Coffins for my kids and they loved it, but some of the jokes fell flat on them here. No surprise they have no context for them. I thought they were hilarious to be honest. Loved the Pinball Wizard! If I were to run this again I would either merge it with a little bit of Expedition to the Barrier Peaks and run a huge Star Spawn mega-adventure. Or I'd run it as is with some disposable characters and guys that grew up in the 80s too.

#3 Villains of the Undercity

What if the Keep on the Borderlands was destroyed and then humans came in and built a new keep on top of the ruins. Let's also say the caves of Chaos have been cleared, but not all the monsters were killed. Where did they go? What did they do? Now invite the Slave Lords from the A series over. You would get Villains of the Undercity! This adventure is an ode and homage to the great dungeon crawls of the day. While this adventure fits the gonzo style of the other Maximum Mayhem Dungeons this one can also be played straight. Well...sorta. There is a crazy Halfling Illusionist Assassin, but that is for the players to figure out.
With this adventure, anyone that has ever been inside a classic dungeon will find something to love. There are lots of deadly traps, monsters and puzzles to figure out. Of course plenty of treasure too. This adventure is also the one that I can see fitting into a larger campaign, even with adventures from other publishers. I was mentally placing it in Greyhawk or even Dolmvay. Just really a lot of fun.
Like the B and A series it takes so much nostalgia from, this is an introductory module.  But just because it says character levels 1-3 it is still expecting some experienced players or very experienced players with somewhat fuzzy memories!  Like the MM modules, this one is action and combat. Yes, there are some puzzles to solve and everything is deadly.

#4 Vault of the Dwarven King

Another what if scenario for you.  What if the dwarves of Moria were completely crazy for Indiana Jones?  Well, you might get something like Vault of the Dwarven King.  There is the aforementioned vault, part of a vast underground dwarven city.  There is a giant monster that's on fire.  There are also mine-cars, goblin moonshiners, blue trolls and dwarf tossing.
There is a thin coating of silliness over a really fun and REALLY deadly adventure here. All to reclaim the lost dwarven artifact, the Fireheart.  But does it belong to the dwarves or the goblins?  Will you even live long enough to find out?
Like the adventures that came before it, it is an unapologetic romp down memory lane.  This adventure though, maybe more so than any of the others might be more accessible to anyone that didn't grow up in the 80s.  The biggest nostalgia pull is, of course, the Lord of the Rings movies, in particular, Fellowship of the Ring, but that is only one (though very loud) note.  There is enough going on here to keep every player on their toes and their characters running.   This one is also the most classically "fantasy" than the others which also draw on sci-fi, horror and crazy humor.

#5 Palace of the Dragon's Princess

Palace of the Dragon's Princess might be my second favorite adventure in this whole series right after Hanging Coffins.  The premise is very similar to the classic Palace of the Silver Princess.   In this case, the Princess is trapped by a green dragon and you must go rescue her.  Sound easy?  You obviously have not paid any attention to the other four adventures in this series.
This one has a lot of background information, more so than the others.  We know a lot more about Princess Francessca than we do about Lady Neeblack the Vampire Queen (Could Lady Neeblack be Princess Francessa's dead mother??!!?).  There is a knight, a dragon and Torgo. Yup, a nice riff on MST3k with Torgo and the Master.  But is the princess REALLY in danger?  That will be up to the Gamemaster to decide.  There is a lot going on here and because of the backstory a lot more that a crafty DM can add.  I am a touch disappointed there were no three-headed creatures like the Ubues, but that is fine. They were silly enough then.
Like the Vault of the Dwarven King this one is more classically fantasy and it is also one best ones in the series to "run straight".  Meaning you could strip out some of the silliness and have a pretty deadly, serious adventure if you wanted.
In any case, this is one is a lot of fun and a worthy addition to the line of Maximum Mayhem Dungeons.

So check out Maximum Mayhem Dungeons #6: Moving Maze of the Mad Master.  It looks like "Willy Wonka in Hell" so you know it will be fun.

