The Lesbian Vampire: Villain or Victim? Part 1

I am participating in the Queer Film Blogathon over at Garbo Laughs.
The entire list of participants will be posted here: http://garbolaughs.wordpress.com/2011/06/27/queer-blogathon/

I want to explore the meme/trope of the Lesbian Vampire in horror films as the ultimate outsider and compare how she is more often portrayed as a tragic figure than that of a monster.  This can be extended to the Homosexual Vampire too (Lestat, or any of Rice's vamps) and even due to race (Blackula).   This of course will necessitate a discussion on the Evil or Dead Lesbian Cliché and whether or not even a sympathetic vampire still qualifies.

Why this trope?  Well if nothing else I need to blame Carmilla.  Long ago I had heard of this notorious film called "Blood and Roses" and I really wanted to watch it.  I had to be high school or younger.  I had already had a stead diet of vampire movies, mostly Dracula clones, under my belt and I wanted something new.  Plus my dad had this book that included a still from the movie that really was not something that ever scream horror to me.

Looking at this picture you can't tell who is the victim and who is the vampire.

I never found a copy of Blood and Roses.  But I did learn it had been based on a book and that book was at my library.  I got a copy of Sheridan Le Fanu's Carmilla and read it all in one night.  I was dragging the next day, but at the end the story I felt bad for Carmilla.  To me she had grown up in this family of evil and all she ever really wanted was someone to love.  It happened to be a female someone, but really that is all she wanted.  She had been cursed against her will to become something that society could not accept; at least that is how it occurred to my teenage mind then.  Still though, I mourn for Carmilla and what she lost.

I learned soon after there were other movies like this, and it was not long before a pattern emerged.

Let be honest and upfront here, what is the primary motivation for including a lesbian vampire in a horror flick?  Simple to get her in a position with the heroine/last girl and fill theatre seats.  Frankly it is no different than what you might find in most Women in Prison movies.  But I content that due to source material, namely Carmilla and some movies, the Lesbian Vampire trope evolved into much more of  a tragic figure.

It make more sense to do this all chronologically rather than when I saw them.  And depending on the size I might need to split this up into multiple posts.

Dracula's Daughter (1936)
I reviewed this movie at length back in the October Horror blogathon, but I want to get to the salient bits here. Marya Zaleska is the eponymous daughter of the Count. At some point he cursed her with vampirism and now she must also drink the blood of humans.  First thing we have here in our trope building is a woman forced into her new unlife by a man.  I am not trying to make any messages here, but I do have a point I want to get to.  Secondly this existence is not something they want.  While Drac is gladly nibbling on the necks of any young lass that happens by, Zaleska is much more tortured about it.  Like the literary Carmilla she is part of her family's curse.  Like Carmilla, what attracts Zaleska's interest is the lovely Janet.
Universal played up the implied lesbian vampire subtext here, even with original promotional material claiming "save your women from Dracula's Daughter!".  I think in a lesser actress' hand Zaleska would have been seen as an evil predator, but Gloria Holden was not a lesser actress.  The effect again is one of profound saddness for this character.  She does not want to be like she is.  The question is though are supposed to assume that is also true for her attractions to other women?  This movie is unclear, since, in true Celluloid Closet tradition Zaleska is killed and Janet is saved by her man.  In fact this movie is one of the subjects in the movie version of the Celluloid Closet.
It would be years before we get another good portrayal.

Blood and Roses (Et mourir de plaisir) (1961)
I can't properly review this one because to this day I still have not seen it.  But I have seen a number of Vadim's films and read a lot of commentary on the movie itself.
There is less connection to the novel Carmilla than later attempts, and the Carmilla of this tale is less sympathetic than say future versions, though the relationship between the two girls is more deeply developed.