Plays Well With Others
The Maximum Mayhem Adventures are designed with 1st Edition/OSRIC in mind.  But If you organize them in level like this.

I can't help but notice a solid campaign of levels 1 to 14.
Just like B/X D&D.

With some tweaks, mostly to the monsters and alignment, you could have a solid set of adventures for the B/X line of D&D.  Sure they are a bit tough and have some out-there elements, but nothing that B/X couldn't deal with with the right DM.

I have not tried this yet.  I have played these adventures using D&D 5th edition, but I can't see why it would not work.

Plus the boxes look nice together.
Isn't this how we all played back then anyway?  Mixing our AD&D and BD&D all the time.  I think I first went through the A-Series using the Expert set anyway.

Monstrous Monday: Snakes. Why did it have to be Snakes?

A little something different today for MM.  I want to talk about snake people.

Snake people, serpent folk, Ophidians, Yuan-ti whatever you want to call them they have been a staple of fiction and D&D since ... well likely forever.

They were common enough in the pages in the Conan that even as a casual reader of the pulps I had heard about them.  They have had a prominent focus in AD&D with the Yuan-ti; so much so that there are one of the very, very few monsters that are IP and Closed to the OGL.
So yeah, they come with some history.

I think it is also that snakes seem so loathsome to humans.  There is just something "evil" about them in our collective subconscious.   That makes them a great old-school threat.

Review: Serpentine - Oldskull Serpent Folk

Serpentine - Oldskull Serpent Folk from Oldskull, aka Kent David Kelly is a nice RPG for adding and using Serpent Folk, known as Serpentine here, in any old-school like game. The book is 41 pages with cover and OGL statement. Everything is 100% open minus the usual trade dress and some names.  The book is full color, but mostly public domain black and white art.
The purpose of this book is to bring together various mythos and stories together to present a cohesive whole narrative of a primordial race of serpent people.  In this respect, it works rather well.
History and Pre-History of the Serpent Folk. Drawing on the works of Dunsany, Lovecraft, Howard, and Smith Kelley weaves a history (or Hisssstory!) that combines the Hyborian Mythos and the Cthulhu Mythos, with other myths of the world added for good measure.  While overtly for the Oldskull world it can be added and modified as any game master needs.  One of the reasons it works so well here is that Kelley draws on some primordial myths and legends.  The same that influenced the authors of the stories being used.   Quotes from those authors are found throughout this book.
Up next we get a Serpent Folk Truename Generator.  A useful tool to help you name all those NPCs (or even PCs) you plan on using.  This is followed by Description or what your serpent folk looks like.  A section on Ability Minimums, Maximums and Modifiers is next. After that are sections on Behavior, XP modifiers, and views on Alignment.
There is a list of serpent folk deities from other myths.  It is a good list, but I have a few issues with some of the gods on it; for example Brigid. But the vast majority I see why they are there.  Mostly Serpent Folk are going to worship Yig and/or Tsathogga, though Set is a close runner up.
We get into a section now on Class Options for Serpent Folk. Most are going to fall into the various fighter classes and thief-related classes.  Also presented here is the new Soul Slaver class, which combines Cleric, Shaman, and Necromancer all in one serpent-related class.  It's a good class and it adds a lot of flavor to the Serpent Folk.  I might tweak it to be less Necromancer and more Shaman myself, but that is only personal bias, not a shortcoming of the class.  Basically, the class draws on the souls of the deceased to perform magical feats. There are spell lists, mostly from the classical B/X and Advanced sources.    They advance as Magic-Users, but have their own spell progression and, in a nice old-school touch, level titles.
There is also a section on Racial Powers serpent folk get and what kinds of snakes they are likely to summon.  This also included specail attacks and special limitations.
There is a nice section on how Serpent folk get along with Dragons (spoiler, they don't) that really sealed the deal for me.  I have been using various serpent-like races (Yuan-ti, Naga) as the ancient ancestral enemies of the Dragonfolk (Dragonborn) for years.
We end with a recomended reading list.
So for just $3 and a little over 40 pages this book packs a lot in.  There are so many cool ideas it is hard to figure out where I want to start with it.  I think that since Kelley tapped into some primal myths here that all gamers have an idea of these creatures, he just put it down in writing for us.

PWWO: Serpentine in Other Old-School Games

Astonishing Swordsmen & Sorcerers of Hyperborea has been my obsession over the last few weeks. Given the background of both AS&SH and Serpentine, it should really be no surprise then that I see the two of them working quite well together.  With the addition of Serpentine you can really "punch up" the stats for Sanke People in AS&SH. Already an interesting monster, now with this addition Snake People go from "just another monster" in the Bestiary section to potential Big Bad material.  Growing cult activity? Serpent People. More dinosaur sightings? Serpent People.  Increased slave trade? Yup. Serpent People.   Plus AS&SH and Oldskull Serpentine draw from exactly the same sources. They just rearrange things in a different order.  Both books feature Yig and owners of one book should find it to be of positive use when used with the other book.

Serpentine features the often used Clark Ashton Smith god, Tsathoggua.  Here he is considered to be a god of the Serpent People. AS&SH has the god Xathoqqua, which is the same god.  There are some differences in how they are portrayed in each book, but gods are supposed to be mutable.  Of course, the best source for Tsathogga (yet another spelling) is from the Frog Gods themselves in their Tome of Horror Complete.  Here he is presented as a demon, but that is perfect for me really. The same book (and the Tome of Horrors 4) have the Inphidians, which are their versions of the Yuan-ti, save Open for the OGL. Speaking of the Frog Gods, in their Monstrosities book feature Ophidians, a name I have also used in the past, as snake men.

The OSR games Blueholme and Adventurer Conqueror King System both have rules within their systems to allow Serpentine player characters. All you need really is the Serpentine book.

Union of the Snake: The Second Campaign

The heroes of the Second Campaign, my D&D 5e nod to old-school gaming, have already had their first encounter with the Yuan-ti.  They have encountered other snake-like creatures and reptiles worshiping snake gods, but everything is about to go into overdrive when they hit their desert-related adventures.

While the campaign is 5e based there is a lot of old-school influences in it.  I plan to take a bunch of the material above, put it in a blender then bury it in a desert for 3,000 years and see what comes up.
For me a lot of it is leading up to the ultimate confrontation with Demogorgon.
Borrowing from Advanced Labyrinth Lord I am using Demogorgon as the cult leader behind the snakes and snake men.  This fits in with my use of the blood apes as one of the three factions the worship Demogorgon; with human cultists and Ophidians/Snake Men/Serpent Folk being the other two.  The campaign will take a solid desert/Egyptian turn here soon.  I just need to figure out the Set-Apep-Yig-Demogorgon connection.

Of course, there will be creepy ass snake-men and cultists. All part of the alchemy of my past. Yes. My influeces for this are an forgotten Dirk Benedict horror movie and Duran Duran.  My game, my weird ass childhood.

PWWO: Astonishing Swordsmen & Sorcerers of Hyperborea

I got my Astonishing Swordsmen & Sorcerers of Hyperborea 2nd Edition book as part of the Kickstarter, so I have had it for a while now.  In the time I have been reading through it I came up with at least three (or four depending on my mood) completely separate games/campaigns I want to do with it and only one is the Default setting.

So let's talk a little about those while I see what I also have on my shelves to use.

Since it is an "Retro Clone" of sorts and an OSR game it naturally lends itself well to mixing an matching.  I mentioned in my review yesterday that I feel it is a good blend of both B/X D&D and AD&D.  Maybe leaning towards more to the AD&D side of the equation.