The Vampire Lovers (1970)
This movie is like a perfect storm for the Other Side.  Based on the original novel, it is Hammer, has Ingrid Pitt, Peter Cushing, Kata O'Mara, Pippa Steele and Madeline Smith, there is even a Faux Dracula there.
Honestly I am a bit surprised I have gone into this movie deeper than I have here.  The tale of the Karnstein's would be perfect for Ghosts of Albion or Buffy.  But I digress.
Ingrid Pitt's Carmilla is a tragic figure here, manipulated by forces beyond her control, either by her "mother" the Countess or the mysterious figure that lurks in the background (always assumed to be Dracula, played by John Forbes-Robertson who played D in the Seven Golden Vampires) and her own bloodlust.  Now here there is no doubt that Carmilla is supposed to be evil.  She casually uses and tosses away Mdme. Perrodot (Kate O'Mara) and she did kill Laura (Pippa Steele) but yet to me there is something underneath all of this.  Carmilla is still a tragic figure.  She was damned, but maybe the least of the damned.  Not as much as in the novella, but it is there.
Vampire Lovers goes into areas only hinted at in Dracula's Daughter and Blood and Roses.  The look that Carmilla gives Mdme. Perrodot can not be confused with anything else other than pure lust.

Vampyros Lesbos (1971)

One can not talk about this trope and not bring up Jesus Franco's Vampyros Lesbos and the haunting performance of Soledad Miranda. And haunting is the right word.  Soledad brought not only an ethereal quality to the roll, but she was also killed in a car crash after filming, but before the film was released in America.

Based on Dracula (which Franco and Miranda also did a version of with Christopher Lee) though with the gender's of Dracula and Harker switched.  Which changes the whole dynamic.  There is a languid quality about this tale.  Unlike Count Dracula, which attempts use what he can of Harker and then tosses him aside, Condesa Oskudar makes attempts to push away Linda because she knows there is an end to their tale.

This is a surreal film really.  And again one can't help but feel that the character of Condesa Oskudar is a sympathetic one. Had she not been a blood sucking vampire, albeit one that likes to sunbathe, then this movie might have been more like a Room in Rome.

There is a lot of sexploitation in these movies. Let's not pretend otherwise. But that doesn't mean that the stories themselves have to be.   Tomorrow I'll bring up some more movies that take this trope much further and we still need to answer the question here are we seeing these women as subtle examples of the alienation they must feel or are these examples of the Evil/Dead Lesbian Cliché, or are they both?

Come back tomorrow for Part 2.

Season of the Witch: Episode 10

Episode 10: Through a Glass Darkly

March, 2005
Sunnydale

Willow and Tara are preparing for a special dinner with Willow’s parents, Ira and Shelia. Bob has been trying to get them back on “the mission”, but has agreed that at the moment they don’t have any information on where to continue. Cordy is off in northern California looking for other witches that might know more about the Awakening. Not wanting to wait around to see this domestic scene (and maybe a little uncomfortable with the connotations of what the dinner means) Bob offers to spend some time shaking down the any supernatural locals that might be left over.

The girls spend some time discussing exactly what this dinner does mean and what it means to them. Willow was introducing Tara to her parents, not as her “friend” or even as her “college rebellion or experimentation”, but as her lover, the woman she wants to spend the rest of her life with. This of course has made Tara nervous to make sure everything is perfect. Willow is nervous not because of that, but because she wonders what then the next step has to be for them.

Willow attempts to engage Tara in a conversation about what their future is going to be, will they stay here, where should the live, what should they do. Tara is too busy frantically getting dinner ready. She was making sure everything was Kosher, using new pots, pans and kitchen utensils. Tara panics when she discovers the wine they have for cooking is not a Kosher one. Willow tells her not to worry about it, they had another wine, but Tara insists on running out to the store to get more. Willow says she wants to stay home and look up something. Tara runs out to the store.

Willow spends some time researching various topics, mostly anything about witches, historical or otherwise but ends up on the website about gay marriage in Massachusetts. There came a knock at the door. Followed by Tara’s “Hello?” Willow went to the door, shouting out to “come on in”. Tara replied back that she can’t. Willow mentioned that she was only supposed to get wine, not a bunch of stuff. Willow opened the door to and Tara is just standing there. She smiled at Willow, saying “thanks, I needed you to do that.” She vamped out and attacked Willow.