B/X D&D goes to 14th level, AS&SH goes to 12th.  So any adventure written for Basic or Expert D&D is in theory (and very much in practice) going to work for AS&SH.  I mean you will need to do something about the elves, dwarves, and halflings about.  But for the most part I make them Kelts and Picts respectively.  Sometimes I even throw in the odd elf or dwarf to keep things weird.  The feel of the two games is also very, very similar.  The four Basic human classes map exactly to the four main classes of AS&SH, with sub-classes essential being role-playing notes.

But you don't need to take my word for it alone.  Eric Fabiaschi over at Swords & Stitchery has been blogging about AS&SH for years.  In fact, he has been working through many of the classic TRS-era modules for use with AS&SH, both 1st and 2nd editions.
I read a lot about other's games online most times I think "wow, that looks fun!", sometimes I think "Er. OK, you do you, but I am happy WAY over here." But with Eric's I am most often going "Damn! Why didn't I think of that first!"

Speaking of which.

I recently ran Isle of Dread for my kids under 5e. It was fantastic, really. We had a great time and I got to relive some great moments of the adventure that I had back in the early 80s.  I could not help but think how awesome X1 would be with the AS&SH rules.  Go all pulp with dinosaurs, King Kong and creepy ass cults.
As you can imagine, Eric has covered this topic well on his blog too.  So instead of me trying to tell what you can do in a paragraph, check out his pages of ideas!

So I mentioned that I see AS&SH as good combination of B/X and AD&D rules.  Essentially it is what we were playing back in the early 80s.  Where I grew up it was not uncommon to come to a game where people would have an AD&D Monster Manual, a Holmes Basic book and a Cook/Marsh Expert Book.  The rules we played by were also an equally eclectic mix.
AS&SH is like that. It favors the AD&D side more, but there are enough B/X influences that I smile to myself when I see them.

Labyrinth Lord and Basic Fantasy are both implementations of the Basic D&D rules, but expanded out.  Lots of great stuff in both systems.  Basic Fantasy, in particular, has an absolute trove of materials usuable with the core rules and easily for use in AS&SH. 
The same is true for Blueholme, the Holmes-inspired clone. 
While all three have significant overlap in monsters, there are some unique ones in each that make for a fuller picture.  In particular Blueholme has a few good choices.

I mentioned Realms of Crawling Chaos before. Both of these books cover some of the same Lovecraftian beasties, RoCC gives a little more detail on how to run a Lovecraftian-style "D&D" game.   Hyperborea is not so much about horror, it's more Howardian, but there is no reason why it can't be.  This is a good place to start.

If Crawling Chaos is good, then Call of Cthulhu is even better.  Again all these books cover the same ground and feature similar themes.  The d20 CoC book does have a section on how heroic characters (aka D&D characters) would respond to these monsters, as opposed to the normal people of the CoC proper rules.  Grabbing a copy of CoC is good for ANY gamer in my mind but for the AS&SH gamer/gamer master there are some great ideas on how to play the Lovecraftian, and Smith, side of the game more. In truth, all monsters get a boost thematically speaking with a read through of CoC.

That is great and fun, but what if I want to up the Howardian or Pulpy aspects of the game? Well for me I wanted to run a Pellucidar-like game.

Hollow Earth adventures is a pulp-style game using the Ubiquity system, so system conversion is different, but the themes are 100% compatible with AS&SH.  What about the lands UNDER Hyperborea, are their Lizard People? Snake Cults?  Dinosaurs? OF COURSE there is! 

Amazing Adventures and many of the works of Jason Vey to be honest (including his Wasted Lands house setting) work great with AS&SH.  Again, not a direct translation, though the SIEGE system is easier to convert to AS&SH, but thematic.  I actually ran a playtest of the "Red God" adventure under the AS&SH (1st Ed) rules.

Astonishing Swordsmen & Sorcerers of Hyperborea is an amazingly flexible system and strikes all the notes that many games attempt.  I guess that's why the core book is 608 pages.

Mixing these I have decided that what really want to do is a Zothique game.  Based on all the Zothique tales from Clark Ashton Smith. 
There is an unofficial d20 supplement for Zothique that is good and can be easily converted to AS&SH.   Even James at Grognardia wanted to do a CAS game.

As I work on my game more with all the materials above I'll keep you all posted.

Plays Well With Others: DP&D Cryptid Manual

There is just over a week to go for the Dark Places & Demogorgons Cryptid Manual and I have been enjoying the hell out of my preview copy.

Back in the late 70s and early 80s I devoured books about cryptids, monsters, and UFOs.  Honestly, when I wasn't reading books about the occult or witches, I was reading this stuff.
I guess that is one of the reasons why this book (and this game) hit such a nerve with me.

Plus I love monster books. Always have.

So naturally, I want to use this book everywhere I can.

First and foremost, the Cryptid Manual is 90% compatible with Swords & Wizardry White Box. There is not a lot of overlap in monsters, so this makes the CM a perfect monster book for S&WWB players.  Also, there are a lot of "new" monsters in S&W for the DP&D player/GM.  Who's to say that an alien life form could resemble an orc or a wyvern.

In fact, this is true for nearly every clone. The clone game provides monsters for DP&P and the Cryptid Manual provides new monsters for your clone of choice.  You just need to justify why they are there.

The tone of The Hero's Journey is different than the other Clones, but with a tiny bit of tinkering the adventure-centric tone of THJ can work with the dark conspiracy tone of DP&D.  I mean really, isn't a Bigfoot just another kind of forest spirit?  I bit like a wilder, but less evil, ogre or troll.

B/X Essentials is an interesting game and one I will delve into more on future posts.  There is essentially a B/X Essentials Monster Manual.  Either or both can be used with both or either game and all fit well.  I think the only overlapping monster is the Medusa, and they are close enough to each other as to be the same creature with local variations.
Both games have a monster Morale score.  I have not done the math to see if these morale scores are 100% compatible, but they feel that way and are based on the same Basic mechanic.
If you like either game then consider picking up the other monster book for even more monsters.

I think the claim that the Cryptid Manual is a good book for any OSR game is a solid one.
I have been wanting to add a Hodag to my games for YEARS.

Now adding this book to an OSR/Clone book is easy. The hard part is figuring out why or how Chupacabras are out running around with the likes of elves and dragons.

Something that might help is looking at other games that cover many of the same creatures and ideas.

Dark Places & Demogorgons holds the same place that is/was occupied by Chill.  I can pretty much take any Chill adventure I developed and re-run under DP&D.  The Chill Monsters book covers a lot of the same ground as the Cryptid Manual.  The advantage of picking up the Monsters book has more information on each creature and a few new ones.  The Cryptid Manual also has a few new creatures for Chill players as well.  For conversions, I would find similar creatures in the books and use that as a template.

Chill's focus is more international and more adult.  BUT a great idea I had was to play a Chill game with some investigators and do a "flashback" adventure of when they were kids using DP&D.  Players of both games should check out the other books for lots of ideas.

The same is true of Eden's Conspiracy X 2.0.

The focus is even more X-Files than Chill is.  There is also a greater focus on Extraterrestrials than in Chill.  Like Chill, there is a feeling that Con X might be the "sequel" of the DP&P game.  Again a fun idea would be to run a Con X game, but pull out DP&D for a "flashback" adventure to when the characters were all children. 

Think about it in terms of the X-Files.  You are playing Fox Mulder as an FBI Agent working on the X-Files (Con X), but the GM wants to go back and try playing Fox as a kid when his sister gets taken by Aliens (DP&D).  It could be a flashback, an alien device that makes him relive it or he is in therapy and his doctor tries memory regression.  There is a ton of different things you can do. 

The systems are not compatible, but I am pretty fluent in both systems and did some of the work already for my Sunny Valley, OH Buffy game.

So, yes the Cryptid Manual is a remarkablly useful and flexible book that I can already use for a dozen or so games, and I plan on doing so.  Hodags! Hodags in every game!!