Tara (real Tara) walked into the house (they are staying at the Summers’). The door was wide open and she started calling for Willow. Willow said she was upstairs. Tara went upstairs and saw Willow sitting on the stairs. She was holding a towel to her neck, she had been bleeding. Tara freaks out and asks what happened. Willow indicated that what happened was currently in the bathroom puking her guts out. Tara tentatively walked into the bathroom to see herself doubled over the toilet throwing up blood. The vampire Tara looked up at her and said “oh great, you too.”

Tara freaked out and runs back to Willow, who is fine, mostly. Vampire Tara left the bathroom, she looked awful. Willow tells Tara that she accidently invited Vampire Tara in and she attacked her. As soon as she bit her though, she began to retch, claiming her blood was “all wrong”. Vampire Tara looked at Tara and said that hers was the same. Willow, still sitting on the stairs, said that she was here for something. Something she needed them for. Tara asked if she (VT) had said that, Willow (surprised) just said she knew.

Vampire Tara talked to Willow and Tara, now in the kitchen, and told them she wanted something and her spell somehow brought her here. Tara asked her doppelganger what she was looking for. Vampire Tara looked to both girls and said “Willow” or rather her Willow, the one that made her into a vampire. She had been staked, but she wanted her back. Tara began to explain how you couldn’t do that and her spell must have backfired and brought her here instead. Willow had been silent this whole time. She had cleaned up and was using a glamour to hide her neck.

She finally said that they would help Vampire Tara, which surprised both Taras. Willow says she knows of a spell. But they will have to go to LA to get it. Tara said they shouldn’t do it. Willow said that they have too. Tara asked to speak to Willow in private and argues that Willow’s parents are showing up in less than an hour they can’t do anything between now and then. At that point Robert appeared in the kitchen, seeing Tara and Vampire Tara, Robert rushes over to protect the girls. Vampire Tara saw Bob and vamped out, saying “I killed you! What are you doing here!” The two supernaturals were getting ready to attack when Tara tried to get in between them. Bob was demanding that they kill Vampire Tara, Vampire Tara was vamped out and trying to get to Bob. She looked over to Willow and said “Willow! Help me!”and Willow stood and walked over to Vampire Tara.

Everyone calmed down to a stalemate. Tara was starring at Willow in confusion. Vampire Tara laughed a bit and said “I didn’t get her blood, but I got enough of my salvia into her system to make her a thral. Oh it will wear off soon, but long enough for me to get what I came here for.”

Tara agreed to find the book needed to bring back Vampire Willow. Bob would go with her. Willow would stay with Vampire Tara as insurance. If Bob and Tara are not back by midnight (now almost 5 hours away) she was going to kill Willow and vamp her.

Tara called Cordy, who showed up, and orbed them to LA.

Vampire Tara turned to Willow and asked seductively what they were going to do with all that time? Willow told her matter of factly that she needed to change because her parents were going to be there in less than an hour for dinner.

Tara, Bob and Cordy ended up in a underground cavern in LA. Using the maps from Willow’s research Tara broke into a run. Bob and Cordy followed her.

Willow had Vampire Tara change clothes, and was telling her that she was going to behave herself for her parents tonight or the deal was off. Willow told Vampire Tara that she agreed to this not because of the vampire thral but something else. She knew the loneliness that she was feeling, the loss, and would do what she could to help her, but vampire Tara had to help her in turn.

Ira and Shelia showed up, bringing wine. Dinner began, Willow was nervous and quiet. Shelia kept talking and to everyone’s surprise Tara was quite chatty.
After dinner conversation began. Shelia though could not help but comment that Willow needed to think of her future, what she planned to do with her life. Shelia wandered over to the computer in the living room and saw the website open on gay marriages. Shelia asked Willow if that is what she really wanted and that is she wanted to do. She continued on about how sure, she was young and her time with Tara was exciting, but sometime she would have to grow up. Shelia asked her if she ever wanted to have children?
Tara finally had enough and defended Willow to Shelia. Telling her that she loves Willow and that is all they need.