Plays Wells With Others: Dark Places & Demogorgons and Buffy the Vampire Slayer

Reading over Dark Places & Demogorgons I could not help but make comparisons to another game of strange things going on with high school kids fighting monsters.   Of course, I am talking about the Buffy the Vampire Slayer RPG.

Both games deal with fighting the unknown, both games deal high school students and both games are steeped in 80s clichés and pop-culture.  Where Buffy attempted to subvert those clichés, Dark Places & Demogorgons embraces them.

I am just throwing this out here, I have a lot of issues with Joss Whedon.  I think he is an asshole.
But I am damn proud of the work I did on the Buffy the Vampire Slayer RPG.

Reading through the core of DP&D and all the supplements it became very, very obvious what game I need to run.

Welcome to Sunny Valley, OH
"I am certain that whoever named this place Sunny Valley was having a joke on us. The winters are long, cold and dark. It rains in the spring and fall. I think they named the place in the three days of the summer we do get sun.  Not to mention the werewolves, the vampires and oh yeah the Hellmouth just outside of town.  Welcome to Sunny Valley Ohio California girl. Bet you can't wait to leave."
- Alexander "Alex" Harris to Elizabeth "Buffy" Summers.

I decided to take the entire "Buffy Package" and drop it wholesale to the Midwest and set it all in 1984.  There are some changes that need to be made.

In this new setting Elizabeth Anne "Buffy" Summers moved from sunny California to the ironically named Sunny Valley, Ohio.  As a nod to my friend and co-author on many of the Buffy books, Thom Marrion, who was going to do a series of Buffy books set in Cleveland, I wanted to do this in Ohio.  Cleveland is the "big city", but I never detail how far it is.

There is a Hellmouth, but is more indistinct.  No one is sure where it is, but they all know it's there.  There are two high schools, Sunny Valley Prep (the "good" school, where we start) and Sunny Valley Community High (the "bad" school).

Elizabeth Anne "Buffy" Summers
Class: Monster Hunter (vampires)  Level: 5
Alignment: Good
Languages: English, French
Age: 15

Attributes
STR: 18 +3
INT: 12 +0
WIS: 12 +0
DEX: 18 +3
CON: 18 +3
CHA: 16 +2
SUR: 18 +3

AC: 15     HP: 35    Attack Bonus +4 / +7 (vs. vampires)

Courage: 6 (additional +3 vs. vampires)
Critical: 5
Death: 6
Mental: 4
Poison: 5

Background
Mother is rarely at home.
Annoying little sister.

Class Abilities
+3 to hit, track, dmg to Vampires
+1 Toughness

Skills
Outdoorsmanship +4, Paranormal +5, Knowledge (Historical) +2, Brawling, Persuasion +2, Basic Athletics +3, Stealth +2

Possessions
Leather jacket, pants, stakes

Money: $30

This version of Buffy is actually named Elizabeth. She is a former California girl and now lives here with her mom and weird little sister. She is a Slayer, but she has no idea how or why.  There are no Watchers here in Sunny Valley, no Giles.  Elizabeth just knows she is strong, fast and she can sense vampires.
At the end of Series 1 she dies, but only for a little bit.  This gives us Faith Lehanne, a wild girl from Sunny Valley Community High.

Faith Lehanne
Class: Monster Hunter (vampires)  Level: 5
Alignment: Neutral
Languages: English
Age: 14

Attributes
STR: 17 +2
INT: 12 +0
WIS: 10 +0
DEX: 18 +3
CON: 18 +3
CHA: 17 +2
SUR: 18 +3

AC: 15     HP: 32    Attack Bonus +3 / +6 (vs. vampires)

Courage: 5 (additional +2 vs. Vampires)
Critical: 5
Death: 4
Mental: 3
Poison: 4

Background
Parents are dead, lives with Aunt
Dirt poor

Class Abilities
+2 to hit, track, dmg to Vampires
+1 Toughness

Skills
Outdoorsmanship +4, Paranormal +4, Knowledge (local ) +1, Brawling, Intimidation +4, Street Smarts +4, Stealth +2

Possessions
Leather jacket, pants, stakes

Money: $0

Faith shows up in Series 2 from SVCHS where she makes an impression by killing two vamps right away.  She introduces us to her friend Tara, and she and Willow start to spend a lot of time together.

Both Buffy and Faith are built using the Monster Hunter class from DP&D: Player Options & GM Guide.  In truth I could build a "Slayer" class, but I didn't really want to do that.  I wanted to try them out Rules As Written.

In general the cast would be much younger than the TV show.  Anywhere from 2 to 3 years younger. This fits perfectly with DP&D but changes the dynamic a little.   For starters, I would downplay the sexual tension to almost nothing, or at least a slow burn.  A 200+-year-old vampire prey on a 17-year-old sounds bad.  Preying on a 14-15-year-old sounds worse for some reason.  I am also going to give Faith the benefit of the doubt here.   During my Buffy game Season of the Witch, I pointed out that what the show writers had done to her essentially was so contradictory that the character was broken beyond repair.  So what if I took a potential "Bad Girl" and instead gave her a friend.  Maybe someone she saved from some bullies.  Enter Tara.  In this world Faith saved Tara from being picked on because of her poor family and the open secret that she is gay; something that was still very hard to deal with in the 80s.  Both girls help each other out till they meet the cast.

Dawn Summers
Class: Telekinetic  Level: 1
Alignment: Good
Languages: English
Age: 11

Attributes
STR: 10 +0
INT: 12 +0
WIS: 16 +2
DEX: 12 +0
CON: 14 +1
CHA: 12 +0
SUR: 16 +2

AC: 10     HP: 4    Attack Bonus +0

Courage: 3
Critical: 2
Death: 3
Mental: 4
Poison: 2

Background
Mother is rarely at home.

Class Abilities
Telekinesis, Psionic Attack, Psionic Push

Skills
Paranormal +1, Investigation +1, Knowledge (local) +1, Stealth +1, Video Games +1
Psionic Attack +1

Possessions
Bike, Backpack, Journal describing how she used her powers in secret.

Money: $10

In my games, Dawn developed psychic powers.  Maybe not Jean Grey levels, but certainly Carrie ones.  I thought it would be fun if the "Annoying Kid Sister" trope was subverted by making her Powered.  She was built with the optional Psionic classes in the Core Rule book.

I also did Cordelia Chase (basically an archetype "Princess"), Alexander "Alex" Harris (a "Geek" due to his Star Trek obsession), Oz (Metalhead turned Werewolf) and Angel (Teen Heartthrob turned Vampire).

What can DP&D Players get from Buffy?
The Buffy RPG is a great game that focuses a lot on the high school experience and how fighting monsters can be a metaphor for life in High School. Personally, I think EVERY player and GM of DP&D needs to read Chapter 7: Episodes, Seasons and Drama. It is hands down the best chapter written about running anytime of modern supernatural game or a game set around High School age kids.  The mechanics on Drama Points and their use would also be useful.
And of course all the monsters, vampires and demons the book has would be helpful to any DP&D GM.

What can Buffy Players get from DP&D?
The Buffy RPG is a mature game.  Not just in content, but shelf-life.  I know people that are still playing the game 15+ years later.   For me, DP&D has given me a breath of fresh air and has re-energized my Buffy-related experiences.  Hell, this is the first honest to goodness Buffy campaign idea since Season of the Witch and that was more than 12 years ago.
The "Back to Basics" feel of DP&D cannot be ignored or understated.  It really helped me think of this game in a different way.

Plays Well With Others: Making 5e Bloodied

Yesterday I talked about how my Nentir Vale/Demon Slayers 5e game is a reboot of my 4e game and I will be adding more 4e elements to it.

Today I spent some time with D&D 4e Essentials to see what I could glean from that.

I know a lot of people had problems with 4e.  I was not one of those people.  I liked 4e and really wanted to give it more time.

5e is so flexible that there is so much you can do to it and it won't break the system.  4e was a very tight game, so tight that pulling out one piece had some serious impacts.