Tara, Bob and Cordy worked their way to a temple. Inside there were scores and scores of vamps all on their knees chanting before a mummified figure. The figure stood up and beckoned them all closer. Cordy exclaimed “oh crap. A Lich.”

Tara demanded to know were the book they needed was. She used her nascent mage abilities (and a drama point) to set the kneeling vampires on fire. The Lich turns to her and tells her “that was very rude.”

Back at the dinner, Vampire Tara and Shelia are still arguing. Vamp Tara breaks down and tells Shelia how much Willow meant to her how she saw her when no one else did and how she took a shy, timid girl and made her into a strong woman and in the process did the same for herself. She said they were soulmates. Argument over, Ira agrees it is time they should go and maybe they would like to have breakfast in the morning.

They leave, and Willow goes back to Tara, still in the dinning room. She asked her if she had meant everything she had said and Vamp Tara said yes. She told Willow that without her, without her Willow, she didn’t see the reason to go on. She lifted her head and vamped out and said, “so if I can’t have her, I’ll have you.”

Tara (again the real one) was facing off with the lich. He called her a curiosity, that he had not seen her kind in a thousand years. She asked about the tome. He said he had it. She asked him if she had to fight him for it. He said, “No.” To everyone’s surprise. He told Tara he would give her the spell she wanted, for a small token, that one day she or her offspring would owe him a favor that he could call upon. Cordy and Bob told her not to do it. But Tara was desperate. She agreed. He asked for her hands. She brought them out and placed the spell parchment in them. She turned to go and he grabbed her wrist. His hand were strong and cold as iron. He left a black circle on the inside of her left wrist. A mark that would stay with her till she paid her debt.

Taking the spell Tara went back to Bob and Cordy and they orbed out.

Back at the house Willow had Vamp Tara on the other side of the table trying to keep it between them. The other orbed in with the spell. Vamp Tara calmed down.

Tara and Willow embraced and she gave Willow the spell. Reading it quickly she told vamp Tara they needed something of Vampire Willow’s. Vampire Tara goes to her duster and pulls out a pair of panties. Which gets looks from everyone. Vampire Tara corrects herself and says that her Willow hardly ever wore those and gives them a pair of padded bondage cuffs instead. Vampire Tara changes back into her regular clothes and Willow and Tara prepare the spell. (at this point my Willow player hands me a note).

They draw a circle in the basement and begin the spell. The spell is complex and even with Willow and Tara both reading it it takes some time. At one point Willow begins a secondary incantation, Tara keeps reading.

There is a flash of lightning and thunder. A rift appears that gathers itself into the shape of a woman. Another flash and the blackness becomes the naked form of Vampire Willow, pulled out of time and space. Vampire Tara runs over to her, putting her duster around her asking her if it is really her. Vampire Willow, confused, only looks up asnd said “you found me!”

Vampire Tara and Willow looked at their human counterparts and said “we don’t know how to repay you. Oh. Wait. Yes we do.” and they vamped out. They told the human girls that they were going to kill them and take their places in this new world. Tara gets ready to attack, but Willow says wait (and tosses me another Drama Point). Approaching Vampire Willow and Tara double over in pain and begin to scream. They fall to the ground while magical auras form around them. Soon they stand asking what they hell did they do. Though it is obvious. Willow had re-ensouled them both. Not needing the focus since they were soulmates they acted as each other’s focus. Willow told them they were not cursed, they could be happy together, just as long as they didn’t kill anyone and they stayed out of each other’s ways.

New unlife at hand Vampire Willow and Tara drive off into the night in Bob’ Thunderbird (much to Bob’s chagrin). Tara tells Willow that her spell was amazing and Willow tells Tara getting the time and space spell was also fantastic. She asked Tara how she got it so fast, and Tara promises to tell her some time.

The next morning Willow, Tara, Shelia and Ira all have a much more pleasant breakfast at the Rosenberg’s. Shelia tells Tara that her words last night really touched her and she would be proud to have Tara in her family.

They are leaving and Willow promises her mom that she will not be so much of a stranger anymore and that she is happy to bring Tara over. Shelia tells her Ira really likes Tara, but could not help but think she was a vampire!

Notes: Ok bit of a shift here. Less action and more drama. My Willow player had the idea from the start to re-ensoul Tara and Willow when she had the chance. She planned it well and paid me enough drama points to do it.

Tara’s player played both Tara and Vampire Tara. Which was a lot of fun.

I was beginning to lose my group here, so the big magical battle with Magnus (the lich) was scrapped in favor of the more horrific Faustian deal. Also my Willow player had to play Cordy in this session too.

No overt allusions to the Awakening except at the very beginning. I wanted to focus on characters here.

Giving up the Thunderbird was a spur of the moment idea by my Tara player. They felt they could teleport via the Ghosts of Albion spell to anywhere they really needed to go. I revisited them in my WitchCraft adventure "Vacation in Vancouver" they had joined the supernatural night life there and basically enjoying the hell out of themselves.  They had not killed anyone, but had plenty of willing volunteers to give them the blood they needed.

Tara’s debt is not dealt with anytime soon, but becomes a major plot point for the next season.

The title is an allusion to Joseph Sheridan Le Fanu’s book In a Glass Darkly that gave us the first lesbian vampire tale “Carmilla”. As well as the Through the Looking Glass website, a site dedicated to all sorts of alt-reality Willow and Tara fics. http://www.uberwillowtara.com/

Next up: The girls come into their full power, but they might not be able to deal with it. Plus the Witches’ Committee is back and they are not happy about getting a depowered Amy and Beth instead of Mages Willow and Tara.

Dracula: The Books

Despite my reviews, Dracula had a life before cinema.

The book "Dracula" is one of the most influential in the English language.  While the book itself is long, and often slow in places, one cannot deny the effect it has had.  There were vampire tales before it, Varney the Vampire and The Vampyre come to mind, and there were even better vampire stories before it, Carmilla is prime example.  But none had the effect of Dracula, both the book and the character.

If you have never the book then you owe it to yourself to do so. You can get the book nearly anywhere, including for free at Project Guttenberg.   I am fond of the Leonard Wolf annotated version myself, but I would read the book without the annotations first.









Dracula in print, like his movie counterpart, has also had a number of sequels published over the years.  Some were good, most though were not.  Here is a round-up of a few.

WARNING, there are spoilers here if you have not read these books.

The Holmes-Dracula File by Fred Saberhagen

I read this so many years ago that my recollection of it is fuzzy at best.  I remember not liking it that much at the time, which I think had more to do with how Saberhagen choose to portray Dracula as a misunderstood hero. And the wood thing. And the amnesia thing too.  I should re-read it to be sure.
Funny though, I am watching "Count Dracula" from the BBC now, and the cover art on this book reminds me of Louis Jourdan. The timing is right for it too.

Anno Dracula by Kim Newman
These books are just goofy fun.  There is a good story here, one about Jack the Ripper and the changes happening to England now that Dracula sits on the throne next to Queen Victoria.  All sorts of name dropping in this one (oh look there's Lestat, hey that's Prince Mamuwalde!) and nods to old vampire movies and books.  I have not read all of his books, but the first one was quite fun.  I remember at the time thinking that if Vampire the Masqurade was as fun as this book then I'd play it more.

The Historian by Elizabeth Kostova

Oh I LIKED this one. A secret book bearing the symbol from the Order of the Dragon shows up ever so often to historians throughout the 20th century.  Each of them begins a quest that leads them to...what? Dracula? That is too insane, but as each one investigates further and further that is the conclusion they reach.  The Historian spans three generations of historians as they search for the burial place of the infamous Prince only to find he is not there.  Sweeping in scope and attention paid to the smallest detail you can almost smell the old books and taste the blood as you read this one.
It is a sequel in the loose sense.  All the characters have read the Stoker novel and use it as a basis.  It is never made clear whether or not Stoker was one of their kind as well or just happened to be lucky.
This one is long and you should have a love of history, old books or libraries to get the full satisfaction of reading it.
The narrator of the tale, who is 17 in the book, but in her 50s as she is retelling it, is a descendant of Vlad Dracula and would make for a great Van Helsing like character in a modern game.