I am hoping that this will not break 5e; I doubt it will.

Bloodied in 5e
When a creature or character is reduced to half their HP or less (rounding down) they are bloodied.  This can trigger a number of actions.  I want to mix as much 4e and 5e as I can here.

Characters
These are taken from Dungeons & Dragons Player Essentials: Heroes of the Forgotten Kingdoms.

Dragonborn
When you are bloodied you may invoke your Dragonborn Fury.  You gain a +1 racial bonus to attack rolls.

Half-Orc
When you are bloodied during an encounter you may invoke your Half-Orc Resilience.  The first time you are bloodied during an encounter you gain temporary hp equal to your Proficiency Bonus + your Constitution modifier.

Tieflings
Bloodhunt: You gain a +1 racial advantage on attack rolls against bloodied targets.

Monsters
All of these creatures (for the most part) come from Dungeons & Dragons Essentials: Monster Vault.

Aboleth Overseer
Psychic Slime (standard; recharges when first bloodied)

Angel
Angelic Presence: When not bloodied attacks against the angel are at Disadvantage.

Beholder
Death Ray (necrotic):  If the target is bloodied before or after the attack, it is also dazed (save ends).

Blood Fiend
The blood fiend gains combat advantage against any living bloodied enemy.

Bulette
When bloodied the creature burrows underground and uses it's Second Wind.

Demon, Babu
Bite: The target also takes ongoing 5 acid damage, or ongoing 10 acid damage if the babau is bloodied (save ends).

Demon, Hezrou
Noxious Stench: Any enemy that makes an attack while in the aura takes 10 poison damage, or 20 poison damage while the hezrou is bloodied.

Demon, Marilith
Weapon Dance (melee): Recharge when first bloodied. Can attack again.

Demon, Vrock
Spores of Madness: DC 20 Wisdom Save to enemies within 5'.  On a failed save 3d10+6 Poison damage and the target is dazed.  Successful save, half damage.

Demon, Balor
Flaming Body: Normally aura is 2 squares or 10 feet. When bloodied it expands to 3 squares/15 feet.  Any enemy that starts its turn in the aura takes 10 fire damage, or 20 fire damage while the balor is bloodied.

Devil, Kyton
Chains of Vengeance: The devil can attack with it's chains twice.

Dragon (all)
Bloodied Breath: When first bloodied the dragon can recharge and use it's breath weapon.
When Bloodied a Dragon can critical on 18-20.

Drake, Rage
When bloodied the rage drake has Advantage on attacks.

Eye of Flame
Fiery Burst (when first bloodied and again when the eye of flame is reduced to 0 hit points) Close burst 2; DC 20 Dexterity save; 2d8 + 6 fire damage.

Gnoll
Blood Frenzied: The gnoll adds their Proficiency bonus to damage to all melee attacks when bloodied.

Golem, Flesh
When bloodied the golem can make a slam attack at Advantage.

Hag
When bloodied make one additional claw attack.

Lizard Folk
Additional tail sweep attack (1d6) when first bloodied.

Lycanthrope, Werewolf
Attack advantage on bloodied targets.
Proficiency bonus added to damage when bloodied.

Ochre Jelly 
When bloodied the creature splits into two creatures, each with hit points equal to one-half its
current hit points. Effects on the original ochre jelly do not apply to the second one.
(this is in addition to the split described in the 5e MM).

Owlbear
Stunning Screech: When bloodied the owlbear will Screech (close blast, 15'). DC 15 Constitution save or be stunned.

Vampire
The vampire takes damage while bloodied they become insubstantial and gains fly speed 60'. The vampire cannot attack or use cloud of bats. This effect lasts for 1 hour or until the vampire ends it as a minor action.
The vampire has combat Advantage on bloodied targets.

I am not sure how all of these will work out.  In many cases, the monsters are now more deadly.  I might need to compensate with a bonus of 5 to 10 XP.

If it works well my son has offered to do more of these for me.