Fangland by John Marks 

This is a modern re-telling of Dracula rather than an out-right sequel. The main character Evangeline Harker fills the John Harker role, while Ion Torgu is our vampire (of sorts). It starts off really good and I like the gender reversal and the modern setting. Plus I could always imagine that Evangeline was the decedent of Johnathan and Mina Harker.
But the book fell apart on me for a lot of reasons.  First, Ion has none of Dracula's charm or grace.  I also found I didn't care much for the characters in the book and the author kept giving me more.  Telling it from the point of view of Trotter, a character I didn't like, also didn't help.
What bugged me the most was the part where Evangeline meets up with this other woman Clementine Spence after she (Harker) had been tortured at "Dracula's" home. Harker and Spence have a brief physical relationship while in Romania and Harker describes herself as "changing" which we learn means becoming a killer. One night she rapes and kills Spence and then drinks her blood.
Unlike the book (or movies) Harker does not "get better" but has become a vampire. The book makes it clear that Harker only had sex with Spence in order to close enough to kill her.  This is another case of the Dead/Evil Lesbian Cliché and frankly it is getting quite old.  The rest of the book was really just mush after that.
If I kept Evangeline Harker it would only be as a name drop and saying she had been killed under strange circumstances in Romania.  Dracula getting his revenge.

Dracula the Un-dead by Dacre Stoker and Ian Holt

I am of mixed feelings about this one.  On one hand we have an interesting story about the events of our heroes 25 years after Dracula.  We have the great, grand-nephew of Bram Stoker penning the tale.  We have a cool mystery involving Elizabeth Bathory.
Then is all goes bad.
The stories never quite jell, the book makes claims that "Dracula" by Stoker got it all wrong and even makes mistakes.  In truth it is like the authors never actually read the book and instead wrote a sequel to the 1990's "Bram Stoker's Dracula" movie.  Of course there are more cliches here as well.  Tying Bathory to the Jack the Ripper murders (which also got some details wrong about that, and didn't do it a well as in Anno Dracula), more evil/dead lesbians in the form of Bathory (God would not allow her to be a lesbian so she rebelled against God and men, but kills women), Mina still pinning over her "Prince" and using a katana to fight of one of Bathory's brides. I could go and on, but I won't.
I liked the more explicit tie-in with Dracula and Bathory.  I like that Dracula, even though is back up and running, is still not 100%, I like Mina not aging (shades of League of Extraordinary Gentlemen) and the way her and Johnathan's relationship turned sour. I like Seward's morphine addicted vampire hunter.  So like I said a lot of good ideas strung together rather poorly.  In the end the book just made me mad because how bad the ending was.  This book was so derivative of other ideas that it is wonder it got published.
From this I use most of the background and chuck the narrative.

Special Mention

Grave Peril: The Dresden Files, Book 3

I picked this up after a long pause with the series and I have to say this was the best book in series (so far).  I mention here because after nearly throwing Fangland out the window after reading Dracula the Un-Dead this was so good it restored my faith in the vampire story.  Grave Peril is a vampire story and how Chicago's very own Harry Dresden manages to single handedly piss off 2/3rds of all the world vampires.
Dracula is mentioned in the book and Harry also states that Stoker penned the "big guide on how to destroy vampires".  So I'd rather go that direction in my games.  Sure I'll take the idea from DtU-D and say one of the vampire hunters told Stoker their tale and 10 years after that he publishes the book in hopes of building a stage career out of it, but in reality the effect was that vampire hunters all over the world now know how to kill vampires better.
In any case this book was very good and the best one I have read this month.  I am on book 4 now and it is so far just as good.